really what prompted my double boy dad bakugou post was the idea of his older son — who is six, nearing seven — coming out of his room with messy, sleep-mussed hair and wandering into the kitchen on an early morning when katsuki's getting ready for work.
and your youngest is a little terror. spoiled rotten, katsuki thinks, was too babied and that's why he doesn't listen and has temper tantrums in the middle of the floor and is already throwing punches at three. katsuki's old witch of a mother thinks he'll be bulkier than his older son and twice as mean, prone to pinning his brother to the ground until he's declared the greatest.
(katsuki feels both horror and pride, at the very thought.)
it hasn't always been easy for your oldest; becoming a big brother never is. not that katsuki would know what that's like, but he hated to even share a playground with deku, much less share his one and only mommy, so he can only imagine what his own son went through when his brother arrived.
but he's been great about it, which comes as no surprise because his oldest has always been great about everything. gets his little brother out of bed and reminds him of his manners—even as he's getting whacked—gives up his toys just so the baby won't cry. he's too smart for his own good, acting like a big boy now—and it makes katsuki nostalgic in a way that hurts.
there hasn't been a lot of time for just the two of them. not like there used to be.
so when his firstborn comes to stand beside him in the kitchen, to lean his head against his dad's hip and rub at his sleepy eyes—katsuki just ruffles his already messy hair, before giving his ear a little tug.
"should be asleep," he grumbles to him, "sun's not even up yet."
his son only shrugs, yawns hard; despite this, he says, "'m not tired."
katsuki snorts and continues with his routine: finishes his protein shake, gives the kid a sip when he thinks he wants one (he doesn't really, though he tries not to make a face at the taste as he nods, as if he likes it), makes sure he's got all his work shit in his bag for patrol later. and his son is mostly quiet, content to share in the morning just between the two of them after katsuki sits him on the counter.
and then he asks, "can i come to work with you?"
on instinct, katsuki glances at his shut bedroom door, where you're still fast asleep, on the other side, and then down the hallway to where his youngest is sleeping, too.
technically, the kid probably could because you're off work today, and you could come pick him up later before katsuki has to head out, but—
"your brother won't be happy if i take you and not him."
and your oldest is a good big brother. has more patience than katsuki ever did, knows how to share—but on this morning that the two of them are indulging in, he only shrugs.
"well," he sighs—and he sounds so grown up, sounds like you when you're leveling with katsuki. "if he wanted to go then he should have got up, too."
"that why you're awake?" katsuki frowns, though his son only shrugs again. the idea that he's gotten up way too early, at the ass-crack of dawn just to have some extra time with his dad is too—
"yeah," katsuki murmurs, nodding at him to hop off the counter. "get your socks on so we can go."
there won't be anything for him to do in the agency office, besides get an endless amount of cups of water from the dispenser and all the candy in the receptionist's bowl and attention from the older ladies that thinks he's just so stinking cute.
but at least they'll be together, just the two of them. like old times.
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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Asking for a bit of company <3
Happy 4/27!!!! Just in time after my exams! It's so wonderful seeing this fandom still up and going. I never even thought that i'd have the guts to post about these sillies when the first game came out!
I hoped that i would be able to do a full-fledged art piece with proper colors and shading and all for this day, but i got rather busy this past week ^^;
I hope you all enjoy the rest of the Stanley Day ^^ take care <3
Oh, and see you guys at the sad-ist premiere too ;)
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say it with me everybody: personal health is completely immaterial to morality, including mental health. leading a mentally unhealthy lifestyle (or what you perceive as a mentally unhealthy lifestyle) does not a bad person make. no one has to socialize, exercise, have healthy coping mechanisms, or lead (what you perceive as) a fulfilling life with fulfilling hobbies in the same way that no one has to go to the doctor to get a broken bone reset. both of those types of management of personal health are likely to be beneficial to the individual, but they are in no way moral requirements or debts owed to society. they do not actually say anything about a person's principles, personality, or actions towards others. additionally, people know themselves and their own situations better than you do. maybe a person judges that the physical and financial toll of going to the doctor outweigh the benefit of getting their bone reset, maybe a person just does not have the capacity to develop healthy coping mechanisms at this point in their life, and yes, maybe a person feels like they are totally fulfilled by "media based" hobbies alone and would feel no difference in their life if they picked up a loom. just like. let people be sick without accusing them of being representative of the lazy, degenerated state of modern society.
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Current mood
Parent ego state: "You're getting behind on this [REDACTED THING]. You should be writing."
Writer brain response:
Adult ego state: "Honestly, come on, you genuinely should be writing."
Writer brain response:
Child ego state: "C'mon, you oughta be writing."
Writer brain response:
...Still small voice almost lost in background noise:
"You could always write that bit of smut you've been saving."
Writer brain:
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The thing about the "fridged" trope is that obviously you can't have a female love interest dying as a defining moment for a male character because that's not feminist, but you also can't have a male love interest dying as a defining moment for a female character because then she's just going to have an arc revolving around her relationship with a man and that's also not feminist, and you also can't kill off a love interest from a gay relationship or a relationship involving a nonbinary person because that's burying your queers, which is at least as bad as misogyny if not even worse, and now suddenly you can't kill off romantic partners at all in stories because no matter the demographics, it's going to be problematic somehow, which is... a pretty ridiculous limitation to impose on storytelling.
And, like, it would be satisfying to have a solution other than "it depends on context if not straight-up vibes, and it's usually very reasonable for audience members to have a range of opinions on the execution of one specific instance," but. Yeah, you do kind of have to just vibe check it in a deeply subjective manner sometimes.
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