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smokeyxpixels · 10 months
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Saw this on my FB and instantly thought @littlemissplanky would enjoy this meme LOL
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queerdraws · 8 months
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projecting on luffy again. get bited.
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star-girlfriend · 11 months
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it gets better
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flowercrowngods · 5 months
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who did this to you. part 2
🤍🌷 read part 1 here pre-s4, steve whump, protective (but scared) eddie
This is not happening. None of this is happening, he’s… He’s dreaming. He’s high. High as a kite somewhere where reality doesn’t matter, where it can’t fucking reach him and he’s— He’s not panicking behind the wheel with Steve Fucking Harrington bleeding against the passenger side window. 
It’s not happening. 
Because if it were happening, Eddie would simply throw up. He’d leave his van on the side of the road and run the fuck away. Away from Harrington and his trouble, away from his rattling breath that’s so loud and unsteady, Eddie doesn’t even dare to turn on any sort of music, even though he’s itching for it, his hands clenching and unclenching around the wheel until his knuckles go white. 
“Shit, shit, shit,” he mumbles under his breath, barely aware of his surroundings at all, his eyes flitting from Harrington to the red stain against the window, back to the road and then down to the white-knuckled grip and the speckles of dried blood that is decidedly not his. 
Lost in his panic and disbelief, Eddie almost runs a red light. 
It’s harsh, the way he hits the brakes, and the sound Harrington makes is pathetic enough that Eddie feels like maybe this might actually be happening. 
“Sorry,” he breathes, his voice no better than Steve’s — and he’s not the one with a concussion, a broken rib, and that… fucking fear. Of something. Or someone. 
Who’s hurting you, Steve? 
Jus’ everyone, sometimes. God you don’t… You don’t even know.
He doesn’t even know. He doesn’t wanna know. All he wants is for Harrington to stop fucking bleeding, to keep his eyes wide open and— 
“Ed,” the boy says, wheezes, and it sounds like he wanted to say his full name, but had to swallow first. Blood, Eddie thinks. Don’t let it be blood. “Think I’m… ‘M gonna throw up.” 
“Please don’t throw up,” Eddie says before he can stop himself, hating how small his voice sounds, how urgent — like that’s the thing to be urgent about. God, he’s such an ass, but he… If Harrington throws up, Eddie will lose it. He knows he will. 
He chances a glance over at Steve, who has somehow managed to get his right arm tangled with the handle at the door, keeping himself upright and safe from Eddie’s rather frantic driving style. His head is drooping, moving this way and that against the red-stained glass, and he blinks unseeingly as blood begins to trickle down from his nose and temple again. 
He’s making himself small, and Eddie wants to pull him upright and tell him to stay like that, tell him to stop looking so terrible, so horrible, so… 
So much like Eddie’s fucking problem. 
He hates it. Hates everything about that vision. Boys like Harrington shouldn’t look like this, shouldn’t hold themselves like this, shouldn’t… Shouldn’t have no one but Eddie to take them somewhere safe. 
It’s just not tight. 
“Don’ wanna throw up,” Steve says at last, the pause too long for Eddie’s liking, and he sounds so solemn about it, yet so helpless, and Eddie kinda wants to scream. Wants Harrington to scream. Anything to stay awake and maybe not ruin his car. Anything to not fucking die in it. 
“Tell me something,” he says then, because he knows he has to keep Harrington awake and speaking. Just for another ten, fifteen minutes, he tells himself. “Anything, yeah? Tell me anything. Gotta keep you awake there, you hear me? Sounds great, right, staying awake?” 
He’s rambling and he knows it, desperation shining through his words and the god-awful way his voice breaks a little. This is not about him, he knows it isn’t, but still he wants to punch himself, wants to pinch himself and stay fucking calm. 
But who could stay calm in a situation like this? The silence is filled with the horrible wheezing and rattling of Harrington’s breath barely audible over the engine, and Eddie has to look over several times to make sure he’s still there, still with him, still alive. His panic spikes each time. 
He’s just about to reach over and shake him a little, snap in front of his face to get him back, when—
“I don’t know what.” 
It’s quiet, that voice, breathy and tiny and almost invisible, and Eddie wants to scream again. 
Tell me why you’re so scared. Tell me why your old buddy did this to you. Hagan would never touch you, so why did he now? Tell me what happened to Hargrove. Tell me why you sound so fucking small. 
“Tell me about your…” He fumbles for a moment, taking a sharp left and pretending not to hear the choked-off whimper. Focusing on good things. On normal things. “Your favourite person.” 
Eddie cringes at himself the moment the words leave his mouth. Your favourite person? Really, Munson? He scrambles to find something better, something cooler, or maybe something easier like asking his favourite fucking colour, but the overthinking really doesn’t mix well with the already panicked state of his mind. And Eddie just blanks. 
Beside him, though, Harrington sits up a little straighter, smearing more blood against his window in the process that Eddie pretends not to feel nauseous about. 
God, he never did like blood. 
“You wan’ me to tell you ‘bout Rob?” 
“Sure, yeah,” Eddie says, a little too loud, a little too shrill, actually running a red light this time because he doesn’t want to brake again and hurt the boy some more. There’s no one around anyway. This is Hawkins. Fucking dead-end of a town. It doesn’t need red lights, or boys who look like Harrington. “Rob. Tell me ‘bout him, what’s he like? Favourite colour, all that shit.” 
“Her.” 
Eddie blinks, looking over to find Harrington looking at him — or trying to, his eyes still drooping and empty. But it’s a good sign. People don’t die when they look at you, right? 
“What?” 
“Her,” Harrington says again. “An’ blue. Deep ‘n’ dark blue. She’ll say something corny when, when you ask her, jus’ to fuck with you. Sunset gold or rose, jus’ to mess with… But is blue.”
Eddie doesn’t really listen, doesn’t really process what Steve is saying, already thinking of the next question just to keep him talking. But then he continues on his own. 
“Mornin’ blue dep— de… makes her sad, though. So only dark blue. Says it’s why we’re friends. You’re so blue, Stevie. Got half’a my clothes, still, she does. All the blues.” 
That's... really fucking endearing, actually. 
And he says it with a half-smile, too, bloody and pathetic as it is. Like it’s a secret that only the two of them are in on, only Steve and Robin. It’s kind of sweet. 
Not for the first time today does Eddie find himself wondering, Who the hell are you, Steve Harrington?
He exhales through his nose, ignoring the way he’s started to shake with all that panic that’s been sitting inside him for a little too long now with no way to let it out. 
“Not much longer,” he mumbles under his breath again, or maybe he just thinks very hard. Maybe he doesn’t know where he is at all. It’s like he blanks every few seconds, too busy thinking and trying not to.
Before he can tell Harrington to talk some more about that girlfriend of his, there’s a pained, confused little whine that forcefully tears Eddie’s eyes from the street for a moment only to meet hazel eyes widened in confusion. 
“Wh— Where… Where’re we going?” 
Oh no. 
“Why’m I in y—“ 
“You’re safe,” Eddie interrupts him, speaking slowly because suddenly his tongue is too big for his mouth, and not entirely sure if he’s reassuring Harrington or himself. “You’re hurt, okay? It’s bad, but it wasn’t me. I’m taking you to… to someone. My uncle Wayne, he’s— He knows about that kinda stuff. You were telling me about Rob. Remember her, Blue? How about you tell me some more, hm?” 
Eddie’s voice is unsteady with worry and fear and panic, and he’s doing a piss-poor job at hiding it. The thing is, he’s going to cry. He’s actually, absolutely, no-doubt-about-it going to scream and cry and punch a fucking hole into something when this day is over, when his van is no longer bloody, and when Steve Harrington won’t have reason to look at him any longer. 
Oh, how he wants to skip forward. Past the nausea, past the fear, past everything that’s happening right now. Maybe past the insomnia that will come with a day like this, too. 
Past all of it. 
Or better yet, travel back in time and never get to that fucking boat house. 
But he can’t. So he breathes. 
At first, through the ringing in his ears and the racing of his own heart so loud and so forceful he’s shaking with it, he worries that Steve’s gone silent again, that he’s gonna ask again, ask what happened, ask where he is, ask all the questions that make Eddie feel like he’s been doused in ice water because they’re questions that only get asked in stupid movies where terrible things happen to people. 
But then he hears him mumbling something. Numbers. 
“What’cha mumbling there, Blue?” 
“‘S her number,” Steve says, his voice slurring again, worse than before, and Eddie hits the gas a little harder. “‘S jus’ her number. Robbie’s number.” 
And he mumbles again. Over and over and over, until Eddie couldn’t forget it if he wanted to, ingrained into the frayed edges of his mind now. 
He lets him ramble, lets him repeat the number until the words slur together and he can’t separate a four from a nine anymore. Each time Harrington hesitates, each time he stumbles over the words or forgets a digit, Eddie wants to punch the wheel. 
He doesn’t. He only grips it tighter and counts down the turns he takes, the streets he passes, the fucking trees that are familiar, before, finally, the trailer park comes into view. 
The sob Eddie lets out when, with shaking, trembling hands he pulls up to his home to find his uncle having a smoke outside is deafening to his ears after the quiet weakness of Harrington’s voice. 
It startles him, makes him stop his rambles and sit up straighter when Eddie finally kills the engine. For a moment, without the steady, rolling hum, the car is filled with the small, tiny whines Steve makes on each exhale. Like it hurts to even breathe. 
“Wha’s wrong?” He asks, but Eddie can’t really hear him. Can’t turn to him, can’t— “Eddie?” 
He’s out of the car before he can take hold of another thought, stumbling out of his open door on legs that feel numb and heavy. The urge to cry is back again, the burning in his eyes only getting worse when Wayne takes in the dried blood on his clothes and hands with careful, calculated worry.
“Ed?” 
“I didn’t know what— where—- I’m… Wayne, I’m sorry.” 
“Slow down, kid,” Wayne says, raising his hands as if to calm a spooked deer. Like Eddie is the one who needs his help. And he is. He really, really is, and he shouldn’t be, because this isn’t about him, but—
Wayne grabs him by the shoulders to keep him still, and only now does Eddie realise he’s shaking again, restlessly moving his weight from one leg to the other. His uncle steadies him, gently pressing down on his shoulders to ground him, and Eddie nearly sobs again. 
“Ed. Are you in trouble?” 
“No,” Eddie scrambles to say, becoming aware of what this looks like, hiding his hands behind his back on instinct, like that’ll make Harrington’s blood disappear. “‘S not my blood, I didn’t do anything, I swear! I swear. It’s, uh. I just found him. In the boathouse, I found him, and he was… God, he looked so bad, okay, but he didn’t want the hospital, and he was, like, so scared of something, and we don’t even talk, we don’t even look at each other, but I just… I didn’t know what to do, and you know something about concussions and people who were beat to shit and, again, I’m—“ 
“Eddie,” Wayne says, his voice so calm but so assertive that Eddie shuts up immediately, gladly handing over to controls to his uncle now. “Who’s the kid?” 
He nods towards Eddie’s van, where Harrington looks to be halfway unbuckled, but his eyes are closed and his face smushed against the door again, like he just gave up.  
“Shit,” Eddie says, adrenaline and panic slowly falling from him with Wayne’s hand on his shoulder. He sags into his uncle and rubs at his face. “It’s Steve. Uh, Steve Harrington, I mean.” 
“Okay,” Wayne says, and he’s so calm. So calm. Eddie feels like he’s about to fall apart, and Wayne is the only one keeping him together, with that’d steady, warm hand on his shoulder. “And you promise me he didn’t give you trouble? Or anyone else who’ll come finish what they started?” 
Eddie shakes his head profusely, getting a little dizzy with it. “I promise I’m not in trouble. He said Hagan did this to him, was alone when I found him. No trouble, Wayne, I swear, I’m not like that, you know I’m not.”
“Okay,” Wayne says again, and Eddie wants to weep. “I know you’re not like that, but some people are, y’know? You did good, son. You did good. Now help me get him out of that car.” 
It takes his uncle tugging him towards the van for Eddie to kick back into motion, nearly falling over his feet turning back around. It’s only Wayne’s “Easy” murmured under his breath that keeps the ground from opening up and swallowing him whole. 
He climbs in on the driver’s side while Wayne rounds the car and gets to Harrington’s side. 
“Hey there, Blue,” Eddie says, his voice shaking and the nickname slipping again — but it’s easier to call him that than his real name, it’s easier to pretend it’s literally anyone else in here with him, bleeding against his door. 
It’s easier to pretend it’s not Harrington’s breath rattling the way it does, easier to pretend those pained groans so high in their cadence they can only count as whines don’t come from Hawkins High’s Golden Boy who graduated a few months ago and was supposed to be done with bullshit like this. 
“Come on, up you get,” he tells him, not daring to raise his voice too much. 
He looks so frail. Like he’s already broken. Or like he’s trying not to. Like he’s holding on. 
Eddie pretends not to think that the hand he places on Steve’s cheek to gently pry him from the window is not the only thing keeping that boy together right now. 
Harrington groans, whines, wheezes, but opens his eyes to meet Eddie’s. Jesus, we’re they this blown before? Or this swollen?
“Hey,” Eddie says, just to say something. Just so he won’t have to hold the boy’s face in silence, just so he won’t have to focus on all the blood. Just so he won’t have to hear more questions that people aren’t supposed to ask. 
Steve opens his mouth, his breath coming out a little sharper, like he wants to say Hi rather than Where am I? or When will it stop hurting? Like he wants to say How can I help you help me? 
Somehow, Eddie manages a smile. 
Wayne chooses that moment to open the door — just unclicking it, not pulling yet; giving Eddie enough time to support Harrington, make sure he doesn’t fall.
“Careful,” he whispers, though whether it’s for Wayne, for Steve, or for himself, he can’t quite tell. Maybe it’s a plea to the rest of the world, and to anyone else who will listen. 
Steve is still staring at him. That’s probably not a good sign. He leans back a little, turning Steve’s head to make him follow him. Slowly, of course. Gently. Eddie can’t remember ever having touched something like it was going to break if only he looked at it wrong, but somehow he’s hyper-aware of it now. 
Because Harrington is staring at him. Entirely too still, like he has no strength, no coordination to do anything but stare. And yet Eddie is the one who, now that the adrenaline has fallen from him, now that he can let someone else take over, now that Harrington doesn’t need him anymore, finds himself unable to look away. 
Because Steve is just a boy. And so is Eddie, who can feel Steve’s breath against his wrist. And maybe, out of the two of them, Eddie is the fragile one. The one about to break. 
“Blue, you with me?”
Steve nods. Doesn’t speak again. Doesn’t move. Eddie swallows, briefly looking back down at Wayne to see if he’s ready. His uncle nods, ready to catch Harrington should he go down, and Eddie turns back to the boy who’s smeared with his own blood.
“I’m gonna take off your seatbelt now, yeah?” he tells him, not entirely recognising his voice anymore. “That man out there, that is Wayne. My uncle. He’s safe. He’ll take care of you, okay?” 
“Safe,” Steve breathes, and that shouldn’t be the one thing he focuses on. It shouldn’t sound so unsure. So insecure. So hopeful, so relieved, so— Fucking earnest. 
Swallowing all these thoughts, all this desperation and all those questions, Eddie reaches over Steve, one hand still supporting his head and feeling the overheated skin of Harrington’s cheek against his palm, the hint of stubble and the crust of dried blood. As if in slow motion, not daring to make a wrong move and hurt him more than he already does, Eddie frees him the rest of the way, letting the seatbelt slide into its hold behind his shoulder. 
“Careful,” he says again, just to say anything, but he is careful, and his hold on Steve is steady. 
“‘M careful. Not gonna break, Eddie.” 
“I know.” But maybe I will. 
“Good. ‘Cause… Don’ wanna break.” 
Eddie smiles, despite everything. “You’re not gonna break, Blue. Wayne’ll catch you.” 
Harrington loses his focus then, his eyes glazing over, but the small smile on his lips widens. “Blue. ‘S nice.” 
Yeah, Eddie thinks. He kinda is. 
Somehow, miraculously, they get Harrington out of the van and into the trailer. He throws up halfway to the doorstep, and Eddie curses under his breath while Wayne talks quietly, asking him yes and no questions that Eddie can’t really hear through the ringing in his ears — a strange mix of fear and relief, a panic not quite over, but soothed by his uncle’s familiar voice; even if it’s not directed at him.
“Don’t worry about it, kid, the next rain’ll take care of that. Stop apologising.” 
It throws him then, rather suddenly and violently, watching Wayne supporting Harrington, watching the blood smeared boy with the swelling, angry red bruises in his face. Somehow it’s different, seeing him in his home. 
This was always a safe space. Always void of everything terrible. 
And now there’s a broken boy on his doorstep who’s not Eddie. 
He remembers the fear, the panic, the plea for no hospital, Eddie. Can’t go there.
Why not? You need a doctor—
Monsters. Only monsters there.
It paralyses him and he stays where he is, holding the door with an arm that’s heavy like lead, standing on legs that begin to go numb again. He watches, but not really, as Wayne sits Harrington down on the living room couch, between magazines and brochures and some of Eddie’s calculus notes from last night that he was searching for a sketch of a monster he was so certain he’d drawn in the margins a few weeks back. 
Now there’s blood on his calculus notes. And Eddie is helplessly keeping the door open as though he’s going to run away any second now. Letting in more trouble to join Harrington on his couch. 
He should… He should close the door. Help. Run. Disappear. 
“Ed,” Wayne calls, snapping him out of his stupor. “The first aid kit, please. A bottle of water. A clean, wet cloth. A blanket, too.” 
Wayne talks him through it, takes it one step at a time, has Eddie bring him one after the other like he knows how much he’s keeping his nephew together by keeping him on the brink of usefulness.
Soon, Wayne has everything he needs, taking care of Harrington and his wounds, keeping him awake and talking so much better than Eddie did, even making him smile here and there, hiding his wince when the motion pulls on his split lip or the huffed breath sends a jolt of pain through his rib that Eddie is absolutely certain must be broken with the way he holds himself — with the way he lets Wayne hold him up. 
Wayne is doing his thing and Eddie is hiding, gripping the kitchen counter like a vice, staring both unseeingly and hyper-vigilantly as exhaustion washes over him, dragging him under and draining him of more than adrenaline. He slumps against the cupboard behind him, rubbing at his face like that’ll make it all go away. 
It’s not right. It’s not. This is Eddie’s home, it’s supposed to be safe, it’s not… 
He breaks away, ripping his hands from the counter and all but stumbling outside, heaving a deep breath and giving in to the urge to cry. Tears spring to his eyes and he wipes them away angrily, because it’s dumb, it’s so stupid, it’s absolutely fucking insane that he should be so worked up when Harrington talked about dying earlier. 
These things don’t happen. They don’t! 
“Stop fucking crying,” Eddie grumbles, sniffling and wiping away more tears as he closes his eyes against the afternoon sun. “Get a grip, Munson, Jesus Christ, there’s no reason to cry you big fuckin’ baby.” 
Nobody’s there to contradict him. Nobody’s there to make it worse. So he lets his eyes sting for a while, lets his lips wobble, his jaw clenched shut, the balls of his hands pressing into his eyes, breathing deliberately. 
In. Hold. Out. Hold. 
He doesn’t even scream. Doesn’t punch the still bloody side of his van, doesn’t run into the woods and disappear into the void. 
He simply breathes. Tries not to think about boys dying in mall fires, and even less so about boys beaten and abandoned in boat houses.
Doesn’t think about fucking Hawkins in Bumfuck-Indiana and the cursed way it has, driving its people mad. 
Doesn’t think about, They said my brain is hurt, Eddie. Doesn’t think about the Monsters Harrington mentioned. Doesn’t think about Blue, doesn’t think about I’m tired, Eddie. Don’t wanna hurt anymore. 
Doesn’t think about blue, blue, blue. 
He’s shaking when he comes back inside. He’s shaking when Harrington meets his eyes, looking a little clearer now, the blood washed away and everything bandaged a lot better than Eddie managed. He’a bundled in Eddie’s blanket. It’s wrong. It’s so, so wrong. 
Eddie can’t move, and neither does Steve. 
“Steve,” Wayne says, waiting until those eyes tear themselves away from Eddie and back to him, though Eddie sees them fill with such trepidation, he almost asks what’s wrong. “I won’t hear a no on this, and I won’t let you go home. I’m taking you to the hospital. Especially if you tell me your head was hurt like this before, more times than one.” 
“Three,” Blue breathes, a little dazed still. Not magically healed, not even from Wayne. Another thing that doesn’t feel right. 
“Three times,” Wayne says, nodding, like he’s encouraging Steve to continue. 
“But I don’t want a hospital.” Again with that tiny fucking voice. Like the Monsters are hiding under hospital beds. 
“I know, son,” Wayne sighs, tugging the blanket a little tighter around Steve, and Eddie’s eyes begin to sting again when he notices the tone Wayne uses. When he realises. When he remembers. 
”I want my mom.“ 
”I know, son. But she’s not coming. Your mama is gone, Ed, and this is your home now. Think we can make that work, hm? You and I?” 
Eddie had never felt so lost as he did then, clutching his blanket to his chest, burying his face in the wet fabric even as this man — his uncle — tugs it tighter around him. Like he is fine with Eddie wanting to hide as long as he doesn’t run away. 
He had shrugged, then, even though we wanted to shake his head, tell him no, tell him he wanted his mama. 
”I’m scared, uncle Wayne.” 
And Wayne had smiled a little, and nodded. “Then we do it scared, Eddie.”
Actually, Eddie feels like he never stopped doing it scared. 
And now there is Steve, who Eddie never believed knew what being scared felt like. It’s dumb, of course, because even Harrington is just a boy, but he was always untouchable to Eddie. They never talked. They never existed in the same space together, not in a good way and not in a bad way. Their worlds just never aligned, never collided, never coexisted. 
And now… 
“I’ll tell you what’s going to happen, okay? There’s a doctor, Doctor Clarke. Like— Yeah, like your science teacher, remember him? ‘S got a brother who’s just as much of a genius, and just as kind. He’ll take a look at you, yeah? Make sure your brain isn’t too hurt, clean your wounds, give you something for the pain. He won’t, uh. He won’t hurt you, kid. Whatever’s got you so scared, Dr Clarke will be nice to you. Especially when I’m there with ya, I’m an old pal of his. And I will be. Won’t let you outta my sight until you’re well enough to run away from me, you hear me, kid?” 
Eddie’s hands are hurting, his fingertips raw from where he’s been biting his nails while Wayne talks Blue through what’s going to happen — and he wonders, with the way Steve’s eyes are glued to Wayne, if he ever had anyone talking him through shit like this. 
“Okay,” Harrington breathes at last, still sounding way too small. “But. I’m…” 
“Scared anyway?” Wayne offers. Steve nods. You’re so blue, Stevie. “Then we do it scared anyway.”
And they do. Wayne goes to get the car so Steve won’t have to walk too far, leaving Eddie alone with him for a brief moment. 
He watches, from his place in the kitchen, how Steve’s face falls into a look of utter exhaustion and tiredness; the adrenaline washing from him just the same. Eddie wants to reach out. Wants to say something, break the spell of tension and silence and I know we don’t talk, but I’m glad you’re doing a little better. I’m glad you’ll go see a doctor. I’m glad you haven’t died, I guess. Do you really think you will? Are you really so scared of that? 
But Eddie keeps biting his nails, and Steve keeps his eyes closed, blanket around his shoulders. And they don’t talk. 
“Thank you.” 
Eddie perks up, not entirely sure he didn’t imagine the words — but Harrington moved slightly, his eyes still closed but his face now turned towards Eddie. 
“For, uh. This.” 
“I didn’t do shit, Blue,” Eddie says. “That was all Wayne. All I did was freak out, I promise.” 
Harrington shakes his head, though, slowly. “Mh-mm.” 
Eddie’s mouth snaps shut, because there is no room for discussion here. They don’t talk. And he doesn’t want the bubble to burst with insecurity and sourness. 
“Thank you,” he says again, and he sounds final about it. It makes Eddie wonder what he’s like, really like, when he doesn’t consist of pain and nausea and disorientation. 
He has a feeling that, despite everything, despite Monsters under hospital beds and torture in boathouses and mall fires that kill teenagers, Blue Harrington might be someone good to talk to. Compassionate as shit, even when all he wants to do is pass out. 
“You’re welcome,” Eddie rasps, pretending that his eyes don’t sting.
He wraps his arms around his chest like he’s hugging himself, or like he’s holding himself back. From reaching out, from asking, from telling, from talking. 
Unwittingly, even with his eyes closed, Steve mirrors him, and Eddie wonders if he, too, it holding himself back, or just curling in on himself some more even though it must hurt, feeling so small. 
Maybe that’s what fear of death does to a nineteen year-old. It’s so fucked up. Eddie wants to scream again. 
Outside, he hears a car door fall shut just before Wayne reappears in the door, giving Eddie some kind of meaningful look that he wouldn’t mind deciphering on any other day, but today he fears he needs words. 
“I don’t know how long this’ll take. Will you be okay, Ed?” 
“Will I be— Yes! I’m not the one with the concussion, man, of course I’ll be—“ 
It’s a bluff, comes too fast, and Wayne sees right through it before Eddie even realises it, and he steps closer. A warm hand on his shoulder. His eyes stinging again. 
“You did good, kid. Everything will be fine. But it might take a while. It’s fine if you need to go somewhere, just… Don’t drive. Call Jeff if you need someone, just. Don’t do anything stupid. And don’t get behind the wheel. Deal?” 
Eddie swallows hard, hit by another desperate, aching wave of I wanna go back in time and skip this day. A wave of tired exhaustion and wondering, aimlessly, just who the fuck Steve Harrington really is. 
“Deal,” he says, and Wayne pulls him into a hug. 
Eddie follows them outside then, trailing behind them like a lost little puppy, helping Harrington into Wayne’s car. His movements are still slugged and a little disoriented, so Eddie decides to lean in again and fasten his seatbelt. 
“Careful,” he mumbles, allowing the boy a moment’s warning, a moment to adjust before the weight settles on his chest. 
Dejá-vù hits him and makes him pause, with Harrington staring at him again. 
“I’m careful,” he says, the corners of his mouth tugging into a little smile.
More lucid than earlier, and Eddie thinks it that which takes his breath away for a moment. 
“Not gonna break, Eddie.” 
“I know,” he says, still not moving back, instead reaching up to tighten the blanket around his shoulders even though the seatbelt is already there to hold it in place. “You’re not gonna break, Blue.” 
The smile on those lips is genuine now, gentle enough to not be ruined by the blood crusting them. 
“Thanks. Again.” And then, when Eddie finally pulls away to close the door and tell Wayne to drive safely, “I really do like that name.”
It soothes the urge to scream.
Eddie closes the door as gently as he can — which isn’t much, because the car is old and not exactly smooth. 
“I’ll see you later,” he tells Wayne. Promises. To stay out of trouble, to stick around, to not run away for a while again, to stay out of his car. 
Wayne nods, a faint smile on his lips. 
“Later, Ed.” 
And then they’re gone, and Eddie is untethered again. Wonders, for a few seconds every now and then if it really happened, if this is real. 
But it did. And it is. 
And after sitting on the steps for a while, having a smoke and staring at where Wayne’s car disappeared ten, twenty, forty minutes ago, Eddie heads inside. 
He has a phone call to make.
🤍🌷 tagging: @theshippirate22 @mentallyundone @ledleaf @imfinereallyy @itsall-taken @simply-shin @romanticdestruction @temptingfatetakingnames @stevesbipanic @steddie-island @estrellami-1 @jackiemonroe5512 @emofratboy @writing-kiki @steviesummer @devondespresso @swimmingbirdrunningrock @dodger-chan @tellatoast @inkjette @weirdandabsurd42 (a thousand percent sure i missed some but oh well such is the 3am disease)
addendum 22 jan 24: onwards to part 3
1K notes · View notes
teethkid67 · 2 months
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PAYDAY
aka a valentine for the lovely @itsnotmystic / @corvids-calling - fanart for stars fic of the same name, which you can read here !!! i really enjoyed this concept and wanted to do some art for it :3 hope you like it because i REALLY loved your work & i hope this shows that !!! HAPPY VALENTINES DAY !!!!
this is also a loose love-letter to the wonderful @arginnit 's crazy background-drawing-ability and style/skill at portraying environments . wadds your stuff is insane and i love it
happy @mcyt-valentines exchange !!!!
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keferon · 3 months
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…..I genuinely can’t remember the exact size difference between Rodimus and Thunderclash hahaha. And I’m too lazy to search for a panel with them standing next to each other👍
Anyway.
@lush-specimen and their Over My Dead Body fic made me love this giant metal teddy bear. I couldn’t help but draw him:>
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vyrion · 2 months
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in this moment, you were loved: on siffrin and looping
espeonkin // ishhbowl, how do you survive the apocalypse? // navysealt4t, "names" // puremode // james hall & richard siken, "the poetry of hostile witness: an interview with richard siken" // in stars and time // lovecrumbs, all mentions of love and death in romeo & juliet // amal el-mohtar, "this is how you lose the time war" // natalie wee, "yes & no" // mavigator, "anglerfish" // in stars and time // evelyn berry, grief slut // ovid, orpheus and eurydice // moodylilac
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collophora · 15 days
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Fic writers who wrote migrainous-hunter I love you Inspired by This fic from @just-here-with-my-thoughts and this one too by lucifer_elliot and this one by @oohhihoney
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delizbin · 3 months
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Effie’s first year as an escort was… interesting! Life threatens aside (and some death here and there), the parties and dresses were nice :)
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pumpkster · 1 year
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jumpscare
[ID: A cartoon drawing of Slimecicle and Juanaflippa, she's on Slime's arms as she has a blank stare at his shoulder, her body is loose as Slime has one hand on the top of her head (the other arm holding her by the side of her torso) he has a disturbed / scared / shocked expression, looking up, not at her, his brows furrowed, his pupils are unfocused. There's blood that has the color of a TV glitch, it's coming from Juana's head, and is on Slime's hand, that is holding her close to him. The TV glitch colours are on Juana's pupils as well. Juana has a human appareance, brown hair tied in 2 pigtails, she has glasses, a yellow t-shirt, a red shirt under, she has some dark green shoes, combining with a skirt of the same color, white baggy socks. She has red horns, wings and tail dragon-like. The background is black, a TV-static texture coming from Slime's head. There are 2 lines resembling their heart's pulse, first one is white, it's from Slime, its a quick one, going up and down, agitated, and the second is from Flippa, a pink line with no sign of life. The drawing is a reference to a painting called "Ivan the Terrible and his son Ivan". ]
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recents · 7 months
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so we all know astarion was named after the minotaur of greek myth, who, despite widely known as the minotaur (“bull of minos”), was named astarion/asterion (“starry one”) by his mother at birth. asterion the minotaur was trapped in a labyrinth and cursed to devour virginal men and women thrown in there as sacrifices.
”The House of Asterion” is a 1947 short story by Argentine writer Jorge Luis Borges that retells the story of the minotaur from the minotaur’s point of view. it’s one of his best early short stories and it’s very short, only 3 pages long. you can read it here.
borges is in my top 3 favorite writers of all time, and “The House of Asterion” obviously deserves to be considered on its own merits, so i feel slightly irreverent connecting this text to a recent video game. but i reread this short story today and there was much to think about, there were many more seeds planted in my mind in terms of interpretations of the minotaur myth and how asterion the minotaur relates to the story of astarion the vampire. i think it will for you, too.
anyway. if you don’t click through and read it, please at least read how it ends, remembering, of course, that the speaker is asterion the minotaur:
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:)
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deimcs · 2 months
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WYLL approves of valiant acts of defending the innocent or the defenceless, and appreciates kindness towards children. Peaceful, but decisive actions resonate with him, and those that take a genuine interest in him and the struggles he faces are also well-liked by him.
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officialrocketjumper · 5 months
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HOWDY EVERYONE- so excited to FINALLY be able to show off my piece for this year's Bumbleby Big Bang!
Unfortunately no accompanying story as of yet- but I really hope you guys get to read it someday! The premise involves Yang cursed to be trapped inside a sword, which was an idea I KNEW I had to make move.
Details and development stuff under the cut!
Lots of fun collaboration with the author, Celeste! We worked together to find the look-of-picture, Blake's outfit, how the Grimm look, the style of the sword, the whole shabang! I'm really happy with how it all turned out!
When I first saw all the prompts, even before claims opened, I got to work on a handful of exploration pieces based on some of the summaries, to decide which of the stories I was interested in would be the best fit. Here's the initial idea for this one I put together over a lunch break:
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After showing Celeste, we got to work finding the look we wanted! Went back and forth a bit and found this great look for Blake! Also shoutout to Pinterest boards for visdev inspiration I love you Pinterest boards.
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Just about everything stayed to final anim, with the simplification of getting rid of that purple cloth hanging from her belt, (since I already had the rope ends to think about working with), and the light purple strap across the chest, since leaving it out would simplify the linework on her chest.
The sword also went through a bit of change! Celeste had the idea of Yang making the sword catch on fire, which I LOVED. I went with a split design so we can see the fire more clearly start from the hilt and grow to cover the whole blade.
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And from there we brainstormed animation ideas! I went all over Youtube for video reference of sword work (that would be complex enough to be interesting, but short enough to be manageable). I found something we liked from Motion Actor Inc., a channel I've used LOTS for both personal and professional work (I work in 3D Animation, for those who don't know). I edited this together, to see the action from multiple places at once, which gave me the idea for that camera move that's in the final anim!
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Now for the fun part! Make that badboy MOVE. For the cam turn, the first frame she's in the air I'm referencing the top left video, and the frame she lands I'm referencing the bottom left one. While she's airborne I'm just inbetweening that! No reference for the Grimm, just wanted it responding to her attacks, but I end up tweaking the roughs later on to make the block feel stronger.
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Then from there we had to actually figure out Grimm designs! Nimona had just released, and Celeste and I loved it, so she asked if I could take some inspiration from Nimona's shadow form! GLADLY. Here's what I came up with!
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I was going between how the movies and comic designed Nimona, really loving the almost liquid shadow of the movie, but also how the comics had this broken up/held together rougher form. Celeste liked the second to last one the best! The original plan was to have it leave a wispy shadow trail like the concept art, but to simplify the animation we left it solid instead!
Next up is tiedown! Basically just getting the roughs more on-model, so the lineart comes out nice and clean. I've also transferred the new Grimm design to the base from earlier, and fire's also outlined orange so it reads clearer. (SPOILER- if you look REAL close here, you can see Yang visible in the fire! I liked the idea of Blake's slash also doubling as Yang throwing a punch. The idea is in the concept art earlier but now it's working with the action.)
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Next step- final look of picture!! I asked Celeste for sources of inspiration to draw from when thinking about environment design, and we got Nimona, She-Ra, and Owl House! Used each of those as springboards for shading style, colour palettes, and how the fire would look!
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From there, we kept the straight trees/bush/lake/foreground greenery from the first one, the blues from the second, and the fire from the third!
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Once I had this frame, it was a matter of working backwards and making the background work pre-camera turn (which was ABSOLUTELY the most challenging part of this process). Learned a lot doing this! Procreate isn't quite equipped to make something like this efficient, but I'm pleased to say that Dreams would make something like this easier in the future (keyframing objects instead of hand-drawing/spacing duplicates by hand, for example).
From then on it was just colouring the lineart, adding shading, and finishing up the background! Beginning-to-end this whole process was beginning of July to end of October!
I had an absolute BLAST putting all this together. Here's to next year where I find a way to do something even more ridiculously complicated!! It's fun!!!
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starflungwaddledee · 2 months
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💘 happy valentine's day! 💘
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cacaocheri · 7 months
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this was supposed to be one drawing!! ONE DRAWING!!!!!!!!! but every time i draw them i can't stop i need to keep going
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It is possible according to canon that Elrond and Elros were names given by Maedhros and Maglor based on where they found the twins; the names they were given by Elwing and Earendil are probably lost and forgotten. So consider:
Elrond meets Elwing in post-Fourth-Age Valinor. She calls him by the name she gave him, and he does not respond to it, for he has forgotten that name.
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