i miss him
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KIM KITSURAGI - “Is that. My kineema.”
COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.
EMPATHY - And it’s not going to be pretty, do something!
- DRAMA [Formidable] - Everything is fine!
- “Sure is.”
DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?
YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”
DRAMA - Pause, my liege! Ixnay on the Ineemakay!
YOU - “It could even be our *mysterious* joyrider!”
KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.
INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…
PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.
ENDURANCE - This is the shuffle of a tired, tired man.
HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!
VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.
KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”
YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”
LOGIC - He's not stupid, he knows that it's not that.
KIM KITSURAGI - “57.”
YOU - “What about 57?”, you brace yourself.
KIM KITSURAGI - “Precinct 57.”
YOU - You wince. “Kim, look-”
KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."
He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”
EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.
YOU - “People are more valuable than machines, Kim.”
KIM KITSURAGI - “Not people like me.” He rasps.
YOU - “…”
KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.
YOU - “Kim?”
KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.
YOU - “KIM!!!!”
uhhh bonus stuff? sorry i have swap au brainworms pfttt
(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)
also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes
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I just remembered that up until 5th grade, all of the sports teams I was in weren't separated by gender. I played basketball and baseball with boys. And we did just fine.
It wasn't until 6th grade when they segregated it by gender. It didn't make sense to me. I was now in softball because of baseball, because "softball is for girls" and "baseball is for boys" (which confused me bc my dad was on an adult softball team).
Now, my brother's all-male team didn't win a single game. My all-girls team won every single one.
They presented the boys' team with this HUGE trophy, and if you wanted replicas of it, they were $30 each.
My team was presented with a very small trophy. Extras were $5.
That's when I decided gender-segregated sports were bullshit.
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You have to understand. I don't "ship" Harry with the smoker on the balcony, I think whatever they have going on canonically is way funnier and touching than anything anyone could come up with.
There is so much within the dynamic itself. It’s a middle aged man and a younger man who are nothing alike and everything like each other. It’s the smoker being the person that kickstarts Harry’s sexuality journey anew, seeing Harry’s fascination with him and being amused by it because (aside from Harry being probably the first man in a while who’s managed to leave him dumbfounded in a positive way) the smoker *knows* what’s happening in Harry’s mind and as he puts it, it’s beautiful.
Don't get me wrong, the mutual attraction is there. The smoker flirts with Harry every other two lines (girl why the fuck are you flirting with a cop you're insane. I'm obsessed with you) yet makes fun of him in the same breath while Harry is absolutely clueless the whole time because he's too busy staring at his abs. Couldn't come up with anything funnier if I tried.
I love this high drama check, this is exaclty what it feels like to speak to clueless boomers who have no idea what they're talking about. Still, once Harry admits that he might be part of the "underground" as he puts it, the smoker is immediately excited and encourages him to think about it. It's very sweet.
(I know everyone has probably seen this dialogue 100 times by now but I love the phrasing here. literally twink_boutta_pounce.jpeg)
And as a side note I really like this emphaty check in response to Harry's little breakdown after the failed suggestion check the first time you meet him. The smoker like damn he just like me fr.
I don't think more smoker interactions were needed at all or that they would ever talk again post-game but it's interesting to think about what other converations they could have, even just so we could learn a bit more about him. They both have an interest in art. They're both stuck in a place they can't leave if they wanted to and yet find beauty in it, they both have regrets about past relationships. They both find talking with the other a charming experience in a way or another. If I want to be indulgent, they both could benefit from learning about what being gay means for a younger/older generation, especially since they both have such different life experiences with their identities.
It's all fanfic talk, and obviously no cops at pride and so on but their interactions did make me think about community and recognition through the other. A flirt for the sake of a flirt, a “maybe in another lifetime” but this lifetime is good too because they did meet and leave an impression on each other before parting ways. That's *beautiful* too.
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imagining a world in which Simon agreed to go with Edwin and try to escape hell, imagining Simon developing an immediate and very inadvisable crush on the cute guy that just threw a grenade at a demon and Edwin's reaction to that, imagining the reaction of Charles Overprotective Rowland when he finds out that the guy Edwin insists on dragging along with them is one of the guys that sacrificed him to a demon in the first place, imagining the Night Nurse's face when three dead boys pop back through the door instead of two
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I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc
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I think mayhaps that Batman should exclusively be a member of the Justice League Dark. He doesn't really like working with people but also sometimes John Constantine is like "You know Batsy, If you help me save the world by proxy it saves Gotham" So he does begrudgingly. But only sometimes when they need help with some things because he's like a very good detective and sometimes you need that! But also mostly I just want the rest of the Justice League to not believe that The Batman is real??
There's an issue that they need dealt with and they think it's a demon so they call Constantine and he's like "nah mate, this is just weird ritualistic sacrifices, I got a call to B-man on this one"
And Superman is like "haha The Batman isn't real... Right?" And then they meet him and he is very much real.
And Diana is all like "Oh Clark you silly, obviously The Batman is real" But internally she's like "holy shit The Batman is real???"
Green Arrow still doesn't believe it because he keeps missing any mission that The Batman happens to go on and he's like "If The Batman was real my best friend Brucie Wayne would have told me so. Brucey said that the Batman is just a scare tactic created by the Gotham Police department" So he's pretty sure that the rest of the Justice League is just playing a long practical joke against him specifically
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ᴠ ᴀ ʟ ᴇ ɴ ' ꜱ ʟ ᴏ ʀ ᴇ 007. ⁺ ───────────── ⁺
⤷ ℑ 𝔡𝔬𝔫'𝔱 𝔥𝔞𝔳𝔢 𝔞 𝔠𝔥𝔬𝔦𝔠𝔢. ℑ 𝔥𝔞𝔳𝔢 𝔱𝔬 𝔡𝔬 𝔴𝔥𝔞𝔱
ℑ'𝔪 𝔟𝔢𝔰𝔱 𝔞𝔱
I'm reframing how I describe Valen's particular set of skills. He was raised in a criminal syndicate, his dad taught him how to be a good criminal, he routinely does criminal things. I think he tries to keep it contained and be civil, but there's times where he can't and doesn't want to. He spent 8 of his formative childhood/teenager years in a gang being taught by a father who wanted nothing more than to see him become a useful piece of said gang.
Valen is a gangster/thug at his core whether he likes it or not (spoiler: he does).
Imagine someone's bothering his husband Nathan while they're out, or maybe someone from his past returns and scares/upsets him. Or maybe somebody is threatening/interfering a person close to him, or he's working with Reid and it feels really good being in a gang again.
Guess Valen doesn't have a choice and has to act like a thug again.
Truth be told, Valen enjoys being a threat. Enjoys the aggression and the violence. It's in his blood, it's where he came from. He gets a certain kind of charismatic assuredness when he's given the green light to be a thug. He's a violent, loyal guard dog who's so devoted that it corrupts him, so of course he gets a bit of delight from doing what he's made to do.
The situation happens where someone doesn't listen when he tells them to leave, let's say Vesper, alone, only for them to continue being a pest and harassing him, then Valen will just have to act like the gangster he was raised to be. I think the criminal in him comes out a little too easy and I think he enjoys it more than he lets on. There's a large part of him that rejoices because it feels right.
Afterwards, there's not much guilt at all. There's the feeling of satisfaction knowing that he protected someone he loves. But there's also the feeling of relief. Valen relieved because he was able to do what he's best at and he feels like himself again. All because he got to be a gangster again, like he was raised to be.
Maybe it's not good, but Valen doesn't mind. He's always known that he's the one who can do all of the bad things and dirty his hands just for the benefit of someone else. He'd rather he be the one labeled as a mean dog than someone he loves. Valen can handle it, can handle the weight of his actions, not everyone else can. If him being a gangster keeps someone else safe, then there's really no reason for him not to.
(Both Valen and I are well aware that this isn't exactly healthy, but he genuinely doesn't care that much. Valen is very self aware and knows what he is. He makes sure others know what he is and allows them to choose whether they stay or not. He enjoys that part of him too much to ever just put it down. He's unable to anyway. He's tried, and it felt like losing a limb. Completely ceasing that kind of behaviour would be cutting off a substantial chunk of his personality.)
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sparkle on, tiberius ✨
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Something about this interaction between Harry & Janeway - specifically Janeway but it's notable that Harry's the one listening because I think, say, Chakotay or B'Elanna might push back against the idolization of this 'it was different back in those days' way of thinking.
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"Ah, Nik, wait!"
Nikolai turns back around at the sound of the Captain's voice.
"You're going to make me miss my flight," he pretends to complain, not able to keep himself from smiling.
Price rolls his eyes. "You're the one flying your flight back home."
Nik chuckles. John looks annoyed, but clearly it's not directed at him if him relaxing in his presence is to be believed.
"Anyway, I won't keep you long, I just need you to teach me how to say something in Russian."
There's a terrible idea rising in Nik's mind. He tries to ignore it at first.
"There's this guy, he's a fucking asshole and I'd like to tell him to go fuck himself in his native language."
He nods distractedly at Price. But it would be the perfect moment... He leaves right after that, after all... And John wouldn't understand right away, he'd have time to go hide somewhere.
"Right," he clears his throat and smiles at Price. "I can do that, sure. Repeat after me, try to remember the words : я -"
Price squints his eyes in concentration. He looks so fucking cute that Nik could die.
"Ya -"
"влюбилась"
"Woah, okay, vl...vlyoubeelas?"
Nik's smile is growing. "Good," he says, voice lower. Swears that John's cheeks are redder than they were before. Interesting. "в"
Price frowns. "Just 'vv' ?"
"Да. And finally, тебя."
"Tyebya."
Nik's heart is starting to beat a bit faster, apparently just now realising what he was doing. There's no going back now.
"Now the whole thing : я влюбилась в тебя"
John's brow furrows more in deep focus. "Ya vlyoubeelas vtyebya."
Damn, that makes Nik's cheeks warmer and his smile wider. He knows that Price doesn't mean it, doesn't even know what it means, but if that's all he's going to get, he's going to cherish it inside his heart.
He isn't sure John will want anything to do with him when he'll look it up, after all, he hasn't survived this long by having too high hopes. His smile softens and he nods at his friend.
"Not bad. Remember the words."
Price huffs. "Of course I'll remember the words. Now go, wouldn't want you to miss your own chopper back home."
Nik laughs and shakes his head as he turns around and walks to his helicopter. He stops before climbing in, turns his head back towards the Captain.
"Oh, and John, don't actually tell him that, he has no right to hear it."
He knows Price well enough to know that he's sighing right now, but he's too far to hear it.
"What did you even teach me?" He asks in a jokingly tired voice.
Nik grins back at him. "You'll have to look it up, зайчик."
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it’s so funny when i see people talking about Hunter’s like, latent genetic big brother instincts he inherited from Caleb, and how he must be sooo good at nurturing and caring for younger kids because of Caleb
and meanwhile we literally see how The Kid Caleb Cared For turned out, and he’s an extremely emotionally unstable abusive genocidal monster who never got over his codependent obsession with Caleb and has spent the last 300 years using forbidden necromancy to try and play Happy Families with a series of disposable Caleb-clones
like i think Caleb did the best that a kid in that position could possibly be expected to do when responsible for raising a younger sibling with no help or support that way and i don’t blame Caleb for wanting to get the fuck away from Gravesfield asap at all or think that like, any mistakes Caleb might have made raising Philip mean that Philip’s actions as an adult aren’t his own responsibility
but like... you don’t... act that way if you have a stable, functional, safe upbringing. lmao.
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one of the things that gets me about fanon lens - especially when you entrench yourself so much in a fan version of a character - is how a character can just slowly be stripped of what they are and who they are because of the self referential nature of fanworks (which isn't inherently bad, don't misunderstand; neglected characters can have new life breathed into them)
which is a long way of getting to: where did people get the idea that estinien's not one to talk, or is bad at effectively talking? I don't mean selectively mute hcs, i mean just very curt. like he's not as flowery as many of the scions or even compared to aymeric, but he's still dramatic and talks a lot. he's precise when he needs to be and extremely blunt, but just because of that doesn't mean he won't ramble
like his whole tangent about where he is today because of the wol right before the Dead Ends in Ultima Thule. his chattiness seems to fluctuate with how comfortable he is with someone, so i'm not really sure where "estinien's bad with words" came from?
he's no politician, but he's good at saying what needs to be said and saying it in a way that matters. yes, there is the whole aymeric thing but avoiding a difficult conversation rooted in guilt isn't the same as being bad at talking. he clearly knows how to get to people - especially to antagonize them into action (see: tiamat, azdaja) - so where did this come from?
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Having Bruce and Cass and the Robins thoughts and they're a bit messy and jumbled so bear with me.
Idk how to explain why the Bruce and Cass messed up but loving dynamic is so much more appealing to me than his toxic relationship with his other kids but I guess it's because the entirety of Batgirl 2000 understands that Bruce is not a perfect parent. His flaws and virtues are both deliberately and carefully written and his relationship with Cass is so layered and it makes it so that I can both laugh and cringe, appreciate the sweet moments and rage at some of his more shitty moves. It's not perfect but overall the writing is just GOOD, and there's enough material to form a solid core of understanding even when their dynamic grows past Cass's solo run. This is Cass and Bruce and this is how they tick and no writer has been able to thoroughly screw that up no matter how hard some of them were pushed to by editorial.
Compare that to how he's written with his other kids, where every writer has their own version and some have him be a perfect dad and others have him be shitty and frame it as "He's got this darkness in him" while another group of writers have him absolutely brutalise his kids or neglect them or gaslight them for angst all while knowing the kids will never receive any sort of narrative justice for this because he's Batman and he's the big flagship hero. There is no single run you can point to and say yes this here showcases the heart of the dynamic between him and Tim or him and Damian, no single run so good that all other comics about their dynamic use it as their basis for this bond between father and child. There is no consistency and no communication or understanding between writers or even an attempt to pick up what the other puts down. Batman comics will have him be a good parent or a bad parent but either way it will be all about Him. Batfamily comics tend to have him just be absolutely awful and then a few months later they have to pretend it never happened because the main bat books want to make him a good parent again.
It's all shock value that rarely lasts past the arc and writer. When Tom Taylor has Dick hug Bruce and call him dad I'm remembering that time Bruce beat him into a bloody pulp or backhanded him across the face and Dick never got to call him out on it. But we're not meant to be thinking about that in Taylor's run because this is a Good Dad Bruce comic. Taylor's Bruce and Dick dynamic is completely different to the New 52 dynamic the same way that dynamic is different to Wolfman's which is different to the original Batman and Robin. And that variety can be a great thing when it comes to comics but the downside here is that you can pick Bruce's "good dad" comics or you can pick his abusive asshole comics but you cannot find the middle ground that Batgirl 2000 hit because (controversial opinion I guess) it doesn't exist for the batboys and no writer has successfully managed to pull all the different comics together and create one.
Fans have tried. Fans have pieced together a decent narrative from the mess of inconsistencies, taking the moments of almost cartoonish abuse and the moments where Bruce is shown to care, and forming the image of a complicated and nuanced abusive parent from it all. But the great thing about Batgirl 2000 is you don't have to do all that effort of trying to make the happy fluffy hero batman and the edgy punches his sons Batman fit into one character. The writing does it and does it in a more realistic fashion too, which is saying something considering the big Bruce and Cass emotional fight is solved by Bruce letting them both get drugged and fight bloodlusted. I do think there are moments when it hypes Bruce's bad parenting up a tiny bit but compared to the absolute mess that is the writing of say, Bruce and Jason? It's just so much easier to actually engage with. Being on the same page as a narrative instead of chafing against it is just a much better way for me to read comics.
That's not to say there isn't any kind of narrative and canon dynamic for Bruce and the Robins. Tim's Robin run, Dick's various runs, UTRH, Batman and Robin etc. Just that for me none of them hit that balance Cass and Bruce's dynamic succeeded in hitting during Batgirl 2000. And to be fair it's harder to hit that balance when you're working with characters who have been through the hands of so many different authors before landing on your doorstop. UTRH probably comes closest but unfortunately everything that came after that did manage to shake the emotional foundation utrh set up to the point you can look back on it and wonder if Bruce cared about Jason much at all, despite the writer clearly not wanting it to be seen that way.
Not sure how much sense this makes but to me it's the difference between a bad parent Bruce I am actually interested in engaging with and a bad parent Bruce where I just want the kids to team up and knock his teeth out.
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Over The Garden Wall but instead of Wirt and Greg it's Grant and Paeden that's it that's all I needed to say thank you
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