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#i can do more than write
not-close-to-straight · 9 months
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I’m working from home today so I’m also baking because I’ve been trying to perfect this double chocolate chip cookie for WEEKS and I think I finally got it.
They are ultra thick, fudgy and chewy and loaded with chocolate chips and I used super dark cocoa then cut it with salt to erase the bitterness and they crackle on the top like brownies 🥰🥰
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Plus peep the ridiculously cute Tony Stark themed recipe book.
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mumblesplash · 4 months
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in honor of last season’s poem being called “”end poem”” (all quotes mandatory) this season i made one out of pieces of the actual end poem
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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spookyprime · 9 months
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Here's the pics I made for the batfam reverse big bang. It's vampires. there's no fic to link lol
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idliketobeatree · 3 months
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poorly-drawn-mdzs · 10 months
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Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???
[First] Prev <–-> Next
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sergle · 6 months
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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays#if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone#because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page#but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source#because it's placed so plainly where everyone can see it#and yeah it's better to retweet or reblog but#on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway#someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those#if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link#to my etsy#I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside#like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth#like you've GOTTA die if you do that. but if you just link back#or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info#about what the art is and who made it and their links#I am literally sucking you in a strange and peculiar manner. that is extremely helpful#and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited#but I feeeeeeeeel. like 99% of the time this would solve the issue#reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing#as long as it credits the creator then that's an okay thing to happen!#that can land somebody a sale! a commission order! a new fan! A JOB#A JOB!!!!!!!!!!#sergle.txt#I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark
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areyoudoingthis · 4 months
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I am SO grateful that ed and stede exist as characters exactly as they are. I'm so grateful for these two men who are traumatized and messed up and struggle to even like themselves, who are terrible at communicating, who make enough mistakes between the two of them to fill an entire ocean. I am so grateful to watch them struggle and be seen and be loved and reach out for the things they want and are maybe starting to believe that they deserve. I'm so grateful that the show lets them fall in love and get together exactly as they are, that it doesn't say they need to wait until they've become some unattainably perfect version of themselves before they have permission to have that. i am so grateful for ofmd
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bluerosefox · 5 months
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Curiosity and Puzzle Boxes
It was tiny Tim's first time being 'old' enough to be left home alone without a babysitter, and even though he KNOWS he shouldn't mess or play with some of the things his parents sent home from their digs, he's still a very curious child.
Yeah, maybe playing and later solving that old puzzle box that apparently summoned a powerful eldritch being from a different realm and binded them together until his own death might not have been the brightest thing Tim has done... but at least he's not alone now!
Meanwhile, Danny takes one look at the kid who not only summoned him but solved the puzzle box and sighed to himself, this was the last time he took Tuckers advice on how to escape the dumb Ghost King summonings by creating a 'prove yourself worthy' loophole/puzzle.
Also.. where the heck are your parents kid?!?!?
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wordstome · 7 months
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what is it with me and school/university settings because I can't stop thinking about having a nasty one night stand with König at some frat party and he becomes obsessed with you while you don't even know his name. you're just trying to get through uni without crashing and burning while coping using drugs and sex and there's just this fucking guy who you slept with once and now he's everywhere, caring about you to an infuriating degree
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coolnonsenseworld · 4 months
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Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰
linktr.ee/Mezzy
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not-close-to-straight · 6 months
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Having a Friday off Work is weird?? So I made a couple Apple Crumbles and have done three loads of laundry and cleaned my house and it’s ten am….so…. Time to start drinking spiked apple cider and writing a follow up to the BillySteve smutty massage client happy ending au???
Bonus Apple Crumble picture cos it turned out pretty. I might add a little cream cheese drizzle for funsies
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omegalomania · 1 month
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we do not know and might not ever know the full story behind mania and the circumstances under which it was produced but we know enough by now to understand that there was a lot of strife and frustration involved in the way it came about. the band has been clear on this much. the divisive reception upon release didn't help any. and we know the last time that happened with folie, it led to that record essentially being forgotten and aggressively sidelined for years afterward. the roughness of its reception was explicitly one of the things that patrick especially cited as difficult for him to look back on, and one of the reasons it took so long for him to embrace those songs again.
it took mania five years what took folie a full hiatus and double that time.
this too is healing.
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viperwhispered · 1 month
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Rest
Guess what? I've got more Jamil x reader for y'all. You can also find this on ao3. No warnings, just 866 words of kinda fluffy(?) caretaking stuff with gender-neutral reader.
At this point, you know Jamil’s schedule almost as well as he does. So, when you have the chance, you head to Scarabia’s kitchen, hoping to spend some time with Jamil while he and the other students prepare dinner. 
However, when you enter, it takes you but a moment to notice Jamil’s uncharacteristic fumbling and the tired look in his eyes. The way Jamil’s chopping the vegetables has you worried about him cutting himself with that knife he’s usually so adept with, and it seems it’s only force of habit that’s keeping him on track.
You frown, and when your eyes meet Jamil’s, you can already see him put his guard up.
So he knows what state he is in, huh? And still, here he is.
It seems Jamil is reading your thoughts, all of him telling you drop it before any words are even said.
At least he still lets you lean in and give a quick kiss to his cheek in greeting.
“Hello love. Do you still have a lot on your agenda for today?” you ask, keeping your tone low for at least some semblance of privacy in the busy kitchen.
“Nothing I can’t handle,” is the response you get.
Of course.
It takes a little more pestering before Jamil actually answers your question. Your lips purse. That list is far too long to your liking.
You take a moment to think, juggling your own plans and to-do list against the urgency of the things Jamil mentioned.
“Will Kalim be eating from that?” you ask, pointing at the food Jamil is preparing.
“Yes.”
“Alright, I won’t be touching that one, then. I’ve gotta do a few things but I’ll be back when you’re done here.”
“Don’t,” Jamil says with a glare, clearly aware of what you’re thinking.
Yet even his disapproving look doesn’t have the usual weight behind it.
“Yes. I will,” you say firmly, even as your heart curls inwards with another bout of concern.
Really, when did he get so tired?
And how did you not notice it earlier?
You leave the kitchen before Jamil can protest further, hurrying through the dorm corridors to find Kalim.
Soon you have an enthusiastic – and concerned – supporter for your plans. You have Kalim point out a few reliable Scarabia students to help with a few of the most urgent matters Jamil mentioned – cleaning up the common areas, delivering some paperwork to Crowley, preparing some dorm-wide notices – while you see to Kalim getting his school supplies in order for the following day. You even recruit a couple of third years to help Kalim with his homework.
You’ll see to the rest tomorrow – after all, you do also have a boyfriend to look after.
Your conversation over dinner can hardly be called anything else than an argument – despite Kalim’s best attempts at acting as a moderating force between you two. It is very tempting to ask Kalim to tell Jamil to take the rest of the day off – it’s not like Jamil would be willing to openly disobey a direct order. Still, you really don’t need to remind Jamil of his position on top of everything else that you’re already doing more or less against his wishes.
Eventually, however, Jamil’s had a square meal, the most urgent things on his to-do list are being taken care of, and you’ve managed to drag him to his bed.
“I really wish you wouldn’t push yourself so hard,” you murmur, your arms wrapped tightly around Jamil. You’re telling yourself you really do just want to cuddle, to offer some respite to Jamil. Still, there might also be a part of you worried that if you were to let go, he’d just jump up and get back to working himself to the bone.
Yet, for all his protestations, just the fact that you’ve gotten Jamil to lay down with you speaks volumes of his current exhaustion.
“I can’t just leave my duties, albi. You know this.”
“Making yourself too indispensable, is what you’re doing,” you protest.
Oh, you know it’s not so simple. Not with his background, not with all the expectations and assumptions.
But sometimes you really wish it would be.
Jamil merely scoffs in response to your words.
Still, it is undeniable that he is slowly beginning to relax in your arms, slowly bringing his head closer to yours. His eyes are starting to flutter, too.
“I will still need to help Kalim with his homework, at the very least.”
You wonder who he is trying to convince more, you or himself.
“Amin and Khalil are helping him. They’re basically top of their classes, aren’t they? I’m sure they’ve got it.”
Still, Jamil frowns.
You sigh. He really is not letting go, is he?
“Do you want me to go supervise?” you ask.
And leave you, unsaid yet hanging there right after your words.
“Don’t,” Jamil eventually says, the word barely more than a breath.
It seems he has accepted his fate.
You softly caress Jamil’s hair, listening to his softening breathing.
And when you wake up, wholly unaware of having been lulled to sleep in the first place, it’s to the lightest of touches from Jamil’s fingers.
Tagging @diodellet @twstgo @crystallizsch @jamilvapologist @jamilsimpno69 as per request If you'd like to be tagged for any future works, let me know!
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crybaby-bkg · 8 months
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cw: you two have a son together, mention of being married, old man Bakugou
older retired pro hero Bakugou, who you find hunched over his desk one night. it’s late and the day was long and your son was whinier than he usually is. you’d think the old man would be in bed right now, but alas—he’s not beside you.
instead, as you round the corner to get a full look at him, he’s wearing his reading glasses, adorning an old ratty tank, his arms still big but softer than the years from before. he has a book open in front of him, desk scattered with pictures you can’t see from your angle, scissors, stickers, glue sticks.
“What are you getting up to at this hour, old man?” You ask softly, smiling when Bakugou doesn’t even look up from what he’s doing. his tongue is sticking out in the corner as he cuts a squiggly line on a picture, posing it beside another on a blank piece of paper.
“Therapist said I should get into crafting,” he grunts, finally looking over at you from over his glasses. “Do things with my hands, feel busy, get my mind off’a shit.”
you pad over to where he sits, the overhead lamp on his desk focused on the big baby blue book with white pages. peeking over his shoulder, you rest your head on top of his, chin nestled in the still unruly blond and silver locks, overseeing his work.
and honestly? it almost makes you wanna cry. it’s a scrapbook, the page open to pictures of your wedding day, how pretty you looked, how big he smiled at you. you can see other scattered pictures on his desk—when you got a promotion at work, when he was number one for seven months in a row, a positive pregnancy test, the cutest baby you’ve ever seen, two little teeth coming in, baby being held in dads big ole arms that will always protect him.
“After this page, I gotta do the honeymoon.” Bakugou speaks gruffly, setting down a picture to wipe a hand down his face. “And then life accomplishment shit, the baby, his first steps.” He sounds so tired, and you can’t help but wrap your arms around his shoulders, sliding down to smush your face against his own.
“You always have tomorrow. Come to bed.” You say against his cheek, squeezing him when you feel the rejection start up in his belly. But he deflates, pulling his glasses off, reaching around to pull you in his lap. He looks so grumpy, with his frown lines and crows feet, and yet so handsome with his small smile and soft eyes.
“I’ll print more pictures tomorrow. And maybe go by the store to get some more stickers, too.” He tells you in between kisses, his words soft, his hands rough through your pajamas. You hum against his mouth, holding his nape, afraid to ever let him go.
“You do that. Now let’s go to bed.” You whisper, standing up and pulling him with you. He closes the scrapbook for now, and you glimpse at the cover, heart melting at the picture of you two holding up your son, both kissing his cheeks. The picture is captioned with “Our Life” and you don’t think you’ve ever been more grateful to have met him.
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eliduck · 3 months
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meep
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Something that I drew with my right hand while suffering greatly from my dominant left
(This was 5 days ago, so I'm currently all healed now WOOOO)
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