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luxuriascloset · 17 days

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Emilia Clarke at the 2019 Emmy Awards wearing a Valentino dress.

#style #beauty #fashion #emilia clarke #dress #valentino #designer #red carpet #2019 #emmy awards #actress #daenerys targaryen #game of thrones

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carlocarrasco · 2 months

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National triathlete Kim Mangrobang an awardee of the Women in Sports Awards, event scheduled for March 20, 2024

Elite triathlete and back-to-back Southeast Asian Games (SEA Games) medalist Kim Mangrobang has officially been confirmed by the Philippine Sports Commission (PSC) as an awardee of the Women in Sports Awards which will happen on March 20, 2024 at the Rizal Memorial Coliseum in Manila. In a March 8, 2024 official letter addressed to Mangrobang, PSC Commissioner Olivia “Bong” Coo wrote: It is…

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weirdmarioenemies · 29 days

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Name: Spamley

Debut: Ralph Breaks the Internet

Hey, remember the Ralph Breaks the Internet craze of 2018? What a time to be alive! Disney's film about What If The eBay Was A Place was an instant hit, due to the fact that everyone knows the Internet, and everyone wants to see a movie about it! You couldn't stop hearing about it! No wonder it won the Academy Award for best animated film! I think it beat out some movie about spiders, or something...?

Kids today might not remember, because 2018 was so long ago. They're too obsessed with their new age sexymen, like Raymond and the big balls Dwarf. But this movie wouldnt've been the cultural phenomenon it was without one character taking the world by storm: a certain J.P. Spamley!

The Internet fell in love with Spamley at first sight, flooding social media with memes and fan art about the loveable green prick. He rose to the highest ranks of the Tumblr Sex Man for a good while! You couldn't scroll for a few minutes without seeing his catchphrase, "Now's your chance to get rich playing video games!"

What kind of a megacorporation would Gisnep be if it didn't capitalize on Spamley's popularity? So they held a special Spamley Sweepstakes event on November 2019, allowing fans to donate money in honor of Spankley himself! All proceeds would go to Bob Iger and Baby Yoda, and if that's not wholesome, I don't know what is. Those who entered even had a chance of winning WILD prizes, like:

That's it that was the only prize

See him in theatres! This is what Disney told us all to do, and we listened! Little did we know they were doing this to hide a dark secret! If you buy the Blu-ray version of the movie, you can actually manipulate the Scene Select to watch the movie out of order and make some... strange things happen. You can look up a walkthrough online, but the gist of it is making Vanelope kill all the Disney Princesses. Especially Merida. And when you do, you unlock a weird alternate ending...

Spamley NEO is the secret true main antagonist of the film, and he wants to take over Oh My Disney to spread spam and advertisements! No! Not Oh My Disney! Please, for the love of God, NOT OH MY DISNEY!! You have to kill him. You have to destroy your Blu-ray copy of Ralph Breaks the Internet now. I hope you're proud of yourself.

#spamley #ralph breaks the internet #wreck it ralph #oh my disney #mod f boy #unreality #april fools

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extraliga-related · 7 months

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With everything that's been going on lately, here's a short non-comprehensive accumulation of things that could be called progress regarding relations between men's hockey and being queer:

The 🇦🇺 AIHL's Melbourne Mustangs, advocating for trans rights in sports since 2017, and the same team in 2023, donning pride jerseys designed by former goalie (and twin sister of Ty) Tia Wishart who is part of the LGBTQ community.

Jase Polglase of the AIHL's Central Coast Rhinos who puts pride tape on his stick every single game.

Robert Dowd and Marc-Olivier Vallerand having a dance after a win with the Sheffield Steelers.

Starting off with individual efforts, the 🇬🇧 EIHL has since extended their pride event to the duration of a full weekend following a conjoint initiative by the teams' fanbases in 2019.

Zach Sullivan, one of the few out queer athletes in the sport, felt supported enough by his team to come out as bisexual ahead of the Manchester Storm's pride game in 2020.

Danish goalie Jon Lee-Olsen came out as gay a year prior and was reportedly supported by his teammates.

The 🇸🇪 SHL lead the way, awarding the cause a full week since 2019 with elaborate campaigns and getting refs as well as coaches involved. It's a colorful sight.

While Pride Games are at present not an official part of the schedule, several 🇩🇪 DEL teams are joining in. Augsburg and Köln do their part, Berlin has one of the dedicated queer fanclubs and visibly stands against homophobia since at least 2016.

As of 2022 the entire league, as well as a growing number of clubs in the tiers below, cooperate with Hockey is Diversity e.V.. So does the Para Ice Hockey National Team, including Jörg Wedde, who also keeps pride tape on his equipment.

🇫🇮 Liiga's TPS added these stunning jerseys to the mix.

While all the aforementioned teams already wear the jerseys for at least one full game, IF Kiruna of the Swedish 3rd league stepped it up several notches. In 2014 they've decided to wear rainbow jerseys for a full season in support of the LGBTQ community. Since then they've made the rainbow a permanent fixture in their logo and club identity.

___

Plenty of clubs out there hosting events where queer people are given a platform and shown support in a multitude of ways that aren't merely empty words.

And even if it's not part of general discussions within a league, you've got voices who are willing to speak up.

#straying from the theme for the first and last time... though the relation is implied in the last sentence (snv + t.v.)#still got hockey that cares out there. got to count for something. otherwise i'll keep punching a wooden board.#hockey #pride #pride night #aihl #eihl #shl #del #liiga #and so on #there's image links on pc... no clue where they're hiding on mobile. sorry about that.

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rretaenam · 2 months

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happy international womens day judit minot from the award winning game disco elysium (2019)

#judit minot #disco elysium

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intheupside · 26 days

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Sidney Crosby was his usual humble, appreciative self on Thursday morning after being informed that he was the Penguins' nominee for the Bill Masterton Memorial Trophy, awarded annually to the player who best exemplifies the qualities of perseverance, sportsmanship, and dedication to hockey.

No, he's not overcoming a terrible injury or health issue, and he didn't have to battle adversity off the ice. But with the work he puts into his game, there's nobody else that best exemplifies a dedication to hockey. With his role as a leader on the team, an ambassador to the game and just an overall great human, nobody else best exemplifies sportsmanship. And with him having the season he's having at age 36 -- 39 goals and 45 assists in 76 games, on a mission to drag the Penguins into a postseason spot at any cost, he's a model of perseverance in his own way.

While Crosby may not quite agree with his own nomination -- the second nomination of his career, after he was a finalist in 2013 after his bounce back from concussions -- his teammates sure think he's deserving.

"It's everything he stands for," Rickard Rakell said. "It's about the leadership on and off the ice, the time he puts into getting to the top of his game. It's obviously well-deserved."

"It's the way he carries himself," added Marcus Pettersson. "He represents the game, in a way. He doesn't only represent us, for a long time he's been the face of hockey, too. The passion that he brings, and the love for the game that he brings, he's a very, very well-deserving nominee."

As far as sportsmanship, Crosby is a model of that both on and off the ice. Off the ice, he's an ambassador to the game. He never turns down media, and is almost always available to speak in the locker room after games and practices. He's generous with his time, as exemplified in a story Brian Boyle recently shared of Crosby spending nearly an hour playing bubble hockey with Boyle's young son Declan after a game when Boyle's family was in town during the 2021-22 season, and taking the time to FaceTime with Boyle's kids when they were back home in the Boston area. He's accessible to fans, with Mike Sullivan noting that he's never seen Crosby turn down a kid seeking an autograph or looking to meet him.

"Some of the small gestures for me are the ones that mean most," Sullivan said. "Not everybody gets a chance to see that side of Sid."

Crosby is just a giver too, whether it be for teammates or complete strangers. I've seen him before in front of me on the drive into PPG Paints Arena for game nights, and he's cut across lanes approaching an intersection to get next to the median to give money to a homeless person. One of my favorite stories about Crosby came courtesy of Joseph Blandisi, who recalled what Crosby did for Adam Johnson after Johnson's NHL debut in Nashville in 2019.

"I remember that the day after (Johnson's) first NHL game," Blandisi told me after Johnson's death in October. "Crosby had his tailor in the dressing room and got Johnny a suit from his tailor as a congratulations for his first NHL game. That's a story I always tell when people ask me how it was playing with Sid, I always tell the story that he bought Johnny a suit after his first game. That always stuck with me."

Crosby reflected on Letang's win last season on Thursday, after he succeeded him as the Penguins' nominee.

"Given the fact that he had gone through (the stroke) once before, and then having to go through it again and seeing over the years how hard he's worked and what he's gone through to still be playing to a level that he is, it's really impressive," Crosby said. "It was much more deserving, probably, than my nomination."

sid for masterton 🥹

#pittsburgh penguins #sidney crosby

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harrysfolklore · 1 year

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brits surprise - singer!yn and harry

ending kinda sucks but i hope you like it :) let me know your thoughts

MY PATREON | MASTERLIST

"Do you want me to hang up so you can get ready?"

"No. Don't," Harry replied, eyes focused on his phone where his girlfriend's face was displayed, "I still have a few minutes before I need to get dressed."

It was one of the most important days for Harry's year, the Brit Awards, it wasn't the first time he was nominated or attending, but after winning Album of The Year at the Grammys mere days before, the night felt even more special.

YN was by his side for the Grammys, cheering for him and holding his hand the entire time. However, her schedule got too tight by the time the Brit Awards came, with tour rehearsals and interviews that didn't allow her to attend the ceremony.

Or that was what Harry thought, but he was completely unaware of the plan his girlfriend, team and friends were orchestrating to get her to London on time to surprise him by announcing one of his awards on stage.

"I really wish you were here," Harry said, running his hands through his dark curls, "But I know you need to rehearse for your tour, and I'm proud of you."

"I'm proud of you too, baby," YN told him, biting back the urge to tell him that she was planning on surprising him, "You're going to do amazing."

"Sue, It's time to get dressed." Lambert voice was heard through the room, and Harry knew it was his cue to hang up.

"I have to go love, but I'll make sure to call you before I go on stage, okay?"

"It's okay, H. Good luck!"

After a couple of hours had passed and Harry delivered an amazing performance, won 3 awards, thanked his former bandamates on stage, kissed Lewis Capaldi and chugged down too many tequila shots, the most important moment of the night was coming up.

Harry was going to get the Album of The Year award and his girlfriend was ready to surprise him on stage.

He was unaware of it all, still thinking that he might not get the award at the end like it happened in 2019 with his album Fine Line.

Mo Gilligan, the host of the night came on stage to introduce who was presenting the category, and when her girlfriend's name was called, Harry thought the alcohol he had chugged down was playing games with his mind.

It was safe to say that he lost his mind when he saw the girl he loved walk out clad in her navy blue suit looking absolutely stunning.

"Good evening Brit Awards!" she said into the mic, making the entire audience erupt in cheers, "You know I wouldn't miss UK's biggest night for anything in the world, and I'm here to present the award for Album of the Year, these are the nominees."

Harry was lost for words, and he didn't care if he lost the award, he just wanted to rush to the stage and kiss his girlfriend.

"And the winner is..." she said after the video showing the nominees was over, opening the envelope, "Harry Styles!"

The melodies from Late Night Talking filled the arena as Harry let out an excited scream and made his way to the stage, eager to reach his girlfriend who was holding out the award for him.

"I can't believe you're here! You sneaky shit!" Harry spoke into her ear as they hugged, placing soft pecks to her cheek, "This is so amazing!" he leaned back to look at her, not thinking twice before grabbing her face and placing a quick peck to her lips.

Remembering that he was on live television and that he had just won a major award, he let go of her and approached the mic to give his speech.

"This night has been really, really special to me and I will never forget it. Thank you so much for the welcome home, I appreciate it so much. There is no place like home. Thank you, thank you, thank you," he paused for a minute to look at his award and smile, "I’m so, so proud to be a British artist out there in the world. I’m so proud to be here tonight celebrating British artists and British music. Thank you, thank you, thank you," he turned his face to look at his girlfriend fro a minute, "I would also love to thank this stunning, sneaky woman who didn't tell me she was going to be here, you really surprised me, love. I'm so grateful you're here, I love you," he blew a quick kiss to her, and she mouthed a soft "I love you" back, "I’m gonna hand it over to Tom and Tyler. Thank you so much for this, I’m so grateful.”

After Tom and Tyler were done with their speeches and the four of them were off the stage, Harry couldn't wait much longer before he was crashing his lips to his girlfriend's again.

"I'm so happy you're here, so so happy."

"I'm always going to be here, love."

taglist: @cucciolafaerie e @eleanordaisy @sunflowersndpeaches @golden-hoax @alienorknight @daydreamingofmatilda @ivyproblems @ayeshathestyles s @stylesmygucci @gimsaysay @rosaliedepp @dontworrysunflower @milfrrynation @manifestrry @iceebabies @harrystylesrecs @pleasingrryyy @harianaswhore @noitsmebecky @abeanontoast @grapejuice-rry @vrittivsanghavi @msolbesg @tati813 @sad1esgf @eviesaurusrex @itsgabbysblog @theekyliepage @watermelonsugacry @be-with-me-so-happily @a-strange-familiar @reveriehs @musicforcinemas inemas @harrybabyyyyyyy @tinydeskwriter @noooovaaaaa @tenaciousperfectionunknown @mxltifxnd0m @rach2602 @balletdancerry @b-reads-things @juiceboxrry @lomlolivia @itsgigikay @goldensstateofgrace @missmielyhoran @fdl305 @lightsoutstyles

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rhysdarbinizedarby · 5 months

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Couch surfer in his 30s. Oscar winner in his 40s. Why the whole world wants Taika

**Notes: This is very long post!**

Good Weekend

In his 30s, he was sleeping on couches. By his 40s, he’d directed a Kiwi classic, taken a Marvel movie to billion-dollar success, and won an Oscar. Meet Taika Waititi, king of the oddball – and one of New Zealand’s most original creative exports.

Taika Waititi: “Be a nice person and live a good life. And just don’t be an arsehole.”

The good news? Taika Waititi is still alive. I wasn’t sure. The screen we were speaking through jolted savagely a few minutes ago, with a cacophonous bang and a confused yelp, then radio silence. Now the Kiwi filmmaker is back, grinning like a loon: “I just broke the f---ing table, bro!”

Come again? “I just smashed this f---ing table and glass flew everywhere. It’s one of those old annoying colonial tables. It goes like this – see that?” Waititi says, holding up a folding furniture leg. “I hit the mechanism and it wasn’t locked. Anyway …”

I’m glad he’s fine. The stuff he’s been saying from his London hotel room could incur biblical wrath. We’re talking about his latest project, Next Goal Wins, a movie about the American Samoa soccer team’s quest to score a solitary goal, 10 years after suffering the worst loss in the game’s international history – a 31-0 ignominy to Australia – but our chat strays into spirituality, then faith, then religion.

“I don’t personally believe in a big guy sitting on a cloud judging everyone, but that’s just me,” Waititi says, deadpan. “Because I’m a grown-up.”

This is the way his interview answers often unfold. Waititi addresses your topic – dogma turns good people bad, he says, yet belief itself is worth lauding – but bookends every response with a conspiratorial nudge, wink, joke or poke. “Regardless of whether it’s some guy living on a cloud, or some other deity that you’ve made up – and they’re all made up – the message across the board is the same, and it’s important: Be a nice person, and live a good life. And just don’t be an arsehole!”

Not being an arsehole seems to have served Waititi, 48, well. Once a national treasure and indie darling (through the quirky tenderness of his breakout New Zealand films Boy in 2010 and Hunt for the Wilderpeople in 2016), Waititi then became a star of both the global box office (through his 2017 entry into the Marvel Universe, Thor: Ragnarok, which grossed more than $1.3 billion worldwide) and then the Academy Awards (winning the 2020 best adapted screenplay Oscar for his subversive Holocaust dramedy JoJo Rabbit, in which he played an imaginary Hitler).

Waititi playing Adolf Hitler in the 2019 movie JoJo Rabbit. (Alamy)

A handsome devil with undeniable roguish charm, Waititi also slid seamlessly into style-icon status (attending this year’s Met Gala shirtless, in a floor-length gunmetal-grey Atelier Prabal Gurung wrap coat, with pendulous pearl necklaces), as well as becoming his own brand (releasing an eponymous line of canned coffee drinks) and bona fide Hollywood A-lister (he was introduced to his second wife, British singer Rita Ora, by actor Robert Pattinson at a barbecue).

Putting that platform to use, Waititi is an Indigenous pioneer and mentor, too, co-creating the critically acclaimed TV series Reservation Dogs, while co-founding the Piki Films production company, committed to promoting the next generation of storytellers – a mission that might sound all weighty and worthy, yet Waititi’s new wave of First Nations work is never earnest, always mixing hurt with heart and howling humour.

Waititi with wife Rita Ora at the 2023 Met Gala in May. (Getty Images)

Makes sense. Waititi is a byproduct of “the weirdest coupling ever” – his late Maori father from the Te Whanau-a-Apanui tribe was an artist, farmer and “Satan’s Slaves” bikie gang founder, while his Wellington schoolteacher mum descended from Russian Jews, although he’s not devout about her faith. (“No, I don’t practise,” he confirms. “I’m just good at everything, straight away.”)

He’s remained loyally tethered to his origin story, too – and to a cadre of creative Kiwi mates, including actors Jemaine Clement and Rhys Darby – never forgetting that not long before the actor/writer/producer/director was an industry maven, he was a penniless painter/photographer/ musician/comedian.

With no set title and no fixed address, he’s seemingly happy to be everything, everywhere (to everyone) all at once. “‘The universe’ is bandied around a lot these days, but I do believe in the kind of connective tissue of the universe, and the energy that – scientifically – we are made up of a bunch of atoms that are bouncing around off each other, and some of the atoms are just squished together a bit tighter than others,” he says, smiling. “We’re all made of the same stardust, and that’s pretty special.”

-----------------------------------------------

We’ve caught Waititi in a somewhat relaxed moment, right before the screen actors’ and media artists’ strike ends. He’s sensitive to the struggle but doesn’t deny enjoying the break. “I spent a lot of time thinking about writing, and not writing, and having a nice holiday,” he tells Good Weekend. “Honestly, it was a good chance just to recombobulate.”

Waititi, at right, with Hunt for the Wilderpeople actors, from left, Sam Neill, Rhys Darby and Julian Dennison. (Getty Images)

It’s mid-October, and he’s just headed to Paris to watch his beloved All Blacks in the Rugby World Cup. He’s deeply obsessed with the game, and sport in general. “Humans spend all of our time knowing what’s going to happen with our day. There’s no surprises any more. We’ve become quite stagnant. And I think that’s why people love sport, because of the air of unpredictability,” he says. “It’s the last great arena entertainment.”

The main filmic touchstone for Next Goal Wins (which premieres in Australian cinemas on New Year’s Day) would be Cool Runnings (1993), the unlikely true story of a Jamaican bobsled team, but Waititi also draws from genre classics such as Any Given Sunday and Rocky, sampling trusted tropes like the musical training montage. (His best one is set to Everybody Wants to Rule the World by Tears for Fears.)

Filming in Hawaii was an uplifting experience for the self-described Polynesian Jew. “It wasn’t about death, or people being cruel to each other. Thematically, it was this simple idea, of getting a small win, and winning the game wasn’t even their goal – their goal was to get a goal,” he says. “It was a really sweet backbone.”

Waititi understands this because, growing up, he was as much an athlete as a nerd, fooling around with softball and soccer before discovering rugby league, then union. “There’s something about doing exercise when you don’t know you’re doing exercise,” he enthuses. “It’s all about the fun of throwing a ball around and trying to achieve something together.” (Whenever Waititi is in Auckland he joins his mates in a long-running weekend game of touch rugby. “And then throughout the week I work out every day. Obviously. I mean, look at me.”)

Auckland is where his kids live, too, so he spends as much time there as possible. Waititi met his first wife, producer Chelsea Winstanley, on the set of Boy in 2010, and they had two daughters, Matewa Kiritapu, 8, and his firstborn, Te Kainga O’Te Hinekahu, 11. (The latter is a derivative of his grandmother’s name, but he jokes with American friends that it means “Resurrection of Tupac” or “Mazda RX7″) Waititi and Winstanley split in about 2018, and he married the pop star Ora in 2022.

He offers a novel method for balancing work with parenthood … “Look, you just abandon them, and know that the experience will make them harder individuals later on in life. And it’s their problem,” he says. “I’m going to give them all of the things that they need, and I’m going to leave behind a decent bank account for their therapy, and they will be just like me, and the cycle will continue.”

Jokes aside – I think he’s joking – school holidays are always his, and he brings the girls onto the set of every movie he makes. “They know enough not to get in the way or touch anything that looks like it could kill you, and they know to be respectful and quiet when they need to. But they’re just very comfortable around filmmakers, which I’m really happy about, because eventually I hope they will get into the industry. One more year,” he laughs, “then they can leave school and come work for Dad.”

Theirs is certainly a different childhood than his. Growing up, he was a product of two worlds. His given names, for instance, were based on his appearance at birth: “Taika David” if he looked Maori (after his Maori grandfather) and “David Taika” if he looked Pakeha (after his white grandfather). His parents split when he was five, so he bounced between his dad’s place in Waihau Bay, where he went by the surname Waititi, and his mum, eight hours drive away in Wellington, where he went by Cohen (the last name on his birth certificate and passport).

Waititi was precocious, even charismatic. His mother Robin once told Radio New Zealand that people always wanted to know him, even as an infant: “I’d be on a bus with him, and he was that kind of baby who smiled at people, and next thing you know they’re saying, ‘Can I hold your baby?’ He’s always been a charmer to the public eye.”

He describes himself as a cool, sporty, good-looking nerd, raised on whatever pop culture screened on the two TV channels New Zealand offered in the early 1980s, from M*A*S*H and Taxi to Eddie Murphy and Michael Jackson. He was well-read, too. When punished by his mum, he would likely be forced to analyse a set of William Blake poems.

He puts on a whimpering voice to describe their finances – “We didn’t have much monneeey” – explaining how his mum spent her days in the classroom but also worked in pubs, where he would sit sipping a raspberry lemonade, doodling drawings and writing stories. She took in ironing and cleaned houses; he would help out, learning valuable lessons he imparts to his kids. “And to random people who come to my house,” he says. “I’ll say, ‘Here’s a novel idea, wash this dish,’ but people don’t know how to do anything these days.”

“Every single character I’ve ever written has been based on someone I’ve known or met or a story I’ve stolen from someone.” - Taika Waititi

He loved entertaining others, clearly, but also himself, recording little improvised radio plays on a tape deck – his own offbeat versions of ET and Indiana Jones and Star Wars. “Great free stuff where you don’t have any idea what the story is as you’re doing it,” he says. “You’re just sort of making it up and enjoying the freedom of playing god in this world where you can make people and characters do whatever you want.”

His other sphere of influence lay in Raukokore, the tiny town where his father lived. Although Boy is not autobiographical, it’s deeply personal insofar as it’s filmed in the house where he grew up, and where he lived a life similar to that portrayed in the story, surrounded by his recurring archetypes: warm grandmothers and worldly kids; staunch, stoic mums; and silly, stunted men. “Every single character I’ve ever written has been based on someone I’ve known or met,” he says, “or a story I’ve stolen from someone.”

He grew to love drawing and painting, obsessed early on with reproducing the Sistine Chapel. During a 2011 TED Talk on creativity, Waititi describes his odd subject matter, from swastikas and fawns to a picture of an old lady going for a walk … upon a sword … with Robocop. “My father was an outsider artist, even though he wouldn’t know what that meant,” Waititi told the audience in Doha. “I love the naive. I love people who can see things through an innocent viewpoint. It’s inspiring.”

After winning Best Adapted Screenplay Academy Award for JoJo Rabbit in 2020. (Getty Images)

It was an interesting time in New Zealand, too – a coming-of-age decade in which the Maori were rediscovering their culture. His area was poor, “but only financially,” he says. “It’s very rich in terms of the people and the culture.” He learned kapa haka – the songs, dances and chants performed by competing tribes at cultural events, or to honour people at funerals and graduations – weddings, parties, anything. “Man, any excuse,” he explains. “A big part of doing them is to uplift your spirits.”

Photography was a passion, so I ask what he shot. “Just my penis. I sent them to people, but we didn’t have phones, so I would print them out, post them. One of the first dick pics,” he says. Actually, his lens was trained on regular people. He watches us still – in airports, restaurants. “Other times late at night, from a tree. Whatever it takes to get the story. You know that.”

He went to the Wellington state school Onslow College and did plays like Androcles and the Lion, A Midsummer Night’s Dream and The Crucible. His crew of arty students eventually ended up on stage at Bats Theatre in the city, where they would perform haphazard comedy shows for years.

“Taika was always rebellious and wild in his comedy, which I loved,” says his high school mate Jackie van Beek, who became a longtime collaborator, including working with Waititi on a Tourism New Zealand campaign this year. “I remember he went through a phase of turning up in bars around town wearing wigs, and you’d try and sit down and have a drink with him but he’d be doing some weird character that would invariably turn up in some show down the track.”

He met more like-minded peers at Victoria University, including Jemaine Clement (who’d later become co-creator of Flight of the Conchords). During a 2019 chat with actor Elijah Wood, Waititi describes he and Clement clocking one another from opposite sides of the library one day: a pair of Maoris experiencing hate at first sight, based on a mutual suspicion of cultural appropriation. (Clement was wearing a traditional tapa cloth Samoan shirt, and Waititi was like: “This motherf---er’s not Samoan.” Meanwhile, Waititi was wearing a Rastafarian beanie, and Clement was like, “This motherf---er’s not Jamaican.”)

With Jemaine Clement in 2014. (Getty Images)

But they eventually bonded over Blackadder and Fawlty Towers, and especially Kenny Everett, and did comedy shows together everywhere from Edinburgh to Melbourne. Waititi was almost itinerant, spending months at a time busking, or living in a commune in Berlin. He acted in a few small films, and then – while playing a stripper on a bad TV show – realised he wanted to try life behind the camera. “I became tired of being told what to do and ordered around,” he told Wellington’s Dominion Post in 2004. “I remember sitting around in the green room in my G-string thinking, ‘Why am I doing this? Just helping someone else to realise their dream.’ ”

He did two strong short films, then directed his first feature – Eagle vs Shark (2007) – when he was 32. He brought his mates along (Clement, starring with Waititi’s then-girlfriend Loren Horsley), setting something of a pattern in his career: hiring friends instead of constantly navigating new working relationships. “If you look at things I’m doing,” he tells me, “there’s always a few common denominators.”

Sam Neill says Waititi is the exemplar of a new New Zealand humour. “The basis of it is this: we’re just a little bit crap at things.”

This gang of collaborators shares a common Kiwi vibe, too, which his longtime friend, actor Rhys Darby, once coined “the comedy of the mundane”. Their new TV show, Our Flag Means Death, for example, leans heavily into the mundanity of pirate life – what happens on those long days at sea when the crew aren’t unsheathing swords from scabbards or burying treasure.

Waititi plays pirate captain Blackbeard, centre, in Our Flag Means Death, with Rhys Darby, left, and Rory Kinnear. (Google Images)

Sam Neill, who first met Waititi when starring in Hunt for the Wilderpeople, says Waititi is the exemplar of a new New Zealand humour. “And I think the basis of it is this,” says Neill. “We’re just a little bit crap at things, and that in itself is funny.” After all, Neill asks, what is What We Do in The Shadows (2014) if not a film (then later a TV show) about a bunch of vampires who are pretty crap at being vampires, living in a pretty crappy house, not quite getting busted by crappy local cops? “New Zealand often gets named as the least corrupt country in the world, and I think it’s just that we would be pretty crap at being corrupt,” Neill says. “We don’t have the capacity for it.”

Waititi’s whimsy also spurns the dominant on-screen oeuvre of his homeland – the so-called “cinema of unease” exemplified by the brutality of Once Were Warriors (1994) and the emotional peril of The Piano (1993). Waititi still explores pathos and pain, but through laughter and weirdness. “Taika feels to me like an antidote to that dark aspect, and a gift somehow,” Neill says. “And I’m grateful for that.”

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Something happened to Taika Waititi when he was about 11 – something he doesn’t go into with Good Weekend, but which he considered a betrayal by the adults in his life. He mentioned it only recently – not the moment itself, but the lesson he learnt: “That you cannot and must not rely on grown-ups to help you – you’re basically in the world alone, and you’re gonna die alone, and you’ve just gotta make it all for yourself,” he told Irish podcast host James Brown. “I basically never forgave people in positions of responsibility.”

What does that mean in his work? First, his finest films tend to reflect the clarity of mind possessed by children, and the unseen worlds they create – fantasies conjured up as a way to understand or overcome. (His mum once summed up the main message of Boy: “The unconditional love you get from your children, and how many of us waste that, and don’t know what we’ve got.”)

Second, he’s suited to movie-making – “Russian roulette with art” – because he’s drawn to disruptive force and chaos. And that in turn produces creative defiance: allowing him to reinvigorate the Marvel Universe by making superheroes fallible, or tell a Holocaust story by making fun of Hitler. “Whenever I have to deal with someone who’s a boss, or in charge, I challenge them,” he told Brown, “and I really do take whatever they say with a pinch of salt.”

It’s no surprise then that Waititi was comfortable leaping from independent films to the vast complexity of Hollywood blockbusters. He loves the challenge of coordinating a thousand interlocking parts, requiring an army of experts in vocations as diverse as construction, sound, art, performance and logistics. “I delegate a lot,” he says, “and share the load with a lot of people.”

“This is a cool concept, being able to afford whatever I want, as opposed to sleeping on couches until I was 35.” - Taika Waititi

But the buck stops with him. Time magazine named Waititi one of its Most Influential 100 People of 2022. “You can tell that a film was made by Taika Waititi the same way you can tell a piece was painted by Picasso,” wrote Sacha Baron Cohen. Compassionate but comic. Satirical but watchable. Rockstar but auteur. “Actually, sorry, but this guy’s really starting to piss me off,” Cohen concluded. “Can someone else write this piece?”

Directing Chris Hemsworth in 2017 in Thor: Ragnarok, which grossed more than $1.3 billion at the box office. (Alamy)

I’m curious to know how he stays grounded amid such adulation. Coming into the game late, he says, helped immensely. After all, Waititi was 40 by the time he left New Zealand to do Thor: Ragnarok. “If you let things go to your head, then it means you’ve struggled to find out who you are,” he says. “But I’ve always felt very comfortable with who I am.” Hollywood access and acclaim – and the pay cheques – don’t erase memories of poverty, either. “It’s more like, ‘Oh, this is a cool concept, being able to afford whatever I want, as opposed to sleeping on couches until I was 35.’ ” Small towns and strong tribes keep him in check, too. “You know you can’t piss around and be a fool, because you’re going to embarrass your family,” he says. “Hasn’t stopped me, though.”

Sam Neill says there was never any doubt Waititi would be able to steer a major movie with energy and imagination. “It’s no accident that the whole world wants Taika,” he says. “But his seductiveness comes with its own dangers. You can spread yourself a bit thin. The temptation will be to do more, more, more. That’ll be interesting to watch.”

Indeed, I find myself vicariously stressed out over the list of potential projects in Waititi’s future. A Roald Dahl animated series for Netflix. An Apple TV show based on the 1981 film Time Bandits. A sequel to What We Do In The Shadows. A reboot of Flash Gordon. A gonzo horror comedy, The Auteur, starring Jude Law. Adapting a cult graphic novel, The Incal, as a feature. A streaming series based on the novel Interior Chinatown. A film based on a Kazuo Ishiguro bestseller. Plus bringing to life the wildly popular Akira comic books. Oh, and for good measure, a new instalment of Star Wars, which he’s already warned the world will be … different.

“It’s going to change things,” he told Good Morning America. “It’s going to change what you guys know and expect.”

Did I say I was stressed for Waititi? I meant physically sick.

“Well…” he qualifies, “some of those things I’m just producing, so I come up with an idea or someone comes to me with an idea, and I shape how ‘it’s this kind of show’ and ‘here’s how we can get it made.’ It’s easier for me to have a part in those things and feel like I’ve had a meaningful role in the creative process, but also not having to do what I’ve always done, which is trying to control everything.”

In the 2014 mockumentary horror film What We Do in the Shadows, which he co-directed with Jemaine Clement. (Alamy)

What about moving away from the niche New Zealand settings he represented so well in his early work? How does he stay connected to his roots? “I think you just need to know where you’re from,” he says, “and just don’t forget that.”

They certainly haven’t forgotten him.

Jasmin McSweeney sits in her office at the New Zealand Film Commission in Wellington, surrounded by promotional posters Waititi signed for her two decades ago, when she was tasked with promoting his nascent talent. Now the organisation’s marketing chief, she talks to me after visiting the heart of thriving “Wellywood”, overseeing the traditional karakia prayer on the set of a new movie starring Geoffrey Rush.

Waititi isn’t the first great Kiwi filmmaker – dual Oscar-winner Jane Campion and blockbuster king Peter Jackson come to mind – yet his particular ascendance, she says, has spurred unparalleled enthusiasm. “Taika gave everyone here confidence. He always says, ‘Don’t sit around waiting for people to say, you can do this.’ Just do it, because he just did it. That’s the Taika effect.”

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Taika David Waititi is known for wearing everything from technicolour dreamcoats to pineapple print rompers, and today he’s wearing a roomy teal and white Isabel Marant jumper. The mohair garment has the same wispy frizz as his hair, which curls like a wave of grey steel wool, and connects with a shorn salty beard.

A stylish silver fox, it wouldn’t surprise anyone if he suddenly announced he was launching a fashion label. He’s definitely a commercial animal, to the point of directing television commercials for Coke and Amazon, along with a fabulous 2023 spot for Belvedere vodka starring Daniel Craig. He also joined forces with a beverage company in Finland (where “taika” means “magic”) to release his coffee drinks. Announcing the partnership on social media, he flagged that he would be doing more of this kind of stuff, too (“Soz not soz”).

Waititi has long been sick of reverent portrayals of Indigenous people talking to spirits.

There’s substance behind the swank. Fashion is a creative outlet but he’s also bought sewing machines in the past with the intention of designing and making clothes, and comes from a family of tailors. “I learnt how to sew a button on when I was very young,” he says. “I learnt how to fix holes or patches in your clothes, and darn things.”

And while he gallivants around the globe watching Wimbledon or modelling for Hermès at New York Fashion Week, all that glamour belies a depth of purpose, particularly when it comes to Indigenous representation.

There’s a moment in his new movie where a Samoan player realises that their Dutch coach, played by Michael Fassbender, is emotionally struggling, and he offers a lament for white people: “They need us.” I can’t help but think Waititi meant something more by that line – maybe that First Nations people have wisdom to offer if others will just listen?

“Weeelllll, a little bit …” he says – but from his intonation, and what he says next, I’m dead wrong. Waititi has long been sick of reverent portrayals of Indigenous people talking to kehua (spirits), or riding a ghost waka (phantom canoe), or playing a flute on a mountain. “Always the boring characters,” he says. “They’ve got no real contemporary relationship with the world, because they’re always living in the past in their spiritual ways.”

A scene from Next Goal Wins, filmed earlier this year. (Alamy)

He’s part of a vanguard consciously poking fun at those stereotypes. Another is the Navajo writer and director Billy Luther, who met Waititi at Sundance Film Festival back in 2003, along with Reservation Dogs co-creator Sterlin Harjo. “We were this group of outsiders trying to make films, when nobody was really biting,” says Luther. “It was a different time. The really cool thing about it now is we’re all working. We persevered. We didn’t give up. We slept on each other’s couches and hung out. It’s like family.”

Waititi has power now, and is known for using Indigenous interns wherever possible (“because there weren’t those opportunities when I was growing up”), making important introductions, offering feedback on scripts, and lending his name to projects through executive producer credits, too, which he did for Luther’s new feature film, Frybread Face and Me (2023).

He called Luther back from the set of Thor: Love and Thunder (2022) to offer advice on working with child actors – “Don’t box them into the characters you’ve created,” he said, “let them naturally figure it out on their own” – but it’s definitely harder to get Waititi on the phone these days. “He’s a little bitch,” Luther says, laughing. “Nah, there’s nothing like him. He’s a genius. You just knew he was going to be something. I just knew it. He’s my brother.“

I’ve been asked to explicitly avoid political questions in this interview, probably because Waititi tends to back so many causes, from child poverty and teenage suicide to a campaign protesting offshore gas and oil exploration near his tribal lands. But it’s hard to ignore his recent Instagram post, sharing a viral video about the Voice to Parliament referendum starring Indigenous Aussie rapper Adam Briggs. After all, we speak only two days after the proposal is defeated. “Yeah, sad to say but, Australia, you really shat the bed on that one,” Waititi says, pausing. “But go see my movie!”

About that movie – the early reviews aren’t great. IndieWire called it a misfire, too wrapped in its quirks to develop its arcs, with Waititi’s directorial voice drowning out his characters, while The Guardian called it “a shoddily made and strikingly unfunny attempt to tell an interesting story in an uninteresting way”. I want to know how he moves past that kind of criticism. “For a start, I never read reviews,” he says, concerned only with the opinion of people who paid for admission, never professional appraisals. “It’s not important to me. I know I’m good at what I do.”

Criticism that Indigenous concepts weren’t sufficiently explained in Next Goal Wins gets his back up a little, though. The film’s protagonist, Jaiyah Saelua, the first transgender football player in a FIFA World Cup qualifying match, is fa’afafine – an American Samoan identifier for someone with fluid genders – but there wasn’t much exposition of this concept in the film. “That’s not my job,” Waititi says. “It’s not a movie where I have to explain every facet of Samoan culture to an audience. Our job is to retain our culture, and present a story that’s inherently Polynesian, and if you don’t like it, you can go and watch any number of those other movies out there, 99 per cent of which are terrible.”

*notes: (there is video clip in the article)

Waititi sounds momentarily cranky, but he’s mostly unflappable and hilarious. He’s the kind of guy who prefers “Correctumundo bro!” to “Yes”. When our video connection is too laggy, he plays up to it by periodically pretending to be frozen, sitting perfectly still, mouth open, his big shifting eyeballs the only giveaway.

He’s at his best on set. Saelua sat next to him in Honolulu while filming the joyous soccer sequences. “He’s so chill. He just let the actors do their thing, giving them creative freedom, barely interjecting unless it was something important. His style matches the vibe of the Pacific people. We’re a very funny people. We like to laugh. He just fit perfectly.”

People do seem to love working alongside him, citing his ability to make productions fresh and unpredictable and funny. Chris Hemsworth once said that Waititi’s favourite gag is to “forget” that his microphone is switched on, so he can go on a pantomime rant for all to hear – usually about his disastrous Australian lead actor – only to “remember” that he’s wired and the whole crew is listening.

“I wouldn’t know about that, because I don’t listen to what other people say about anything – I’ve told you this,” Waititi says. “I just try to have fun when there’s time to have fun. And when you do that, and you bring people together, they’re more willing to go the extra mile for you, and they’re more willing to believe in the thing that you’re trying to do.”

Yes, he plays music between takes, and dances out of his director’s chair, but it’s really all about relaxing amid the immense pressure and intense privilege of making movies. “Do you know how hard it is just to get anything financed or green-lit, then getting a crew, getting producers to put all the pieces together, and then making it to set?” Waititi asks. “It’s a real gift, even to be working, and I feel like I have to remind people of that: enjoy this moment.”

Source: The Age

By: Konrad Marshall (December 1, 2023)

#rhys darby #taika waititi #next goal wins #our flag means death #hunt for the wilderpeople #interview

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soberscientistlife · 3 months

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James Earl Jones (born January 17, 1931) is an American actor. Over his career, he has received three Tony Awards, two Emmy Awards, and a Grammy Award. He was inducted into the American Theater Hall of Fame in 1985. He was honored with the National Medal of Arts in 1992, the Kennedy Center Honor in 2002, the Screen Actors Guild Life Achievement Award in 2009 and the Honorary Academy Award in 2011. Suffering from a stutter in childhood, Jones has said that poetry and acting helped him overcome the disability. A pre-med major in college, he served in the United States Army during the Korean War before pursuing a career in acting. Since his Broadway debut in 1957, he has performed in several Shakespeare plays including Othello, Hamlet, Coriolanus, and King Lear. Jones worked steadily in theater winning his first Tony Award in 1968 for his role in The Great White Hope, which he reprised in the 1970 film adaptation earning him Academy Award and Golden Globe nominations. Jones won his second Tony Award in 1987 for his role in August Wilson's Fences. He was further Tony nominated for his roles in On Golden Pond (2005), and The Best Man (2012). Other Broadway performances include Cat on a Hot Tin Roof (2008), Driving Miss Daisy (2010–2011), You Can't Take It with You (2014), and The Gin Game (2015–2016). He received a Special Tony Award for Lifetime Achievement in 2017. Jones made his film debut in Stanley Kubrick's Dr. Strangelove (1964). He received a Golden Globe Award nomination for Claudine (1974). Jones gained international fame for his voice role as Darth Vader in the Star Wars franchise, beginning with the original 1977 film. Jones' other notable roles include in Conan the Barbarian (1982), Matewan (1987), Coming to America (1988), Field of Dreams (1989), The Hunt for Red October (1990), The Sandlot (1993), and The Lion King (1994). Jones has reprised his roles in Star Wars media, The Lion King (2019), and Coming 2 America (2021).

Source: African Archives

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umadosedepascal · 4 months

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P E D R O P A S C A L

O N L Y

__ FIC REQUEST OPEN __

SERIES

(Banners are here)

🔥NEW MEXICO(PART IX)- Pedro asks you to spend his birthday together with you. You just go.

W I N N E R(PART VIII) - You couldn’t attend SAG awards but Pedro meets you late in the night to celebrate.

O U C H (PART VII) - You are at the Golden Globes and meet Pedro over there, he didn’t win unfortunately but still, he is a winner in bed.

B O A T (PART VI) - Today is your last day in Malta. Pedro will be back to work, and you also need to return to your routine. Pedro wants your last day to be wonderful, nothing like a surprise with a perfect end. The three most intense days of your life.

COME FIND ME (PART V) - Pedro promised you a weekend, but an unforeseen event changes everything. Maybe he's a fan of surprises, maybe he can find you.

72 HOURS WITH HIM (PART IV) - The shooting in Malta keeps going, all Pedro needs is a weekend off, well…he got it. Would you go meet him for only three days? Hmmm yes!

PEDRO SOLO (PART III) - The days are long and exhausting, Pedro has a huge hotel room, hot tub ... But he is missing something, could you help him?

LOSING GAME (PART II) - You meet Pedro again not just to take back your panties. He wants to play a game, who’s going to lose?

HIGH MILES CLUB (PART I) - After partying hard at Met Gala making out with you in the bathroom and later taking you to his hotel room in NY, he finds something inside his red overcoat pocket in the middle of the airport. But it doesn’t stop, more unexpected and hot things happens during his flight back home.

ONE SHOT

(Banners are here)

MASTERCHEF FAIL - With a busy schedule, Pedro finds some time to spend with you. You promised him to cook his favorite food. Maybe things get out of hand and dessert comes before dinner.

PURPLE IS THE HOTTEST COLOR - After having a difficult day, Pedro meets you, no patience, no time for conversations.Pedro only has one desire in mind: you here and now, no matter if anyone will see you.

————————————————

PEDRO I M A G I N E

It’s 3 in the morning…

Hey, I’m looking at you…

What a smile…

🔥 You wearing his purple shirt…

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Who are Santa Trindade

Gringa is on her late 30’s totally addicted to Pascal for the latest years (she doesn’t know what happened) although she’s following his work since 2019 because she is a Star Wars nerd and fell in love with a mandalorian 🤷🏻‍♀️. Her favorite Pedro boy is Javi Gutierrez because he is chubby and funny (Pedro vibes almost 100%).

What makes her wet is when Pedro: slide his finger on his lips while giggling.

Good vibes: if she had a date with Pedro she thinks she wouldn’t be able to walk the next day 🥲

——

@missyorkswhore is on her late 20’s and noticed Pedro when her uncle was watching Narcos, she saw Javier and asked him “wow, who’s that stach guy?”. A couple years later she finally got into Narcos and you know…she still want to marry Peña.

She loves when Pedro raises his eyebrow, and when he speaks Spanish [she thinks she can get wet in a fraction of seconds if he speaks like that to her in bed] ah and of course when he screams WHAT TOWN!!! as Joel.

Fave character obviously: DAVE FUCKING YORK (killer king)

#pedro pascal #pedro pascal fic #pedro pascal x f!reader #frankie catfish morales #frankie morales #pedro pascal fanfiction #pedro pascal imagine #pedrohub #joel miller x reader #dieter bravo #joel miller #dave york x reader #dieter bravo x reader #jose pedro balmaceda pascal #dave york #pedro pascal character fanfic #pedropascaledit #oberyn martell #pedro pascal x you

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on-this-day-btvs · 6 months

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November 6, 2001

Once More, With Feeling aired for BTVS season 6, episode 7. This was the only BTVS episode performed as a musical. All of the regular cast performed their own vocals, although two actors (those who played Willow and Dawn) were given minimal singing at their request. Apart from vocal and choreography prep: "[actual shooting] took something like 19 hours of singing and 17 hours of dancing in between shooting four other episodes."

The demon Sweet (shown in a blue suit above) is played by Hinton Battle, a three-time Tony-winner. This is his only Buffyverse appearance.

(mod note: Apparently Hinton Battle also choreographed the dancing in this episode!)

Commonly referred to as "OMWF," the episode was nominated for a 2002 Primetime Emmy Award for Outstanding Music Direction. (If it had won, the award would have gone to Christophe Beck and Jesse Tobias.) Despite the nomination, the National Academy of Television Arts and Sciences neglected to include the title on the ballots. The Emmy was awarded to the Opening Ceremony of the Salt Lake 2002 Olympic Winter Games.

In March 2019 a vinyl press of the original cast recording was released, with cover art by Paul Mann (shown above).

The moderator is unaware of any recordings of the 2002 Winter Olympics Opening Ceremony ever being sold, in any format.

(image create to illustrator Paul Mann) (vinyl details and image via Consequence) (SMG quote and other information via wikipedia)

#btvs #ep: 6x07 once more with feeling #month: november #the demon sweet #hinton battle #date: 06 #year: 2001 #dancing

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thoughtroomba02 · 3 months

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TS Film Thoughts Masterpost

As promised.

Let's start things off -

Breaking News - Headlines about the film

Dec 9 2022 - her film contract makes headlines

From what I can find, this is the first that anyone knows she is producing a film. There are no details released other than it's a script she wrote and she will be directing the film.

The next we hear is Dec 7, 2023 from the Tennessean --

It's been crickets, essentially. There are no public details I can find about the film anywhere including cast list, release date, content, ETC.

Interestingly, two days ago -- though uncertain of validity of source -

I don't have access to puck so cannot confirm what the article says; but this was recent! So; in theory, she finishes her Eras tour and moves directly in to film.

More on how Disney+ ties in our next section...

Who is Searchlight Pictures?

Created April 29, 1994 - formerly known as Fox Searchlight/under 20th/21st Century Fox

Biggest success: Slumdog Millionaire 187 Academy Ward Nominations with 46 wins; 5 Best Picture since 2009 117 Golden Globe Nominations; 51 wins 66 Screen Actors Guild Award Nominations; 55 wins 137 Independent Spirit Awards, 54 Wins

Other Notable Films: 12 Years A Slave; Black Swan; Napoleon Dynamite;

20th century fox, prior to the creation of Searchlight, was prominent in the specialty and independent films market in the 1990s; it carried this interest into Searchlight, at least initially.

In 2012, it was incorporated into Murdoch's 21st Century Fox. Barf.

On Dec 14, 2017 Disney put their first bid out on 21st Century Fox/Fox Searchlight. On March 19, 2019 the companies merged and Disney acquired Fox Searchlight; Fox News notoriously split independently. Disney dropped the name Fox; so now we have just Searchlight Pictures. There is also a Searchlight Pictures TV and shorts production, which for the sake of time I will not get into.

For Funsies, here is a short film (Jun 18 2019, after Disney acquired) produced by them called....LAVENDER. About a gay man who has a relationship with a married gay couple. Can't make it up.

Anyway, since merging with Disney especially, the company seems to be LGBTQ friendly.

And yes, Joe Alwyn has worked with Searchlight, with tweets I found dating back to 2018 with Searchlight UK. Make of that what you would like, I have no real objective commentary on the matter.

Taylor as a Director

She also directed the Long Pond Studio Sessions and Miss Americana.

Most of her directorial work has been since the Lover debut. Most of which is very queer coded/sapphic.. and again, make of that what you will.

Appearances/Pap Walks, ETC

Since her split from JA, we have seen her with multiple friends in the film industry. Among these: Ryan Reynolds, Blake Lively, Selena Gomez, Keleigh Teller, Miles Teller, Sophie Turner, Emma Stone...

And dare I say.... Travis Kelce, who seems to want to break his way into the entertainment industry?

(aside from this headline; his failed dating show, his podcast, his multiple PR deals like with ZenWater... etc. I rest my case).

We also know there has been some B roll footage taken at the Chiefs Games.

Additionally, the media coverage of this relationship has been an absolute f*cking circus; with constant headlines of the two and their "engagement" / relationship dynamics. On Taylor's end, we have had constant references to Bejeweled (where she Ghosts); including Keleigh Teller giving her the opal ring.

The Speculation

Yall, this is my opinion - you can agree, disagree, etc; but I have no insider information. Just thoughts.

She makes her film directorial debut with Searchlight - recently acquired by Disney, who is pro-LGBTQ; and is clearly in deep with business deals with them, as seen on Taylor Nation and her Eras Tour Film.

We have rumors of her beginning her film production at the end of the ERAS tour, along with knowledge of her currently with B roll footage from chiefs games. We have multiple highly papp'ed appearances with her + TK; but also with multiple film stars, including Blake Lively (still not over that photo), Sophie Turner (I do think there's altruism here tbh on TS's end), and Keleigh. If you believe Keleigh is her stand in invisible bride.... Holy shit. Between the opal ring shutdown of the media circus as well as her and TS literally taking a page out of TSHOEH and dressing in character...

My ultimate suspicion is that she's using actual experiences of her current life-highly papp'ed - to tell her story. And that Keleigh is her stand in muse in this film.

I also think the @spade-riddles we've been getting about a final act ending, etc, pertain to her film. I don't have evidence aside from speculation.

I rest my case. Enjoy this post and make of it what you will.

#gaylor #kaylor #lgbetty

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hpowellsmith · 5 months

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Happy fourth birthday, Crème de la Crème!

I’ve been writing in this setting for five and a half years now and as the years have gone by, I’ve found I have more and more ideas to explore.

When I first pitched Crème de la Crème - more about that process here, from CdlC’s third birthday last year - it felt risky. I’d made romance-focused games before, but they were short, and focused on one character per game. My first CoG game, Blood Money, along with a lot of my other early games, is fantastical, violent, and moody, where CdlC is generally much lighter - in overall tone, if not in all the events that happen. But I’d been yearning to write a school game for a long time - I was idly thinking about it sometime during Blood Money - and this was my opportunity to do it.

And I’m really glad I did! Crème de la Crème has reached a larger audience than I ever thought possible, it won XYZZY awards that I was absolutely stunned to receive (Best Writing, and tying for Best Story and Best Game in 2019), and it continues to bring people enjoyment even after all these years. It feels really magical that people who don’t even know me have enjoyed this story, characters, and world.

I learned a huge amount from making it and it’s been a jumping-off point for future games in the same setting - so even though it came out four years ago, it’s still very much part of my life which is really lovely.

To think I was initially worried that people wouldn’t enjoy a game with so little combat in it!

Thank you to everyone who's played, gave feedback while it was being made, who's talked about it, who's made art about it, and who's supported it in any manner of ways. I really appreciate it. And particular thanks to Abigail C Trevor for the editing, Kris Lorischild for copyediting, Paula Tuazon for the beautiful art, and my wife Fay Ikin for helping me at every step of the way.