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#gemaldegalerie
lionofchaeronea · 1 year
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Salvator Mundi, unknown artist, between 1100 and 1150
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gregdotorg · 10 months
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David Grubbs took this photo yesterday (23Jun2023) of a Rembrandt in tarp with a leak into a bucket at the Gemäldegalerie in Berlin, and today I wrote a bit about how its resemblance to a David Hammons is because we are living in David Hammons' world, a fact of which we only momentarily and sporadically become aware.
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faithandreams · 2 years
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Lovers in Berlin
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travellingstranger · 15 days
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Time is running out. Orhan Pamuk "On Being Unable to Stand Up and Leave" / "The Consolation of Objects" exhibition
Gemäldegalerie Alte Meister
Dresden, Germany
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tragediambulante · 3 months
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Madonna of the rose, Parmigianino, 1530
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museoweb · 1 year
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Caspar David Friedrich - Due uomini che contemplano la luna - 1819
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pikasus-artenews · 2 years
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Donatello Inventor of the Renaissance La prima grande mostra di Donatello in Germania nata dalla collaborazione internazionale tra Berlino, Firenze e Londra.
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homomenhommes · 2 months
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Jan Vermeer van Delft - The Glass of Wine 
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Johanes Vermeer - A girl drinking and a gentleman - c 1660 -Gemaldegalerie Berlin
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"Le verre de vin", Vermeer (entre 1658 et 1662)
Dégustation, séduction, morale et vertu...
Histoire passionnante de cette œuvre à retrouver ici : https://fr.wikipedia.org/wiki/Le_Verre_de_vin
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Da: SGUARDI SULL’ARTE LIBRO QUARTO - di Gianpiero Menniti
IL CALORE DELL’INFERNO 
Non è difficile descrivere un mondo paradisiaco: le immagini possono evocarlo, meglio di ogni frase. Allo stesso modo, un’espressione pittorica può rappresentare l’inferno con i connotati più biechi. Ma il primo, per essere efficace, appartiene quasi sempre alla rappresentazione di un paesaggio immacolato, privo della presenza umana. Il secondo, invece, ottiene maggiore enfasi, fino all’urto, quando prospetta uno scenario invaso dalle vicende umane. Il tema è religioso. Dopo aver meditato a lungo, il pittore tedesco Otto Dix, negli anni più cupi del primo Novecento, quelli della coscienza infelice di un’Europa ormai suicida, diede sfogo alla sua visione creativa con due opere, due “trittici”, come fossero dipinti di tradizione sacra: la annullano, se ne fanno amaro sghignazzo per suggellare la crisi di ogni etica ridotta a retorica, una retorica ormai improponibile persino in quel richiamo superiore che per secoli trascese la misera condizione del dubbio. No: questa emerge e s’impone nell’orrore e nella decadenza, salde umane presenze che nemmeno il colore più vivido e il grigiore più oscuro possono velare. Monito? Ne dubito. Rassegnazione? Forse. Disgusto e disillusione: sentimenti più congeniali a queste due tracce pittoriche. Speranza? Sottesa. E impronunciabile. Perchè nessun cenno faccia breccia nell’atrocità e nell’esecrazione. Fino a che il calore dell’inferno non si avvicini alla pelle del viso e ne accenda gli occhi fino alle lacrime. Sovvengono le parole di Italo Calvino, tratte da “Le città invisibili” (1972):
«L’inferno dei viventi non è qualcosa che sarà: se ce n’è uno è quello che è già qui, l’inferno che abitiamo tutti i giorni, che formiano stando insieme. Due modi ci sono per non soffrirne. Il primo riesce facile a molti: accettare l’inferno e diventarne parte fino al punto di non vederlo più. Il secondo è rischioso ed esige attenzione e approfondimento continui: cercare e saper riconoscere che e che cosa, in mezzo all’inferno, non è inferno, e farlo durare, e dargli spazio».
- Otto Dix (1891 - 1969):  “Trittico della guerra”, 1928 - 1929, Gemaldegalerie, Dresda e “La grande città”, 1927 - 1928, Kunstmuseum, Stoccarda.
- In copertina: Maria Casalanguida, "Bottiglie e cubetto", 1975, collezione privata
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hpoxfordprogram · 9 months
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Whimsical Adventures
~by Arya Tadepalli
Deciding to apply for the Oxford Summer Study Abroad program might be one of the best decisions I have made in college. Not only did I learn a lot about the world and was able to embrace different cultures, I also learned a lot about myself along the way as cheesy as that sounds.
I was part of Group 2 (the best group) and our itinerary was as follows: we took a flight from Atlanta to Amsterdam, Netherlands and then another flight to land in our first city Berlin, Germany. From Berlin we bussed to Leipzig, Germany stopping at Wittenberg on the way for lunch. After Leipzig we bussed to Prague, Czech Republic and stopped at Dresden, Germany for lunch. After Prague we went to Vienna, Austria stopping at Brno, Czech Republic on the way. From Vienna we stopped at a cute cabin hotel in the Alps for lunch before going to Lido right outside of Venice, Italy. From Venice we went to Rome, Italy with a quick stop at an Autogrill.
Side note: I am a huuuuuuuuge dog person and every time I saw a dog on this trip I would always squeal and point and say “DOG!” much to the embarrassment of anyone around me. At this Autogrill stop, which is basically what truck stops are called in Italy, I saw this beautiful German Shepherd. I had seen many dogs on the trip, but even with my two years of learning German in school I was not comfortable enough to go up to the dog owner to ask to pet their dog. However, something came over me when I saw this German Shepherd and people speak a lot more english in Italy so I just went up to the owner right before getting on the bus and asked to pet their dog. When they said yes I just started the usual small talk asking what their dog’s name is and how old they are etc. The owner said their dog’s name was Arya!! I then asked the owner how they spelled that name and they said, “A. R. Gamma. A.” I got so excited I said, “Wait! That is my name!” and I even pulled out my drivers license and pointed to my name to show the exact same spelling. Apparently in Italy, they do not have the letter Y so we got over the language barrier by gesturing the letters. Here is a picture of Arya squared.
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Going back to the itinerary, when we were in Rome we went to the Vatican City for a day. Then, after Rome, we stopped at Montepulciano in Tuscany for lunch before continuing to Florence, Italy. Florence was the longest city of the travel portion for us and our schedule made it so that we had a half day for independent activities where a majority of us visiting the leaning tower of Pisa and an entire day for independent activities where many of us went to Monterosso in Cinque Terre for the day. From Florence we spent a night in Chamonix, France before leaving for Paris, France the next day. Paris was our last city of the travel portion so we ferried to Oxford, UK after.
I was not sure if I would enjoy the travel portion classes as much because I am more of an outdoorsy person instead of a gallery person, but I now realize those two are not mutually exclusive. I had such a great time learning about the art pieces and artists and then going to the gallery the very same day and seeing the original works of art in person. We went to a variety of famous galleries all over Europe from the Louvre in Paris to the Uffizi and Accademia Galleries in Florence to the Gemaldegalerie in Germany, they were all such cool experiences. The music class was just as fun because we would learn about different aspects of music and then go to a concert in a few cities. There were a variety of concerts that we went to. Our first concert was in Berlin where we saw the Berliner Philharmoniker perform the Turangalila Symphony which is a modern piece. Our second concert was at the National Theatre in Prague where we watched the Czech National Ballet and the National Theatre Orchestra present a spectacular performance of the “Onegin” Ballet which is a more Romantic piece. Our third concert was at the Schönbrunn Palace, Vienna where we watched the Schloss Schönbrunn Orchestra play Mozart, Haydn, J. Strauss, O. Strauss, and Lehár pieces which are more part of the Classical time period. The fourth concert was in the San Vidal Church in Venice, Italy where the Venetian Interpreters played Antonio Vivaldi’s The Four Seasons as well as Vivalid’s violin concerto and cello concerto. The last concert was in the Sunset underground part of the Sunset/Sunside Club in Paris, France where Larry Crockett and the Funky Cherokees performed jazz. Each gallery and concert made me appreciate the arts so much more and the talent and dedication that goes into every brush stroke or bow movement.
This trip also opened my eyes to how oblivious American tourists are, especially on public transportation. We are generally the biggest and loudest group, pretty clumsy especially the first day we are in the city, tend to hold people up the most when getting on or off buses and trains, and do not stay to the right side of the escalator to let people pass on the left. But we learned from our mistakes and tried to amend them later on in the travel portion. I mostly learned that I like traveling in smaller groups though. One of my friends and I had a plan to watch the sunrise in every city we traveled to and those were genuinely some of my favorite memories from the trip because it would usually just be the two of us planning where to watch the sunrise and traveling public transportation to get there and enjoy the views. This started during the very first city in Berlin when we ran from our hotel to the Brandenburg Gate for some pretty views.
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Leipzig was the only city that we missed. In Prague we watched the sunrise from the Charles bridge. In Vienna we started near the Prater amusement park and walked around the city watching the sun rise. In Venice we watched the sunrise from the beach our hotel was right next to. In Florence we watched the sunrise from a park near our hotel. In Chamonix we hiked at 3AM up the French Alps near Mont Blanc doing a bunch of switchbacks below the Ski Lift that was shut off for the night.
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In Paris my sunrise buddy fell asleep on me, but I was determined to maintain the streak especially since Paris was our last city of the travel portion so I mustered up the courage to travel Paris public transportation on my own at 5AM and I went to the Trocadero Square. This was a huge milestone for me because I had never traveled on my own before other than a few city exploration walks in well lit populated places and this experience was a culmination of all the tricks I had learned during traveling and Paris is notorious for pickpocketing so I had to be aware of my surroundings at all times.
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I was able to apply everything I learned to my weekend trips I took during the Oxford portion. The first weekend we were told to stay in Oxford so I explored the town. The second weekend I went to Dublin. The third weekend I went to Amsterdam, Brussels, and Brugge. The fourth weekend I went to Wales and London, and the fifth weekend I went to Edinburgh. My favorite place during the Oxford portion was actually a 30 minute walk from Mansfield college and is called Port Meadow. I made it a point to go there every Sunday right after dinner to see the wild horses and cows and enjoy the sunset. It was such a magical place for me especially when the horses would come up to you to be petted because it made me feel like the chosen one.
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All in all, the Oxford Study Abroad experience taught me a lot about being a considerate and respectful traveler and gave me the opportunity to immerse myself in the surrounding culture. It also gave me more confidence as a solo traveler and confidence in my ability to handle myself in general under various different circumstances.
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silverfroth · 1 year
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Frans Floris de Vriendt, (workshop), 16th century, Gemaldegalerie, Berlin.
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lionofchaeronea · 1 year
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Arrival of the Holy Family in Bethlehem, Cornelis Massijs, 1543
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nerosunero · 3 years
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5 October 2021, Gemaldegalerie, Berlin. Rogier van der Weyden, Portrait of a Young Woman, 1440-45 (Detail)
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travellingstranger · 15 days
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Tragedies.
Claude Lorrain "Coastal Landscape with Acis and Galatea" (1657)
Little exception in terms of landscapes...
Gemäldegalerie Alte Meister
Dresden, Germany
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conformi · 4 years
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Antonio Vivarini, Saint Mary Magdalene taken to heaven by angels, 1450-1460 VS Yves Saint Laurent, Evening Ensemble, Spring-Summer 1967 Haute Couture collection
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museoweb · 1 year
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Lucas Cranach il Vecchio - La fontana della giovinezza - 1546
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