#i think this is an important image so i want it on the timeline

[moroneur]

okok, hear me out on this rottmnt leo x reader au idea guys i swear:

Rottmnt separated au where Leo (named Kappa) was raised as the next battle nexus champion n owner (in case anything happens to big mama) by big mama and he had to fight (literally and figuratively) for familial affection and peace his whole life. Then theres Reader who was abandoned by her parents the moment they found out about her ability to see into the future via dreams (which isnt as straightforward as it sounds- her visions span across multiple alternate timelines and they vary in time making it hard to understand and navigate), so they gave their small child to big mama (human version) and lil yn is forced to become a servant bc her powers are ultimately useless.

small yn is basically forced by the other employees to serve Leo bc none of em wanted to. Yn is scared and shy at first but then they kinda become friends (She even names him Leonardo bc its a very characteristic throughout her dreams and she thought it suit him) eventhough he has to hide it in public and pretend he doesnt gaf about the human because the other yokai would make fun of him and call him weak n pick on them. They basically grow up side by side, developing extreme loyalty to each other.

He's prissy and picky and an arrogant brat and hes possessive and caring and would protect yn with his entire being. He had to fight Big Mama for her to stay and not get kicked on the streets, making Big Mama send Leo on field missions as a punishment, making him take Yn with him, purposefully making her dead weight, but he always came out on top.

throughout the years Yn became very introverted and showed her true self only to leo bc that was her one and only safe place. They go on outings in the hidden city and run from the bellboys tryna catch them when BM finds out they snuck out.

The other turtles are all scattered.

Donatello is with Draxum, YN and Leo being the only ones that even call him Donatello. (Drax calls him Purple bc he's horrendous with names). He used to be a full on turtle mutant but because of Draxum training him until he was drained n tired asf there was a lab accident, making him half cyborg. His shell is now replaced with a deadly metal 'shell', one of his eyes is artificial, and eventhough he's trained in multiple weapons, he prefers using technology and working on war weapons making Big Mama and Draxum collaborate. Whenever there's a meeting both BM and Draxum would take their sons with them as 'theyre the succesors and should be there for future reference' though Leo thinks Big Mama wants to have a good image and show Draxum off by dangling something that she took from him right in his face. Well, if Leo's going, that automatically means YN is coming with him; he wont let her out of her periphery, wont make snatching his pet away from him easy for Big Mama. They basically met at those meetings, though they usually sent the younger ones elsewhere while the adults spoke of veery important things. Donatello absolutely hated YN at first bc she was human so him n leo almost fought, but YN, being a little familiar with Donnie from her dreams, started asking Donatello questions to appease him, making Donnie tolerate her (theyre working on extending that tolerance to all of humanity). Leo and Donnie's and Yn's relationship is on thin ice, but it is getting better- they visit don when theyre in the hidden city and help him with gathering materials from the overworld bc Purple wasnt allowed lol Loser. (they snuck him out and showed him the wonders of human tech though, once or twice.) Leo got his mystic weapon from Baron Draxum as a gift (eventhough he actually didnt want to give it. Donnie convinced him to do so because Drax had a fight with Big Mama and 'giving a gift to her son would show your utmost apologies and mend your business partnership') a way to get back into good graces w Big Mama and Draxum. Just business.

Raph (or Beast) is with the Foot Clan. He was raised very lovingly (bc they were prepping him for the shredder armor), and reveres shredder as his god bc while his parents may have 'loved' him, he was at the end of the day, just a tool to help shredder's revival (everyone in the clan thought so about themselves, they were veery cult like). Leo only knows of them bc he spotted them breaking into a mall while he was 'shopping' gifts for YN :3. he found them hilarious so he watched on as they struggled to fit Beast through multiple doors in the mall. The guy was huge, bigger than he was supposed to be. wtf were they feeding him?? Leo ofc records it and shows it to YN and she can deduce the future from her dreams and the way things r going irl and goes like oh shit this is bad lol we're fucked if someone doesnt do anything abt this and leos like will it hurt you? yn: yes. yes leo it will. leo: oh okay dw then yn ill steal it from them hehe. so he trolls the foot clan whenever he can just for funsies (Leo is also slightly insane n arrogant, so being a little shit comes naturally to him). Whilst he was stalking the top execs he comes across a binding ritual for two or more people. He watched and listened as it was explained thru a book. He stole the ritual book and read through it himself, coming up with an idea himself.

He brings the book to YN and tells her he wants to souldbond with her. (their relationship is like: i belong to leo and only leo but we're not dating n vice versa... like kiss alr smh.) A soulbond is an irreversible binding contract between two people, which allows them to communicate their intent just by their thoughts and solidifying their involvement with each other. It can only be broken if one of them dies. Yn agrees and they make the soulbond without any regrets. No one knows about it but Donnie, whose eye had strong mystic receptors iy already. He saw the chains binding the 2 together and gagged the moment he found out what it meant LMAO.

Raphs fighting style are his body and tail only. hes a brute through and through, his older sister is Cass.

Mikey is with Splinter, who felt so guilty of being unable to save mikeys brothers he unintentionally started neglecting Mikey and developed depression. Mikey bless his soul has been doing his best to keep it together and bring his bros together. He doesnt succeed at it very much and only represses his emotions until he cant anymore, and when that happens lets say the city had a few buildings to fix. Mikey stole the Kusari fundo from Draxum, and its his main weapon.

April, who has Mayhem as her pet, is trying to become a journalist, so she's always at the fights, writing stuff down and then publishing them. Her main way of staying safe is Mayhem's portals lol. She's been saved multiple times by Yn begging leo to give her mercy lol. None of the turtles rlly interact w her.

YN is very shy and closed off. She can be very calculative and manipulative if dhe wants to, making her the perfect s/o for leo, who can analyse a situation and come up on top with the best outcome, as well as pull any information out of anyone, violently or not. He needs constant praise. Leo has a short fuse, and Yn is his perfect match, always calming the situation down before it could make leo explode; she knows all his triggers and tells and weaknesses, as does he for her since they yknow, grew up together.

TELL ME YOUR THOUGHTS PLEASE

#rise tmnt #rise of the tmnt #rottmnt leo #rottmnt #rottmnt leo x reader #au idea #au in progress #i guess?? #might post this on ao3 maybe #ao3 #moroneur #i love them so much #they've been living in my head for abt a month #rent free #tmnt #rottmnt separated au #idiot talk #soulbond au

[mcrbois]

#i think this is an important image so i want it on the timeline #gerard way #gway #mcr #my chemical romance #fave g #thighs…

[scoopstomyahoy]

thinking about a no upside down au steddie fic where steve and eddie run into each other years after moving away from hawkins, and eddie remembers steve and his fall from grace as king, and is kind of intrigued to see what kind of person he is now

and steve doesn’t remember him at all at first, because, look, eddie changed his hair again, and steve’s had a few head injuries (no upside down but i imagine he still went thru some shit with the party and with robin), and he didn’t really think about eddie in high school anyway, and he’s trying to forget about hawkins as much as possible (besides the kiddos, but they’re all moved out for college now, anyway) (obviously he lives with robin)

but steve is different now, happier, more open, flirts with guys, flirts with EDDIE, and eddie….. well, he wants to know more! and he tells steve he knows him from hawkins, and steve’s sunny little smile flickers a little, but he just apologizes for not remembering him and mentions he has some memory problems

and they get to know each other, and eventually as eddie tells him more (and maybe with the help of some yearbooks) steve remembers eddie. and. well. they like getting to know each other. and they like each other. and then they get together

eventually they’ve been together for a while, and eddie thinks he wants to maybe introduce steve to wayne, and he mentions he’s going to go back to hawkins for a long weekend (as he’s done a couple times) and this time he’d like steve to join him

and again steve’s sunny smile flickers a bit, but he says he’d love to meet eddie’s uncle, and… they go to hawkins. and it goes well— meeting wayne, at least, but steve seems a little on edge the whole time they’re there, tense when they drive in, fidgety when they go to the grocery store, et cetera. eddie thinks maybe steve is nervous about staying with the man who raised eddie, which is ridiculous, because wayne LOVES steve.

it’s not til they leave the town altogether that steve relaxes, and eddie realizes it wasn’t “meeting the parents” but rather going back to hawkins. and speaking of meeting the parents, steve didn’t ever bring his own up, even though eddie knew they still lived in hawkins. and the way steve glanced around whenever they went in public, like he was scared of getting recognized

and he asks about it, and steve doesn’t really want to talk about it, but he gives eddie snippets of it. people he wanted to leave behind in hawkins, memories that resurfaced, things he wants to forget

eddie goes back to see wayne sometimes, and the first time he doesn’t know whether to ask steve to come, so he just mentions he’s thinking about going to hawkins for some weekend and steve immediately starts making plans with him as if the invite is implicit. they go back to hawkins several more times, steve still tense and pent up the whole time they’re there

over time steve reveals more and more to eddie. everything that made hawkins hell for him, from the things he himself did in high school to the things people did to him. stuff tommy and carol and billy said to him. some of it is just typical high school bullshit (and oh, the nancy thing.) some of it is the tragedies steve went through, the horrors he had to protect his kids from. the injuries he sustained. more generally the homophobia that permeated the whole town, keeping steve from being himself. the lack of support in the indiana public school system for a high school senior who’s had two concussions and gone through incredible trauma.

his parents. the reason why steve’s mail is addressed to ‘steve buckley’ now, not ‘steve harrington’.

(that doesn’t come out until much, much later, and eddie is kicking himself for ever suggesting steve come back to hawkins.)

eddie, who hardly had an easy time of it in hawkins, is absolutely blown away by what steve had gone through in the same town, right under his nose. the entire persona that steve was trying to leave behind — the cool as a cucumber, unaffected, douchey mask he wore to hide all that he had endured. the head injuries. the emotional tragedies he had gone through. the way he had to be the rock for the kids even as he went through the same things as them.

he tries to tell steve they never have to go back to hawkins again, and steve is having none of it. he tells steve wayne can come visit them in their new city, and steve thinks that’s completely unfair to the man who had raised eddie, seriously, you’re going to make him come all the way up here?

and well i don’t know exactly what the ending is but steve is so stubborn about trying to love hawkins because it was eddie’s home and he wants to be able to go see wayne because wayne deserves to see his kid and eddie deserves to see his uncle and steve doesn’t want to be the problem :(

#steddie #stranger things #this isn’t very fleshed out but just. hawkins as an incredibly scarring place for steve #something built up in his mind as a very dangerous place for him not just because of what happened there but who he had to be there #i think ultimately it would culminate in them going back to hawkins and running into steve’s parents when they least expect it #and steve gets to yell at them in public and tell them they suck and ruin their image and eddie is being his little guard dog next to him #baring his teeth #for the no upside down part of the au i think it would have to be like. nebulous tragedy of season 1 struck them #barb still died (sorry barb) so that his relationship with nancy falls apart. will and el are twins and they disappear the same night #steve knows the kids earlier in the timeline in this one and has already basically adopted them when will and el go missing #eddie was never the victim of a massive witch hunt but jason still harasses him during his third senior year and gets ppl to gang up on him #so he was never like Wanted by all of hawkins and can never return but he sure doesn’t feel welcome there besides w wayne #oh i also think it would be important that one of the trips steve snaps at eddie bc he’s so strung out and immediately regrets it #and takes it as proof that when in hawkins Steve Is A Bad Person and tries to explain this to eddie #eddie meanwhile is trying to convince steve that he’s not a bad person and that he was being mean because he’s completely stressed out #and he wouldn’t be so stressed out if he didn’t make himself come back to hawkins #anyway ultimately. steve realized hawkins is just a place where bad things happened. it is not a place that makes people (including himself) #bad. it’s just. a place. and steve did not grow and change for the better bc he got out of hawkins. he got better bc he put the effort in #god i just. love steve so much and the version of him in my mind is so much better developed than what the duffers are doing

[somerandomdudelmao]

I apologise for the intensely long analysis, but I was watching a dubbed version of your comics on YouTube when I came across a scene which sent me absolutely spiralling! I had to go back through “The Little Things”, “Everything is falling apart”, “You are in the past, your thoughts are in the future” and “Donatello” to find all the bits I needed.

In these images we see Casey asking Donnie about time branches, how they haven’t rewritten the future, they’ve created another one, and that Casey’s timeline still exists. BUT!! If you look closely at the very first image, we’ve seen Uncle Tello’s lines before.

Before I jump too far into that particular chapter, let’s head back briefly to these two moments:

Tello admits to Raph he could fix his robot body, and to Leo he found a potential cure, but that he needs access to materials, ingredients and equipment which existed fifteen years ago. At this point, Leo directly says “You better be planning some sort of time travel machine”

Moving back to the honey saga, Tello tells Raph he will be able to eat again: he specifically states they have the blueprint and the knowledge, all they need are the materials. Once again, time travel is mentioned, this time by Tello himself. It’s even bolded out- how tf did I think that part wasn’t super important foreshadowing the first time around -.- (it also could have been authors choice, but seeing as you rarely add small details without looping back to them, I'm suspicious).

Tello did time travel- just not in the way any of them were expecting!

Jumping into the present timeline; look how surprised Tello is about the time travel and all the extra ?? when he’s asking Casey when in time he is.

THEN we discover Tello created LITERAL RESURECTION FOLDERS (we have witnessed him firsthand play God and win multiple times) and now he and Casey have access to the MATERIALS AND EQUIPMENT he mentioned previously. He got exactly what he wanted/needed! Cut to the end of the current chapter and we receive THIS:

So what I’m saying is, this mf can ACTUALLY FIX THIS and YOU, CASS, in your brilliantly devious and cleverly sneaky way, HAVE LITERALLY BEEN TELLING US THIS ENTIRE TIME EXACTLY HOW!!!

Ehehehe

#cas details #I'm having fun with this story~

[sgiandubh]

What happened with Barbour ?

Dear Barbour Anon,

My favorite kind of Anon, even if I know the question has recently been asked again and not in this corner. Never mind, I think it's time to talk about it, too.

I bought my first Barbour (entry-level, so olive) Bedale wax jacket 25 years ago, from their (long gone, now) shop on Boulevard Raspail, in Paris. It was a mandatory clothing item to own if you wanted to properly mingle with the law school crowd (it still is) and it ended up being one of my most prized possessions, possibly a part of me. I still have it somewhere, back home. Two more followed, along with a fetishist array of shirts, scarves, beanies and even one of those sturdy crossbody bags you can fit half a house in. So you can imagine my absolute thrill when I found out, very very late, that S had had a rather substantial collaboration with them, from 2016 and until 2019.

I am very bad with timelines, as you probably know and possibly even cackle about, but still: S was appointed as the company's first ever Global Brand Ambassador on July 16, 2016. His mission statement was very precisely defined by the brand and for some reason we'll analyze a bit later, this is important:

(Source, heh: https://www.astonbourne.co.uk/is-barbour-a-luxury-brand-unraveling-the-mystique-of-classic-outerwear/).

A shirt and vest signature collection followed in 2017 and 2018, with the contract being renewed. Advertisement was absolutely gorgeous and designed to shape a very positive image, both for S and the brand. Last autumn's SS Gin promo retained some of that irresistible aesthetic DNA and I discussed it at length.

See for yourself, Anon. The fandom endlessly discussed the first long clip (with the chocolate labrador), but I have no idea if these two have been seen, let alone debated. If they did, let that be my nostalgic mistake.

Spring/Summer 2018:

Fall 2018:

And then disaster stroke, with S's trip to Ha-wa-wee 1.0, in the spring of 2019. A short reel, featuring a rather agglomerated boat trip, was posted on socials. Unfortunately for S, it also featured an allegedly horrifying scene involving the 'traditional' bludgeoning to death of a tuna fish. Emotions ensued and as it often happens here, they spun out of control. Many people, including some of the most vocal S haters, tagged Barbour in their diatribes, filled with environmentalist indignation. They suggested this guy (who did not participate to the savagery and I would be even unsure he realized what was going on) was, by no reasonable means, a proper 'embodiment of the brand's identity, values and aspirations' (remember that mission statement?).

Tone deaf as ever in the midst of a serious PR crisis, S put friendship above anything else, and publicly praised the boat's owner, calling him 'the heart and soul of the island', if I remember well. I still would like to think he has no idea what the hell exactly happened. And then, when somebody finally (August 2019) asked Barbour on Insta about their collaboration with S, they got this politely dry, but clear answer:

"We don't have any plans for a collaboration with SH in the near future" means, in my book and to my understanding, "we are never going to work with this guy again". Truly, some people in here who dare to give morality lessons to others, should be proud of themselves: they did it knowingly and in a very organized way, using multiple sock accounts, to give the impression of a collective retching reflex. To cut the story short, the dread of any ad campaign on this planet.

The effort was genuine. The result of that collaboration was very good. Take, for example, this somewhat heartbreaking customer review by an American guy who has no idea who SRH is and who bought one of those jackets from a Barbour factory warehouse, in 2021, with a hefty rebate (70% off). Clearly something Barbour wanted to get rid of at all costs - what a pity and really what a SHAME on all those hypocrites who will never admit to a public assassination by the book:

This time, I am absolutely not sorry for the length, Anon. This is something that still makes me boil. Unfairness and cheap nastiness simply disgust me.

(Thank you, sweetheart, for the screenshot, always. You know who you are 😘😘😘).

#anon #fandom #shitshow

[vickysaurus-art]

One paleoart for each period since the Cryogenian

Thanks to the timeline on my walls that I've been trying to fill in with my art, I have now reached the point where I've done paleoart for every single period of the Phanerozoic, plus the Ediacaran and Cryogenian! That is to say, every period of the last 700 million years. So with that milestone, I thought it'd be fun to go through those periods in order and show off one paleoart of mine for each!

Cryogenian

In the Cryogenian, the Earth completely froze over. Twice! Life wasn't much to look at yet, but I enjoyed drawing what our planet might have looked like at the time. The girdle of lakes at the left is the equator, which may have had ice-free patches.

Ediacaran

When the ice retreated, animals first began to blossom into their endless forms most beautiful. Ediacaran life was strange and quite unlike the creatures that would come later, but it was nonetheless an incredibly important chapter in life's history. Here we see the Ediacaran weirdos washing up on shore after a storm.

Cambrian

The Cambrian explosion brought much more recognisable creatures. But one thing that's easy to miss is that they were all tiny! All of them? No, Anomalocaris was, with a length of about 40 cm, the dragon of the Cambrian.

Ordovician

Life continued to diversify in the Ordovician, and among this diversity were the cephalopods. They produced the largest animals yet to exist, the orthocones, who hung vertically in the water column and decended upon their prey like a claw game.

Silurian

Although fungi and bacteria had already made forays onto the land deep in the past, things began to get busier there in the Silurian. But these horseshoe crabs, and their larger cousins the sea scorpions, have not come to the shore to stay, but to mate and lay eggs. Unfortunately for the horseshoe crabs, they have come to the very same shore.

Devonian

Our own vertebrate ancestors, like Tiktaalik, were pretty late to the party, only taking their first steps on land in the late Devonian. That's no knock against them - there was plenty to do underwater! This Tiktaalik is busy guarding his eggs while his mate is busy hunting, for example. Who has time to step on land?

Carboniferous

The end of the Carboniferous saw some quite large bugs, like these two Mazothairos chasing off an interloping Meganeura. They're representatives of a pretty interesting group of basal insects called the Palaeodictyoptera, who have a set of weird little extra wings on their thorax.

Permian

Among the many fantastic creatures of the Permian were our own cousins, the synapsids, like these lovey-dovey Moschops. As you can see, this picture and the previous one are done in coloured pencils instead of watercolour, because they're the oldest images I'm including in this post. I only very rarely used watercolours before this year. I think it means I should do some more Permian art, it's such a cool and underexposed period.

Triassic

One mass extinction later, the archosaurs are diversifying all over Triassic Pangaea. Here we have the three main groups of them: Paratypothorax, a pseudosuchian in the background; Peteinosaurus, a pterosaur on top of the cliff; and Procompsognathus, a dinosaur climbing the cliff.

Jurassic

I had three different option for Jurassic paleoart to showcase, so I picked the most experimental one. These backlit insects are not butterflies, but kalligrammatids, a group of large-winged neuroptera, some of which even mimicked maniraptoran dinosaurs like this iridescent Caihong with their patterns.

Cretaceous

The Cretaceous featured some of life's most gorgeous crescendos of diversity, like the Yixian formation, where a Psitaccosaurus wants to visit the favourite tree of a group of Sinosauropteryxes, who are having none of it. This is still one of my favourite pieces I've ever drawn.

Paleogene

The Paleogene featured some of the highest global temperatures of all time, leading to tropical climates all over the planet, including at this lake in what will one day be Messel, Germany. Darwinius, a close cousin to our own ancestors, is having a staredown with the lizard Geiseltaliellus.

Neogene

The world turned colder and dryer in the Neogene, leading to the spread of large grasslands, like these South American ones. Phorusracos, a large terror bird, has caught a Thoatherium on the edge of the forest they both live in. South America was an isolated continent for the duration of the Neogene, leading to a quite unique fauna.

Quaternary

The Quaternary, our current period, is marked by the cycle of ice ages regularly freezing the northern hemisphere. But even during the ice ages, spring would come to the mammoth steppes, and these steppe mammoths are happy to celebrate its coming with a bath in the river.

#paleoart #my art #palaeoblr #timeline #no i am not gonna tag everything in it #the pictures should all work as links to the individual posts of these pieces #cw: animal death #cw: bugs #cw: parasites #cw: blood

[carnivalcarriondiscarded]

on the subject of Frank, Frank & Julie, and Franklydear 

I used to think that Frank will probably be one of the more skeptical puppets, and prone to being one of the first to see that not all is as it seems. And I think the majority of us think/thought this! 

But thanks to Riv i have entirely changed my tune. I think Frank will actively be avoiding the truth & clinging to the illusion. Here’s why!

Frank is portrayed as the most “rigid” neighbor - hell, it’s even part of his design! He likes routine, rules, for things to be ‘just so’ in his eyes. He doesn’t seem to like it when things stray from how they’re supposed to be. Everything has a time and a place. 

(and this might be mildly insane but blame Riv not me bc they said it, but in Just So Frank says “i like it best when red goes in front of the rest”, and if red is Wally… dot dot dot…) 

Then there’s how Frank will very likely be trying extremely hard to be something he’s not. And this is part of his design, too - he’s the only one in the cast without a natural blush. Yes, we’ve seen art where he can blush, but that’s in specific situations. In the bio images Frank is the only one without that little extra bit of color to his cheeks - he has two huge red splotches on him instead. Fake blush. Big and bright and impossible to ignore. 

And I’m gonna be diving a bit into Franklydear & Frank’s relationship with Julie because it’s important to this. 

I have also changed my tune on Franklydear - slightly. Welcome Home seems to be an example of nonlinear storytelling, as we’ve been getting bits and pieces from all over the place. The Live Interview from the early days, WHRP & Wally’s secret vinyl audios from “now”, the bug audios from an indeterminate time… so while I do think Franklydear is “already happening” within the main meat of the “past”, we will likely also get a chance to see before and after. And I do think there will be an after.

But I’m getting ahead of myself! Why do I think we’re going to see an established Franklydear? I’m going to be honest. A kofi post that I accidentally saw when a friend was sharing their screen with me and didn’t notice until it was too late </3 I should have looked away! But I didn’t, and that’s on me! I won’t say what I saw (it would be a theory anyways, nothing explicit or concrete in the evidence!) but it immediately convinced me that Frank & Eddie are in a secret relationship. I want to say more very badly, but if i’m proven right in tonight’s stream then I will be sharing Why I’m right. 

More reasoning that is obvious with this context - the whole “Mr. Dear / Frank- i mean Mr. Frankly!” thing might be part of this fabricated distance. I would completely believe you if you told me that Frank had them both refer to each other professionally to keep up the facade that they’re nothing but neighbors, nothing going on here nosiree. They definitely don’t meet in the woods to be romantic! That added with how unusually playful Frank is with Eddie in 8-14 is interesting… though I can also believe that those audios are from “before” their relationship, given that Frank seems to be dropping a hint with the whole “ You don’t need to be that familiar with them in order to get to know them better!” line. I don’t know - there are a bunch of contradictions that could be them acting, could be differences in the timeline, who’s to say yet! 

Anyway, so Franklydear is likely in a secret relationship, but I think Frank is going to get scared, call it off, and try to force a relationship with Julie. As in lying to her and everyone that he has feelings for her, and fulfilling their “destiny” in becoming a couple. I think Frank is where a lot of the internalized homophobia is going to come in.

In most of the Franklydear art we’ve seen from Clown, Frank seems to be very nervous and flustered around Eddie while Eddie seems to be more calm and forward. Frank has already proven to have a bit of a nervous disposition - he’s certainly high strung. That combined with his rigidity, the airs he puts on, and just… everything about him really, I don’t think he’ll be able to handle the pressure. 

(side note: the way that Clown said that he wishes they hadn’t let everyone know about Franklydear, it’s ok because it’s “not a major spoiler” has been fucking me up a little. Wym it’s not a Major spoiler? It’s so funny… we’ve all been like “Franklydear will be Thee relationship and a big thing-” and then it’s Not. lmao) 

Then there’s the song Clown associates with Franklydear, “Esperar pra ver”. @/Theneighborhoodwatch gave a translation/interpretation of the lyrics - cannot for the life of me find the og ask/post to link, but (if I’m remembering correctly) it was essentially said that the song is about love that doesn’t last / lost love. My friend Akemi (@/akemima <3) provided an alternate interpretation - to quote:

“...to me, it speaks about how they’re both Unable to speak up about their love? and the “wait and see” part is most likely them waiting for the other to make a first step or like. something Hopeful yknow?”

As both a tragedy enjoyer and a happy-end enjoyer, I wouldn’t mind either interpretation being accurate, personally! So Akemi has given us a sprinkle of hope for Franklydear! I think that both interpretations have merit, and hey, they can coexist. We might have them together, then Frank getting scared and calling it off, and then a “third arc” of them wanting to be back together but unable to (yet). Who’s to say! 

ON TO THE JULIE PORTION.

For a while I thought that Julie might be the one to pursue a relationship with Frank - both because of the subconscious influence of her “Role” & that she’s bi while Frank is gay. On surface level she would be the most likely of the two to get the wrong/mixed signals and Go For It.

However. Nothing about this project is surface level. 

I’ve already mentioned that I think Frank is going to try very hard to be something he isn’t. And this is backed by how his relationship with Julie is portrayed (another thank you to Riv for pointing a lot of this out & smacking some sense into me <3) 

Frank is all about rules and matching. Julie is all about improv and independence. Riv pointed out that in “Just So” the audio distorts when Frank is changing bowties and Julie asks if it “really matters”. They also pointed out that, apparently in the Halloween outfit references, Frank’s notes indicate that he’s matching with Julie - but Julie doesn’t have any reciprocating notes. It implies that she was doing her own thing and Frank adjusted himself accordingly. Julie goes along with Frank sometimes, but it seems that it’s usually Frank scrambling to go along with Julie. She’s been described as independent and stubborn. Frank is a bit more of a conforming pushover (no offense Frankie, love ya to bits <3). 

Frank is the straightman to Julie’s… I can’t reference the bios anymore but you know! He might be her straightman in more ways than just “he takes things seriously.” 

And really. Frank likes routine, he likes things to be consistent. He’s been with Julie as her best friend / “partner” for so long that I’m not sure if he can easily break away from that - I think a change as big as getting romantically involved with Eddie would terrify him. It might be thrilling for a moment, but then the fear will set in. 

I thought Julie would be the one clinging to Frank, but it’s the other way around isn’t it? 

Frank gets scared & then leads Julie on because he’s trying to act “normal”, the way that’s expected of him. And it fits. One of WH’s themes is the fear of being shunned for / perceived as different by others. Once they know what you are, will they treat you the same? 

And I don’t think Julie would be entirely opposed, either. I wouldn’t blame her for developing a crush on Frank. I mean, it might turn out that she’s “just going along with it” because she feels the same pressure and fear, but hm… I’m not convinced of that given what we know about her character. But if Julie has a little crush on Frank, I wouldn’t be surprised if when he forces himself to like her & initiates a relationship, she either realizes that it really was just a crush, or she’ll pick up on how Frank doesn’t actually have feelings & act accordingly. This option has more merit in my eyes. I think it would also reflect on the “love” theme of her house - I’ve speculated since pretty much day one that she’ll have an arc around realizing that she doesn’t need a relationship or even really want one at present, going against what Playfellow likely wanted from her. 

(and then I start thinking about the whole livestream trivia thing of Julie maybe falling down a hole or into some abyss… and the concept art of her shoes where she’s standing at the edge of a dark abyss… does she fall, does she jump, or is she pushed? If she winds up being pushed, who does it? Barnaby (milk theory babey!) or perhaps she’ll get in a fight with Frank and in the heat of the moment he accidentally causes her to fall, either by pushing or making her lose awareness of her surroundings (backing off of the edge?). I’m aware that this paragraph is a stretch all around! Don’t take it too seriously! A pinch of salt, people!)

There’s not much else to be said so, in conclusion:

Welcome Home’s storytelling is likely on a nonlinear timeline, Franklydear is established but won’t last, and Frank/Julie is probably going to become a temporary thing

#and yeah! not much else to say! quiet tags bc i was too thorough In Post! #homebogging #wh speculation #welcome home speculation

[eddiediaaz]

Hey!! I just wanted to say that your recent speak now gif set is sooo stunning. I was wondering how you managed to create that cassette tape effect if it isn’t any trouble? It’s really so pretty.

Have a great day! ✨

ahhh thank you so so much! first of all, i cannot take any credit for this effect, as it was greatly inspired by this amazing yellowjacket gifset by @thewintersoldier!!

but here's how i recreated the effect, from a cassette png (found on pngwing here), to this animated cassette effect (as seen in my speak now set):

psst: i usually always create in photoshop cs5, but for this effect you need a recent version of photoshop because it's using transform keyframes (i think cs5 doesn't let you do that, or i just don't know how to lol). i used cc 2019 for this.

sorry if this is lengthy or has too much or too little details haha, but i hope it's comprehensible! english is not my first language so i also apologize in advance for any mistakes!

I. PREPARING THE CASSETTE

so, starting with the png here:

i removing everything i didn't want on the cassette png with the brush tool by just drawing the right color over the unwanted text. for the color, i then went to image > adjustments > hue/saturation and in the red tab, i played with the hue slider to get that purple color. finally, i added some text to my liking, and this is what i ended up with:

(not necessary but: i also selected the white lines on each side with the magic wand tool because i wanted these lines to be transparent. once your selection is done, go right click > layer via cut. it will create a new layer of the cutout you just made. you just need to disable or delete the layer to make the selection (lines) transparent.)

at this point you want to have only 2 layers: the revamped cassette and the text layer. you can remove the text layer actually, and just add the title back at the end, as it is not necessary for this effect. i just like to have the visual.

if you have multiple layers, you need to select all of them (except the song title layer), right click on the png layer and click on merge layers. this will create one layer with all the editing you made on the cassette. if you think you will need to edit this later though, i would save the file as a psd before merging the layers.

II. THE EFFECT

okay, so now that you have your cassette, make sure your video timeline is activated, not frame animation, and you are ready to go.

first, you want to create a perfect circle shape around one of the reel with the elliptical marquee tool (hold shift while dragging the circle). make sure it covers the entire area that will later be rotated. make sure this circle is perfectly centered around the reel or otherwise the animation will be a bit lopsided.

then right click on this selection and go "layer via copy". this will create a layer of only that circle selection. important step: right click on that new layer and go "convert to smart object". the layer should look like that, i've renamed mine:

now if you go to your timeline and open that new smart object layer, you will see that you have 3 keyframe options. we only need the transform one.

go to the start of the timeline and activate the transform animation by clicking on the stopwatch button. a keyframe will be created automatically.

to create the actual animation, move the position of the cursor on the timeline further, i put mine at the 01:00f mark so it's easier to create the right timing.

then what you want to do is select the reel smart object layer and hit ctrl + T. a box will appear and this is how you will make the reel rotate.

to rotate the reel shape, move your cursor near the blue box on your canvas and drag it until you have rotated the shape halfway through and hit enter. another keyframe will be created and if you play your animation, the reel should rotate on itself for half a turn

move your position on the timeline to 02:00f and do the same thing: select the left reel smart object, hit ctrl + T, rotate for another half turn, and hit enter. this third keyframe should be the last one needed for the animation and you should have a full animated rotation of the reel.

play your animation, and adjust the speed to your liking by dragging the keyframes on the timeline (but make sure they stay within the same distance from each other). the closer the keyframes are, the faster the animation are, and the further they are, the slower it'll be.

then you can just trim the smart object to your animation's length, and duplicate (right click the smart object > duplicate layer) this layer the amount of times needed (i find this less finicky than duplicating keyframes), and placing them one after the other. three full turns should be enough. this is what my timeline looks like right now:

and my animation for the left side looks like this:

as you can see, we can see the little "dents" peeking through behind the animation. we don't want that! to remove it, select the revamped cassette layer (that should be under the reel smart object), and create another perfect circle around it with the marquee tool. this time make sure it's smaller than the previous one, it just needs to cover these dents.

then right click on this selection on your canvas and go "layer via cut". this will create a new layer with that selection, and all you need to do is to disable it. this is removing the information in that circle.

once you are happy and the animation works, you can just delete that cut layer. now the animation is done and looks like this:

III. SECOND ANIMATION

one you have done it on the left side, you just gotta do the same thing on the right side. you can also try duplicating it, but i found it finicky for some reason (or maybe i'm just not used to the controls of this 2019 photoshop version?).

this is what i have once i've done the same thing on the right reel:

once i am happy with the speed and everything, i want to have only one layer so it's easier to use on gifs. first, i will save this animation as a psd file, in case i want to reuse it. then i am removing the song title layer and will be flattening everything and creating frames from this animation. to do so i am using the "save" action from here.

i'm not sure why it does that, but it's creating a couple of frames where the reels are a bit offset from their position everytime there's a full circle done, so i just delete these 5-6 frames. you can also change the speed here, but by default it should be 0.05.

once you are happy with it, just turn these frames into a smart object with the video timeline again (convert frame animation to video timeline and select all the frame layers > right click > convert to smart object)

now you have a smart object that is ready to be used anywhere!

IV. FINAL TOUCHES

for my particular speak now gifset, i have multiple layers of the animated cassette on each gif:

1, bottom one - cassette layer set to the blending mode "hard light" and set to opacity 86%:

2, middle - this same cassette layer set to hard light, but with the opacity at 100%, AND with a layer mask so it's only applied to the animated reels (i wanted them to show up more):

3, top one - and finally a third layer with another layer mask because i wanted the white label and speak now area to be less see through. it's set to the normal blending mode and the opacity is at 75%

and then i just added the song title on top at 100% opacity and normal blending mode, and added some drop shadows, and tada!

there we have it, i hope this was helpful <3

#alie replies #Anonymous #photoshop #tutorial #*ps help #completeresources #allresources #resourcemarket #userrobin #userraffa #userpjo #usertreena #tuservaleria #tuserheidi #userdean #userrainbow #usersalty #userzaynab #usernik #swearphil

[skywheeldate]

Analyzing the Skywheel Dates

Unable to wait patiently for the Ultimania releasing next month, I wanted to provide my own analysis of the Skywheel dates between Cloud/Tifa and Cloud/Aerith.

By analyzing Cloud's behavior on these two dates, which are explicitly more romantic than the other four, I aim to understand why the dates played out the way they did and what was going through the character's heads during them.

Tifa Date:

What sticks out in most player's minds during the date is the kiss Cloud gives Tifa while riding the Skywheel, and it's easy to see why! It's the first time Cloud has kissed a woman on screen, after all. But I have seen fans state that this proves Cloud likes Tifa more, and while I hate to get myself involved in any shipping war, I feel there is a more interesting conclusion we can draw based on the timeline of events throughout both remake games.

First, I want to direct you to this caption from the Remake Ultimania:

When Cloud gives Tifa the flower, he wants to "Show off a youthful image of what he himself wants to be like"...

I think this caption is very important to helping us understand why Cloud was able to be so bold as to kiss the girl he was always too shy to befriend as a child. And I think it's linked to his new "ex-soldier persona."

See, the ex-soldier persona Cloud crafted is modeled after a person he admired and wanted to be like: Zack. Although making this new personality for himself was an unhealthy response to his trauma, I think there are good things to it, as well. For one, it allowed him to take action again and thereby begin his first steps towards recovery. In addition, it gives him courage to do things he never could before, such as strutting his stuff on the dance floor:

I don't think it's too far of a stretch to say that this extends to him giving the flower to Tifa.

So this, in my mind, explains how Cloud had the courage to kiss Tifa and why some fans might think it felt a little sudden or out of character--it's because it almost is, in a way. But let me reiterate, I don't think that's a bad thing. I think Zack's influence on Cloud is somewhat natural and, frankly, having the courage to do the things you want and have fun is never a bad thing. I truly believe Cloud is exemplifying being Zack's "living legacy" by becoming more confident and outgoing. It's a good thing!!

And let's not ignore Tifa in this scene. Before the kiss, Tifa brings up that she feels she and Cloud have become closer, but frets that she's rushing to conclusions again. She's giving Cloud a clear opening to prove his feelings for her--and frankly, after all this build up? Giving the flower, all the tiny touches they've shared? Cloud is more than ready to prove it to her, and he does. It's so easy, and he does it the best way he knows how: with a kiss. In that moment, the boy became the man he's always aspired to be.

Aerith Date:

Conversely, the Aerith date isn't quite as simple--at least to me. It's hard to understand what's going on in their heads, and I think they comparatively have more obstacles in the way of their romance.

The biggest obstacle is that Aerith has seen through Cloud's persona, and almost calls him out on it during the date. She tells him she's looking for the real him, and that she wants to meet him someday.

I believe this stops Cloud, subconsciously. While the persona he built around Zack gives him more confidence, it's still a persona. It's not who he really is. By giving into that persona at all, he is not giving Aerith what she wants. Being confident and bold with Tifa was important, because she needed proof he liked her, but here? What's important is being the "real" Cloud, whoever that is. It must have stumped him.

Aerith gives him an easy out though: she asks Cloud to let her snuggle up against him until the ride ends. And that much, at least, Cloud can manage. And he goes even further than that when he interlaces their fingers together. I think this is his way of showing that he'll be there for Aerith--not just till the ride ends, but after. He's showing her that he does, in fact, care about her, and that her selfish request isn't as selfish as she thinks it is.

I also want to bring up the lyrics from No Promises to Keep here since I think they're extremely relevant to the Clerith relationship and the hand-holding symbolism seen throughout the game:

Till the day that we meet again At our place, just let me believe In the chance that you'll come Take my hand and never let me go Take my hand And believe We can be Together evermore

The hand holding symbolizes their shared desire to be "together evermore" and the belief that they will be. The interlocked fingers display a powerful, mutual bond that cannot be so easily severed. I think this imagery is both simple and extremely beautiful.

In summary, although they are not at a point in their relationship where they're ready to kiss yet, I believe this scene is meant to show that there is still possibility for their relationship to grow and get to that point.

.❀。• *₊°。 ❀°。• *₊°。 .❀

Thank you for reading till the end! I hope you enjoyed my thoughts. Feel free to use or reference this post if you found it resonated with your own interpretations of these scenes. And if you have your own interpretations to share, I would love to hear them!

#ffvii #ffvii rebirth #final fantasy vii #final fantasy #cloud strife #aerith gainsborough #tifa lockhart #meta #ffvii meta #clerith #cloti

[silverwhittlingknife]

In issue # 110 of Nightwing (1996), why did Dick look irritated (and clench his fist) when Tim told him that Bruce considered adoption (which Tim rejected obvs), especially since Tim's dad was killed (and Dick knows that)?

ANON YOU HAVE ASKED ABOUT ONE OF MY FAVORITE ISSUES OF NIGHTWING OF ALL TIME <333

Very short answer: it's the trauma

So the thing is, this is a heartbreaking issue that requires a lot of footnoting, because the emotional undercurrents are BIG and POWERFUL but the dialogue is deliberately understated?? and Dick and Tim are often not saying what they mean?? or just straight-up lying to each other?? and they're TALKING PAST EACH OTHER because

they both suck at communication

they are not even TRYING to communicate their actual problems - like, if Tim straight-up said, "A bunch of people I love are dead and I keep having nightmares about how it's my fault and I'm guilty and miserable and lonely and avoiding Bruce and I came to your city because I was reeling and I missed you and I didn't know what else to do and now I'm scared you're mad at me," that would crack through Dick's determination to keep his distance because Dick's whole thing here is based on the conviction that Tim is fine, but of course Tim doesn't say any of that, and Dick can't read his mind. And Dick's not quite as determined a liar as Tim so Tim is able to figure out a little more of what's going on with Dick vis-a-vis insecurities, but Tim's still completely missing what a colossal mess Dick is right now, and again: this is because he's not a mind-reader and Dick doesn't tell him! And doesn't want to tell him! And doesn't want him to know! So Tim thinks that Dick's maybe acting this way because he's mad at Tim, and he tries to solve the problem from that angle, even though that's not at all what's going on and actually Dick's miserable and traumatized and mad at himself

I love it so much

So the short-ish answer to your question is, Tim's correctly guessed at some of Dick's insecurities here. Dick's not mad that Tim's in the city, but Tim's right that the adoption was a big deal to Dick, and he's right that Dick's a little threatened by the idea of Tim getting adopted too. (This wouldn't normally be the case! But Dick was kinda uneasy about Tim in the early days when his own relationship to Bruce felt very shaky, and right now Dick's feeling like he's lost Bruce again, and when he's insecure about himself he tends to slide into seeing Tim as a rival - both in vigilante terms and in terms of a connection to Bruce.)

And probably the main reason Dick's so stunned - and a bit angry - here is because Bruce didn't tell him, and although this is very different from Bruce not telling him about adopting Jason... it's still jabbing at those old wounds.

BUT THE LONGER ANSWER is important! Dick loves Tim, a lot!! SO MUCH. He watches Tim sadly from a distance and thinks about how much he loves him in this very comic! So why isn't Dick more enthusiastic about the potential adoption? Why is he skulking around in alleys being miserable and self-destructive and avoiding Tim so determinedly that Tim's convinced he's offended Dick somehow? What's going on???

Well, Dick's life has been imploding.

So to really answer your question, we have to back up a bit and get the context of what's going on with Dick and Tim prior to this comic.

I started writing about this and it got way out of hand, so below please find a guide to my four-part manifesto about Nightwing 110 and what's going on and why I think it's great:

Background: Dick + Tim + Trauma Conga Lines

Background: War Games Aftermath

Nightwing 110

Fix-It Fic Ideas

rambling manifesto is below the cut

Background: Dick + Tim + Trauma Conga Lines

Images: a reporter is shot and killed in front of Dick in N 93; a few days later, Darla is shot and killed in front of Tim in R 129; a blood-covered Dick turns from Blockbuster's body in N 93; a blood-covered Tim stares at his father's body in IC 6

Timeline-wise, we're in The Bad Year for Dick and Tim. Dick's life has been FALLING APART. Blockbuster figured out his secret identity and started murdering his entire supporting cast: Blockbuster hired someone to attack Haly's Circus, blew up Dick's entire apartment building, and shot a reporter in front of Dick. In the climactic confrontation, Catalina Flores killed Blockbuster and raped Dick.

More or less simultaneously in War Games, Tim's life has ALSO been falling apart and his supporting cast has been getting gruesomely murdered. In quick succession, Jack figured out Tim's secret and Tim had to quit, Steph got hired and fired as Robin; Steph accidentally started a gang war; Darla got shot and killed in front of Tim during the gang war; Steph got killed by Black Mask; and Jack Drake got killed by Captain Boomerang.

It's a grimdark time in DC comics.

Background: War Games Aftermath

Dick's slowly recovering in the Manor as Bruce recaps recent events to him (Batman 634)

Now, Dick's actually part of War Games - very briefly. A day or two after Blockbuster's death, Bruce calls Dick for help, and Dick comes to Gotham. Dick and Tim briefly interact but Gotham is in flames, they're both freaking out, and they don't really help each other - Tim tries to tell Dick about Darla, and Dick shuts him down (not realizing Darla is actually Tim's friend); Dick has a panic attack in front of Tim and Tim drags him out of danger but gets snappish instead of worried.

AND THEN, midway through the gang war, Dick gets shot in the leg and ends up in a coma for a while. By the time he's recovered enough to wake up and walk around, Steph's dead, Jack's dead, the funerals are over, and Tim - who's avoiding Bruce - has moved to Blüdhaven.

Here's Dick trying to get answers out of Alfred in Nightwing 99 (Alfred and Bruce aren't telling him anything, either because they can't stand to talk about it or because they're worried about impeding his recovery):

Somewhere around here - presumably whenever he first learns about Jack's death? - Dick calls Tim, who doesn't pick up, in IC 7:

In Nightwing 99, it's implied that Dick leaves the Manor almost as soon as he wakes up, after confronting Bruce:

Dick can't bring himself to confess Blockbuster's death, but obliquely admits his own distress: "…Bruce, I'm lost." Bruce wants to solve things by throwing themselves into The Mission in Gotham: "It's just you and me again, Dick. But there's plenty of work to do." As he talks, Dick grabs his crutches and leaves. He confronts Catalina, arrests her, and tries to turn himself in... but Amy doesn't let him. As he's walking out, angry at Amy and at himself, a prisoner offers him a card.

Meanwhile, in the Batcave, Alfred's stunned to discover that Dick's abandoned his costume:

In Nightwing 107, we learn that Dick has ditched everything and apparently joined the mob - or is he undercover? Dick ultimately comes up with justifications for what he's doing, but a lot of what he's doing is punishing himself and hiding from his life. He's in Detroit for a while, but then has to go back to Blüdhaven, where he sees Tim...

...and now we're caught up with Nightwing 110.

Nightwing 110

I haven't had a chance to see Robin in action since the beginning of the gang wars in Gotham. It seems like just yesterday he was an earnest little computer geek too smart for his own good. He's still too smart for his own good and he can still kick butt with a search engine, but now he's a full-fledged superhero, to boot. Wonder if he knows how good he is? Not just at the fighting, but at keeping the whole thing on his terms. That's really hard to do, and Tim - he's been through so much, and weathered it so well.

Dick's been staying mostly in Detroit rather than Blüdhaven for various reasons, but one very important one is that he's been avoiding Tim.

Dick and Tim's relationship always suffers when Dick's self-worth issues get in the way, and this is probably the most dramatic moment AND IT'S SO SAAAAAD *wails*

From very early on, Dick has had a very high opinion of Tim, and - like Bruce's conviction that "you're better than me, Dick" - this is

very heartwarming and an expression of Dick's faith in Tim

very important to Tim, who tries really hard to impress Dick and (like Dick) hangs a lot of his self-worth on being needed and useful

a source of many sweet moments

but also

a source of problems in their relationship, because Dick's high opinion of Tim and low opinion of himself means he consistently underestimates how important he is to Tim, wonders if Tim would be better off without him, and sometimes thinks that keeping his distance is good for Tim so that Dick doesn't bring him down... and meanwhile Tim interprets Dick's distance as disapproval or hostility

When Dick's down on himself, he'll continually compare himself unfavorably to Tim - Tim questions more, Tim's better with Bruce, Tim's got better computer skills, etc. etc.

And that's what's happening here, when Dick watches Tim fight from a distance:

Dick: Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops, kept any civilians from being shot... God, I love that kid. Too much to let him see me like this.

This isn't a neutral assessment of Tim's skills. This is Dick castigating himself. The implication is: Tim plays it nice and clean, Tim kept civilians from getting shot... unlike me. Elsewhere in this arc, Dick's been convinced that he's "poison."

He can't bear to see Tim because he's certain he'll only bring Tim down.

... There's a problem with his plan, though. Tim's spotted him.

Narrator voice: they were not okay

I LOVE THIS PANEL SO MUCH

Tim spots Dick before he can sneak away, and chases after him. At first he tries to tease light-heartedly - "Look at you! Back on your feet!" - but when Dick looks away grim-faced, Tim sobers and we get a bit more of his actual worries. (Tim will sometimes fake cheerfulness when under stress - both Babs and his friends comment on this in War Games and in Teen Titans.)

Now they catch up. Tim asks Dick if he's okay. (Dick says he is. He's not.) Where he's staying. ("Some people" are the mobster family.) Dick asks Tim how his step-mom is. (Tim says she's okay. She's not. She's had a breakdown.) How school's going. (Tim says school's okay too. Actually, he's dropped out.)

And now at last we've looped back to the panels at the top! Dick tries to retreat, and Tim - convinced that Dick is mad at him, which is really not the case - tries to figure out if Dick is mad at him for coming to Blüdhaven without permission, or about Bruce's offer of adoption. (Tim's self-worth issues mean that Tim's convinced that Dick is mad at him about something, as opposed to the truth, which is that Dick is spiraling and it has nothing to do with Tim.)

Dick (turning away): We - we shouldn't be talking like this. Tim (fake-cheer, acting as if Dick means "we shouldn't be talking with you in costume and me out-of-costume"): Well, go get your gear! Dick: I can't do that. Tim (more serious now): You're not mad I'm, like, in your city or anything? Dick (shocked): NO! No. I'm honored. You have more of a right to be here than I do. Tim: Is it the adoption thing? Dick: The what? Tim: 'Cause I was a little worried about that. That's kinda part of why I said no. I mean, that and the uncle thing. I was just thinking it wasn't really all that long since he officially adopted you, which was kind of a big deal, emotionally or whatever, and to me you're like totally his son and I don't wanna step on that or anything.

Dick (whirling): What are you talking about, Tim? Bruce is going to adopt you? Tim (hands up): No! I mean, he was. But he's not now. I've got this uncle… So I don't need, you know, anything really… from Bruce, or… You, uh. You didn't know. I'm sorry, I figured he would've talked to you about it or something. Dick (turning away, jumping off the balcony): Yeah, right. Fat chance. Tim: Well anyway, it's not gonna happen, so you don't have to worry about it... right?

Dick's unnerved by the adoption offer mostly because it drives home his distance from Bruce - he didn't know Bruce was offering this, and since Dick's been thinking of himself as Estranged from Everyone Forever, it feels like Tim joining Bruce's family - replacing Dick - instead of Tim joining Dick's family. So he reacts badly - EVEN THOUGH!!! AGAIN!!! DICK LOVES TIM A LOT!!!

So Dick emphasizes the distance he's trying to create: tells Tim that whatever he does is up to him and Bruce, not Dick, because Dick's withdrawing from everything. Actually, Tim should forget that he ever knew Dick:

Dick (pulls his hood up, turns away): Look, Timmy, I'm sorry. I don't care what he does. If he can be of help to you, you should take him up on it. I wish I could offer to help you myself, but I can't. I'm not part of this anymore. This whole thing… I'm out. Tim: Yeah, right… Dick: From now on, it'd be better if you forgot you ever knew me. Tim (echoing what Dick said): ...Fat chance.

Tim's hurt by this, and he's been pretty oblivious about what's going on with Dick, but he's not an idiot, and after a moment of hesitation he correctly figures out from this ramble what Dick's not saying, which is that Dick's feeling like he's worthless to Bruce, that Bruce doesn't value him, that he's lost that relationship. So Tim impulsively tries to reassure him that Bruce does need him... but Dick's in a lousy headspace and it doesn't work:

Dick's walking away. Tim chases after him again. Tim: Hey, uh-! Remember how I once told you that Batman needed a Robin? Well, that's still true, but even more than that, he…he needs you. You know, not like every second or whatever, but at the end of the day, he needs to know you're still on his side. It's…important. Dick kicks over a newspaper stand. Dick (glaring): YOU- ! - you have no idea how much of my life I've wasted believing that was true. Dick pulls up his hood again and walks away.

(Side-note: forever wonderful to me that both Dick and Tim use "need" as a synonym for "love." Issues: they have them.)

Fix-It Fic Ideas

I have spent a lot of time thinking about potential fix-it fics for this comic (TRAGICALLY AFAIK NO ONE HAS WRITTEN ANY, FEEL FREE TO BE THE FIRST). An idea that I offer free to a good home:

A bit after Dick leaves, Tim winds up in trouble and gets injured and Dick has to rescue him (how does Dick find out about it? I dunno)

Tim's injured so naturally Dick's gonna take him back to his home with his stepmom and/or uncle

. . . except the uncle is an actor and not a very convincing one; Tim's entire edifice of lies collapses

Dick realizes that Tim is not actually weathering things well

Dick still thinks that he's poison and terrible and awful and (insert self-hating monologue here) BUT Tim living on his own after his dad is murdered is so bad as far as Dick's concerned that clearly SOME kind of intervention is necessary

Tim insists he does not need an intervention

Dick's sense of responsibility and worry over Tim now force him to carve out time from his major project of hate-myself-and-feel-bad to try to look out for Tim

Dick insists that Tim stay with him until his stepmom is better

They share an apartment for a while

They are both still super-super-super traumatized

???

eventual hugs and healing on both sides

profit

Alternate fix-it:

Tim follows Dick back to the Tevis' house like the little stalker he is, and then introduces himself in disguise as Alvin Draper

Dick's furious and frustrated but can't do much about this without screwing up his own disguise

Tim's determined to figure out what's going on with Dick partly for altruistic reasons and partly because he's also running from his own life, but Dick doesn't figure out the second part until way later

Dick's so frustrated with Tim being here when Dick told him to go - plus wrapped up in wondering what Tim knows, and being paranoid about what he might figure out, and hating being observed - that it takes him a while to start wondering questions like, "wait, shouldn't Tim be in school"

Dick and Tim are pretending not to know each other - or pretending to have a hostile relationship, or something - so any real conversations have to be in snatches in secret

Dick tries to bluff/threaten Tim into leaving (for his own good!!) but it doesn't work

Slow crawl toward mutual awareness of trauma which they're both super-self-conscious about - Dick hears Tim crying at night; Tim hears Dick's nightmares or sees another panic attack

??

At some point it becomes increasingly obvious that they know each other / that their story about their relationship is fake, and when the mobsters confront them, Dick says yeah, he lied, actually Tim's his little brother, and he gives some kind of stylized version of the truth which doubles as an emotional speech to Tim who gets all choked up and hugs him

and it's very touching and emotional because remember Tim HASN'T been adopted so they're NOT brothers and Tim was worried maybe Dick didn't WANT to be brothers but Dick CONSIDERS him a brother so ;_;

??? i don't know what happens next. do they quit the mob? does Dick now explain his mob-infiltration plan to Tim?

meanwhile off-panel Bruce stops Deathstroke from blowing up Blüdhaven, well done Bruce

oh wait or maybe Cass does??

anyway Dick and Tim have hugged so then there's a happy ending

In Conclusion

IN CONCLUSION Dick and Tim should hug more and this comic proves it. Look at them! They both need hugs! They're standing so close to each other! THEY ARE MIRROR IMAGES OF TRAUMA AND BAD COPING MECHANISMS they need each other and they don't know how to say it - they want to help each other and they also don't know how to say it - they don't know how to talk to each other or to anyone else - Dick lashes out and Tim lies and they both isolate themselves and withdraw into depression loneliness even though they could help each other! and would want to help each other! but they won't ask for what they need because they don't think they deserve it and they don't realize how important they are to each other

i just think they're neat. i want to study them like bugs and rattle them around in a jar until all the masks come off and they can actually see each other clearly

#dick grayson #tim drake #dick & tim #long post #i LOVE this comic SO MUCH #the way they echo each other's phrases?? #the miscommunication?? #the tragedy?? #the fact that underneath it all they both still love each other and they're TRYING?? #ask tag #i know a lot of this wasn't really about your question anon but thank you for letting me ramble <33

[blackfeathercourt]

Got Nocmos Brain Rot™ again and made a timeline to pinpoint the most important events of her life and to illustrate the way she's been changing and growing

Close-ups and some notes below the cut

weirdly cut because I didn't want images to be giant and long to scroll by x_x

Just a baby. Nocmos had a relatively normal early childhood. Definitely cast her first spell before spoke her first word.

Nocmos begins her studies when she's around 10 years old… and that's when her free time is done for. Almost every minute of her day now is dedicated to studying, with magic being most paid attention to, which is a given with her Telvanni background. Moreover, she was taught with the intention of her enrolling to Shad Astula, a prestigious magic academy near Mournhold. She wastes all her teen years being stuck in her family's tower in Sadrith Mora, barely leaving the settlement and having little idea of the world outside.

elves must hit their puberty later then humans, so she's still yet to grow a little

Alright, Nocmos makes it to Shad Astula. She immediately starts distancing herself from her family back on Vvardenfell, since now she's away on the mainland (kinda). She keeps her studies up, a bit more enthusiastically now since she can finally meet people all over the Ebonheart Pact and not be limited to the Telvanni bunch. Starts learning to socialise on her own, catastrophically at first, with accidental racism all over the place... But it's alright, she even manages to make some first friends.

Initial meeting with Endalwe occurs at around this time, somewhere on a field trip I suppose while Endalwe is adventuring around the region. Neither one of them pays much mind to each other at this point.

Nocmos (barely) graduates Shad Astula and begins her own independent research, albeit under Divayth Fyr's guidance. She becomes his apprentice, living in the same tower as him, assisting him when he makes her and accompanying him in his travels. She learns a lot during that time and finally gets to explore Tamriel a little, which inspires her greatly to continue her studies.

At around that time, Nocmos discovers her new special interest - tinkering and constructing, though still on a very early stage. She meets Endalwe again in Vivec, when she's completing the Morrowind story line, and spontaneously decides to assist her. That allows not only for them to develop deeper friendship, but also for Nocmos to become acquainted with a former Clockwork apostle, Barilzar. I imagine she does all the quests which involve him, which means she gets a peek of the Clockwork city at the very end of the storyline. And… she becomes obsessed! Barilzar kicks her out and doesn't really want anything to do with her anymore, so she takes matters into her own hands and starts exploring Dwarven ruins on her own, eager to study the nature of the constructs. She even tries to build something on her own, bringing home spare parts and tools, thinking Divayth isn't aware of her new hobby. He is.

So, this is the most crucial point of Nocmos's life. She completes the Clockwork City DLC! With Divayth's guidance, as he notices her interest and deems her worthy of such endeavour, but she does all the quests mostly on her own. After that, they bid farewell and he officially ends her apprenticeship. Nocmos decides to stay in the Clockwork City and later becomes an Apostle. This allows her to bring two of her hyperfixations together - she starts practicing some actual constructing and occasionally studying magic from Sotha Sil himself as she's now in a pretty favourable position, having rescued his life and everything. Yeah, that also makes her times more religious than before.

Another point of importance is that her design finally settles down. Her appearance doesn't change much past that. She gets that Apostle tiara, crafts some ear extensions to correct their shape, loses her arm in an accident and gets a prosthetic (along with her staff, but that happens a little later) from Sotha Sil, adopts local clothing style which she uses later independently and grows her hair out to its final length, not letting it get longer or shorter.

Some time later, Nocmos's Telvanni heritage starts calling out to her. She gets a permit to travel freely to and from the Brass Fortress, and returns to Tamriel, intent to make a name for herself as a Telvanni sorceress, just to spice up her life a little. Nocmos manages to get on Mistress Dratha's good side in Vos, and gets a permission to grow her own tower in there. Then she starts eagerly and deliberately climbing up the ladder, rising in ranks, using all means to get as high as she can - charisma, cunning, thievery, backstabbing, secondhand murder... whatever. She acquires all those necessary skills which help her later on in life. Of course, this process is a very long one, and goes on for decades, but eventually she manages to rise to the rank of Master and only then does she settle down.

Here she's pictured in a Telvanni attire from ESO, tweaked a bit to my liking, but I think she continues wearing her Apostle robes just to remind people who she is

This is the point in her life when she reunites properly with Endalwe and starts adventuring with her, along with Bliss and Tanarion. Endalwe lures her in by promises of an endless research material during their world-saving quests... and Nocmos doesn't need a lot of persuading, since she's herself eager to travel and explore, especially in the safety of the company of warriors. And since she likes Endalwe as it is, of course.

Okay, so I haven't developed anything much beyond that point. Nocmos and others does all those big chapter and dlc storylines... and that takes years and years because I absolutely refuse to believe that Vestige has to do everything on their own within the span of one year. They also have periods of rest in between them, when Nocmos either collects the data she's earned on their adventures and writes a paper or too, ooor comes back to her duties in the Clockwork city.

#my art #tes #oc: nocmos

[una-hopeless-romantic1118]

𝐏𝐚𝐫𝐭 𝐈𝐕: 𝐘𝐨𝐮 𝐇𝐚𝐯𝐞 𝐚 𝐓𝐡𝐢𝐧𝐠 𝐅𝐨𝐫 𝐃𝐫𝐮𝐦𝐦𝐞𝐫𝐬?—𝐖𝐚𝐫𝐫𝐞𝐧 𝐑𝐨𝐣𝐚𝐬/𝐑𝐡𝐨𝐝𝐞𝐬

a/n: thank you THANK YOU guys for so much for the love lately. writing abt warren for yall and reading your guys' comments has been such a serotonin boost. I LOVE YOU ALL <333

timeline: ep. 3 + Christmas scene (kinda...)

-> Part 1

-> Part 2  

-> Part 3

This chapter: Part 4

Part 5

Epilogue (cancelled)

•─────⋅☾ ☽⋅─────•

warnings: not proofread as always <3, cursing, first Billy mention, angst (turned to fluff calm down), drinking, confusing time progression, implied sex teehee

summary (of this chapter): a visit to Laurel Canyon simply to talk to a friend and drop off a personally made outfit to a special costumer, ended in confessions and closures.

(if that didn't make sense, dammit just read the chapter)

•─────⋅☾ ☽⋅─────•

"Warren's either on something, or..." Eddie snickered at the offended Warren, "...yeah. Heh."

"I'm telling the truth, man!" Warren threw his hands up in frustration. "Guys, seriously."

"Warren, man, how do you expect us to react?" Graham took a swig of his beer. "It's just not...believable."

"We want proof." Eddie challenged him.

"Like what?" Warren scoffed. "What-What do you want me to show you guys?"

"You're creative man, I dunno, her bra?"

Warren leaned forward like he wasn't sure he heard his friend correctly. "Her bra?" He repeated. It triggered a nerve he didn't know could be triggered.

"There," Graham pointed at Warren's visible provoked tone. "That was enough proof. If he doesn't have it, then he never did it."

"Or!" Warren scoffed at both of his friends. "This is something I don't want to mess up. This is something new to me, and so far I think I have a good chance of getting something real. We kissed. We hung out. We laugh about things. I get her. I didn't have to do it."

A moment of silence and unsure glances were shared between the two friends, until the image of the woman and Warren talking to one another at that yacht party submerged from Graham's drunken and sluggish thoughts.

"Woah woah woah," He pushed himself to sit up. "What about Flora, the girl from the yacht party? You were just hooked on her."

Warren's lips immediately spread into a prideful grin. "That is her."

"Y/N Augustine...is Flora...?" Eddie frowned into space.

"Yeah!"

Only laughter erupted from the two drunk men, in turn making Warren grow more impatient with them.

"Fuck you guys, where's Karen?"

"Oh okay." Eddie shook his hands mockingly. "As if Karen will believe you any better."

Warren enters the house, almost tumbling over Camilla crouched down to the babbling Julia.

She noticed his tensed up presence. "Hey, War," she smiled up at him, "something wrong?"

"Nah, don't worry about it," he waved her off, clearly distracted. "Where's Karen? I need her to back me up for something."

"She's out by the front, I think," she squints through the sunlight seeping through the window. “She said not to bother her, though.”

A figure comes in through the front door, but it was just Billy, much to Warren's disappointment.

"Hey man, is Karen talking to somebody out there?"

Billy furrows his eyebrows at him. "Yeah, but I wouldn't...want to interrupt."

"I just need to steal her for a minute."

"Warren, she's kind of important." He warned. "I wouldn't-"

Warren took it as a further indicator that the guest was Y/N. Karen couldn't possibly know anyone else as famous. He marches past him to the door, and when he swings it open to find Karen gathered on a table with the familiar woman sipping tea together, he instantly rushes to them.

Karen sees the black-haired figure she feared would eventually come and interrupt her time with her friend, and she couldn't help but groan out.

"Will anyone just give be a bloody minute to have things to myself? I mean, fuck!"

"Hello ladies," Warren greeted anyways as he stood in front of them. He waves at Y/N peering up at him through her pink-tinted sunglasses. His hands twitched at the sight of her in a purple see-through kind of cloth for her puffy long sleeves, her white bra visible. "Hey."

Karen took note of the way Warren's usual composure to be nonchalant suddenly sloughed off at the sight of Y/N. He actually seemed tense, and clammy, and giddy all at the same time.

"Hi."

And Karen took note of Y/N's. Her normal response to push away any means of flirting was suddenly forgotten at the sight of Warren's cheeky smile. Her "migraine" from having to work with a well-known celebrity who turned out to be a complete bitch from a few hours ago suddenly disappeared, seeing as now she was grinning up at him.

 •─────⋅(cut to documentary)⋅─────•

Karen: There was this...excruciatingly flirty tone in their voices. It was annoying for me to be the one to witness it.

But it was adorable how vulnerable they made each other, even from that simple greeting. Mind you, I didn't know what was going on between the pair. And everything about the way they looked at each other that day seemed...innocent. Pure, if you will.

Well, yes, I sent Warren to her condo so that I didn't have to explain to the poor guy that Y/N Augustine was messing with him the whole time. I sent him there because I knew she needed someone like him, and I knew he needed her too, in the best way.

•─────⋅(cut back)⋅─────•

"You sound like you're in a rush, War," Karen faked a smile. "Why don't you get on with it so you're not wasting our time?"

Warren frowns down at her. "I mean, I was going to ask to borrow here politely, but I think I'm just going to take her now."

"Mm," Y/N hummed. "I love being objectified."

"Sorry baby," Warren apologized, squeezing her bare shoulders. "I got some stubborn friends who don't believe I've gone more than 6 feet of you. Gotta humiliate them. You like humiliating people, why don't we make this a date?"

"I'm sorry, did I miss something?" Karen gagged, pointing to the both of them. "I don't like this."

"Too bad, Sirko-"

"No, she's right." Y/N retorted. "I didn't agree to anything. I only came here for this." She reached below her seat for the red, shiny box, and Warren's eyes widen like saucers.

He lets out what sounded like a high-pitched scream, and a gasp at the same time. "For me? Aw, baby..." His eyes set on her admiringly. "You shouldn't have!"

Warren should've seen the incoming sarcastic remark a mile away. "Are you kidding me?! Of course I had to! I mean, I lost a total of 5 hours of sleep for this, and I have more pricks on my hand than a local cactus...but who cares?"

So Warren decides to play along. "I love me a tough woman."

But his swagger was immediately washed down with humiliation when Y/N stopped herself from continuing it.

"What the hell, Augustine? That's what that was?" Karen scoffed, taking into her hands a white tag attached to the strings of a ribbon tied to complete the look of the present. The tag was titled Serenity by Y/N Augustine. "Is that what I think it is?"

Y/N smiles awkwardly, and all Karen could do was sit with an agape mouth, trying to restrain herself from strangling her friend.

"I want to wear your work!" She whines. "I've been begging you to make me something for ages! What's his reason for one?"

Warren pulls up a chair and starts ripping the red wrapper. "Pretty privilege." He shrugged.

"Oh!" Karen moved her head back in offense. "Do you want to go, Rojas? I knew Y/N way before you even thought about snagging her!"

"Karen, can we calm down?!" Y/N yelled at her, laughing. "What's in a few weeks?"

She thinks about it for a minute. "Christmas-oh. Oh!"

Meanwhile, Warren had stood up from his seat to try on the his new light brown leather vest, embroidered with flowers on the bottom, and then-

“There they are.” Warren chuckled as he pointed out the bejeweled part of the vest. The jewels were tiny and silver, and acted as borders of the flowers, and went to border the rest of the vest.

From far away, Warren noticed that they were made to stand out. Not too glamorous, but definitely not too basic that can be found at a lame, store at the mall.

No, this was designer. This was by Y/N Augustine, the fashion icon.

“I did what you suggested,” Y/N squinted up at him. “I’m still getting used to how I want to use them on clothes. I don't want the to look to over the top."

“Not bad, baby. I like it.” He chuckles as he lifts his shirt off.

“This is the part where I leave.” Karen whispered to her, a disturbed look on her face, before walking off inside with her tea.

And maybe it was a good idea Karen left.

Y/N stares openly at his bare body. His bare chest.

Holy cow.

“You take your shirt off for every girl?” She mused. But at the same time, she was serious, with a hint of suspicion.

“Nah, just you.” He remarked before swinging his arms through the vest. It slid fit into his body easily. “Such fine art is reserved for the finer art.”

“Geeze, Rojas.” Was all she could muster up, out of complete flattery. Normally she would find these pick-up lines completely overused that it’s lost meaning, or that it’s meaningless as it is.

But she was believing this so easily. Way too easily.

The weird thing is, she likes it. She actually looks forward to them, and at the same time she's disgusted by her own smittenness.

Is that even a word?

Warren pats the vest against his chest and dusts off invisible dust. “How’d you know my size?”

“Called you to ask." She sipped her tea. "Woman named Camilla answered, though."

"That's why she snuck in my room to grab a vest. Could've just asked me to take over, though."

Y/N laughed. "The conversation went on for hours. She's lovely to talk to. I want to meet her in person today."

Warren couldn't help but get ticked off. She's touched every nerve he had, it felt like, but she was avoiding anything that had to do with him.

He was right in front of her, and all she could do was avoid him every possible way.

It was like every step Warren took, with Y/N's coldness, he'd have to take a way more steps back than he did forward. Approaching her kept hurting him.

And the only way she's approached him? It was a kiss, the best and most sensual kiss he's ever felt, one that seemed to keep him breathless and despite it, left her wanting for more. It was a kiss he's been wanting more of at every thought, every mention of her name.

And while the kiss was a moment he'd never forget, it seemed like for Y/N she had forgotten it as soon as it was over.

Y/N senses his change of demeanor just by the way he slipped out of the vest. "What's wrong?"

"Can we talk about it?" His voice wavered. Asking about it physically pained Warren, but he pushed through. "Alright? It's the least you could do."

Y/N swallows thickly, her eyes darting off to her shoes. "About what?"

"Y'know exactly what." Warren inhaled sharply as he slipped back into his t-shirt. "What is this, even? What do you expect out of this?" He motioned to the two of them. "Because I'll tell you what I want it to be. Y/N I barely know you, but I've already picked up enough about you to know that you are just about the only person I know that's stuck on me. You're different, and it's so comforting and-and nice to see someone stick to their own thing and not feel the need to conform to be part of the crowd. Do you know how refreshing that is? And, fuck, that kiss-"

Warren saw a slight tremble in her bottom lip, and he wasn't sure if he should stop or not.

"I'm not..." she clenched her jaw, surprisingly, not out of anger. "I'm not the happiest right now."

"Well that's fucking perfect, Y/N." He pointed at his chest. "I'm. Right. Here."

She shook her head, her eyes shut. "Don't-"

"I can do it." He reassured her in a low, husky voice. He took the risk of placing a hand on hers. "I doubted it for a second, that I'm holding you back or something, but nothing does. Nothing can hold you back. You do your own shit, and everyone just follows along, because you're such a force. For fighting about women's rights, donating to charities even I've never heard about-"

Y/N's heart only jammed against her ribcage violently. "How'd you know about that?" She whispered under her breath in disbelief.

He shrugged with a smile. "A man's gotta do his research."

She can't possibly give in, and it wasn't about her career now.

She's scared if she gives in, that she's just using him to fill in the emptiness of her life. A good—the best man she's probably met for noticing what others couldn't about her, for noticing what she herself couldn't notice.

She had just submitted a few of her bejeweled and other unique and risky clothing projects like Warren encouraged her to, and her team loved them.

When no answer came out of her, Warren continued, swiping his thumb over and over on her hand. "I've done all the research I can do, now I really want to see you behind the camera, behind the press."

It easily hit every doubt Y/N had in her heart down and dead. "Dammit, Warren-" she choked out, a hand over her eyes.

"Hey, look." He chuckled out. "I'm asking for a lot, but we can take this as slow as you want-"

"You're so fucking stubborn." She sniffed, slapping his hand away out of flattery. "Fuck you."

"Is that a yes? I don't have to go on one knee right now though, right?"

Y/N only shook her head and brought his lips to hers hungrily.

No, he didn't have to go down on one knee right now.

•─────⋅(cut to documentary)⋅─────•

Warren: Y'know, there were a lot of things I wish I could go back and experience again, but nothing beats the shocked look on those motherfuckers' faces that day when I came back with my sweet babe of a girlfriend wrapped around my arm *chuckles*

Eh, well,*he ticks* they actually haven't met her until Christmas day, which wasn't until a few weeks later. And I had some making up to do, which was perfect.

•─────⋅(cut back)⋅─────•

"You promised me a drum lesson." Y/N panted out a laugh. Even after the high, she was able to push herself up on her elbows on the lofty bed. "To brush off my drumming skills because the drummer from the Six said I needed 'some help."

The said drummer followed her up and smiled against the corner of her lips. "Look who's gullible now." He teased.

He makes a trail of kisses from the neck and up, and with his mustache, earned him a few squeals and screams.

"One of these days I'm going have to elbow you or break your nose," she giggled out. "Warren, stop!"

He doesn't, and the sound of her giggling and laughing only encouraged him to kiss her harder on her neck, and with every pursing of his lips his mustache followed, tickling her. "You love my nose and my mustache."

"Warren, fuck!" Y/N moved away and grabbed her bedside alarm. "The dinner was supposed to start 2 hours ago."

"Well shit," Warren shrugged, clearly ignoring his lover's panic. "Too late for anything now. I think we should just stay here, on this bed, making lo-"

"Oy vey," she muttered under her breath, staring at the clock in dismay once again.

"Baby," he stifled a moan against her shoulder. "What did I say about speaking French to me? Fuck..."

"That wasn't even-I'm getting dressed." Y/N stumbles out of her entangled formation with her boyfriend to get to her closet.

When no movement followed her, Y/N threatened, "Warren, if you don't get up I'm dragging you out by your mustache."

•─────⋅☾ ☽⋅─────•

taglist (aka beautiful people): @pinkdaiisies @mlwriting5 @teletubbysteroids @linatells @stanzie @arsonkween @rexorangecouny @lisbeth122605 @cultsanrio @thatoneawesomechicka @magicalmiserybore @sourholland @sunfairyy. @lilyhw1 @viridianflowers​  @goldenjasssy @eonnyx @coldlamaspersonspy

#daisy jones #daisy jones and the six #djats #Daisy Jones imagines #warren #warren Rojas #warren rhodes #warren rojas fluff #warren rhodes x reader #warren rhodes x you #warren rojas x reader #warren rojas x y/n #warren rojas x you #warren is so hot omg #Sebastian chacon if u see this ily #warren rojas fic #warren rhodes fic

[spiderpussinc]

who you mind sharing some spiderdads headcanons you have, or do "the explain your otp in 5 minutes" meme? no pressure though! i love your art and fic too

im soooooo bad at this kind of question bc i kinda love thinking about a bunch of different/concurrent options like. you know how every fic is its own universe and you watch the same steps happen with little alterations so the same guys fall in love 101 times that's my brain... HOWEVER I've been thinking a LOT about ITSV Peter/Miguel lately --

Either comic-canon based settings where he's the usual single hero in his natural habitat OR directly /before/ ITSV itself; divorced midlife crisis spider-man who's always struggling to make rent is SUCH a good spot for Peter's stakes, and it sucks how people just want to make him rich or magically the avengers solve all his problems to basically erase what makes him compelling. I think its a good choice the spidey movies do -- to make it all a lot more ground-level, without outside interference -- so he has to make the tiny decisions.

Miguel getting stranded in the past!! HOW COME THERE'S SO LITTLE STUFF ABOUT MIGUEL AND PETER MEETING IN THE PAST? Doesn't need to be ATSV plotline compliant. A macguffin gets him there, or sends him to Peter's universe, come on! The important part is having them on a ground level sandbox.

THE REAL FUN STUFF: The cheesiest stupidest meetcutes you could ever imagine. Endless possibility. Spitballing: Peter/Miguel being unaware of each other's identities and renting the same apartment because neither of them has the funds to fly solo. Peter being suddenly spooked by the appearance of a brand new edgy spider-man in the vicinity. After all these years. Miguel not knowing how much he can say because Peter's sort of convinced this is a villain ploy of some sort to fuck up his public persona.

REAL-LIFE, both of them are suspicious about the other as a Weird Fidgety Roommate type. Neither can complain much because, again, it's rent on NY. You mind or business. or not.

Maybe Alchemax doesn't even exist in this universe, tipping Miguel off that this is an alternate timeline and he's really on his own. Maybe the ruling company here is Roxxon or Future labs or whatever; there's a lot of those in comics. He kind of HAS to eventually come clean about being universe-displaced to this world's Spider-man -- Peter begrudgingly accepting that there's a second spider-guy around on the condition that Miguel isn't gonna do anything catastrophic while he's here to completely blow up Peter's image, or give J.J. Jameson fodder to attack him.

Maybe they start working together. Maybe it's a casual partnerships thing where they happen to be tracking the same shady incident and decide to wrap it up as a duo; maybe they just agree to patrol the neighborhood together on busy weeks since they just.. suspiciously... seem to be around at the same place... at the same time... overly concerned abt the same shit....

Miguel has a superhuman investment in Not Letting This World Turn into a Future Dystopic Hellhole; Peter just kind of wants to live and solve problems as they come by but these two motivations really synergize. Peter doesn't even need to ask why, just damn okay dude!!!!!!!!!!!!!! Respect!!!!!!!!!!!!!!!!!1!1!!1!

Secret Identity investigations. Secret Identity mishaps. Secret Identity fumbles. Lyla accidentally busting out that Peter Parker is Spider-man via advanced facebook voice recognition fuckery. (LOL) Hell, maybe in THIS Miguel's version of 2099 it was already revealed Peter is spider-man, after he died. How'd he die? Maybe it was a bad end. How does Miguel feel about that? About meeting with a ghost? Endless possibility.

EVEN MORE FUN STUFF: both of these guys are *SO* intensely defined by a lack of support system around their secret identities. WALLOWING in guilt. Spider-man always seems to ruin their lives, in the worst ways. They're too proud to let normal people intervene, or the ppl themselves deeply resent the fact Spider-man exists. It's fun to think of a reversal scenario where Peter/Miguel have each other's backs, can help the other dress wounds, can show up in a pinch to prevent disaster from occurring with some supervillain 10 blocks away while Peter is trying to land a new job interview as a highschool teacher or science columnist. IDK It doesn't have to be constant uphill battle to get someone else to understand why they do what they do and what the stakes are; they're the same kind of crazy.

And okay, maybe you don't want the spidersonas falling in love before their real identities do..... still VERY ripe options around for Miguel sneaking home with a limp or a really fucked up arm and his healing factor isn't nearly as good as Spider-man Prime's, so Peter is like 'WHAT the FUCK happened to you?' And even though he can tell Miguel is lying. He is not going to bust him out for it. Because he's been lying for 20+ years. Instead, Peter just takes it upon himself to teach him how to get his shit fixed. Temporary armslings and icepacks and sprays and current-time medication that is different to what Miguel is used to in the future; friendly neighborhood Peter Parker who minds his business and will not ask you if you're secretly Daredevil for Reasons but that will, however, tell you to stop blocking attacks with your fucking head. He learned this lesson earlier than most superheroes.

(The reverse scenario is still sweet! Peter's taciturn roommate who wears sunglasses indoors and is weirdly secretive about everything seeing him come home with a busted out eye and hes like damn. Do you want to split a pizza or whatever. You look like shit)

Miguel is not actually as experienced as Peter! He /could/ use the tips!!! Peter has been Spider-man ever since he was 15 years old. Miguel became Spider-man due to a freak accident at MAXIMUM 4ish years ago. Probably less. Figuring out how to do it not alone would be genuinely a good experience for him.

Miguel moe x1000 as the future man who kinda doesn't get the weird counterintuitive way things work present-time 💔 flipside; Miguel seeing the beginnings of bad future patterns like musk trying to buy twitter and deciding to take matters into his own hands. sorry this is just hilarious to me. Even if he's not beating these guys up its still awesome to imagine him as an insane ranting tech essayist who goes on hour-long takedowns of NFTs on youtube or being like GOD WE NEED VACCINES TO BE COOL AGAIN FUCKKKK

Among all of this though, I think one of the most appealing aspects of having them as an unit is that they don't have to lone-wolf shit anymore. (and they Have been lonewolfing it for SO long.) Feels good feels organic

I could go on but I need to actually write and I just... think they can be so entertaining. We don't have to be so dependent on the movie here pulling from regular superhero shenanigans Really works. They sort of complete each other. Immediate productive boost on both of their morales. Get Peter/Miguel pilled with me rn

#spiderdads #petermiguel #miguel o'hara #peter b parker #miguel ohara #peter parker #atsv #itsv #my spider stuff #spiderman #spiderman 2099 #spider man: across the spider verse #across the spiderverse #spiderverse #marvel comics #atsv lyla #spiderman atsv #atsv miguel #lyla spiderman 2099 #meta tag

[unseededtoast]

Turtle Doves | Joel Miller x F!oc

Part One

Chapter Directory

Series Summary: In which two broken souls connect so deeply, that if one should perish, the other would surely die of a broken heart. (slow burn, timeline changes. After TLOU1, before TLOU2, assumed knowledge of infected, uses elements from both show and game)

Series Warnings: Graphic depictions of violence, death, and sexual content.

Also cross-posted on Wattpad and AO3. Link to my masterlist for everything else I’ve posted!

wc: 2.9k

a/n: Thank you for checking out this story! This is by far one of my favorites that I've ever written and I am beyond ecstatic to finally be able to share it with you all. I will be uploading a new part every week, and let me know if you'd like to be tagged! Once again thank you so much!

"What do you think of all this?" My voice is unusually hoarse as I take in the images before me. There have been reports of some sickness going around, mainly in the bigger cities, far enough from here to make us feel safe, for now.

(use this link for geographical reference points)

Upbeat music sounds through the house, bright sunshine beaming through the open windows. The crisp breeze whips in every few seconds, blowing the sheer curtains and cooling the house. It all makes it seem more real that summer is finally here. I lightly bob my head to the beat, enjoying the first day of warmth and excited for our first cookout of the year. I hear a few of the guests in the back yard already, laughing and clinking bottles together.

I turn around and open the freezer door, grabbing the ice tray off the top shelf and breaking up the frozen water inside, so that I can dump the cubes into the glass pitcher sitting on the kitchen counter. The ice clings as it falls to the bottom of the pitcher, and I go to fill it with water to finish the lemonade. With another gust of wind, the smell of grilled burgers floats in, making me all too excited to get back out there.

The doorbell rings out and I quickly turn the water off so that the lemonade doesn't overflow into the sink. I set the pitcher off to the side and dry my hands on the towel laying on the counter. Quickly, I make my way to the door and open it, greeting the next arrivals with a wide smile on my face.

"Thank you guys for coming, please make yourselves at home! I think the burgers are just about done out back." I say and close the door behind them, grabbing a dish from my friend's full hands and placing it on the counter. Her daughter toddles through the house, mumbling about something that's apparently very important to her. I smile softly at the little girl and turn my attention to my friend, who I haven't seen in forever. Her husband quickly finds his way to the back yard with the other guests.

"Sorry we're late, someone did not want to wear shoes today." She breathily laughs, setting down a diaper bag as she watches her daughter walk around the house.

"I understand, shoes are a pain." I joke with her and open the fridge to grab a chilled bottle. I hand the wine cooler to her and she pops the cap, taking a sip. I look at my friend, who I notice looks tired and stressed, more than usual. There are dark circles under her eyes and her hair is haphazardly thrown up into a bun. Her appearance is out of character for her, she's typically always primped and dressed for the occasion.

"Tell me about it. I was half tempted to just let her come barefoot. How's Lucas?" She asks about my son, taking another sip. I turn my head to look out the back door, seeing my son being held by my husband.

"He's loving all the attention out there, that's for sure. How are things going, Lisa? I feel like I haven't seen you since last year." I inquire, casually grabbing the lemonade pitcher and setting it beside the veggie tray I took from her. She sighs,

"Things have been better. John has been working more hours lately. Which is fine, it's just that I feel like I never sleep anymore." She tries to joke, but I can sense the exhaustion in her. Her husband works as a physician at a local hospital, and has been on call for the past two weeks. I offer her a small smile and put a hand on her shoulder,

"You and little miss Amelia are welcome here anytime. Lucas would enjoy the company and I know you'd enjoy the rest. I mean it, I don't mind watching her." I tell her, knowing that she will likely never take me up on the offer. Lisa doesn't like to impose on people, though she wouldn't be imposing at all.

"I appreciate it Noelle, thank you." She nods gratefully. Amelia finds her way to the back door and puts her slobber-covered hands on the glass, mumbling nonsense but making it clear she wants out there with everyone else. I laugh at her silliness and balance the veggie tray in one hand and grab the lemonade in the other.

"I think Amelia wants to get out there. Feel free to just relax, we can watch over her. Enjoy yourself, mama." I say and make my way to the backdoor and expertly open it with my elbow. Amelia squeals and runs out onto the grass with the other kids.

Lisa goes to sit on the couch, taking another drink, and I close the door behind me. I set the veggie tray down on a foldable table where the other side dishes are and place the cold lemonade beside the other beverages. The burgers smell amazing and I can't help but glance over to the grill to see if they're done yet. To my disappointment, they're not ready, so I walk over to my husband Ryan, who has Lucas in his arms.

"Do you want me to take him?" I ask, knowing that even though Lucas is a small kid, he gets quite heavy after a while. Ryan nods and hands him off to me, kissing me on the forehead before he goes to grab a beer out of the cooler. Lucas lays his head on my shoulder and I can tell he's ready for his afternoon nap.

I go back in the house to find Lisa chilling on the couch, her drink empty in hand and her head resting back on the cushion with her eyes closed. Quietly, I make my way to Lucas' room and lay him down in bed. Of course, as soon as he's on the mattress he's starts to throw a fit, because he's so obviously not tired.

"Shhh, it's okay." I soothe him, running a hand through his short hair and tucking a light sheet around him while he curls his tiny little hand around my fingers. He always likes to be holding someone's hand as he falls asleep, I think it must be some sort of security thing for him. And thankfully, he's out in just a few minutes. Skillfully, I wiggle my hand from his grasp and close his door softly, hoping he'll sleep for at least an hour or two.

Lisa is now sitting up on the couch, her elbows resting on her knees as she leans forward, listening intensely to whatever is on. Something on the TV must have caught her attention.

I go to the fridge and grab a drink, wanting to indulge a little since Lucas is down for a nap. The words on the TV pique my interest, and I go to sit beside Lisa, who only glances at me out of the corner of her eye.

"Los Angeles is the latest city to be placed under Martial Law. The number of confirmed deaths has now passed two hundred. And according to a leaked report from the World Health Organization, recent vaccination attempts have failed." The reporter seems uptight and rigid as she speaks. Absentmindedly, I take another sip of my drink, feeling uneasy about what I'm hearing. The upbeat music from the yard starkly contrasts the severity of what's on the television.

The news broadcast switches to a helicopter view of Los Angeles and shows a temporary military camp being set up. Large armored trucks line the streets and soldiers instruct people where they need to go. There's smoke in the air from fires that have been set, and it looks like some foreign, war-torn country.

"What do you think of all this?" My voice is unusually hoarse as I take in the images before me. There have been reports of some sickness going around, mainly in the bigger cities, far enough from here to make us feel safe, for now. But seeing the devastation and panic of those in New York, Detroit, and now Los Angeles is making me more uneasy about the whole thing.

"I don't like it. John says we shouldn't worry about it. Whatever it is, they'll find a cure for it soon. He says he hasn't seen anything come through the hospital yet and that we're okay. But I don't know, I can't help but worry, you understand." Lisa's voice is soft, but serious. She tears her eyes away from the screen and looks to me as she finishes her sentence, and I nod my head.

"I understand. Ryan says the same thing. But we aren't that far from Detroit, really. I mean what, a few hours by car? I told him we should at least stock up on some canned goods, just in case." I say, knowing that we share the same anxiety about this mysterious sickness. The back door slides open quickly,

"Burgers are done!" Ryan's voice calls out into the house, snapping Lisa and I out of our contemplation. I clear my throat and take another drink before standing and offering Lisa my hand. She takes it and I help her up as well, and we both go outside, trying to forget what we just saw on the screen.

We join the others in the back yard and Lisa makes quick work to fix Amelia a plate. I urge others to get a plate before I do, feeling unnerved from the news report. After everyone goes through the line, I grab a plate as well, but can only bring myself to put some fruit on it, and that's just for show.

I join Ryan at the patio table and he's tucking into his burger with all the fixings. I take another drink and try my absolute best to act perfectly normal and unperturbed. Ryan swallows and looks between my plate and my face, his eyebrows scrunching together.

"Only fruit?" I nod my head, knowing it's out of my usual to not load up with a burger, chips, and some type of sweet.

"Just not feeling too well." I passively offer as an explanation and take a strawberry into my mouth. He takes another bite of his burger, keeping his eyes on me. I know he can see through my lie, but I know he won't push it in front of people. He puts a hand on my thigh and gives it a squeeze, and I place my hand on top of his.

I take another strawberry and look out into our back yard, seeing Amelia happily nibbling on a bun Lisa gave her. Another little kid sits beside Amelia, Ethan is his name, and he is content with his bowl of chips his mother gave him. Ethan's mother, Rebecca, met Lisa and I at a birthing education group a few years back and we all clicked together instantly. Rebecca's husband, Tim, fit right in with our husbands as well.

Others mill about the yard, associates of Ryan who I don't know very well, but they're friendly enough and I don't mind them. I've never been able to connect with them too well, seeing as there's a sizable age gap between me and the majority of them. Plus, they're all lawyers and I'm a florist, there's not much common ground between the two. Sometimes I wish I had more in common with Ryan's friends, but over time I've accepted that it's okay for us to have differences.

My eyes drift from the people to my flower beds, which are all manicured to perfection. Luckily, all the flowers are vibrant and full, adding more life to the yard it sometimes lacks in the colder months.

After a while, I go about collecting plates and cleaning up the food as the sun begins to disappear behind the horizon. Ryan is entertaining a newly energized Lucas as Lisa and I pack away the leftovers and hunt out the s'mores supplies. No Allen family cookout is complete without s'mores.

I turned the television off as soon as we started bringing things in, not being able to bear the words and images that were sure to be there. If I can just push those thoughts from my mind for another couple hours and make sure people enjoy the cookout, then I can worry about it for the rest of the night after they leave.

Lisa hands me a platter of leftover burgers to put in the fridge and breaks the silence,

"Your flowers are beautiful this year, I really like the tulips you have here." She compliments my fresh pink tulips on the counter. I had picked them this morning before everyone got here so they looked their best. I smile, appreciating the compliment.

"Thank you, I tried to pick the best ones. You can take those with you if you want. I have plenty." I say, motioning to the backyard. It's true, I have an abundance of flowers to choose from, and I want Lisa to have something nice for herself, she deserves it.

"Oh no, I couldn't. You worked hard on those." She dismisses with a wave of her hand, but I give her a stern look.

"Lisa, please take the flowers or I will make sure John takes them." I say, pushing the vase across the counter to her. She knows she's not going to win this argument and concedes, taking the vase in her hands.

"Thank you, Noelle." Her voice is quiet, and I give her a nod.

"Don't mention it. Now let's get these kids full of sugar before bed!" I laugh and hand her some of the s'mores ingredients to take out.

A few of the men had started the fire and have it at a nice height, it should last us long enough to get the s'mores made and for people to say their goodbyes for the night. I hand out the skewers and place the ingredients on the foldable tables, allowing people to help themselves.

Lucas waddles over to me with a marshmallow in his tiny hand, and I smile, knowing he wants me to toast it for him. I grab him in my arms and take his marshmallow, placing it on a skewer before sitting us on a chair close to the fire. Lucas is on my lap as I watch the marshmallow to ensure I don't burn it, but toast it perfectly for him. Lucas is kind of a marshmallow snob, he won't eat one that's been burnt or under-toasted, he only wants the golden-brown ones.

After rotating the marshmallow with patience, I think it's finally good enough for his standards. I grab it off the skewer and blow on it so that he doesn't burn his mouth on the hot sugar. His hands reach towards it, but I lean away to cool it off as much as possible. I can tell he's getting frustrated, and so as soon as I'm sure it's an acceptable temperature, I give it to him. He wastes no time in shoving it in his mouth, a wide, gummy smile on his face with tiny little teeth barely visible.

I watch him lovingly, enjoying seeing him so happy with something so simple. As Lucas finishes his marshmallow, some people begin filtering out for the night. I wave goodbye to them and take Lucas inside to clean him up before bed. His hands and face are sticky with marshmallow fluff, and the last thing I want is for him to touch everything in his reach and get everything coated in stickiness.

I set him up on the counter beside the sink and grab a fresh rag, wetting it lightly so I can get the gross off of him. Rebecca, Tim, and Ethan are the next ones to leave, and I wish them a safe drive home, and thank them once more for coming. Lisa, John, and Amelia are the last ones to leave, and I make sure Lisa takes the tulips with her despite her protests.

After Lucas is cleaned up and Ryan has tidied the back yard, I'm ready for bed. My eyelids are heavy with sleep, and I can't wait to get underneath my warm covers. Lucas fights his bedtime as per usual, but finally lays down for me after minutes of whining.

I close his door and turn off the main lights in the house and ensure the night lights are on, just in case Lucas gets up in the night and needs to get to our room. I rub my eyes as I enter my bedroom and go to the bathroom to do my nightly routine. Ryan is already in bed, flipping through channels to find something.

I rush through my routine and get underneath the covers, sighing with relief as I feel my spine decompress from the day. Rolling over into Ryan's side, I rest my head on his shoulder and look at the television screen. Immediately, I'm displeased with what I see. A bold headline is front and center and it reads 'Death Toll Rises, When Will This End?'. Luckily the TV is on mute so I can't hear what the news reporter is saying.

"I think we need to stock up on things tomorrow. I don't like how this is looking." I say, standing my ground this time. Ryan can believe whatever he wants about this sickness, but I won't risk Lucas going without food or any necessity if things get bad.

"First thing in the morning we can go." Ryan's voice is raspy, and he turns the TV off, not bothering to watch anything else. He adjusts his position and pulls me into him, kissing me goodnight before he rolls over to turn off his bedside lamp.

I cuddle into his side, enjoying the safety I feel in his arms and close my eyes, ready to fall asleep. As I feel myself drifting off, I hear muffled sirens in the distance.

Part Two

#joel miller #joel miller series #joel miller x oc #joel miller fluff #joel miller smut #joel miller tlou #joel the last of us #joel tlou #the last of us #tlou #joel miller romance #slow burn #angst with a happy ending #angst #severe angst #pedro pascal

[ghostflowerhotpotch]

Gwen's superhero identity, grief, and what her relationship with Miles means to her

GUESS WHO, ONCE AGAIN, WAS WRITING ABOUT SOMETHING ELSE, AND WROTE SO MUCH IT WARRANTED ITS OWN POST.

How I keep doing this I don't get it.

Regardless, this post will talk about Gwen using her hero identity instead of working on her emotional situation; and how she holds onto that identity until it makes her lose everything.

So, what is her situation at the beginning of the movie?

Pretty depressing.

Okay, I don't think it needs to be said how much losing Peter messed up Gwen. We don't really know the situation in full detail, however, we are aware that they had known each other for 12 years (As stated by George at the beginning of the movie during the interview,) and considering all the memories he has with the family, needless to say, Peter has been a part for most of Gwen's life.

No idea how was her situation before Peter's death, but I don't think is weird to believe she didn't have many friends besides Peter; maybe people she got along (like her bandmates,) were okay to hang out with, but Peter was the closest to her. Maybe this wouldn't be the case, if it wasn't for Spider-woman.

Here is the thing, did Gwen probably decide to put her distance after Peter's death? For sure, do I think Gwen probably leaned too much into the superhero lifestyle? Also yes.

I think the clue to that is in this part, where we see Gwen changing between her Spider-woman suit and her civilian self.

We could believe part of this is because of her grief, she learned more about her identity as a spider-woman, though I still think she may have focused a lot on it already.

I don't have a lot of proof, but I do have how her fear and her protectives of her hero cost her.

(And yes, I see Miles in the reflection, we will mention him later.)

Again, one image with many frames, because we need to make this quick.

All of this shows that Peter tries, in a way, to breach the gap between them. The only proof I have of this is 1) How Peter was getting pictures of Gwen as Spider-Woman, 2) How he was trying to defend her, believing in her despite what the police, news, and Gwen's dad say.

(Hey, is it just me, or do you think how Miles would end up drawing Gwen because he misses her, and Peter being afar from Gwen, taking pictures of both sides of her, just like Miles draws her both as Spider-Woman and her normal self?)

Guys, you don't want to know the number of times I cried during this scene of Gwen and Peter.

And is tragic on multiple levels, but something that really breaks me in this particular scene, is when Peter is calling her name, revealing how all of this was for how much he admires and looks up to her, and in his last moments, he tries to take out the mask, to see her face.

...And Gwen, in panic, trying to protect herself and her identity, refuses to let him take the mask. Meaning the last thing Peter saw, was the superhero version of Gwen, a version I don't doubt he admired and loved, but was a mask her best friend put to protect herself, and refused to let him see her for who she truly was one last time before he passed away.

I am not sure, what type of bond Peter and Gwen had, if they were crushing, just best friends, etc. For me, Peter at least had a crush on Gwen, and for Gwen well, what they were.

Because let me tell you something, what Peter and Gwen were was more than friendship, but doesn't necessarily need to be romantic; I think Gwen could have fallen for Peter, but for now he was him.

Why this is important? Because of all their history; Peter has known her since she was around 4 years (if we assume Gwen is 16 when George said they had known each other for 12 years, thought depending on the timeline Gwen maybe be 15 and know Peter since 3.) They had been close to each other for most of their lives, they had shared a table for what seemed almost daily, I wouldn't be surprised if part of the reason they were close, was because Gwen lost her mom, and Peter lost his parents, and they became friends while living in the same building with George, Ben and May supporting each other with the kids.

(Yes, that last part is a headcanon, until we have proof of the contrary I will roll with that. Feel free to have your own.)

And then Gwen keeps the secret, she tries to act dumb in front of Peter, refusing to let him. She probably is used to defending Peter, and depending on the scenario this can be weighted on him in different ways (aka if Ben died or not, if Peter has seen how much Gwen risks her life and is worried about her, if wants to be strong to help other and stand at her side.)

So this hits even harder because of how much Peter matters to her, and she didn't realize that this was driving a gap between them, a gap Peter try to close by all the means necessary until he died.

This is not to say Gwen is to blame for Peter's death, FUCK NO. Peter risking something like this means some type of doubt or insecurity that is a lot heavier than just a girl, maybe we could talk about how the school system failed Peter by allowing the bullying to continue to happen (After all, Gwen shouldn't need to defend him, this shouldn't need to happen.) Even if this hurt Peter, Gwen cannot be responsible for his well-being, close or not, this shouldn't be her job.

However, do I think Gwen could feel guilty about it, for how this identity drove them to this point? OH YES.

She said so in Into the Spiderverse "I couldn't save my best friend Peter, and I don't do friends anymore." She isolated herself for this.

Except that hey, remember how Miles was the exception? Time to talk about Miles!

I find the wording here important, "before Miles, there was Peter." She is putting Miles at the same level as Peter.

Now, I don't think Gwen means she had a crush on Peter (to be honest, I am not sure if at this point Gwen admitted to herself what Miles meant for her, seriously half of what this girl does is related to hiding her feelings even from herself.) But the role they play in her life.

While Miles didn't know Gwen as much as Peter, I think we need to remember what Miles and those ideas in 1610 could have meant for her.

At this point, Gwen doesn't have any friends, is grieving, and her dad is looking to capture her, her life sucks basically.

Then she ends up traveling to another dimension, while not exactly fun for the most part (or painless.) She had the chance to lay low, reset from her current drama; heck she even got to meet Miles a bit before he was officially bitten, and met him just how he is, and at least find him funny.

And I think while short-lived, she being around Miles as spider-woman helped her, because Miles represents the bridge between those worlds.

She met him when he was starting, and while she has been doing this for 2 years, that means she has been painfully enduring this alone for 2 years.

Miles is someone her age, someone who enjoys being around even if it isn't about being spiders, and also understands the pains of being a hero and the pressure that is on your shoulders, as well as the excitement and the desire to do the right thing.

Peter was a big part of her life, but Miles represents all of her being seen, for someone who likes her for who she is, and who she can be honest with.

For the most part.

Because she still clings to the mantle.

Look, feel free to call me crazy, but I believe this part, is sadly, related to this.

I just established how Gwen had put her identity as spider-woman over other people, including those close to her and those who could have been close to her, allowing Miles as an exception basically because they are both spiders, and being a big reason why Miles is important to her.

One way or another, this cost her, and what she does do when she loses someone? Concentrating on being a Spider-woman, of course!

While I don't doubt Gwen is genuinely excited about being part of the organization, something that I can't stop thinking about is how no Jessica Drew, Peter B, Hobie, or anyone in the organization, could feel the gap Gwen felt. The gap that drove her to spend an afternoon with Miles despite what was at stake.

And Jess's being Gwen's mentor is something that is the reason this post keep coming, (because George's parent skills, Gwen clinging to being a hero, are all connected to that.)

Ultimately, it doesn't matter how much she clings to being a Spider-Woman, it can't replace a bond with someone.

Also, as @ficsinhistory said in a reply to one of my post, you are right! Gwen is definitely Captain Stacy's daughter.

Because while he clings to being a cop, not just as a job, but also as his way of life and moral compass (Which gets in the way of his connection with his daughter,) Gwen also clings to being a hero, instead of dealing with her grief and her fears. She probably did the same because well that's what she learned from him right?

Hey does this mean generational traum- I'll See Myself Out.

This, is the face Gwen makes while Miguel tells Miles he needs to let Jeff die.

A lot of people wonder why so many spiders are doing this, and while that's another massive post I am working on (more investigation, why? Because why I would make things easy for myself.) Let's give the clip notes version here.

The surprise is not that Gwen is going along, is how absolutely heartwrenching is to see this when you put in context everything.

You see, for a while, Gwen cling to being spider-woman because it was a way to avoid her grief, now? She doesn't have anything.

While she puts emphasis on her hero work, let's remember what is probably going on in her universe: Gwen is supposed to be a student, to be in a band, to be a regular teen. Being Gwen Stacy is what she has known most of her life, and what should be her main focus, and now everything she ever knows? As far as she is aware, she lost it, she can't have her life back without risking having her own dad send her to jail.

I cannot call Gwen homeless because she has the organization, but that's not much better. Remember how she believes if she fucks this up, she could get sent back home, meaning going to prison and having her dad try to persecute her?

Forget she using this to not deal with her trauma, she was forced to pick up this life because it was this or still lose everything, but everyone may hate her.

The question is now why Gwen did it, is how anyone can see this situation, and can the question ethical when Gwen is having her risk her life, and not in the life and death kind of way, but the type that is the reason life is worth it.

And she clings to this until the bitter end, until-

She got her own band.

We don't know, what will happen in the third movie; but I don't think would be crazy to believe they would try to keep in contact if that's possible.

Here is the thing, regardless of any previous friendship Gwen had with any of them, the fact is this: Gwen said it herself, she is mostly a solo act, and even with thousands of spiders, she can't bring herself to be vulnerable and open up from the most part. Not having people wasn't the problem anymore, was her being unsure to do the first step.

And she has this band, because she wants to save Miles, because regardless of any mistakes she may had done, he is worth the risk, he is worth fighting for, and if she needs to get help to do right by him, so be it.

So who knows, perhaps Gwen gets to stick with this band, all because she decided to think less about what is the right thing to do and to fight for the people who are worth fighting for.

Because Miles became that first friend after Peter, she had the chance to open up and make more, as well as recover those she thought she lost (like her dad.)

Wouldn't that be a beautiful way to end her arc?

#atsv files #ghostflower files #gwen stacy #miles morales #peter parker earth 65 #peter earth 65 #atsv #across the spiderverse #sorry if it got too corny at the end #couldn't help myself

[housewifebuck]

hi everyone! I've gotten several requests to make a tutorial on how to make gifs for someone just starting out and I finally got around to slapping a tutorial together.

This tutorial will cover:

software recommendations

choosing what to gif

creating a gif step by step with probably a lot of unnecessary detail

some tips and tricks:)

(This particular tutorial will not cover how to find tv and movies to download and gif, or any specific instructions on coloring. only the basic gif making process.)

so for the purposes of this tutorial, we will be using Adobe Photoshop, which is the most common program for making gifs, and the one I recommend. the version you have doesn't make a major difference in terms of capabilities but the interface may be slightly different looking if you have an older version or a different type of device. you cannot make or edit gifs in any mobile version of the photoshop application. Optionally, we will also be using Adobe Premiere Rush/Pro or another video editing software of your choice. wherever you are downloading Photoshop, whether from Adobe or a third party, you should easily be able to acquire Premiere as well. I am aiming to be as detailed as possible in this tutorial, so it may sound more time consuming than it really is. once you get the hang of things, it goes fast. the most time consuming part by far is the editing and coloring. in my opinion, one thing that majorly saves time while giffing is knowing your keyboard shortcuts and using your mouse/trackpad as little as possible. I will be going over these in this tutorial as well.

before we begin, some general tips:

gifs of single shots that do not cut between angles or subjects generally will look the best, barring exceptions

for a single gif set, choosing scenes and shots with similar lighting will be easiest to get to look uniform when compiled together, since editing wildly different looking scenes to have similar coloring and lighting is hard and takes some practice!

avoid shots that will require you to majorly crop or zoom to properly frame the subject, as this will greatly diminish quality

speaking of quality, gifs will look best using 1080p video, but you can get away with 720p as well. I would not recommend giffing with anything lower resolution than that

Tumblr's upload capacity for image and gif files is 10mb. be sure when exporting your finished gif that it is under that size. if it is a bit over, you can try trimming a few frames off your gif in the video timeline.

if you get frustrated, don't give up! giffing is hard and complicated especially if you are new to photoshop. I tried to make this tutorial as detailed as possible so it's easy to understand (although im sure I still forgot some stuff)

ok onto the tutorial!!!

STEP ONE: choose what range of frames you want to gif, and how.

once you have decided what you want to gif, there are two main way to convert your episode into a range of frames to make into a gif. the first is by screencapping. this involves downloading a program like mplayer or vlc which can be used to convert video files into "stacks" of screencaps, which can then be separated into whatever range of frames you want and imported into photoshop. this is seemingly by far the most common method I have seen amongst gifmakers*, but personally I don't care for it and I think it's more confusing and time consuming overall, so I will be explaining the second method: importing video frames to layers.

now, normally what this would mean is opening the full episode in photoshop and using the pathetic little playheads on either end of the scrub bar to trim the file into a clip. this is where your video editing software comes into play.

open whatever episode or movie you want to gif in your program. if it is a large file like a long movie in 1080p, this may take a few seconds. like I said, I am using Premiere Rush. I will be using a random episode of 9-1-1 for my example gif.

in your media browser, hover over whichever episode you want (you can also just add the whole episode to your project and scrub through, but that can take longer unless you know what time stamp you're after). click the fullscreen button by the bottom righthand corner.

now you can scrub through and trim the episode before you even import it to premiere. this makes trimming your clip even easier.

use the trim bar (yellow outlines) to trim as close as you can around the scene you want to gif.

then click this plus, and then "add" below. this will add the clip to your project.

now, move the blue playhead up to the frame you want your gif to start on. then, use the scissors button off to the left to slice the clip. select the portion before the playhead, and delete it.

now move the playhead to where you want the gif to stop. a good length for most gifs is around 1.5-2 seconds in my opinion. some may be shorter depending on how long the shot is, or longer if you plan on making them smaller (remember, the uploading capacity on Tumblr is 10mb per file.) trim again, now delete the portion after the playhead. you can also use the left and right arrows beside the play button to move frame by frame, and you can adjust the side of the horizontal scroll bar below your clip to “zoom” in on it and make scrubbing easier.

once you have your clip, go up to where it says "share". your clip will be rendered, and then you can click export to save it.

repeat step one as many times as you want for each gif. I know this may sound complicated, but like I said above once you get in the rhythm this step takes only a few seconds.

STEP TWO: create your gif!

close premiere. open photoshop. head to the control bar at the top. select file > import > import video frames to layers.

navigate to whatever folder you exported your clip to. select it, and hit enter. a second popup will appear asking you to select your range of frames. since you have already trimmed your clip to your liking, simply hit enter a second time.

now your screen looks like this, and we are going to crop and resize our gif! (troubleshooting: if you do not see the timeline bar at the bottom, select window from the control bar, scroll down, and make sure timeline is selected as part of your workspace. Adjustments and layers should be there automatically but if not add them too).

Tumblr posts are 540px wide, so in order to make my gifs as small as possible while maintaining quality, I typically crop my gifs to be around 550-600px wide, with varying heights depending on what shape I want the gif to be. experiment with this a little and decide what works for you. just don't make the width lower than 540px. once you have the portion of the frame you want inside the cropping grid, hit enter again. sometimes you have to hit it twice.

here are the measurements I am using for this gif

now in your timeline, select frame 1. hold down the shift key and scroll to the end to select the very last frame, thereby highlighting them all. from here we will edit our frame delay rate. photoshop will automatically set it to .03s, which will make your finished gif awkwardly fast. I typically use .05s, or .06s if I want a gif to be subtly slower (this comes in handy if the shot you are trying to gif is very short). anything longer than .06s will look weird though. choose "other" from this menu and type in your delay rate. make sure not to miss the zero after the decimal.

once you've set your frame rate, go to the other end of your timeline and click here to convert your frames into a video timeline.

then press option + command + A (on Mac) or windows + alt + A (on PC) to select all layers. then right click (control + click with a trackpad) on any one of the highlighted layers in your layers tab off to the right. scroll down in the popup menu and select Convert to Smart Object.

THAT'S IT!! CONGRATULATIONS!!!!! WE HAVE GIF!!!

from here comes the fun part!! you will begin adding action filters like sharpening as well as adjustment layers to color and edit your gif. experiment with different adjustments and styles until you find something you like. too many adjustment layers will up the size of the finished gif though, so I tend to keep mine to 3-4 layers max unless its a really hard to color scene. if anyone is interested in a separate coloring tutorial, please let me know!

once you are finished editing your gif, click file > export > save for web (legacy) OR hit shift + option + command + S. play your gif in the export window to make sure it looks okay, and then hit save!

I hope you guys find this helpful and informative! please hit up my in box if you have any questions or if anything doesn't make sense. happy giffing!!!

*one reason people seem to prefer screencapping to this method, is saving all the individual clips as video files does take up a lot of space on your scratch drive, which in turn can cause your computer to work slowly or crash programs. this can be rectified by making sure to delete the clips from your computer once you are done making the gifs. another space hoarder to look out for is the proxy files of your episodes that will be automatically saved to your hard drive whenever you add an episode to your project in Premiere. Periodically, go through your storage and delete all the .proxy video files. this will not delete the original episode files, only the proxy files created by Premiere.

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#if this doesn’t make any sense yes it does. I’m very sleepy #tutorials #gif tutorials #🪐 #gif help