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afeelgoodblog · 10 months

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The Best News of Last Week

1. Arizona governor Ok's over the counter birth control

Arizona Gov. Katie Hobbs (D) has expanded access to over-the-counter birth control that will “soon be available to Arizonans,” according to a press release.

Arizonans 18 and older will soon be able to go to their local pharmacy and purchase oral contraceptives without a doctor’s prescription.

2. ‘Great news’: EU hails discovery of massive phosphate rock deposit in Norway

A massive underground deposit of high-grade phosphate rock in Norway, pitched as the world’s largest, is big enough to satisfy world demand for fertilisers, solar panels and electric car batteries over the next 50 years, according to the company exploiting the resource. About 90% of the world’s mined phosphate rock is used in agriculture for the production of phosphorous for the fertiliser industry, for which there is currently no substitute.

3. U.S. Is Destroying the Last of Its Once-Vast Chemical Weapons Arsenal

Decades behind its initial schedule, the dangerous job of eliminating the world’s only remaining declared stockpile of lethal chemical munitions will be completed as soon as Friday.

4. Chinese scientists create edible food packaging to replace plastic

By incorporating certain soy proteins into the structure, Chinese University of Hong Kong scientists successfully created edible food packaging.

5. World's 1st 'tooth regrowth' medicine moves toward clinical trials in Japan

A Japanese research team is making progress on the development of a groundbreaking medication that may allow people to grow new teeth, with clinical trials set to begin in July 2024. The tooth regrowth medicine is intended for people who lack a full set of adult teeth due to congenital factors.

6. No Longer Endangered: The Bald Eagle is an Icon of the ESA

When the Endangered Species Act (ESA) was enacted in 1973, bald eagle population numbers across the country showed that the species was close to disappearing. Before the ESA, in the 1950s and ‘60s, eagles were shot routinely despite the protection. The ESA listing helped bring public attention to the issue.

Through the early 1970s and into the early ‘80s, numbers increased gradually. Then, as you got into the ‘90s, there was still gradual growth. From the late ‘90s into the 2000s, the population really exploded. There was a doubling rate of every several years or so for a while.

7. Deforestation in Brazil's Amazon drops 34% in first half 2023

Deforestation in Brazil's Amazon fell 34% in the first half of 2023, preliminary government data showed on Thursday, hitting its lowest level in four years as President Luiz Inacio Lula da Silva institutes tougher environmental policies.

Data produced by Brazil's national space research agency Inpe indicated that 2,649 square km (1,023 square miles) of rainforest were cleared in the region in the half year, the lowest for the period since 2019.

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That's it for this week :)

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#best news of last week

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writingwithcolor · 4 months

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My alternate universe fantasy colonial Hong Kong is more authoritarian and just as racist but less homophobic than in real life, should I change that?

@floatyhands asked:

I’m a Hongkonger working on a magical alternate universe dystopia set in what is basically British colonial Hong Kong in the late 1920s. My main character is a young upper middle-class Eurasian bisexual man. I plan to keep the colony’s historical racial hierarchy in this universe, but I also want the fantasy quirks to mean that unlike in real life history, homosexuality was either recently decriminalized, or that the laws are barely enforced, because my boy deserves a break. Still, the institutions are quite homophobic, and this relative tolerance might not last. Meanwhile, due to other divergences (e.g. eldritch horrors, also the government’s even worse mishandling of the 1922 Seamen's Strike and the 1925 Canton-Hong Kong Strike), the colonial administration is a lot more authoritarian than it was in real history. This growing authoritarianism is not exclusive to the colony, and is part of a larger global trend in this universe. I realize these worldbuilding decisions above may whitewash colonialism, or come off as choosing to ignore one colonial oppression in favor of exaggerating another. Is there any advice as to how I can address this issue? (Maybe I could have my character get away by bribing the cops, though institutional corruption is more associated with the 1960s?) Thank you!

Historical Precedent for Imperialistic Gay Rights

There is a recently-published book about this topic that might actually interest you: Racism And The Making of Gay Rights by Laurie Marhoefer (note: I have yet to read it, it’s on my list). It essentially describes how the modern gay rights movement was built from colonialism and imperialism.

The book covers Magnus Hirschfeld, a German sexologist in the early 1900s, and (one of) his lover(s), Li Shiu Tong, who he met in British Shanghai. Magnus is generally considered to have laid the groundwork for a lot of gay rights, and his research via the Institut für Sexualwissenschaft was a target of Nazi book-burnings, but he was working with imperial governments in an era where the British Empire was still everywhere.

Considering they both ended up speaking to multiple world leaders about natural human sexual variation both in terms of intersex issues and sexual attraction, your time period really isn’t that far off for people beginning to be slightly more open-minded—while also being deeply imperialist in other ways.

The thing about this particular time period is homosexuality as we know it was recently coming into play, starting with the trial of Oscar Wilde and the rise of Nazism. But between those two is a pretty wildly fluctuating gap of attitudes.

Oscar Wilde’s trial is generally considered the period where gay people, specifically men who loved men, started becoming a group to be disliked for disrupting social order. It was very public, very scandalous, and his fall from grace is one of the things that drove so many gay and/or queer men underground. It also helped produce some of the extremely queercoded classical literature of the Victorian and Edwardian eras (ex: Dracula), because so many writers were exploring what it meant to be seen as such negative forces. A lot of people hated Oscar Wilde for bringing the concept to such a public discussion point, when being discreet had been so important.

But come the 1920s, people were beginning to wonder if being gay was that bad, and Mangus Hirschfeld managed to do a world tour of speaking come the 1930s, before all of that was derailed by wwii. He (and/or Li Shiu Tong) were writing papers that were getting published and sent to various health departments about how being gay wasn’t an illness, and more just an “alternative” way of loving others.

This was also the era of Boston Marriages where wealthy single women lived together as partners (I’m sure there’s an mlm-equivalent but I cannot remember or find it). People were a lot less likely to care if you kept things discreet, so there might be less day to day homophobia than one would expect. Romantic friendships were everywhere, and were considered the ideal—the amount of affection you could express to your same-sex best friend was far above what is socially tolerable now.

Kaz Rowe has a lot of videos with cited bibliographies about various queer disasters [affectionate] of the late 1800s/early 1900s, not to mention a lot of other cultural oddities of the Victorian era (and how many of those attitudes have carried into modern day) so you can start to get the proper terms to look it up for yourself.

I know there’s a certain… mistrust of specifically queer media analysts on YouTube in the current. Well. Plagiarism/fact-creation scandal (if you don’t know about the fact-creation, check out Todd in the Shadows). I recommend Kaz because they have citations on screen and in the description that aren’t whole-cloth ripped off from wikipedia’s citation list (they’ve also been published via Getty Publications, a museum press).

For audio-preferring people (hi), a video is more accessible than text, and sometimes the exposure to stuff that’s able to pull exact terms can finally get you the resources you need. If text is more accessible, just jump to the description box/transcript and have fun. Consider them and their work a starting place, not a professor.

There is always a vulnerability in learning things, because we can never outrun our own confirmation bias and we always have limited time to chase down facts and sources—we can only do our best and be open to finding facts that disprove what we researched prior.

Colonialism’s Popularity Problem

Something about colonialism that I’ve rarely discussed is how some colonial empires actually “allow” certain types of “deviance” if that deviance will temporarily serve its ends. Namely, when colonialism needs to expand its territory, either from landing in a new area or having recently messed up and needing to re-charm the population.

By that I mean: if a fascist group is struggling to maintain popularity, it will often conditionally open its doors to all walks of life in order to capture a greater market. It will also pay its spokespeople for the privilege of serving their ends, often very well. Authoritarians know the power of having the token supporter from a marginalized group on payroll: it both opens you up directly to that person’s identity, and sways the moderates towards going “well they allow [person/group] so they can’t be that bad, and I prefer them.”

Like it or not, any marginalized group can have its fascist members, sometimes even masquerading as the progressives. Being marginalized does not automatically equate to not wanting fascism, because people tend to want fascist leaders they agree with instead of democracy and coalition building. People can also think that certain people are exaggerating the horrors of colonialism, because it doesn’t happen to good people, and look, they accept their friends who are good people, so they’re fine.

A dominant fascist group can absolutely use this to their advantage in order to gain more foot soldiers, which then increases their raw numbers, which puts them in enough power they can stop caring about opening their ranks, and only then do they turn on their “deviant” members. By the time they turn, it’s usually too late, and there’s often a lot of feelings of betrayal because the spokesperson (and those who liked them) thought they were accepted, instead of just used.

You said it yourself that this colonial government is even stricter than the historical equivalent—which could mean it needs some sort of leverage to maintain its popularity. “Allowing” gay people to be some variation of themselves would be an ideal solution to this, but it would come with a bunch of conditions. What those conditions are I couldn’t tell you—that’s for your own imagination, based off what this group’s ideal is, but some suggestions are “follow the traditional dating/friendship norms”, “have their own gender identity slightly to the left of the cis ideal”, and/or “pretend to never actually be dating but everyone knows and pretends to not care so long as they don’t out themselves”—that would signal to the reader that this is deeply conditional and about to all come apart.

It would, however, mean your poor boy is less likely to get a break, because he would be policed to be the “acceptable kind of gay” that the colonial government is currently tolerating (not unlike the way the States claims to support white cis same-sex couples in the suburbs but not bipoc queer-trans people in polycules). It also provides a more salient angle for this colonial government to come crashing down, if that’s the way this narrative goes.

Colonial governments are often looking for scapegoats; if gay people aren’t the current one, then they’d be offered a lot more freedom just to improve the public image of those in power. You have the opportunity to have the strikers be the current scapegoats, which would take the heat off many other groups—including those hit by homophobia.

In Conclusion

Personally, I’d take a more “gays for Trump” attitude about the colonialism and their apparent “lack” of homophobia—they’re just trying to regain popularity after mishandling a major scandal, and the gay people will be on the outs soon enough.

You could also take the more nuanced approach and see how imperialism shaped modern gay rights and just fast-track that in your time period, to give it the right flavour of imperialism. A lot of BIPOC lgbtqa+ people will tell you the modern gay rights movement is assimilationalist, colonialist, and other flavours of ick, so that angle is viable.

You can also make something that looks more accepting to the modern eye by leaning heavily on romantic friendships that encouraged people waxing poetic for their “best friends”, keeping the “lovers” part deeply on the down low, but is still restrictive and people just don’t talk about it in public unless it’s in euphemisms or among other same-sex-attracted people because there’s nothing wrong with loving your best friend, you just can’t go off and claim you’re a couple like a heterosexual couple is.

Either way, you’re not sanitizing colonialism inherently by having there be less modern-recognized homophobia in this deeply authoritarian setting. You just need to add some guard rails on it so that, sure, your character might be fine if he behaves, but there are still “deviants” that the government will not accept.

Because that’s, in the end, one of the core tenants that makes a government colonial: its acceptance of groups is frequently based on how closely you follow the rules and police others for not following them, and anyone who isn’t their ideal person will be on the outs eventually. But that doesn’t mean they can’t have a facade of pretending those rules are totally going to include people who are to the left of those ideals, if those people fit in every other ideal, or you’re safe only if you keep it quiet.

~ Leigh

#colonialism #colonization #worldbuilding #alternate history #history #lgbt #china #hong kong #british empire #ask

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ranilla-bean · 6 months

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culture tips for writing asian settings: calligraphy (pt ii)

in my last post i talked about calligraphy more generally, but here i want to talk about the calligraphy from atla. all of the calligraphy from the show is written by dr siu-leung lee and i'll be using the artbook as my reference.

if you're a writer or artist approaching written chinese, you can think about how script and handwriting might tell us something about a character. dr lee certainly did, and he even tailored writing styles to who he thought might've been writing that text: "If it were a highly cultured royal attendant, he would use a refined, elegant style, but if it were a low-level clerk, he would use a more pedestrian handwriting style."

first thing: modern standard chinese coming out of mainland china uses simplified chinese. this system was developed in the mid-20th century, so it's pretty anachronistic to use this for atla. instead, you should be using traditional chinese as dr lee does (which is still used in hong kong, taiwan, and many diasporic communities). i usually use google translate to switch between the systems.

note the use of simplified 门 (door) instead of the traditional 門 from the aang's unfreezing day comic.

next i'm going to take aang's wanted poster as an example of three different chinese scripts we see in the show. the "title" is in clerical script, the body of the text is in regular script, and the seal is in seal script.

regular script is the standard way you'd learn how to write chinese nowadays. you can see (as i mentioned in part i) how the text is meant to be read up -> down, then right -> left.

clerical script is characterised by fairly compact shapes and a kind of "roundness", and was developed in the late warring states period. this is the script used for the chinese title of the show! in the context of atla, it implies to me that the writer has more specialised calligraphic training than the average person (who, if they can write, would be using regular script). you can compare the difference in styles for the same words between clerical (L) and regular (R):

seal script is the most archaic form of chinese on display; this one wouldn't have been written by the calligrapher, but carved into a seal by a craftsperson and then stamped onto the page.

what's also really interesting is dr lee implies a difference in script between the nations. some of the characters used to write water tribe-related concepts:

this is an adapted form of oracle bone script, the one of the earliest forms of chinese writing. this fascinated me because this script was—as the name suggests—written on bone, and perhaps reflects something about the material of what the water tribes were using to write. (you can input modern characters into this website to see examples of their older forms.)

finally, some cool differences in handwriting! this is from the fire day festival poster:

this uses regular script, but in contrast to the excerpt we saw before, the formation of the characters is more haphazard (excitable?). it's also written left -> right! this suggests to us the writer is a commoner, as opposed to a royal scribe.

these are some things you can keep in mind when you're writing or drawing in this universe—while you're probably writing in english, the characters would be steeped in the writing systems we've been talking about. if a character's sending a letter, what might the recipient notice about the handwriting? what does it tell them about their social status or education? could the shape of the letters signal something about where they come from, i.e. water tribe characters write a more curvy script?

disclaimer | more tips

#atla #atla culture #atla meta #avatar the last airbender #piandao #asian culture tips #chinese culture

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autumnsxxangel · 8 months

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SandRay are an homage to Wong Kar-Wai's Happy Together and in this essay I will..

...actually explain it because I see people catching his homage's to Western queer media, but not really his shout outs to Eastern queer media.

I assumed there would be allusions to Happy Together when I first saw the trailer, but this last episode centered around Ray really cemented it for me. After all, why would P'Jojo reference all these Western queer shows and not talk about what is probably the most iconic piece of Eastern queer media ever?

Wong Kar-Wai & Happy Together

For some background information, Wong Kar-Wai is a famous and insanely influential Hong Kong filmmaker. If you're a film nerd, you probably know who he is and recognize his style. If you like film and metas, I would recommend watching some of his stuff because afterwards, you'll realize just how much influence he still has on modern media, especially in Asia. Stylistically, he's known for rich color grading; thematic usage of music; an unending sense of nostalgia, heartbreak, and missed opportunities; and dialogue that mean nothing on the surface because everything meaningful is boiling just under, left unsaid (If you've watched Everything Everywhere, All At Once, the entire actress universe sequence was an homage to Wong Kar-Wai). His actors always do a phenomenal job because so much of what they need to portray can't be communicated through words. It makes sense why SandRay, aka FirstKhao, were chosen to represent Happy Together as they are the strongest actors out of the group.

Happy Together, simply summarized, is about two men, Ho Po-Wing and Lai Yiu-Fai, who are in a very tumultuous relationship. They end up in Argentina because they wanted to visit the waterfall that's on a lamp that they own. They get lost, end up using all their money, and have to figure out a way to get back to Hong Kong. While there, they break up, get back together, and break up again.

The movie was released in 1997 and is still ranked as one of the best queer movies of all time. The two main characters are played by Tony Leung and Leslie Cheung. You might recognize Tony Leung as Simu Liu's dad in Shang-Chi. Leslie Cheung was in Farewell, My Concubine, and was famously a bisexual man with a long term male partner. This is significant because it was virtually unheard of to be out and open at that time (he made his relationship public in 1997 though he had mentioned bisexuality in earlier years), especially in Hong Kong which was, and still is, very homophobic. Leslie received a lot of hate for his sexuality and androgyny. (If you're interested in learning more about Leslie as a queer Asian figure, this is a good video essay that goes over his work and his life).

Sand as Lai Yiu-Fai

Fai's, and in turn Sand's, character can be summed up by one line, "One thing I never told Ho Po-Wing was that I didn't want him to recover so fast. Those were our happiest days."

Both Fai and Sand are very static, straightforward characters. They stay above board for the most part and work a variety of jobs to survive. They have their morals about what is right and wrong, which unfortunately is both of their downfalls.

In Happy Together, Wing breaks up with Fai because he is bored with the relationship. He basically says, "I'm bored being with you. Let's break up. If we happen to meet again, we can try again." Then he leaves Fai stranded on the side of a highway.

Later, he reappears in Fai's life. The first encounter is a fight, much like Sand and Ray's first meeting in the bathroom. The second encounter is because Wing gets beaten up. He goes to Fai because he knows Fai will feel obligated to take care of him and he does. It becomes the beginning of their rekindled relationship.

Similarly, Sand has a strong sense of obligation. There are already metas out there about how Sand has a bit of a hero complex. He sees Ray too drunk to drive and he had to step in. He doesn't just take the keys and order a taxi. No, he takes the keys and drives Ray. Sand sees Ray being all sad and pathetic and he can't stop himself from helping. It makes him feel useful. It makes him feel needed.

Both of these men are caretakers. They show affection by providing care. Sand ends up cooking for Ray just as Fai cooks for Wing even when he's sick. As an added bonus, they both make fried rice.

Both Sand and Fai are characters that stand completely still. Ray and Wing always know where to find them. Sand can always be found at YOLO and Fai is at his apartment. Because of this, Ray and Wing come and go as they please. They know that Sand and Fai will take them back...until they finally don't.

Ray as Ho Po-Wing

Starting on a base level, both characters are bratty, needy, promiscuous, spoiled, and selfish. But most importantly, they both share a love of fluffy cardigans.

(I also have a theory they keep putting Ray in wife beaters as an homage to the 90's HK cinema style because otherwise...I just don't understand why, as a rich asshole, he's always in wife beaters. By Thai BL logic, he should be in shirts with too many buttons unbuttoned.)

Wing and Ray are both the ones controlling the pace and direction of the relationship. They come when they need someone to nurture their wounds, both physically and metaphorically. They leave when they're bored or have things they deem more important. They both initiate intimacy and won't take no for an answer.

Wing does this by first trying to join Fai on the couch and then chasing after him to the bed and begging him to let them sleep together.

Ray does it by continuously getting Sand to get in the car with him and then using his puppy dog eyes.

They are both also very, very pouty.

Wing's line is "We could start over". He says it every time he comes back after he's the one that ends the relationship. Fai always fights taking him back, but he always does it anyway.

Ray doesn't really have a line yet (unless you count his "na na naa~"s) but he bats his eyelashes and so far Sand has given into him every time. Sand keeps trying to set boundaries, but the moment Ray begs a little bit, Sand crumbles like a house of cards and lets Ray have whatever he wants.

Relationship Parallels

Wong Kar-Wai is known for making movies about star crossed lovers who are meant for each other, but aren't meant to be together.

Like Wing and Fai, Sand and Ray fill in each other's cracks in a way that complements each other. However, because of the nature of the cracks themselves, them complementing each other is exactly what makes the relationship so toxic. One stays and one goes. One takes and one gives. One is steady and one is flighty.

Most of what I wanted to say about the parallels between their relationships is in the character comparison. What I'm more interested in is the future of SandRay's relationship, especially if they continue to parallel Wing and Fai's in Happy Together.

Obviously, Wing and Fai don't end up together at the end. It wouldn't be a Wong Kar-Wai movie if they did. What is interesting is that Fai's relationship with Wing eventually pushes him into becoming something angry and spiteful. Once Wing heals, Fai knows that he'll become bored and want to leave. In an attempt to get him to stay, he steals and hides Wing's passport which is insane because they are both gay men stuck in a foreign country where they don't speak the language.

Wing, of course, leaves anyway.

There is also a third character, Chang, whom Fai ended up liking. These new feelings are what eventually pushes Fai to leave Argentina and move on from Wing and move on with his life.

The question is, if SandRay follows that same path as Happy Together, what will be the passport that Sand tries to hold over Ray and who will be Sand's Chang?

Stylistic Parallels

Smoking

Making Ray and Sand smoke is definitely an homage to Happy Together with the added bonus of being a metaphor. For the most part, we rarely see characters, especially main characters, smoke in Asian media because smoking is reserved for 'bad' characters.

Cigarettes in Happy Together represent boredom. Fai and Wing smoke at the beginning before they rekindle their relationship because they are just moving through life. Once Fai and Wing get back together, cigarettes stop making an appearance. It isn't until their relationship started deteriorating that we see the men smoking again.

This can also be said about Sand Ray's relationship. They started their 'involvement' with cigarettes. However, the last time we actually see them smoking is in ep 2 right before they hook-up. Since then, we have not seen either of them smoking. This probably means that we'll see one or both of them smoking again when their relationship starts to break down.

(In the preview for ep 5, there is an ashtray in the background on the balcony so let's see if Boston finding out about them is a catalyst for them to start breaking down.)

And of course, there is the added homoeroticism of asking for a light.

Ray's Opening and Closing Scenes

Ray's episode is really what made me go "I see you P'Jojo".

Ray's episode starts with a shot of him isolated and in emotional pain. The camera is claustrophobically close and it keeps moving around. He has a little voiceover opening. It's calm, it's contemplative, it's a little existential, and it is irrevocably sad. If that is not a Wong Kar-Wai staple, then idk what is. Even the song that starts playing gives me 80s, 90s Cantopop vibes.

Ray talks about how Mew being his emergency contact and the one he goes to. Fai talks about how Wing always comes back to him and says "Let's start over".

The movie and the episode ends with both of them once again isolated, alone. They've been through an emotional journey and they've technically moved on. But there's always the idea of not being able to fully let go in Wong Kar-Wai's movie. So just like how Fai has physically removed himself from Wing, but not emotionally, has Ray actually fully removed himself from Mew?

Cinematography

Then there's just a collection of scenes that reminded me very heavily of Happy Together and Wong Kar-Wai's style. I would have added pictures from his other movies for comparison, but Tumblr only lets me put 30 images in a post and I don't want to make a 2nd post.

This scene is specifically from the 1st trailer so I hope they keep it in the show.

This one I call the inevitability of falling. Both Sand and Fai realize they're fully committed to their decision to take care of Ray and Wing here.

The end title card

Actually, all of the end title cards give very Wong Kar-Wai vibes. Look at that saturated, neon color grading. Look at the elongated shots. The intense feeling of isolation.

I'm assuming we'll get all the characters at one point, but so far it looks like the end credit cards indicate who the narrator of each episode is.

Anyway, that's it for me! Sorry it was so long and rambling. I tried to organize my thoughts but as I was thinking, more thoughts would pop up and I'd get distracted. If you made it this far, thanks for reading!

#ofts #only friends the series #only friends series #sandray #ofts meta #only friends meta #happy together #i have to post this now because if i dont ill keep writing and ive already spent too much time on this #if anyone has other screenshot comparisons post them #because there are a few more scenes that give me major wong kar-wai vibes #but im too tired to look for them now

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absolutebl · 6 months

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Okay, FINE, the shows you should watch for BL's QUEER AF roots

You ready to go hunting?

Many of these are difficult to find. Also many of the images of them and their posters have been block/banned by tumblr, so, no screen grabs for you! (Good times.)

I don't necessarily *like* any of these, but if you are queer and in this fandom and need to dialogue around BL's queerness - these are going to provide a foundation for you. They are important for various industry, reputation, directorial, and cultural reasons. As seeds often are.

Trigger warnings throughout.

The true beginnings:

Boys Love, Japan's 2006 movie is a REALLY rough start featuring a journalist + hot model = murder gay, mild necrophilia, cheating, abuse, rape, and suicide for love. Start as you mean to go on, why don't you, Japan? Is it queer... maybe? Is it BL... honey, I am very sorry to inform you, this started BL.

Note: Yoshikazu Kotani is famous in og BL circles since he acted in 3 early BLs, both Boys Loves and then Same Difference. Also he v tall and hawt.

Eternal Summer, Taiwan 2006 - unlike Japan, Taiwan did NOT start how it would, eventually, go on. But what a messy way to start. A high school story of 3 besties in a love triangle, self discovery, and sexual awakening that fucks it all up.

No Regret, Korea 2006, is a very unhinged queer catastrophe piece about a lost gay man who ends up a host and then almost a murderer because of both his job and his identity.

Note: This is the directorial feature film debut of Lee-Song Hee-il Korea's (so far as I know) first openly gay director who specialized (to this day) in queer content.

The Love of Siam, Thailand 2007, this was Thailand's queer awakening, sure they would backpedal for YEARS after, but in 2022 they began to remember what this movie was (and did) and overtly referenced this quiet little masterpiece. This movie is sad but stunning in that way that the best queer works from Thailand can be (like Present Perfect or ITSAY.) It has Thailand's quintessential softness around theme and character, which you'll understand perfectly when highlighted against the backdrop of the early 2000s works from Japan, Korea, and Taiwan. Thailand will never lose this soft style and it's one of the most attractive qualities of Thai BL: it's never very harsh with us or its characters. This movie very easily COULD have been quite harsh indeed.

I thought long and hard about including Rice Rhapsody AKA Hainan Chicken Rice (Hainan ji fan) on this list and finally decided it doesn't really qualify. Still let me mention Hong Kong's 2005 movie. It is amazing, fascinating, and very rough going for an ostensible comedy. It wasn't the actual beginning because few saw it and Hong Kong never really picked up or ran with BL let alone QL, but it was hella queer. It's also hella homophobic.

Just Friends? (2009 Korea) - this is Korea's first (kinda) upbeat version of a BL featuring already established boyfriends, one of whom is on military leave, trying to decide on coming out, family life, and the future. All of these are themes Korea will pretty much never tackle again, retreating as they would to their bubble. But what a fun little offering this little show was and is to this day. You should watch it.

Like Love 1 AKA I Love You As A Man: Part 1 - China's 2014 offering is actually pretty classic early form live action yaoi with things like whipping boy, a university setting, rich/poor jock/nerd pairing, hard grumpy/sunshine and a very odd title. It's pre-censorship with an HEA, also explicit, yeah China once did that. This is a lot less queer that it is classic BL and classic Chinese romance, neither of which have any kind of connection to reality. But hey, that's what I'm here for. But it's important to note the drifting away from queerness beginning to occur.

Love Sick - Thailand's 2014 "boys in blues shorts" high school set soapy (in all ways) offering is widely considered the true beginning of Thai BL and by default, eventually, BL as we know it today. (As the biggest producer they somewhat dictate taste and trends in the genre.) This is one of those BLs that owes almost nothing to yaoi, although it started a number of tropes that are now endemic to Thai BL. What it is, instead, is a well scripted story of bisexual self-discovery and the inherent chaos of loving someone of the same gender for the first time, all wrapped up in hormones, existing relationships, and communication issues. It is high school queer angst at its messiest. Nothing is going to be easy for these boys because queer isn’t easy but also because life isn’t easy… welcome to adulthood sweethearts. Is is overtly queer? For 2014 Thailand? Sure is.

Love Next Door 2 a movie from 2014 and one of Thailand’s early very high heat pieces, it’s odd, but sexy I guess? Some unexpectedly decent queer rep including femme characters getting screen time + HEAs. (Part one from 2013 has the same high heat content and features the same lead character (and actor) discovering he is gay with the sex worker next door, but isn't as good nor is it relevant to this installment.)

A few other unknowns, for the queer babies

Wait For Me at Udagawachou AKA Udagawachou de Matteteyo - from Japan in 2015, this is a story about two boys in high school one of whom is a repressed outsider and the other who has a terrible secret (body dysmorphia & cross dressing). When the first boy discovers what's up with the second one, his reaction is very much fetishization. "Oh Japan must you?" kinda started for me with this show. But in this case, Japan, weirdly MUST. This is the ONLY show laboring under (and testing) a pointedly straight lens (or is it?) and identity examination (yes but which boys' identity? that's the question) that I've EVER seen even edge into the BL genre. It is crazy queer, even as it mostly focuses on the fetishization of identity from an outsider's perspective. I WISH more people in fandom would watch it so I could at least talk to someone about it.

The Lover (BL Cut) Korea's 2015 series had multiple couples in an apartment complex, one pair of whom is a BL romance between a Korean man and a visiting Japanese tourist (played by a Kpop idol). It's comedic, slapstick sexy only (no kissing), but basically starts up Korea's bubble and use of idols in BL. It's kinda fascinating to watch them dodge around and still represent gayness in what (is sadly destined to become) a very Chinese way, but which Korea in pursuit of Hallyu and market share would morph into the bubble.

Mr. X and I from China in 2015 is a compilation piece and, I think, the first of this kind of multiple narrative shorter grab bags AKA "Sampler Pack BL." Two of the stories are very queerly sad, but the third is CLASSIC BL of the kind that would become China's best (and last) true BL, Addicted.

Sweet Boy, (Thai 2016) Chimon's first gay role and it is quite sad, oddly sexy, and similar to Dew the movie or My Bromance (just so you know what you are in for) but the acting is on point. When Thailand goes dark, this is how they do it, but this is rough going for baby queers because that's the darkness it is exploring. Our old thematic friends: the pain of self discovery and coming out into a homophobic environment and unfriendly reality, and the cost of being the one able (and willing) to stay in the closet.

Method (Korea 2017) this movie is a May/December actor/idol pairing, that should have been everything I wanted in life but is more about the older character cheating on his wife and their weird “artsy” relationship and frankly, I hated it. And I don’t say that lightly. Is it queer? Who tf knows, but is sure has some interesting things to say about the nature of PERFORMATIVE queerness.

Red Balloon is Taiwan's 2017 precursor BL to their biggest and most famous prestige piece Your Name Engraved Herein. If you're making a choice, choose that instead, but this series certainly paved the way for it to come into existence. Both shows tackle the pressures of culture and social structures on self acceptance and identity and the loneliness inevitably caused by conflict between the two.

(As indeed does Life Love On The Line, Present Perfect, Grey Rainbow, Tropical Night, My Sky, and many other queer meets early BL pieces that revolved around coming out and family acceptance.)

China's 3 2017 "they tried to censor the gay... and it went HORRIBLY wrong":

Beloved Enemy,

The Fairy Fox,

Mr. CEO is Falling in Love with Him.

Honestly these 3 are basically the uncanny valley of BLs.

The Novelist AKA The Pornographer series (2018-2020). Messy psychological machinations, gaslighting, fetishization, sexual corruption, and more good times from "well, what did you expect?" Japan, but also no holds barred queer, just well and truly fucked in the head (and arse) about it.

The Cornered Mouse Dreams of Cheese AKA Kyuso wa Chizu no Yume wo Miru (Japan 2020) - Drama llama queers so queer and so dramatic it's like Japan is trying to PROVE something: obsession, cheating, break-up, reunion, then break up again, all of it explicit. This show is just SO JAPANESE. I can't even, but you should watch it and you'll know exactly what I mean. Something like My Personal Weatherman owes it's lineage to this kind of BL. If you like Japan naked, boney, emo, and smoking (hot & ciggy) you will love this, and should watch it. It's objectively amazing, I can't stand it, but I NEED people to talk about it more.

More Queer Stuff about BL from moi

BL Linguistics & Queer Identity - I Am Gay versus I Like Men

Will BL Get More Honestly Queer?

Actually gay, not BL gay - the idea of “by queers, for queers, about queers,” the BL bubble, sanitized gay, and a queer lens

Queer lens (from the director) and chemistry (from the actors) in BL (A Tale of Thousand Stars)

Touch & Daisy in Secret Crush On You - Queer Coded Language and 3rd Gender Identity

BL in Taiwan & Gay Marriage

Debating Queerbaiting in BL ( + Devil Judge… is it queerbaiting?)

BL Actors and the Assumption of Queerness - outing actors, coming out, being out, more: Is that BL actor actually queer?

So is it really fetishization? straight women loving bl

Some BL fans are sasaengs, and it’s a problem in this fandom

BLs That Highlight How Society Treats Queers

10 BLs That Are Honest to a Queer Experience

If you like these kinds of shows try the "Moody Arthouse Smackdoodle" section of this post too.

Happy watching!

(source)

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txttletale · 1 month

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What's your shadowrun games ranking? A couple of them are on game pass and I've been getting really into crpgs lately.

hong kong > dragonfall > the first one

the first shadowrun doesn't have permanent party members, which really drags it down. it means it just can't have the kind of slick interesting writing that makes the other two so good. dragonfall has a razor-tight plot and some great characters but is brought down by two key factors: its hacking gameplay is notably more annoying than hong kong's, and one of the main companions is an annoying misogynist that i hate.

hong kong, on the other hand, is a nearly perfect game. first of all, it's a really vivid bringing to life of a part of the world that, yknow, you don't get a lot of urban fantasy about. it is so refreshing to see it not doing the Fantasy Races Stand In For Real Races shit and instead have clearly east asian goblins, dwarves, orcs, etc. the gameplay is fun, the quests have a really good set of options that make nearly any playstyle feel rewarding, i really like how it gives you a set backstory but lets you make choices within it to still create and define your own character, and most of all the cast absolutely clears. i like glory as much as the next lesbian, but is0bel, gobbet, racter (one of my favourite depictions of a low-empathy character in media), and gaichu are some of the best characters i've seen in video games. duncan is there too.

plus the side cast! jomo, MAXIMUM LAW, crafty, reliable matthew, auntie... there is so much life and depth to the characters in hong kong. you can go on the computer and read in-universe forum posts by shadowrunners. it's a living breathing world and by far the best thing ever done with the shadowrun IP. play shadowrun: hong kong

#ask

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fursectomy · 3 months

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its stupid that almost all of the beta kids live in the US. jade doesnt but her grandpa is from the US i believe? how is it that theres a handful of kids fated to save the universe or whatever and theyre ALLL american. it would make way more sense if they were scattered all over the globe.

so far i see dave as still living in texas because he very much feels like a product of the american public school system and american individualism. jade also still lives on her island thats fine her gpa is just polynesian to me, and then john lives in hong kong and rose lives in brazil.

rose specifically lives in the southern high planes of brazil bc thats where it snows and for some reason rose living in a snowy location feels important to her upbringing to me? maybe just because of the flashbacks to her playing in the snow. oh also because it makes sense if she lives in a more isolated location.

i think grandpa harley is maori and was originally born in new zealand wow oh my god as im typing this im imagining jade w a kiwi accent and that feels so fitting. anyways i think he sailed out from NZ and found hellmurder island out in the pacific on his travels.

i also like the idea of rose and dave meeting online and dave is fluent in spanish (bro is irish american/mexican) and in english while rose is fluent in portuguese and knows some english. they communicate through spanglish and portuganglish(???)and rose gets better ar conversational english this way. once she starts getting the hang of it (which is very fast) she starts reading more and more english books and quickly accumulates a far bigger vocabulary than dave because dave does not fucking read books like that.

when they talk mainly spanish and portuguese in the beginning dave is like “portuguese speakers sound like theyre trying to speak spanish while having a stroke you’re giving me a headache” and rose is like “sounds like a you problem i understand your spanish just fine” lol.

dave has a weird assortment of spanish vocab that he knows outside of the basics because his only exposure to spanish is from his bro and shitty public school spanish classes.

also bro was raised on dragon ball z and thats part of the reason he styles his hair the way he does. bro has the goku jesus mexican flag hanging in their living room.

#no wonder rose struggles with addiction shes brazilian mexican and irish WHEW #i say this as someone with extended family in ireland brazil and mexico #if i one day get married to my mexican partner and our families collide its gonna be CRAAZZZTYY #theres no way that bro is still connected with his family though i just know hes estranged #which is so sad dave missed out on the best christmas parties #and i know mom lalonde makes the MEANEST caipirinhas #homestuck #beta kids #homestuck headcanons #dave strider #rose lalonde #john egbert #jade harley #talkies

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mysticstronomy · 3 months

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WHAT IS AN EINSTEIN RING??

Blog#371

Wednesday, January 31st, 2024.

Welcome back,

Physicists believe most of the matter in the universe is made up of an invisible substance that we only know about by its indirect effects on the stars and galaxies we can see.

We’re not crazy! Without this “dark matter,” the universe as we see it would make no sense.

But the nature of dark matter is a longstanding puzzle. However, a new study by Alfred Amruth at the University of Hong Kong and colleagues, published in Nature Astronomy, uses the gravitational bending of light to bring us a step closer to understanding.

The reason we think dark matter exists is that we can see the effects of its gravity in the behavior of galaxies.

Specifically, dark matter seems to make up about 85 percent of the universe’s mass, and most of the distant galaxies we can see appear to be surrounded by a halo of the mystery substance.

But it’s called dark matter because it doesn’t give off light, or absorb or reflect it, which makes it incredibly difficult to detect.

So what is this stuff? We think it must be some kind of unknown fundamental particle, but beyond that we’re not sure. All attempts to detect dark matter particles in laboratory experiments so far have failed, and physicists have been debating its nature for decades.

Scientists have proposed two leading hypothetical candidates for dark matter: relatively heavy characters called weakly interacting massive particles (or WIMPs), and extremely lightweight particles called axions. In theory, WIMPs would behave like discrete particles, while axions would behave a lot more like waves due to quantum interference.

It has been difficult to distinguish between these two possibilities — but now light bent around distant galaxies has offered a clue.

When light traveling through the universe passes a massive object like a galaxy, its path is bent because — according to Albert Einstein’s theory of general relativity — the gravity of the massive object distorts space and time around itself.

As a result, sometimes when we look at a distant galaxy we can see distorted images of other galaxies behind it. And if things line up perfectly, the light from the background galaxy will be smeared out into a circle around the closer galaxy.

This distortion of light is called “gravitational lensing,” and the circles it can create are called “Einstein rings.”

By studying how the rings or other lensed images are distorted, astronomers can learn about the properties of the dark matter halo surrounding the closer galaxy.

Originally published on www.astronomy.com

COMING UP!!

(Saturday, February 3rd, 2024)

"HOW CAN SPACE BE INFINITE??"

#astronomy #outer space #alternate universe #astrophysics #universe #spacecraft #white universe #space #parallel universe #astrophotography #how will the universe end

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somefanficrecomendations · 2 months

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February Monthly Recap

I had a lot of fics this month. Every one of these deserves a dedicated post of its own but in the interest of efficiency this roundup will have to do!

BATMAN

Uptown Girl by orphan_account (Stephanie Brown/Cassandra Cain), 60k, Case Fic, Friends to Lovers Stephanie Brown has three problems: a supervillain father with a deadly scavenger hunt in the works, a mysterious rich girl who's way too interested in her life, and one really, really painful hobby. Alternatively: a different kind of Spoiler origin story.

The Lois Angle by cabezas_de_vaca (gen), 15k, Bruce & Lois Friendship, Case Fic What she had with Bruce was novel, exhilarating. She had fallen in love several times, and that was like a great swoop of a wing, a flash and flush and then long tumble, but this was like a warmth that welled up from within. This was Bruce grappling up to her thirtieth story Metropolis apartment, stowing the Batsuit in the bathroom, and watching StarTrek with her. This was her driving to the manor when she couldn't sleep, only to find she could do it there. This was having a friend. Or: Despite the long shadow Batman casts and the demands of being one of the youngest Pulitzer winners ever, Bruce and Lois manage to steady each other, in the way that only friends can. Also, there's a case they need to solve.

the scientific method by orphan_account (gen), 20k, Sibling Bonding, Duke-centric 5 stupid ways Duke's siblings discovered how his powers worked, and 1 time he figured it out for himself. "You have no idea," Dick said. "I had to live through all of their teenage years. They were each independently obsessed with Mythbusters at separate points in their life. I'm pretty sure Cass and Tim have wanted a meta to experiment on since they were 14, but Bruce always said no."

Meet Me Where You're Going by Hinn_Raven (Stephanie Brown/Cassandra Cain), 68k, Slow Burn, Mutual Pining When things get complicated in Hong Kong, Cass requests help from Batman Inc. Unbeknownst to her, Bruce dispatches not one of her brothers, but Stephanie Brown, who Cass has not spoken to since she gave up the Batgirl mantle. Steph is eager to reunite with her best friend, but things between them are complicated. Not the least of the problems is the fact that Steph might be falling in love… but of course, Cass is straight, so Steph really shouldn’t dwell on that. Friendship and romance, conspiracy and adventure await the two of them as they try to unravel a complicated plot that seeks to stop Batman Incorporated before it can truly begin.

when you move, fall like a thunderbolt by orphan_account (Stephanie Brown/Cassandra Cain), 5k, Villain!Steph, Canon Divergence In another universe, Stephanie Brown's plans to kill her father aren't interrupted by Batman. Which means nobody stops her from tripping and falling headlong into running her own gang, and then a little more intentionally rising to the top of the underworld. Meanwhile, seeing as Bruce only has one kid who actually wants to carry on the good name, Cassandra Cain takes over as the Batman of Gotham's future. This would be a fine turn of events if it weren't for the fact that they've been dating on-and-off for ten years.

falling without caution by coffeecrowns (gen), 17k, Bad Parent!Bruce, PTSD Jason is twenty, decidedly less into murder, trying to avoid developing agoraphobia, and putting together some pieces into a life. Tim is sixteen, riding the edge of burnout, and in a show of his truly baffling survival instincts, decides Jason is friend shaped.

MICE ON VENUS by NEOCULTUREDAUS (gen), 3k, Tim & Damian Bonding “Timothy, if this is revenge for me trying to kill you, I need you to know I’m not sorry.” Damian’s eyes were clamped shut, hands fisting Tim’s hoodie so tightly that if Tim tried moving, he simply wouldn't be able to. “I’m not trying to get revenge. And open your eyes, you can’t ride a skateboard with them closed.” Tim patronized, prying Damian’s hands off him, you know, like someone evil who didn’t care for the wellbeing of his younger brother. Or The one where skater Tim takes his artist younger brother graffiti painting

So Sweet Saluteth Me by Lishalalalalala (gen), 7k, Good Dad!Bruce Sleep deprived™ Jason hangs out with Dick then they surprise Bruce at work with early lunch and some love. This fic is inspired by farmers’ markets on those summery days and the belief that if I run fast enough the sad can never catch me. (I mean you are telling me that Bruce Thomas/Alan Wayne wouldn’t be absolutely BASKING in joy if his kids just decided to randomly show up at Wayne Enterprise and pay him a little midday visit? )

to count by miles or days or people (when will i stop missing you) by jcp_sob_rjl_lmep (gen), 22k, Angst, Hurt/Comfort When Duke is kidnapped off of the streets of Gotham on his way back to the Manor from visiting his parents, it sends the entire Batfamily into a panic. With very little evidence to go on and time slipping past them, there's no help coming as Duke is forced to make a grand escape and get himself home before his kidnappers find him once more.

birds and brothers and other assorted synonyms by Ao3time, hoebiwan, quandaries_and_contradictions (gen), 21k, Series, Found Family A Reverse Robin AU in which Damian is a tired older brother, Duke is a ray of sunshine, and Dick is a baby talon.

Emergency rooms and chicken nuggets by Lilac_hyacinth (Bernard Dowd/Tim Drake) 7k “So…” Duke drawled, sounding suspiciously wide-awake for the day shift kid at two-thirty in the morning. “If I said Damian and I are in a bit of trouble, on a scale of Jason to Cass, how likely are you to kill us?” Clearing his throat and rubbing his eyes to try to wake himself up, Tim grimaced. “What the fuck did you do?” “Nothing.” Or Tim and Bernard get out of bed at two in the morning to go across town and pick up Tim's reckless little brothers.

Pick a Pocket Full of Pennies by Trekkele (gen), 24k, Found Family, Fluff, AU-No Powers The life and times of Dick Grayson, unintentional ringleader to a gang of pickpockets, and how he learned to let go and get adopted. Or something.

SPIDER-MAN

Death Before Inaction by hppjmxrgosg (gen), 37k, BAMF Peter Parker, WIP “Fuck off, Nicky.” “Hasn’t anyone ever told you spider-napping is illegal?” “You can’t hold me here, I know my spider-rights.” “God, you guys are so old. What are you? Like 27?” “Scale of 1 to 10, how upset would you be if I told you I banged your mom?” - Or, I got my grubby little hands on the spider-man time line and fucked around a little bit. Not much (everything) changes.

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hai7ani · 4 months

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有緣千里來相會 (無緣對面不相逢) / WHERE THIS FLOWER BLOOMS

all roads lead to you, even those i took to forget you. (mahmoud darwish)

collection | alternate universe (young parents) | angst | slice of life | lovers -> exes -> lovers

ー sporadic updates, subject to change

playlist

one • two

WIP prelude: the four seasons / our downfall

❶ SPRING ❷ SUMMER ❸ AUTUMN ❹ WINTER

WIP the lady in pink and i never knew that a heart could withstand such pain until i saw you with her (you are not mine anymore)

hong kong / december a means to an end (dying was easier than watching you cry as i walked out the door still so madly in love with you)

sendai / july perhaps in another life you will marry me like you promised (but now i am left with a scarf and little hands that feels like the universe in mine)

haitani shou it wasn't just my heart that you broke when there were three hearts in my body (yours, mine, ours)

hyacinth / teach me how to love again but i don't want to beg for love again / you will always be loved for as long as i'm alive (i love you)

translation: 有緣千里來相會 (if destined, we'll meet again despite the thousands of miles apart) 無緣對面不相逢 (but we won't if it's not destined to be)

randoms: wtfb!rindou core

#解 #wtfb collection #rindou x reader #rindou haitani

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eurothug4000 · 24 days

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INTERVIEW WITH SHIGENOBU MATSUYAMA - PRODUCER ON SILENT HILL THE ARCADE

I had the pleasure of interviewing Matsuyama-san, one of the producers on Silent Hill the Arcade! Here's what he had to say :)

Q - How did the idea for Silent Hill The Arcade come to be?

A - During the arcade boom of the 1990s and the 2000s, a desire was born to combine the unique worldview of the Silent Hill series - which was already a very strong IP console game-wise – with the haunted houses one might find in an amusement part. We wanted something that could provide an easy and pleasurable experience to an extremely varied range of customers… as in, the casual users. This is the idea that brought Silent Hill Arcade (SHA in short) to life. However, since our goal was to create a new kind of experience that could not be replicated anywhere else, we designed a game that could make the most effective use of the 5.1ch surround sound system, which was something that arcade games hadn’t adopted until that point, with a type of cabinet that could be somewhat isolated from the rest of the arcade via the use of curtains.

Q - Roughly how long did development for the game take?

A - At the time, the development cycle of an arcade game was so short it would be unimaginable today. The shortest one was around six months, the longest about one year and a half. I think SHA took us around one year and two months.

Q - What parts of development were most enjoyable for you?

A – Usually, arcade games are tested a certain number of times, both during development and just before launch in each and every country where their release has been scheduled (which, for SHA, meant Japan, the US, the UK, Italy, Spain, France, Hong Kong and Singapore). In order to keep the development budget for SHA as low as possible, however, I personally traveled alone to the US for the market testing, assembled the cabinet all by myself, repaired it when it was out of order, and stood next to it for days on end, pen and paper in my hand, ready to collect the players’ data. Game development, nearly 20 years ago, was very much an analog experience. It was also hard work, but when I look back, I have so many good memories of that time.

Q - Do you remember any kinds of ideas that you and the team wanted to include in the game, but didn’t in the end?

A – I’m sure this will sound obvious, since SHA was based on a pre-existing IP, but since the framework was pretty much already set when it came to characters and plot, we had to be extremely careful not to deviate from it so that we wouldn’t create inconsistencies. Personally, I would have loved to take the story in slightly wilder directions and include new and fresh ideas.

Q - I loved seeing so many locations from Silent Hill 3 and 4 make an appearance in the game! Was the team who worked on those two games involved in making any decisions for Silent Hill The Arcade?

A - We of course personally consulted select staff members of Konami, like for example Producer Yamaoka, with whom I had been acquainted with since before SHA. However, most development teams had a mix of internal and external members that changed pretty fluidly with each and every year, so there was no real collaboration between the various teams.

Q - What level of freedom were you given for creating this original story within the Silent Hill universe? Were you given any specific directives on what you could or could not integrate/use in the story?

A - If I have to express my personal point of view on the matter, however, should you compare the storyline for SHA with the timeline of the other games, you would indeed notice a few minor inconsistencies that we were not able to completely solve. That’s something I still have regrets about.

Q - Tell me about translating a traditional survival horror experience into the rail shooter genre and control style. What kind of considerations did you have to make for this?

A - The biggest challenge was by far to design a game system that could be as simple as possible, and to regulate the level of challenge in a way that felt balanced, because we didn't want to force complicated controls or an exceedingly high difficulty level on the casual arcade players. Moreover, there was another balance we had to strike perfectly: more specifically, the one between the aforementioned "haunted house" element - the one that was unique to SHA, with its sequences of terrifying events - and the thrilling playstyle that a rail shooter should provide to the player.

Q - As a final product, what are your personal thoughts on the game?

A - I think it had a state-of-the-art sound system, that the design of the cabinet, with its creepy-looking curtains, made people want to take a peek inside, and that the rail shooting system was simple and could be enjoyed by virtually everyone. I think we managed to combine these various elements with a one-of-a-kind worldview of Silent Hill in a way that was in my opinion pretty good! Of course, each and every member of the staff did their part, and I thank all of them wholeheartedly.

Q - Are you working on anything currently that you’d like me to mention?

A - Feel free to write whatever you prefer! If anything, I should thank you, since you allowed me to walk down the nostalgia lane and recall memories from almost 20 years ago that had been dimmed down by the passage of time. Thank you very much!

Shigenobu Matsuyama's site: shig.jp

#silenthill #silenthillarcade

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kaijuposting · 1 year

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The Newmann Timeline

So I've made an attempt at assembling a timeline for Newt and Hermann's lives. The information is sourced from: The Pacific Rim novelization by Alex Irvine Pacific Rim: Man, Machine, & Monsters by David S. Cohen The Pacific Rim two-disc special edition DVD feature Drift Space

Wherever information was contradictory, I leaned toward info that was corroborated in multiple sources, or made more sense contextually. I had to make a couple of guesses (I note them in the timeline), but I feel pretty confident that they aren't too far off what Guillermo del Toro and Travis Beacham imagined for these characters.

Hopefully I'll be able to find more information in the future, but here's the Newmann timeline I've assembled for now:

June 9, 1989: Hermann Gottlieb born in Garmisch-Partenkirchen, Bavaria, Germany.

January 19, 1990: Newt Geiszler born in Berlin, Brandenberg, Germany.

2000-2003~: Newt performs in his band, Black Velvet Rabbits. (Date's a bit of a guess, but he was in BVR before moving to America.)

2003~: Newt moves from Berlin to Boston, enters MIT. (Date is an estimation based on statement that Newt was MIT's "second-youngest student.")

2008~: Hermann enters TU Berlin to study engineering and applied sciences. (I estimate 2008~ given that there is no indication that Hermann began his higher education particularly early.)

2010: Newt begins teaching at MIT.

2013: Newt and Hermann begin writing letters to each other.

August 11, 2013: Trespasser attacks San Francisco.

2015: Newt receives his sixth PhD. Hermann joins the PPDC and writes code for the first generation of jaegers. (Note: If my earlier estimations are correct, this gives Hermann time for approximately 7~ years of university study - though there are ways to get a PhD without constant university study.)

2016: Newt joins the PPDC.

2017: Newt and Hermann meet in person, instantly dislike each other.

2020: Newt and Hermann are assigned to the Hong Kong shatterdome. (Note: This is also the year that Lady Danger went down and the jaeger program began to fail.)

January 2025: Operation Pitfall takes place; Newt and Hermann drift.

#pacific rim #newt geiszler #hermann gottlieb #newmann #the newmann timeline #newton geiszler

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qqueenofhades · 8 months

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just saw your offer for book recs and would love some fantasy/sci fi books, it seems like we have similar taste. i just finished nk jemisin's broken earth trilogy, and also loved the city we became by her.

Aha, I am at work right now and thus do not have my bookshelves at hand to make sure I'm not missing something blindly obvious. However, I will start you off with these:

The Rook and Rose trilogy by M.A. Carrick (The Mask of Mirrors, The Liar's Knot, Labyrinth's Heart). Yes, this is the series I have been screaming about nonstop for the past few weeks and thus craftily suckering unsuspecting passersby into reading. An AMAZING world, an OT3 who own my entire ass, lots of political intrigue, cultural and social commentary, a unique magic system, and also plenty of humor. It really has it all. I continue my one-man quest to make this fandom bigger. Ahem.

The Green Bone trilogy by Fonda Lee (Jade City, Jade War, Jade Legacy). Another fantastic fantasy series that NEEDS more readers. Inspired by Chinese/Hong Kong kung-fu movies, set in a gritty modern universe, kind of like the Godfather but with magical jade-wielding families. Tons of discussion of empire, culture, violence, appropriation, power, war, family, Asian identity, more. They're likewise nice and long to keep you busy.

The Daevabad trilogy by S.A. Chakraborty (The City of Brass, The Kingdom of Copper, The Empire of Gold). Another you-gotta-read-this trilogy (yes, I have many of them). Set in the 18th-century Middle East and the magical djinni kingdom of Daevabad. Politics, empire, religion, history, intrigue, magic, scheming families, ancient wars, and my most beloved, Muntadhir al-Qahtani. What is not to love.

The Priory of the Orange Tree and its standalone prequel, A Day of Fallen Night, by Samantha Shannon. Absolute doorstopper (800+ pages apiece) epic-with-dragons-and-medieval-worlds fantasy, like Game of Thrones if Game of Thrones was a) good b) gay c) feminist and d) had people of color. She is also the author of the Bone Season series (four books thus far) which is a unique blend of futuristic sci-fi and fantasy set in an alternate totalitarian London and a ruined Oxford.

Winter's Orbit and Ocean's Echo by Everina Maxwell. Two M/M space opera romances (set in the same universe, but can be read independently). She got her start as a fanfic writer and it shows; these are both delightful, plotty, funny, and full of sassy gay disaster homosexuals in space.

A Memory Called Empire and A Desolation Called Peace by Arkady Martine (I have read the first one, need to read the second one). Historian of medieval Byzantium writes space opera set in Space Constantinople which is also Space Tenochtitlan. Explores language, history, memory, power, identity, assimilation, and more, and is also very funny.

Autonomous, The Future of Another Timeline, and The Terraformers by Annalee Newitz. High-concept social-commentary dystopian science fiction; of the three, Terraformers (the newest one) might be my favorite. They're not related so you can read them in whatever order.

Two books that I have not read yet but I really want to: Swim Home to the Vanished by Brendan Shay Basham and To Shape a Dragon's Breath by Moniquill Blackgoose. Both are fantasy novels by Native American authors; Basham's is magical realism and Blackgoose's is about a Native American dragon-rider facing assimilation at an English (Anglish) boarding school.

Likewise coming soon and I am excited: The Jinn-Bot of Shantiport by Samit Basu. Middle Eastern-inspired fantasy, cyberpunk, techno-magic. In space!

There are definitely more that I will get home and be like oh wait yeah. But this should get you started.

#sinistershit #ask #book recs

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