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#here are some more thoughts about it.
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Susan Pevensie comes back from Narnia and tries to forget, not because she doesn't believe in Narnia anymore, but because it hurts too much thinking about what she lost.
In Narnia, she was revered, respected. People wrote songs about her, asked for her hand in marriage. She was with her siblings, and she was free, and she could finally stop worrying about her brothers dying in an air raid. She had a people she protected, a land she ruled, and family to look after. She was respected in courts and battefields alike.
Narnia brought other problems, of course. Not all her suitors were kind about her rejection, and Peter and Edmund were expected to lead armies, which meant they were always in the line of fire. More than once had they come home with grave injuries that took months to recover from, even with Lucy's secret potion.
It is this Narnia Susan vividly remembers just aftee she comes back, a wild and savage land where magic roams free, but evil roams free too. It is the Narnia of eternal winter, of giants and ogres, of Aslan dying on the Stone Table. The Narnia of Telmarines, of dead friends, of failed sieges.
England forces her back into obedience, into a mold. Tells her to behave in a way expected of a young lady. Lucy can stay wild a little longer, but Susan has an education to focus on, men to impress. England tells her she is below her brothers again, should get married and have kids.
So Susan tries to forget, convincing herself that the stiff upper lip, tight collars, kneelong skirts, ridicule from adults when she speaks her mind and forced silence is better than the freedom she had in Narnia.
For that freedom had to be paid for in blood. At least in England her family and friends don't risk dying, not after the war.
She alienates from her brothers and sister further. She tells them Narnia was a game, a fantasy. But the difference in faith is also due tk the way she has to hide how it changed her. Peter, Lucy and Edmund do not have to. The boys write long essays about justice and religion, join the fencing team. Lucy dances everywhere she goes and is known to never wear shoes if she can help it.
But the archery club at school will not accept Susan. Neither will the debate team. Her teachers are annoyed with the fact she never slips up, disgruntled at the fact a woman runs rings around them intelectually. Susan is a young woman after a time of war, and all of society would rather she shut up and do what she is told.
Soon, Susan has new friends, new things that matter. All these adult thoughts she can only discuss with her brothers and sister drive her crazy, and there is no one around that takes them seriously. And so she tries to grow up as fast as possible, get to an age where people listen to her again. She forgets so that she doesn't have to deal with the feeling she was meant for much more, to ease the mourning of all that she lost when she kissed Caspian goodbye.
All the Pevensies start forgetting Narnia slowly, the memories fading. Soon none of them remember the names of their generals at Beruna. They forget the smell of battle, the weight of an iron sword in their hands. But they all still walk as if their crowns are on their heads, and ride horses in a way none of their instructors understand. It takes a while before they are back to their Narnian levels, but it is clear to them someone has instructed them before. None of them can figure out what commands they use, however. Is it western style, perhaps? Or maybe rodeo? They cannot have been taught in England, not with the amount of control they can exert with and without saddles, the sense of balance. Some of their teachers are astonished by their academic growth, but others attribute it to the lax education standards after the war. Susan is sold short most often, but all the Pevensie children suffer from arguments with teachers and attitude problems. Teachers generally don't like it if you behave like you are older or more important than them. It's worse because they are almost never wrong, even though all of them feel the effects that having a teenage brain has on their speed of thought and the coherence of their arguments.
The Pevensies deal with these remnants of Narnia in different ways. Susan becomes an actress. She picks West End over Oxford because the stage is a place she is allowed to be free. And since Narnia, dry textbooks don't thrill her like they used to, while the fantasy concepts of spirits and courts and magic and other things thespians work with entince her all the more. Inside her is a longing to become someone else. She knows where it comes from, but she doesn't want to acknowledge it.
Susan plays a queen often, or a diplomat, or a model. Something about her performances have audiences hooked, convinced she was royalty in a different life.
Remembering Narnia hurts. She scolds someone for being reckless with the stage props while teaching them the correct way for a full minute before realizing the person in question is older than her, and doesn't listen to a young woman. He has the same name as her younger brother.
So Susan forgets. But as she carves her way into the elite of old Hollywood, years later, she begins to remember as well. What it's like to have a voice. How it feels like to have people listen.
When Lucy, Edmund and Peter die in the train accident, Susan weeps for days. She knows what she has lost in them. She is now the only person fluent in their interpersonal language, the only one that still remembers the mating call of the centaurs, what jokes a forest spirit makes. She is now truly alone in the world.
Narnia comes rushing back to her during this grieving period. Eventually, she remembers that she used to have a voice, a crown, lovers of whatever gender she wanted. And also how Narnia would have you pay for freedom in blood. They gave up on that freedom to protect her siblings. only to lose them anyways. Suddenly, Susan remembers how Narnia was fair, how a bargain struck was a bargain kept. She remembers the nymphs, the trees in spring. She remembers the beauty of it all.
Later, when Susan is a grown woman and an arrived actor in Hollywood, Aslan begins returning to her dreams. He never speaks to her, but the sight of him gives her strenght. She was once Susan the Gentle, who accompanied Aslan to his death. It is time she returns to being that person.
After the Stonewall riots and during the AIDS epidemic, Susan is the only actress willing to make a public stand. It costs her 2 box office hits and a 3 month ban from the tabloids. But she remembers justice, and the price of freedom. Others start looking to her for wisdom, just like they did all those years ago. Susan feels her quiet strenght returning, her faith slowly coming back.
She stops wishing she could forget Narnia. The magic that was responsible for the memory faded with time. Maybe it was just to protect her from mourning a world where she was so much more.
When Susan looks at the boys coming back from wars in Korea and Vietnam, she recognizes the look in their eyes. Reflected in their behaviour is a maturity that shouldn't be present in teenagers. The loss of innocence, the unrepairable damage to their childhood illusions. It is a look she spent her twenties avoiding mirrors for, because she knew what it meant. No matter what she told herself then, she believed in Narnia. She still does now.
She knows her siblings are in a different place now, and that she revoked her faith in that place, but slowly, as the years grey her hair and wrinkle her face, she begins to believe she may one day join them there. She remembers Aslan as a kind lion, even if he wasn't a tame one.
She grew old in Narnia once, after all. She hopes to die there.
Once a queen of Narnia, always a queen of Narnia
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taxinealkaloids · 4 months
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behold hitherto unposted htn doodles! harrow+her terrible mentor, harrow+her terrible roommate
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gen-toon · 1 month
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introspectivememories · 2 months
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too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.
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poorly-drawn-mdzs · 6 months
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Wei Wuxian eats a watermelon. Yep!
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pridoo · 11 months
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@dinlukeweek​ “70s dinluke”! I like many movies from the seventies, especially films where “boring” guys solve mysteries and go a bit crazy, reflecting the instability and paranoia of the times (All The President’s Men, The Conversation, Apocalypse Now, Jaws…). So here’s Luke and Din getting to the bottom of it.
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maerhiya · 2 months
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in regards to the constant dismissal of his aroace identity, i hate it when alastor 'fans' say and use the excuse: "he's fictional, he won't get offended."
like, you're right, but it can and will offend us.
when you see yourself being represented on screen, of course you'd feel enthusiastic about it — representation allows individuals to see themselves reflected in the media they consume, validating their identities and experiences. but when so many people take that representation and decide to disregard and discard it, it is so fucking frustrating. we finally have another character to be part of the tiny amount of representation we have, but then people don't even care about how much it means to us? like yeah, alastor won't get offended because he's not real, but it frustrates and annoys us. do you realize that it's also technically invalidating the aroace community? that you're invalidating our feelings? imagine feeling like you're finally being seen because your orientation is finally being represented in media, and people just decide to blatantly ignore, discard, and invalidate it.
media has such a powerful influence on real life, representation being a prevalent factor of it. there are numerous posts that dictate how people went to watch a movie/show or read a book just because a character depicts their identity in it — obviously, being represented is an incredibly uplifting and validating experience.
which is why seeing an aroace character in a popular show is so meaningful to us because we live in a world where romance and sex are literally everywhere and prioritized above all else. (and it's pretty obvious that alastor's on the repulsed end of the spectrum, but even if he wasn't, at least make an effort to acknowledge his sexuality instead of continuing to portray him as allo; aroace folks can be in relationships but it's not going to be the same thing with allos' experiences.)
any and every representation matters, but why does that seem to stop at people under the aroace spectrum? like y'all can't even let us appreciate the scraps of representation we have. we barely have any, so are we really that dramatic for being upset at how people easily disregard and dismiss our identities that are being depicted on screen just like that? is it truly wrong of us to want to defend and maintain the little representation we have?
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rinisdrawing · 7 months
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the golden princess & the sorcerer prince
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egophiliac · 6 months
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
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and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
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(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
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and frame and control the focus:
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honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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ch1zzie · 2 months
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Joolets (and others)
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No more (WHY IS ARTING NOT ARTING)
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seagull-scribbles · 9 months
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But tonight, I’ll need you to stay
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wiishopchanelboots · 1 month
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The Books of Earthsea Illustrations from the complete illustrated edition, Illustrated by Charles Vess [X]
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ink-the-artist · 1 month
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forgive me if you've been asked this before or if its annoying, but how did you learn to use colored pencils like that? your art is so special to me.
ty :) I took an art class for a few years where our teacher had us buy prismacolor pencils as one of the art supplies and had us use them kinda like paints, pressing down hard right away and blending the colors together. its not how youre supposed to use them she was just trying to teach us to use color and ig this was more to the point. I picked them up again years after i stopped going to that class just bc they were there and i wanted to play around w them a bit and ended up actually enjoying it when doing it on my own terms lol
#it was a weird class#it was just this russian lady doing private lessons in her house that my mom learned about somehow#I did NOT like those classes all we did was still life and they were hours long which is esp rough when im in high school and busy#and she wanted us to stand while working the whole time bc tradition i guess?#she did allow me to work sitting but thought i was lazy for it. idk dude i dont want to exhaust myself fast for no reason#standing is a lot more tiring than walking#i def did still benefit from those classes just from learning to accurately draw from life#did not like the teacher tho#on one hand shed paid for the art supplies for kids whos families were too poor to (and these are nice expensive supplies)#which is very nice#but on the other she was very homophobic and open about it#like when they legalized gay marriage she went on a rant about how horrible it is that they can adopt kids now#and also kind of racist#she was telling me how she got blocked from a facebook group bc she made a post asking if she could speak to a white person#and she didnt realize she was posting that publicly she thought it was a private message to the group owner#im honestly still not sure i heard/understood her correctly bc it was so bizzare and the only time i ever remember her being racist#she talked abt it like she genuienly was unaware it was racist#she described it as a misunderstanding bc she accidentally posted it publicly instead of privately#like it wouldnt have been racist to ask that at all#also one time she talked about how she saw demons in her home once#also she doesnt vaccinate her kids bc of microchips#she was like a walking russian stereotype lol#anyway heres some ink the artist lore
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bruhstation · 3 months
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can't it even be more obvious thomas. why are you surprised that a sudrian historical site filled to the brim with armor and weaponry that dates back to the middle ages has old people afflicted with the gold dust working around the castle
#thomas the tank engine#thomas and friends#ttte glynn#ttte millie#ttte stephen#casa tidmouth#senjart#MORE OF LADY'S EXPERIMENTS GONE WRONG#WHO UP ULFSTEADING THEIR CASTLE#stuff for the kotr arc of casa tidmouth. now this is where gold dust has historical significance#going crazy right now. my friends are influencing me#I had 12 tabs opened just to draw young glynn's armor. they dont have plated armory in the 10th century!!!! only mails!!!!!!#(looking at you KOTR intro)#I remember reading some inputs on my 1k milestone poll and saw someone put ''the misery of growing old'' and honestly. Checks out#glynn's eyes are goldish brown because well. that's the perks of being the first bearer of the gold dust horrors#lady during 989 AD do not know anything about human thoughts and ethics and emotions. she was literally freestyling that!!!!!#Oh a wounded soldier on the verge of death. what if I *dumps 200 kg of gold dust on him* yeah that'll do the trick.#then she saw how glynn aged so so slowly and went Oh well I messed up. Good thing there are lots of other sudrians here#funny coincidence that young cstm glynn's helmet resembles canon glynn's funnel#I wanted to make millie's design resemble a tour guide more with her scarf and more stylish than usual tie#shes so pretty. I'm so proud of her design#(AND I REALIZED TOO LATE THAT HER TIE HAS THE COLORS OF THE FRENCH FLAG)#<--- said the guy who has beef with the french#stephen's crown is translated to a hat decor! was about to draw a top hat but whatever just imagine he has a collection of various hats#that he can put his crown on#also I want to give him that cool hip-with-the-kids I-am-still-young-at-heart energy#sir robert norramby is balling in the background.#hope you enjoy..... won't be able to draw as much from now on but I'm excited#also whos ready for old man yaoi........... 2!!!!!!
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poorly-drawn-mdzs · 10 months
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It's the 6 month anniversary of this blog! Check out these cool bugs I found.
Part 2 - Part 3
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brother-emperors · 7 months
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Crassus, Caelius, Cicero, Catiline, Conspiracy
boy howdy these four sure are something. not featured in this soup of C names, Caesar! what on earth happened here.
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Plutarch, Crassus
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Sallust on Crassus, Ronald Syme
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Patron and Client, Father and Son in Cicero's "Pro Caelio"
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Crassus' New Friends and Pompey's Return, Eve J. Parrish
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Catullus and His World, T.P. Wiseman
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Cicero's Catilinarians, D.H. Berry
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