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#i think what im saying is
inkskinned · 2 years
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but you couldn't, like, see a gay person kissing.
it was alright that i had been catcalled at 12 years old. it was alright that i had been followed and groped at 15. it was okay men were leery and treacherous. it was okay when a man asked me my age and when i said 18, he said, that age is my favorite.
don't you like feeling sexy? i love action movies, but i often have an internal tally of how often a camera will begin at someone's hips and travel to her face only as if by accident. weirdly, you can't show too-much asscrack in the same movie, even if it was the style in the nineties. sort of only apply a tasteful sprinkling of asscrack.
i am wearing a body type that is very easily sexualized. it's a compliment, you'll miss it. it is not his fault, i am told - and then usually with this assurance, someone will compare me to an object. i am, by the way, not using "i become an object" metaphorically. well, you wouldn't wear a precious watch in a dangerous city - i am the watch, in this situation. can you blame a thief for taking a jewel if it was just left out in the open? i think my personhood is the jewel, but sometimes also it is pain. a dog sees a steak. i like this one because it does refer to men as dogs, even if it does literally compare me to a piece of meat (which is, you know, somehow worse than being a dog. at least call me a bitch, babe).
it's inappropriate to show two men kissing, but it's totally normal to hear that "best" age for childbirth is 15. (it's not, by the way. try 20's & 30's. do your fucking reading). and on tv - let's cut from a murder mystery where a woman is shown brutally bloodied, carved into pieces (only pg-13) into a tampon commercial where she runs around, happy and fluttering, refusing to use the word period, white pants abounding. periods: gross, icky. violence, though, is just a gendered currency.
so it's like - you say "can we please treat women like they're people and stop cutting their heads off in advertisements" and then it's like. no actually we needed that woman's bellybutton to sell drain fluid don't like it don't look. and you say "can you please not make every latin person a drug dealer holy shit" and they're like. unfortunately if we don't make the latin person a drug dealer we literally will go rabid. and you say "okay can we at least agree you super don't need to use racist epithets why is this even a conversation we're still having" and they're like. actually my child is a make-a-wish kid and his only wish was that i get to use words that make your skin crawl and if you don't let me use the words it's because you love cancer don't you.
so it's kind of a lost cause. because when something is complicated even a little bit, you find yourself trying to explain that the solution isn't make women cover up, it's that the idea "sexualization of nonconsenting parties is wrong" can also hold hands with the idea "not every expression of fondness is sexual in nature, nor is nonhegemonic sexual expression somehow more inflammatory or inappropriate than its counterpart"- and both of those ideas can also hold hands with "the male gaze is rarely censored despite the massive amounts of societal harm it imposes." but like, that's a big thought. let's just slap "pg-13" on the movie because they actually use the word lesbian. and let's cross our fingers and hope no kid figures out they're lgbt+ before college - otherwise they have access to literally no resources, since even google will censor the results in case they're pornographic. now, if you wanted to know how to hide a body...
when i was a kid i used to keep my eyes on my toes while walking past bra stores, feeling uncomfortable. it was gross to look at ladies, i knew that much. the way the women were posed was... not for me. not even for the people shopping. it was weird. i don't think anyone actually there-for-the-product was like yeah this is inspiring.
and i remember in high school my friends and i were still talking about how uncomfortable we felt in victoria's secret, shuffling our way out into the new england chill. little yellow leaves around our feet. a guy held the door open for us. a few seconds later, he jogged up after us. we were so startled we turned to look. "sorry," he said. "i just wanted to ask how old you all are." we were young then, so we lied and told him we were older. we'd talk about this later - we all thought maybe one of us had dropped our wallet or something. he smiled dolefully. "i just wanted to say you all are fucking beautiful. you have amazing tits on you."
sometimes i wonder. what if one fraction of the effort they put into making sure no gay thing ever occurs onscreen just went into controlling and educating their own fucking population. now wouldn't that be something.
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heedra · 9 months
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talking to preschoolers is awesome bc they have not fully differentiated stories into 'true stories' and 'imaginary stories' yet so you will tell them about something that happened you once (coyote came out of a bush right in front of you and got startled) and they will tell you about how one time their house was full of coyotes in every room 'including five in the garage' and they're not even like, aware i think of the idea that they are technically 'lying'. they are simply telling stories about coyotes bc its time to tell stories about coyotes.
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mintypsii · 8 months
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i can't believe one piece invented gay people
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spiralling-spires · 24 days
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Being jurgen leitner the day that gerry almost killed him was probably really surreal. Imagine you’re minding your business, collecting fucked up books, and out of nowhere this goth guy covered in eye tattoos shows up and beats you half to death, then stops, goes, “no you’re too pathetic to be jurgen leitner” and leaves without further elaboration. And you dont correct him, you like being alive after all, and after that you just… continue with your life. And then several years later you tell this to some random guy in the tunnels you’ve been hiding in, and he not only knows who the goth was, but seems somewhat fond of the goth. And then you get brutal pipe murdered by the random guy’s boss. Oops
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weaselmcdiesel · 1 month
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i was being so so so real when i said id make more katnep comics
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newttxt · 5 months
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the best way to luffy’s stomach is through his heart (or something like that)
a four page one piece fancomic in which luffy and law talk about luffy’s stomach
page 1
panel 1: a top view of luffy and law sitting in grass. luffy is leaning back on his hands with his legs outstretched. law sits crosslegged between them. they are both looking down at the hole in luffy’s abdomen, where law has used his devil fruit power to remove his stomach. “whoa! cool!” says luffy, while law hums, “hmm… interesting.”
panel 2: a close-up of law’s hand holding luffy’s stomach in its cube-like container. “it looks surprisingly average,” law says, “for a bottomless pit.”
panel 3: “isn’t it weird?” luffy asks. he is sitting with his back to the viewer, but his smile is still visible as he leans into law’s space. law is still crosslegged, holding the stomach, and he looks vaguely uncomfortable as luffy keeps talking. luffy says, “that thing can make food stop looking like food and start looking like poop! huh. wonder how it does that…”
page 2
panel 1: law looks off to the side, sweating and kinda grouchy. knowing he’ll regret this, he mutters, “i… know how… at least for NORMAL humans.”
panel 2: the back of luffy’s head takes up most of the panel as he demands, “what?! i wanna know too!” law grits his teeth and shouts back, “you’re just gonna fall asleep!” and luffy yells, “nuh-uh!”
panel 3: luffy grins widely, throws his arms out to the side, and flops onto his back in the grass. he’s loudly yelling, “tell me! tell me, traffy!”
page 3
panel 1: law is visible from a low-angle, as if from luffy’s pov on the ground. he sighs, “fine. here’s how it works.”
panel 2: this panel looks similar to the previous, but its slightly darker, with gray bars at the top and bottom, narrowing visibility to show luffy’s eyes are closing. law continues, “the stomach has two main functions.”
panel 3: law is now barely visible through the gap. luffy is almost asleep. law says, “the first, as YOU know, is the storage of food.”
panel 4: the background is completely dark, and law’s words trail off, “the second is—“
page 4
panel 1: a large, top view of luffy lying on his back in the grass. his arms are thrown wide still and his eyes are open. he has just jolted awake, saying, “hmm?” off-screen, law complains, “i don’t know WHY i bothered.”
panel 2: law accuses, “you didn’t listen to a word i said.” luffy sits up, his lips pursed and eyes narrowed because he’s a terrible liar. he says, “sure i did,” dragging out the “sure.”
panel 3: luffy breaks into a grin and proudly declares, “it’s a mystery!” law cuts him off with a “NO,” his speech bubble literally dripping with disdain.
panel 4: the silhouette of luffy and law sitting side by side. law is whapping luffy on the head with a light fist. law says, “idiot…” before bonking him. luffy yells, “hey!” but he is laughing, and a small “heh” shows law is too.
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thatpunnyperson · 10 months
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According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.
And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.
Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.
So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.
Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.
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collieii · 11 months
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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linddzz · 9 months
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Thinking about Weird Barbie and how she's the very obviously queer outsider of the Barbie world, she straddles the lines between Barbie and the Real World. She's the most aware of the performative nature of it all. She supports Barbie while also gently mocking her panic at losing the hyperfeminine perfection. Her weird house is also home to the discontinued reject weird Barbies, the outcasts (including very gay earring Ken) who never fell into either the original matriarchy or the Kentriarchy brainwashing.
The other more classically heteronormative and beautiful Barbies both pity and fear her, and at first the narrative pities her as well. She's the vessel of girls going weird and crazy and feral on their dolls and that's amazing. Weird Barbie is aware of who she is and how the world sees her and she loves it. She's Weird Barbie and She Owns It.
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ot3 · 1 year
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glassblowing rules because it's like one of the single most hardcore and impressive processes in the entire art world yet almost everything you make with it looks lame as hell. it's essentially a form of smithing that only produces neglected gift shop tchotchkes.
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cemeterything · 8 months
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i like the concept of the angelic hierarchy but i do think it'd be really funny if angels were real and it turned out to be total bullshit like the time that guy came up with a hierarchical social structure for wolves that everyone lost their minds over and then a few years later was like "wait guys i was wrong"
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theloveinc · 19 days
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mating press is so objectively ugly ... embarrassing
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roseworth · 1 year
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(if u add a + just vote for whichever one you add it to <3)
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puppyeared · 4 months
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my attempt at making a fursona
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sabertoothwalrus · 3 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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ghouljams · 10 days
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I don't know how to word this but Dad!Ghost who's gotten softer around the middle(proudly gained that extra weight thanks to your cooking) and can't help chuckling to himself when his little girl proudly pats her tummy after dinner and tells you "that was a good meal mama" in the same tone Ghost uses. Already taking after her old man...(he's never been happier)
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