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anime-grimmy-art · 3 years

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What do you do when there’s not much to an AU? You make up your own stuff, ofc. And as is per usual when I make Character Designs, I make up a shit ton of lore too.

The ramblings under the cut, but what I’m really interested in, is what you guys think. Do you guys have any headcanons/ideas for this AU? Let me hear them! Also, if you don’t wanna read on tumblr, here’s the Google Docs link: https://drive.google.com/file/d/151yshHxnb_--P6eMKkwkI2dee9xC_Llb/view?usp=sharing

Before I get into the characters’ roles, here’s some general facts and backstory of their town:

- Basically, it’s Undertale meets Harvest Moon / Stardew Valley. Well, kinda. I at least used that approach for coming up for the jobs for the characters. You know, how there’s always a general store, a doctor, a smithy, etc.

- The usual story of a HM game is that you come to a town that’s way past its glory days and you, as the player/farmer, help them get back to that. The “backstory” of the town is that that already kinda happened. I’ll get into it more in the character description, but basically when Asgore was still mayor, the town got really popular. Then yadda yadda, a certain tragedy happened, two kids died, and the town suddenly got very bad publicity. There was a lot of stuff going on back then, bad reputation being spread and also a lot of law stuff, cos, you know, supposed child murder ‘n all, so Asgore made the decision to shut off the town to ppl from outside. This was in the interest of most monsters living there, because as fun as it is to have a lot of people coming there, most just wanted to live a quiet life. Not everyone was happy with that though, so many moved away from town and some others are trying to get the town back on its feet. But more on that later.

On to the characters:

I’m just gonna start with the skelebros, cos it’s their fault in the first place I got so invested.

Basically, they are what the player is in hm/sdv. They just showed up one day, took over the abandoned farmhouse and began their life there. The two came to town way after it was “closed” and since then a new mayor has opened the possibility for new residents to move in. Their farm helps the economy of the town a lot and the mayor, like usually in hm games, is trying to use that to make the town more known again. The skelebros aren’t really working towards that goal however.

So, now a bit more detail on them individually.

Papyrus:

- The design is mostly based on what’s “canon” in this au.

- He works mostly on the fields and is in charge of the crops. Their fields aren’t spectacularly big, but still big enough to plant a few dozen rows of veggies.

- Paps also helps out a lot in town when he has the time. He helps Asgore with his plants, he goes fishing with Undyne, helps Toriel carry crates around and so on. This is inspired by the part-time job mechanic in HM ToT.

- Unbelievably, in this AU Pap is not an absolutely awful cook. Since he helps out at Muffet’s and Grillby’s a lot, they tend to show him some tricks to cooking. Even though Pap’s not a big fan of the greasy or overly sweet cooking those two do, he picks up a lot.

Sans:

- Again, design mostly based on the “canon” look. Maybe a bit more baggy.

- This is finally an AU this dude gets to rest. Since there are no resets and he doesn’t have to see his bro die again and again, for once in his life, he’s not a sad ball of depression. He’s just a chill and lazy dude that loves to make puns. Though, since he’s not too experienced with the feelings of loss, helplessness or grieving, he still tends to hide behind puns and fakes smiles if he does feel bad.

- Sans is in charge of the animals on the farm. Papyrus begrudgingly gave him that role since Pap’s loud demeanour and hectic movements usually scare the animals. Sans’ relaxed attitude draws the animals to him naturally and even if Pap mostly finds him sleep against a tree, in a stack of hay or on one of the sheep, the animals are always fed, healthy and relaxed, so Sans seems to be doing his job.

- Sans always has a small chic sit inside his hoodie or hat. Is it always the same one? Who knows, maybe.

- Sans also, somehow, can produce eggs out of thin air. Grab into his hoodie pocket, in his pants pocket, in his hat, in his slipper, there’s suddenly always an egg there. On good days he can even make butter or cheese appear.

Gaster:

- He’s literally just a scarecrow in this. Though, if you ask any of the bros why they designed their scarecrow that way, they won’t have an answer.

Frisk&Toriel:

- Frisk is mostly based on what I wore myself as a kid in summer. Just a loose shirt with a cappy. Toriel basically has her ut gown, just with an apron on top.

- Frisk just appeared outside the “magical” forest one day. Napstablook and his cousin found them and brought them to Toriel, who has been taking care of them since.

- Toriel runs the general store in town, but also often takes care of the few kids that still live there.

- Frisk usually helps out in Toriels store, plays with the other kids or sits around at Asgore’s. They’re notorious for nabbing small snacks, mostly from Asgore’s plants. You’ll always find them munching on something.

- Frisk was in town before the skelebros. Since they’d moved in, Frisk often went to spy on their farm. After a small incident with angry chicken, Frisk got to know the two better and now they see them as something between brothers and uncles.

- But Frisk honestly gets along with everyone. Just like in UT, they’ve not only been adopted by Toriel but literally everyone.

- Toriel and Asgore’s relationship is not as bad as in the main game, since, you know, Asgore didn’t kill literal children, but there’s still tension between them. Back when Asriel and Chara died and the whole thing with the bad rep for the town began, Toriel felt betrayed by Asgore focusing more on the town than giving their deceased kids the grieving they deserved. They’re not divorced, but Toriel still moved out and said needed space to think. Now that Frisk is in the picture though, the both of them are slowly coming to even ground and may even be able to talk things out and clear up the uncertainty of their decisions.

Asgore:

-Asgore has his UT Ending / Deltarune clothes, just with a gardener’s belt.

- He’s the previous mayor of the town, but after all the crap that happened, he stepped down from the position. Now he has his own little shop and sells seeds, saplings, homegrown veggies and fertilizer. So, basically what e.g. the Marimba Farm is in HM AP

- His main customer is Papyrus and they’re on friendly terms. Asgore is worried about how much and how hard Pap works, so he often gives him a discount.

- Since his family’s past tragedy, Asgore is kind of nervous around kids. So, when he first met Frisk, he hoped they’d not visit him too often. But to his chagrin, Frisk took an instant liking to him and spends a lot of time at his shop (and steals eats the fresh grown veggies). Now, he’s really grateful for that, because for one, he loves Frisk as dearly as he had his own children, and also because now the tension and mistrust between him and Toriel seem to grow smaller day by day.

Undyne&Alphys:

- I gave Undyne a pretty basic fisher’s outfit. Alphys basically has Elli from HM’s outfit, just a bit more doctory stuff added. She still has her canon lab coat too.

- In essence, Undyne and Alphys have 2 completely different jobs. Alphys is the resident doctor and Undyne runs the fish market.

Two things. Yes, I know Alphys is more a mechanic than a doctor, she fits the aesthetic though, so she’s the doc now. And no, Undyne being a fisherwoman is not cannibalism, think of it more as a shark hunting smaller fish.

- The reason I lump them together is because they act as the local “smithy”. Alphys is still really tech savvy in this (I mean, Mettaton is still part of this AU), so she takes on most problems with electronics and stuff. For Undyne, I didn’t want to lose her Royal Guard’s Captain image, so she’s really good at handling tools (and weapons, but Al doesn’t let her make them anymore). So basically, if there’s a broken tool, you can be sure that either Undyne or Alphys can fix it.

- As for relationships, those two are still an item. Alphys is still really shy and a shut-off, but since Undyne and Pap become best friends, she gets to know the skelebros better. She and Sans especially get along well, since most of the time Undyne and Papyrus are let loose, they sit back and talk about science-y stuff. (no, Sans doesn’t have a background in science but he’s still into sci-fi)

- Alphys has a bit of a strained relationship with both Asgore and Mettaton.

Back when Chara and Asriel died, it was because of “illness” (maybe poisoning?). Alphys feels awful because with her back then limited knowledge on medicine she couldn’t help the two. Asgore doesn’t hold anything against her but Alphys can’t help but feel guilty.

Alphys still built Mettaton’s body in this one. The two had a really big disagreement, because Mettaton hated the fact the town was going to close, and he couldn’t understand how Alphys could feel otherwise, even more so endorse the idea.

Mettaton, Napstablook, Mad Dummy/Mew Mew:

- Napsta and Dummy are pretty self-explanatory, they got straw hats. Mettaton’s outfit is a bit of a joke cos it’s a play on “work at the top and party at the bottom”. The tie has two different sides, one with the yellow red pattern, the other completely red. His “top part” is the business part, because when he’s on tv or in the mayors’ office, you don’t usually see his feet. The bottom is his party/dance part, cos his dancing/entertainment channels mostly feature his legs.

- Mettaton, still a robot, Napstablook and Mad Dummy are all still cousins in this AU.

- Originally, they all lived and worked at the Blook Farm, the Animal Farm of this AU. Mettaton, however, despised that simple live and after befriending Alphys and her building him a body, he left the Farm to pursue bigger things.

- Mettaton runs the local tv network. From weather to game shows, he does it all. He also runs the tailor shop in town that sells his designer clothes and merchandise. After Asgore stepped down, Mettaton also took over the role of town’s mayor and now works towards making the place more known again. Not everybody is happy with him doing that though.

- One of those people is the Mad Dummy. He can’t stand people anyways and he always claims that history would just repeat itself.

- Since the whole family is made of ghosts, they have different dummies and scarecrows they can use to take care of the animals. To mock Mettaton and kinda get back at Alphys for giving MTT such an opportunity, Mad Dummy found the blueprints for the Mew Mew robot and now modelled one of their scarecrows after it.

- Napstablook isn’t fond of taking over obejcts like his cousins do, so he mostly takes care of the snails. Somehow, he can interact with them even when incorporeal.

Muffet&Grillby:

- The two of them run the Inn together. Muffet cooks in the daytime and makes desserts, Grillby manages the bar in the evening.

- The two still can’t really stand each other but working together like this benefits them both because their rivalry just spurs them on more.

- Even though Grillby is a patient person, somehow Muffet is the only person who riles him up enough to retaliate. (Well, maybe except for Sans, he’s a strong second).

So, basically everything between those two is a challenge in some way. Even if Papyrus doesn’t notice, even his cooking lessons are a challenge for them.

- Even though they’re constantly bickering, after working together for so many years, there’s a strange level of respect and trust between them. Even if back when they first started this business, they’d pour salt into an already open wound, nowadays they’d know better and just take a step back from the other or even comfort the other (on very rare occasions only).

Asriel&Chara:

- They be dead. Kinda.

Some Characters that’d live in that town too but that I haven’t made designs for:

- Gerson is the original smithy of the town. He’d grown up in a family of smiths, but he’d always had an appreciation for the sea. That’s why, when the town became more deserted and Undyne had a good enough skill level as smith, he took up the Captains hat and now mostly spends his days out on sea. He also ferries people to places if they need him to. Oh, and just like in canon, Undyne learned most of her skills from him.

- Burgerpants is a poor dude Mettaton basically kidnapped when he was trying to get fame in the city. Now Burgerpants works wherever MTT needs him to, be that as cameraman for the tv shows, cashier in his tailor shop or his slave secretary in the mayor’s office.

- MK is Frisk’s best kid friend. MK’s parents are in charge of shipping the goods out of town and paying the individual people. MK’s the one that usually collects the goods at the end of the day.

- Other than that, there are only a few people in town. I’d imagine the older folks or the really young families stayed in town after it was closed. I think the librarby dude would still run the library. Some Snowdin residents like the stone family or the dogs also might still live there.

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some-stale-bread · 2 years

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ballstale

so me and my girlfriend made an awful version of down to the the bone and i would just like to share

sans! sans! wake up!

what is it dude?

a human has fallen from the surface world!

really? and you got some balls to throw at them?

no time for balls!

come on that was a real ball tickler, ayyy

ugh enough

here we go again

welcome to the underground

how are your balls

if u wanna look around

give us your balls

we dont see humans often

were happy those balls just dropped in

ill be so popular when i show all the monsters what i just brought in

hey papryus look at those balls

can it sans no time for balls ‘

excuse my brother hes not into balls

youre just gay and into balls

call me what you want, im not gay

another ball joke and im finished with him ‘

we are monsters, with awful balls

to mess with us takes a lot of balls

we can relate to your homosexual tendencies

because we monster also participate in homosexual activities

humans betrayed us and took our balls

one day we’ll make sure our balls are ours

through all your travels ur balls will follow

your balls are hard to swallow

whose got the real balls now you should know

you’ve cut this story down to the balls

really sans?

what?

the last line of the chorus is a balls joke?

yep

u imbecile

that was very... inappropriate

heh thanks buddy

your stuck in the underground

thanks to your balls

good luck ever getting out

give us your balls

you could show mercy to us

or take all of our balls

is your heart full of evil?

or full of balls?

I, the great papryus, challenge you to try getting by us

test the human with some of those balls

brilliant sans that will leave them stunned

I dare you to try some new balls

sounds like someones funny bones broken

we can relate to your homosexual activities

because we monster also participate in homosexuals activities

i am the masterball, hes my accomplice

ur balls are still alive because i made a promise

you’ll lose your balls when u wander for hours

you might even decide to start talking to balls

whose got the real balls now u should know

youve cut this story down to the ball

someday ill join the royal guard

when i catch their balls, can it be that hard

look if im being honest ,my brother aint nothing but ball-less

i know you and all of your balls

u get a lot more from sans than some balls

the deeper you go the messier it gets

if i had it my way your balls would already be gone

kidding if u couldnt tell

i get so bored that i amuse myself

down here in the underground

your all alone

we wanted to tell you now

ur type of ball

if u survive this prison

you will know all of the balls

dont mess around with balls

instead of tiny children

you’ve come far but soon you’ll stumble

when i trip you with your massive balls

not so sure you’ll get em with that

alas i’ll use my special balls

leave me alone

you know i got a knack for the trom-ball

one more ball joke and ill be done

but aint two balls better than one

we can relate to your homosexual activities

because we monsters also participate in homosexual activities

you know your balls have already been sold

we cant play again if you sell ur balls

ive got my balls on u so u just watch it

ill find any balls inside your closet

whose got the real balls now you should know

you’ve cut this story down to the balls

thank you for coming to my ted talk

#undertale #down to the bone #papyrus #sans #balls #ballstale #cursed #why did i do this

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joeyclaire · 3 years

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sans sans wake up what is it dude a human has fallen from the surface world really and you got a bone to pick with em no time for puns come on that was a real rib tickler ayy enough alright here we go again welcome to the underground how was the fall if you wanna look around give us a call we dont see humans often were happy you just dropped in ill be so popular when i show all the monsters what i just brought in hey papyrus mind your manners can it sans no time for banter excuse my brother hes a bit eccentric youre just lazy and apathetic call me what you want i got thick skin another bad joke and im finished with him we are monsters the awfulest kind to mess with us takes a lot of spine we can relate to your determination because we monsters have our motivations humans betrayed us and left us burnin one day well make our way back to the surface through all your travels your sins will follow your consequences arent easy to swallow whos the real monster now you should know youve cut this story down to the bone really sans what the last line of the chorus is a pun yup you imbecile that was very clever heh thanks buddy youre stuck in the underground thanks to the fall good luck ever getting out prepare to brawl you could show mercy to us or turn all of us to dust is your heart full of evil or full of love i the great papyrus challenge you to try getting by us test the human with one of your puzzles brilliant sans thatll leave them befuddled i dare you to try a bite of spaghetti smells like the creepypasta is ready stop it sans im done with the jokin sounds like someones funny bone broken we can relate to your determination because we monsters have our motivations i am the mastermind hes my accomplice youre only still alive because i made a promise youll lose your mind when you wander for hours you might even decide to start talkin' to flowers whos the real monster now you should know youve cut this story down to the bone someday ill join the royal guard when i catch this child can it be that hard look if im being honest my brother aint nothin but harmless i know you and all that you want youll get a lot more from sans than a font the deeper you go the messier it gets if i had it my way youd already be dead kidding if you couldnt tell i get so bored i amuse myself down here in the underground youre all alone we wanted to tell you now youre kinda boned if you survive this prison you will know nihilism dont mess around with monsters theyre scared of tiny children ha youve come far but soon youll stumble when i stump you with some junior jumble not so sure youll get them with that alas ill hit them with my special attack leave me alone you know ive got a knack for the trombone one more pun and ill be done but aint two skulls better than one we can relate to your determination because we monsters have our motivations you know your storys already been told we can play again if you sell your soul ive got my eye on you so you just watch it ill find any skeletons inside your closet whos the real monster now you should know youve cut this story down to the bone

#undertale #chit chats #youve cut this story down to the bone guys

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bookofmirth · 3 years

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Am I the only one who kind of doesn’t want Eris to turn into a Rhysand 2.0? One of the things I really liked about Eris is, him being portrayed as this morally grey character in ACOWAR. He brought some nuance into the series, because so far, all of SJM’s villains have always been very one dimensional and not fleshed out enough. Now with Eris, she could give us a character whom readers are conflicted about, who does unredeemable things as well as good things, like for example be a support for Lucien. I don’t want him to turn into this guy, who all this time hid his true personality behind a mask, hence excusing his past behaviour.

Also, I realised that readers in this fandom are generally very quick to judge a character based on one scene. Apparently, it only takes Eris telling Cassian, he doesn’t know the whole story (about him and Mor) and Cassian telling Eris he isn’t a monster, for people to come to the conclusion, that Mor is the guilty party, bash on her even more and praise Eris. Don’t get me wrong, I love Eris and I know that some people have loved him before ACOSF, but I kind of wish that the fandom would sometimes look at things from a wider spectrum and not take things just as they are. This is probably because of SJM’s writing style and her habit of telling not showing, but it really bothers me.

Hope you're having a lovely sunny day!

MEEEEEE okay I'm gonna rant about how much I dislike him, and how much I hate the fandom reaction to him right now.

I know this is a popular take right now, that Eris is just Misunderstood™️ but honestly?

idgaf about Eris. He can choke.

Eris didn't have an entire court to protect. He didn't have to sleep with Amarantha against his will for 50 years to protect his reputation, thereby allowing him to act evil but actually help people under the radar (e.g. making sure Clare Beddor didn't feel anything). He didn't have to leave Mor the way that he did, without telling anyone what was happening. I hate the comparison between him and Rhys, if only for the simple fact that Rhys had way, way more responsibility on his shoulders than Eris has ever dreamed of.

Cassian was right to say that Eris is a coward. He's a bargain basement Walmart generic brand Rhysand. Lucia @aelin-godkiller made a great post about Eris here, and yeah it came out just after acofas was published, and yes we've had acosf since then, but honestly???

Eris saying "you don't know the whole story" is... not enough reason for me to give a shit about someone who makes traumatized, queer character feel fear. Him actually slut-shaming her in a circumstance that in NO WAY called for it is... not okay??? Like even if there was more to the story when they were betrothed, him saying that she "still dresses like a slut" 500 years later is not called for 😂If he does know that she is queer, which was heavily implied, then maybe making digs at her sexuality is... a complete asshole move!!!! And an intentional one!!!!

Honestly, I hate Eris, I hate how the fandom is so eager to believe the slightest word from him, but it doesn't surprise me given how eager people are to believe that Azriel is also secretly a soft boi who is just being harmed by Mor being Not Into Him. If sjm is knowingly constructing this narrative wherein a queer victim of abuse is questioned for their truthfulness when speaking about that abuse and homophobia, and wherein a queer character's queerness is most important for how it affects the straight people around them, then I will burn my books istg.

EDIT okay sorry I went off on your ask, especially since you said that you like Eris haha.

I just have very strong feelings about him. And I have very strong feelings about how the fandom reacts to him and Mor, because I think that it reveals more internalized misogyny than reactions to Elain ever have. SJM really does tell and not show, but people insist on looking for what she is showing. It’s just honestly not that deep, and the fact that she has potentially constructed this narrative of “queer hurt woman is likely lying about her trauma” just makes me ill. I hope that’s not where sjm is going with this, I really hope. But we will see.

#sjm critical #morrigan #ask #anon #fuck eris though for real

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sleepypaladiknight · 3 years

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OK FIC IDEA:

that one au where you can hear your soulmate singing out loud in your head- but leopika

leorio wasn’t much of a singer as a child- the impoverished corner of the world he lived in didn’t have much music to sing to, either. the closest he’s got were the staticky, muffled and clipped tunes that rattled out of the neighbor’s radio. that’s why he’s always preferred listening- listening to his soulmate’s songs.

it was in a language he didn’t understand, but it was the clearest, sweetest music he’s ever heard. he memorized those humble tunes and lullabies, tracing the foreign syllables over and over with his tongue and humming the melodies nobody but him and his soulmate knew. he carved his soulmate’s voice into his mind, bragging to Pietro about his melodic partner and how he couldn’t wait to meet him.

then one day they stopped.

he found it coincidental- that it was on the same day Pietro passed away from illness. but it was fitting- it was a day where all the music and life left him.

as years went on his hopes of hearing his soulmate’s comforting tune dwindled away, but the music and the tunes he cherished so much as a boy remained, even as he learned new songs to sing to in the world around him. he’d sing out as loudly as he could, the raunchiest and most irritatingly popular songs he knew on some days, hoping offhandedly to lure the music from his partner again and hear that kind, soft voice just one more time. it never worked.

so, he swore to never sing that song, that one soft melody, until he heard it from his soulmate themself.

then he met kurapika. a guy who didn’t sing at all, and whose expression alone sang out his melancholies. his voice was prim and strict, the annoying, uppity kind that made Leorio’s blood boil, but it was familiar.

in the confines of trick tower, the topic began to stray.

“your soulmate must love your singing.” he teased.

the blond seemed to hesitate, and didn’t meet his eye. “i don’t care about soulmates.” kurapika’s voice sounded almost sad. “it would be for the better if mine never meets me at all.”

“yeesh, that’s real positive of you.”

“and what about you?” he said almost accusingly. “what do you think of your soulmate?”

“i don’t care about my soulmate, either,” he bit out, “but it’s for a good reason. mine stopped singing to me.”

“they must have their reasons.”

“which are probably as pompous and bratty as you!”

then they were back to their usual bickering. life went on, and his ambitions neared with every step of the journey he completed. their little group parted ways to chase after their own interests and dreams, and for around a year, leorio never saw one of them face to face.

then kurapika showed up on a cloudy evening, after billions and gazillions of ignored calls and texts left on delivered. they exchanged apologies and grievances and angers, embraced each other and shared glances that lasted a few seconds too long as they talked.

for some reason, kurapika had a strained look on his face when leorio began to sing the lyrics to some queen song. he wouldn’t even look at him, but leorio shrugged it off as usual angsty behavior.

they found themselves on the rickety balcony of leorio’s cheap apartment, looking out over the city.

“so, still given up on your soulmate?”

kurapika said nothing.

“well, me too, i guess.” he sighed out. “i lied to you- back at the exam when i told you i didn’t care about my soulmate. i,” he laughed, a bittersweet sound, “i actually cared a lot. it just felt easier to deny it. it’s... pretty damn hard facing the idea that maybe my soulmate really doesn’t care anymore, doesn’t want to meet me. maybe they’re gone. maybe they hate my voice or something- from what i remember, they were a hella good singer. nice, bright voice and everything. maybe they didn’t wanna end up with someone musically talentless like me. maybe that one time i sang ‘call me maybe’ in the shower was the last straw.”

and to his delight, it drew a soft chuckle from the blonde leaning against the railing next to him, arms brushing and shoulders touching. his hair looked like silver in the moonlight. still, kurapika didn’t reply.

so leorio forged on.

“i, uh, already told you my soulmate stopped singing. like, completely. but i still remember the songs they used to sing. they were a huge comfort to me when i was little, when things were hard and a little bit of song was something people couldn’t even afford. i didn’t even know what the words mean, still don’t, but all i know is that they meant the world to me.” leorio glanced at kurapika with a sheepish smile. “wanna hear? so maybe you can hunt down the bastard that left me hanging?”

“sure.” his voice was scratchy, almost pained.

and leorio began gently. kindly. he was sure his accent was off- it didn’t roll off his tongue as fluently as it did for his soulmate all those years ago. but the sounds and the tune was the same- the one that he’s devotedly committed to memory, the one that he hastily wrote down on a piece of binder paper as a reminder of the comfort his soulmate used to bring, the one that he swore to never forget- it was his soulmate’s last song.

when he tapered off into absentminded humming, he realized kurapika was crying. his eyes were blown wide, flecks of magenta shimmering across the deep, scarlet hue of his irises. tears rolled down his soft, pale cheeks, glinting like diamonds in the moon’s embrace, falling on a dampened shirt that clasped trembling shoulders. leorio felt clumsy and dumb, trying to soothe kurapika, asking him what was wrong, if he was okay- then kurapika began to choke out words, rubbing away at his eyes with his arms.

“how do you know that song.” it wasn’t a question, it was a demand.

“i already told you, my soul-“

“no. you don’t understand. it’s a very personal song. a traditional song.” kurapika teared up again, liquid sadness welling up in his eyes. “it’s a song- a lullaby- that i’ve forgotten for the longest time. it’s my mother’s.”

leorio gaped, “your mom was my soulmate?!”

“no, you idiot!” Kurapika couldn’t help but laugh through his tears, beating a fist against leorio’s chest. they burst into a fit of laughter, boisterously cackling in the silence of the night, overpowering the honking cars in the streets below and the sound of their worries adrift in their heads. nothing but them existed.

kurapika’s hand remained there, on leorio’s chest, starting to clench at the fabric of his dress shirt. they were silent, for seconds, minutes, maybe hours, until Leorio’s hand drifted up to meet it, brushing gently against the soft, scarred skin of Kurapika’s slender fingers.

“i’m sorry.” kurapika whispered softly, barely above his breath. “i wasn’t fair to you. you were always trying, always singing to me.”

leorio couldn’t speak.

“i’ve been hearing your voice for years now. you and your- your stupid songs-“ he laughed out, but it sounded more like a choked sob.

leorio couldn’t breathe.

“i didn’t mean to make you lose hope. but i was hoping you would, so you wouldn’t chase after someone like me.”

leorio couldn’t think.

kurapika was leaning closer, voice growing quieter and quieter until they had to be inches apart to hear, to exchange words.

“i couldn‘t bring myself to sing. i didn’t have a reason to, not anymore. not after what happened to my clan. i noticed you stopped singing for a time, too. but it only took months before you began again, gaining more momentum with every song. i envied you and your strength.”

kurapika had started to shake, small frame shuddering against leorio’s. without thinking, he brought his other hand up to thumb away a tear that had begun trickling down kurapika’s face.

“i wanted to sing to you too, but all the songs i wished to teach you had disappeared from my memory. i was so preoccupied with my goals, that i... i began to forget the things that mattered more. what the faces of my family and my old friends looked like. what the lukso sunlight felt like on my skin, or how the grass felt underneath my feet. what the croons of a happy piko bird sounded like, or how beautifully blue the sky was on a sunny day. what my mother’s voice sounded like, what the words to her songs were, i, i-” kurapika sobbed, “i betrayed myself and my entire clan. i thought i had truly lost them and the part of myself that i swore i wouldn’t let die.”

their foreheads fell together, touching reassuringly. kurapika’s eyes fluttered closed as he spoke, body rendered as fragile as his voice, his feelings, his heart. leorio held each with careful, treasuring hands.

”i’d become a monster. a stranger in the same body i walked my home with. i thought- i thought that my soulmate didn’t deserve someone like that. someone like me.” he heaved out, chest shuddering with every quiet breath, “you don’t deserve someone like me, and i could never-“

and leorio shut that bullshit up with his lips.

they slotted together perfectly. call him disgustingly cheesy, sappy, any romantically insulting insult you could throw- but it felt like harmony. it felt so beautiful, his emotions crescendoing and his heart thrumming mercilessly in his chest as it fitted against kurapika’s. those soft, slightly chapped lips, damp from the tears that had trickled past them, felt perfect on his, like his lips were made to meet them. and just as easily as he had lost the music and life all those years ago, it was returned to him, in the form of a blond, pressed up against him and demanding for more, more, more with his mouth, hands all over his shoulders, fingers tangled in hair, breathing in each other, kissing like it was the very last thing they could do.

when they parted, leorio let himself get intoxicated by the sound of kurapika’s panting, drunk on the soft sounds that spilled past his lips like music.

”cut- cut the crap,” he breathed out, pulling kurapika closer by the waist and burying his head in his head of gold. ”for the rest of my life, stop talking. and start singing.”

#leopika #kurapika #leorio #omgsfshbsjbfs #I did not mean for it to get this long #this was supposed to be a humble summary of my thoughts #then it became a wholeass one shot omfg #aaaaaa i’m sorry pls don’t mind me shdjshjsf #i might post this to my ao3 if people actually like??? the idea???#but for now these are the ramblings of an idiot #the ending was clumsy. everything is clumsy i’m sorry i wrote this in like #30 minutes-#help me :D #sleepyspeaks #and needs to shut up #like #desperately

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thecaffeinebookwarrior · 4 years

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Monster of the Week: A Writer’s Guide to Vampires!

The Basics: Vampires From Around the World

Almost every culture has its vampires, and they go way beyond Dracula and Nosferatu.

There are obviously too many to include in one post, so here are a few especially unique vamps to get you inspired and interested in learning more!

The Penanggalan, Malaysia - Literally meaning ‘to detach,’ the Penanggalan is an exclusively (apparently) female creature.

By day, she masquerades as a normal woman (and let’s be real, don’t we all.) But by night, her head detaches from her body and floats around, entrails hanging like tentacles -- which they nightmarishly use to entangle their victims -- and preys on pregnant woman and babies. Lovely.

Creepily, the Penanggalan gravitates towards day jobs such as midwifery, so she can get closer to her prospective prey.

The Manananggal, Philippines - Much like the Penanggalan, the Manananggal has an unfortunate habit of detaching parts of her body to fly around. Described as an “ugly, hideous woman” (mood), the Manananggal can detatch her whole-ass torso to fly around like a bat.

Like the Penanggalan, she preys on pregnant woman and unborn babies, with, creepily, her incredibly long tongue. Some, however, prefer to seduce and prey on men -- preferable, to be honest -- in which case they appear young and beautiful.

The Upir, Eastern Europe - Ukrainian, Belarusian, Russian, Romanian, and Czech cultures all have mythos around this abnormally bloodthirsty vampire. Not only do upirs drink the blood of their victims, but they bath and sleep in it. They eat the flesh of their victims as well, and are especially partial to the heart. In a uniquely sadistic detail, the Upir is thought to consume the children of a family and then the parents.

The Alukah, Judaism - Literally meaning “horse-leach,” the Alukah is one of the earliest vampires, originating in the Bible.

A fixture of Jewish folklore, and sometimes described as a demon or witch, the Alukah is unique in the fact that she is not undead but a living, shapeshifting being (according to the description in Sefer Hasidim.)

She can fly by unfurling her long hair.

The Brahmaparusha, India - This nightmarishly extra vampire will drink the drained blood of its victims from a skull (which it carries around at all times), before noshing on their brains and wearing their intestines as necklaces and crowns. Worst of all, this vampire has an unusually ravenous appetite, and consumes several victims per night.

The Callicantzaros, Greece - In Greece, children born between Christmas and Twelfth Night were thought to be bad luck (?) and susceptible to vampirism. The Callicantzaros was considered to be egregiously unpleasant, equipped with devilish talons with which to tear victims to shreds. Their first victims, post-transformation, were supposed to be their own siblings.

Unfortunately, this led to a degree of mistreatment and hostility towards children born during this period, as parents watched for signs of their progeny’s prospective vampirism. In order to ensure that they didn’t become Callicantzaros, the children’s feet were dangled above a fire, like a reverse Achilles.

Vampire weaknesses:

Garlic - This one’s not just particular to Western mythos. Southeast and far Eastern vamps like the Manananggal are also vulnerable to garlic.

Salt - The Manananggal is vulnerable to salt, as are vampires from most cultures in which salt is considered holy or purifying.

Silver - A holy metal. The origin of the “vampires can’t see themselves in mirrors” myth is because it used to be a component in mirror-making.

Vinegar - Again with the Manananggal.

Daggers/stakes/sharp objects - Especially through the vampire’s heart. In many cultures, burning the heart is also advisable. Be careful, though: sometimes, staking an upir will only bring them back to life stronger.

Dismemberment and fire - Most vamps are susceptible to this, including the Penanggalan. The only sure way to kill an upir is to decapitate them and burn the remains.

Counting - Much like the Count of Sesame Street, vamps can’t resist counting things. If you scatter some small, countable objects on the ground, the vampire will have to stop and count each one.

The tails of stingrays - in the case of the Manananggal.

Sunlight - Obviously. Though not universal, this pops up in vampire mythology around the world, including the Manananggal.

Detachment - when the Penanggalan and Manananggal detach their heads and torsos, their discarded torsos and lower bodies are vulnerable. In the case of the Manananggal, sprinkling the discarded legs with garlic and salt. The Mananggal will not be able to return to its lower body, and will perish with the rising sun.

Starvation - The Alukah can be starved if she’s prevented from eating for long enough.

Stupidity - In the case of the Penanggalan. If you turn the Penanggalan’s body upside down, she’ll re-attach backwards. I’m not sure what the purpose of this is, except the exhilaration of punking a vampire and making them walk around on their hands all day like a jackass.

Protection:

Thorns around windows - Thorns will keep the Penanggalan from harassing you or your unborn children.

Strings of garlic - Just make sure SOME IDIOT doesn’t take them down (RIP Lucy from Dracula.)

Pots of uncooked rice, ash, or salt - Repellent to the Manananggal.

Running away and hiding - Basically the only method of recourse against the Brahmaparasha.

Eating bread infused with an upir’s blood - Sounds kinky, to be honest.

Stay on sacred ground - I.e. graveyards and churches. Just be sure you’re not trying to avoid the kind of vampire that dwells in graveyards if you go for the latter.

Holy water, crucifixes, silver, et cetera - Anything sacred or holy. Varies based on culture.

Imbibing the ash of a supposed vampire’s burnt heart - I’m not even going to joke about this one, since people actually did this during the vampire scare of New England (my homeland.) I learned about it from a book about local vampire encounters at the Newport Public Library at age twelve, and it scarred me.

Dangle your baby above a fire - Actually, no, PLEASE don’t do that. But that’s what seventeenth century Greeks did to prevent their kids from turning into Callicantzaros.

Age of consent laws - Specifically for Edward from Twilight.

Don’t get a welcoming mat - Counts as inviting them in. Duh.

Ways to Become A Vampire:*

*Ask your doctor if becoming a vampire is right for you.

Biting - Obviously. Though if you read Dracula and early accounts of vampirism, it was more of a slowly progressing illness than a sudden transformation.

Reject Christianity - In the case of upirs. More specifically, the church buried non-believers outside of graveyards, leading them to rise as servants of the Devil. Honestly, I feel like the church kind of brought that on themselves.

Be born between Christmas and Twelfth Night - At least if you’re in seventeenth century Greece.

Be influenced by the Devil while dying - Another version of the Upir origin.

Be a demon possessing a corpse - One prospective explanation for the Brahmaparusha.

Making a pact to obtain eternal youth and beauty that involves not eating meat for 40 days and then breaking it like some kind of an IDIOT - One version of the Penanggalan origin myth. I shouldn’t judge, my self-control isn’t great either.

Get startled by a man while meditating in a bath and jerk your head so hard that it flies off and at the interloper in fury - Another prospective version of the Pennangalan origin. Relatable, honestly.

Be so bitter and jealous of couples that you go on an insane killing spree of pregnant woman and get publicly executed by being ripped in two - The Pennangalan, again. She makes the Kardashians look tame.

Chanting an incantation, anointing yourself with oil, and purchasing a black chick - In the case of the Manananggal. The black chick reportedly lives inside the Manananggal, eating its innards while also acting as its life source. Honestly, after all the drama of the Penanggalan’s origins, this seems reasonable.

Other Sources

Video Essays:

The Power of the Vampire Myth - A superb sociological dive into the cultural significance of vampires. From the post WWI antisemitism of Nosferatu to their ability to subvert the Hays Code, vampires tend to reflect the shadows of every society.

Dracula: A Brief History of Eternity

CREEPIEST Vampire Legends from Around the World

Vampires: Folklore, Fantasy, and Fact

How did Dracula become the world’s most famous vampire?

Vlad the Impaler: The Real Life Dracula

Influential Vampire Fiction:*

*That I’ve read/seen so far.

Dracula - Duh. The greatest adaptation of which is, obviously, Dracula: Dead and Loving it.

Nosferatu - It’s good to be aware of its antisemetic overtones, but it’s still revolutionary at evoking dread.

Varney the Vampire - A penny dreadful series that helped popularize vampires in Victorian England. It gets bonus points for sounding like a children’s show.

Camilla - The ORIGINAL lesbian vampire, predating Dracula by decades. Became an adorable webseries and movie, which I recommend even more than the original novel.

‘Salem’s Lot - Serves as a study of what makes vampires scary in the modern era.

Underworld - Aside from serving as a badass alternative in the Twilight era, it merits inclusion exclusively for causing my Sapphic awakening at age twelve.

What We Do In the Shadows - Has a unique understanding of the cultural significance of vampires, and why they appeal to societal misfits. Also has vampire “children” who eat p*dophiles.

Vampires in the Lemon Grove - The titular story is one of the most unique interpretations of vampires that I’ve seen in the modern era. Beautiful language that evokes a powerful emotional response.

Twilight - Exclusively because it gave us Rosemary clocking shop in a wedding gown. And the baseball scene.

Nonfiction:

The Encyclopedia of Vampires, Werewolves, and Other Monsters

From Demons to Dracula: The Creation of the Modern Vampire Myth

Vampires and Vampirism: Legends from Around the World

New Orleans Vampires: History and Legend

Mummies, Cannibals, and Vampires: The History of Corpse Medicine

A History of Vampires in New England

Happy Halloween, and happy writing, everybody!

#creature feature #halloween #halloween 2020 #vampires #mythology #writing resources #writing advice #legends #folklore #gifs for ts

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carelesscreativity · 3 years

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NightHorror Panic Attack for Lunatone: Commission for Ko-Fi

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(SFW, Angst, Comfort, Fluff)

He’d made a mistake and he knew it. Nightmare shook quietly. He was not in a good headspace right then and he believed he’d just made it worse. His tentacles were all curled tight around him or dragging along the floor. It was early in the morning. So early that the sun wouldn’t be up for a couple hours.

He hadn’t expected anyone else to be awake. But someone was. He knew he’d made a mistake when he saw the hand reaching out to him and he’d thrown his arms up instinctively to protect himself as he flinched.

He was hunched against the wall. He was frozen for a few seconds, not knowing what to do. How the hell was he going to play this off?? He couldn’t show such weakness like that! He tensed as he heard Horror’s scratchy voice speak. “Boss?” He sounded a little shocked and upset. Why did he sound upset?? Nightmare couldn’t focus. He slowly lowered his arms. He screwed his eye shut. “Boss?!” Horror’s voice was becoming more alarmed.

What was REALLY alarming was the sound of it fading into the background. He was being brought back to that dark place. It was a different place every time, but they were all in the village. An alleyway, where monsters and humans alike had beaten him until he was bloody and broken.

Every single monster and human from that village always radiated ill intent towards him. He could feel his ribs breaking one by one. He couldn’t see anything, yet he felt like he was well aware of his surroundings. He began to hyperventilate, making soft, stunted, panicked noises.

His breathing was catching in his throat and it felt like the passageway had closed off entirely. Tears erupted down his face as he made strange, muted warbles, sliding down the wall. He was curling into a ball, shaking as he struggled to breathe. He could hear them. He could hear them taunting and mocking him. Threatening him. Choking him. Breaking him. He screwed his eye shut again. It was awful. Everything hurt. He couldn’t breathe.

He couldn’t even beg for his life, like he’d done in the past. He was vaguely aware of someone reaching out to him and he flinched back hard enough for his skull to hit against the stone wall. He began to cry, being completely silent as he clawed at his throat. Something had touched his arm. It made no attempt to grab or move him. He became aware of pulses. They were very, VERY faint, but they were there. Nightmare’s soul was POUNDING.

He wasn’t really aware of his surroundings. His body just kept screaming that he was being hurt and that he was in danger. He’d curled into a ball to protect himself. The pulses kept coming. He recognized them as soothing. At least, they were trying to be. On top of being faint, they kept faltering. Nightmare was struggling to breathe and focus. Whatever the magic was, it was focusing on his throat, trying to open it.

Nightmare’s body was refusing. His vision finally tunneled and he blacked out. He came to a few moments later. He was shaking. He took his first deep breath and shivered. A whimper escaped him. He was still against the hallway wall. He became vaguely aware that the pulses were still coming, but they had faded to almost nothing. He blinked and shakily looked over. Horror was knelt next to him, his axe on the ground behind him.

He had his eyes screwed shut as he held Nightmare’s arm. He was trying to soothe him with his starved magic. His thinned body was shaking. Nightmare inhaled shakily. “H-Horror.” He hadn’t meant for his voice to falter and the other made a weak noise, his pulses becoming stronger for a moment before fading back away. “Horror, stop, you’re going to hurt yourself.” His voice was barely above a whisper.

He raised a tentacle and wrapped it around Horror’s waist, tugging him away. The other seemed shocked for a moment. He looked up at Nightmare, seeming exhausted now. His shoulders were scrunched up and quivering. There were other emotions, like shame, guilt and anger. Nightmare stared at him, asking quietly what was wrong in his broken voice. Horror stared at him for a moment before giving a weak scoff of disbelief, furrowing his brow.

“Wh-What’s wrong with ME?? No, Boss, what happened to YOU??” He asked, a little shocked. He’d never seen Nightmare like that. The way his usually powerful and confident boss had flinched away from his hand and raised his arm to defend himself had upset Horror in a way he didn’t think was imaginable. Nightmare was taken back and turned away. How the hell would he explain that?? “Boss-”

“You know what happened to me for me to become like this, don’t you, Horror? It’s a popular story.” Nightmare’s voice was a little shaken. “None of them quite convey the extent of the villagers’ violence towards me. And it isn’t something I can just... forget. No matter how long I keep the memories suppressed, they will always come back.” He inhaled quietly. “I apologize... that you had to see me like that...”

He jumped as he felt Horror’s claw-like fingers snag the sleeve of his hoodie and give it a small tug. Nightmare blinked and looked over at Horror. His tentacles was still coiled loosely around the other’s waist. Horror seemed to be struggling to pull together a sentence in his broken mind. Another of Nightmare’s tentacles lifted, placing itself into Horror’s hands so he could squeeze that instead of going to yank at his head wound. It seemed to work.

He waited patiently, knowing it could take Horror a bit to figure out what he wanted to say. By now, someone else would’ve spoke and Horror would’ve lost his entire train of thought, but right now, it was just the two of them in a dimly lit hallway. Nightmare was more than a little patient. Horror gulped and finally spoke, tugging Nightmare’s hoodie again so the other would look at him. “Y-You shouldn’t...” He furrowed his brow, twitching. “Shouldn’t...”

He seemed to be struggling to find the right words, as he usually did. He inhaled quietly. “Take your time.” Nightmare murmured quietly. He wasn’t entirely sure what Horror was trying to say, but at the very least, he could sense that the other was upset. Horror’s hands gave his tentacle a squeeze as the other tried to think. Nightmare reached out and Horror blinked as the darker cupped his cheek.

He began to send pulses through Horror, the intent being to clear his head enough for him to put his thought together. He wanted to clear just a little of the mental fog Horror had. It seemed to be working, Horror leaning into his hand as he kept his brow furrowed. He was mouthing something, murmuring under his breath. Most likely to triple-check if it was the thing he wanted to say. Finally, he seemed to decide he had it and looked up at Nightmare.

“You shouldn’t feel like... you need to apologize for what they did to you...” Horror managed in a strained voice. He was upset that it had happened and upset that Nightmare felt like he had to apologize for his trauma. “You don’t need to apologize for something bad happening to you.” He furrowed his brow again, not sure if he’d worded that correctly. Nightmare stared at him with wide eyes. Horror scrunched his shoulders up.

He squeezed the tentacle a little tighter. “I-I’m sorry I scared you... cuz it triggered you and I didn’t mean for that...” He was becoming upset with himself now. He hadn’t meant to send Nightmare into a panic attack by reaching out to him. He was a little angry with himself for not having thought about that. Nightmare stared at him and Horror twitched as he was brought back by Nightmare’s thumb brushing over his cheekbone.

The darker stared at him before looking down. “I know you didn’t mean it, Horror. I’m not angry with you.” He said quietly. He felt a bit of bewilderment from the other before it turned into silent, desperate relief. Nightmare raised a brow. He kept his hand on Horror’s cheek. The tentacle around Horror’s waist gave him a quiet squeeze. Horror jumped, his face a little red as his emotions changed to delight and confusion.

“I can only assume you were awake for your pre-breakfast snack...” Nightmare mumbled in weak amusement. Horror blinked and ducked his head, mumbling and asking if it was that obvious. He’d always try to be as quiet as possible during this time. Nightmare gave a weak chuckle. “I am awake during the night. Again, I’m not mad.” He continued to rub his thumb over Horror’s cheekbone. The broken skeleton twitched and leaned a little more into his hand.

He furrowed his brow, his eyes closing. Nightmare wasn’t even sending pulses anymore. Horror just seemed to like that the other’s hand was on his cheek. There was a faint noise and one of Nightmare’s tentacles flicked in surprise as he tilted his head. He leaned in towards Horror slightly to confirm what he was hearing. He could hear a faint, approving rumble in Horror’s throat.

The other seemed content, a soft purr emitting from him. Before he knew it, Nightmare’s cheeks had heated up a little. Horror was still holding his tentacle, now hugging it against his chest as he shook, the force of his purr making his skinny bones rattle. Nightmare inhaled quietly and finally managed to use the wall to stand himself up. Horror let out a disappointed whine as Nightmare’s hand pulled away.

He flushed dark red as he realized what he’d just did. He covered his face, mumbling a slurred apology to Nightmare. He didn’t know what had gotten into him. He grunted quietly, trying to stand and yelped as Nightmare lifted him to his feet with his tentacle. Horror shifted awkwardly for a moment, keeping his head ducked as he mumbled out quiet thanks. He was flustered and he turned, picking up his axe. Nightmare pulled his tentacle out from around his waist.

He blinked as he felt that small twinge of disappointment from Horror, glancing over at the other. Horror had the axe over one shoulder and the other hand in his pocket. “So... are you...” He furrowed his brow, mouthing something under his breath again. Nightmare waited patiently. “Are you going back to bed... or...” He screwed his eyes shut, trying to pull together words. “Or are you going to kitchen?” He blinked. “THE kitchen.” He corrected himself.

Nightmare blinked and tipped his head before mumbling that he would go to the kitchen with Horror. “I never have company during the early hours of the morning.” He murmured, walking besides the other. He slowed his pace to match Horror’s slow, stumbling walk. Horror gave a quiet scoff and opened his mouth. He furrowed his brow again before giving a quiet shrug.

“Well... now... you do.”

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dahlia-coccinea · 3 years

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Wuthering Heights - Chapter 3

This is a somewhat difficult chapter to discuss fully in a single post. It introduces so many important themes and has the first glimpse of the story of the earlier inhabitants of the Heights. Sorry if this is too long - I've tried to keep my comments concise. It is difficult for me to not mention every tiny detail I like lol

We learn that Zillah has worked at the house a year or two and is aware that Catherine’s old room is off-limits but seems to know little else. It shows that despite the emotional unloading that Heathcliff does to Nelly he is very reserved about all that has happened in the past.

It seems the house has been ruled by chaos for years and there is an instinctual need for the inhabits to defend themselves against it. We see this when Lockwood first climbs into the box bed and closes the doors he says he “felt secure against the vigilance of Heathcliff, and every one else.” The need to shut out the world and crawling into small spaces is repeated later in this chapter with Catherine's diary details how, with Heathcliff, in an attempt to avoid the cruelty of Hindley and Frances “made ourselves as snug as our means allowed in the arch of the dresser,” and closed off the world by fastening their pinafores together.

We get some other interesting glimpses of Catherine and Heathcliff early friendship. It is quite popular to say that Heathcliff is Catherine’s whip and he is a blank slate for her, but I think this diary entry is another example of their oddly egalitarian relationship. First, we have this scene of Catherine lashing out against their ill-treatment:

I took my dingy volume by the scroop, and hurled it into the dog-kennel, vowing I hated a good book. Heathcliff kicked his to the same place. Then there was a hubbub!

That Heathcliff swiftly follows her lead certainly shows a reciprocation of the other’s attitude and worldview - or simply that if one is going to get in trouble then the other will follow suit. Still, I do hold that he doesn’t just mimic her or do as she wishes. We get a number of examples that show neither play a clear leader in their antics with one happening shortly after this incident. Catherine's diary continues:

I have got the time on with writing for twenty minutes; but my companion is impatient, and proposes that we should appropriate the dairywoman’s cloak, and have a scamper on the moors, under its shelter. A pleasant suggestion—and then, if the surly old man come in, he may believe his prophecy verified—we cannot be damper, or colder, in the rain than we are here.

Here Heathcliff takes the lead in coming up with more plans to get further into trouble and it seems Catherine is more than pleased to go along with it.

There are other, now iconic, details of Catherine’s character in this chapter. Such as this description of the box bed from Lockwood:

The ledge, where I placed my candle, had a few mildewed books piled up in one corner; and it was covered with writing scratched on the paint. This writing, however, was nothing but a name repeated in all kinds of characters, large and small—Catherine Earnshaw, here and there varied to Catherine Heathcliff, and then again to Catherine Linton.

And later:

Catherine’s library was select, and its state of dilapidation proved it to have been well used, though not altogether for a legitimate purpose: scarcely one chapter had escaped a pen-and-ink commentary—at least the appearance of one—covering every morsel of blank that the printer had left. Some were detached sentences; other parts took the form of a regular diary, scrawled in an unformed, childish hand. At the top of an extra page (quite a treasure, probably, when first lighted on) I was greatly amused to behold an excellent caricature of my friend Joseph,—rudely, yet powerfully sketched. An immediate interest kindled within me for the unknown Catherine, and I began forthwith to decipher her faded hieroglyphics.

Catherine holed up in the box bed and writing on every spare bit of paper she can get her hands on and scratching her name in the paint, tell of someone who has no one to talk to. She’s alone and is compelled to at least make sense of herself with ink and paper. Nelly does say later on that “there was not a soul else that she might fashion into an adviser” beside Nelly herself. Which is a poor adviser, considering how Nelly disliked her throughout her childhood.

Adding to Catherine’s loneliness is the endless abuse of Heathcliff and herself, at the hands of seemingly everyone in the house. In this short excerpt from her diary, we are told Hindley’s treatment of Heathcliff is “atrocious,” and that now he is the new master they are no longer allowed to play, and “a mere titter is sufficient to send us into corners.” Heathcliff has his hair pulled by Frances, Catherine’s ears are boxed by Joseph and they’re both berated and verbally punished by him. Finally Hindley “seizing one of us by the collar, and the other by the arm, hurled both into the back-kitchen” where she says that outside on the moors “cannot be damper, or colder.” Upon their return and proceeding punishment she says she’s cried until her head ached. Consistent with what we later hear her tell Nelly, that Heathcliff’s miseries are her own, it is not her punishment or ill-treatment that makes her so upset but the casting out of Heathcliff. She writes:

“Poor Heathcliff! Hindley calls him a vagabond, and won’t let him sit with us, nor eat with us any more; and, he says, he and I must not play together, and threatens to turn him out of the house if we break his orders. He has been blaming our father (how dared he?) for treating H. too liberally; and swears he will reduce him to his right place—”

Critics that suggest Catherine is glassy-eyed and naive idealist really gloss over these excerpts in my opinion. There is a constant downplaying of her abuse compared to the other characters among those that seemingly think she’s the only character with moral agency and therefore the cause of all problems in the story.

I love how strange the encounter that Lockwood has with the book “Seventy Times Seven, and the First of the Seventy-First,” and the following dream is when first reading Wuthering Heights. Hardly anything in WH is superfluous and when rereading it this makes much more sense. This is quite an interesting segue into meeting Catherine’s ghost, and later learning more of her life. Forgiveness is such an important aspect in the book and will come up many times. Notably, while on her deathbed, Catherine tells Heathcliff she has forgiven him and that he should forgive her.

I think it is amusing and also very interesting how in Lockwood’s dream he’s walking with Joseph (in itself is very metaphorical) and Joseph tells him he should have brought a “pilgrim’s staff” and that Joseph’s staff is really just a “heavy-headed cudgel.”

It’s unsurprising the appearance of Catherine’s ghost is so iconic. It’s impossible to discern if it is merely Lockwood’s dream or him actually encountering her spirit. There are details about her that Lockwood, at this point, does not yet know. Still, he does make many attempts to logically explain what happens. Either way, the imagery of the scene is both frightening and tragic.

We get some really interesting glimpses of Heathcliff’s character in this scene. Normally he is very collected and if his emotions are out of control they tend towards anger, but here we see him truly terrified and unable to maintain composure after finding Lockwood in the room.

Heathcliff stood near the entrance, in his shirt and trousers; with a candle dripping over his fingers, and his face as white as the wall behind him. The first creak of the oak startled him like an electric shock: the light leaped from his hold to a distance of some feet, and his agitation was so extreme, that he could hardly pick it up.

Even after Lockwood identifies himself Heathcliff is said to have found it “impossible to hold it [the candle] steady” and was “crushing his nails into his palms, and grinding his teeth to subdue the maxillary convulsions.” It is interesting that Heathcliff doesn’t become so angry that he throws Lockwood out. It’s another oddly humanizing moment for him. An overly dramatic author would likely have him behave like a complete monster, but he instead tells him to finish the night there and not to scream like that again. This is a scene that I wish we could have some perspective from Heathcliff. Not only is he startled by a noise coming from Catherine’s old room but then Lockwood adds to his distress by rambling about Catherine saying:

And that minx, Catherine Linton, or Earnshaw, or however she was called—she must have been a changeling—wicked little soul! She told me she had been walking the earth these twenty years: a just punishment for her mortal transgressions, I’ve no doubt!

This and Lockwood’s further talk which makes it apparent he has snooped and glimpsed a little bit of Catherine’s and Heathcliff’s past, does set Heathcliff off:

“What can you mean by talking in this way to me!” thundered Heathcliff with savage vehemence. “How—how dare you, under my roof?—God! he’s mad to speak so!” And he struck his forehead with rage.

Lockwood doesn’t quite understand this reaction saying:

I did not know whether to resent this language or pursue my explanation; but he seemed so powerfully affected that I took pity and proceeded with my dreams; affirming I had never heard the appellation of “Catherine Linton” before, but reading it often over produced an impression which personified itself when I had no longer my imagination under control. Heathcliff gradually fell back into the shelter of the bed, as I spoke; finally sitting down almost concealed behind it. I guessed, however, by his irregular and intercepted breathing, that he struggled to vanquish an excess of violent emotion.

And later when watching Heathcliff call for Cathy through the window:

There was such anguish in the gush of grief that accompanied this raving, that my compassion made me overlook its folly, and I drew off, half angry to have listened at all, and vexed at having related my ridiculous nightmare, since it produced that agony; though why was beyond my comprehension.

At one point Lockwood also believes Heathcliff to be “dashing a tear from his eyes” during their conversation. Of course, he is confused because he doesn’t know that one of Heathcliff’s few fixations has been looking for signs of Catherine for the last 17ish years.

I’ve mentioned this before, but something that doesn’t happen in the book because Heathcliff never narrates it, but I think if someone retold the story or made a film adaptation it could be interesting to explore, is how Heathcliff came to find Catherine’s writing on the wall. She must have written it shortly before she talks to Nelly since she’s already considering marrying Linton, and Heathcliff must still be living at the Heights since his name is there also. When Heathcliff returns three years later we know that he takes over Catherine’s old room so really he should have discovered it the first night there, probably after having visited the Grange.

@astrangechoiceoffavourites has mentioned this in one their posts, but another great aspect of the book is the background happenings that are very realistic for the time and particularly farm life. Cats and dogs roam about, Heathcliff mentions that the house goes to bed at “nine in winter, and rise at four,” and there are mentions of chores, etc. The details create a realistic backdrop and ground the characters in reality. I feel like the novel is never overly sentimental because of this and it really strengthens it.

After Heathcliff comes down to the kitchen where the household is starting their day, we are instantly reminded how terrible Heathcliff can be when he swears at and threatens to hit Cathy for not making herself useful and working for her keep. Ironically, he tells her, “You shall pay me for the plague of having you eternally in my sight,” when, as I’ve mentioned before he has her sit at the dining table with everyone else. He also could just send her away if he despises her so much.

I see a lot of similarity between the glimpse we get of Catherine Earnshaw from her diary and the current situation Cathy Heathcliff is in. Their situations are certainly different but both are in a similar state of abuse and neglect and both are quite self-possessed and antagonistic towards those that try to control them. They also are associated with books (Catherine filling them up with writing and Cathy reading) and have an affinity for animals. In this chapter it is mentioned that while Cathy is reading she has “to push away a dog, now and then, that snoozled its nose overforwardly into her face.” There are other similar encounters, such as when the dogs at the Heights come to greet Catherine Earnshaw upon her return from the Lintons.

I’m sure I’m forgetting points I want to make in these posts. I’ll probably to a larger summary after I complete the book and try to tie together some of the ideas I’ve mentioned. Its also difficult because I keep wanting to bring up things that happen later in the book and I want to make a note of it now - but I’m also trying to reread as impartially as possible. Which is really an impossible task lol.

@astrangechoiceoffavourites

#wuthering heights #wh reread 2021 #wh reread #emily brontë #chapter 3 #tw abuse #omg i did it

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aion-rsa · 3 years

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The Best Korean Dramas on Netflix to Watch Right Now

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South Korea is one of the world’s biggest exporters of popular culture. From K-pop to K-dramas, Parasite to BTS, the East Asian country knows how to reach an international audience. Korean TV, especially K-dramas, have long been of interest to western markets, but it’s no longer just the Korean diaspora or romance drama fans underserved by western markets checking out K-dramas, international watchers of Korean dramas have become much more “mainstream” in the last few years, especially with Netflix’s increased focus and investment in the region.

Why Are Squid Game’s English-Language Actors So Bad?

By Kayti Burt

Squid Game’s Most Heartbreaking Hour is Also Its Best

By Kayti Burt

Netflix has played a major role in this expansion of Korean TV into the global market. The streamer has not only scooped up an impressive backlog of Korean originals as a global distributor, but, since 2016, has been investing in the Korean TV industry at the production level. At the beginning of 2021, Netflix released an official statement announcing the leasing of two production facilities outside of Seoul, citing the move as “another important example of our continued commitment to investing in Korea’s creative ecosystem.” According to the release, from 2015 to 2020, Netflix invested over 700 million dollars in Korean content. The company also has multi-year content partnerships with CJ ENM/Studio Dragon and JTBC.

Suffice to say, Netflix has a solid Korean TV section, filled with some of the best K-dramas around, both new and old. If you’re new to the world of Korean TV or if you’re simply looking for your next watch, why not try out one of the following…

Crash Landing On You (2019)

The absolute top secret love story of a chaebol heiress who made an emergency landing in North Korea because of a paragliding accident and a North Korean special officer who falls in love with her and who is hiding and protecting her.

If you’re at all tapped into the K-drama scene, then you have at least heard of Crash Landing on You if not binged it multiple times. An original production from Netflix, Crash Landing On You pairs rom-com and character drama elements with an exploration of the cultural pain inherent in the separation between North and South Korea. With charismatic and vulnerable performances from veteran K-drama leads Son Ye-jin as South Korean heiress Yoon Se-ri and Hyun Bin as North Korean soldier Ri Jeong-hyeok; some gorgeous production values; and a memorably melodramatic soundtrack, Crash Landing On You is a whirlwind action-romance that was one of the best shows of 2020, full stop.

Kingdom (2019-present)

In a kingdom defeated by corruption and famine, a mysterious plague spreads to turn the infected into monsters. The crown prince, framed for treason and desperate to save his people, sets out on a journey to unveil what evil lurks in the dark.

If you prefer your TV more horror-driven, Korean TV has some notable shows for you. One of the most internationally popular is Kingdom, a historical zombie drama about a 17th century crown prince who has to fight against a mysterious plague of flesh-eating zombies that threatens to overtake his kingdom. Most K-dramas are structured to tell their entire story in one season, but Kingdom has already had two seasons with a third predicted to be on the way, as well as a one-off special that just premiered on Netflix called Kingdom: Ashin of the North. If you’re looking to get into a longer-running K-drama that favors horror over romance, this could be the one for you.

Squid Game (2021)

45.6 billion won. 456 contestants stake their lives on childhood games.

Unless you’ve been living under a rock, you’ve probably already heard of Squid Game, which is on track to become Netflix’s most popular series ever. The Korean social thriller tells the story of a group of 456 desperate contestants who agree to compete in a deadly competition for the chance to win the kind of money that could change their lives forever. Socially relevant and compulsively watchable, Squid Game takes a familiar premise and makes it new again with compelling characters, exquisite visual style, and cultural specificity.

Hometown Cha Cha Cha (2021)

When things go awry in the city, a dentist decides to go back to her quiet seaside hometown for a fresh start. There, she finds herself at odds with the village go-to handyman who’s always up to help and fix what’s broken—perhaps even matters of the heart.

If you’re looking for something a little chiller after the horrors of Squid Game, try Hometown Cha Cha Cha, which is basically a Hallmark Christmas movie in series form (which is to say a cozy romance). The series, which is currently “airing” weekly on Netflix, sees a big city dentist named Hye-jin decide to open an office in the small seaside town of Gongjin, where she once visited with her family as a child. It all happens on a bit of a whim, with Hye-jin not fully prepared for the transition to rural life in a town where everyone knows everyone’s business. Enter Du-sik, the town’s darling jack-of-all-trades, who helps the townspeople by doing any and every job they might need. The two couldn’t be more different, but fate seems to have brought them together. You probably have an idea of what happens next…

When the Camellia Blooms (2019)

Dong-baek (Kong Hyo-jin) is the owner of a small-town bar called Camellia. Her ordinary life turns topsy-turvy when three men enter her life — a good guy, a bad guy, and a miserly guy. What kind of stories will unfold in this sleepy town full of colorful characters?

If you’re looking for another K-drama set outside of Seoul, When the Camellia Blooms is the story of a single mom Dong-baek, who moves to the fictional town of Ongsan where she opens a bar called Camellia. When local police officer Yong-sik declares his love for Dong-baek, she is initially not interested, but the two become closer the more time they spend together. Thrown in a solid supporting cast and a serial killer subplot and you’ve got yourself one of the most popular K-dramas in recent years.

It’s Okay to Not Be Okay (2020)

Desperate to escape from his emotional baggage and the heavy responsibility he’s had all his life, a psychiatric ward worker begins to heal with help from the unexpected—a woman who writes fairy tales but doesn’t believe in them.

There’s still a taboo around addressing mental illness in Korea, which is one of the many reasons why this 2020 drama about Gang-tae, a young man who is a caregiver at a psychiatric hospital, and Moon-young, a children’s author living with antisocial personality disorder, made such a splash. While the romance at its center is great, It’s Okay to Not Be Okay really shines in its exploration of Gang-tae’s relationship with his brother, Sang-tae, who is on the autism spectrum. In a press conference promoting the show (via Metro Style), Sang-tae actor Oh Jung-se said of the character: “If you meet someone like Sang-tae, who is on the autism spectrum, on the street, I think it would be nice if people could think ‘I would like to be with that person’ instead of ‘I would like to help that person.’”

Boys Over Flowers (2009)

Unassuming high school girl Jan-di stands up to — and eventually falls for — a spoiled rich kid who belongs to the school’s most powerful clique.

A K-drama classic, Boys Over Flowers follows working class student Geum Jan-di as she arrives at the elite Shinhwa High School on scholarship, only to meet and be unimpressed by a group of privileged boys known collectively as F4 who rule the school. The drama follows Jan-di as she goes from bullying target of F4 leader Jun-pyo to the object of his obsession. It’s a classic enemies-to-lovers set-up, and one that while cliche, is still worth a watch over a decade later, especially if you’re interested in checking out one of the most iconic K-dramas of all time.

Itaewon Class (2020)

On the vibrant streets of Itaewon, something is about to shake up the local food scene. Going up against the most powerful conglomerate in the industry, underdog Park Sae-ro-yi and his band of determined misfits seek to take over Itaewon and turn their ambitious dreams into reality.

Korean TV knows how to melodrama, and this story of revenge and romance set in Seoul’s popular Itaewon area leans into intense catharsis. Itaewon Class follows Park Sae-Ro-Yi, the owner of an up-and-coming Itaewon restaurant called DanBam that becomes a refuge for a group of social outcasts. Together, they work to take down the same business mogul responsible for the death of Sae-Ro-Yi’s father years earlier. Itaewon Class was extremely popular both in South Korea and internationally, and featured the first transgender character in a mainstream K-drama. Added bonus: the Itaewon Class soundtrack includes an original song from BTS’ V.

Mr Sunshine (2018)

In 1905, a Korean American U.S. marine officer returns to his homeland on a diplomatic assignment. Coping with his painful past in Korea as an orphaned servant boy, he finds himself in a complicated relationship with an aristocrat’s daughter.

If you’re into historically-driven period drama, then check out the beautifully-shot Mr. Sunshine. The K-drama is set in the late 19th and early 20th century in Hanseong, the city that would become Seoul and follows activists fighting for Korea’s independence. The story follows Go Ae-shin, an orphaned noblewoman who trains to be a sniper in the Righteous Army, the civilian militia that fought against the occupying Japanese forces, and Eugene Choi, a man who escaped slavery in Korea to become a U.S. marine, only to return to his homeland where he falls in love with Ae-shin. The series uses real-life history, including Shinmiyangyo, the Spanish-American War, the assassination of Empress Myeongseong, the Russo-Japanese War, Gojong’s forced abdication, and the Battle of Namdaemun as a backdrop for its epic story.

Signal (2016)

A cold-case profiler in 2015 and a detective in 1989 work together to solve a series of related murders spanning three decades using a special walkie-talkie to communicate with each other.

This premise has been used a lot—from 2000 Dennis Quaid/Jim Caviezel thriller Frequency to the 2016 CW TV adaptation of the same name—and for good reason. An analog device allows two people to communicate across time, and they must work to solve a murder together. It not only makes for compelling character drama, as two people become closer but are separated by years, but also is a fresh twist on the serial killer narrative. In K-drama Signal, the analog device is a walkie-talkie, and the characters on either temporal side of it are contemporary criminal profiler Park Hae-young and 1989-based Detective Cha Soo-hyun. If you’re looking for a good crime thriller, Signal could be it.

Hospital Playlist (2020-present)

Friends since undergrad school, five doctors remain close and share a love for music while working at the same hospital.

Like Kingdom, Hospital Playlist is the rare K-drama that tells its story across multiple seasons. The hospital drama just finished airing its second season weekly on Netflix, continuing its story about a group of doctors in their 40s who have been best friends since medical school. A true ensemble drama, Hospital Playlist is perfect for fans of Grey’s Anatomy but feels unique in its centering of a friend-group with a such a long history.

Vincenzo (2021)

Bringing his mafia past back with him to South Korea, Song Joong-ki stars as notorious Italian lawyer Vincenzo who isn’t afraid to lend his bloodstained hands to beat the untouchable conglomerates in their own game.

If you just watched the dramatic opening of Vincenzo, set in Italy days after the death of a mafia boss, you might think you’re in for a self-serious organized crime drama. But the Netflix K-drama quickly shifts into a story much more tonally complex. Part romance, part drama, part action thriller, Vincenzo has something for everyone. It follows Vincenzo (Space Sweepers‘ Song Joong-ki), a Korean lawyer raised by an Italian mafia family who must flee the country following his father’s death. As part of his plan of escape, Vincenzo travels to Korea to recover a stash of hidden gold under an old apartment building set for demolition by a corrupt corporation called the Babel Group. Because of this dilemma, Vincenzo becomes unlikely allies with the group of eccentric citizens who live in the building, as well as with a passionate and moral lawyer who has a vendetta against the Babel Group for his own reasons.

The “Reply” Series (2012-2016)

Take a nostalgic trip back to the late 1980s through the lives of five families and their five teenage kids living in a small neighborhood in Seoul.

The Reply series is one of the most popular cable dramas in Korean TV history. It launched in 2012 with Reply 1997 before continuing with Reply 1994 in 2013 and Reply 1988 in 2015. The ambitiously-structured series follows a group of friends and their kids, telling the story in present-day in addition to flashbacks. Featuring a fun soundtrack, as well as some incredibly performances, the Reply series is well worth a watch for anyone who loves character drama with a nostalgic twist.

Prison Playbook (2017)

With only days before his major league baseball debut, pitcher Kim Je-hyeok unexpectedly lands himself behind bars. He must learn to navigate his new world with its own rules if he wants to survive.

Prison Playbook is much more slow-paced than many of the selections on the list, but this character drama is worth the dedication. Though it’s often touted as a “black comedy,” it’s much more tonally light than that suggests, despite the subject matter. The story follows baseball pitcher Kim Je Hyeok, who is incarcerated days before his major league debut for assaulting the attempted rapist of his sister. It follows his life within prison, along with the lives of some of the other inmates and guards, including his old best friend, Lt. Lee Joon Ho, who is a correctors officer. Created by Lee Woo-jung, who also made the aforementioned Reply series, Prison Playbook is one of the most popular K-dramas in Korean cable history ever.

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Sweet Home (2020)

As humans turn into savage monsters, one troubled teenager and his neighbors fight to survive and to hold onto their humanity.

It’s been well-documented that Song Kang is a K-drama darling. The actor has appeared in many a romantic K-drama, including Netflix’s Nevertheless and Love Alarm. Sweet Home, however, is his rare horror appearance, and it’s well worth a watch just to see Song in a completely different context. Of course, this apocalyptic horror story has other qualities too, and holds the honor of being the first Korean series to enter the U.S. Netflix Top Ten. Based on a Naver (aka Korean Google) webcomic of the same name, Sweet Home follows Cha Hyun-soo (Song), a high school student who moves into an apartment building after the deaths of his parents, only to discover that the building also happens to be the home of a species of monsters set on world domination.

Nevertheless (2021)

Like a butterfly hopelessly attracted to a flower, this art student can’t seem to resist the mysterious young man who captures her attention. But the more they get romantically involved, the sooner she will have to decide—will getting close be worth it, when he doesn’t believe in relationships?

Speaking of Song Kang… Nevertheless is the latest K-drama to star the 27-year-old actor. The romantic drama stars Han So-hee as Yoo Na-bi, university art student who no longer believes in love following discovering her boyfriend has been cheating on her. When she meets Song’s Park Jae-eon, she is immediately intrigued. Though the two share an immediate attraction, they resist entering into a relationship due to their respective uncertainties about love. Based on a popular webcomic of the same name, Nevertheless feels unique in its treatment of modern dating life in Korea, depicting some of the more realistic, often internal struggles of what its like to date in your 20s.

My Mister (2018)

In a world that is less than kind, a young woman and a middle-aged man develop a sense of kinship as they find warmth and comfort in one another.

If you’re in the mood to cry, try My Mister, a drama about a financially-disadvantaged young woman just trying to stay afloat as she takes care of her sick grandmother amid mounting debt and a much more financially-privileged middle-aged man who is also being crushed by the weight of his life. The two work together, and form a (mostly) platonic relationship that helps both of them heal. Understated and deeply emotional at the same time, My Mister will subvert so many K-drama expectations in clever ways.

Memories of the Alhambra (2018)

While looking for the cryptic creator of an innovative augmented-reality game, an investment firm executive meets a woman who runs a hostel in Spain.

If you’re looking for another K-drama starring Crash Landing on You‘s Hyun Bin (and of course you are), then look no further than Memories of the Alhambra, a 2018 K-drama with an absolutely batshit (read: amazing) premise. Hyun stars as Yoo Jin-woo, a CEO who travels to Spain in search of the creator of an AR game set in the Spanish medieval fortress Alhambra. Once there, Jin-woo is pulled into a reality-bending mystery with life-or-death stakes and some unpredictable twists that I don’t want to spoil for you.

Romance is a Bonus Book (2019)

A gifted writer who’s the youngest editor-in-chief ever at his publishing company gets enmeshed in the life of a former copywriter desperate for a job.

Ostensibly based on the TV series Younger, Romance is a Bonus Book is a rom-com set in the publishing industry world. It follows single mom Kang Dan Yi as she struggles to reenter the workforce following her divorce. When he lies about her background to get a job, her life becomes tangled up with childhood friend and publishing phenom Cha Eun Ho.

I began watching this series to see how it compared to the U.S. version of the show, of which I am a fan. Honestly, these two series have only the most superficial details of their plots in common, which is par for the course in many adaptations. Romance is a Bonus Book is much more romance-centric than Younger, which balances the love life of its central protagonist with the many other relationships and concerns she has in her life. But that isn’t a bad thing. They are two very different shows with their own interests and strengths, but if you’re a fan of both rom-coms and the publishing industry, then both Romance is a Bonus Book and Younger are worth a watch.

Black (2017)

A man possessed by death. A woman who can see death. The earthly and the afterworld collide dangerously.

One character is possessed by the Grim Reaper. The other can see deadly spirits. Only Korean can turn this premise into a heartbreaking romance, as the two work together to save people marked for death. If you’re looking for a spooky season watch, you can’t go wrong with Black, which is a delightful (and, honestly, pretty complex) hodgepodge of Korean horror all wrapped up in a rom-com package.

What is your favorite K-drama on Netflix? And what upcoming Netflix K-dramas are you most looking forward to? Let us know in the comments below?

The post The Best Korean Dramas on Netflix to Watch Right Now appeared first on Den of Geek.

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howaminotinthestrokesyet · 3 years

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Road Dogs: Metallica on Tour

Metallica‘s first ever gig took place at Radio City in Anaheim, California in March 1982. Their set list included primarily covers with only two original songs, “Hit the Lights” and “Fight Fire with Fire.” They did Savage’s ‘Let It Loose,’ Blitzkrieg’s ‘Blitzkrieg,’ Sweet Savage’s ‘Killing Time’ and four Diamond Head tracks. For diehard fans, this original lineup did not include Cliff Burton as of yet, but instead Ron McGovney. They eventually asked him to leave the group because the guitarist did not contribute anything of value. Another good reason came in the fact that Dave Mustaine fought with him repeatedly. James Hetfield would later say this about that show. “There were a lot of people there, maybe 200, because we had all my school friends and all Lars’ and Ron’s and Dave’s buddies. I was really nervous and a little uncomfortable without a guitar, and then during the first song Dave broke a string. It seemed to take him an eternity to change it and I was standing there really embarrassed. We were really disappointed afterwards. But there were never as many people at the following shows as there were at that first one.”

Metallica’s second and third show took place at the Whiskey a Gogo in Los Angeles. This venue would be where Hetfield and Lars Ulrich first heard future bassist Cliff Burton and his band Trauma. More recently, Ulrich revealed diary entries related to Metallica’s appearances there. "No sound check. Sound was awful. Played great myself, but the band as a whole sucked. Went down OK." The group opened for Saxon, who the drummer had met six months prior after sneaking backstage during one of their shows. After the concert, the monitor engineer asked Ulrich if he had ever heard of Diamondhead. “Of course, we have, we just played a bunch of their songs!" As it turned out, the crew member was only joking about Diamond Head. He would later go on to work for Metallica in the same position for 22 years.

On April 16, 1983 Metallica played its first show with new guitarist Kirk Hammett at the Showplace in Dover, New Jersey. They had begun recording their debut album Kill ‘Em All in Rochester, New York at that time. The set list included all original material that would land on that first album making up nine songs. Hammett had replaced Dave Mustaine, who held quite a bit of ill will towards him for years claiming in 1985 that Kirk ripped off all his guitar riffs, which got him noticed in the metal community. In defense of Hammett, he was simply trying not to make waves in his new group as Ulrich and Hetfield had definitely decided not to cut any contributions from Mustaine.

On March 5, 1983 Metallica played its first show with Cliff Burton at The Stone in San Francisco, who had replaced Ron McGovney. In 2018, a recording of the show came to light online, which you can listen to on YouTube. The lineup still included Dave Mustain as well taking place a month before the other band members would fire him. They performed 12 songs that night essentially previewing everything to be included on their debut album. At that time, James Hetfield was still struggling over whether he should sing lead. On the recording, you can tell why this became the case as his voice sounds incredibly scratchy with absolutely no technique whatsoever. The show also became memorable as a Cliff Burton debuted the future track, “Anesthesia (Pulling Teeth).”

Cliff Burton played his last show was Metallica in Stockholm, Sweden in September 1986 before his tragic passing. A few years ago, Metallica released a boxed set of rarities for their album, Master of Puppets, which included a recording of that final show. In an interview with Rolling Stone, Lars Ulrich and Kirk Hammett talked about their memories of that last concert with Cliff. Ulrich noted, “We played the show in Stockholm, and it went incredibly well. I think it may have been a rare case where we actually played an additional song that wasn’t on the set list, because the show was so good. That’s not something we did a lot then or now. So there was a good vibe.” Hammett would say this in the same interview, “It was significant because it was the first show where James played guitar again (Wrist Injury). He strapped on a guitar and was able to play the encore; I think it was “Blitzkrieg” or something. But I remember the five of us, including John Marshall, being really stoked James was back and playing and looking like was gonna make a pretty healthy recovery. I distinctly remember that show being good, and the feeling when we got offstage was really great and positive and forward-looking. Like, “Great, James is back in and it won’t be long ’til we’re back to our old selves again.”

In November 1986, Jason Newsted would play his first show with Metallica at the Country Club in Reseda, California. He did so in front of a sparse crowd because it had been a secret show for the group Metal Church. Newsted had played with the band for only a short time during rehearsals for the next album. James Hetfield introduced Newsted for the very first time in this way. “Welcome to the very, very secret Metallica gig that every fucker knows about! Here’s the new fucker right over here man, this is the guy… Jason Newsted, we fucking love him, man, so make him feel at home, alright? I want to have some fun tonight.” Their set list would consist of 14 songs from their first three album releases.

In the summer of 1992, Metallica decided to perform a few dates with Guns ‘N Roses. The hype for these shows represented the tour of the year, but the show in Montreal turned into a tragic affair. A pyrotechnic accident occurred as they performed “Fade To Black” causing second and third degree burns on half of singer James Hetfield's body. He recalled the incident, “I'm burnt – all my arm, my hand completely, down to the bone. The side of my face, hair's gone. Part of my back. ... I watched the skin just rising, things going wrong." Jason Newsted would remember that Hetfield looked like the Toxic Avenger from his vantage point. The group immediately cut the show short, so the singer could receive medical attention. He would later say that during the trip to the hospital a road crew member bumped his burnt hand leading him to punch the guy in his “nuts.” For fans still at the show, things only got worse as Guns ‘N Roses delayed getting on stage for two hours. Axl Rose probably only sang for 20 minutes before cutting his night short. GNR Had known what had happened to Hetfield, but they still phoned it in anyway. After that, 2000 people rioted in protest followed by several arrests. This night would lead to great animosity between the two groups for years continuing to this day, but it should be noted that Metallica acted professionally completing the tour with an injured Hetfield. Slash of Guns N’ Roses would later talk about the tour being a financial disaster for them. “Metallica was earning the exact same paycheck as we were every night but while they pocketed the whole thing, we were blowing 80 percent both on union dues for all of the overtime we cost ourselves going on late and on these stupid theme parties. It was just bad." Axl had spent extravagantly on backstage parties in an effort to impress members of Metallica.

In April 1999, Metallica recorded two performances on successive nights with the San Francisco Symphony Orchestra led by Michael Kamen. The idea for such a concert had first come up when they worked with the composer on the Black Album song, “Nothing Else Matters.” He had approached them about such a collaboration, but never heard anything until years later receiving a phone call from Lars Ulrich. They filmed the live show at Berkeley Community Theater in San Francisco as Kamen had written additional material to supplement Metallica’s arrangements. The band also released two new songs specifically for the show, “No Leaf Clover” and “Human.” According to James Hetfield, This idea of combining heavy metal and classical music was originally an idea brought up by Cliff Burton, who had a strong background in both. One can see this throughout Metallica’s songwriting in their early years as the bassist relied on melody and instrumental qualities found in classical compositions like his favorite one, Johan Sebastian Bach. S&M would be released as a concert film and an album, with the latter reaching number one on the Billboard 200 chart.

In 1991, Metallica would play a concert in Russia that has become the stuff of legends because 1.6 million people watched it in person. The highlight of the show came when they played “Enter Sandman” as one could see Russian military personnel rocking out just as hard as anybody else. One must note that they were not the only band there that day as other artists included the Black Crowes, Queensryche, Motley Crue, and AC/DC. The Monsters of Rock Festival would only occur this one year in what would become the former Soviet Union. Motley Crue had played one of the early versions of the festival in 1984, but ironically Metallica had surpassed them as a more popular headliner by this time.

In August 2020, Metallica became the first rock act to perform a pre-recorded concert for Encore Live’s drive-in series. Due to COVID-19 restrictions, live concerts were canceled all over the world, so artists like Blake Shelton and Garth Brooks participated in this drive-in movie concert experience. Tickets to view this at your local drive-in cost $115 for up to six people per car. The show took place at an undisclosed location near their home in San Rafael, California.

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wanderchyld · 4 years

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Final PBIO/IOTNBO analysis and theory

This post is my final analysis and includes some questions I have as we go into the final weekend of one of the best dramas in history. It is VERY long as I consolidate and expand on my previous analysis and theories.

I also lost a big chunk of this post while I was working on the draft just a few hours before posting, resulting to this post as a little inconsistent. Excuse me if my points are messy and some points missing with some issues untouched (because I forgot 😭). I think most points can be linked back to my past theories so you can read up on them if you haven’t.

List of my theories before ep 14:

Do Heejae and the other woman

Moonyoung’s background and Go Daehwan

Head Nurse is NOT Do Heejae, she’s the previous housekeeper

Maybe Head Nurse really is Do Heejae

As usual, please note that anything I quote may be a mix of Netflix’s subs and my translation because I know Korean and Netflix tends to miss nuances sometimes.

Firstly, Park Ok Ran’s dead.

Let’s get this out of the way first. (You can read my first theory on her role in this whole saga.)

“She can’t come anymore.”

Can’t have her exposing Park Haengja. Or plot twist: she is alive and returns to save the trio from the villain 😆

No one’s memory is reliable

Not Kangtae’s as established in ep 6 that he didn’t remember his mother brought them to eat jjamppong because he’s the one who liked it, not Sangtae.

Not Sangtae’s. In spite of his good memory, it was established in ep 10 that he didn’t remember Kangtae saving him, so his memories can be flawed as well.

Therefore, not Moonyoung’s, and definitely not Go Daehwan’s.

There are few things that we can be sure because they are concurrent:

There was a female body in the basement that was disposed or disappeared.

The murderer of Taetae Bros’ mother wore Moonyoung’s mother’s a one-of-a-kind brooch.

There was a body in the reservoir.

Taetae Bros’ mother was the new housekeeper (I saw that some people disagree but here are the supporting screenshots).

There were definitely two women

My theory that there were 2 women in Moonyoung’s family still stands and I’m expanding on it.

Let’s look at the family photos first. There are multiple versions of the family photo, and I suspect they were taken at different times. Here they are in what I think is the chronological order.

1) Photo in the basement: Go Daehwan had full-rimmed glasses, Moonyoung wore a scarf and stood closer to him with his hand on her shoulder, and the lady wore a fully black high neck top with the brooch on the right.

Before the family moved in, on the day Go Daehwan showed the lady around the house, he was wearing the full-rimmed glasses, and the house looked lived in (fully furnished, fully decorated, shelves full).

2) Go Daehwan’s photo: Go Daehwan had half-rimmed glasses, Moonyoung stood right in the middle and without the scarf, and the lady wore a blazer over a straight neckline blouse with the brooch on the right.

3) Park Haengja’s photo seems to be the same as Moonyoung’s: Go Daehwan with half-rimmed glasses, can’t tell whether Moonyoung was wearing a scarf or not but she sat nearer to the lady who wore the same blazer over a straight neckline blouse without the brooch.

Go Daehwan had half-rimmed glasses when he realised his wife killed Taetae Bros’ mother.

Photos are evidences of relationships. In a group photo, the people who are closer would pose closer to each other. These family photos tell us that Go Daehwan and Moonyoung were actually close, and showed us the progression of Moonyoung’s relationship with the woman.

But why were multiple photos taken? If they were the same woman, why are they still hiding the woman’s face in the photos?

When Go Daehwan killed his wife, he said, “If I die, my daughter will become a monster like you.”

Why was it “my daughter” and not “our daughter?” It’s even odder for Koreans because being a very collectivist society, they don’t claim people or objects as mine. They say “our country,” “our father,” “our daughter” to show unity even when they actually mean “my country,” “my father,” “my daughter.”

Moonyoung insisted she’s an orphan. Technically, when one biological parent dies, the child is an orphan (single orphan). So perhaps Moonyoung’s not wrong. And as explored in my second theory post, she might have been referring to her biological mother. The abusive woman was probably her stepmother.

Go Daehwan told Director Oh that his wife loved Moonyoung “terribly. Very terribly,” and we have Moonyoung who doesn’t want a child to not get jealous over Kangtae’s affection. Judging by the family photos (Moonyoung posing closer to the woman each time), perhaps the stepmother was jealous of the father-daughter relationship and became obsessed with Moonyoung.

Would a child be afraid of their parent because they didn’t want to be hated? I was just afraid my mother would scold me (which was a lot). Right, we can argue that her mother was abusive, but this is something to think about.

Park Haengja: stepmother and crazy aunt

Bluebeard the French folklore, which ep 6 was based on, is about a man who married several times as he killed his disobedient wives. According to Wikipedia, his final wife had invited her sister and others over for a party before she snuck away to explore the forbidden room. Bluebeard found out and was about to kill her on the spot when her sister and brothers arrived to kill Bluebeard.

It was also in ep 6 when Taetae Bros moved in that they specifically had a shot of the dolls in Moonyoung’s old room (the brothers’ new room). I mentioned this previously: one male doll as Go Daehwan, two female dolls in similar dresses as Moonyoung’s mother and stepmother, and one small female doll.

You can see the two dolls behind little Moonyoung in her memory of her father reading her a book.

The dolls are a representation of the Go family in the house because in ep 7, only the small female doll (Moonyoung) was left, and I think there are 2 more new figurines as Taetae Bros on that cabinet but I can’t be bothered to search for a clearer shot 😁

When Go Daehwan strangled little Moonyoung, afraid she would become like her mother, they featured one of the dolls in the shot.

The point of mentioning the dolls is: Moonyoung’s mother wore a similar dress as the dolls in most of the flashbacks.

Ep 13 was based on the Korean folklore The Story of Janghwa and Hongryeon and its popular movie adaptation The Tale of Two Sisters (2003). IOTNBO has more links to this story than “the bystander is worse than the abuser.”

In the movie, Moon Geunyoung’s character frequently dressed in floral patterns (like the dolls’ and Moonyoung’s mother’s dresses).

In both the folklore and the movie, the sisters were named after rose and lotus flowers. In the folklore, it’s the sister that died who was named after the rose flower. In the movie, it’s the surviving sister that was named after the rose flower. The rose is also a motif of Moonyoung’s mother.

The flower language of rose is love and passion. Personally, considering how Moonyoung always thought of her mother when she brushed her hair, and her love for a head pat, I think the rose also symbolises her mother’s "affection."

The movie is a story of two sisters who were abused by their stepmother so badly that one of them died. As it turns out, the remaining sister developed dissociative identity disorder (DID; the same disorder as the patient Yoo Sunhae) with two other personalities: her dead sister (Moon Geunyoung’s character) and her stepmother.

I take this as a lead that Moonyoung has a stepmother, who also happens to be her aunt obsessed with her sister. Wicked Witch of the West (WWOTW) coveted Wicked Witch of the East’s (WWOTE) ruby shoes; perhaps the aunt wanted to be in her sister’s shoes, figuratively AND literally.

Now here’s another “coincidence” from the same:

Left: Moon Geunyoung. Right: Im Soojung (sister with DID).

The story Go Daehwan read to little Moonyoung mentioned a bad wizard that wasn’t invited to the birthday party so he went to the castle.

The story Go Daehwan read to little Moonyoung mentioned a bad wizard that wasn’t invited to the birthday party so he/she went to the castle to cause trouble.

Glinda the Good Witch of the North described WWOTW as worse than WWOTE.

Go Daehwan, who had recognition and memory impairment, said his wife has an angelic face but a devil lives within. Perhaps he remembers two persons as one.

We learnt from Sangin that 1) Do Heejae came from a prestigious family of medical professionals, 2) she dropped out of 3rd year of med school, and 3) she cut ties with everyone in her family. Could she have a sister in nursing? Could she have cut ties with her family because they cray cray (or the good old "you’ll starve with a creative career")?

Park Haengja has not claimed herself as Do Heejae, and the woman in the family photos are still covered.

Following these, we can assume that Park Haengja’s the bad witch who is neither Do Heejae nor Moonyoung’s birth mother. She’s the stepmother and crazy aunt (I cover more about the sisters in the next section).

There’s always a crazy aunt or uncle.

It’s just too easy if Park Haengja really is Do Heejae. I’d also be disappointed in the writer if she takes this route because it’s cliché villain and this is not a makjang drama with illogical plot twists. It would also be a step back from all the efforts this show has been making to dispel stigma against mental illness.

So they were sisters and...

...one of them died. In water.

As per my first theory, the WWOTW and WWOTE are sisters in some adaptations of The Wonderful Wizard of Oz. WWOTE died under a house then disappeared into thin air, and WWOTW pretended to die in contact of water but she returned disguised as a good person. Sound familiar?

The Story of Janghwa and Hongryeon is a Korean folklore of a stepmother who abused two sisters to their death. She had her biological son push Janghwa the older sister into a pond and she drowned. The remaining sister couldn’t take the abuse any longer and drowned herself in the same pond.

The song “Oh My Darling Clementine” has a few variations but here’s the traditional lyrics (I removed repeated stanzas):

Oh my darling, oh my darling Oh my darling, Clementine You are lost and gone forever Dreadful sorry, Clementine In a cavern, in a canyon Excavating for a mine Dwelt a miner, forty-niner And his daughter, Clementine Light she was and like a fairy And her shoes were number nine Herring boxes, without topses Sandals were for Clementine Drove she ducklings to the water Ev'ry morning just at nine Hit her foot against a splinter Fell into the foaming brine Oh my darling, oh my darling Oh my darling, Clementine You are lost and gone forever Dreadful sorry, Clementine Ruby lips above the water Blowing bubbles, soft and fine But, alas, I was no swimmer So I lost my Clementine How I missed her! How I missed her How I missed my Clementine But I kissed her little sister I forgot my Clementine

These stories are all about 2 sisters and dying in water. Whether they’re sisters or not, a woman died and she’s related to Go Daehwan somehow.

The Murder of the Witch of the West

Do Heejae’s novel hold huge clues. Here’s my translation of an excerpt from volume 9 shown in ep 10.

… __’s scalp skinned with a hunting knife without hesitation. The corpse’s lips sewed in a fence stitch. The body dismembered with a hand axe and thrown into the trunk. Yooyoung persistently as she watched the back of the West Witch leave unhurriedly after finishing the killing and leaving notes.

"Who the hell are you?"

"Why do you choose to kill happy people only?"

But as usual, there was no answer. Was it because of Yooyoung’s tenacity to catch the West Witch? Yooyoung always sees the West Witch at the crime scenes. A faceless woman who always observed Yooyoung work hard on finding the criminal before leaving abruptly. Yooyoung began to look at the crime scene from the criminal's perspective. Why here? Why kill by stabbing this way? As she simulates the crime, Yooyoung finds herself assimilating with the criminal. She felt a thrill from imagining that she stabbed and cut the victim. She’s getting confused. Is she a detective or a murderer?

Around the same time, a murder occurred. The West Witch mimicked a passage from The Wonderful Wizard of Oz, everything was in line with the Wicked Witch of the West, right down to the signature butterfly design. However, Yooyoung somehow felt guilty.

...

The suspect was a middle-aged woman in her 40s.

Yeah.

The misunderstanding

Othello killed his wife because he mistook his wife for committing adultery.

Romeo and Juliet mistook each other’s plan. Romeo died from drinking real poison, and Juliet faked her death before realising the mistake and killed herself with Romeo’s dagger.

Janghwa was framed and wrongfully accused by her stepmother for being unchaste. Her father believed it. When Janghwa ran away, her stepmother and stepbrother chased after her, and her stepbrother (under her stepmother’s instruction) pushed her into a pond to drown to her death.

What did Go Daehwan misunderstand? What misunderstanding did his recognition and memory impairment cause? Why was his wife being crazy but looked so shocked when he turned her around?

I do not believe that his memory of killing his wife is a complete memory because it has been mentioned multiple times that his memories are corrupted. I think it’s fragments of different memories pieced together.

What’s going on with Park Haengja?

There are a few possibilities.

Park Haengja is Do Heejae’s sister who coveted her sister’s position and grew obsessed with her sister’s novel.

Do Heejae’s Moonyoung’s biological mother and Park Haengja’s her stepmother.

OR Moonyoung’s biological mother died when she was born, Do Heejae’s the stepmother (abusive but still her mother because she raised Moonyoung), and Park Haengja’s the obsessive aunt.

She got so obsessed she came to believe she’s Do Heejae.

So obsessed she was always keeping an eye on Moonyoung to fulfil the prophecy that is the novel. ("You’re my greatest creation," and volume 3, shown in episode 10 with Park Ok Ran’s copy, has passages that describes episode 3.)

Park Haengja’s the one who killed Taetae Bros’ mother (screenshots of Do Heejae vs murderer below).

She took advantage of Go Daehwan’s cognitive impairment and instigated him to kill the real Do Heejae. She’s the one who saw Go Daehwan kill the woman and hide her in the basement.

Do Heejae wore her butterfly brooch on right, the murderer wore it on the left. Do Heejae always wore red nail polish and a gold rose ring, the murderer did not (although she could have had them removed if it’s premeditated).

Moonyoung’s mother:

Murderer:

Moonyoung’s mother:

Murderer:

Clearly Do Heejae didn’t wear her brooch all the time, so it would have been easy to steal the brooch. However, Do Heejae wore her ring all the time, so Park Haengja can only get the ring after she dies and "truly” become Do Heejae.

End.

I think I recovered most of my points but they’re still feel incomplete 😭

Let me know your thoughts 😊

#psycho but it's okay #it's okay to not be okay #kdrama #kim soohyun #seo yeji #oh jungse #jang young nam #i just refuse to believe she's do heejae #that's too simple for this drama

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