I keep thinking about how on earth they would canonize ggy bc like. at this point if they have to sacrifice Gregory screentime of just him to make something we already know actually canon, I would rather just take the screentime, but on the other hand they have to canonize it if they want to do anything at all with that plotline, and that makes me wonder if theyll stick with it as canon in the games at all or just leave it as background knowledge if u read the book 😭
Radioapple where Lucifer realizes he likes Alastor and freaks out because HOW do you FLIRT with someone?!?! Oh, father, he's ruining this before he even has a CHANCE to be rejected. He's basically rejecting himself at this point! (Charlie is the only thing keeping him from taking a century sabbatical and hoping Alastor forgets he exists by then.)
Angel: "Didn't you like, seduce the first 2 women on earth?"
Lucifer: "My only competition was ADAM. I just had to stand there and NOT say, "Nice tits babe!" It wasn't hard!"
Ironically, Lucifer’s version of not-flirting is working on Alastor, because how can he not be charmed by the most powerful being in Hell turning bright gold when he sees him, walking into a wall as he tries to escape, and then panic giving him whatever random rubber duck he happens to have in his hands before portaling away immediately.
(Although he needs to figure something out with the rubber ducks. It's getting ridiculous at this point. He already has an entire bookshelf dedicated to them, and he's running out of space. He needs to talk to Lucifer about perhaps making a business to sell them or something. Or he WOULD, if he could get Lucifer to say more than 5 words to him before running away.)
Alastor eventually gets Lucifer to talk to him by confusing him so much that you can almost see his brain buffering to catch up.
(Alastor makes his OWN rubber duck, and the next time Lucifer shoves one at him, he puts the one he's currently carrying in Lucifer's hands before he can leave. Alastor can not believe this worked.)
Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?
This will be a long post, so you might want to strap in or save it for later.
In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.
In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.
Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.
Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.
What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.
First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...
But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.
All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.
But then there's a shift.
Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--
Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?
But then suddenly this shift continues, going in a direction he probably didn't expect.
I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).
It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.
EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.
As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.
And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.
I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?
This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."
Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.
Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.
Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.
While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.
For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.
For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.
Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?
In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.
Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.
What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.
Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.
Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).
If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.
We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...
It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.
And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.
With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.
Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?
Yeah me and Jonathan are confused too.
Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!
And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.
Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.
Or who knows, maybe Mike could still be a little bit gay too...
But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.
But then Mike just has to surprise him one last time.
For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.
Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.
From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'
But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?
And then it hits him.
Mike is reminding him a little too much of another Wheeler right now...
Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.
And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.
And now it's like all those little moments are starting to add up to Jonathan.
Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.
I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.
As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.
This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.
Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.
Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.
Spoiler: They were not ready.
PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...
You ever just see people talk about the Percy Jackson books and know somewhere, deep in your heart, that none of these people have understood that this is a series made for middle schoolers. And that fandom will very frequently lie to them like, all the time. No, that character probably isn’t ooc, you’re just thinking of what the fandom turned them into. No, this book isn’t a horrible stain next to the others before it, literally all of them were like this. It’s Percy Jackson. It’s cheesy and occasionally makes a very questionable writing decision.
You gotta be in this for the long haul or jump ship my guys. Be cringe and free or be gone
Eddie’s been someone’s dirty little secret before.
He’s got a type, okay? Unfortunately hot jocks are often the type of asshole to get sucked off behind the bleacher and then turn around and spit in his face about it. Going right back to their friends to talk shit about what a freak Eddie is, never mind the fact that his mouth still tastes like their nasty fucking jizz. He’s used to it by now. Used to people who pretend they barely know each other. He’s not asking they parade their relationship for the whole town to see, just someone who doesn’t pretend they’re strangers. Is that too much to ask?
He’s so fucking stupid. He really thought this time would be different.
Steve Harrington barreled into his life like a goddamn train and Eddie’s been derailed ever since.
The first time he met Steve he was six. Eddie still lived with his mom, and she took him to the park, where he met a little boy who wrinkled his nose and told him he smelled bad. Steve does not remember this, and turned red with mortification the first time Eddie told him
After that incredible hit to baby Eddie’s self-esteem, they didn’t interact much, existing on the periphery of each others lives. He figured it didn’t matter. Harrington was a year under him, and a douche besides. Was ready to leave town from the moment he learned to walk. As soon as he graduated, he could finally get the hell out of this place and never think about the assholes he went to school with again.
His mom leaves. His dad gets arrested. He moves in with his Uncle Wayne, who only has one bedroom in his trailer and won’t take no for an answer when he gives it to Eddie.
Eddie doesn’t graduate.
(Harrington comes back to school different after Byers beats him up. Eddie doesn’t notice. He’s got bigger things to worry about.)
They don’t talk in Eddie’s second run of senior year either. He hears the gossip, sees him come to school with stitches in his forehead and no girlfriend. Still, it’s none of his damn business. He rolls his eyes at the rumors and stays far away from Billy Hargrove.
Steve Harrington graduates. Eddie doesn’t.
And this is where his careful distance falls apart.
It’s the mall’s fault of course. What isn’t? Businesses closing down, rent going up, his resolve crumbling. All over some fucking ice cream. God, Eddie should have just turned around. Left the store and the mall and the entire damn town behind.
He’s aware he’s being melodramatic, but in his defense he’s queer in Indiana. He has a right to be.
Anyways, the point is that Eddie saw Harrington’s little blue shorts and red lips and cannot be held responsible for what happened after.
(They fucked. That’s what happened. They fucked, and kept fucking, and then after the mall burned down Steve showed up on his doorstep with suspiciously placed bruises and his coworker and looked at Eddie with pleading eyes. He didn’t even bring Robin home to her parents like a sensible person, just insisted on having her there because they were a package deal now and couldn’t be separated. Like puppies, Robin said when he looked at her. Last he checked, she wanted to bite Steve’s head off, and now they were attached at the hip?
He got used to it quickly. He had to. She comes on half their dates. Steve’s lucky he’s so cute.)
Now, nearly five months after Steve served him ice cream for the first time, he feels his heart shatter in the Hawkins High parking lot.
“Harrington,” Dustin shouts, and it carries across the empty lot. Steve’s head jerks up and he waves, Robin standing beside him. “Steve, c’mere!”
Steve tilts his head. “What?”
“Come. Here.” Dustin repeats, enunciating clearly. Mike and Lucas look at him like he’s insane. So do Gareth, Jeff, and Chuck.
Steve, who is standing a mere 20 feet away, turns to Robin and says something that makes her snort. Eddie can practically hear his bitchy murmur.
“Is that Harrington’s girlfriend?” He hears Gareth ask. He has to swallow his laughter.
“Yes,” Dustin says.
“No,” Mike corrects.
“He won’t admit anything, but he always has a bunch of hickies and stuff after hanging out with her,” Lucas clarifies, because half the time when Steve says he’s hanging out with Robin he's actually with Eddie. The fact that Robin is usually still there is irrelevant. Marking up his boyfriend is one of his favorite pastimes. He refuses to let his boyfriend’s “soulmate” get in the way just because she refuses to sleep in one of the Harrington’s fancy guest rooms like a normal person unless he kicks her out. The way they both pout at him for it is fucking ridiculous. He ends up giving in half the time, and then lies awake and cold on the very edge of the bed because Robin starfishes her way across the rest and Steve is a blanket hog.
The first time he tried giving Steve a hickey as some kind of dominance move for privacy, Robin stared him dead in the eye and didn’t back down.
���I can do that too,” she said, and promptly bit Steve on the shoulder. Steve, who was shirtless and already slightly dazed from Eddie’s ministrations, let out an honest to God squeak. Like a dog toy. Eddie and Robin both stared at him before breaking into loud cackles that had a blushing Steve yelling at them before finally burrowing under the covers and refusing to come out. Needless to say, Eddie didn’t get laid that night.
“Harring-ton,” Dustin whines.
“I’m literally right here. You come here.”
He did, if only to grab Steve by the wrist and drag him to where everyone else was standing. Steve squawks. “When we’re late for dinner with Ma, I’m telling her it was your fault—“
“I want you to meet everyone!”
“I went to school with them!”
“Yeah, but they think you’re still a dick,” he says, as if they’re not standing right there. Steve is similarly engrossed in their conversation, not even noticing that Dustin’s stopped walking.
“They can think whatever—“ he walks right into Eddie and lets out a startled oof. Eddie, who let it happen, catches him as he flails.
“Well hello to you too,” he says, not bothering to hide his amusement.
Steve looks at him with wide eyes, gaze dropping down to his lips before whirling around and snapping, “Henderson!”
“I didn’t do anything!”
“I didn’t do anything,” Lucas mimics under his breath, ducking behind Steve when Dustin turns around with the fury of a thousand suns in his eyes.
He just stands there, hands on his hips as the kids bicker around him.
“Oh, so now we can talk?”
“What’s that supposed to mean?” Steve asks, brow furrowed like he doesn’t know exactly what he’s talking about.
Eddie can’t help but laugh, a sharp sound that makes Steve jump. “What do you think it means, Harrington? You never want to talk to me in front of the kids! Don’t want to dirty your hands with the Freak in public, I guess.”
“I…what are you talking about?”
[no talkie henderosn]
“What?” His eyes get wide, panicked, as he reaches for Eddie. “Eddie, that’s not—you have to know that’s not what I meant by that. I never meant it like that!”
“Then how did you mean it?”
Steve mumbles something he can’t make out.
“Speak up, sweetheart.” It comes out mean, he knows it does, but he’s feeling a little mean right now. Lashing out like a wounded animal just because his boyfriend didn’t want to talk to him in public.
Actually, when he puts it that way, he remembers he’s justified.
Steve says something again, still incomprehensible. Eddie rolls his eyes. “If you can’t stop mumbling, I’ll just leave.”
That does the trick. “I thought we were playing a prank on Henderson together!”
Eddie gapes at him. “What?”
“I thought,” he repeats, running an anxious hand through his hair, “we were pretending not to know each other to mess with the kid. Eddie, baby, you’ve gotta know I wouldn’t have done it if I’d known you were hurting. Why didn’t you tell me?”
“Why didn’t I…” This can’t be real. He’s been agonizing for months, and for what? A prank? Just some stupid, shitty prank Steve thought he was in on? He’s going to jump off the quarry. “Why didn’t you tell me? I could have had so much fun with that!”
“I thought you knew!”
“How would I have known? I can’t read your mind!”
“You can sometimes,” he says, pouting. Eddie wishes they weren’t in the middle of an argument, he wants to kiss those lips so bad.
He groans into his hands. “It’s significantly easier to tell when your boyfriend wants to fuck than it is to read ‘Hey, let’s play a prank on this twelve year old,’ on someone’s face, sweetheart.”
“I guess,” Steve huffs. Then his face softens. Eddie lets himself be drawn in by the wrist, helpless in the face of his sweet smile. “We can stop,” he promises, swaying in close enough for his breath to ghost across Eddie’s lips. “We could walk into Hellfire tomorrow holding hands, if you wanted to. Anything you want, just say the word.”
“How would we walk into Hellfire? It’s at your house.”
it's been pointed out on here before that a lot of terf arguments are actually rooted in sexist idealology that feminists fought and died to unnormalise decades ago and that's its own kettle of fish but one thing i also find very frustrating about this so called 'radical' feminism is that it's so... defeatist? like the moment you categorically label an entire section of society as Bad and Inherently Evil then there's also the implication that nothing can be done about it, and it completely takes all accountability away. saying all men are evil is just another way of saying boys will be boys. he raped her because he's a man. he hit her because he's a man. he didn't listen because he's a man - it's almost offensively oversimplified. there's no point trying to fix this issue in society because men are just Like That, okay! so now what? it's not like they're going anywhere, so you just accept that 50% of the population are evil and will forever treat you terribly and there's nothing to be done about it bc they're biologically predisposed to it? like is that fr the argument here? you're soooo radical for that
For the Reluctant Follower Jeremy & Animatronic Vanny AU, I just have more that I finally want to get to share, so:
I mentioned it originally in the first post, but while she was made, and nearly completed, everyone just quickly stopped her progress as quick as it had started.
While there were some complications with her during the process, it wasn’t really the reason for why everyone stopped. Whoever originally wanted Vanny to be built simply made the decision to not have her any longer—simple.
But rather than destroy what they already had, Vanny was simply stored away somewhere else in the Pizza Plex, deactivated. Everything else planned for her was scrapped (her greenroom, etc).
Because of all of that, Vanny never got to meet the rest of the Glamrocks, and vise versa—they were never even told about her. Though, they undoubtedly would’ve met her if she was finished.
Reluctant Follower Jeremy discovered her not too long after he and Glitchtrap arrived at the Pizza Plex, and that was when Glitchtrap made the decision to use her, too. He didn’t want just Jeremy.
Due to her not being entirely finished or anything, malfunctions are rather... frequent, for her.
Similar to Roxy, Vanny is capable of seeing Reluctant Follower Jeremy (whenever he happens to be wearing his rabbit suit, at least).
She may also potentially still have that... glitchy affect, but I’m not too certain. While the animatronics can see her here, and not see Jeremy at all (- Roxy), she still at least messes with their vision a little.
While still wanting to get Gregory, she leaves most of the other parts (such as chasing) to Jeremy. Here, Vanny does something else.
I imagine that Glamrock Freddy and Gregory would run into her somewhere in the Plex, and she’s just like: “I’m not acting like the others :) I don’t know what’s going on, I just activated :)”
And while Glam. Fred is surprised by this new bunny, Vanny ends up accompanying him and Gregory, while trying to ‘help’ him out the entire time.
While her goal is to just, first, gain the two’s trust, and then bring Gregory to Jeremy and Glitchtrap—at least once there’s the perfect opportunity (ex: Glam. Fred is off charging, Vanny is the only one with Gregory).
hello :) could you maybe explain a little bit how dan wootton blackmailed louis?
ugh sorry for taking a while to get to this. The problem is I feel like the only two ways to answer this are by spending a week and a half of full time labor sifting through old posts and evidence to get every detail right and lay out an airtight case, or to halfass something very serious, and so I felt a little stuck. So since I can't seem to find a good halfway point, apologies but here is the half assed version, if you want to get into it more I invite you to do your own deep dive or talk to other people, but here's how I remember things.
Louis has almost never on video explicitly said things about Larry not being real and/or anything negative about fans and their theories (mostly the opposite), up until the last couple years when he obviously decided to make a major change he didn't talk about Freddie much at all let alone saying he was his kid, honestly not that much about Eleanor even; except for in two major interviews with Dan Wootton, each of which lined up with a serious traumatic Tomlinson family event that they managed to keep out of the tabloids until the very end (Jay's illness and Fizzy's struggles with substance abuse). After the fact of those events a lot of small things that didn't make sense at the time came together to look very much like Louis traded those interviews (and those answers) for having his family's private matters kept private. Story trading of this kind is a publicly known real thing that happens, and there were various clues that suggested he was being leaned on about those stories to lend legitimacy to the idea that it was something that happened in these cases. Given what we know about Dan Wootton and how he operates even before the recent flood of information and even more now, I think it's more than likely that he has been holding the threat of outing Louis (as he has done to many other public figures) over his head for over a decade, and has used his family's tragic struggles to get Louis to dance like a fucking puppet for him and I will REJOICE at his downfall when it comes whether it is now or 20 years from now... because someday it will, he has made too many enemies to stay above it forever
why do people think Yevgeny wasn't Mickey's son? in 3x06 there was clearly no condom used (not that Terry probably would have let Svetlana stop to get one), but there's no reason to think she wasn't using condoms with her regular clients. it's not Svetlana's fault that she was a tool used to rape Mickey—the sole blame for everything that happens in that entire situation belongs to Terry Milkovich and him alone—so why does it feel like it's just another way for people to shit on Svetlana for something that wasn't in her control? it's not as though she'd asked to get pregnant in the first place...
i DO love a good morally grey Antagonist, not just a grand villain, but another person, with such a rich life and history and power that we dont even know where to start fathoming yet.
i think a fundamental difference between ethubs in last life and bdubs and impulse in double life isn’t really that etho didn’t know how to love bdubs, because he did, evidently. he killed for bdubs twice, stole for him, broke the rules for him, and he said it at the end, from the afterlife, when no one was around to hear. bdubs knew as well, as he proudly asserted to the other reds on the snow fort. it’s more that love was very much equated to violence in last life. you don’t prove it through words, you prove it by killing for each other, by showing that you’d die for each other--death itself was the currency for love. but that’s not really the case now, since your life is tied to your partner. you can’t die for them. so how can bdubs possibly prove his devotion to impulse, if he can’t show it the only way he knows how to? how can he ever be sure that impulse is devoted to him in the same way he was sure that etho was?
bdubs makes up for this deficit by stealing, by looting, taking the gold from someone’s chest to make the clock, hurting others to appease impulse. all the while impulse was in the mines, collecting the gold through his own hard work, the only sacrifice he made being his own time.
what impulse knows that bdubs doesn’t is that love doesn’t have to be sacrifice or bloodshed. it can be unconditional and it can be pure. it can be kindness, and sincerity, and simple gestures. it can be putting your bed next to someone, building a house with them, getting old with them. love doesn’t have to be death--it can be life, instead.