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#i like to run from pain or so i say. but historically what i do instead is stay still and pretend i deserve it. i can't do that for this
trashcanalienist · 1 year
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greatunironic · 1 month
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eddie wakes up in a strange room. this was not particularly unusual for him, historically: he’d spent most of his twenties waking up in new and interesting places (including a handful of jail cells). but after eddie, the label, and the los angeles superior court system decided it would be best if he stopped drinking and doing blow, it stopped being such a regular occurrence.
so it’s almost alarming to him, now, to be blinking up at an unfamiliar cement ceiling with the raging bitch of all headaches and generally feeling like he got hit by a truck, got whiplash in a crash with the way his neck aches. he’d think he was hungover like all those times before except for how sharp the pain is, bright.
he worries, briefly, he’s relapsed, or someone’s slipped him something. but he remembers what him and the boys had been up to, before this, and he thinks it’d’ve been a strange night indeed if someone roofied a c-list (b-list if he’s feeling charitable) musician at a fucking frozen four game.
because yeah, eddie remembers: they’d been third row, watching the wisconsin ladies clean up and cheering for jeff’s kid sister like she was about to get olympic gold. (she probably would, someday. her and that mayfield girl who played defense were looking down the barrel at a 2026 run apparently.
eddie’s been to a handful of games over the years, when touring and recording allows them to go. he’s resolutely never been a sports guy but he’ll admit, when pressed, that live hockey is pretty dope. to say nothing, of course, of how jeff would probably murder them all in their sleep if they didn’t rep the red and white for lottie.
(and also — and this is between eddie and his god alright — but lottie’s coach? standing back there in his suit, hair styled and dialed, snapping his gum, yelling at the refs? kind of doing it for him, okay. worth the price of admission, even if the tickets weren’t free.)
when he thinks harder — which hurts too — the last thing he clearly remembers was someone from the beavers scoring, bringing their lead to 5-1, and a slapshot from the other team getting out over the boards and nearly taking out some lady’s popcorn. someone behind them in the seats said, “jesus they’re getting desperate, eh?”
then shit goes dark on him, not even a fade to black, but a full on smash cut, roll credits black, and the post-credits scene is where ever the fuck eddie is at the moment. it smells like human and cold and icy hot, so obviously, he thinks, he died and went to hell like all the church ladies said he would back in hawkins, or probably just a locker room. what the fuck?
he blinks at the ceiling, at an interesting water stain on the cement texturing. he’s in the middle of wondering where the rest of his band has gone if he’s here alone, fucking abandoners, when a sweaty redhead with the bitchiest expression he’s maybe ever seen enters his field of vision.
“you’re alive,” she says.
eddie blinks again. “why do you sound so disappointed?”
“yo coach!” she shouts, already on the move away from him. “he’s alive!”
he tries to sit up, but that makes the pain in his head worse, and also draws attention to the fact that his back also hurts. he squeezes his eyes shut and makes a truly embarrassing noise of pain — if pressed, he’d call it a whimper — and a pair of big hands land on his shoulders.
“out, out ladies i got this! hey!, hey, man, don’t move just yet,” says big hands.
“yeah, no problem, i don’t want to anymore,” eddie says. he stirs up the will to open his eyes again and very nearly slams them back shut. because of course the person staring down at him is fucking coach hottie snackycakes himself. he’s even better looking in person, too, big droopy eyes, lips as pink as his bubblegum, and shiny, jesus christ. he’s still got eddie by the shoulders, hands warm through the thin cotton of his flannel and tee — because eddie’s always been more fashion than sense, wayne always said, and it’s even worse now that the paps are on him—
“oh, fuck this is gonna be all over tiktok later, isn’t it?” he moans.
“maybe not.”
“don’t lie.”
“listen, eddie — it is eddie, right?” asks coach hottie. “i’m steve. coach harrington. faughnsie — lottie, i mean — she said you’re eddie. her brother’s guitarist? what do you remember?”
“more like he’s my singer,” he says, “but sure. and not much.”
“well, you’re gonna be okay,” says coach hottie — steve. “it really wasn’t that bad, and it was probably too fast for anyone to get it, unless they already had a camera on you. you took a puck to the head when one popped up. i’d apologize but it wasn’t one of my girls who did it, so. anyway — you weren’t out for long, which robbie says is good — she’ll get a look at you in a second — but you got your bell rung pretty good. and you’re gonna have quite the shiner, trust me.”
“speaking from experience?”
“oh, yeah. closer and faster too.” he gently raps his head with his knuckles. “too many concussions too early ended my nhl days, in fact.”
“oh. oh shit, sorry, i—“
“don’t worry about it, man, it happens,” he says. “and if it hadn’t, i wouldn’t be here.”
“at the frozen four.”
“yeah, sure, that too.”
“what?”
“what?” steve waves him off. “anyway, i’m just glad to see you up, ish, and talking. looked pretty scary, from the bench.”
“i really don’t remember,” says eddie. “but i’m sure i’ll see it on tiktok later, like i said — at least, my unconscious, bleeding form.”
“i got up there pretty fast, so i doubt it,” says steve.
eddie blinks, twice. “you—?”
“you were behind my bench, and you. well,” he says with a shrug, but he’s clearly a little embarrassed, finally putting those hands away — weapons of eddie destruction, he thinks — and shoving them into his pockets of his tight slacks. “i should be getting back out there.”
“do you? you’re murdering them pretty good, unless i black out and missed them getting four more goals,” eddie says.
the corners of steve’s eyes crinkle when he smiles. eddie thinks he might just pass out again. “no, we’re still gonna cinch it, i think. looks bad, though — first time coach missing the final period so’s he can hit on the cute musician who got his clock cleaned by the biscuit.”
“oh,” he says. swallows. “uh.”
steve’s crinkly, smiley eyes go wide. “unless—“
“no less!” eddie shouts and then immediately winces. at a better, less damaging to his more than slightly concussed noggin, volume, he says, “more, actually. because pretty sure i shouldn’t be left unsupervised, and i’ve clearly been abandoned by the band, so—“
“so,” says steve.
“coach, two minutes!” someone calls.
“so, i was hoping maybe i could keep hitting on the hot hockey coach back at his?”
“i’m at the ramada inn,” he says, “and i got tape to watch for the finals.”
“i live for room service,” eddie tells him seriously. “and i’m suddenly very into wisconsin sports teams.”
“coach! go time!”
“yeah?” he asks.
“yeah.”
“COACH!”
he jerks a thumb over his shoulder. “i gotta — but, uh, later?”
“pick me up in twenty?”
“probably more like half an hour, with stoppage,” he says.
someone bangs on the door. “COACH!! let’s boogie!!”
with one last look, wide eyed and smiling, steve leaves. eddie watches him go. he’d heard hockey players were caked up but lord — eddie is about to convert to a new religion, or maybe found one, over the stretch of those slacks.
“damn,” he says quietly.
“gross,” a woman says. eddie startles and looks to the side, where a lanky brunette with a bob and an undercut is staring at him, unimpressed. she’s in some get up that screams athletic trainer, and there’s a white board in her hand.
“how long have you been there?” he asks.
she raises an eyebrow. “long enough, and honestly, i don’t know if that counts as a you rule for him, or a you suck for you,” she says and does not elaborate when he asks. “also don’t look at him like that. it’s steve. he’s basically my sister.”
“yeah? any tips then?” asks eddie. “i promise i’ll only use them for good. well. mostly.”
“god,” she says with an expansive eye roll. “you’re gonna be a nightmare, aren’t you?”
a cheer goes up outside the room as the teams, presumably, take the ice again. eddie, head throbbing, concussed, embarrassed, grins. “sure hope so,” he says.
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kaeyas-beloved · 1 year
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It’s The Way He… || #2
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Characters: Alhaitham, Cyno, Dainsleif, Heizou, Itto, Kaveh, Xiao, Wanderer
Summary: Just cute/heartwarming/breath-taking things he does <3
Genre: Fluff + Snippets
CWs: gn!reader (you/your), injuries (Cyno), petnames (my love; Kaveh),
a/n: did a pt. 2 because the last one got lots of love and I though they were really cute so I wanted to do some others <3
|| Pt. 1 ||
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Alhaitham
It’s the way Alhaitham props his chin on you - your head, shoulder, just whatever is easiest at that moment - as you read. His eyes, a beautiful mix of green and orange, will skim the page you're on. It's no quantum physics or retelling of historic events, but if you like it then he'll give it a chance. Just, don't be too upset when he asks you to read faster, he wants to know what happens next is all.
"Are you almost done? I've finished the page. What? What's that look for?"
Cyno
It’s the way Cyno is so serious as he dresses your wounds, a stark contrast to the genlteness of his touch. It doesn’t matter if it’s a paper cut, a rash, burn or a gash from battle, it’ll receive the same level of attention and care from the general. If he had it his way he’d get Tighnari to fix you right up, because at least Cyno knows you’re in good hands, but that can’t always happen, so he’s your next best. In a way that’s alright, at least this way he can personally see to it that you’re looked after.
“This will sting a little, sorry, but it has to be cleaned. I’ll try to lessen the pain as much as I can and finish quickly. If you’d like, I can tell you some jokes to take your mind off of it?”
Dainsleif
It’s the way Dainsleif never forgets the little details about yourself. You could mention it once and he’s already committed it to memory, he's committed you to his memory. For 500 years he's walked alone, maybe not always physically, but it still felt like there hasn't been anyone with him. You are the first connection he's had in so long, and even if he's doomed to live long past you, the image of everything that creates you, he’ll will himself to remember for as long as he can, because just the thought of you makes him feel like he's alive once more.
“You told me once that the stars brought you peace. I thought it’d be nice to look out at them tonight, for they too do the same for me. However, if I was to be truthful, you, without a shadow of a doubt, bring me the most peace.”
Heizou
It’s the way Heizou leaves a riddle on the kitchen counter for you every so often before he leaves for work or errands. There’ll be clues scattered around the house for you to find as well, each one becoming more cryptic than the last. Of course, he knows you well enough to not make them so tough you can’t figure it out. He wants you to receive your prize after all~
“Did you figure out today’s riddle?” … “Heh, that’s correct, I knew you’d get it! Now, come and claim your reward. I think you’ll really enjoy it this time~”
Itto
It’s the way Itto runs up to you the instant he sees you in the streets of Inazuma, arms ready to grab hold and lift you as high as he can or as high as you allow. He'll even do a little spin with you he's that happy to see you. It doesn't matter if you’re alone or with someone, he is a loud and proud oni who shows off the person that owns his heart!!
"There you are my partner-in-crime, my beetle battle buddy, my number one! Say, if you're not busy how about you tag along with me? I just found this awesome raman place that's pretty cool if I do say so myself. How about we check it out?"
Kaveh
It’s the way Kaveh readily helps you with your outfit and any bells and whistles that go with it. As a renowned architect there are times where he’s invited to formal events, and you are his first go to for a plus one. And where there’s formal events there’s formal attire, and the hassle of making sure everything is perfect. Be it a tie or some piece of jewelry, Kaveh and his keen eye for detail are there to help attain that perfection.
“Ah, here, let me help. Sometimes, it takes another pair of eyes to catch if something’s off. Of course, you look stunning regardless my love. There, shall we head off?”
Wanderer
It’s the way Wanderer stumbles to match your pace. For as long as he's lived he's moved at his own pace, never once slowing or playing catch-up for others. For you though, he'll stop to admire the things he's overlooked due to his immortality, he'll race to make sure you don't run too far from him that he can't raech you. No longer does he run away from those he loves, now he runs alongside them.
"What? You stopped for a flower? It's pretty? Please, I can think of many more things that are prettier than some flower, but I suppose we have some time. Who am I to stop you from doing what your little heart desires."
Xiao
It’s the way Xiao carries with him the little gifts you give. May it be a flower, a picture, a letter or another object of some kind, the yaksha will have it tucked into the safest pocket he has. To you it may have just been something you picked up or made while thinking of him, but for Xiao, it’s his good fortune charm. Something that has a tangible weight to it, his constant reminder that someone is waiting for him back home. However, he can never bring himself to tell you this, covering up the why he brings it everywhere with some barely strung together excuses or redirections.
“Of course I’d take it with me, why would I not? Huh? You think I’d have no real use for it? Tsk, you still don’t know the ways of the adepti, do you?”
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bpdjennamaroney · 9 months
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Will and Emma are having relationship problems because Will is not taking COVID seriously enough ("Therapy"). The next day Will takes his frustration out on the glee club and accuses them of not taking COVID seriously enough (Finn doesn't understand germ theory and Brittany is QAnon.)
Will says, "You guys lack historical perspective. Back in the 80s and 90s there was a young gay composer named Jonathan Larson who saw disease and suffering all around him. When he found out he was afflicted with AIDS, he put all of his pain into the timeless and unreproachable work of art, RENT. RENT taught us about community and caring for one another and more importantly...it taught us that musicals can rock." Will sings the title song from RENT with Artie and Finn.
That night: Santana is fed up with lockdown restrictions and sneaks out of her house to visit Brittany ("Out Tonight"). Brittany is planning a big show that will blow the whole COVID conspiracy wide open. She previews it for Santana ("Over the Moon"). Santana is freaked out and breaks up with Brittany. Santana can excuse ignoring disease prevention guidelines but she draws the line at being Republican about it.
Also that night, Will tries to sleep with Emma but she's too COVID-cautious ("Green Green Dress"). She says maybe they need some time apart because of their different priorities.
While grocery shopping, Will runs into Holly Holliday. Holly is lighting scented candles in the middle of the store but for some reason all of them are defective/unscented ("Light My Candle.") Holly propositions Will. Will says he's seeing Emma, and Holly admits she also has a boyfriend.
"I'm sure we can work something out," Holly says. "Meet me at the basement of the swinger's club at 9:00."
Will shows up at the swinger's club and spots his old rival, Brian Ryan (the Neil Patrick Harris character). They glare at each other, then confront each other and it's revealed that Brian is Holly's boyfriend ("Tango Maureen.") She knew Brian and Will were old high school rivals and set all this up because she's into the whole enemies-to-lovers thing.
Will scolds her. "That is so cruel and manipulative of you. I can't believe you would do this."
Holly tries to convince him to live life to the fullest. ("Another Day.")
Eventually Will thinks about what proud openly gay icon Jonathan larson would do, and he has a threesome with Holly and Brian ("Contact," I'm afraid.)
The morning after, Will can't believe he kind of cheated on Emma/hooked up with Brian and really enjoyed it ("Real Life").
On Monday, Brittany and Santana are still broken up but sitting on opposite sides of the choir room is emotionally difficult for them ("Without You.")
On the way home from school, Kurt and Blaine are like "Aren't you glad we're not like Brittany and Santana, breaking up every 5 seconds over something stupid?" and they sing "I'll Cover You" but then they break up over something stupid.
Will contemplates his sexual awakening, torn between Holly+Brian and Emma ("Johnny Can't Decide/Come To Your Senses" mashup).
The tension in glee club is unavoidable.
"Mr. Shu, this is ridiculous," Rachel says. "Ever since you brought up RENT and Jonathan Larson, it's been nonstop hookups and fighting. Also, Jonathan Larson wasn't gay and he didn't die of AIDS! He was straight and died of some random heart thing."
"What? Jonathan Larson wasn't gay? So my sexual experimentation was under false pretenses?"
Will immediately calls and breaks it off with Brian and they argue ("What You Own").
The next day Santana says "I can't believe we caused this much fuss over a straight man, who died of a random heart thing."
"Wait, just because he was straight doesn't make his words less powerful," Finn says.
"You're right," Will says. "Maybe I'm bisexual." ("Louder than Words.") And then they all sing La Vie Boheme.
At some point Santana and Mercedes sing "Take Me or Leave Me" as their glee club presentation. (It's a four-part episode.) Also I think Gwyneth would have fun with Today 4 U, don't kill me.

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starogeorgina · 11 months
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Twin flames
Warning: Swearing, age gap
Pairing: Daemon Targaryen × Targaryen OC
1.01
Notes: Viserys and Alicent’s children have been aged up to be aged 20+
Tears trickle down your face as you try to stifle a sob with the sleeve of your dress. The satin material covering your wrists appears darker than the rest due to your dampening it by wiping your eyes. If you weren’t in the library, you would have ripped the sapphire dress to shreds. Like most of your clothing, your husband had it specially made to match the gem in his eye, rubbing salt on the wound that was your sham marriage.
It was moments like these that you wished time could stop, at least for a few moments, to fully decompress the events that had taken place within the last twenty-four hours.
The previous night, you’d laid awake waiting for Aemond to return from riding on Vhagar, and when he eventually did, he couldn’t bring himself to look at you. It was a telltale sign he’d been with his whore; not that you cared much about who he stuck his cock into; it was simply because you had an agreement that on his part he’d failed to keep.
“You’re never going to put a babe in me, are you?”
His silence was the answer he was too much of a coward to say out loud. Not having a child after four years of marriage made you a failure in the eyes of your family, not that your mother would ever believe it was due to your brother not wanting to consummate the marriage; of course the problem must have lay with you. There were many nights you thought about going to your other brother's chamber, you knew Aegon wouldn’t refuse to fuck you. The following morning, things got worse. Your uncle Daemon arrived from Dragonstone to visit his brother, your father, King Visery, and his mere presence had put Aemond in a more foul mood than normal. A lord from some house you’d never heard of before was stupid enough to question Rhaenyra’s son's heritage in front of the rogue prince, resulting in his being fed to Caraxes.
It was bittersweet seeing your uncle being so overprotective of your eldest sister and her sons when your own husband was most likely making you the butt of his own jokes.
Deciding you needed a distraction from thinking about the Lord being burned alive, your mother's shaming, and your husband's rejection, you survey the dusty books until you find one of your favorite historical books. 𝒜𝑒𝑔𝑜𝓃 𝐼'𝓈 𝒲𝒶𝓇𝓈 𝑜𝒻 𝒞𝑜𝓃𝓆𝓊𝑒𝓈𝓉. Sighing, you go to the chair in the darkest part of the library and begin to read.
“Isn’t it a bit late for reading Adele?”
Getting a fright, you almost leap from the chair. One hand rests on your racing heart while the other grips the book tightly. Frowning, you look over your shoulder to see your uncle staring down at you with an unreadable expression on his face. Still startled, you only manage to speak one word, “what?”
“Is it not Adele?”
Of course, he didn’t even know your name. You look back down at your book and say, “No, it is not.”
“I’m just jesting with you,” Daemon says, coming to the other side of the chair. He crouches down so he is level with you. “I’m very aware of who you are, Princess Adela. I’ve heard many things about you over the years; the tales of your beauty have not been exaggerated.”
You keep your head lowered so he’s unable to see the blush spreading across your cheeks. “Thank you.”
A few moments of silence pass before the prince speaks again. “You’ve been crying,” he says, “do you wish to share your troubles with me?”
“Troubles aren’t something I share so freely, uncle.”
Suddenly he cups your face gently, and his thumb brushes your bottom lip from the left to the right, only stopping when it reaches the corner of your lip, gently touching the scar that runs down to the bottom of your chin. “It is wise to keep your own counsel, but tell me, what fate awaited the fool who dared lay a hand on you?”
You shudder at the memory. A phantom pain forms in the scar on your face and the hidden one on your forearm. You had heard many stories about your uncle's adventures in life, your favorite being the battle of the stepstones, so naturally you felt embarrassed to admit it was your own brother who hurt you by accident during a stupid argument.
You clear your throat. “You were right, uncle; it is rather late for reading. I bid you goodnight.”
“Would you like me to escort you back to your chambers?”
“No, but thank you for the offer. Perhaps I’ll see you tomorrow.”
You leave the library feeling slightly flushed and head towards your bedchamber, hoping the knights and servants who surveyed the halls didn’t see how red your cheeks were. Daemon was more handsome than you remembered, and although he had only touched your face to get a better look at your scar, goosebumps still prickled across your body.
You need to find yourself another distraction before you let your mind wander too far.
𝘗𝘳𝘪𝘯𝘤𝘦 𝘋𝘢𝘦𝘮𝘰𝘯 𝘸𝘢𝘴𝘯’𝘵 𝘢 𝘮𝘢𝘯 𝘸𝘩𝘰 𝘸𝘢𝘴 𝘦𝘢𝘴𝘪𝘭𝘺 𝘴𝘩𝘢𝘬𝘦𝘯, 𝘣𝘶𝘵 𝘩𝘦 𝘸𝘢𝘴 𝘭𝘦𝘧𝘵 𝘧𝘦𝘦𝘭𝘪𝘯𝘨 𝘢 𝘧𝘰𝘰𝘭 𝘢𝘵 𝘩𝘰𝘸 𝘩𝘦’𝘥 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩𝘦𝘥 𝘩𝘪𝘴 𝘯𝘪𝘦𝘤𝘦 𝘢 𝘧𝘦𝘸 𝘩𝘰𝘶𝘳𝘴 𝘱𝘳𝘪𝘰𝘳, 𝘸𝘩𝘪𝘤𝘩 𝘪𝘴 𝘩𝘰𝘸 𝘩𝘦 𝘧𝘰𝘶𝘯𝘥 𝘩𝘪𝘮𝘴𝘦𝘭𝘧 𝘴𝘸𝘪𝘨𝘨𝘪𝘯𝘨 𝘣𝘢𝘤𝘬 𝘢𝘭𝘦 𝘪𝘯 𝘢 𝘴𝘤𝘳𝘶𝘧𝘧𝘺 𝘣𝘢𝘳 𝘪𝘯 𝘧𝘭𝘦𝘢 𝘣𝘰𝘵𝘵𝘰𝘮. 𝘞𝘩𝘦𝘯 𝘩𝘦 𝘯𝘰𝘵𝘪𝘤𝘦𝘥 𝘵𝘩𝘦 𝘴𝘤𝘢𝘳 𝘰𝘯 𝘈𝘥𝘦𝘭𝘢’𝘴 𝘧𝘢𝘤𝘦, 𝘢 𝘧𝘪𝘦𝘳𝘺 𝘪𝘯𝘴𝘵𝘪𝘯𝘤𝘵 𝘬𝘪𝘤𝘬𝘦𝘥 𝘪𝘯; 𝘩𝘦 𝘸𝘢𝘯𝘵𝘦𝘥 𝘯𝘰𝘵𝘩𝘪𝘯𝘨 𝘮𝘰𝘳𝘦 𝘵𝘩𝘢𝘯 𝘵𝘰 𝘴𝘭𝘢𝘺 𝘸𝘩𝘰𝘦𝘷𝘦𝘳 𝘩𝘶𝘳𝘵 𝘩𝘦𝘳 𝘸𝘪𝘵𝘩 𝘥𝘢𝘳𝘬 𝘴𝘪𝘴𝘵𝘦𝘳. 𝘏𝘦 𝘤𝘰𝘶𝘭𝘥𝘯’𝘵 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥 𝘸𝘩𝘺 𝘩𝘦 𝘧𝘦𝘭𝘵 𝘴𝘰 𝘱𝘳𝘰𝘵𝘦𝘤𝘵𝘪𝘷𝘦 𝘰𝘷𝘦𝘳 𝘵𝘩𝘦 𝘨𝘪𝘳𝘭 𝘩𝘦 𝘩𝘢𝘳𝘥𝘭𝘺 𝘬𝘯𝘦𝘸, 𝘣𝘶𝘵 𝘵𝘰𝘶𝘤𝘩𝘪𝘯𝘨 𝘩𝘦𝘳 𝘧𝘢𝘤𝘦 𝘮𝘶𝘴𝘵 𝘩𝘢𝘷𝘦 𝘮𝘢𝘥𝘦 𝘩𝘪𝘴 𝘯𝘪𝘦𝘤𝘦 𝘶𝘯𝘤𝘰𝘮𝘧𝘰𝘳𝘵𝘢𝘣𝘭𝘦 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘩𝘦 𝘯𝘰𝘵𝘪𝘤𝘦𝘥 𝘩𝘰𝘸 𝘴𝘩𝘦 𝘴𝘲𝘶𝘪𝘳𝘮𝘦𝘥.
𝘏𝘦 𝘸𝘢𝘴 𝘪𝘯𝘵𝘳𝘪𝘨𝘶𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘮𝘢𝘯𝘺 𝘵𝘢𝘭𝘦𝘴 𝘩𝘦 𝘩𝘢𝘥 𝘩𝘦𝘢𝘳𝘥 𝘧𝘳𝘰𝘮 𝘷𝘢𝘳𝘪𝘰𝘶𝘴 𝘮𝘦𝘯 𝘸𝘪𝘵𝘩 𝘸𝘩𝘰𝘮 𝘩𝘦 𝘴𝘰𝘤𝘪𝘢𝘭𝘪𝘴𝘦𝘥; 𝘮𝘰𝘴𝘵𝘭𝘺, 𝘩𝘦’𝘥 𝘩𝘦𝘢𝘳𝘥 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘢𝘴 𝘦𝘲𝘶𝘢𝘭𝘭𝘺 𝘣𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭, 𝘱𝘰𝘴𝘴𝘦𝘴𝘴𝘪𝘯𝘨 𝘢 𝘬𝘪𝘯𝘥𝘩𝘦𝘢𝘳𝘵𝘦𝘥 𝘯𝘢𝘵𝘶𝘳𝘦 𝘢𝘴 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘴𝘢𝘥. 𝘞𝘩𝘪𝘤𝘩 𝘶𝘯𝘧𝘰𝘳𝘵𝘶𝘯𝘢𝘵𝘦𝘭𝘺 𝘴𝘦𝘦𝘮𝘦𝘥 𝘵𝘰 𝘣𝘦 𝘵𝘳𝘶𝘦. 𝘐𝘵 𝘸𝘢𝘴 𝘢 𝘵𝘳𝘶𝘦 𝘵𝘳𝘢𝘨𝘦𝘥𝘺 𝘧𝘰𝘳 𝘢 𝘛𝘢𝘳𝘨𝘢𝘳𝘺𝘦𝘯 𝘵𝘰 𝘧𝘦𝘦𝘭 𝘴𝘰 𝘢𝘭𝘰𝘯𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥.
𝘝𝘪𝘴𝘦𝘳𝘺𝘴 𝘩𝘢𝘥 𝘮𝘦𝘯𝘵𝘪𝘰𝘯𝘦𝘥 𝘩𝘦 𝘢𝘭𝘸𝘢𝘺𝘴 𝘵𝘩𝘰𝘶𝘨𝘩𝘵 𝘰𝘧 𝘉𝘢𝘭𝘦𝘳𝘪𝘰𝘯 𝘸𝘩𝘦𝘯𝘦𝘷𝘦𝘳 𝘩𝘦 𝘴𝘢𝘸 𝘩𝘪𝘴 𝘺𝘰𝘶𝘯𝘨𝘦𝘴𝘵 𝘤𝘩𝘪𝘭𝘥 𝘳𝘪𝘥𝘪𝘯𝘨 𝘵𝘩𝘦𝘪𝘳 𝘥𝘳𝘢𝘨𝘰𝘯, 𝘣𝘶𝘵 𝘋𝘢𝘦𝘮𝘰𝘯 𝘥𝘪𝘥𝘯’𝘵 𝘱𝘳𝘺 𝘪𝘯𝘵𝘰 𝘸𝘩𝘪𝘤𝘩 𝘰𝘯𝘦 𝘈𝘥𝘦𝘭𝘢 𝘤𝘭𝘢𝘪𝘮𝘦𝘥. 𝘛𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘩𝘦 𝘢𝘴𝘬𝘦𝘥 𝘵𝘰𝘰 𝘮𝘢𝘯𝘺 𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯𝘴, 𝘝𝘪𝘴𝘦𝘳𝘺𝘴 𝘸𝘰𝘶𝘭𝘥 𝘣𝘦𝘤𝘰𝘮𝘦 𝘴𝘶𝘴𝘱𝘪𝘤𝘪𝘰𝘶𝘴 𝘢𝘯𝘥 𝘫𝘶𝘮𝘱 𝘵𝘰 𝘵𝘩𝘦 𝘸𝘳𝘰𝘯𝘨 𝘤𝘰𝘯𝘤𝘭𝘶𝘴𝘪𝘰𝘯. 𝘋𝘢𝘦𝘮𝘰𝘯’𝘴 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱 𝘸𝘪𝘵𝘩 𝘩𝘪𝘴 𝘣𝘳𝘰𝘵𝘩𝘦𝘳 𝘩𝘢𝘴 𝘳𝘦𝘮𝘢𝘪𝘯𝘦𝘥 𝘴𝘵𝘳𝘢𝘪𝘯𝘦𝘥 𝘢𝘧𝘵𝘦𝘳 𝘧𝘢𝘭𝘴𝘦 𝘢𝘭𝘭𝘦𝘨𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘩𝘪𝘮 𝘢𝘯𝘥 𝘙𝘩𝘢𝘦𝘯𝘺𝘳𝘢 𝘣𝘦𝘪𝘯𝘨 𝘴𝘱𝘰𝘵𝘵𝘦𝘥 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘪𝘯 𝘢 𝘣𝘳𝘰𝘵𝘩𝘦𝘭 𝘴𝘱𝘳𝘦𝘢𝘥 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘬𝘦𝘦𝘱.
𝘏𝘦 𝘸𝘢𝘴 𝘰𝘯𝘭𝘺 𝘤𝘶𝘳𝘪𝘰𝘶𝘴 𝘢𝘣𝘰𝘶𝘵 𝘩𝘪𝘴 𝘯𝘪𝘦𝘤𝘦 𝘴𝘪𝘯𝘤𝘦 𝘪𝘵 𝘩𝘢𝘥 𝘣𝘦𝘦𝘯 𝘤𝘭𝘢𝘪𝘮𝘦𝘥 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘵𝘩𝘦 𝘰𝘯𝘭𝘺 𝘤𝘩𝘪𝘭𝘥 𝘰𝘧 𝘈𝘭𝘪𝘤𝘦𝘯𝘵’𝘴 𝘸𝘩𝘰 𝘸𝘢𝘴𝘯’𝘵 𝘢 𝘵𝘰𝘵𝘢𝘭 𝘤𝘶𝘯𝘵.
𝘈𝘭𝘵𝘩𝘰𝘶𝘨𝘩 𝘩𝘦 𝘥𝘪𝘥𝘯’𝘵 𝘩𝘢𝘷𝘦 𝘢𝘯 𝘰𝘱𝘪𝘯𝘪𝘰𝘯 𝘰𝘯 𝘗𝘳𝘪𝘯𝘤𝘦𝘴𝘴 𝘏𝘦𝘭𝘢𝘦𝘯𝘢, 𝘩𝘦 𝘥𝘦𝘴𝘱𝘪𝘴𝘦𝘥 𝘈𝘦𝘨𝘰𝘯 𝘢𝘯𝘥 𝘈𝘦𝘮𝘰𝘯𝘥 𝘧𝘰𝘳 𝘵𝘩𝘦𝘪𝘳 𝘤𝘳𝘶𝘦𝘭 𝘵𝘳𝘦𝘢𝘵𝘮𝘦𝘯𝘵 𝘰𝘧 𝘩𝘪𝘴 𝘥𝘢𝘶𝘨𝘩𝘵𝘦𝘳𝘴 𝘢𝘯𝘥 𝘙𝘩𝘢𝘦𝘯𝘺𝘳𝘢’𝘴 𝘴𝘰𝘯𝘴. 𝘗𝘦𝘳𝘩𝘢𝘱𝘴 𝘈𝘥𝘦𝘭𝘢 𝘸𝘢𝘴 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘴𝘩𝘦 𝘨𝘳𝘦𝘸 𝘶𝘱 𝘪𝘯 𝘖𝘭𝘥𝘵𝘰𝘸𝘯, 𝘢𝘸𝘢𝘺 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘱𝘰𝘪𝘴𝘰𝘯𝘰𝘶𝘴 𝘴𝘯𝘢𝘬𝘦𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘬𝘦𝘦𝘱. 𝘏𝘦 𝘩𝘢𝘥 𝘰𝘣𝘴𝘦𝘳𝘷𝘦𝘥 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦 𝘱𝘳𝘪𝘯𝘤𝘦𝘴𝘴 𝘸𝘢𝘴 𝘳𝘢𝘵𝘩𝘦𝘳 𝘢𝘳𝘵𝘪𝘴𝘵𝘪𝘤; 𝘩𝘦 𝘸𝘢𝘵𝘤𝘩𝘦𝘥 𝘧𝘳𝘰𝘮 𝘢 𝘥𝘪𝘴𝘵𝘢𝘯𝘤𝘦 𝘢𝘴 𝘴𝘩𝘦 𝘴𝘢𝘵 𝘩𝘢𝘱𝘱𝘪𝘭𝘺 𝘥𝘳𝘢𝘸𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘨𝘢𝘳𝘥𝘦𝘯𝘴 𝘢𝘯𝘥 𝘮𝘢𝘪𝘯𝘭𝘺 𝘬𝘦𝘱𝘵 𝘵𝘰 𝘩𝘦𝘳𝘴𝘦𝘭𝘧 𝘸𝘩𝘦𝘯𝘦𝘷𝘦𝘳 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩𝘦𝘥 𝘣𝘺 𝘰𝘵𝘩𝘦𝘳𝘴. 𝘏𝘦 𝘸𝘢𝘴 𝘤𝘳𝘢𝘷𝘪𝘯𝘨 𝘵𝘰 𝘬𝘯𝘰𝘸 𝘮𝘰𝘳𝘦. 𝘏𝘪𝘴 𝘣𝘳𝘰𝘵𝘩𝘦𝘳 𝘩𝘢𝘥 𝘢𝘭𝘴𝘰 𝘱𝘳𝘰𝘶𝘥𝘭𝘺 𝘮𝘦𝘯𝘵𝘪𝘰𝘯𝘦𝘥 𝘩𝘰𝘸 𝘮𝘶𝘤𝘩 𝘤𝘩𝘢𝘳𝘪𝘵𝘺 𝘸𝘰𝘳𝘬 𝘈𝘥𝘦𝘭𝘢 𝘥𝘰𝘦𝘴 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘱𝘰𝘰𝘳, 𝘰𝘧𝘵𝘦𝘯 𝘨𝘪𝘷𝘪𝘯𝘨 𝘮𝘰𝘯𝘦𝘺 𝘵𝘰 𝘴𝘮𝘢𝘭𝘭 𝘱𝘦𝘰𝘱𝘭𝘦 𝘪𝘯 𝘯𝘦𝘦𝘥 𝘢𝘯𝘥 𝘷𝘪𝘴𝘪𝘵𝘪𝘯𝘨 𝘰𝘳𝘱𝘩𝘢𝘯𝘢𝘨𝘦𝘴.
“𝘔𝘺 𝘗𝘳𝘪𝘯𝘤𝘦!” 𝘈 𝘮𝘢𝘯 𝘤𝘩𝘦𝘦𝘳𝘧𝘶𝘭𝘭𝘺 𝘴𝘢𝘺𝘴 𝘣𝘦𝘧𝘰𝘳𝘦 𝘴𝘭𝘢𝘱𝘱𝘪𝘯𝘨 𝘋𝘢𝘦𝘮𝘰𝘯 𝘰𝘯 𝘵𝘩𝘦 𝘣𝘢𝘤𝘬 𝘢𝘯𝘥 𝘵𝘩𝘦𝘯 𝘴𝘪𝘵𝘵𝘪𝘯𝘨 𝘥𝘰𝘸𝘯 𝘣𝘦𝘴𝘪𝘥𝘦 𝘩𝘪𝘮, 𝘴𝘱𝘪𝘭𝘭𝘪𝘯𝘨 𝘮𝘶𝘤𝘩 𝘰𝘧 𝘩𝘪𝘴 𝘥𝘳𝘪𝘯𝘬 𝘢𝘴 𝘩𝘦 𝘥𝘪𝘥. “𝘐𝘵’𝘴 𝘣𝘦𝘦𝘯 𝘧𝘢𝘳 𝘵𝘰𝘰 𝘭𝘰𝘯𝘨, 𝘮𝘺 𝘧𝘳𝘪𝘦𝘯𝘥, 𝘧𝘢𝘳 𝘵𝘰𝘰 𝘭𝘰𝘯𝘨.”
“𝘐𝘯𝘥𝘦𝘦𝘥 𝘪𝘵 𝘩𝘢𝘴,” 𝘋𝘢𝘦𝘮𝘰𝘯 𝘯𝘰𝘥𝘴. 𝘗𝘰𝘶𝘳𝘪𝘯𝘨 𝘩𝘪𝘮𝘴𝘦𝘭𝘧 𝘢𝘯𝘰𝘵𝘩𝘦𝘳 𝘥𝘳𝘪𝘯𝘬 𝘸𝘩𝘪𝘭𝘦 𝘵𝘳𝘺𝘪𝘯𝘨 𝘵𝘰 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 𝘵𝘩𝘦 𝘮𝘢𝘯 𝘩𝘦 𝘰𝘯𝘤𝘦 𝘥𝘳𝘢𝘯𝘬 𝘸𝘪𝘵𝘩 𝘳𝘦𝘨𝘶𝘭𝘢𝘳𝘭𝘺. 𝘙𝘦𝘮𝘶𝘴? 𝘙𝘪𝘤𝘩𝘢𝘳𝘥? 𝘞𝘩𝘰 𝘬𝘯𝘦𝘸.
𝘓𝘰𝘴𝘪𝘯𝘨 𝘪𝘯𝘵𝘦𝘳𝘦𝘴𝘵 𝘪𝘯 𝘸𝘩𝘢𝘵𝘦𝘷𝘦𝘳 𝘵𝘩𝘦 𝘮𝘢𝘯 𝘸𝘢𝘴 𝘴𝘢𝘺𝘪𝘯𝘨, 𝘵𝘩𝘦 𝘱𝘳𝘪𝘯𝘤𝘦'𝘴 𝘦𝘺𝘦𝘴 𝘵𝘳𝘢𝘷𝘦𝘭𝘭𝘦𝘥 𝘢𝘤𝘳𝘰𝘴𝘴 𝘵𝘩𝘦 𝘳𝘰𝘰𝘮, 𝘢𝘯𝘥 𝘰𝘶𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘤𝘰𝘳𝘯𝘦𝘳 𝘰𝘧 𝘩𝘪𝘴 𝘦𝘺𝘦 𝘩𝘦 𝘴𝘱𝘰𝘵𝘵𝘦𝘥 𝘢 𝘣𝘰𝘺 𝘸𝘪𝘵𝘩 𝘢 𝘴𝘪𝘯𝘨𝘭𝘦 𝘴𝘵𝘳𝘢𝘯𝘥 𝘰𝘧 𝘭𝘰𝘯𝘨 𝘴𝘪𝘭𝘷𝘦𝘳 𝘩𝘢𝘪𝘳 𝘧𝘢𝘭𝘭𝘪𝘯𝘨 𝘰𝘶𝘵 𝘰𝘧 𝘢 𝘩𝘢𝘵 𝘢𝘯𝘥 𝘥𝘰𝘸𝘯 𝘵𝘩𝘦𝘪𝘳 𝘣𝘢𝘤𝘬 𝘥𝘳𝘪𝘯𝘬𝘪𝘯𝘨 𝘣𝘺 𝘵𝘩𝘦 𝘥𝘰𝘰𝘳𝘸𝘢𝘺, 𝘭𝘢𝘶𝘨𝘩𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘰𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘣𝘢𝘳 𝘴𝘵𝘢𝘧𝘧 𝘸𝘩𝘪𝘭𝘦 𝘵𝘩𝘦𝘺 𝘤𝘩𝘦𝘦𝘳𝘦𝘥 𝘰𝘯 𝘢 𝘣𝘢𝘳𝘮𝘢𝘪𝘥 𝘸𝘩𝘰 𝘴𝘵𝘰𝘰𝘥 𝘶𝘱𝘰𝘯 𝘢 𝘵𝘢𝘣𝘭𝘦 𝘴𝘪𝘯𝘨𝘪𝘯𝘨. 𝘑𝘶𝘥𝘨𝘪𝘯𝘨 𝘣𝘺 𝘵𝘩𝘦𝘪𝘳 𝘤𝘭𝘰𝘵𝘩𝘦𝘴, 𝘩𝘦 𝘱𝘳𝘦𝘴𝘶𝘮𝘦𝘥 𝘪𝘵 𝘸𝘢𝘴 𝘢 𝘮𝘢𝘭𝘦 𝘸𝘩𝘰 𝘮𝘰𝘴𝘵 𝘭𝘪𝘬𝘦𝘭𝘺 𝘭𝘪𝘷𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘴𝘵𝘳𝘦𝘦𝘵𝘴. 𝘛𝘩𝘦𝘳𝘦 𝘸𝘢𝘴 𝘢 𝘴𝘵𝘳𝘢𝘯𝘨𝘦 𝘴𝘦𝘯𝘴𝘦 𝘰𝘧 𝘧𝘢𝘮𝘪𝘭𝘪𝘢𝘳𝘪𝘵𝘺 𝘢𝘣𝘰𝘶𝘵 𝘵𝘩𝘦 𝘣𝘰𝘺. 𝘋𝘢𝘦𝘮𝘰𝘯 𝘰𝘣𝘴𝘦𝘳𝘷𝘦𝘴 𝘧𝘳𝘰𝘮 𝘢 𝘥𝘪𝘴𝘵𝘢𝘯𝘤𝘦; 𝘱𝘦𝘳𝘩𝘢𝘱𝘴 𝘩𝘦 𝘸𝘢𝘴 𝘣𝘢𝘴𝘵𝘢𝘳𝘥𝘪𝘴𝘦𝘥 𝘣𝘺 𝘰𝘯𝘦 𝘰𝘧 𝘩𝘪𝘴 𝘯𝘦𝘱𝘩𝘦𝘸𝘴. 𝘏𝘦 𝘴𝘭𝘢𝘮𝘴 𝘩𝘪𝘴 𝘤𝘶𝘱 𝘥𝘰𝘸𝘯 𝘢𝘯𝘥 𝘧𝘰𝘭𝘭𝘰𝘸𝘴 𝘢𝘴 𝘵𝘩𝘦 𝘱𝘦𝘳𝘴𝘰𝘯 𝘭𝘦𝘢𝘷𝘦𝘴; 𝘪𝘵’𝘴 𝘯𝘰𝘵 𝘶𝘯𝘵𝘪𝘭 𝘩𝘦’𝘴 𝘰𝘶𝘵𝘴𝘪𝘥𝘦 𝘵𝘩𝘢𝘵 𝘩𝘦 𝘯𝘰𝘵𝘪𝘤𝘦𝘴 𝘵𝘩𝘦 𝘣𝘰𝘺 𝘳𝘶𝘯𝘯𝘪𝘯𝘨 𝘢𝘸𝘢𝘺.
𝘍𝘰𝘳 𝘴𝘰𝘮𝘦 𝘶𝘯𝘬𝘯𝘰𝘸𝘯 𝘳𝘦𝘢𝘴𝘰𝘯, 𝘋𝘢𝘦𝘮𝘰𝘯 𝘱𝘶𝘭𝘭𝘴 𝘵𝘩𝘦 𝘩𝘰𝘰𝘥 𝘰𝘧 𝘩𝘪𝘴 𝘤𝘭𝘰𝘢𝘬 𝘶𝘱 𝘵𝘰 𝘤𝘰𝘷𝘦𝘳 𝘩𝘪𝘴 𝘧𝘢𝘤𝘦 𝘢𝘯𝘥 𝘣𝘦𝘨𝘪𝘯𝘴 𝘵𝘰 𝘤𝘩𝘢𝘴𝘦 𝘵𝘩𝘦 𝘣𝘰𝘺. 𝘐𝘵’𝘴 𝘯𝘰𝘵 𝘶𝘯𝘵𝘪𝘭 𝘩𝘦’𝘴 𝘤𝘭𝘰𝘴𝘦 𝘦𝘯𝘰𝘶𝘨𝘩 𝘵𝘰 𝘨𝘳𝘢𝘣 𝘩𝘪𝘮 𝘵𝘩𝘢𝘵 𝘩𝘦 𝘩𝘦𝘢𝘳𝘴 𝘢 𝘨𝘪𝘨𝘨𝘭𝘦 𝘦𝘴𝘤𝘢𝘱𝘦 𝘵𝘩𝘦𝘪𝘳 𝘭𝘪𝘱𝘴. 𝘐𝘵’𝘴 𝘢 𝘨𝘪𝘳𝘭. 𝘐𝘯 𝘢 𝘥𝘢𝘳𝘬 𝘢𝘭𝘭𝘦𝘺, 𝘩𝘦 𝘨𝘳𝘢𝘣𝘴 𝘵𝘩𝘦𝘮 𝘣𝘺 𝘵𝘩𝘦 𝘴𝘩𝘰𝘶𝘭𝘥𝘦𝘳 𝘢𝘯𝘥 𝘱𝘪𝘯𝘴 𝘵𝘩𝘦𝘮 𝘢𝘨𝘢𝘪𝘯𝘴𝘵 𝘵𝘩𝘦 𝘸𝘢𝘭𝘭. 𝘏𝘪𝘴 𝘭𝘪𝘱𝘴 𝘱𝘢𝘳𝘵𝘦𝘥 𝘦𝘷𝘦𝘳 𝘴𝘰 𝘴𝘭𝘪𝘨𝘩𝘵𝘭𝘺 𝘸𝘩𝘦𝘯 𝘩𝘪𝘴 𝘯𝘪𝘦𝘤𝘦 𝘴𝘵𝘢𝘳𝘦𝘥 𝘣𝘢𝘤𝘬 𝘶𝘱 𝘢𝘵 𝘩𝘪𝘮, 𝘩𝘦𝘳 𝘭𝘪𝘭𝘢𝘤 𝘦𝘺𝘦𝘴 𝘩𝘢𝘻𝘺 𝘧𝘳𝘰𝘮 𝘸𝘩𝘢𝘵𝘦𝘷𝘦𝘳 𝘥𝘳𝘪𝘯𝘬 𝘴𝘩𝘦 𝘩𝘢𝘥 𝘤𝘰𝘯𝘴𝘶𝘮𝘦𝘥.
“𝘚𝘰 𝘮𝘶𝘤𝘩 𝘧𝘰𝘳 𝘴𝘦𝘦𝘪𝘯𝘨 𝘺𝘰𝘶 𝘵𝘰𝘮𝘰𝘳𝘳𝘰𝘸, 𝘶𝘯𝘤𝘭𝘦.”
𝘏𝘪𝘴 𝘨𝘳𝘪𝘱 𝘵𝘪𝘨𝘩𝘵𝘦𝘯𝘴. “𝘞𝘩𝘢𝘵 𝘢𝘳𝘦 𝘺𝘰𝘶 𝘥𝘰𝘪𝘯𝘨 𝘩𝘦𝘳𝘦? 𝘐𝘵’𝘴 𝘧𝘢𝘳 𝘵𝘰𝘰 𝘥𝘢𝘯𝘨𝘦𝘳𝘰𝘶𝘴 𝘧𝘰𝘳 𝘺𝘰𝘶 𝘵𝘰 𝘣𝘦 𝘢𝘭𝘰𝘯𝘦.”
“𝘐 𝘤𝘢𝘮𝘦 𝘵𝘰 𝘩𝘦𝘢𝘳 𝘛𝘦𝘴𝘴𝘢 𝘴𝘪𝘯𝘨. 𝘚𝘩𝘦 𝘥𝘰𝘦𝘴 𝘩𝘢𝘷𝘦 𝘢 𝘵𝘳𝘶𝘭𝘺 𝘢𝘯𝘨𝘦𝘭𝘪𝘤 𝘷𝘰𝘪𝘤𝘦.”
“𝘛𝘩𝘢𝘵 𝘴𝘩𝘦 𝘥𝘰𝘦𝘴,” 𝘩𝘦 𝘴𝘢𝘺𝘴, 𝘤𝘭𝘪𝘤𝘬𝘪𝘯𝘨 𝘩𝘪𝘴 𝘵𝘰𝘯𝘨𝘶𝘦 𝘢𝘴 𝘩𝘦 𝘭𝘰𝘰𝘴𝘦𝘯𝘴 𝘩𝘪𝘴 𝘨𝘳𝘪𝘱 𝘰𝘯 𝘈𝘥𝘦𝘭𝘢’𝘴 𝘴𝘩𝘰𝘶𝘭𝘥𝘦𝘳. 𝘞𝘩𝘦𝘯 𝘢𝘯𝘨𝘳𝘺 𝘺𝘦𝘭𝘭𝘴 𝘤𝘰𝘮𝘦 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘴𝘪𝘥𝘦 ��𝘧 𝘵𝘩𝘦 𝘢𝘭𝘭𝘦𝘺, 𝘩𝘦 𝘭𝘰𝘰𝘬𝘴 𝘶𝘱 𝘵𝘰 𝘴𝘦𝘦 𝘮𝘦𝘯 𝘧𝘪𝘨𝘩𝘵𝘪𝘯𝘨. 𝘚𝘪𝘨𝘩𝘪𝘯𝘨, 𝘩𝘦 𝘱𝘭𝘢𝘤𝘦𝘴 𝘩𝘪𝘴 𝘩𝘢𝘯𝘥 𝘰𝘯 𝘵𝘩𝘦 𝘮𝘪𝘥𝘥𝘭𝘦 𝘰𝘧 𝘩𝘪𝘴 𝘯𝘪𝘦𝘤𝘦'𝘴 𝘣𝘢𝘤𝘬 𝘢𝘯𝘥 𝘴𝘢𝘺𝘴, “𝘐 𝘣𝘦𝘭𝘪𝘦𝘷𝘦 𝘪𝘵’𝘴 𝘵𝘪𝘮𝘦 𝘧𝘰𝘳 𝘶𝘴 𝘵𝘰 𝘳𝘦𝘵𝘶𝘳𝘯 𝘵𝘰 𝘵𝘩𝘦 𝘬𝘦𝘦𝘱. 𝘖𝘯 𝘰𝘶𝘳 𝘸𝘢𝘺 𝘣𝘢𝘤𝘬, 𝘺𝘰𝘶 𝘤𝘢𝘯 𝘦𝘯𝘭𝘪𝘨𝘩𝘵𝘦𝘯 𝘮𝘦 𝘰𝘯 𝘸𝘩𝘺 𝘢 𝘴𝘸𝘦𝘦𝘵 𝘨𝘪𝘳𝘭 𝘭𝘪𝘬𝘦 𝘺𝘰𝘶𝘳𝘴𝘦𝘭𝘧 𝘪𝘴 𝘪𝘯 𝘢 𝘧𝘪𝘭𝘵𝘩𝘺 𝘱𝘭𝘢𝘤𝘦 𝘭𝘪𝘬𝘦 𝘵𝘩𝘪𝘴.”
804 notes · View notes
skyloftian-nutcase · 5 months
Text
Y'ALL I had the most wretched train of thought
(spoilers for totk; also I haven’t fought Ganondorf yet so no spoilers in the notes pls!)
The Zonai existed during Skyward Sword, even predating the game. The people of Skyloft and the Zonai have had a few run-ins, some peaceful and others not. At one point, prior to improving their technology, the Zonai tried to steal loftwings to better travel to different sky islands. Least to say, Skyloftians did not like that. They have an uneasy peace and keep their distance far from each other by the time of Skyward Sword, but Link and Zelda are familiar with their existence.
When the cloud barrier disappears, it allows the Zonai to go back to the Surface as much as it does the Skyloftians. It takes them a few years to manage it and establish a settlement, and they eventually run back into the Skyloftians on the Surface. Link and Zelda are married with kids by now, and Zelda is the leader of the Hylian settlement. The Zonai discover that Link is responsible for the cloud barrier's disappearance (Zelda is proud of Link for defeating Demise so she'll let him take all the credit; also, she doesn't need nor want to tell a ton of people she's a goddess reincarnate, especially to a tribe her people have historically not had the best relationship with).
In thanks, the Zonai give Link a gift: a Secret Stone.
The Zonai tell Link that this special magical stone is one of several that are gifts from the goddesses. The Zonai do not know all their properties, only that they enhance whatever abilities the user has. Link figures this will enhance his fighting prowess, and though he is appreciative of the gift, he doesn't think it'll make much of a difference to him.
And then the nightmares come.
Link starts getting nightmares of varying scenarios. A knight fighting a giant monster, facing down an army of mechanical beasts. A child struck down by a demon king. A man with a fairy fighting a demonic beast. Link sees his children, he sees what Hyrule grows to, he sees Demise come again and again, and he sees the Heroes who have to fight him.
Demise's dying words weren't a hateful monologue spat out in spite. They were a promise, a curse.
With this knowledge, Link goes to Zelda, and the two try everything they can to figure out how to stop this. The visions drive Link to near insanity, preventing him from gettin more than one to two hours of sleep for weeks. Zelda goes to the Zonai to ask more about the Secret Stones (she wants to give it back, honestly, but is afraid that it would be viewed as a rejection of the gift, and given the history of conflict between their tribes, she doesn't want to go that route). The Zonai know very little of the stones, though, and Zelda doesn't get much. Link, on the other hand, learns about them from the dragon servants of Hylia. He is told that the stone, when combined with its user, can make the wielder immortal.
Link doesn't care about immortality. But he does care about stopping the demon king, in every era, in every place, in every time. He does care about protecting his descendants, his people, the whole world.
The dragons warn him that he will never be the same, that he may never actually be able to interact with his family again.
After months of haunting visions of destruction and death and pain, he finds himself willing to make that sacrifice. If it means he can protect Zelda and his children, he'll do it.
So one night, he flies on his loftwing to an island in the sky. He hugs his loftwing and kisses him goodbye. He begs his companion to look after his family. Zelda's loftwing arrives, alone. The two birds fly in circles around Link, stirring up a wind as he stares at the Secret Stone held delicately between his index finger and thumb, held just above eye level before he squeezes it in his palm.
And he swallows it.
On the Surface, Zelda drops the glass she's holding. In the sky, a dragon screams.
The Zonai learn what happens when one consumes a Secret Stone.
And the Spirit Dragon is born.
178 notes · View notes
aphroditelovesu · 2 years
Note
Can you do Yandere Alexander the great headcanon?
❝ 📜— lady l: so here it is! I confess that I was unsure how to write this, but after talking to my friend I had the ideas :). Before reading, I'll give you a warning, this is not 100% historically accurate, ok? Although I've based his yandere personality on what I've read about him (and I've read a lot) it's obviously fiction. Hope you guys like it!!
❝tw: yandere themes, obsessive and possessive behavior, overprotection, mention of torture, murder, physical aggression and severe punishment.
❝📜pairing: yandere!alexander the great x gender neutral!reader
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Many people throughout history consider him a hero, loved and feared by many. He is regarded as one of the greatest generals of all time. He remained undefeated throughout his short life. Everyone adored them except you, and that was your downfall.
He is what many consider an "aggressive" person, which is true, especially when he is drunk. Alexander has no discretion or scruples when it comes to his drinking. The only thing superior to his… nasty habits, is you.
You have captured this King's interest after refusing to obey him as your new ruler. To say he was furious about it is a huge understatement, he was way beyond furious. Alexander wanted you to be severely punished. But to his surprise, the moment he laid eyes on you he quickly changed his mind.
To your surprise, Alexander was kind to you and treated you with respect, which left you quite disconcerted and a little scared. He stated that he doesn't mean to hurt you and that he would give you as much freedom as possible as long as you stayed with him. That was the catch, he wasn't going to let you go if you wanted to but you were offered the chance to be with him out of sheer will. Take one false step and it's all fucked up for you and those you care about.
Alexander has a dangerous temper and several outbursts of anger, all of which get worse as his paranoia grows as his affections for you grow. No one and not even you will be safe from the crises he has and his punishments are extremely painful. His preferred way of punishing his sweetheart is through physical pain, mostly scarring her skin with whiplash cuts. The scars that form on his skin are so perfect for him. They suit you so much, don't you agree?
He is extremely possessive, a fact confirmed, Alexander gets jealous so easily it's ridiculous. He will be livid if anyone dares to flirt with you, be it one of his friends or a servant, they and you will be punished. He possesses pathological jealousy, if you prefer a more formal and current term, and combined with his paranoia and fear of losing you, Alexander becomes jealous and suspicious with even the simplest interaction, such as a nod. Be very careful when interacting with other people around him, as your King will not react very well.
Alexander has an intense fear of losing you, whether through "natural" means, you trying to leave him willingly or through assassination attempts, so needless to say he is overprotective of you, but it's still true. You have an armada of guards behind you just to ensure your protection (and to make sure you don't try to run away) when you go out somewhere. The slightest scratch on your skin, which was not caused by him in this case, will not be ignored. He will scream and punish his guards for their incompetence to protect you. No one can think of hurting you and think you'll get away with it.
The King's megalomania combined with his explosive personality will do you no good. He wants to conquer the world, but this desire of his is meaningless if you are not by his side, as his Queen or as his Chiliarch. Either way, you'll be by his side, whether you like it or not. What's the point of him conquering the known world if the only person he loves so much is not by his side?
Alexander the Great is an explosive and extremely dangerous yandere. He is violent and will not hesitate to use violence and brute force to get what he wants from his sweetheart. His possessiveness mixed with his paranoia only makes the situation worse, the moment he feels threatened by anyone will be the last time they'll ever see sunlight again. You are the only one capable of keeping the King sane at least, the only one he truly listens to and considers his opinions and wishes. If you are wise enough, you can get out of this situation almost unscathed, but with the rest of being the most feared woman/man in the world for having the most powerful man in the world obsessing over you. Everyone will walk on eggshells around you and you will be isolated, only having the company of the passionate and obsessive King.
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wutheringmights · 1 month
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AUTHORS COMMENTARY FOR NEW CTB PLSSSSS😭😭😭
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Thank you! I would be more than happy to explain myself.
My commentaries have, historically, been a pain in the butt to read on a formatting level. I have attempted to fix this by breaking up the commentary into labeled sections. Consequently, this led to me writing out way more than I normally would.
So, enjoy.
[The Past]
Pre-Festival & Festival Day
As I mentioned previously, I wrote a significant part of this past section for the last chapter-- all the way up until Link asks for Icarius’s name. I ended up cutting the chapter into two for space, which meant that there was a few weeks between writing the first and second half of the icarius stuff. 
I really did not spend as much time with the latter half as I wanted to, and I think it suffers for it. I’ll elaborate on that in a second. Let’s try to stick to talking about the chapter in a somewhat chronological order. 
I joked about this last weekend, but Jakucho is extremely funny for hearing Link speculate about Icarius and Nephus and deciding, “Yup. Not my problem. Have fun with that.” Of course, she thinks he’s obsessed with Nephus and not Icarius. 
Gaze upon my weak attempt to confirm Ayane is trans. I think this might have been a bit of a clunky way to do it. I never know how to get characters to confirm their identities without it sounding too much like a script read. Hopefully, this was at least clear if not entirely blatant.
Holidays are such an important part of world building, and I think it is very silly when you are in a fun little fantasy world and they celebrate not-Christmas or the like. That being said, sometimes you are so exhausted of any ideas that you have to sit down and say “Fuck it. Off-brand Halloween.”
That being said, having a holiday to mourn the loss of the Sacred Realm feels fitting for the world, even if the inclusion of masks was a bit clunky. 
I really do think an under-explored area of Zelda lore is that the goddess’s realm is just... gone. Corrupted. Where are the goddesses now that the Sacred Realm is the Dark World? Is there a holy crusade to restore the Dark World to the Sacred Realm? I think Nintendo could do a dark fantasy spin off about this. Or when I finally get around to running that Hyrule homebrew DND campaign I have been cajoling my friends into playing, I’ll make it a plot point. 
Now that I am typing this, I am realizing that I really should have had a little moment where all the masks forces Link to remember the child. Fuck. 
In my original vision, Icarius was going to be very polite and quiet while at Jakucho’s estate, only for his next scene to be him snarking at some guys during a bar fight. What a bait and switch that would have been.
When I was a kid, I genuinely thought that the keaton mask was supposed to be a Pikachu mask (in part because I had only seen it in my cousin’s copy of Super Smash Bros). Hence, the yellow fox vs yellow mouse banter. 
Link’s House / Icarius Backstory
Writing Icarius and Link banter was surprisingly difficult. I have this whole vision in my head about these two being loving to verbally spar with each other. And for some reason, the dialogue was just not flowing the other day.
And by the other day, I mean that a part of my major revisions the day of posting was to fix this entire section. Did it work? Not really. But I got a D grade prose up to a B-, and that was going to have to do. 
My biggest gripe is their conversation in Link’s house, where Icarius info-dumps his entire backstory. In my brain, this scene would have felt dark and moody while still being a little romantic. They definitely hit all the points I needed them to hit for the plot, but it just... it’s so stilted. It doesn’t feel like Icarius is unloading years-worth of grievances on someone who he can trust to listen, if only for a night. It feels like Icarius is reading from a script. Ugh.
There was going to be an in-story explanation from Icarius as to why his hair is bleached that never actually came up. For those curious, it’s that Nephus had the grand idea first to bleach his hair but was worried it wouldn’t look good. So he had Icarius dye his first. Sure enough, he thought it looked terrible and decided to not go through with his end. Icarius was going to be very annoyed by that and would bitch about how long it would take for him to grow it out again. 
I originally was not going to give him the bleached hair to begin with, but after everyone made fun of Warriors for not recognizing him in the first place, I felt like I had to make a significant change to his appearance. It actually helped to get him to play the role I needed him to play in Link’s post-war problems.
Let’s rewind. In my original outline, Icarius was never here in Kakariko. This entire chapter would have instead been Link deciding on his own terms to get over his hang-up over being involved with men and going out to flirt with one. This would have been a random soldier who had been discharged and was just passing through town on his way home from the war. Link would have subconsciously been attracted to him because he resembled the engineer. 
For example, he would have made some comment about liking how strong his hands were. 
This soldier was truly going to be a random guy. At most, he would have mentioned rooming with a friend on-leave named Arlo (who appeared earlier in story as a soldier in the trenches). The whole point was that Link felt like he could connect with another person as long as he didn’t give them a chance to look too deeply into him. 
But after the House of Nephus characters were all introduced, I realized I needed to find some way to elaborate on them. Switching out the random soldier for Icarius was the easiest move.
Does it work? Kinda? It definitely helps the obsession plotline, but the original point got lost among all of the Icarius backstory.
So, Icarius backstory. I feel terrible for everyone who was looking forward to Link being swept away in a beautiful, touching romance. I tried to warn you.
Icarius and his relationship with Nephis is fascinating to me, and I really feel like I only have time to scratch the surface. Icarius is very smart, but believes that Nephus is one the “good ones.” But he can see that Nephus is starting to lose respect for him, so he plays these tricks to remind him that he’s still needed. He knows its foolish but his entire like has encompassed Nephus and he’s scared to know what it would look like without him. It works for a while, but not long enough. The reader knows that it stops working because that smart mouth of his that always picks fights gets taken away.
And that’s not even addressing the greater society Icarius lives in or the way Philo’s addition changes things for him even more. 
All that’s to say that even if Icarius is not the perfect romantic lead people were hoping for, I intended to suggest in-story that if either him or Link were in different circumstances, there could be something there. 
I actually really like the idea of Warriors’s love interest being an agent of an enemy state who is mean to him in the exact way he thinks is hot. Instead of inventing Hylian soldier or Sheikah warrior OC’s to be Warriors’s love interest, can there be more of this? It doesn’t even need to be Icarius. I just think falling-in-love with-the-enemy-but-the-enemy-is-a-shithead-about-it is an extremely funny dynamic.
There is also nothing funnier than Icarius thinking he’s met a nice, normal guy only to realize mid-act that he Messed Up
Also I hope this contexts helps fill-in the blanks for some of Icarius’s actions in the present day, which is no doubt a lot of “oh crap, it’s that guy I screwed that one time” and “how dare you forget about the one time we screwed!”
Post-Icarius Timeskip
I really needed to spend a few days at least on that last bit about Link’s realization. It’s so pivotal for his character, and I really just shoved it in at the end there. I’m going to have to add a lot of flowery prose to the beginning of next chapter to make up for it. 
That being said, it’s important to me that there really isn’t a specific trigger for him realizing what he’s done. He just finally feels comfortable and safe enough for his brain to start processing everything he did. 
It was very important to me that Link decided to stop dwelling in his past by putting a bowl into his cabinet, only for that bowl to break when he realizes what he’s done. Symbolism and stuff. 
[Present Day]
Ganondorf’s Arrival & Townhouse
I’m really happy that so many of you were excited for Ganondorf’s arrival last chapter. That scene was so cheesy that I was worried it would dampen the excitement of actually getting to see him. 
Originally, Ganondorf and Lincoln were going to have their argument in a bedroom, but I moved it to the foyer for convenience sake. But in my mind, I never moved Lincoln’s starting place from hiding in Ganondorf’s room, hence why he started the scene at the top of the stairs and not a more logical spot (in the hallway).
The reason it was going to be in the bedroom was because I thought Lincoln had snuck past Ganondorf’s guards and housestaff. But they all know about Lincoln, so it made more sense for Lincoln to subtly enter through the back entrance. It’s a whole thing. 
I think my favorite part of the Chain already being at Ganondorf’s house is that there’s an implied subplot that happened off-screen where they plus Lincoln had to go hunting for where they thought Ganondorf was staying. 
When Spirit pretends to not know who Ganondorf is, there was going to be a joke where the boys are trying to explain everything and he’s like “oh, so we’re all being racist here.” I ended up cutting it because, well, they were being racist.
Speaking of which, the whole thing with the maid calling Warriors “my lady” is that Warriors was going to try to gently correct her (because he thinks she’s stupid), only to find out that she was just being passive aggressive
Some may remember that one of the hardest cuts I made to CTB was a reporter OC. You can definitely tell that I am massively regretting that cut right now. Imagine how could it would have been for Warriors to pressure this antagonist journalist who’s been reporting all his fuck-ups into helping him fix everything. That sub plot would have been so good. 
I was going to have a few of the other heroes confront Warriors as to why he credited Zelda, reaching a similar conclusion that his narration provided. Ended up cutting it for space. 
A lot of the black blood stuff that I came up with for this chapter really doesn’t hit with LU, but at this point, I really don’t care. 
There’s something about how Spirit viewing monsters and humans the same resulting in him very easily killing people while also being the only one who would realize that black blooded monsters could have always been cured, had anyone thought about it before. I just enjoy the way this man thinks.
Also, Spirit really enjoying spicy food is such a stupid character quirk, and I am almost ashamed of how much effort I went to develop it. Originally, I wanted Wild to get so fed up with Spirit being unimpressed with his cooking that he would demand Spirit to cook one night, only to discover that he actually can’t cook and just overcompensates with a shit-ton of hot sauce. 
Ganondorf’s speech about how to win a war is partly the result of me spending months ruminating about how the Triforce could be used to end a war ethically, and partly an exploration of how Ganondorf thinks 
I wanted to do one last scene of everyone leaving, where Wind would confront Time about being an asshole to Ganondorf. I cut it for space, then convinced myself that I would have time to add it back in, only to then cut it for time. My apologies to the Wind fans who have gotten nothing as of late. 
Hospital & Family Dinner 
I said before that I wasn’t initially going to rescue Toto until the end, which means that I had no plan for how Toto would feel until now. I realized that Toto was just... done. He wanted no part in Warriors’s life any longer. Unlike Kat, who got a lovely send off, I think this will be the last we see of Toto: an unfinished, unresolved mess of emotions.
When I was first describing Lincoln’s casual fit, I remember thinking to myself that I was just describing a semi-retired aged rockstar. The image has not left my brain, and if I was willing to throw a few more anachronisms into the story, I would have 100% described Lincoln like that. 
Fun fact: Orlanda’s family was going to come back in the form of her sibling being a prominent member of the rebellion. I didn’t do it because it was getting ridiculous how many relevant people were related to each other. 
When I was first coming up with Linkle’s character, I had the idea that she had that shallow form of feminism where it’s a big win for women everywhere when, say, generic action heroine wears pants. So I had it in my mind that Linkle hates dresses on principle. So during the fever dream sequence, when Warriors dreamt that Linkle was fawning over a dress, it was to show that he didn’t really know her that well.
But I never really established this idea that well and no one knew this about Linkle, so into a dress she goes.
I told myself that I was going to scour the entire story to double check if I had ever described Lincoln laughing anywhere, but never got around to it. But the nice thing about unreliable narrators is that if I get something wrong, I can just blame Warriors (that is not really how unreliable narrators work)
I have a friend who “tee-hees” while she laughs, and it’s the cutest thing ever. I just think it would be fun if Lincoln also has an adorable little kitten laugh. 
I had to look up how they build roads on dunes for this chapter. 
I did write the full Lincoln and Ganondorf backstory in a post way back when, if anyone wants to review it. It would be nice to get to get all the small details into the main story, but it’s really not pertinent to any of the main action
I definitely talked about Niko before, but I can’t find the posts. To refresh: Niko is Spirit’s uncle, in that he’s a member of the Macaryll family but no one can remember who he’s actually related to. Spirit’s parents are dead, and he lived with a different uncle and aunt until his apprenticeship. Then he moved in with Niko since he lived near Alfonzo. 
Warriors hating chocolate is a character quirk that’s not necessary to the story, but I just think is too funny to not go out of my way to include
The idea of Linkle and Lincoln dancing came from a completely different scene idea. I played around with doing a similar set-up while the Chain is on the road to the Zora’s Domain. The scene would start with Sky showing Lana how to do a Skyloftian dance, which would lead to everyone else showing off their moves. When Warriors admits that he doesn’t think he could dance anymore, Spirit would teach him a New Hyrulean dance that required only one hand. 
That led to an idea of Warriors dancing with Linkle and Lincoln, then just Linkle and Lincoln dancing themselves.
The night was going to end with Warriors forgetting his scarf and, when he went back to get it, he would overhear Lincoln venting to Ganondorf about how the whole stepping up as the parent thing is going. This got cut because it’s more fascinating when you’re forced to infer that a character is thinking. 
The Walk Back & Out Dancing
This scene of Warriors and Spirit walking back together and opening up is my real pride and joy this chapter, which unfortunately got massively overshadowed by everything else. 
So I will now take time to gush.
Spirit’s photography... so I wanted to give this man a hobby because the man cannot just like trains. I know everyone headcanons it as his hyperfixation, but it’s also his job. He needs a richer life than just that one thing. Granted, I took the route of making him start as a trainspotter like the Spirit Tracks NPC Ferrus. 
I just feel like I am so correct about Spirit liking photography. I want this to be my cultural impact. I know I said that already about Icarius, but I mean this more. Go forth and give that man a camera. 
The official document Spirit was carrying around was his engineering license.  
Also, I was 100% ready for everyone to flood me with questions about Spirit’s ex-boyfriend. After the ickywars ordeal, I figured that there was a significant chance y’all wouldn’t be normal about him. I was prepared. And you know what? I’ve heard zilch. So, let me info dump about this man now.
Spirit’s ex-boyfriend is named Jean. He is on the cusp of 30 (compared to Spirit’s 23/24). He’s a mechanic, which is a few steps below Royal Engineer. He lost his leg in a work accident when a piece of machinery fell on him. They met through work. Spirit goes through phases of being a serial dater before swearing off dating for a few months, but Jean is the first person to make it past an awkward first date and hit relationship status. Spirit thought that because he was older, he would be more understanding. 
And Jean tried. He really did. But Spirit is massive defensive and always on the offensive, so every slight disagreement turned into an explosive argument. Jean decided that he could not deal with someone who could not have a rational conversation with him, so he dumped him after 6 months. This was fairly recent, about three months before Spirit returned to Warriors’s era. 
Spirit was going to name drop Jean in his speech later, but I couldn’t figure out a way to make it clear who Jean was without it sounding awkward. 
I really like Spirit and Warriors’s conversation about Icarius, if only because it shows where their communication fails. When Warriors insists that you have a duty to disobey bad orders, he is criticizing himself for falling into the military mindset. This sounds like a criticism to Spirit, who insists that people will do anything under orders because that is what he did. 
After Warriors has spent nearly every chapter since his amputation bemoaning his disability, I really wanted there to be a moment where he realizes that just because his ability level is different, he doesn’t have to give up doing everything he loves. That’s just an important lesson for him to learn, even if it is a little inspiration-porn-y.
The Hot Mess
You might realize that there is a massive elephant in the room I am not going to discuss here. That is because this post is going into the main tag. No one has complained to me yet, but let’s not tempt anyone right now. Just like the Neck Thing, I’ll make a separate post later for anyone who wants it. Just remind me in a few days.
With that being said--
Them sharing a cigarette was another scene that was originally conceived as taking place during the trip to the Zora’s Domain. Spirit’s anecdote about failing to make friends would have served as an early hint about his loneliness and inability to make friends. 
I also have never smoked a cigarette before, so I had to sit there on wikiHow reading up on  how to smoke one without coughing. 
The half in Spirit’s four and a half attempts at quitting is this time he decided to quit, only to relapse after three hours. It was too short to count as a full attempt.
Spirit’s speech hopefully reveals what exactly is Spirit’s problem, both how he sees it and how it really is. Unlike Warriors, he never found support and healing once the war ending. No one understood his experiences, and his coping mechanism of lashing out ward away anyone who could help him. Spirit just wants to feel better, but he doesn’t know how. 
Like... his whole thing about starting his own garage-- he’s a child prodigy who is used to be good at the things he does. He ended up tarnishing his own reputation, so he threw himself back into work because working on trains and fulfilling his dream is supposed to make him happy. He’s successful, but he’s not satisfied.
I was also expecting people to have a ton of questions about why Alfonzo disowned Spirit. In short, Spirit was already on a thin line with his lashing out and shitty attitude. Alfonzo was willing to let that slide until he realized Spirit was breaking work regulations to go on more runs without taking the legally required amount of time to rest inbetween. Spirit was a legal liability. He fired Spirit, but made it very clear that he was doing him a favor by not reporting him and getting his Royal Engineering license suspended. 
No one else in New Hyrule knows the real reason why Spirit was fired, so they all assumed it was his personality. So he has a bit of a reputation now for being hard to work with. 
Another thing that was not 100% conveyed in Spirit’s speech was that even if he didn’t hurt Zelda, he could not be with her because he does not want to be Prince Consort. His experiences in Warriors’s Hyrule thoroughly scared him off from politics, though he would have refused anyway since he would never give up being an engineer. 
 Fundamentally, Spirit is an extremely lonely person who has felt abandoned by everyone in his life. He knows that his life is the way it is now because of his experiences with Warriors. His guiding principle is trying to find some way to fix himself so that he can get the life he was supposed to have, one where he is happy and loved. 
I just... god, I love this character.
And then there’s Warriors, who feels like he not capable of change and that any opportunity he has to change has been denied to him. Fixing Spirit and Time’s relationship was supposed to be a part of his redemption. Making Spirit happy was supposed to mean he’s forgiven. He has no friends, not in the Chain or in Toto. No one needs him.
Warriors also just means so much to me. I adore this disaster of a human being. 
Warriors’s Plan Out
Does Warriors’s plan make sense? I am assuming it does since no one expressed confusion, but nearly every comment thus far has exclusively been about the Hot Mess (understandable). 
There was a reason I was peeved I had to cut every chance in earlier in the story to go back to Castle Town, and it’s because I’ve known that it was going to be an extremely important location. 
Warriors choosing to forgo a glorious revolution in favor of maintaining (if not manipulating) the status quo is not a great philosophy for our protagonist to be spouting in 2024. In my defense: a) I came up with this story in 2021, which was a different real world landscape, and b) Warriors would never become this ideal hero.
It feels more true for Warriors to not really become the idealized hero. His best is not that great. But if he can’t help being the worst, he could at least use his methods for good. 
I have mentioned before that I have low empathy. Lincoln’s speech about people naturally being better or worst at being good is a product of a lot of my musing about how I sometimes feel frustrated and resentful at how hard I find it to follow the social cues that would make me a “better person.” Wouldn’t I be a better person if I had an easier time recognize when someone is in trouble and needs my help. Instead, I have to depend on myself to remember the cues, and I am so prone to mistakes.
I want to be a kind person. I want to be the best person anyone has ever met, but it’s an uphill battle. I feel like I am always working against myself. But it’s still important that I make the choice every day to be kind to others. 
Besides, I have been told that I am more kind and helpful than other people, if only because I don’t rely on my feelings when deciding to reach out to others. So it has its perks. 
I’m not saying Warriors has low empathy. I have expressly written him as someone with empathy. But my philosophy that kindness and caring for others is an active choice just felt like it belongs here. 
There is story-canon low empathy character that I wanted to reveal in story to help Warriors beat the accusations and get people to not armchair diagnose him. I am still holding out hope I will have time and space to explore this in story, but if I don’t--
Four is written to have low empathy. It’s a consequence of the Four Sword splitting up his emotions, making it extremely difficult to tap into more than one emotion at a time, much less his empathy towards others. He can feel how this change in himself and has some thoughts on the whole thing. 
Is that the end of the chapter. Fuck yeah. I’ve been working on this since Monday, If you read all this... congrats! I hope it was worth it.
Also, I forgot to mention that this is the end of Act 5. My act system is a scam and not that important, but I figured I should let you all know.  
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soracities · 1 year
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What do you think about the Waves by Virginia Woolf ?
i absolutely love love love love loved The Waves--it took me forever to read and i think it was taxing in a way too because the rhythm is so distinct; it's very much a book you need to take slowly and also meet on its own terms but oh god when you do!! the incantatory shimmering net of her prose !!! the stunning visual intensity she has (i don't know if i've come across a more visually alert writer (maybe banville); i distinctly remember woolf describing a dragonfly at some point like a darting stitch which to this day remains one of the most searingly accurate instances of language i've ever read) !!! this kaleidoscopic flow of voices, sounds, feelings...the motion throughout the whole book of moving within time then out of time, which is to say from time (days, hours etc) and into Time (historic time, recollected time, internal time as its felt not necessarily lived) and then back again--from the particular to the expansive, from painful isolation that can't seem to ever be broached to the interconnectedness that runs through all the book's voices--they're like disparate strings that are so distinct from each other and yet you also cannot sever them from one another either, i don't think: whenever the characters come together, even through their pettiness and misunderstandings, even through the nebulous notions of "self-hood" the book looks at ("Who am I? I have been talking of Bernard, Neville, Jinny, Susan, Rhoda, and Louis. Am I all of them? Am I one and distinct? I do not know."), there's this dazzling chorus that takes over the page which is just astonishing to read for me.
there is very little that is fixed in this book and while there is very much a sense of being tossed about, it never feels chaotic or haphazard to me because the mere fact of the book's fluidity and the recurring motion (either in its layout or in the images and the lines that keep getting repeated) is the one (relatively) solid thing that runs through it. it's fragmented in an amazingly cohesive way which is, i guess, what being is like: there is an individuality that is both here and not here, not unlike the constant interplay of light and shadows. i remember after reading it there was this line by octavio paz that i kept thinking of where he says "all is visible and all elusive, / all is near and can't be touched" which sums up so much of The Waves for me. it's a book that you kind of have to let happen to you, and even then i think it's something that one reading is nowhere near enough for! but anyways, yes, i loved it. a lot!!!
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haggishlyhagging · 8 months
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“It is a truism in the literature on working wives that although the husbands of working wives do help with household tasks, all too often wives continue to have responsibility for running the household. They rush home from work, shopping on the way, in order to have dinner on the table by six. They clean and tend to the laundry and do whatever has to be done in the evenings or on weekends. This is not role sharing.
The husband may promise to do his share, and increasingly he does or, at least, agrees to. But he can make his contribution so grudgingly as to force the wife to conclude that she would rather do it herself. Pat Mainardi has shown how such reluctant sharers of the burden manage to renege. She has translated all of their dodges. Eleven are standard:
“I don't mind sharing the housework, but I don't do it very well. We should each do the things we're best at." MEANING: Unfortunately I’m no good at things like washing dishes or cooking. What I do best is a little light carpentry, changing light bulbs, moving furniture (how often do you move furniture?). ALSO MEANING: Historically the lower classes (black men and us) have had hundreds of years experience doing menial jobs. It would be a waste of manpower to train someone else to do them now. ALSO MEANING: I don't like the dull stupid boring jobs, so you should do them.
"I don't mind sharing the work, but you'll have to show me how to do it." MEANING: I ask a lot of questions and you'll have to show me everything every time I do it because I don't remember so good. Also don't try to sit down and read while I'm doing my jobs because I'm going to annoy hell out of you until it's easier to do them yourself.
"We used to be so happy!" (Said whenever it was his turn to do something.) MEANING: I used to be so happy. MEANING: Life without housework is bliss. No quarrel here. Perfect agreement.
“We have different standards, and why should I have to work to your standards? That's unfair." MEANING: If I begin to get bugged by the dirt and crap I will say, "This place sure is a sty" or "How can anyone live like this?" and wait for your reaction. I know that all women have a sore called "Guilt over a messy house" or "Household work is ultimately my responsibility." I know that men have caused that sore—if anyone visits and the place is a sty, they're not going to leave and say, "He sure is a lousy housekeeper." You'll take the rap in any case. I can outwait you. ALSO MEANING: I can provoke innumerable scenes over the housework issue. Eventually doing all the housework yourself will be less painful to you than trying to get me to do half. Or I'll suggest we get a maid. She will do my share of the work. You will do yours. It's woman's work.
"I've got nothing against sharing the housework, but you can't make me do it on your schedule." MEANING: Passive resistance. I'll do it when I damned well please, if at all. If my job is doing dishes, it's easier to do them once a week. If taking out laundry, once a month. If washing the floors, once a year. If you don't like it, do it yourself oftener, and then I won't do it at all.
"I hate it more than you. You don't mind it so much." MEANING: Housework is garbage work. It's the worst crap I've ever done. It's degrading and humiliating for someone of my intelligence to do it. But for someone of your intelligence. . . .
"Housework is too trivial to even talk about." MEANING: It's even more trivial to do. Housework is beneath my status. My purpose in life is to deal with matters of significance. Yours is to deal with matters of insignificance. You should do the housework.
"This problem of housework is not a man-woman problem. In any relationship between two people one is going to have a stronger personality and dominate. MEANING: That stronger personality had better be me.
"In animal societies, wolves, for example, the top animal is usually a male even where he is not chosen for brute strength but on the basis of cunning and intelligence. Isn't that interesting?" MEANING: I have historical, psychological, anthropological, and biological justification for keeping you down. How can you ask the top wolf to be equal?
"Women's Liberation isn't really a political movement." MEANING: The Revolution is coming too close to home. ALSO MEANING: I am only interested in how I am oppressed, not how I oppress others. Therefore the war, the draft, and the university are political. Women's Liberation is not.
"Man's accomplishments have always depended on getting help from other people, mostly women. What great man would have accomplished what he did if he had to do his own housework?" MEANING: Oppression is built into the system and I, as the white American male, receive the benefits of this system. I don't want to give them up.”
Jessie Bernard, The Future of Marriage
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disabled-dragoon · 5 months
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Hello, would it be ok to use a walking stick/cane or is it not ok? I’d be a part time stick user and it would be used as 1/3 fashion accessory, like how people in 1800 England had sticks, 1/3 hiking stick/pole, and 1/3 part time aid for weight bearing.
for context on the aid part i have flatfoot and overpronation that causes pain in my heel and legs. I do have inserts that help enough and i do stretches and that helps too but I still have (sort of mild?) pain flare ups from time to time that can make me limp.
I’m asking because I don’t want to be ignorant towards ppl who use canes for a disability and I don’t want to come off that way… and I also think walking sticks are cool.
Hm.
This is a bit of a sticky subject.
There's some discourse about this that resurfaces every so often. Half of the argument is "using a cane for fashion/aesthetic purposes invalidates disabled people who actually need to use them" and the other half is "using a cane for fashion/aesthetic purposes might make them more mainstream and therefore accessible in the long run". I'm somewhere in the middle.
Canes are cool, I love mine dearly and I get incredibly excited when I see someone else out and about with one. It helps me feel better about using one, and that is something I have seen other people say as well. I also know that, historically, they have been and still kind of are popular accessories.
But, I have had people assume my cane and its predecessor were just accessories and I haven't been taken seriously because of it. A lot of people also treat them as disposable toys rather than an extension of their user, and I do worry that that attitude might only grow worse if they're seen as being "aesthetic" rather than a tool that many people physically cannot move without.
Also, using a cane when you might not need it, and without taking the proper time to research how to use one, can really damage your body in the long run. And while some canes are designed to be more weight-bearing than others, they're really more of a tool to be used for stability and relieving pressure on painful joints/muscles.
That being said, from a pain standpoint, if you believe it could help your flare ups, then a cane may certainly be something to look into. That is what they are designed for, after all. Just, again, make sure you look into how to use it properly, and maybe try and consult a doctor or a physiotherapist about it.
The fact you're taking the time to ask these questions instead of just plunging in shows me that you are being genuine when you say you don't want to come across as "ignorant", so thank you for being respectful, anon.
Have a good day/evening!
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sleep-drink · 11 months
Text
Hey Guys!!!! Actor AU ShTuuuuuff
So I wanted to add a lil lore to the Actor AU comic in terms of roles and hierarchy :)
Welcome Home as a show has a VERY large turnover rate! This is in fact not entirely due to Wally though. The company the production is under “The Playfellow Network” historically tends to not treat its actors or it’s crew very well. It pays decently in terms of its crew and because of how well the show is received it’s actors are paid even more, but in terms of things like benefits (mainly again for crew) it’s garbage. Also, because they can’t keep a whole lot of people retained, they will just kind of hire anyone. Lots of people who are in the industry have passed through Playfellow and the general consensus is “oh god, you worked at Playfellow too?”. Because of the lack of employee retention, the work environment and atmosphere is catty. at best. This makes communication between departments really difficult and very stressful. On top of that is Wally, who runs the show because he’s basically irreplaceable. As you know he’s trying to protect his loved ones and fellow actors from the terrible set and network conditions which are basically discriminatory for puppets.
The characters and their roles so far (in order of hierarchy):
Wally - Star (Lead Actor):
This is pretty straight forward. He’s mr. Irreplaceable and he doesn’t like humans. With pretty good reason :)
Susan - 2nd AD (currently acting as Key PA): Susan is the Second Assistant Director on this production and has been working here for 6 months. She works basically as a backstage manager and coordinates the call sheets and wrangles actors (when she has to). Poor Susan is actually hella overworked. So (oh no!) there is actually not currently a Key Production assistant working on Welcome Home! (I love causing my characters pain eeehehehehehehee ((we’ll see more of that soon))
The Key PA is in charge of all of the production assistants and let’s them know what to do and to keep them on schedule. The person who WAS key PA did quit (mayhaps or not cuz of something Wally did) and the company has not yet hired someone new (hooray bureaucracy).
Dolly - Walkie PA (Currently ALSO acting as Key PA): Dolly is technically the Walkie Production assistant, which means they are in charge of all of the Walkie use on set (she is actually not very good at this and it’s why she often forgets to turn her own mic off). Fun fact! Dolly’s only been on this production for like a month and a half and has outlasted most other walkie PA’s! :) She started as a costume PA and then expressed interest in other areas of production to Susan. Susan was like “Omg yes help me” and kind of forced her on Walkie PA because she has some (theatrical) tech experience in the past. Walkie PA’s can act as Key PAs but dolly has no prior experience and is kind of floundering, plus weird requests from Wally (like fixing his wardrobe sleeve length for him) take up a lot of their time. They don’t mind because it’s just a rule on set that what Wally says goes, but it makes their job just that much more difficult :)))))). Dolly is dealing with it… kinda.
Sandra - PA: Sandra is a production assistant who has been here for about 5 months. Production assistants are generally considered entry-level production jobs but she has beef with Dolly because she’s been here for longer and Dolly has been (technically) promoted before her (even though there’s SO much bleed-through between departments). She also is just a bully, she’s trying to come back from a failed stand-up career, but she’s basically been blacklisted in several comedian circles. (Gee I wonder if it’s the threats and bigotry)
Everybody else who you’ve seen so far are usually random PA’s or I haven’t assigned them a true role yet. But here’s what I got so far! I am by no means an expert. I am an actor (and a stage actor mainly at that, but I’ve dabbled in film) so not all of my info is probably truly accurate. But I try! As per the usual AU CRED: @frillsand 💗 u b! Thanks for reading my ramblings!
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dead0nightshade · 7 months
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This headcanon has a decent sized lead in to explain it and its really silly in the end, so bear with me. (It also might be a bit all over the place because I'm trying to bang this out quickly becore I have to go, lol)
Zhongli being immortal means that he is a very patient man(Dragon? Dragon.) dispite the ferocity and feral tendency of his youth. So when he meets Childe for the first time and realizes that, yes, this is the man he wants to spend his days with, he's probably hoping that his immortality will end when he forks over his gnosis.
Unfortunately for poor Zhongli, it doesn't, and while he has the time that he craved for with Childe, his darling love is only mortal. But this is Tayvat, where all the world is a stage and the actors will always be called back time and time again for the rolls they have to play, so all Zhongli really needs to do is wait.
It's painful. So painful. Everytime his heart leaves him he's forced to pause and wallow in his own loneliness while waiting for the cycle of things to restart. The first few times really nearly broke him.
But, after a while, he would be able to start looking forward to running into his baobai again and especially looking forward to seeing what trouble Childe manages to get into in this new life.
Of course, Zhongli cannot maintain his position as funeral consultant for too long. People might start to get suspicious when a man claiming to be a fellow mortal doesn't age. He has to switch things up from time to time. And if, in that switching up, he learns how to put himself in the best positions possible to interact with Childe intimately on this new stage, well nobody is going to call him out on his schemes.
On top of this, Zhongli might have stepped down as The Lord of Geo, but he is still The Prime Adepti no matter what he does. So sometimes he...invites his fellow adepti into his new schemes.
Now, they aren't always completely fresh ideas. He's been a professor several times (not just because he loves the way Childe jokingly called him that in their first life together all those years ago), a member of the millelith in various positions a few times, a boss of a (shall we say) family twice, an artist several times, a champion fighter, an underground fighter, a historical advisor, a museum curator, a librarian, and (much to Venti's loud and cackling amusement) a bard/poet three times.
When times start to shift and things change, he learns new hats too. Joining Venti in learning how to fly planes is always a memory he'll hold as guilded gold (though he can never quite tell if it's out of fondness or from pure frustration). The invention on the internet and watching the subsequent changes from that has been fascinating.
But through it all, every passing of every year, he’s always doing it for Childe. He loves seeing the new ways the younger man will come waltzing into his life. He dreads the days when Childe inevitably has to bow out of it too.
So it goes without saying that Zhongli hoards Childe's time as all these years pass. Hoards away Childe's opinions on the times they live in like their gospel. Hoards Childe's things for him in carefully preserved, neatly arranged rows.
The one thing he can't ever seem to get enough of is the music that Childe brings with him. Zhongli can mark memories to songs that Childe sung along to or hummed the tune of while cooking. He can mark eras and areas by the style and tempo to which Childe swung his hips and laughed to.
Zhongli cannot begin to count the pieces of music that he keeps stored in his hoard, some of it so old that the notes on the yellowed pages haven't been heard by mortal ear for eons. Zhongli was extatic when they came out with vinyl records. Cassettes were even better becuasethey were smaller and took up less space. And then they came out with CDs and Zhongli had to commend mortals for the wonders of their minds. He lost his fucking mind when the first digital music players became avaliable (and then discovered, to his frustration, that the little devices could only hold so much data. He got happier with them as they advanced.)
So when Childe walks back into his life, Zhongli is always excited to reintroduce him to all of his past live's favorites and then show him all the songs Zhongli has been listening to in the mean time. No matter what hat the two of them are wearing in this fresh start, weather it be cop and robber, student and teacher, or fighter to fighter, Zhongli herds them both into a comfortable space with a music player and plays music while he re-bonds with his beloved again.
All of this to say this: This latest reincarnation of Childe, if he was born in the later parts of the 90s/the early parts of the 2000s would have quite a few opinions on music when sitting down with Zhongli. And Zhongli, who does his best but has never really kept up with the more petty tendencies of mortals would very unironically love some music that Childe might have gotten negative opinions about from growing up in the times that he did.
Here's the thing, when Childe's at home, he has his younger siblings, and for a while he was the younger sibling, so most of what he listens to is clean for kids. (I'm sure mans has most of the Tayvat equivalent to Disney memorized at this point.) He's also a workaholic (as evidenced by the fact that The Knave said he was supposed to be on vacation in Fontaine, but when we meet up with him again he's literally out working for the branch of Northland Bank in the area) So if someone on the internet says a band is cheesy, unless he wants to use up his scant little bit of personal time to check it out, he usually just has to take them at thier word. It probably fits that in this life, he works as a Northland Bank official (and sometimes participates in the particular brand of dept collection all Snezhnayan banks are known for)
Here's the other thing, Zhongli is a fan of rock and roll music, as evidenced by Xinyan's voice line about him (if you know you know. If you don't, go look it up it's fucking hilarious. All the headcanons about Zhongli, the god of rocks, loving rock music give me life and I love the little but of crumblike evidence for it) and is probably thrilled to listen to the way its changed and evolved over the years. He's also thrilled with the way its grown in popularity! I think in this life he probably decided to take it easy and fall back into one of his old roles. It probably helps that the new director of Wangsheng Funeral Parlor reminds him so much of her ancestor.
So, when Zhongli and Childe sit down, Zhongli will definitely just start playing the music. Childe will probably listen to the lyrics first (as an elder sibling gaging if something is appropriate for the younger ones might). Now, the song that Zhongli is showing him right now is not appropriate for his siblings, but Childe like it alot.
Curious, he asks Zhongli what the name of the band is. Imagine Childe's face when Zhongli replies, unironically and happily, Nickelback. Imagine Childe's internal struggle when he realizes he really likes Nickelback dispite everything he's read on the internet dissing them (for no reason). Imagine the blush on Childe's face when he hears some of the things described in those songs coming off of the elegant funeral consultant's lips (low key imagining them doing some of those things together( the song 'animals' comes to mind )
In short, Zhongli would unironically like Nickelback and would make Childe like them too. Childe would not know what that.
Thank you for coming to my Ted Talk
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summermoonshine · 6 months
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Call Of Duty MWIII - SPOILERS
Below, some clips + videos from MWIII where we'll analyse what happened to Soap.
After sharing them, however, I would like to say a few things (if you not interested in this, I understand, but please: just skip that part as I really need to vent about the matter; my apologies).
Now, the clips.
Let's start with the Soap's death (full video will be uploaded in a separate post because it deserves respect):
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Wanting to deliberately leave out the fact that Makarov had complete freedom to engage a firefight without being captured (the idiotic run after killing Soap is truly ridiculous compared to Makarov in MW3), what is inevitable to do is, for me, to compare the dynamics with something already seen: does this scene remind you of anything? No? Maybe this will jog your memory:
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This is in addition to what said by Makarov to Captain Price:
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"Never bury your enemies alive". Who else was buried alive if not Ghost himself (according to '09 backstory)? This could justify the lack of an official backstory for Ghost 22: would Soap's death be his true downfall into the underworld? Mh.
Speaking of him, I so resent Soap's death for many reasons (which I'll discuss shortly), but above all because by killing him, they also killed Ghost: one shot, two deaths. Ghost had started to live again thanks to Soap, and it was with him that he died, too. Until the end, he was stood next to him because ''no one fights alone''. The fact that, even under the threat of a bomb capable of neutralizing half the world, Ghost chose to remain next to Soap as he bled to death to me is everything. The stone-cold man, detached and attached only to the field manual (where friendship does not even appear), he is the one who SCREAMS his sergeant's name. Let's hear the pain in his voice:
Sure, it could be a standard reaction of any man who sees his teammate killed before his eyes, but no one would expect such a reaction from the 'stone-cold man'. But a mask isn't enough to hide the pain: He's lost; his eyes roaming for help:
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He's out of breath, his chest moving up and down as if he's not just catching his breath, but holding back an explosion. Cry? Tears? Anger?
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I slowed down this part to highlight how the head-shake was not just to confirm the death, indicating that there was nothing left to be done, but it was personal: he can't believe his eyes, and his heavy breathing confirms it.
At that precise moment, they didn't just kill Ghost; they killed Simon, too.
In fact, in the clip below (I cut+slowed it) it's Simon (see the mask) who takes care of Johnny after his death: he keeps Johnny in his backpack, holds the urn from start to finish, he has the task of scattering the ashes in what appears to be a Scottish's mountain, and he is the one who brings HIM back home with him.
He is family.
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It's precisely when talking about family that I can't stop thinking about the quantity of ashes in his urn. The amount of ashes is small: what if half the ashes went to Soap's family and Ghost kept the other half?
Also, Soap has managed to make himself loved by everyone, and this is why I consider this scene (pic below) to be of fundamental importance: the act of adding his nickname stands for: ''you were not a soldier, but something dear to me''.
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The document is drawn up by Laswell, the one who protected Task Force 141 from behind the scenes even when General Shepherd had betrayed them, showing that the relationship between them all goes far beyond the working one:
it is a matter of heart.
-
It's for this reason that I feel like I must say some things about all this: there is so much to say actually but, as absurd as it may be, I felt the strong need to take some time for myself and understand what to do with this pain. As a player and historical supporter of the COD saga, I can say that in 20 years I have never seen the fandom as active, lively and full of passion as in 2022.
As I already explained, it was vital to me that AV gave Soap another chance after mw3. Sure, it's a war videogame and deaths are therefore inevitable, but killing the same character twice with the sole hope of making us hate Makarov so as to have more hype for the next COD (which, personally, I doubt will follow this arc since I define it now concluded although there are still unresolved issues) it was a stupid move to make, because by doing so we are hating AV, not Price or Makarov himself.
Furthermore, what is most infuriating is that if the COD family has started to be so creative and enthusiastic again, it is above all thanks to Saop (and to our Neil along with others VA; unfortunately, not every one of them).
Each of the protagonists in MWII was perfect, earning a special place in our hearts, but it is clear that Soap and the relationship established with Ghost were the catalyst of definitive affection that connected us so deeply to the reboot, leading us to buy even a new game that, more than a campaign, more than a DLC, is a scam:
rushed dialogues, too many characters piled on top of each other, typical warzone game dynamics with such a short duration that each level becomes chaotic etc etc etc… 2, maximum 3 hours later, we find ourselves with a Soap killed, slaughtered and left to die with total dullness and without any emotional focus DURING our game without even receiving a cutscene dedicated to him.
And, as if that wasn't enough, by killing him, Ghost was also indirectly killed: for once, perhaps for the first real time, that man - always represented as cold - had found a family and something, someone to hold on to : taking it, taking HIM, away from him, they demolished two people with a single shot.
Atrocious.
Treating one of the characters who has practically supported the entire current COD fortune on his shoulders in this way is, for me, a great injustice, as well as a stupid move.
Again, I don't hate Makarov; I hate AV.
Soap 22 will forever be our comfort zone, because he has never been just a video game character, but our home.
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heartlaboratory · 11 months
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In the middle of the Pacific Ocean there's an island, it's not yet a well known touristic location but it's a tropical paradise and the native's culture is very interesting. That's why, having a degree in history and being passionate about ancient cultures, she planned there a vacation with her friends.
Sadly they seem more interested in passing the whole day chilling in the beautiful shores, doing nothing more than swimming in the ocean's warm waters and sunbathing on the white sands. At least for once It should be worth it to participate in some cultural activity so she decides to leave them for one day and do something peculiar: she will join an historical reenactment. The event will be based on a long walk from the main village up to the volcano along the ancient Holy Trail, the one used during human sacrifice rituals to honor the fire mountain. A group of locals will impersonate the priests while the tourists will be the "victims" that fortunately, in this modern times, will simply walk up to the top for a fake ritual.
Given the tropical weather a light outfit would be perfect: just a white shirt, a pair of shorts and trekking shoes... And why not, that flower garland they gave her the first day.
The small crowd of participants gathers at the town center where the procession will start. The locals as the priests are wearing their historical costumes and fortunately there are also a couple of other tourists.
The long walk starts leaving the town for the jungle where once passed the Holy Trail. The weather is hot and the humidity makes the air so thick it feels like walking through the water. The ground is muddy and the slope impervious. In one word it is exhausting.
One step and then one more... But how much time has passed? The monks singing are hypnotic and the jungle seems wrapped all around her.. "Hey, why are they carrying me holding my arms? -she thinks- Who took away my garland? Has someone draw some symbols on me?!"
She suddenly gain full consciousnes again. Her shirt is drenched in sweat and her heart is literally hammering in her chest while she feels completely worn. The monks are standing all around her and the other tourists have disappeared. A monk gets closer to her and places a hand on her chest, right over her heart that as a consequence start beating even faster. He says words in a language she doesn't know but somehow she understand: "Her heart is perfectly alligned to the Mountain's Energy" he says.
"My heart... What??" She replies. But without having even the time to get more scared her head start spinning, her vision becomes blurry.
"Am I having an heat stroke?!"
Everything goes black.
She suddenly wakes up. She's now on the top of the mountain, tied up to a woodden structure completely naked. The monks are in front of her singing and dancing. She's caught by a panic attack and faints again. When she wakes up a monk is earstething her. "Her heart is ready to be donated to the Mountain!!" He exclaims while the other monks start screaming for joy. She starts screaming too, terrorized, but she rapidly runs out of air and the lights go out again.
A sharp pain wakes her up and as she opens her eyes she sees a monk's hand that is literally passing through her left sternum border like her rib cage doesn't even exist. His hand touches her heart while the fingers are searching for a strong grip on the organ. Once vigorously held, the monk retract his hand carrying her heart outside of her chest. The organ is now beating in front of her terrified eyes, so powerful she can clearly hear the beats passing through the air. A last snap and her heart is separated from her body without even opposing resistance. Without having a pulse, life starts rapidly leaving her... She's still able to open one eye to give a last look just to see a hole in her chest and her heart still beating in the monk's hand that is now rising it towards the sky.
"How could I've been so stupid -she thinks- it was a trap... They are savages and they still sacrifice us clueless tourists... No one will ever find me here... Oh..." Everything becomes dark.
She wakes up in her hotel room, in the middle of the night, in a pool of sweet in her bed. Her heart is racing so fast she crosses her hands over it, scared it could jump out somehow... The jungle, the walk, the sacrifice... It was just a nightmare.
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alabasterpickles · 1 year
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hi i sent an ask about persephone and hades a lil while ago!! heres some questions i had :3
1. how did they officially meet?
2. what were pain and panics first impressions of persephone?
3. persephone looks older then some of the other gods (like hera and aphrodite) is she older then them? i really like that you gave her some wrinkles :]
4. any issues that come up in p/h's relationship? like goals, little pet peeves, etc
5. how angry has persephone seen hades get? and vice versa, how angry has hades seen persephone get?
- 🖋️
Hey!! Glad to have you back!!
1. I have this idea that their meeting is almost entirely by chance, in the series he loathes spring and tries to sabotage it and I really want to channel that energy into my funny little AU (which actually takes place post film) 😂 It’s during Spring that he officially runs into he, she’s just doing her Cthonic goddess thing and Hades is up top causing problems as per usual, when he sees her manifesting apricots on a tree, aaand obviously an unattended goddess is fair game! Sidenote but I like to think Eros is the one that gives him the low-down on who she is, kind of encourages him to make a move, mostly because it’s a welcome distraction and keeps him out of his hair.
2. They were extremely weary of her at first, the assumption was that anybody Hades brought home wasn’t going to be nice to them. Once they realize that’s not the case she pretty much becomes their favorite person.
3. Thank you!! I have gotten this question a lot! I like to think of Hades being somewhere in his early to mid-forties, and it just felt right to put Persephone somewhere in her thirties (leaning toward 33-34). I imagine her being quite stressed and possibly overworked most of the time, which has imbued in her a kind of maturity that makes her age difficult to peg on face value. Since I’m working with Disney logic rather than historical accuracy, I figured that was an appropriate age! I wanted her to be young enough that she found Hades’ idiosyncrasies endearing rather than immature, but still old enough that she wouldn’t be intimidated or put off by his outbursts. I don’t envision her being older than either of them, no, actually the opposite! But her job is much more “hands on” which I think makes her appear a little more weathered, if that makes sense?
4. Oh this is a fun one!! *rubs hands together evily* So naturally there’s issues because they are so different from one another! On one hand, I imagine Hades’ impulsive and impatient nature (along with the way he tends to take his frustration out on his poor minions) is a point of contention between the two of them. My Persephone’s personality is very dry, deliberate, even tempered and easy-going. She’s not easily irked, but I imagine when she is pushed into a corner her temper can be pretty ferocious. My mom always likes to say that spring “comes in like a Lion and goes out like a lamb” 😂 which is a very fitting description of this Persy! She doesn’t necessarily agree with Hades’ initial style of management, which obviously softens up over time as their relationship progresses. When it comes to goals! Persephone loves her solitude and independence, she’s a free spirit and the idea of being tied down bothers her. She doesn’t prefer the company of the Olympians and she finds their social politics/drama incredibly draining so I think the one major issue she would go into that relationship having is this fear of losing her autonomy and being trapped in an exhausting relationship. She waffles a little in the beginning, not quite committing to her feelings for him because she likes not having to be beholden to anyone. Hades’ goals I imagine change once he prioritizes her company. I think he’d be willing to give up his desire to overthrow Olympus to keep her around, so I definitely don’t think there’s much holding him back from being with her. After his massive blunder in the film, he has nothing to lose and everything to gain. Although I see them changing perspectives on eachother’s stations and therefore developing a deep respect for one another, I do think Persephone’s holistic lifestyle would get on Hades’ nerves in the beginning, and vice versa. They manage to find a balance that works for both of them. I also think Persephone would initially find him a little dishonest and pushy which would drive her crazy, as well as the way he picks on Pain and Panic. He doesn’t have an off-button either which she’d have to get used to. In the end though, they’re both the black sheep of the Pantheon and they find comfort, solace and understanding in one another. ❤️
5. Hades’ fuse is so short it’s practically nonexistent, so I imagine Persephone has seen him get angry a lot, but in my head I like to believe the angriest she’s every seen him was when he was coming to her defense against her mom (which is a sort of long story I’ll save for another time!). I think it’s the first time she feels it’s genuine, not simply an overreaction or irritation, but like actualrage. For Persephone, since her buttons are so hard to push, he’s probably only seen her truly angry a couple of times. I envision her being seriously unreasonable when she gets to that point though, and it takes her a while to cool off. I don’t have a specific event in mind for this (yet!) but I think one of the times she’s been absolutely livid is when he first draws up the agreement with Demeter to keep her for half the year in the Underworld. She hates the idea of feeling like someone has more control over her life than she does!
I hope that answers your questions!
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