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#he got close to her
nerdpoe · 4 months
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Lucius Fox is in the drive thru for some coffee, and like. He's just. He's had a time, okay?
He's stuck on some equations in regard to the amount of torsion a joint would go through if it's half in his dimension and half in another, and it's driving him up a wall.
He's been up for like forty-eight hours, he's tired, he's thirsty, he just wants a coffee, and also how to solve this dilemma.
He doesn't expect the barista in the drive-thru he's ranting about the engineering issues to actually provide decent feedback, and give him a few alternatives.
So he rushes to the pick-up window, not even caring to order, to look at this godsend of a barista.
It's a scrawny kid with black hair and blue eyes, looking startled. Boy can't be more than eighteen.
He asks what college the kid is going to, or plans to go to.
To his absolute horror, the kid-Danny, according to the nametag-says he can't afford college. That he'd had a stint in highschool where he just hadn't been able to focus, and his parents had spent every penny they had on their own inventions.
So that was why he was a barista; because if he worked there for four years, they would offer tuition assistance.
Which.
No. No no no no no.
Lucius pulls around to march into the store, Bruce Motherfucking Wayne already blearily on his phone.
He is getting this kid, and any friend of his, into college.
If Bruce won't foot the bill, he will.
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junotter · 4 days
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Part 1 of my modern avatar au, the fire nation
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sneez · 4 months
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family portrait :D young sam and sybil are behaving themselves and vimes is throwing a hissy fit because they tried to make him wear the helmet
[id: a digital painting of three people sitting for a portrait in a domestic interior. young sam is standing with his hands behind his back and beaming proudly. vimes is standing behind him with his hand on his shoulder, wearing a shiny military uniform and a surly expression. sybil is sitting on the right with an arm around young sam, smiling at the viewer. a plumed helmet is sitting on a table on the left. end id.]
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wyvernity · 1 month
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sss day my favorite national holiday WOOOOHHHH
bonus
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#pokemon#trainer lyra#rival silver#soulsilvershipping#timeskip tag#bao beis#i had so much more planned. but alas. college.#ANYWAY. sss my everything. ohh. always thinking abt them.#this is very obviously lyra's room! all the pink! massive bed to fit all her pokemon! the champion paycheck gets you that much at least#and plants!!! no. 1 horticulturist in johto#she's living somewhere around the base of mt silver... decently close to the league and her hometown#so i like to imagine her with a huge greenhouse so she can take care of plants even in the harsher climate#meanwhile silver has one of those decrepit malelivingspace flats in viridian. he's making it work.#i can only see sss properly moving in together liiiike in their late 20s#after they get to enjoy young adult independence for a while#but before they permanently settle down they should go on silly adventures again... just once. or twice. or#as much as i like to entertain the thought of them being homebodies i think they'd rather spend their lives travelling haha#since silver never got to fully experience it as a kid on the run#being a wanted man and all#and lyra is itching for the getaway#they deserve to be in nature and responsibility-free and *frothing at the mouth*#BTW i put my whole wyvussy into that wall decor#lisia signed poster... rosa's resemblance as mei(!!!) in the totoro one... bell tower + whirl island pics //#pokemon constellations... and those gen 4 mail templates that no one actually used. probably from dawn. champion penpals :]#i debated doing a lance poster because celebrity idol funny but nah she'd bin that immediately after moving out#oh yeah the drawover was um. inspired by the nonebinary neochamp fit. so happy for my son.#i'm glad i managed to finish the big piece in time otherwise i would've just posted that LOL can you imagine#okey bye happy sss day
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hylialeia · 10 months
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you don't get it. she loved him once. she didn't have a maester, she had a brother. he sold their mother's crown to keep them fed. he said Dany, please. she loved him, once.
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tyttetardis · 3 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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breezy-cheezy · 1 year
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Febuwhump day 1: Touch Starved
Boy can’t say something like “I don’t deserve to cry” and NOT expect a hug....
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bonefall · 4 months
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Maybe I'll make a post on this at some point but like, something deeply fucked up about TNP and Po3 that people have totally forgotten about is how badly they try to whine that "Tigerstar Had Good Traits :("
Firestar does it, Brambleclaw does it, and they keep doing this after it becomes this GRAND irony that Firestar almost gets Tiger'd to death in a fox trap because he was too trusting. Bramble gets his pity award of keeping deputyship and then cries to his son about how No One Saw The Good In Tigerstar :(
And it's wiiiiild that no one else in this fandom has done anything with the fact that Leopardstar broke the Warrior Code to appoint Hawkfrost, who had no apprentice, an extremely aggressive and warmongering Tigerclone who says things like "Tigerstar wasn't the worst cat to look up to." ONLY qualifying trait was being kinda like Tigerstar.
And she practically did that the SECOND Mistyfoot went missing. And then Leopardstar continued to be one of the most violent and xenophobic leaders through Po3, joining with WindClan to attack ThunderClan.
What I'm getting at is that like, a few years ago, with books like "Blackfoot's Reckoning" and "Shadow in RiverClan" it's like they suddenly decided to retcon in a bunch of "redemption arcs" in hindsight. They just pretended like there was this grand high reckoning with TigerClan, when there literally wasn't, and if anything that caused SERIOUS problems for the cast that the authors didn't fully acknowledge as such.
And now ppl haven't actually read the main series and are just working with their recent memory of all these retcon books.
But TNP and PO3 are still there, and you can go and see the ACTUAL timeline where Leopardstar is really not apologetic at all, and Blackstar is a useful stooge for the very next wannabe dictator that strolls in, in spite of the new side content that COMPLETELY mischaracterized them for their plots to work.
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weeee fantasy au scribbles look at these Guys
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shepscapades · 3 months
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Hey! i’m really into the dbch story and i was wondering if doc and xisuma ever tell bdubs the specifics of why etho lost his memories, cause if they do that is prime self blaming angst for bdubs
I’m inclined to believe they don’t. Actually (and maybe I should do a small comic for this so more people see it) I imagine, once a month or a few pass and they finally return etho to bdubs as reset, I imagine they are VERY serious about warning bdubs not to try to force Etho to re-deviate— they don’t go into specifics, but they probably tell bdubs that whatever happened had to do with something that was emotionally overwhelming, and that forcing him to redeviate/not letting it happen naturally could trigger the same error. They have no idea what could happen so bdubs needs to be very careful and let Etho find himself again on his own.
Whether or not bdubs gets impatient or can only go so long before he doubts it would be that bad if he tried pushing Etho in the right direction is another story.
But yeah. I don’t think Xisuma or Doc really… tell anyone that this happened. Etho’s error seemed like a very specific one-off scenario, so it’s not something the other hermits should be trying to avoid or be careful about happening to their own android friends, and the only thing telling people would do is make them worried about the situation. All they need to know is that etho was broken and that they need to be careful with him. I don’t agree with their decision to keep what happened to themselves but I understand it I think. Xisuma “i don’t want to worry the hermits” Void and Docm “eh this isn’t the first time I’ve replaced this arm, people won’t question it” 77
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firbolgfriend · 2 months
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Im just yapping but there is this fic on fimficton called Discord of Tomorrow that’s about s2 evil discord traveling forward in time right before he can be turned to stone to switch places with the version of himself (reformed discord) that exists when the elements of harmony are gone, so reformed discord gets stuck in the past and has had to snap away and hide the elements of harmony from the mane 6 so he can focus on trying to get back to the future without getting turned to stone, all while dealing with the moral dilemma of him realizing how easy it was to take the elements and how easy it would be to seriously just take Equestria over again vs being worried about what evil discord is currently doing to his friends in present time. It’s only like three chapters but I think the plot is so funny and the author didn’t even get to the part where evil discord is in the future and the mane 6 is trying to figure out wtf his problem is, thinking he has amnesia or something. I want to make a comic expanding on it so bad I’m like seriously obsessed with it I can’t stop thinking about it
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martyrbat · 17 days
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rip to bruce but if i fumbled her i would literally kill myself
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tokyosmega · 1 month
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*smacks the s2 teens* you can fit so much trauma in this bad boy!
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aurorangen · 18 days
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Renee and Vincent had just visited the hospital when they saw a toddler crying alone on a bench. Vincent couldn't bear to see this happening and rushed over to help. "I hate D-Daddy!" he cried through muffled sobs. "Hey, that's my son!" someone yelled. He picked up the kid and went to the guy.
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It was clear to Marco that Casper was refusing to let go of the stranger's arms and he dramatically sighed, "If you don't give him back, I'm calling my lawyer!" Oh he had the audacity to blame him even though it was his own fault his son would much rather stay in this stranger's arms. And this stranger was also a lawyer.
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Vincent had no idea who this problematic guy was but he was hella annoying! He had a hunch of what was happening and had dealt with cases like this before. Seeing the pleading eyes of the kid in his arms reminded him of the neglect from his own father.
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"For fuck sake Marco," Petrah cursed under her breath, "Honey! Let's not make a scene, there are people here," she shot secret daggers at him, worried about her reputation. If paparazzi saw any of this-
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Then Renee came over, "Calm down sir." When he wouldn't, she gave up and showed her police ID. Marco recognised her but couldn't quite place when they'd met. But she was a detective and he didn't want to get into trouble. You're in deep shit now Marco...
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"I apologise for my husband's childish outburst but I can explain." With her best acting skills, Petrah explained the situation her own way. "Let me buy you some drinks perhaps?" she didn't want to get into trouble either and surprisingly settled all the misunderstandings.
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cirkkaa · 1 year
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In the hidden corners of this world, there are those who dream of dreaming
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thelilylav · 30 days
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We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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