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#i liked the x-men cartoon since i was a kid in the 90s
gwydionae · 20 days
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Never have I been more grateful that time travel exists in the X-Men universe.
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skarchomp · 3 months
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the problem with a modern continuation of the 90s x-men cartoon is that writing styles for kids cartoons have changed so much since then and in this case i dont mean for the better. no young justice writing room veteran has the cojones to pump out bits like this
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positivelybeastly · 3 months
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Does the x-office hate beast?
Cynically: yes.
Less cynically: it's complicated?
Like, here's the thing, right - Beast fans are . . . kinda rare. Sure, there's tons of people who saw the 90s cartoon and really liked him, there are tons of people who saw X-Men 3 and liked him there, there's a whole (almost separate) community of people who are still writing X-Men: First Class fanfic about that version of Hank.
But I'm talking about, will go out and write fanfiction about the character; will draw fanart of him; will actively go out of their way to talk about him on social media. I feel like that's been on the decline for the last . . . fuck, 30 years, probably? Ever since he went from this
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to this.
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Like, the difference is jarring and immediate, right?
And that lack of a dedicated fanbase made him an easy character to contort to fit stories that certain writers wanted to tell. The X-office doesn't have a ton of people gagging to write Beast, he doesn't headline his own series, he doesn't have a rabid Twitter populace who will fight and scream and shout like Emma Frost or Cyclops.
What do most people think when they see Beast? Like, normal people who don't read comics, who just consume maybe a Marvel movie twice a year, or saw a cartoon when they were a kid.
"Oh, he's cool. SO ANYWAY, MORE OF THAT WOLVERINE."
Beast is not a character with a strong base.
So he's just.
Disposable.
Who cares, throw Beast to Bendis or Ben Percy, I don't care, is what it feels like.
As for WHY he doesn't have that dedicated fanbase, well, I have theories.
A lot of Hank stories are just, sad. They're just so fucking sad and tragic and dark and about finding light where you can.
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I often find them very cathartic, like, Hank leads such a troubled and harsh life, and he savours the pleasures where he can get them, and I really love that aspect of his character, that unyielding spirit, but that does not make for a popular character.
His feline era, from 2000 to 2012, is honestly my favourite for him because he is so nuanced and his themes of learning to love your body and control yourself, and his thoughtful, measured, deeply moralistic stories resonate with me and provide me with comfort, the idea that people can be tempted to do bad in the service of good but turn away is beautiful to me.
But that's not really an easily sell? People don't usually want to be sad when they read comic books. They want to be thrilled or horrified or made to laugh. Sad is . . . harder to sell.
Honestly, I also think there's a degree of assuming that he's a snobby asshole because he talks fancy. Like, I legit think that plays into it, and you sometimes see writers fall for the same preconception, they assume that Hank is a snob, and he really isn't, he's a lower-middle class kid from Illinois who grew up on a farm and whose dad was involved in a horrific radiation accident because of poor safety conditions, this is not a person who would be snobby.
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It's so funny to me because the guy is from a fictional place in Illinois? It's never specified, which means, if anything, he probably sounds like he's from Chicago! Now, there's probably a degree to which he does speak more formally and has changed his voice, because Hank is extremely protective and conscious of the image he projects, always has been, but snobby? Pfft, nooooo. So yeah, absolutely, you see people assuming that he's a snob because he's smart. Snobby only plays well if you're Emma Frost.
I also have to say, I think there's a degree to which there's an anti-intellectual bias going on. If you look at pretty much all of the major genius characters, they are pretty much ALL unpopular because they are nerds and they are not usually portrayed as being great fighters or tacticians, which is an easy way for a character to become popular - that's why Cyclops is so popular, because he's right all the time and he's a badass, and that's an easy pop. Science solutions are inherently less visceral, harder to write and thus rarer, and do not stick in people's minds.
Moreover, what do you think of when you think of genius superhero? The reputation is of privilege and the image is of boring white guys, they assume it's just - boring. It's only interesting if it's cloaked in sarcastic wit, like House or Sherlock (during The Dark Times), or used in a martial sense, which is why Black Panther is the exception to the 'all the nerds are boring.' Bruce Banner also escapes this trap because he's had his own solo comics for 60 years and he's had a million people write absolutely amazing stories for him.
I also think that his almost complete absence from the Claremont era stories hurts his fandom reputation, because if you're an X-Men fan, you read Claremont, and Hank is not in those stories almost at all. He pops up during the Mesmero arc, during Dark Phoenix, here and there, but he spends 1974 to 1991 in the Avengers, the Defenders, X-Factor, he is so very rarely being written by who most people would consider the definitive X-Men scribe. There's also an element of the stupid X-Men vs. Avengers tribalism working against him thanks to that.
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I think Claremont writes a pretty decent Hank when he does turn up, but there's a reason he picked Jean and Scott, and it's interesting that he chose to feature Hank more often than Warren and Bobby, and even then, Warren more than Bobby. I don't know if Hank was really heavily in demand so he just couldn't get him, or if he didn't know what stories to tell with him, but I actually kinda think it was the former, just because Hank always makes an appearance in his post-'91 work, especially his alternate timelines, and he was clearly interested in writing for him in X-Treme X-Men given he set up the Betsy romantic angle early, but then Morrison snatched him up.
Hank also got pushed into the role of the naysayer during the Fraction and Bendis era, which is an instant rock around the neck for your popularity. A lot of the arguments that Hank makes about why he doesn't like what Scott does and how he runs the X-Men and Utopia are not necessarily wrong?
Like, X-Force is just plain morally bad. It is.
You can make the argument that it's necessary, but these two things can exist at the exact same time, which appears to be a concept that people do not grasp! And especially, like . . . the X-Men are not an army. They are a voluntary paramilitary group that is, ostensibly, dedicated to mutant rescue, outreach, and general superheroics.
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You are not obliged to stay.
Hank was suffering from legitimate PTSD flashbacks, he was wracked with guilt over the Skrull bioweapon (which, notably, sticks to Hank but does NOT stick to Scott), he was very obviously depressed, recovering from torture - and when he reached out to Bobby to try and explain how he was feeling, draw some comfort, Bobby basically just told him to deal with it!
But this made him SO FUCKING UNPOPULAR. You can go to comics sites that have comments under this issue, under the issue where Hank is having PTSD flashbacks, and they'll be like, THIS IS WHERE IT ALL BEGAN, and I'm like???????? The fuck are you saying to me?????? WHY ARE YOU BOOING HIM HE'S RIGHT.
There's also a degree to which I think that, whether the writers have realised it or not, they do not usually put in the work to establish that the X-Men are doing their due diligence to make sure that Hank is okay. They rely a LOT on off-screen things happening to fill in the blanks. A short list of things that we have never seen!
The reaction from the O5 when Hank first turned furry.
The reaction from the Mansion X-Men when Hank turned into a cat.
Anyone going to visit Hank in the infirmary when he was recovering from his fur and claws falling out due to torture.
Anyone expressing concern over the fact that during the whole time travel debacle, Hank was dying and did not tell anyone.
You don't see these moments, and these are fucking important! These make you sympathetic to the character! These are the moments where people look at Beast in pain, suffering because of what's happened to him, going through his emotional arcs, showing strength as he perseveres, THAT is what builds a fanbase and keeps a fanbase engaged with a character - but they just stop happening for Hank. You don't see them. He loses his characterisation moments, they just happen off-panel.
But what do you see? You see a lot of people walk into Hank's lab, they receive words of wisdom and comfort, or a scientific solution for their problems, and then they walk out.
Like, Hank from Avengers vs. X-Men onwards reads as just - psychologically unstable. He does things on impulse, he reacts without talking to people, he does not have strong relationships with anyone, he appears to have broken up with his long time girlfriend (for no specified reason, we still don't know why 9 YEARS LATER), he often appears adrift and lost and unhappy.
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And we are TOLD during his intervention that people have talked to him about what's going on, and they were ignored, but, like, I'm sorry, FUCK OFF, SHOW YOUR GODDAMN WORK.
If you want your emotional moments to have any bite, then you need to ESTABLISH things!!! When Ororo says, oh, you're just ignoring everyone, I'm like, FUCKIN' SHOW ME WHEN YOU TALKED TO HIM. Because do you know what I DID see?
I saw Hank being the most comforting and lovely and soft individual in Storm's solo series, being there for her after Logan's death, BASICALLY BECOMING HER SECRETARY BECAUSE SHE WANTS TO FUCK OFF AND BE A THIEF, and then BOOM, suddenly, she's like, you're a fucking loose cannon.
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This was, like, a few months apart. Editors? Hello? Does Ororo fucking hate Hank or not? Because Bendis seems to be of the opinion that she does, but Greg Pak does not appear to have gotten the memo! HELLO? EDITORS? There's a big fucking GAP here where a story arc is meant to go???
There's so much of Hank's 2012-onward story that we just AREN'T shown. Like, he and Scott just - patch up their differences over the revolutionary thing OFF-PANEL during Hickman's Avengers. You don't even see the conversation. He agrees to try and work on the M-Pox cure, MOVES TO ATTILAN TO HELP THEM, all because Storm (WHOM, LAST WE SAW, WAS THREATENING TO PUT HIM IN PRISON FOR CRIMES AGAINST NATURE) convinced him to . . . and WE DO NOT SEE THIS CONVERSATION.
Every time someone pulls out the 'oh, this has been an expertly played baton pass of writers depicting Hank's moral downfall,' I just want to fucking pick up shit and fling it in their face, because they could not be more wrong.
Do you know who's read more Beast comics than these fuckers?
Me. It's me.
Believe me, if there was an actual DEPICTION of ANY of these MASSIVE emotional moments in Hank's life, I would LOVE to talk about them and agree. But they do not exist. It's a character being used as a narrative prop to justify writing decisions that otherwise wouldn't make sense (Inhumans vs. X-Men, All-New X-Men), and no-one cares because he was never that popular to begin with.
And it just - frustrates me, because, like, did you know that Hank formed a political advocacy group for mutant rights?
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Did you know he was present during sessions of Congress, giving his support to pro-mutant legislation and becoming long time friends with multiple politicians?
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But because it's in New Defenders, because it's in Secret Avengers, and no-one READ those issues, they don't care! It doesn't matter to them! Hank has, by and large, within the narrative, done SO MUCH for mutant rights, he has ACTIVELY worked for them within the system SO HARD, but because it isn't done with an optic blast or a big punchy fist in an X-Men book, it doesn't count.
And like, I just . . . the last few appearances before he starts being focused on in X-Force, before the heel turn, he is NOT acting like an asshole!
Laura literally calls him the nerd she can trust and he takes pictures of her and Gabby being cute during a party!
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He's helping Banshee recover from his Apocalypse corruption and teaching at Harvard, trying to actively retire from superhero work because he's exhausted!
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He's telling Captain Marvel, hey, you're wrong about your precognition bullshit in Civil War II, and he's helping Spider-Man with science problems, and he SAVES THE INHUMAN CIVILISATION SINGLEHANDEDLY!
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So many writers are trying to steer him back onto course. Not just Avengers books, either, X-Men books! There's, like, TWO, THREE writers who want to push evil, asshole Beast, and everyone else is just like, uhhh, nooo? But because the X-office do not care, they keep getting their chance. They don't care about protecting Beast's reputation, or his stories, or his legacy. He's just a character to be thrown wherever he'll fit.
So you get the narrative that he was always evil. He was decaying all along.
No, it's bullshit. It's literally the Scarlet Witch story again, where it just HAPPENS in fits and starts to kick off events and stories, regardless of whether or not it makes sense for past characterisation or continuity.
So, yeah. It's a combination of the X-office not really caring about protecting the image of the character, and certain writers just doing shoddy, shitty jobs of writing emotional checks that their asses weren't willing to cash.
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tepkunset · 2 years
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X-Men Evolution ft. Alpha Flight
Been enjoying X-Men Evolution recently, and it made me think about how great an Alpha Flight episode could've been. Hell, there was a Captain America one, so why not?
Anyway, some thoughts about what an Evolution version of the characters might be like:
KIDS -
JEAN-PAUL BEAUBIER / NORTHSTAR:
Age 16, Québécois
Super-speed, flight, can create blinding light by linking with his sister
A jerk, but in his defence is straight up not having a good time. Only does homework for the classes he likes
Backstory only semi-unlocked because it's none of these clowns's business: Kid on his way to being an Olympic-level skier who is hinted to having been blackmailed into joining AF by Guardian, but mostly remains for the sake of his twin sister he only recently reunited with
I didn't bother designing new superhero outfits for JP and JM because why mess with existing perfection?
JEANNE-MARIE BEAUBIER / AURORA:
Age 16, Québécois
Super-speed, flight, can create blinding light by linking with her brother
Either very outgoing and bubbly or very shy and quiet, (depending on if she's Aurora or Jeanne-Marie of course). Definitely forgot about the homework
Backstory unlocked: Raised in a very old-fashioned Catholic boarding school hinted at to be abusive, until running away as Aurora and was found and recruited by Guardian. Really not sure how her DID might be handled in a kid-friendly cartoon, but I think it should still be present because I don't see why children can't be educated on such things
I originally had her civvies designed to reference her 2.0 yellow costume, but then I liked the idea of JM wearing blue and JP wearing pink too much
MARRINA SMALLWOOD:
Age 14, Newfoundlander
Super-speed underwater, can breathe underwater as well as on land
Just happy to be here; tries too hard to seek validation from everyone older than her. Agonizes over not being able to go to public school due to her looks
Backstory unlocked: Was adopted by a small coastal family and raised in a very happy environment, joined AF because she wanted to see more of the outside world and genuinely believes Guardian is teaching them to do good
I literally just drew her in a wetsuit for a superhero outfit lol
ELIZABETH "LIZ" TWOYOUNGMEN / TALISMAN:
Age 15, Albertan / Tsuut'ina
Deus ex machina mystic powers
Running on anxiety and bitterness towards Guardian. Won't let you copy her homework but will help you with your own for as long as it takes
Backstory unlocked: She and her father were recruited to Alpha Flight as what she believes is a PR stunt for so-called Reconciliation. Her magic circlet helps her control her mystical powers, but unlike in the comics she's capable of taking it off
Of all the characters I was most excited to design a new age-appropriate look for her, since 90% of her outfits in the comics look like they're racist Spirit Halloween costumes
ANNE MCKENZIE / SNOWBIRD:
Age 17, Nunavummiuq / Inuk
Animal shape-shifting
Easily forgotten from being so quiet, very prim and proper behaviour that can sometimes come off as up-tight. Studies above and beyond regular homework because she feels like she has to work twice as hard to be respected
Backstory semi-unlocked: With her parents divorced, Anne was used to spending the school year down south with her father and summer up north with her mother, but when her powers started manifesting, her father scorned her and wanted to give up his custody. Instead she now spends her school year under the care of Department H
I hate Snowbird's comic backstory so much; the whole "she's 100% white because her mother was a goddess who temporarily transformed into a white woman to appeal to her white father" makes zero sense and also has gross connotations, so I decided since this is my adaptation, she's not a demigod but rather just a mutant, because why not...
I thought about giving her tunniit, but since I know so little I figured I wasn't the best person to depict them
WALTER LANGKOWSKI / SASQUATCH:
Age 17, British Colombian
Super-strength, super-stamina (when in gamma form)
Biggest nerd in any room, pretty chipper. Will do your homework for you just for fun
Backstory unlocked: Walter was taken in by Department H after being branded as a failed experiment by a group of scientists playing with gamma radiation—except the experiment didn't fail, turning Walter into a gamma mutate, but one with control over himself and the transformation
I had such a hard time trying to decide what to do with this bitch... His power is to turn into a 'cryptid' that is just lifting from spirits across multiple Indigenous cultures so that's really awkward, but I didn't want to leave him out since that felt weird? I do imagine this version of him having a different personality though, where he's less annoying
ADULTS -
JAMES MACDONALD HUDSON / GUARDIAN:
Age 35, Ontarian
Flight and super-strength granted by super-suit
Thinks acting like a Cool Dad™ will make children like him. Believes recruiting kids to work for the government is justified because they have superpowers, but at the same time hypocritically insults the X-Men
Backstory unlocked: Oil corporation research and developer who designed a super-suit for oil extraction, except then the Canadian government put him on the payroll to head Department H for monitoring superhumans in Canada
I knew I still wanted him to be decked out with the maple-leaf because it fits his asshole nature, but I wanted to make him look like he's trying too hard to be Hip
MICHAEL TWOYOUNGMEN:
Age 40, Albertan / Tsuut'ina
Healing mystic powers
Is the actual Cool Dad because he's so chill and actually cares about the well-being of the kids
Backstory Unlocked: A surgeon who turned to traditional medicines in attempt to save his wife when western medicine failed her, and though he he did not succeed, he did discover he had innate mystical powers, putting him on Department H's radar. Just here to protect and patch up the children the best he can
EUGENE JUDD / PUCK:
Age 42, Saskatchewanian
Super-durability
Says thinks like 'back in my day' and 'eh' unironically way too much, low-key waiting on that inevitable divorce between the Hudsons
Backstory semi-unlocked: Is mostly there to train the kids how to be superheroes and survive the experience
Like Snowbird I think Puck's backstory is some bullshit that they should've just left alone instead of trying to create this magic explanation for his dwarfism and chronic pain... just let him be disabled! Disabled superheroes exist! So again, in this version he's just a mutant who happens to also have dwarfism and chronic pain
HEATHER MCNEIL-HUDSON:
Age 37, Albertan
Guardian's wife, tries to be a Team Mom and make up for her annoying husband
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s10127470 · 1 month
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X-Men: The Next Mutation (Revised)
I'm sure some of you reading know by now, almost a year ago, as one of my earliest posts on this site, I shared an idea I had for an new cartoon based around the X-Men titled "X-Men: The Next Mutation"
And people really seemed to like it.
But looking back at it, while I don't think its bad by any means, I do feel like I could've gone into more detail on a few things.
So in honor of the recent release of the long-anticipated X-Men '97, I've decided to revised the concept and make it a little more fleshed-out.
So without further ado, let's get started!
A lot of my previous points from my original post still stand, but just to recap....
This series would essentially be a spiritual successor to Rise of the Teenage Mutant Ninja Turtles.
Just like that series, it feature will an all-new take on the X-Men. Though they wouldn’t nearly as drastically changed. Along with that, the series will make the X-Men more powerful than most of their other iterations through Secondary and Tertiary mutations.
In the comics, from what I’ve read, additional Mutations are rather rare, only happening to few mutants.
Essentially this series will be expanding on the concept of Secondary Mutations, as in this universe, they’re far more common among mutants, with about 90% of the population often experiencing them during early adulthood.
Tertiary Mutations, however, are a lot rarer, with only some mutants experiencing them in their lives.
Though on this case on Mutations, they would be categorized and labeled in a similar fashion to the Quirks from My Hero Academia.
The animation for this series would be done by Flying Bark Studios, the same studio that not only did the animation for Rise, but also other shows like Glitch Techs and Monkie Kid.
And I mean….you seriously wouldn’t want a Marvel cartoon with animation like this?!
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I can already feel the whiplash people would have after seeing something like this (and X-Men '97) after having spent a decade with Marvel cartoons with stiff and cheap animation.
As for the art-style, in contrast to the more realistic (and obviously MCU adjacent) style that Marvel’s previous cartoons had used during most of the 2010s, X-Men will have a far more stylized and exaggerated.
Originally, I choose ArtFrenzyBoris as the one do the art-style for this show.
But after thinking about it, I feel like fellow Deviantart artist Garth2The2ndPower would be a perfect choice as well.
Her art-style just screams that it would translate well to animation.
The best way I could describe her style is like a perfect fusion between Japanese anime and Western cartoons.
Its look is quite reminiscent of anime, but you can clearly tell hat it was made in the West.
Plus, it looks like it came straight out of an action cartoon from the mid-to-late 2000s/early 2010s.
Another awesome thing about her style is just how incredibly expressive it. I love when animated characters are allowed to actually feel, well, animated.
It just makes them feel more alive in my opinion.
And given the animation studio Garth would be working it, that’s a must.
Anyway, here’s just some of the art she's done….
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Similar to Rise of the TMNT, the series will sport a more comedic, light-hearted tone than its previous iterations and be more episodic with some story arcs sprinkled about. I know some people are gonna have a problem with the first detail thanks to one particular show that I’m not gonna mention making people think that anything remotely comedic involving long-existing superheroes is automatically bad. But similar to Rise, despite being more light-hearted and comedy focused, it won’t shy away from dramatic or emotional moments. As for the latter, that won’t be problem since the 90s show and X-Men Evolution did the same thing as well.
Also, might be a bit controversial, but the way mutants are viewed in this universe is a bit more neutral than most iterations. While some of humanity still hates and fears them, others are actually fine and even like them. I’ve always liked it when the X-Men actually had human supporters (or at least humans who actually appreciate what they do), which most adaptations almost never really explore.
The series will also feature various romantic relationships. Some iconic, some rare, some that were set up but never explored, some popular with the fans, and even some that have never really been considered. Also, there will be no relationship drama (or at least drama that isn’t melodramatic or shit). Yes…that does mean you-know-what will be not featured in the series in any kind of way…..and I think we will all be better off for it. 
As for the X-Men themselves, the roster is a little smaller than I initially shared for the first post.
And unlike the first post, I'll actually be diving into their characters apart from their powers.
But before I do that, I do want to bring up this cool detail.
The X-Men in this series (at first), will be wearing team uniforms similar to their teen years.
And this is what they'll look like.....
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Done by TheScarletMercenary, I've always felt these outfits were a perfect modernization of the classic X-Men outfits from the 60s.
Also, there will be some variations on these outfits for some of the X-Men.
Anyway, let's go ahead and actually talk about the team themselves, starting off with the leader himself and the first X-Men, Scott Summers, codename: Cyclops.
This Scott is quite similar to his Evolution counterpart, being far more confident, outgoing and optimistic than most of his other iterations. But he does still have that great sense of discipline and responsibility (which could be the result of his father being an Air Force veteran), that made him the perfect person to be the leader of the team.
Scott himself hails from Anchorage, Alaska, is 18-years old, stands at 6’0 and weighs 187 lbs, has fair skin, a slim (almost gangly-like) but fairly lean build, shaggy brown hair in a curtains style and his eyes are usually covered by either his trademark yellow visor with red lenses or his pair of ruby-quartz sunglasses.
As for his backstory, it's largely the same as in the comics, with only two notable differences.
His younger brother Alex (who I'll touch more on a little later), wasn't separated from him and they actually got to grow up together.
His childhood wasn't tampered/monitored by "you-know-who".
As for what he's capable of....
Scott's Primary Mutation is Optic Blast, which grants him the ability to shoot powerful beams of ruby-colored concussive force from his eyes. However (like in every other iteration), he can’t exactly control them due to a childhood injury. So he has to always wear either his visor or sunglasses in order to keep them at bay. But he does have enough control over them to control the trajectory, size and even density of his beams. From being wide enough to demolish a wall, to light enough to bounce off surfaces. He’s also a surprisingly skilled tactician for someone his age, possesses an uncanny sense of spatial awareness and is trained in hand-to-hand combat.
His Secondary Mutation is Energy Channel, which grants him the ability to harness the energy of his optic beams throughout his body. As you would expect, this grants him new abilities. These including being capable of augmenting his speed and strength to superhuman levels, granting himself the power of flight, and shooting his concussive beams from other parts of his body beside his eyes like his hands and feets.
As for his voice actor, Scott will be voiced once again by his recurring VA, the ironically named Scott Porter.
Next we come to the second member of the X-Men, Jean Grey, codename: Psyche.
Jean is what would expect from any version of the character: spunky, outgoing and caring, she’s sort of like the big sister of the team.
Jean herself hails from Trenton, New Jersey, is 18-years old, stands at 5'5 and weighs 130 lbs, has fair skin, an hourglass figure with a bottom heavy build, red hair in a bob-cut, green eyes and red lips.
As for her backstory, it's largely the same as in the comics and other iterations of the character.
Jean's Mutation is Psionic, which grants her various telepathic and telekinetic abilities. Apart from the obvious reading the thoughts of others and moving things with her mind, she can also project psionic energy (which is colored pink) in the form of concussive blasts, use said energy to also create various constructs and use telekinesis to grant herself the power of flight.
The reason I didn't put down her Primary (which was Telepath) and Secondary Mutations (which was Telekine) is because Psionic is essentially a combination of the two.
Yep! Jean is one of the only two members of the X-Men at the start of the series that already has their Secondary Mutation, since just like in the comics, she was an early bloomer.
As for her voice actor, Jean will be voiced once again by her recurring VA, Jennifer Hale.
Now we come to the third member of the X-Men Henry McCoy, codename: The Beast.
This Henry (along with the 90s animated Henry) is a true return to the Beast we know and love.
He's intelligent, well-mannered, and one of the most mature and level-headed members of the X-Men, due to him being one of the oldest members. But he still has the wit, playfulness and wisecracking nature of a teenager.
Henry hails from San Diego, California, is 19-years old, stands at 6'2 and weighs 302 lbs, has fair skin, a broad and muscular build with a posture and figure akin to that of an ape, abnormally large hands and feet, long blue hair that was tied up in a ponytail and blue eyes.
We also have the first X-Men with some difference to their uniform!
Henry's wouldn't wear any gloves or boots and his uniform wouldn't have any sleeves.
As for his backstory: Henry’s Mutation awakened the earliest out of all the X-Men, with him having it since the day he was born. This unfortunately led Henry to have a rather sheltered childhood. But during his teen years, he would start sneaking out and secretly playing as a star quarterback for the football team of the local high school. But once he joined the X-Men, he finally got the chance to experience life outside his home without having to do it in secret.
Henry's Primary Mutation is Primate Atavism, which granted him the pinnacle of human intelligence along with a body akin to that of an ape, with the physicality to go with it. His physical capabilities seem to be an amalgamation of various primates. He has the strength of a gorilla, the speed of a monkey, the dexterity of a chimpanzee, the agility of a gibbon and the flexibility of a orangutan.
His Secondary Mutation is Genetic Atavism, which allows him to switch between different animalistic forms whose capabilities are an amalgamation of the animal family they represent. These forms include a feline form, a canine form, a bovine form, a bear-like form, a boar-like form, a pachyderm-like form, and a rhino-like form. But his primary form and the look he'll be rocking for the entire series once his Secondary Mutation awaken would be a sasquatch-like form.
This form would grant Henry a muscular, sasquatch-like build, blue skin, blue fur all over his body, large clawed hands, large feet, sharp teeth, pointy ears, long messy blue hair and blue eyes.
It would also increase his height from 6'2 to 7'2 and his weight from 302 to 402 lbs.
The form would also keep the abilities of Henry's Primary Mutation, but enhanced to far greater levels.
As for his voice actor, Henry would be voiced by Yuri Lowenthal, who I've always felt would be perfect for a younger version of the character.
No offense to his recurring VA Fred Tatasciore, but I don't think he has quite the range to pull off an convincing voice for young man.
Next we come the fourth member of the X-Men and the second-in-command Ororo Munroe, codename: Storm.
This version is a mismatch between her typical portrayals and her Ultimate iteration. Being one of the oldest members of the team, Ororo is quite mature and surprisingly wise for her age. She also has a street-smart and witty side to her as well. And for someone who spent most of her life on the streets, Ororo has this odd sense of regalness and composure. These traits have made her essentially the second-in-command of the X-Men.
Ororo hails from Cairo, Egypt (but was originally born in Kenya), is 19-years old, stands at 5'11 and weighs 145 lbs, has dark skin, an hourglass figure, white shoulder-length hair in the form of braids, blue eyes, gold lips, a black headband and gold lightning bolt earrings.
As for her backstory, it's largely the same as in the comics, except she never got worshipped as a goddess among a tribal community.
Ororo's Primary Mutation is Meteorological, which grants her the ability to manipulate all forms of weather. From thunderstorms and tornadoes, to blizzards and tsunamis. She can also generate and manipulate electricity, manipulate wind, water and ice/snow, alter the temperature of an entire environment at will and her own body temperature depending on her current environment, use wind currents to fly, has an uncanny sense that allows her to predict weather patterns, and thanks to her time as a thief, is skilled in picking locks and physical combat.
Her Secondary Mutation is Element Phase, which grants her the ability to transform her entire body into either an electrical, wind, water or icy form. This not only makes her nearly invulnerable to damage (as most physical attacks would just phase right through her), but also enhance her physicality in some ways. Her electrical and wind forms would grant her superhuman speed, agility and reflexes, her water form would grant her elasticity, and her ice form would grant her superhuman strength and resilience. She can also create physical constructs out of the elements, even with her own body, the Secondary Mutation grants her much greater control over the weather than before, and she can even turn into an elemental giant by absorbing the elements (like the air and water) around her.
As for her voice actor, she would be voiced by previous recurring VA, Danielle Nicolet.
Now we come to the fifth member of the X-Men Wren Worthington, codename: The Angel.
You may have already noticed that I referred to Angel as Wren Worthington instead of his full name, Warren Worthington III.
Well that's because in this series, Angel is a female rather than a male.
The reason why I choose to do this is because seen a lot of recent fan reimaginings of the X-Men having Angel either being a female or non-binary, and I thought that would an interesting change to do for the character.
Personality-wise: she’s spirited, carefree and often has her head in the clouds (both figuratively and literally).
Wren hails from New York City, is 18-years old, stands at 5'11 and weighs 145 lbs, has fair skin, an hourglass figure with a muscular build, long blonde hair, blue eyes, sky blue lips, black bird earrings and a pair of big white wings on her back.
As for her backstory: Wren was born into a life of wealth and privilege. However, everything change when her Mutation awakened, which brought her into conflict with her father Warwick, the CEO of Worthington Industries and a hater of mutants. He desperately tried to keep the fact that his daughter was a mutant under wraps. This led to Wren having something of a sheltered life during her adolescence. Thankfully, the X-Men came along and Wren was finally able to be free.
Wren's Primary Mutation is Avian Flight, which granted her bird-like wings that allows her to fly. Her body is also naturally adapted for aerial transversal, can fly at superhuman speeds and possesses enhanced lung capacity and eyesight.
Her Secondary Mutation is Healing Light, which grants the ability to manipulate a special kind of light with healing properties. She can also use the light in an offensive manner and thanks to its properties, Wren also has an accelerated healing factor similar to another member of the X-Men.
As for her voice actor, she would be voiced by Grey Griffin, who I felt would be perfect for a female version of Angel....or any character voiced by LOB.
Next we come to the sixth member of the X-Men Kurt Wagner, codename: Nightcrawler.
He's what you would expect from any version of Kurt: kind-hearted, well-mannered, caring, and a devoted Catholic.
Kurt hails from Germany, is 17-years old, stands at 5'7 and weighs 164 lbs, has blue fur-like skin covering his entire body, a slender build, shaggy dark blue hair, full yellow eyes with no visible pupils, pointy elf-like ears, slightly fanged teeth, three fingered/toed hands and feet and a long pointy demon-like tail.
As for his backstory: Kurt always had it rough. Ever since he was born, he was cursed with the appearance of a demon. He was able to make the most of it by becoming the star of a traveling circus, which made people believe his appearance was just part of the act. However, when the public discovered that wasn’t the case….they didn't really take it well to put it lightly. Luckily, the X-Men came in time to save Kurt him from a slow and painful demise.
Kurt's Mutation is Shadow Move, which grants him the ability to teleport anywhere in a limited radius through a cloud of black brimstone. Thanks to his peculiar physiology, he’s also naturally agile and flexible, can become nearly invisible in shadows, has night vision and is a skilled swordsman.
Yep, Kurt is gonna be showing off his swashbuckling skills here! Three-Sword Style BABY!
As for his voice actor, he'll be voiced again by his recurring VA, the previously mentioned LOB, Liam O'Brien.
Now we come to the seventh member of the X-Men Piotr Rasputin, codename: Colossus.
Piotr is want you would expect from any version of the character: a gentle giant with the heart of the artist.
Piotr hails from Russian, is 17-years old, stands at 6'9 (7'4 in steel form) and weighs 260 lbs (495 lbs in steel form), has fair skin, a broad and muscular build, black hair in a flat-top almost buzz-cut like style and blue eyes (full grey when in steel form).
Also, just like Henry, he doesn't have any sleeves on his uniform.
As for his backstory: Piotr used to live a simple life as a farm boy. But after his Mutation was exposed, he and his family found themselves in great danger. But thanks to the X-Men, the Rasputins found a new home here at the Westchester District, where they could remain safe.
Piotr’s Mutation is Organic Steel, which grants him the ability to convert his flesh and skin tissue into a steel-like substance. This steel form grants Piotr incredible strength and resilience, and when matched with his use of hand-to-hand combat, makes him the team’s resident powerhouse.
As for his voice actor, he'll be voiced by his recurring voice actor, Chris Cox.
Next we come to the eighth member of the X-Men Bobby Drake, codename: Iceman.
Bobby is what would expect from any version of the character: playful, fun-loving and a bit of a prankster and show-off.
Bobby hails from Boston, Massachusetts, is 16-years old, stands at 5'4 and weighs 135 lbs, has light skin, a slim build, shaggy brown hair and light blue eyes.
He also has short sleeves and pant-legs on his uniform, wears no gloves or boots and rocks a black durag with a red X-Men symbol at the center (similar to his Ultimate counterpart).
As for his backstory: Bobby lived a fairly normal life with his family. But when his Mutation awakened, fearing that his family would be put in danger because of it, he ran away from home in order to keep them safe. But he eventually found a new home here at the Westchester District.
Bobby’s Mutation is Moisture Freeze, which grants him the ability to convert the moisture around him into ice and snow. Apart from the obvious freezing objects and creating ice and snow, Bobby also possesses a high resistance to low temperatures (so much so that he can coat himself in a flexible armor of ice) and can create various constructs out of ice. These include the likes of shards, shields, pillars, melee weapons and slides (the latter of which he uses to travel quickly across long distances).
As for his voice actor, he would be voiced by Jason Marsden. I've always felt Jason Marsden would make a great Iceman, and he did a good job as the character in X-Men: Destiny. And chances are, he could've become a recurring voice of the character if Marvel hadn't enter their "the X-Men don't matter anymore" phase because they were huffy about the move rights.
Now we come to the ninth (and the last member of the X-Men with a Secondary Mutation) James Howlett, or Logan as he prefers to be called, codename: The Wolverine.
Personality-wise, he's pretty similar to his iterations from Evolution and Wolverine and the X-Men.
Where still keeps his gruff and tough nature, but he's far more responsible, level-headed and laid-back when compared to most of his other iterations.
Logan hails from Canada, stands at 5'2 and weighs 295 lbs, fair skin, a stocky and muscular build, black hair in his trademark devil horn style, a five-o'-clock shadow and blue eyes.
As for his outfit, it's practically the iconic yellow and blue suit. Mask and all!
Backstory-wise: Most of his past is completely shrouded in mystery to the characters and even himself. But they do know that he’s by far the oldest (in spite of his appearance) and most experienced member of the team, having fought in some of the biggest wars of the 20th century. Not too long ago, Logan was once their enemy, constantly trying to take us out. But after finding out that he was being forced to do so in order to save his family, the X-Men decided to help him and out of gratitude, he joined them team.
Logan's Mutation is Healing Beast, Model: Mustelidae. Similar to Jean, it's the combination of Primary and Secondary Mutation. Initially, this granted Logan an accelerated healing factor, which allows him to heal from injuries much faster than the average human, superhuman physicality, enhanced animalistic senses and a pair of razor bone claws that he can eject from his knuckles. But thanks to Weapon X, government genetic research facility project, Logan was made even stronger than before. His healing factor has made so powerful that he’s able to quickly heal from even the most fatal of injuries, his physicality and senses have enhanced to even greater levels and even his claws are now coated in the near-indestructible metal known as Adamantium. A few years later, his Secondary Mutation finally awakened, which granted him the ability to transform into a man/were-wolverine, which enhanced his physicality and animalistic senses to even greater levels. And even more so with the berserker rage the form gave him. Unfortunately, Logan barely has any control over his form, which puts everyone around him in mortal danger, so he rarely ever uses it.
As for his voice actor, you already know who I have in mind.....the one.....the only.....STEVE BLUM!
Now we've made to the tenth and final member of the X-Men Kitty Pryde, codename Shadowcat.
Kitty is what you would expect from any version of the character: an intelligent social butterfly whose also a massive lovable nerd with a passion for computers.
Kitty hails from Chicago, Illinois, is 14-years old, stands at 5'0 and weights 95 lbs, has slightly tanned skin, a slim and slightly petite build, long curly brown hair tied up in a ponytail, hazel eyes, pink lips and multicolored braces.
As for her backstory: Kitty was a near straight-A student and an expert at computers. However, this often made her the target of bullying, which only got worse after her Mutation got exposed in public. But luckily, she found a new school to attend.
Kitty's Mutation is Phase Shift, which grants the ability to make her entire body intangible, along with anything she touches.
As for her voice actor, she would voiced by Jennie Kwan, who you'll known best as Suki from Avatar: The Last Airbender and Chun Lin from Street Fighter 6.
And accompanying her is none other the little dragon himself, Lockheed!
It's actually to think that this series would mark his first major adaptation in anything.
It's weird how despite being the companion of one of the X-Men's most prominent players, they've never had him appear in anything outside of the comics and video games.
It's sort of like the case of Franklin Richards, where despite being the son of the two of the members of the Fantastic Four and a major character in the cast, he's never made an appearance outside of the comics.
Anyway, Lockheed is what you would expect from any animal companion: Playful, mischievous and loyal to the nth degree.
As you expect: He's a purple dragon with full yellow eyes similar to Kurt, and stands at 2'6 and weighs 20 lbs.
Backstory-wise, it's pretty accurate to how it was in the comics.
Being that Lockheed comes from a race of aliens that resemble dragons known as The Flocks, who've been at war with the ravenous alien race The Broods.
Lockheed end up getting stranded on the Broods' homeworld and was being hunted by the aforementioned Broods.
During that time, he would encounter Kitty, who, along with the rest of the X-Men, were brought to Broodworld by force in order to be experimented on.
And it's history ever since.....
As for his voice actor, he would be voiced by everyone's go-to for providing animalistic vocals, Dee Bradley Baker.
Well that's all I have for now.
This is gonna be a multiple-part series.
For this first part, I did want to cover the recurring characters/allies, the villains and even some potential episodes, but I felt that it would make this post a little too long for most people.
So I decided to just dedicate this first part to just introducing the X-Men of this series.
I hoped you all liked this first part and if there's anything you want to know about this version of the X-Men, let me know!
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blazehedgehog · 2 months
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What do you want for a 90’s Spider-Man cartoon revival in the future?
I don't know that I do.
Like, X-Men '97? Sure. I don't interface a lot with the X-Men, so in my mind's eye, the era of the Saturday Morning Cartoon (which was more, like, 1993) and the Capcom Versus games are the state in which those characters are frozen in my mind. They were never cooler than they were at that moment.
90's Spider-man, on the other hand? Like, yeah, the theme music is iconic. But when I think of Spider-man I don't actually immediately think of the 90's cartoon. I've got nostalgia for it, don't get me wrong, but Spider-man has become such a varied beast.
X-men never felt like it broke out of the shadow's of the 90's designs, whereas Spider-man did. If they brought anything back around for a revival I'd want it to be Spectacular Spider-man. That was prematurely buried when Disney bought Marvel and it was the last Spider-man TV show I cared about. I've heard from friends who know better than me that a lot of the Spider-man cartoons Disney's done since then are all much more simplistic and kid-focused than Spectacular was.
So while it's been nice to hear 90's Spider-man turn up again in different things (I think he voiced one of the Spideys in Edge of Time) I'm not, like, clamoring to have a reboot or continuation of that.
Especially thinking back to the thing I always joke about and how 90's Spider-man kind of got up its own butt. How you'd tune in to a random episode of later seasons and it was always something like "SINS OF THE FATHER: PART XII"
I was getting kind of tired of 90's Spider-man in the 90's, you know?
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bimbosanddolls · 6 months
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Congrats on 20K followers!! Thank you for being such a fantastic part of the bimbosphere and a really nice person to boot! For the AMA thing: do you have a favorite superhero? (If you have a favorite X-Men character specifically I'm curious because I love X-Men lol)
Ever since I was a kid, it was Batman because I felt like I could be him if I was rich enough and knew martial arts. Now, I’m like “of course it was” because he had a bunch of femme villains that were super hot.
My fave X-Men character was Gambit because I always like staff user (Donatello is my favourite ninja turtle) and him and Rogue were my favourite in the 90s cartoon.
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counterspelling · 1 year
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1 and 52 for the salty comics ask thing!
How has DC/Marvel/publishing company wronged you, specifically? For sure 10000% House of M. The comic bubble burst in the 90s, marvel and dc were both hemorrhaging money. the x-men had skyrocketed to popularity over the last decade, they were EVERYWHERE, bc claremont wrote them for 15 years and took them from an abandoned book to like 6 books published every month which directly lead to their huuugely successful cartoon. so they sold their film rights to keep the company afloat, the x-men movies (and blade and spiderman) lead to the mcu being what it is now, but marvel wasn't seeing any of that money. so they punished the x-men for it. they de-powered millions, leaving only 300 mutants in the entire world. they murdered their kids. there was an editorial mandate that you couldn't create new mutant characters for years, since it was just putting money into fox's pockets. and now mcu kamala is a mutant and namor is apparently in black panther???? did they even mention he's a mutant????
What’s the most confusing plot point you’ve tried to understand to get to the good stuff? xorn???????? for the life of me i have to google it every time i think about it bc it's just. so stupid. i think the cassandra nova stuff confused the fuck out of me the first time. stupid in the fun way: all the clones in the 90s (xmen AND spidermen), every single branch of the summers family tree, and longshot and shatterstar being their own dads
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fungi-maestro · 2 years
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Who are your favorite comic characters? Hard mode; no The Question. (VIC OR RENEE!!!!)
Ouh! Surprisingly not that difficult for me haha. I love the Questions, don't get me wrong, but I actually have another comic character that I would probably answer if someone asked me who my favorite is. Sure, I post about Vic a lot more than this person, but I own physical copies of a ton of comics and can attribute my interest in reading comics to them. And this character is..... Squirrel Girl. :) What is it with me and Ditko characters.....
I think she's a really great hero, and she has a sort of bubbly optimism that I found super inspiring when I was a kid. I remember the first time I read a Squirrel Girl comic, I was so shocked that comics could be that fun and interesting, since most of my exposure up until then were comics/superhero cartoons I didn't feel that strongly connected to. I would say my earliest favorite superhero is Wolverine from some 90s/00s X-Men cartoon, but even then I never really cared about his history or character. Doreen Green, aka SG, was the first character I saw and thought, "I need to know everything about this person NOW." and then I started reading comics, then I started collecting them, and now I have a fat stack of TUSG and GLA comics collecting dust on my bookshelf.
To this day, she's the only character that I actually own more than one or two copies of a comic featuring them. Would it surprise you to know that I don't actually have any Question comics (compared to my ~30-40 SG ones)? Maybe someday.......
Anyway other than her, I like Plastic Man. I think he's fun. I also really remember loving Martian Manhunter as a kid from watching JLU and playing a justice league game on my brother's PlayStation, but I haven't read anything with him. I just remember him being really great, plus he could turn invisible and fly in the game. :)
I credit most of my comic love to my brothers, who were always watching stuff like that and playing games like that with me. One of them actually went on to become a professional comic artist, so I would definitely say that they nurtured that interest. Shout-out brothers. A lot of my SG comics were gifts from them once they found out I liked her. Super great and very dear to my heart. I totally recommend reading some Unbeatable Squirrel Girl if you can. Let me know what you think!
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Do you like the mcu?
Short answer: Yes
Slightly less short answer:
Yes but I haven't kept up with much of it after End Game, I didn't sign up for a bunch of TV shows, I only really wanted to follow a series of movies. I'm much more of a DC guy but DC's movie related decisions have been a string of disasters so I feel like I shouldn't bother getting invested. Even their animated movies are took a turn I don't care for ever since Justice League Dark.
Long answer:
I liked a few of the movies very casually. I didn't like all of them, just a few of them here and there. As I said, I'm really more of a DC guy, from Marvel I only really gave a shit about Spider-Man and the X-Men as a kid thanks to the 90's cartoon, and I didn't care about Marvel's B listers, which the MCU was definitely made up of at the beginning there.
I think Thor Ragnarok's shift toward more of a comedy focus kind of caught my attention, and then Infinity War really made me retroactively appreciate the history of the MCU a lot more, I went back and re-watched them all with new appreciation. I was still a very casual fan...
Then suddenly my Mom becomes super interested in Infinity War despite not really remembering much of the MCU movies or even really liking Super Hero stuff much. It's very rare for her to actually get emotionally invested in any media at all. Even more rare that it's something where our taste intersects. So she kind of became my MCU watching buddy and it's now kind of a thing we bond over. I know a lot of people look down on Super Hero movies nowdays but they're pretty meaningful to me since it's a way for me to have some quality time with my mother.
I'm not super interested in what's happened after Endgame aside from the Spider-Man stuff and Wanda Vision was pretty good but I am so not down to be keeping up with all those Disney Plus series.
Anyway, yeah, I like me some cape shit. Sorry to fans of non action movies that Super Heroes are over saturating the movie schedule. But not sorry about enjoying it.
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Any 80s and/or 90s cartoons you like to see get a reboot/
Since I just finished these 2 recently I'mma say the X-Men and Spider-Man animated series which I haven't seen since I was a kid. While I liked both of them, I'll have to say that I prefer the Spider-Man series better than the X-Men one. Mostly in that Spider-Man had more clear storylines and better writing and animation, the X-Men series I saw was very scattered in what they were doing and most likely just doing whatever storyline was going on in the comics at the time (which I get but comeon). The first few eps had them deal with the Sentinels, then Magneto and then Apocalypse....all in Season 1.... Season 2's main villain was Mr. Sinister but it was weird that Magneto and the Sentinels were shoved to the wayside so quickly, meanwhile Bishop and Cable kept showing up every few episodes. Not to mention that for a "School for the Gifted", the only new student was Jubilee and no one else. It'd make more sense if Xavier's school had more young mutants in the background.
If I had a chance to work on an X-Men series I'd def make sure that while there's a large cast, to have the seasons focus on a handfull of them at a time and theme the villains and storylines around them. While Wolverine is cool and all, I wouldn't have him in each season/line-up just so that he doesn't overshadow the rest of the cast.
As for Spider-Man, while I say I want a reboot, actually I just want Spectacular Spider-Man to continue, it was close to perfect already.
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OK. What would be your storm reading/watch list for anyone who wants to get to know the character? It can be anything, across all movies, TV shows, and comic book continuities. What are the things you need to see in order to get to know Ororo Monroe
Hey, my first ask! Thanks!
So, great news for Storm fans; it's kind of an open secret she's Chris Claremont's favorite character, which means there's plenty stuff out there about her. Small disclaimer; I like Storm, but she's not my favorite, and the X-men were kind of on my periphery for a long time, so I can't say I've seen everything she's been in, or paid much special attention to her in the stuff I did see.
First off, you can just read Chris Claremont's OG Uncanny X-men run. Storm joins the team in Giant Sized X-men #1 (1975) and, I'm pretty sure, remains a member the whole way through until Claremont's steps off in 1991. Even when she's not an active team member, such as in the current stretch I'm reading through, she's still a featured character. Claremont freaking loves Storm, he gives her all the attention she could possibly need to be a layered, complex and entertaining character.
If you're looking for the full Storm experience but don't want to read almost 20 years worth of comics, watch the 90s X-men: The Animated Series. 90s X-men is a perfect adaptation of the comics, and when I say "perfect adaptation" I don't mean necessarily the best X-men stories, its schlocky as hell and looks cheap (affectionate). I mean they stay as true to the source material as possible in terms of tone, the storylines they adapt, the art style they use, etc. With the caveat that, since the cartoon was produced in the 90s, the 90s team roster is featured even when adapting older stories (yes Gambit and Jubilee, no Kitty Pryde, Nightcrawler or Colossus!). Storm is present though, and while she may not be given quite as much emotional depth (because schlocky kids cartoon), her personality is still very much Storm.
The other two X-men cartoons are X-Men: Evolution and Wolverine and the X-Men. Evolution's Storm is close enough to her comics counterpart, but she's not the focus and doesn't get a ton of screen time. I don't remember Wolverine and the X-Men's Storm at all, which isn't a good sign (to be fair I focused exclusively on Liam O'Brian's Nightcrawler 😳). I don't think she showed up for long and from what the internet is saying, the writer's couldn't figure out what to do with her because she was too powerful for their storylines, so they kept finding ways to get her out of the picture.
I've only seen one live action Storm but I doubt either is a good adaptation of the 616 character. No shade to Halle Barry as a person but her performance as Storm is wooden as fuck. To be fair, she doesn't get a chance to do much except look cool, do superpower things and spout exposition dialogue. And I know the reboot Storm has some big changes made to her (plus, she's only important in Apocalypse, in Dark Phoenix she's sort of set dressing).
Haven't read any modern comics with Storm in them, can't give my opinions on them. DON'T READ ULTIMATE X-MEN. NOT BECAUSE THEY'RE DEPICTION OF STORM IS SUPER BAD BUT BECAUSE ULTIMATE MARVEL JUST SUCKS IN GENERAL. EXCEPT MILES MORALES HE CHILL.
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punkrogue · 1 year
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it’s very validating to see that not even some romys like what’s going on with the kids rn. I REALLY don’t like the vast majority of rogue’s writing since like 2010-11 or so mostly bc of like Bad Character Choices this modern era tho?
this is just whatever the fuck ppl remembered from the 90s cartoon watered down to the point of cardboard and a shitty ms paint job to try and convince us it’s rogue.
i’m ALSO not a fan of the whole “har har irene hates remy and thinks he’s stupid” shit fuck you. you’ve never read a irene/destiny comic or the 00s x-treme x-men in your life.
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twilightguardian · 1 year
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X-Men Comic Journey/Fake Geek Reads Comics
Issues 1-10 (November 10th 1963-March 10th, 1965)
I don’t know why I’m doing this.
Well, I do. I’m a fake geek girl and I need to not be fake shit anymore. But I don’t know why I started now when for years I’ve been thinking of getting into comics and just never have. But when I get into something, I go hard. I doubt that it’s really novel or unheard of to have read the old issues or whatever. I suppose I wanted to document my journey as I go along. Voice my thoughts.
Also hey, it took them a whole year to even get 8 issues out. Now I don’t feel quite as bad for my own comic’s lack of progress!
I’ve been a fan of the X-Men since I was little, having a kid’s channel continuously on or flipping between the channels and would occasionally catch the 90′s X-Men cartoon. Rogue (hated Gambit, she was too good for him in my mind) was my favourite character, but I also liked Cyclops. I also have fond memories of X-Men Evolution and the live action movies. But I only ever consumed visual media of the series, and for a long time knew that the comics ran much longer. I heard tales of the kinds of storylines going on in them, how crazy they got and how you pretty much have to follow the series to understand them. Why not start at the beginning?
I had already watched Atop the Fourth Wall’s episode of the first 1963 issue, but I read it anyways and it’s... interesting.
From the first few pages I can already tell there’s going to be some growing pains for me; things I need to get used to. I grew up primarily reading manga, you see. It’s pretty minimalist most of the time with the dialogue barring certain exposition or explanations, and a lot of the time the art is flowing. The words keep to itself, for the most part, allowing the pictures to tell the story. Of course, that’s modern manga to 50-year-old American comic books. Still, this is the kind of cultural shift I have to deal with.
We meet the main cast of characters. Professor X, Iceman, Beast, THE Angel, and Cyclops, also known as Charles Xavier, Bobby Drake, Hank McCoy, Warren Worthington the Third (I’m sorry for your name dude), and... Slim? Summers. Wow, okay. So these characters aren’t quite who I know them as, for sure. Especially poor Hank.
Hank looks relatively normal, which is something I’m not used to since I’m more naturalized to his more blue, fuzzy appearance. Really, the only thing different about him is his large Hobbit feet and thick, stout build. His intellect is missing and while being rather polite overall, still gives off a sense of brutishness likely reminiscent of a gorilla.
Scott isn’t really a thing. Instead, he’s referred to as Slim, and he jokes around with the other three.
Bobby is supposed to be a younger teenager, while it’s presumed that the others are older. He has no interest in gazing at the new recruit, Jean Gray. Apparently these days Bobby is gay in the comics, though I doubt that’s the actual explanation in the first issue and not just... showing the general teenage immaturity of this otherwise 30-year-old looking cartoon doodle. His immaturity is further elaborated on both in dialogue several times and his general demeanor. He’s also depicted as just some human-shaped mass of loose snow.
None of them really have any defined personality to speak of. They’re all rough-housy boys who (aside from the child) all topple over each other for the new (female) recruit to pay them notice.
Jean herself is what I’d expect for a female character written in the day. Generic pretty and someone whom all the menfolk get stupid about and into fashion. Also, her powers are made so that she doesn’t have to do physical activity because that’s unladylike.
This is also the first appearance of Magneto and whoo-boy. He’s nothing but your typical moustache-twirling villain. Ouch. He doesn’t so much hate humans because they’re dicks, but more he’s the dick who thinks that evolution is a step-laddar and humanity is the old thing that needs to make way for the new hotness known as “superior”. Because that’s not pretentious or anything. 
It’s kind of eye-rolling if you even have any passing actual knowledge of evolution. Personally, I wouldn’t treat humans as a separate species, but I mention this because I know this is a running theme to this day. Creatures are classified as separate species when they are no longer to produce viable offspring with each other. The genetic differences become so great, the genes can no longer intermingle. It’s like saying your child has autism, or they were born with red hair while yours and your husbands’ hair is blonde. They’re suddenly a different species of human being!
Magneto is just fucking racist and so far in the comic there’s literally no reason for it other than he’s an evil dick. Especially not when, as we see, there’s a rather Fantastic Four-ish feel to the X-Men. They’re ‘public figures’ as a superhero group. They’re also rather well liked. The whole mutant persecution thing actually doesn’t even show hints of showing up until at least issue 5.
Whenever I talk about this, I get a lot of apologetics, which frustrates the hell out of me. ‘Oh, it’s the 60′s, what do you expect?’
I expect a modern-day grasp of how writing and storytelling works. I don’t care that silly things like the gang having a Journey to the Center of the Earth episodic moment. I don’t care that they have prat falls and their actual fight scenes are lacklustre and boring. I’m talking about consistency and other quite basic writing things that just aren’t there. Writing didn’t get perfected in the 21st century or even 20 years later. I am reading a comic from the 60′s. I’m expecting a bit of silliness. I expect also at least some decent storytelling and not... making shit up on the fly.
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Okay so you have crossover aus (Marvel or DC) with danny phantom and everything
Well last night I was trying to find a post that talked about how Danny is his worlds first and last defender (there are others but they arent on the same level as Danny)
Then my tired brain kept thinking of the GIW and how in fandom (could be canon but idk) the ecto bill passes basically being anything that produces ectoplasm is non-human/sentiant
So I was like wondering how other heros would react
So how do you think other heros (you pick which one(s) to do) would react
(I mean Marvel has many comics talking about superpowers and things)
Have a great day and thanks for answering this ask!!!
ooooh okay so this is interesting because I'm different comic book universes have different laws varying between animated series, movie series and the actual comics themselves
I'm not inherently familiar with comics so I'll have to work primarily from movie-verse rules and maybe some animated series stuff
so my first thought about this was actually the X-Men, who would be not even remotely surprised by laws like that being passed since they've pretty much experienced the exact same kind of discrimination, they'd be too jaded to be horrified but they would definitely be hugely understanding and sympathetic
some may even give him some advice on how to fight the laws based on their own experiences
within the Justice League universe metahumans don't seem to face legal issues (I'm basing this entirely on the 90s Batman cartoon because I just finished watching it) the villains from that series who had some kind of meta ability weren't treated all that differently under the law than non-metas, there was an indication that there was social discrimination but like, nobody was hunting down and capturing meta humans unless they were criminals
so within that universe they would probably be pretty upset to hear about laws being passed that allowed that kind of discrimination
though I'm pretty sure other variations of the DC universe have very different rules and experiences, I wouldn't be surprised if there's been a whole thing about Superman being an illegal alien and having the government get all funny about it, so heroes like Superman and Martian Manhunter at least probably wouldn't be all that surprised about laws against 'non-humans'
the MCU would be interesting, they have organisations like Shield to contact any known meta-humans, and they generally prefer to work with them or keep them out of trouble/the public eye, unless they're using their abilities for crimes
but that universe also has experiences with foreign creatures coming through portals and fucking shit up, so a law being passed that allows people to hunt creatures like that wouldn't be surprising to them and, in fact, they may even defend it
they would likely be very upset about the idea of blatantly attacking willing allies tho, like yeah creatures who come through and attack people are fair game but if one shows up wanting to help? trying to capture and harm them wouldn't just be morally wrong, it would be strategically stupid
so overall, I think the general consensus would be that nobody is surprised about humans being discriminatory and attacking things they don't understand
they would all feel bad for this poor kid who's caught in the middle of it all, most of them would be horrified by the brutality of the laws (allowing needless violence and medical torture) and all of them would be pretty disgusted that these people are actively targeting a child
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blazehedgehog · 3 years
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Do you think the Sonic franchise would be universally accepted if it were to go into the direction set out by the SatAM cartoon (e.g. roboticization, Robotnik with demonic pitch-black eyes and a robotic arm, Sonic being part of the Freedom Fighter ragtag group) instead of the direction it took from the country of origin (e.g. Eggman being round and wears glasses, having colorful and surreal places)?
Well, let me ask you what you mean by that, because by 1993 Sonic the Hedgehog was a pretty big household name. Kids knew who he was, their parents knew who he was, and just in North America, he had two TV shows and a comic book. He was everywhere. That counts as "universally accepted" right?
And I suppose this is what you mean, right? Sonic was massively popular in the 1990's, when Sega of America changed so much about his identity to suit the region's tastes. And now, Sonic isn't as popular, so are the two data points related?
To me, this just feels like a broader version of "Robotnik was a better name than Eggman, because things were better when they called him Robotnik." And that has always been extremely circumstantial.
To my viewpoint, SatAM was extremely of its time. Cartoons were shifting in a certain direction -- typically the "Saturday Morning Cartoon" was something colorful and funny. There wasn't a lot of serious storytelling going on. It was stuff like Looney Tunes, but also things like G.I. Joe or Transformers, where they were more about action than meaningful plot.
That probably started to change around the time Fox debuted the X-Men cartoon in the 90's. This cartoon took stories from the comic books and (poorly) adapted them in to a Saturday Morning format. It was inscrutable and kids like me found it hard to follow, but my brother, who is 14 years older than me and was probably in his mid-to-late 20's, found it pretty fascinating. It broadened the format a little bit and soon the floodgates broken open.
Spider-man, Batman, Gargoyles, soon Saturday mornings were awash with darker, edgier, more serious cartoons for older kids. Even the Ninja Turtles, who were broken from the Transformers mold of colorful, action-based shows, was reworked to look darker and more serious. And right at the end of that first wave of shows was SatAM. Right place, right time, right vibe.
That... ended. Batman was eventually replaced with Batman & Robin, that was eventually supplanted with Superman Adventures, then the two shows were combined in to Batman & Superman Adventures, and every time it got retooled, the tone got lighter, and lighter, pushing back towards the old action shows of the 80's. Gargoyles went in the opposite direction, retooling itself in to "The Goliath Chronicles," becoming so self-serious it borderlined on a Saturday Morning soap opera. It lasted barely a whole season and most modern continuations of the Gargoyles mythos ignore it entirely. The "Red Sky" Ninja Turtles has more or less been treated the same, with extremely sparse home releases until it eventually landed on streaming a few years ago.
The Sonic comics kept the SatAM cast alive and relevant, yes. But obviously Batman comics stuck around, too. And Spider-man, X-men, and Ninja Turtles. That was the format a lot of these shows were trying to copy to begin with, so it makes sense that SatAM would transition to comics fairly painlessly.
To circle back around to how successful the games are or aren't, it's hard for me to cite this now because I always looked at the TSSZ article for it and now that's gone, but somewhere around 2010 or 2011, the Sonic franchise was actually listed as one of the most profitable entertainment franchises in the world that year, rubbing elbows with the likes of Pokemon and such. This was years after SatAM had fallen out of favor and the comics were starting to hit the skids because their availability was going down (this was a problem in the comics industry as a whole, not just for Sonic).
Meaning that, largely, the success of Sonic at that point was due to the games and 8 year old reruns of Sonic X. And it still landed in this top ten. I'd love to find this article, really I would, but it's impossible to google now thanks to so many other articles praising the Sonic movie for being the highest grossing video game movie of all time, mixed in with articles about how the Sonic fast food chain is dying and what happened to it.
At the very least, Sonic rates to make it on the Wikipedia list of "Highest Grossing Media Franchises." It rates high enough that it beats out Fortnite, Halo, Minecraft, My Little Pony, and Roblox.
Also, to back up a bit, consider: the Sonic movie did really well. And it wasn't Ken Penders' pitch for a SatAM movie, it was something wholly different.
And then consider the outrageous success of Sonic Mania. The most critically acclaimed Sonic game since 1994. Though sales figures aren't super clear, I'd estimate it's also probably the best selling Sonic game in the last decade and a half. There is nary a hint of the Freedom Fighters or "that Robotnik" in that game anywhere.
I love the Freedom Fighters. I love SatAM Robotnik. I'd love for them to come back in an official capacity. I'd love for the Archie comics to officially pick up right where they left off and keep going as if they never missed a beat. It burns me that Archie or Ken Penders or both forever tainted a lot of that stuff so badly that it's become an exclusion zone nobody wants to touch anymore. I've talked at length on this blog about how I think a character like Princess Sally was a perfect foil for Sonic and how they played off of each other extremely well. I want that back. I want Bunnie Rabbot back. I want Antoine back. I want Robotropolis back. And Snively. And Ixis Naugus.
But also, at some point, you have to look at the cold, hard truth: Sonic doesn't need those characters, it doesn't need that universe, and the SatAM version Sonic would not exist at all if it wasn't for the original Japanese Sonic first. SatAM was supplemental material to the main version of the thing people already liked. That's the entire reason something like Sonic Mania could achieve the success it did.
And that's all there really is to it.
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