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#i didn't know some bits of it
egophiliac · 3 months
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CROWLEY SSR THOUGHTS
there is zero basis for this, but I can't get this thought of my head
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I don't know why I decided to draw it this way
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#(these will be relevant in a moment)#this isn't going to happen. but WHAT IF.#anyway i didn't get him (damnit birdman come home) so i had to look up his story#and let me tell you friends my findings were SHOCKING#crowley canonically likes vegetables which means that the crowley is revaan theory = BUSTED#crowley is sailor venus = CONFIRMED#(i know 'whip of love' is a saying but that's where my mind always goes)#DISCLAIMER: this is (mostly) a joke please continue to hold whatever theories and headcanons you want#but look. c'mon. look over here at this whiteboard i've covered in red yarn.#revaan being a picky eater has come up multiple times and there is an entire whole bit about how much he hated jerky and refused to eat it#and now they've made a point of talking about how crowley will eat almost anything and loOoOoves wild game meat especially#it's SO stupid but i can't help but read way too much into it#(this is tumblr if you don't want to see incredibly stupid overanalysis of anime guys then why are you HERE)#and i gotta hold on to something because otherwise whenever malleus and crowley are onscreen together i just keep going 'same hair color...#unless this is like. some kind of deep cover thing.#lilia doesn't recognize him because he saw him eat a green bean once and revaan would NEVER#crowley's secret is safe for another day#(serious hat on: i do think they're probably connected in some way)#(but there's something deeper going on that we're just not clued into yet that will hopefully explain things)#man forget revaan what if crowley whips off his mask and it turns out he was meleanor this whole time#wait hold on meleanor loves jerky. IT ALL FITS...
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bizarrelittlemew · 7 months
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calling it right now that season 3 starts like this
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invinciblerodent · 6 months
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"I'll make a save here and try breaking up with Astarion, just to see the dialogue- I could see him get kinda nasty about it, but I honestly don't know what to expect so---"
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cozylittleartblog · 1 year
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hey. hey anon? youa re. so right,
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solfinite · 4 months
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hello finally putting my au stuff down on paper after several months.. also finally chose a name for it !! it's called Sonic Aeroventure :)
(+xtra traditional sketches below)
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maerhiya · 3 months
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in regards to the constant dismissal of his aroace identity, i hate it when alastor 'fans' say and use the excuse: "he's fictional, he won't get offended."
like, you're right, but it can and will offend us.
when you see yourself being represented on screen, of course you'd feel enthusiastic about it — representation allows individuals to see themselves reflected in the media they consume, validating their identities and experiences. but when so many people take that representation and decide to disregard and discard it, it is so fucking frustrating. we finally have another character to be part of the tiny amount of representation we have, but then people don't even care about how much it means to us? like yeah, alastor won't get offended because he's not real, but it frustrates and annoys us. do you realize that it's also technically invalidating the aroace community? that you're invalidating our feelings? imagine feeling like you're finally being seen because your orientation is finally being represented in media, and people just decide to blatantly ignore, discard, and invalidate it.
media has such a powerful influence on real life, representation being a prevalent factor of it. there are numerous posts that dictate how people went to watch a movie/show or read a book just because a character depicts their identity in it — obviously, being represented is an incredibly uplifting and validating experience.
which is why seeing an aroace character in a popular show is so meaningful to us because we live in a world where romance and sex are literally everywhere and prioritized above all else. (and it's pretty obvious that alastor's on the repulsed end of the spectrum, but even if he wasn't, at least make an effort to acknowledge his sexuality instead of continuing to portray him as allo; aroace folks can be in relationships but it's not going to be the same thing with allos' experiences.)
any and every representation matters, but why does that seem to stop at people under the aroace spectrum? like y'all can't even let us appreciate the scraps of representation we have. we barely have any, so are we really that dramatic for being upset at how people easily disregard and dismiss our identities that are being depicted on screen just like that? is it truly wrong of us to want to defend and maintain the little representation we have?
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anewp0tat0 · 8 months
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I tried but not very hard to see what the anniversary date was, and i decided to just prepare myself for the 16th or the 18th... it was the former. so, as always, but this time truly by accident... happy belated 17th birthday Black Butler!! I truly hope this year is amazing for us.
this year, I decided to use an idea I had wanted to try for a while but I never thought I would be able to pull off. and I still probably couldn't in the best way.... but regardless, here is a made up last chapter scenario.
you can also see this comic on webtoon here. whatever your fancy, if you please :>
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solradguy · 3 months
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''There sits Sigurd stained with blood; Fafnir's heart he roasts in the fire. I would call the prince wise and prudent if he himself ate that gleaming heart."
-Poems of the Elder Edda - tl: Patricia Ann Terry
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hedgehog-moss · 1 year
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In other news, this week a French publisher on his way to the London Book Fair was arrested by British counter-terrorist police to be questioned about his participation in protests in France.
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A French publisher has been arrested on terror charges in London after being questioned by UK police about participating in anti-government protests in France.
Moret arrived at St Pancras [...] with his colleague Stella Magliani-Belkacem, the editorial director at the Paris-based publishing house, to be confronted by the two officers. [...] He was questioned for six hours and then arrested for alleged obstruction in refusing to disclose the passcodes to his phone and computer. [...] He was transferred to a police station in Islington, north London, where he remained in custody on Tuesday. He was later released on bail.
Éditions la Fabrique is known for publishing radical left authors. Moret also represents the French science fiction novelist Alain Damasio and had arranged more than 40 appointments at the London book fair. [...]
[Quoting publishing house’s press release] “The police officers claimed that Ernest had participated in demonstrations in France as a justification for this act – a quite remarkably inappropriate statement for a British police officer to make, and which seems to clearly indicate complicity between French and British authorities on this matter.” [...] “There’s been an increasingly repressive approach by the French government to the demonstrations, both in terms of police violence, but also in terms of a security clampdown.”
(Guardian link - BBC link) (article in French)
The publishing house (here’s their latest statement in French) and the publisher’s lawyer mention that the British police asked him “Do you support Emmanuel Macron? Did you attend protests against the pension reform?” and he was also asked to name the authors with anti-government views that his employer has published. They add, “Asking the representative of a publishing house, in the framework of counter-terrorism, about the opinions of his authors, is pushing even further the logic of political censorship and repression of dissenting thought. In a context of social protests and authoritarian escalation on the part of the French government, this aspect [of the questioning] is chilling.”
Being an accomplice to thoughtcrime by publishing dissident authors gets you treated like an international terrorist now... The publisher’s lawyer suggests that French authorities asked the UK to help them get their hands on the publisher’s contacts in the radical left sphere. But on the face of it, we’ve got: Exercise your right to protest your government in France -> get arrested by counter-terrorist UK police in London. That’s literally the reason he was given for being greeted by police at the train station...
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cerise-on-top · 4 months
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hi! how would Valeria and Kate react if their wife’s got hurt because of their work, both of them working highly jobs and it ended up catching up to their s/o. hoe you are doing well and drink plenty of water! thank you!
-🍒
Hello! Both of them would be absolutely distraught, but would go about it in different ways!
Valeria’s and Laswell’s Wife Gets Hurt Because of their Job
Valeria: Whoever hurt you will wind up tortured and eventually, once she thinks they’ve had enough of their miserable life, will wind up dead. Naturally, the first thing she does is check up on you, see if you’re alright and well, that’s her priority. You’re the love of her life, there’s no one else in this world she wants to see do well. You’ll be admitted to the best hospital nearby and will only get the finest treatment. Once you’re stabilized, that’s when the hunt begins. Whoever hurt you won’t get too far since that bastard’s life will be on the line. Regardless of where they might be hiding, Valeria will find them and show them that death is actually a kind of mercy. She has pretty much everything at her disposal, everything money can buy, this sucker won’t know what hit them. If it’s revenge they want, then revenge they’ll get. Valeria promises you that their head will be on a silver plate. She’s not very good with words when it comes to comforting someone, but she will have that person killed in the most cruel ways she can imagine. In fact, she’ll take the pleasure of torturing them upon herself. Once she’s done, she’ll take some days off, which is surprising since she usually can’t afford that at all. You’ll be under her direct care for those days. Anything you want you’ll get. Afterwards there will be a slight shift in her demeanor, Valeria becomes more protective over you. Sometimes she might even assign some trusted people of hers to watch over you since she can’t afford something like that happening again. While she can’t always take some days off, she’ll try to be closer to you anyway. Always texting you, finding excuses to come home for a day maybe. She just really needs to make sure you’re okay, she wouldn’t know what to do with herself if you died.
Laswell: Laswell will try to be a bit more diplomatic about it at first, trying to coax whoever hurt you out of hiding. This person will be held accountable for their crimes against her world. Naturally, she rescues you first, gets you to the nearest hospital and won’t leave your side until you’re stable again. If it takes you a while to wake up again, she’ll leave to find the fucker and make sure they swim with the fishes. She has a pretty large, efficient network and will find out who it was fairly easily. Once she knows who they are, she won’t hesitate to find out all their past crimes as well, if they hurt you then they must have done some other awful things as well. Once that phase is over, she’ll go to their home herself and have them arrested, put in the worst prison imaginable where the inmates are treated especially badly. She won’t kill them, but she wouldn’t be surprised if they wind up dead anyway. Laswell usually isn’t an evil person, but she does hope that person dies during their time. Their sentence will be as long as possible so there’s no chance of them ever seeing the sunlight again either. Once all of this is over, she, too, would take some days off to spend with you. You’re a priority above all else, so Laswell will want to be there for you, no matter the cost. While she usually isn’t, depending on how severely you got hurt she might become a bit overbearing, a bit overprotective. That overprotectiveness will last for a few months, afterwards she’ll try to give you some space again. However, she’ll always be keeping a closer eye on you, always texting or calling you every once in a while to make sure you’re okay. If she needs to, she’ll put you under her protection officially, but the situation needs to be dire for that to happen. Either way, she’ll be keeping you safe.
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thedemonscrawler · 1 year
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there’s two of you now, maybe you’ve got the security clearance to get the van ending?
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a silly thing involving my Gregory from Permission Slip and @sleepyjuniper ‘s Gregory from her fic Visions (or Lack Thereof)! If you ain’t read it yet, go do that!
no one ever, ever let me draw a vending machine in a comic again
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xoxoemynn · 2 months
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I came up with the idea for today's love fest over the weekend when I saw a lot of comments from people expressing sadness about the cancellation, and then also some embarrassment for feeling that way, or feeling alone in their emotions. I wanted to do something positive that felt personal and that would remind people that fandom isn't going anywhere.
Originally I thought to do it a few days after the WJW with DJenks, figuring we'd need another boost after that high wore off. Obviously the WJW didn't end up happening, but then I realized it was Rhys' birthday today, so that also felt like a great reason to spread a bit of love (not that you ever need a reason for that!).
And honestly, while the whole point was to make other people smile, the whole experience really boosted my own spirits tremendously. While stalking perusing everyone's blogs for inspo, I was reminded quite powerfully just how many extremely kind, talented, smart, funny, insightful, beautiful people there are in this fandom.
So I just want to say thank you. All of you who create gifs, make art, write fic, analyze the show, share shit posts, or reblog all of the above so we can see it again and again and again, you have made a difference in my fandom experience. With every post, you made me fall in love with Ed and Stede and the whole crew just a little bit more. Whether you're someone who's always in the tags or someone who prefers to quietly reblog, you have made my time here very special and I'm so grateful. 💕
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tyttetardis · 4 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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front-facing-pokemon · 2 months
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yet another little Treat for myself! do i have a problem? maybe!
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bowenoke · 6 months
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i reached the twist!
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