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silvermuffins · 2 years
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Seward Summary!
This is very late, I know, but it's a long one and it's taken me hours to sit still long enough to get through it and even now I've only finished Seward's part (Mina has a part after I have yet to read, myself). There is a break point partway through today's entry, to help take it in parts.
WARNINGS: violence toward a child, bloody murder, decapitation
To be absolutely clear: this entry occurs in two chunks - one dictated in the morning, describing the events of the night of the 28th, and one dictated in the evening, describing the events of the afternoon of the 29th. Let's begin.
Quincey and Arthur came over in the late evening. Van Helsing spoke primarily to Arthur, who alongside Quincey was very confused as to what is going on but not sure of anything. Van Helsing takes the opportunity to poke at Seward for having retracted his willingness to believe.
Van Helsing asks Arthur and Quincey, but primarily Arthur, to promise to let him do as he sees fit. He acknowledges it will be difficult, so he wants them to promise before knowing what he plans to do, so that after they can be angry with him but not blame themselves.
Quincey attests to Van Helsing's character. Arthur still has some reservations, but says he'll allow anything Van Helsing means to do as long as it doesn't violate his ideals or morals. They come to an agreement on this basis.
Van Helsing proceeds to explain his plan for the evening, with Arthur getting more and more upset the entire time. Van Helsing wants to sneak into the graveyard, break into Lucy's tomb, and open her coffin.
Here Arthur stops him, and Van Helsing says they have to do this or Lucy will be among the damned. He explains that she is not dead, but neither is she alive: she is undead. He asks if he may cut off her head.
Arthur is, understandably, extremely upset at the thought. He demands to know if either he or Lucy ever wronged Van Helsing, that he'd suggest such a thing. He won't allow it, he has a duty to Lucy.
Van Helsing says he, too, has a duty to Lucy, and to Arthur and to God. Right now he asks only that Arthur come along, and see for himself. Van Helsing will make the same request later, and will do what he must, and afterward he'll submit to whatever judgement Arthur has over it.
Van Helsing also explains that he's had a long life of trying to help people, and he's had to do many difficult and unpleasant things. This will be worst of all, because he spent so much time and effort trying to save Lucy. He admits to giving her blood, too. Even now, he is trying his best to help her.
Arthur agrees to at least watch and listen, see what there is to see at the graveyard.
They arrive just before midnight and enter the tomb. Van Helsing has Seward confirm that Lucy's body was in the coffin two days prior. Van Helsing opens it, revealing that she is not there.
Quincey questions just once if Van Helsing did this. Van Helsing swears he did not, and describes the events of the last few nights. That he and Seward had come, found the coffin empty, spotted the white figure, and found a child thankfully unharmed among the graves, and that the next day they'd returned and her body was there.
He also reveals that, on the night before, he'd put garlic and other anti-vampire things around the tomb door and sat watch all night, ensuring she didn't leave. Earlier, he took the garlic and other things away, because the undead can move at sundown, so now she's gone.
He directs them to all wait, hidden, outside. They do so, accepting the explanations given to various extents - Arthur struggling the most, and Quincey actually quite accepting.
Van Helsing, meanwhile, crumbles up a thin wafer into some kind of putty, works it in, and rolls it into strips that he stuffs in around the tomb of the door.
Seward asks what that's about, and Van Helsing explains that he's sealing the tomb so that the undead can't enter. The wafer is a communion wafer, the Host, he brought from Amsterdam, and he has an Indulgence. This is a big enough deal that the three men stop objecting and go to hide.
After some time, Van Helsing points out a white figure holding a dark shape. In a shaft of moonlight they see it's a woman, bent over a child, who gives a sharp but quiet little cry in their sleep.
The woman gets closer, and they're able to recognize her as Lucy....but changed. She now looks cruel and cold and has fresh blood staining her mouth. The four men stand between her and the tomb.
Seward finds his love for her turning into hate and revulsion while Arthur nearly breaks down. She tosses the child aside, smiling.
She calls to Arthur to come to her, and something about her voice rings strangely in their minds. Arthur opens his arms as if under a spell, and Lucy leaps for him. Van Helsing blocks her, holding up his little crucifix.
She recoils, and tries to flee to her tomb, but cannot. For a time she's trapped between the crucifix and the Host, and her anger and hate are stirring, palpable, and chilling.
Van Helsing asks Arthur if he may proceed with his work. Arthur assents, and is very much beginning to have a meltdown. Quincey and Seward move to comfort him.
Van Helsing removes some of the putty, allowing Lucy to pass through an impossibly small space into the tomb. Once she is inside, he replaces the putty to seal it up again.
After, Van Helsing picks up the injured child, and says they can't do more until the following day. They'll come after a funeral, in the afternoon. He also tells Arthur he's been through the worst of it, but very soon this will all be behind him. Van Helsing won't ask him to forgive him until then.
They leave the child, who isn't seriously harmed, where they'll be found. Arthur and Quincey go back with Seward, and all drop to sleep exhausted.
We take a small break here, because it occurred to me while writing this that these summaries may also be helpful for people who have limited ability to get through lots and lots of text. This is long, but the entry itself is a lot longer - I am cutting out a lot of wonderful, verbose description. Anyway!
We now reach the second part of the entry, which describes events that actually happened today (the 29th).
As agreed, the four men go to the graveyard. They all instinctively wear black. Van Helsing brought a different bag, this one distinctively long and rather heavy.
They enter the tomb, and Van Helsing sets up candles and opens the coffin. Lucy is in it, devilishly beautiful but hatefully twisted from the sweet version of her they knew.
Van Helsing lays out his tools: solder, a soldeirng iron, a gas lamp, surgical knives, a long and thick wooden stake (charred and sharpened at one end), and a hefty hammer.
Then, Van Helsing takes the time to explain what the undead are and do. They can't die, but instead feed and multiply by feeding. All those who fall victim to the undead become undead themselves. This is why he stopped Arthur from kissing her on her deathbed.
Lucy hasn't been undead very long, so her victims haven't become undead yet. If allowed to continue on, they'll fall more under her power, keep coming to her, and become undead. If they kill her for real, though, then the children will heal and be completely fine, none the wiser.
Furthermore, if they kill her for real, Lucy's own soul will be free to go to heaven, instead of being trapped on earth doing evil.
Van Helsing invites Arthur to take the task of killing her, since as her lover he has the best claim to the act of salvation. Arthur agrees.
His job will be to use the hammer to drive the stake through her chest, while Van Helsing reads a prayer for the dead from a holy book, and Seward and Quincey follow the prayer.
They set to the work. Lucy writhes and screams, but Arthur doesn't falter.
Eventually the body lies still, and Arthur reels back. They go to tend him immediately. Eventually they look at the coffin, and see that Lucy is Lucy again. She looks as they knew her in life, beautiful in a sweet way and showing the strain of her final days. At peace.
Van Helsing asks Arthur if he is forgiven. Arthur thanks him for giving him and Lucy peace. He cries into Van Helsing's chest for a little while.
Van Helsing allows Arthur to kiss Lucy now, and he does so.
Seward and Van Helsing send Arthur and Quincey out, while they saw off the long shaft of the stake, cut off Lucy's head, and fill her mouth with garlic. They gather the tools and close up the tomb. Arthur gets the key.
There's much relief in the aftermath, but Van Helsing has more to say. Their first and most harrowing task is over, but they still need to find and kill the one who did this to Lucy. He asks the three men, who have learned to believe, to join him in doing so. It will be difficult, dangerous, and painful.
They all promise to join him, and he calls for a meeting in two days. Then, he'll bring two people the rest of them don't know yet, and he'll lay out everything they know. He asks Seward to come to his hotel tonight to help him, and then he'll go to Amsterdam tonight and then return again. He'll have a lot to say at their meeting, but then they can begin their hunt.
When Seward and Van Helsing get to the hotel, there is a telegram from one Mina Harker, saying Jonathan is at Whitby and she's coming with important news, now.
Van Helsing cannot stay, so he sends Seward to meet her and take her to his home, and sends a wire to Mina so she'll be aware.
Van Helsing tells Seward that Mina kept a diary in Whitby, and her husband kept one abroad. He gives Seward typewritten copies of both, and tells him to read and study them well, and add to them in any way he can, because they'll help their efforts greatly. There is much of importance in the papers, and they might make or break the quest.
Seward goes to meet Mina at the station. She recognizes him, first, and says she was able to do so by Lucy's description. Seward gets her luggage, including a typewriter. Seward sends word for his housekeeper to prepare rooms for Mina.
They get back to the asylum, and Mina asks to come to Seward's study shortly because she has much to say. Seward has spent all the time in between then and now keeping his diary, and has yet to read the papers Van Helsing gave him. Here Mina is now, and he assumes she knows little to nothing of what is going on and that he shouldn't frighten her.
It ends just like that, and there's still more in the entry to read. I still need to read it. This part is from Mina's perspective, though. I'll summarize that too, or any other entries, if asked, but for now here we are.
I have moved on to reading and discovered there is a third portion of Seward's diary, after Mina's section. So, this is an edit, to add more.
Seward got very absorbed in Jonathan and Mina's diaries, and since Mina wasn't ready when dinner was called he delayed the meal by an hour.
Mina comes to him with the look of someone who has been crying. Seward is afraid he has distressed her, but she says it's more that by listening to his diary as he'd spoken it, she felt his every emotion very deeply. She doesn't think his voice and heart should be heard in that manner again, so she typed out his diary.
She only had the diary through September 7th, but she's sure it has much more to the story of what's been happening than hers and Jonathan's alone. Therefore, it has to be added to the papers they share among the group for the best chance of killing the monster.
She insists there should be no secrets, and they'll be stronger for sharing information. She and Jonathan have been working ever since they met Van Helsing, and Jonathan is getting more information in Whitby. He'll be bringing it tomorrow.
Seward realizes she'll do as she will, and won't be satisfied until she learns the entire truth of Lucy's death. So, they'll break for dinner and stay strong, and after that Mina can have the rest of the diary, and he'll answer any questions she has.
Okay NOW we are finished with Seward for the day. After that bit, there's another section of Mina's diary, and then we hear from Jonathan, and I still have to read those parts but I checked and there isn't more Seward after. This, was a lot,
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evidently-endless · 1 month
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i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.
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"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).
Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.
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stil-lindigo · 1 month
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lead balloon (the tumblr post that saved me)
if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.
--
no creative notes because this isn't that kind of comic.
I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.
I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.
If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.
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cemeterything · 5 months
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are we still doing this because i have a late submission
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aphel1on · 6 months
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i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good
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jq37 · 25 days
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You gotta hand it to Fig. All of the Bad Kids were given foils this season and they got to decide how much they wanted to engage with that part of the plot. Gorgug only interacted with Mary Ann in passing despite them both being on the Owlbears. Fabian noped out of chatting up Ivy once she crossed a line with Mazey. Riz was so busy that he truly had no time to engage with Kipperlilly even though she's obsessed with him. Kristen interacted a bit with Buddy but spent way more time verbally sparring with Kipperlilly. And Adaine was somewhat interested in Oisin but never overtly acted on it.
But Fig?
She's in Ruben's WALLS. She's in his DREAMS. She's faking her alter emo's death. She's got the Fantasy FBI after her. She's SO SO tiny. No one is doing it like Fig's doing it.
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jennycalendar · 7 months
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another cool thing is when you devour a book over the course of a handful of hours and it fucks you up and you just have to lie on the couch feeling like your brain went swimming for too long & only just came up from under the water. art is so good
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I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"
Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.
imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws
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emberglowfox · 1 year
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birds of a feather
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blueboyluca · 11 months
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“When I first heard it, from a dog trainer who knew her behavioral science, it was a stunning moment. I remember where I was standing, what block of Brooklyn’s streets. It was like holding a piece of polished obsidian in the hand, feeling its weight and irreducibility. And its fathomless blackness. Punishment is reinforcing to the punisher. Of course. It fit the science, and it also fit the hidden memories stored in a deeply buried, rusty lockbox inside me. The people who walked down the street arbitrarily compressing their dogs’ tracheas, to which the poor beasts could only submit in uncomprehending misery; the parents who slapped their crying toddlers for the crime of being tired or hungry: These were not aberrantly malevolent villains. They were not doing what they did because they thought it was right, or even because it worked very well. They were simply caught in the same feedback loop in which all behavior is made. Their spasms of delivering small torments relieved their frustration and gave the impression of momentum toward a solution. Most potently, it immediately stopped the behavior. No matter that the effect probably won’t last: the reinforcer—the silence or the cessation of the annoyance—was exquisitely timed. Now. Boy does that feel good.”
— Melissa Holbrook Pierson, The Secret History of Kindness (2015)
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watchingwisteria · 6 months
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
#seeing some discourse and im not saying lucy grey didnt know#im saying she never dropped the kind of hints that she knew like she did in the movie#or if she did snow isnt worried about them until he very suddenly is consumed by them#snow is not concerned about whether or not she believed him. of course she did! hes snow!#but then shes gone…. for a while……#and its the sudden immediate drastic unravelling that comes across so clearly in the book#that i knew wouldn’t translate to screen yet still cant help but miss#the hunger games#coriolanus snow#tbosas#lucy gray baird#not a crime or anything just a note that i cannot stop thinking about#the ballad of songbirds and snakes#this is all from memory of reading it quite a while ago. so maybe 3 pages is an exaggeration#but i remember it happening VERY quickly and without much external cause#like we as the reader have no indication as to whether shes nearby or not.#snow has no idea either. he just SUSPECTS. and his suspicion breeds the hatred that has been bubbling inside him all this time#he hates how she undoes him. he hates that he WOULD run away with her if shed let him keep his secrets#and he HATES more than anything that she makes him WANT to tell his secrets#he wants to be vulnerable and reveal the ugly nasty parts about himself and still be loved#but he does not let himself and it is everyone’s downfall#he chooses cruelty bc it is easy and familiar and makes him feel more powerful than the vulnerable give and take that real love requires
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mokeonn · 9 months
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The Princess Bride is such a funny book to read after ONLY seeing the movie. Like Goldman made up a fake author from a fake country and proceeded to write the book as an abridged version of what the fake author wrote... and then he proceeds to add in notes to the "abridged version" mentioning all the boring world building stuff he skipped because it was boring.
Like shout out to William Goldman, man really did make an entire book that is just "the cool scenes you thought of in your head" and then made up a fake author to abridge so he doesn't have to connect them.
And it slaps
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atissi · 25 days
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kras mazov lookin ass
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beybuniki · 1 month
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they should go on a fishing trip pt.1
#DONT COMMENT ON THE BACKGROUND I KNOWWWWWWWWWWWW#anyway this is day 1. they take a bus. the bakugo household has fishing gear so ´deku is wearing bakugo's onesoe (?) and bakugo is wearing#his dad's. and notices he has grown :')#anyway they take a BUS and don't feel like doing this at all it's awkward for so many reason#also trying to relax after everything is neurologically just really hard they might be hyperivgilant dik#and there's so much they never got to unpack bnut they have to and they have to start somewhere and with someone#deku makes that flower crown while bakugo preps everything and they both look at it and are thrown back into their childhood 🧍‍♀️🧍‍♀️🧍‍♀️#and at first they just sit and wait for the bavarian fish to bite (rody should make a cameo tbh) but then bakugo breaks the iceeee.#and he starts with their moms because their moms have been such a stubbron connection between these two :')#and deku answers with the usual 'good :) how's your mom :)?' and to everyone's surprise he actually opens up#and tells deku about his mom's insomnia because she watched her son die (that shit was live streamed tpo 10 bnha tweets btw)#idk i love to think of their moms being a very easy subject to connect through i think it's easier for them that way to be more vulnerablei#and then some fish biteeeeeeeeeeee#but like 3 small ones so they have to gather berries and mushrooms and make stew (dw there's an aldi this is bavaria after all)#but yeah day 1 is a bit weird like it's just them in the woods with no distractions#which is so different from whatever went on during their 1st year of high school#don't read this i will throw up i just need this somewhere this is my public scrapbook#bnha#deku#midoriya izuku#bakugo katsuki#the flower crown on their knees makes this a bit homosexual but fishing is always homosexual im not fighting against that#au:#fishing
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ryssbelle · 1 month
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Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!
Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎
#my art#marinette dupain cheng#miraculous ladybug#miraculous fanart#style mimic#sorry for the @s btw#yall should go follow those artists if you dont already also#this was sort of inspired by a post the three artists on the top row made#i think they all got together and drew with one another#which is really cool#but i was genuinely confused because i mimic styles a lot#and ive seen others do it too so i was just like#wow they really know each others styles really well#until i thought about it and read their posts some more#style mimicking is really freaking fun and i think its really good practice#and a good way to explore other ways of doing things#like you really have to learn new techniques and get out of your comfort zone#also anna scribbles i could not find a recent pic of marinette in her main outfit#so thats the only marinette i drew in different clothes cuz i couldnt find a more recent ref of you drawing it#anna scribble marinette has privileges thats the others dont#but ye#i also threw my own style in there as a frame of reference to what me draw like#ive drawn marinette before just not in a loooong while#sabertooth walrus was the hardest for me to mimic cuz they have a broad range in their style#so its like which sabertooth do i wanna be in this pic#Buggachat has such a distinct style thats very clean and consistent which is amazing so they were easy#being easy or hard arent bad things either it also has to do with like styles meeting up with one another#buggachats and mine arent too too different in some shapes and aspects#so yeah itd be easier plus they drew marinette like 3 sec ago so i have more recent of a ref#as opposed to sabertooth who i have a recent ref of ladybug but not marinette so we got two diff styles in one
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