I watched Starship Troopers tonight.
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if you think that you are entitled to know a celebrity’s sexuality, block me. if you think you are entitled to know anyone’s sexuality, block me. if you constantly throw around the word queerbait when you don’t even know what that word is, block me. if you think real people with real lives and real feelings are capable of queerbaiting, block me. if you think that you are owed something just because you are a fan of a certain piece of media or actor in the spotlight, block me. and also fuck you
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My biggest flex will always be how I knew Neil was the more feral and dangerous one than Andrew this whole time even before tsc and seeing the entire fandom freaked out makes me want to kiss and hug Nora and just thank her for finally finally showing everyone and I’m not just crazy
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one of the main reasons i love ofmd is the unapologetic queer joy they show us. there's not a single moment where the drama revolves around a character's "coming out" moment. there's no need to accept or reject anyone for what they identify as. like, for fuck's sake, there have been so many moments in the show where they explicitly tell us, "hey, this is us, take it or leave it." no explanations, no justifications—just pure, unfiltered representation. it truly drives in the point that at the end of the day, queer people are also just simply people.
as much as i appreciate the abundance of queer representation we're getting now, i cannot emphasize how much a show like ofmd means to me. i am begging more companies to do what ofmd is doing and just show queer people living as boring old fucking people instead of as victims. take us beyond existing as an educational tool or a plot device. show queer people being people, and we'll stop being victims.
"kill me. kill us all. our spirit will last throughout your entire fսckin' empire because... we're good." you know what this show teaches us? that queer people are resilient as fuck, and that whatever we may have been told, shown, and made to believe about our queerness is wrong. we're good. we continue to be good despite the hardships we face. despite all the shit our elders and trailblazers have gone through from the beginning. despite the political landscapes of today that continue to try to strip us of our dignity and rights. we still exist and we will continue to exist—as people first, and victims last.
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i think in the hamster wheel of my mind a big part of where people go wrong with eddie and his shitty garage band as an extension is that they for some bizarre reason think he's gene simmons metal when he's jack black metal. heavy metal. he's tenacious d metal. he's school of rock. he's stoner lord of the rings metal he nearly wore blue jeans and plaid. jack black literally in real life once said eddie was the best character bc he's heavy metal like him. LOOK AT THIS
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Taylor only thinks kangaroos are cool because she didn’t live through the trauma of you’re losing me release day 🦘
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to me this line is like, where harry reaches the closest thing to self actualization within the text of the game. he doesn't desire to be a different kind of animal anymore. its such a kind thing to say to himself about a quality that in his line of work could very much be perceived as a flaw. idk i just like it
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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what I was talking abt earlier. we have fully looped back around and away from feminism, societally, whereas before it was very Feminism 101 to acknowledge that many parts of existing as a woman in a misogynistic society are painful and upsetting.
not that being a woman is Inherently Negative in a bubble. but that living on this earth, in the conditions we're living in, is hostile to women.
and that gender is a performance. that many of the Staples Of Femininity as accepted by society are things that you have to create and perform and mold artificially and aren't inherent, that COMPLAINING about day to day difficulties of existing as a woman is something that you're allowed to do.
acknowledging these basic, again, feminism 101 things, that something tied to womanhood is more time consuming or more expensive or more dangerous Because Of The Problems. does not CREATE the problems. that when women complain about having to perform femininity, they are not, in fact, oppressing themselves. the call does not come from inside the fucking house.
saying that you HAVE suffered does not fucking equate that you believe you SHOULD have suffered.
like I could talk about this for hours. how braindead and one-dimensional the Takes are getting. "being a woman is looking in the mirror and going fuck yeah i'm a woman" damn. I guess any negative experiences you have by living in a misogynistic world... are your fault if you are anything but positive?
"you don't actually want liberation" we've fully gone back to telling feminists "you WANT to be oppressed" when anything negative about our society is pointed out. it's not real until I say it out loud, I guess, and then I'm actually the one who caused it.
if anybody expresses any unhappiness with how they're treated or the status quo or the language and culture surrounding womanhood and femininity. they've created it, right that second. they invented it just now. it wasn't a problem before somebody complained, right?
also trans women aren't braindead zombies who just follow the flow of whatever cis women around them say. I am pretty fucking sure they are very much aware of pain, and are MORE than aware of the swirling torrent of misogyny and standards of femininity than anybody else. actually. and I am pretty sure someone complaining on tumblr that being a woman means always putting on a performance is going to make someone change their mind about transitioning. also "performing femininity" as a necessity to being treated well as a woman is not fucking NEWS to your Local Trans Woman. I AM PRETTY SURE SHE GETS THE CONCEPT. using trans women as a scapegoat for this braindead perspective on gender politics is spineless, meritless, and pathetic.
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bad post, worse notes
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My only defense of conceptual follower Benny is that he was a warrior nomad and a raider, that still has it in him if we take the All Roads comic into consideration, and how he is not like a real dainty soft hand city slicker, cause it’s mostly an act.
So in scenarios where he is forced to travel with the Courier I 100% think he’d be like “What do ya mean you can’t scale a mountain, pussycat? Watch how the pros do it.” And then you see him scuttle up a cliff face scarily fast only to have to save him when he bumps into a Cazador nest.
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"evan, i find you adorable". adorable as in able to be adored. as in capable of being adored. as in i find you worthy of adoration. adorable, from the latin adorare (to worship) to adorabilis (in the sense 'worthy of divine worship') to the current day adorable. as in maybe if we had made it to the movies or if eddie didn't show up, i could've showed you just how much i want to worship you. as in i look at you and there is a font of adoration in my heart for you. adorable as in i flew into a hurricane with you and yet this date is a thousand times more thrilling than that. adorable as in there is a person in your building who saw me jump up and down like a little kid in the lobby after i had kissed you for the first time. adorable as in i kissed you and immediately thought fuck i could do this forever if he lets me. adorable as in i want to press kisses to your birthmark. adorable as in i spent the entirety of the days leading up to our date wondering about you, if you liked your coffee with two sugars or one. if you liked storms or if the lightning strike had put you off on them all together. if you liked cats or dogs or if you were the kind of weirdo who liked goats instead. if you thought about the kiss as often as i did. if your stomach tangled into twisted knots as saturday drew closer. if you would be agreeable to sitting in my lap. if you would blush as prettily as you did the day i kissed you. if your world also realigned when our lips met. if our orbits had matched up now that we flew into a hurricane together. if the gravitational pull between us had finally been too strong for either of us to resist that night in your loft. or maybe, more simply, adorable as in, "evan, i find you adorable."
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I truly believe that nona is alecto/the body for the very simple and vitally important reason that harrow and nona/alecto/the body will meet at some point and harrow will be like O immortal Body, I have kept troth with you these many long and darkling years, I have sworn my heart, worthless thing though it may be, to you, I cast my fragile and aching body at your feet (and etc etc)
and the Body will look at her with those ineffable golden eyes and open her imperfectly beautiful mouth and say, her own true voice ringing out in harrow's ears for the very first time, "Hi! I like dogs, do you like dogs? I kissed you in the mirror once. Do you want to be best friends?"
And harrow will instantly be like Ohhh :/// I'm cured. I'm not in love with her anymore. where's gideon. ianthe? anyone.
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just love me and eat
some extra cannibalism sketches that i have no desire to finish
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broke: boone is boring, edgy and monotoned ! emotionless dead wife man !
woke: boone literally chuckles during some of his dialogue please listen when hes talking..im begging you....hes more than just sad angry dead wife
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