#institutionalized sexism

[mental-mona]

#feminism #women at work #workplace #oh figures #women's history month #institutionalized sexism #sexism

[itellmyselfsecrets]

“Institutionalized sexism— is that, patriarchy— formed the base of the American social structure along with racial imperialism.” - bell hooks (ain’t I a woman: black women and feminism)

#bell hooks #ain’t i a woman: black women and feminism #womanhood #sexism #patriarchy #institutionalized sexism #racial imperialism #this is america #black feminism #black feminist thought #black feminist theory

[adrianlookatthis]

Goodnight to everyone except the lady at the store earlier who saw my husband wearing our baby and turned completely around to tell me she was adorable and ask me questions about her while ignoring my husband who, again, was wearing our baby

#he's her parent too #men know things about babies #men can be caring loving parents too #he loves hearing people tell him how cute she is #i was busy loading up the cart #he was holding her and playing with her #parenthood #sexism #motherhood #fatherhood #misogyny #casual misogyny #institutionalized misogyny #institutionalized sexism

[clonerightsagenda]

While there are critiques to be made about the Tortall Tricksters duet and I've seen other people with more standing make them, I do think it's interesting for Pierce to take the Great Mother Goddess who was the divine patron of her original main character and have her also be the patron goddess of a group of white supremacist colonizer villains. Like yeah maybe the goddess backing the armed enforcer of fantasy!Western Europe's royal family doesn't always have great politics. When Aly rebels against her mom she does not fuck around

#perpetual perpetual ladies night #and then in the Beka Cooper books she gets used to promote institutionalized sexism #however that was not her fault #lioness quartet: the goddess is the protector of women #trickster duology: *white women actually #shocker! we first heard about the pantheon through one perspective. other groups prioritize different divinities #tortall

[civanticism]

Our culture sets up marginalized groups to fail and then, when they do, blames them for the failure. Those few who succeed against the odds are held up as proof that the system is fair and unbiased, as if they were the norm, not the outliers. This attitude is true of almost all cultures, but ours has made an art form of it.

#institutionalized #racism #sexism #bigotry #white privilege

[paradisetemporarilymisplaced]

wow I hate everything abt the world

#this is about everything and nothing in particular. just one of those fucking days #I hate that there’s a fucking genocide and that joe fucking biden is going to lose this fucking election bc he’s fucking aiding and abetting #I hate that republicans are actively voting to make raped children give birth and that Trump is going to be fucking reelected #and that will be fucking national policy #I hate that some (white) bitches like to get up on their high horses abt how sexism isn’t a big problem for white women bc woc have always #had it worse #this is objectively true but it is also ok to acknowledge that white women have also been seen as property for hundreds of years #and have been blamed for being raped and forced to marry their rapists and been institutionalized bc their husbands said so #and have had no economic power and have been reliant on men for literally fucking everything until Extremely recently #YES this is all magnified for woc but it is so performative for white women to write screeds like this #on a fucking goodreads review (hypothetically speaking) #wow! I am angry about everything!!! #normally I can keep it in check but tonight it just one of those nights when I cannot. and here we are #also on a much more micro level! I hate that my dog was bitten by another dog and now is hurt and scared of other dogs! #and we can’t do almost anything to help her! #and I hate that all I wanted for dinner was pizza from my favorite spot in my hometown but that is 800 miles away #and I hate that I would love to be near family again but they live in a red state that is actively trying to overturn the will of its voters #and I hate that my husband wants to move back to his home state which is even redder #and I’d have to leave my job that I love and move to a state with much more existentially terrifying policy #and I love working for the state government but I sure as hell wouldn’t want to work for THAT state’s government #it’s just all bad I’m so pissed

[sakuraswordly]

#Wow...just wow Thanks for sharing Mr Elon mask(That was unexpected) #Disney #institutionalized racism????? #racisim #sexism

[genderkoolaid]

Suddenly more and more women began to either call them­ selves "feminists" or use the rhetoric of gender discrimination to change their economic status. The institutionalization of feminist studies created a body of jobs both in the world of the academy and in the world of publishing. These career-based changes led to forms of career opportunism wherein women who had never been politi­cally committed to mass-based feminist struggle adopted the stance and jargon of feminism when it enhanced their class mobility. The dismantling of consciousness-raising groups all but erased the notion that one had to learn about feminism and make an informed choice about embracing feminist politics to become a feminist advocate. Without the consciousness-raising group as a site where women confronted their own sexism towards other women, the direction of feminist movement could shift to a focus on equality in the work­ force and confronting male domination. With heightened focus on the construction of woman as a "victim" of gender equality deserv­ing of reparations (whether through changes in discriminatory laws or affirmative action policies) the idea that women needed to first confront their internalized sexism as part of becoming feminist lost currency. Females of all ages acted as though concern for or rage at male domination or gender equality was all that was needed to make one a "feminist." Without confronting internalized sexism women who picked up the feminist banner often betrayed the cause in their interactions with other women.

— Feminism Is For Everybody: Passionate Politics by bell hooks

#m. #quotes

[netherfeildren]

Honey, Stomach, Mine ; 1. Genus: Tragedy

Series Masterlist ; Part 2.

Pairing: Joel Miller x F!Reader

Summary: Existence is a needful thing. Choice is fickle, nature inescapable. Run to the end of the world, Joel, all those things will still find you. 

She'll still come for you. 

-OR-

the A/B/O outbreak AU 

Rating: Explicit 18+

Content Warnings: Alpha/Beta/Omega Dynamics; Dystopian Society; Outbreak not Cordyceps AU; Light Angst; Slow Burn; Shocking Considering the Implications of Me and This Trope but Alas; Biologically Assigned Soulmates; Power Dynamics; Topping From the Bottom; Government Controlled Reproduction; Segregation of the Designations; Institutionalized Sexism; Vaguely Handmaidien Undertones; Incredibly Soft Despite the Tags; Be Not Afraid, Dear Reader!; Yearning; Emotional Hurt/Comfort; Competence Kink; Alpha Joel; Omega MC; Very Soft Joel; Older and Jaded Alpha; Young and Needy Omega; Age Gap; Size Difference; Size Kink

A/N: I've found there is an absolutely shocking lack of A/B/O in this fandom, and this is my contribution to begin rectifying that. I swear that despite the way the tags read, this is entirely and sickeningly sweet soft, comfort, caretaking fic.

Share thoughts, please. It's sort of a different one.

Word Count: 6.3K

Read on AO3

Tip Jar

Genus : Tragedy

To a one Mr. Joel Miller,

500 Sheahan Road

Clallam Bay, WA 98326

United States 

We are writing to inform you that as of January 8th, 2015 there remain two weeks until your designated omega’s twenty second birthday, and a year since she has come of age. We have made several attempts to contact you with no response. As mandated by the federal government, you must collect her by January 22nd, 2015 or she will be distributed to another individual of the designation alpha who would be willing to accommodate her. 

The omega’s evaluations are all up to date, and she has displayed pristine results in both health and behavioral tests. It is estimated that her first heat will occur soon, and we strongly encourage you to collect before the fever starts and our facility is forced to place her with another willing alpha that may see the process through. As she is part of the Federal Alpha/Omega Pairing Program, and is biologically paired to an alpha already, that being you, if not collected she would be placed in the bidding pool and distributed to the highest offer. 

Again, we strongly encourage you to contact our facility with a response on your decision as soon as possible so that we may prepare the omega. We would like to remind you that these creatures are delicate, and unexpected changes to their habitats and surroundings cause high levels of distress. It is of the utmost importance that we proceed in accordance with the omega’s nature. 

Enclosed is a brief note from your omega that she has requested to attach:

Dear sir,

I hope that you are well. I have been told that you have not decided if you will come for me, but I ask that you please do. I have been waiting, but they have told me I cannot wait anymore, and I do not know what will happen to me if you don’t come. I promise that I’ll be good if you do. 

And at the bottom, in a pristine and swirly pen, and kindly, her signature, there for him to see. The name of the woman, or girl, who seems to have taken all of Joel’s choices from him. He follows the letters with the nail of his thumb, scratching at the ink as if he could make it disappear, make the reality of this poor thing out there in the world waiting for him, disappear. 

At the outbreak of the designations, twelve years ago, there had been mass hysteria, mass chaos, a terrible uncertainty of how the world could continue on, segregated into biological designations as it had suddenly become. Thought to be a product of the dwindling population rates, some whispered a government experiment gone awry, a freak genetic mutation had begun to appear within the biological markers of certain people. 

Designations: Alpha, Beta, Omega. 

It was not that society had unfolded, lost sight of itself, it was more so that from one day to the next, a new and unknown sort of hierarchy had been established, those that were, those that were not. Those that could live their lives as they’d always done, unruled by their biological urges, and those now marked as something new and different and set by a different sort of mandates. 

Joel had been one of these people. 

The designations had become controlled, weaponized, systemized, almost immediately. Almost. Before the government had mobilized and taken stock and hold of the situation, there had been a momentary lapse of order. Chaos wearing the names and faces of the people he’d once known, people that should have been safe or protected, protective. The true nature of the dynamics were quickly revealed. Obvious: an unmated alpha in need of an omega was a volatile thing, quick to aggression, hungry for violence. Less so: an omega, once thought self sufficient, independent, autonomous, was found to be at times fragile, vulnerable, full of necessity. Both connected by that string of desperation that could only be soothed in a pairing of the two. The desperate drama of being no longer only yourself.

It should have been an obvious thing, the mutation, a byproduct of the dwindling population levels, reproduction rates, was in service of something that would correct this misdirection of nature. Alphas and omegas were, are, idealized pairings for one another in terms of reproduction, in terms of biological pairings. It should have been obvious that this would be wielded as a means of control. It should have been obvious that this was an untenable situation that would cast people into roles that left no choice for autonomy, for freedom. 

It should have been obvious to Joel, who almost immediately, and even though he had been well into adulthood, a father to a young daughter, presented as an alpha, growing pains once again this late into his life. It should have been obvious that this was a situation that should have necessitated greater care, vigilance, protection. After all, this was the role of an alpha. He should have listened to this new nature of his that was suddenly, demandingly, presenting itself, acted quicker, stronger, with more wisdom. But he’d failed, he’d continued to fail for years to come after that terrible night when the world had turned back to its base nature in a hedonistic attempt for the preservation of humanity. 

Alphas were immediately feared, ostracized, and above all else, obvious. A designation was not a thing a person could hide, especially not an alpha, the truth of their nature. Many were gunned down in the streets at the start, imprisoned, experimented on and sold, debased and tortured. They’d been caught, him and Sarah, separated from Tommy trying to escape the madness. She had, in her innocence and without designation, still only herself, still only his little girl, been caught in the crossfire of a world's desire to tame or trap something it could not understand. 

Joel had, in many and the worst of ways, been caught in the crossfire too. 

With time, years and the sort of suffering that can only be forced upon anything that is different or out of the norm, a system had been created. Government mandated programs, laws, registries that kept track of the designations. A hierarchy in which those that were essentially and biologically considered stronger than what a normal human should be, were ostracized, exiled, denigrated, muzzled, and those that would be considered weakest, left without any voice at all, without freedom either. 

The Federal Alpha/Omega Pairing Program had been established for the continued preservation and furthering of reproductive rates. A registry was created in which all those with the designation either alpha or omega had to present themselves on, biological markers determined, all choices stripped. The program served as a match making machine, when two biological markers presented themselves as compatible, as mates of one another, an omega was assigned to an alpha for keeping. To do with as they’d see fit. 

He had gotten word of her only last year. Twelve years of solitude, of nothing, of running from a girl with green eyes he’d not been able to protect and the reality of himself he detested, the what and why of who he was. He’d left Austin, wandered and hidden and groveled in the dirt like a worm until he’d finally found a quiet place to settle. A place alone, undisturbed. And for so long, he’d not been happy, surely, but he had been. Joel had been.

He looks down at the letter in his hand, dragging his thumbnail over the swoop and slope of her signature once again. This was a person who, as mandated by law or biology or fucking whatever, had been deemed as his. His other half, mate, ball and chain. The terrible reminder of what he really was and could not escape, in the form and shape of his perfect opposite. 

Last year, when he’d gotten word of her existence, that she’d reached the age of twenty one and was now ready and available for his retrieving, he’d balled up the letter and thrown it with such weightless force into the fireplace in his living room that the air filled wad of paper had fallen limp and nothingful just shy of the flames, rolling in the ashes and dust, coating the reality of this imposed, undesired fate in dark soot. He’d been so angry he’d gone out and howled at the moon like the beast the world would have themselves believe he truly was. 

He did not want to be an alpha. He did not want an omega. He did not want to live off the coast of Clallam Bay alone in this house he’d built with his bare hands because he had no other use of them now, no other function or purpose or meaning. He did not want it to be now, he wanted it to be twelve years ago. He wanted to still be a father. 

He did not want to be an alpha. 

He did not want an omega.

He crumples the letter in his fist, looking out at the bay over the edge of the cliffs from where the cabin is perched. From his spot on the deck he can see as far out as the sea allows, sight stopping suddenly as if the edge of the world had dropped off a ledge. Sometimes he longed, so, so badly, to go find that edge, to drop off it as well. He had only tried once. Never again. The grizzle of scar tissue at his temple, a testament to yet another one of his failures. 

The first summons had come two weeks before her twenty-first birthday, and he’d laughed, after the anger, he’d laughed. A girl-woman of only twenty one years, deemed of age, for the role the government or God had deemed her ready for, served up on a platter to him for his own ravaging. For the correction of what nature told was an anomaly that only their coming together could solve. It was sick, disgusting. He wanted no part of it. And so, despite the knowledge that this poor thing was out there, in some government facility, places they took omegas, many orphans, but also, oftentimes separating them from their families for so called safe keeping, just another word for kidnapping. Rearing and breeding and no choices, no choices for any of them ever. 

He’d ignored it, turned a blind eye and a revolted heart away from it all, and shirked the supposed responsibilities he owed this omega who he knew nothing about, who knew nothing about him. But nature is, after all, a terrible and inescapable thing. And not even so much the nature of his designation, although that did, unfailingly, play a part in his demise, surely, but the nature of his character, of Joel’s heart, that was the true heavy player. He was not the sort of man who could turn away from someone who’d rely on him, who’d need him. A responsibility. That was, he convinced himself, all he should or could see her as. And for a year there’d been a sort of tugging of a string from behind his navel, an umbilical cord connecting him to his ignored fate. He hated it all. He wanted nothing to do with any of it. He wanted to rot in his aloneness and misery and bitterness, fester in the fear that lived around him from the world. It’s why he’d come here, it’s why he’d exiled himself. Balanced on the tightrope border between the Salish Sea and the Makah Reservation on this high and pristine cliffside cut from the crust of the earth; he was left entirely alone, at peace with only his own chaotic demons to torment him. He wanted it this way, he wanted this; please, please, he’d already given away so much, lost so much of himself. Should he also be forced into this too? To sacrifice the terrible peace of his solitude to save this poor creature that was being forced on him. He wanted to say no, that he didn’t give a fuck, that what would happen to her could, it was no business of his. But those words… another willing alpha, bidding pool, highest offer… they made him see, not even red, black, black and devastating anger or rage or something horrible and base, and what could only be a product of mother nature railing against him for ignoring what he truly was. Something that whispered terrible words of mine, mine, fucking mine. A hiss he did not recognize, did not want to admit he recognized. 

He was old, weathered and beaten and past his prime. Unmated. At the end of his line and unmated and purposeless, and his bones were tired, but itching and clamoring within the confines of his skin that this was wrong, that he was wrong, and that he needed to right this immediately. 

That she’s waiting, and dear sir, I do not know what will become of me if you do not come. I promise that I’ll be good if you do. 

And so Joel goes to her because he knows she is waiting, because fate or purpose or nature is not a thing to be ignored forever. 

-

“It’s her birthday today,” the caretaker says, voice ascetic and cold and direct. Not a voice, Joel thinks, for soft things; cadence that has his teeth on edge, hackles raised. “You’ve arrived just in time. She’s been asking for you, and we’d just set her name in the pool, ready to release for auction tomorrow.” That black rage muddies the corners of his vision, and he focuses on the cold shock of the blank white hallway they’re making their way down. Hospital-like, barren and hard, this place, facility, prison, they keep them in, the omegas in the program. He feels slightly sick, uninhibitedly angry as if his teeth would fall out of his skull, as if he could throw himself to the ground as a child throws a fit, spew his anger for the world to see how much he does not want this, how vehemently he’s opposed to it all. 

“She may seem young and small, but she’s twenty two now. She’s ready, and she’ll take it as you wish. It’s what she was made for.” 

Joel seriously considers, just for a moment, killing the cretinous little man beside him. Take it, he says as if he has any right to speak of you taking anything that Joel would give you, as if it’s any of his business, anything he could ever understand if the beta stench oozing off of him is any indication. He hums nothing more than a grunt of acknowledgement. If he parts his teeth he’ll take out a chunk of flesh. He should behave, there are easily frightened things nearby. 

White doors with a small circular window at the center line the hall on either side, endlessly down the length of the seemingly endless corridor. The caretaker, white scrubs, pristine like the rest of everything here, and Joel feels suddenly huge and bestial and brutish, marring and dirtying this place that is supposed to be of peace and quiet for the fragile things locked inside. 

A terrible place that makes him desolately depressed. You’ve been here so long, and he had not come, and it’s all just one more tally of failure on his rap sheet. 

When they finally stop before a singular door, the number fourteen emblazoned in large black, bold print just beneath the small viewing window, Joel suddenly feels– he can’t say for certain, he doesn’t know, or doesn't want to acknowledge the truth of the voices and sounds ringing in his ears, but he knows, recognizes it for the sound of the moment Sarah died all those years ago. His past and present suddenly clashing to meet here in this antiseptic white void, before the door to this fate that’s clamored in quiet waiting for exactly a year today. The sound of her voice, calling his name, saying it hurts, Tommy, his shouts ringing loud and then ebbing soft and as lifeless as she was while the reality of what they were living came to pass before Joel too, could realize. He’d left too, his brother, ran from the truth of Joel at the first easy opportunity. And she’s just there, her voice and her eyes and the feel of her is just there in his mind, on the tip of the tongue of his memory, and then the man opens the door and then there you are. 

He feels worse now, hulking, deformed, malformed like he was born wrong. “I’ll give you a moment,” the man says low, that cold voice monotone and almost too quiet to bear now. Joel feels he needs something loud and shocking. He fears he won’t fit through the door. “It’s better if you meet for the first time without distractions. She knows you’re coming.”

He thinks he asks if you’re sleeping, he can’t be sure, but he feels the vibrations of his throat work, his jaw move as if it’d come unhinged, his tongue swollen in his mouth, gums fat and painful, full of bile and terrible memories, and he is a badly made thing in need of some goodness in this moment. And then a shift of the small lump beneath the blankets, the reality of the moment snaps into focus, he steps inside the white box cage you’re kept in. The door shuts behind him, and then it is only him, the thing he would not be, and you, the thing he would not want. 

He doesn’t decide it until he finally peers into your eyes, that he can’t, will not, keep you. 

Wide, luminous and wet, but not afraid, wholly curious, peering up at him from above the edge of a thick wool blanket. Something drab and gray and stiff looking that immediately sets him on edge, brings that anger back, just the simple sight of the blanket. The two of you stare at each other in silence, the weight of that thing that tells of what you are, sitting heavy between the two of you as he looks down at you from his great height, presence that should be intimidating and cowing, looming over your prone and small form on the bed. But despite his stance, something swelling within him causing him to puff up like an angry dog and want to bear his teeth at you, despite the curtain of tears in your eyes, there’s nothing of the stench of fear. 

He shuts his eyes to the sight of you, huffing long and bullish through his nose, mistake, the scent of you, God, help me, and he listens to the rustle and shift of the blankets, opens his eyes to see a little nose peeking out from beneath the gray, drab thing to sniff primly at the air he’s now filling with his presence. 

Soft and warm and woman, the smell of a cunt that belongs to him. That’s what it is at its basest. More complexly: vanilla, bergamot, juniper berries, sweat and fever and salt. Taking a plunge off the cliffside, bypassing the sharp teeth of rocks that would kill you, waiting for the dark ice shock of sea and finding nothing but molten life. This is what you smell like. 

Worst of all, there is something in you that smells of him. His, yes, but not what he means, not his, him. Something that smells of recognition, like the two of you are the same. 

Something chained inside of him rattles at the bars of its cage, desperate to be let out and quenched. 

He steps back, frightened at your movement, at the reality of what the two of you are, so obvious here in this cage, at your perking up, your recognition of who and what he is, what he’s come for. You don’t speak, but you tell him. You wriggle beneath the covers, shimmying to turn and face him more fully, still clutching the blanket up high over your mouth, still covering half of your face, and he wants to bark at you to let him see, that he needs to see, but he grinds his teeth together. Molars going to dust down his throat, muscle wrapped around his mandible strung so tight he fears the fibers of it might burst and pop. 

You settle on your side facing him now, and then something to beguile him, to bring him to his knees muzzled and obedient and calm, the sweetest, sultry little crooning cry. Something provoking, alluring, something to beckon him to you in surrender and acceptance and welcome, come from your chest up your throat to his ears. He jerks back at the sound, your big eyes still expectant and wet but demanding now. I am here waiting for you. I have been here waiting for you. Come now. He steps back to your bedside, a too small, too stiff metal railed cot he’s going to wrap around that fucking guard, caretaker, idiot, whatever he is when he comes back, falls to his knees, and your little fingers peek out and up and over the edge of the blanket now. And you surprise him doubly, tenfold, more than he can comprehend – but he already decided he will not keep you, he already made up his mind – when you say: “You came. You remembered me.”

He could never have forgotten.

A low hum, a sound to make your eyelids flutter and your legs shift beneath the heavily draped blankets. “Today’s your birthday, sweetheart, is it? Would you like to come home with me as your gift?” 

He could never have forgotten.

-

The house that the large man who you’d waited your whole life and then a year for, brings you to – and you can’t be entirely sure, for you’ve so little experience or knowledge – but from what you can think you’re feeling now, from what you can decide, is lovely. 

He had taken you in a car, a truck, you like the sound of the word, —ck, —ck, —ck, and driven a long while, through the big city which you’d seen little of, between forest and beside sea, and then finally up a long and winding road and more forest, more trees and green than you’d ever seen in your entire life, until you’d come to a cliffside, the backyard a drop off of air and rock and endless dark water, and a small house perched just there at the edge. Wooden slats, weather beaten and salt lashed, a copper sloped roof, and two pert chimneys, despite the not large area of the house, cabin. It looks, very much, as if it had grown straight from the cliff rock, sprouted by the forest, strong bones that spoke resolutely of remaining where they were no matter how hard the wind howled. 

“How did it get here?” You ask the man, alpha, who’s name is Joel who has finally come for you after a life and a year of waiting. 

“I made it,” and his voice is rough and demanding of attention, demanding of you, even if you don’t know, although, you do understand, what it is he’s demanding. 

And you think, yes, of course. It looks a little, a lot, like him. Obvious, that it came from him. 

It would be easy to think that you’re nothing but young and stupid and untried. Just a little omega kept in a cage. But you feel, after this life, not life, of being you and the thing you are, that you’re none of those things despite it all. You had lived, you had been out in the world at one time, even if briefly, even if only as a child, green and inexperienced and innocent, and although you still remain all those things, you had been out there at one point. You had never had a mother or a father, dead when you were an infant, killed in the outbreak, but you had lived with your aunt, your mother’s, many years older,  sister, until you’d been ten years old. So you see, and he should see too, this man now before you, this alpha, that you were untried and inexperienced and young compared to him, but you’d had a decade of real life, even if it was the life of a child, even if afterwards it was a not life, but the before, that counted very, very much to you and so deserved respect and acknowledgement. And he should see that, although you do not know, you do understand.

After your aunt had died, and they’d taken you, first to the orphanage, and then to the place for omegas, after you’d started to mature and develop, perhaps that real life had ended. Or been put on hold, waiting for him, this alpha who seems, for all intents and purposes and from what you can gather from his sullen silence and dark looks, nothing like pleased at your presence here now. But then there was the: today’s your birthday, sweetheart, is it? And yes, yes it is your birthday. 

It’s your birthday, and you’re free. And yes, you’d lived the not life in the white box for so long, and yes, you are, in fractions, so afraid and knowing so little of the world, but you do know that you want to live and to see the sky. 

You want to see the sky every single day. 

His big clunking truck rolls to a slow stop before the house, a wide deck wrapping around the entire boxed thing of it, and he starts to move, unclipping his belt, grabbing the bag he’d brought with him stuffed with his clothes he’d promptly tucked and folded you into when he’d shuffled you into the cabin of his truck, and you’d been all thank you, sir, to which he’d given a shake of his head, only Joel. Only Joel. No other words, no other directions, only his hands pulling your strings like a puppet. You had accepted it for the chance to feel his touch, to familiarize yourself with the closeness of him. 

You want to know things. You want to know him. 

He’d barely said a word the entire drive here, but you could be patient, and they’d prepared you for this, after all. They’d prepared you long and well and told you all they thought you’d need to know. So you find yourself, and not at all shockingly, as you’d waited so long for this, for him, for freedom and the sky, and look, now there’s even sea too, not even a little bit afraid, only anticipatory in bated breath, stuttering heart, excitement. 

You had never seen the sea before, and you want to know things. You want to know him. 

He jumps heavy and thudding form the truck, and you start to shift, something suddenly frantic and clawing rolling in your chest when you realize he’s leaving the confines of the small space the two of you had found yourselves encased in together, the warm heat from the vents blowing his smell, his smell, all around you. You’d never encountered anything like it before. Salted vetiver and warm cardamom, something sweet and musked and heavy like what your fingers taste like after you’ve pet long and needy at that soft wet place between your legs when the hurt was so tight you felt nothing would sate it. It’s a scent that you think would devastate to have taken away now that you’ve tasted it. And it’s everywhere as the two of you’d sat in his staunchly imposed silence on the truck ride to this place he was bringing you to, his home at what seems like the end of the world. It’s in your nose and down your throat, heavy and cloying and sweet on your tongue, wrapping around your waist and covering your skin and your hands so that you’d even pressed your palms entirely over your face and rubbed yourself like a cat, coating yourself in him. 

The door slams, bringing you out of his scent induced reverie and back to the present, and you scramble to undo your buckle too, even though when he’d clipped it for you he’d very sternly said to not take it off, desperate to follow him wherever he’d go. But you realize quickly he’s coming around the front of the truck to your door, and then he’s there pulling it open and letting in a biting gust of wind come off the sea and up the cliffside to slash you across the face with its icy rancor. You shiver, teeth clattering and chattering in your mouth, trying to gather the blankets he’d cocooned you in, his too big, so soft clothes, more tightly around yourself, and find your feet. 

He gives a rough but soothing noise, and easy as anything, plucks you up and out of the seat and into his arms, kicking the door closed behind him as he goes. Into his arms. You hold yourself stiff and wide eyed, chewing on the tips of your frozen cold fingers, and staring at him this closely, it’s shocking. Large, had been the first thing. Tall and broad and thick the way they’d said alphas are. This you had expected. The rest, you had not. The eyes, you think, more than anything. His eyes, a strange mix of hazel and brown, but dark. Eyes, that even in your greenness, you can recognize as sad and angry. And the creases at the corners, between his brows, the gray threaded through the lush, dark curls and at the corners of the hair along his jaw. He looks like he would be someone’s father. The patch of bare skin, heart shaped, amongst the whiskers. He’s beautiful, and unthinkingly, or perhaps entirely intentional, you stick out one of your saliva soaked fingers and poke him gently there, only a small prod, to feel what the heart feels like. His gait stops instantly, that permanent frown he’d worn since you’d first laid eyes on him, deepening. “Don’t do that,” he gruffs, continuing his steps up the porch now, the dark, heavy boots you’d noted as he’d taken you from the facility falling thunk, thunk on the wooden boards beneath. He’d not given you shoes of your own. And at his tone, the grumpy look, you have the inexplicable urge to laugh. To laugh at him. Surly, you want to tease, but swallow it, itchy fingertips back into the warmth of your mouth to stop yourself from touching again.

Another gust blows against the two of you as he somehow transfers you, cradled into only one arm, to pull the jingle of keys from his pocket, and you’re jarred with painful shivers, huddling closer into the unbelievably broad expanse of his chest, the unbelievably steaming warm slab. At the touch of your cheek against his collarbone you realize all he’s wearing is a simple, green flannel, no coat, nothing warm. “Aren’t you cold?” It seems suddenly, supremely important you ask, head shooting back up. He peers down his nose at you, finally getting the door open, and his eyes are a very peculiar sort of dark, you cock your head at him, a very strange sort of creature this man is, who’s come to collect you, who you’d waited all your life and a year for. 

“I’m fine,” he says. 

You don’t believe him.

He sets you down on a large, dark leather sofa, chocolate, the hide smooth and worn and lived in. The rest of the house, not only a house, also a home, for it’s obvious in the way of his things, the way they’re arranged and fixed and the way they too live here, not only exist here. I’ll be like that too, you think. It’s all comfortable, it’s all warm, like a den and a place to relax and be protected, juxtaposed by the sight beyond the large windows, nothing but dark, violent sea as you’ve never before seen. 

He really had found a perch at the edge of the world, brought you here to perch as well. 

There’s a large fireplace, inlaid with large slabs of dark stone and thick beams of wood, and yes, this too is also obvious in a peculiar and particular way. The house very much looks like it was made by the hands of a single man in some way that you cannot specifically say, but can obviously see the truth of. He made this house, and then he came for you and now he’s brought you here, and you feel, suddenly, so pleased and warm and right. Everything feels so, so right. You sigh dreamily, suffused at once with a tight, deep heat at the pit of your belly, the scent of him everywhere, bubbles floating up from the bottom of you and seeming to pop out your ears. You lean back into the deep couch, wiggling this way and that, rubbing your bottom into the soft cushions to snuggle up, bringing the neck of his sweater he’d put you in up to your nose to breathe deep and long. 

He’s moving around, arranging things this way and that, a thick log in the slumbering coals, a pillow here, another blanket atop you, not looking at you, setting a wide berth once he’s settled the throw, not talking to you. It’s fine, let him do as he pleases and needs, you’ll sit here and watch. You can tell he doesn’t like to talk, that words cost him something, and you know so little, but you understand this. Words do cost something, truths, the truth of your before life and your not life. The truth of those realities cost. So, yes, you understand, and he doesn’t have to talk if he doesn’t want to yet. And looking at him, you realize that everything inside of you feels soft and bruised and little. And yet, despite all that, ready, in want and need of him. Ready to be big. 

Joel.

You must say the word out loud, his name, for he stops and finally turns to face you. There is something vibrational within him. Different. You’ve never seen a creature as such. You’d never seen an alpha before, not since you’d presented, you’ve never been around one. The caretakers were all always betas, people who would not be affected by the omega’s presence and fluctuations. 

He swallows once, twice, twitches and jerks and heaves a big sigh. He’s so full of energy as you, suddenly, in opposition, feel so sleepy and drowsy and ready to close your eyes and only feel warm and relaxed. You like his house, you might love it, even. 

Your eyelids droop low, slow blinks, and you watch his face fold into a frown. You want to laugh, he does that so much. They’d said that alphas could have big tempers, that they could be brash and aggressive and loud, but that the omega would naturally temper that. You think it may be true because as you watch him through the weave of your lashes, his frown deepening the longer he stares at you slowly drowsing on his couch which you hope he’ll never make you move from, the jitters and the shakes and the trembling that he’d seemed, just a moment ago, to be so full of, begin to quietly abate. 

He takes a step toward you, another and another until his shins meet the edge of the sofa, and you snuggle deeper into the cushions, making yourself into as little a ball as possible, so full of sleepiness. 

“How do you feel?”

“I like your house so much,” you slur, head drooping, lashes drooping. 

He clicks his tongue, makes that rumbly noise you think is an alpha thing because it has your eyes suddenly clicking open, sleep haze clearing momentarily so that you can look up at him again, and he’s looking at you so peculiarly. You scrunch your nose up at him, there’s no need to look at you so, you’re only an omega, only a little tired, nothing to stare at so strangely. 

“I’m–” he clears his throat, makes that rumble, growl, huff sound again, “I’m glad you like it. I wanted you to be comfortable while you’re here.”

And oh, he’s so nice, you tell him, and, “I am. I’m so comfortable.” You melt further into the couch, and he crouches down to peer at you more directly, pulling a soft pillow from the opposite end and tucking it under your head, the large, rough cup of his paw cradling your skull, big fingers weaving through your hair. He arranges you so gently, like he’d take care of you. Like you’re here, finally, finally, you’re here to be taken care of. 

It’s what they’d said would happen, and you’d waited so long. You’d waited too long to be let out of the white box, for him to come, to see the sky. And now there was so much; of him, of the house, of the sky, of your whole life and the sea.

You nuzzle your head into his big hand, the heat of it searing your scalp, your ear tucked into his palm. “Brave girl,” he hums. He has such a deep voice, a good voice for an alpha, you think, a very good voice. You feel it vibrating in your toes and in your eyelashes and in your belly. “You’ve been through a great deal, haven’t you?” You want to say yes, you want to remind him that you’d waited for him for so very long, and that when you woke up, if you remembered, you’d be very cross with him for taking so long to come for you. 

“You rest now,” he says. “It’s all alright now.” Yes, a very good voice.

2. More Intelligent Than a Face

Netherfeildren's Masterlist

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#HSM fic #vic fic #joel miller smut #joel miller #joel miller x reader #joel miller fanfic #joel miller x you #the last of us AU #joel miller fanfiction #pedro pascal characters

[mental-mona]

#mental health #mental health advocate #medical misogyny #institutionalized misogyny #institutionalized sexism #women's health

[drdemonprince]

Hi,

I think I might have BPD and I'd like to talk to a therapist about it because I've found therapy helpful in the past, however I'm also worried that if it goes on my record it could be used against me in the future. Do you have any advice? Thank you!

Don't do it!!! Do not say those words to a therapist no matter what you do!! I cannot stress this enough. Therapists are taught in school to dread and hate working with BPD patients, and many many manyyyy of them openly revile them and see them in the most negative unhelpful light. I'm sorry to have to be so discouraging but BPD is by far the number one most stigmatized disorders when it comes to the views of therapists. Seek out a DBT therapist, and someone who says they are experienced working with BPDers but tread very lightly. Don't tell them you think you might be BPD unless they have earned your trust. And reallly grill them about their attitudes on the subject beforehand. This is seriously dangerous territory. I don't want you to be institutionalized or treated like a problem client or worse. Please read Marsha Linehan's memoir, the DBT workbook series, and the book Psychiatric Hegemony (or at least the chapter on BPD) if you can. Those first two books will give you practical tools, the last is so you know what to look out for.

And also consider that BPD isnt really a "thing", all it is is a particular attachment pattern that gets unfairly demonized because of sexism and psychiatric stigma. Most of the people that get labeled BPD are Autistics or abuse survivors or both, and all of them are people with attachment trauma, and drilling into those things may be more useful and safer to you. There is no such thing as having a disordered personality.

[wishcamper]

Nesta, Interrupted: gendered perceptions of alcoholism in ACOSF

CW: addiction, sexual assault, gendered violence.

Creds: I’m a licensed counselor with a degree specialization in treating addiction. I have career experience with multiple modes of mental health, trauma, and substance use treatment in women-specific carceral, institutional, and healthcare settings. And I know anyone can come on the internet and say that, but I pinky promise.

The short version:

ACOSF stigmatizes alcoholism in line with cultural standards.

Western culture feels differently about female and male alcoholics due to systemic sexism, and thus treats them differently.

Women’s experience of alcoholism is often compounded by or even a result of systemic factors and intersectional identity.

Nesta’s treatment in ACOSF, while repugnant, is in many ways very accurate of attitudes today.

(I’ll be using “women/men” and “male/female” to denote cis afab and amab people. Little research exists on the experiences of queer, nonbinary and gender expansive considerations in addiction and recovery, which is a fuckin’ shame. Studies are also largely conducted with white participants due to enormous barriers to treatment for Black, Indigenous, and people of color, so this convo is inherently incomplete where it neglects those intersections.)

Okay, first things first: ACOSF is a book that stigmatizes alcoholism. I will not be taking questions.

The number one thing to understand is that in America, land of Miss Sarah, we are very bad at addiction treatment (tx). Why? Because our culture hates addicts has as stigma around addiction. And female alcoholics bear a very specific set of stigmas based in their identity.

In Susanna Kaysen’s memoir Girl, Interrupted , Kaysen’s character is institutionalized following a non-fatal suicide attempt. When evaluated, she’s diagnosed with borderline personality disorder, that bastion of diagnoses perfect for people (75% of whom are female-identified) who don’t fit into our polite definition of functioning. As the book unfolds, she reflects on how (white) women are often pathologized when they buck against systems of oppression that create the dysfunction in them in the first place. That is not to say other women in the institution are not genuinely in need of help, nor that mental illness in women is always from a systemic wound. But it’s crucial in the treatment of female addiction and mental health disorders to considered the systemic factors of gendered violence and patriarchy, and the attitudes we hold about women who struggle with drinking.

Think about female alcoholics in media. If she’s young, she’s a loose, reckless sl*t looking for trouble and deserving of the reality check when she finds it (Amy Schumer in Trainwreck, Lindsay Lohan in general). Or if the woman are older, they are discarded, or gross, or pathetic, or evil like anyone Faye Dunaway played or Eminem’s mom in 8 Mile (deep cut lol). Men are afforded a much larger spectrum of experiences and struggles - Ernest Hemingway, Leaving Las Vegas, Sideways, the dude from A Star is Born, Frank from Shameless (brilliant), frat boys, blue collar workers, introspective tortured artists, fucking IRON MAN. I could go on forever, but I hope that illustrates the depth and diversity of male-centric stories of alcoholism not often afforded to women.

One of the most empathetic and accurate portrayals of female alcoholism, in my opinion, is in the show Sharp Objects (the book, too, but actually witnessing it makes a difference). We see Amy Adams’ Camille swig vodka from an Evian bottle while fending off vicious, veiled attacks from her verbally and emotionally abusive mother and experiencing flashbacks of teenage sexual assault. We watch her struggle to find emotional safety in her conservative hometown, both wanting to fit in and get out in order to survive. We GET why she drinks and I have trouble blaming her for it even as she wreaks havoc on herself and others. We can see her clawing just to make it out alive, and alcohol is the tool she’s using to do it, for better or worse.

Which is where Nesta enters the chat. When we get our first glimpse of her alcohol use is ACOFAS, it’s portrayed as something everyone knows about but that she’s still mostly keeping it together - her dress is clean, her hair is neatly braided, she doesn’t need a chaperone to show up to a family event. The deterioration between ACOFAS and ACOSF is alarming, and we know that alcoholism is a progressive condition so that tends to happen. Was there a particular trigger? That’s hard to say. Solstice certainly didn’t help, especially with the pressures to perform and conform to the standards of the Inner Circle aka the people in power. I imagine seeing her sisters bouncey and reveling in the world that stole them and killed their father was probably.. tough, to say the least. The barge party seems to be a turning point as well, though this one is more confusing to me. But given the child abuse, extreme poverty, sexual assault, kidnapping, bodily violation, witnessing her father’s murder, almost dying, WAR - and that’s not even to mention essentially becoming a refugee - it would be amazing if she DIDN’T drink. She 100% has complex trauma, and is looking for ways to cope.

No one with full capacity dreams of becoming an addict when they grow up. Addiction, in my professional and personal experience, is largely a strategy for coping with a deeper wound. People don’t drink to feel bad. They drink to feel good, and to survive. Nesta herself is drinking to survive, but it’s having the unfortunate side effect of killing her at the same time. As she slides into active addiction, the thought of her own death may even be comforting, and alcohol in that way is her friend. (There's some interesting research right now framing addiction as an attachment disorder, but I don't know enough to speak on it much.)

So she obviously needs help. That’s not a debate. What is a debate is how the IC should best go about intervening. A variation on the Johnson method is used in ACOSF (the one from the show Intervention) and appears to be successful only because they threaten her if she doesn’t comply. This method has mixed data to support it, and while it’s very good at getting people into tx, there is a higher relapse rate for those who receive it (1). The “family” gathers and tells her the ways she’s hurt them and tell her the consequences if she doesn’t seek the help they’re offering. And again, so many of their reason are the effects on THEM, how she’s making THEM look, not her pain.

The IC’s ignorance and dismissal of her alcoholism in ACOSF is frankly mystifying. Why do they intervene on all the drinking and sexing, anyway? It seems like they’ve been fine enough with it up to this point. But now it's gone too far, not because of her illness but because she is embarrassing them. And I don’t know about you, but between Cassian apparently fucking half of Velaris and Mor’s heavily documented emotional drinking, that’s hard to square. It makes it feel much more likely that they don’t like the way she is coping, that she is not fitting into their picture of who she’s supposed to be. This picture is inherently gendered, because Prythian society and those who live in it have explicit and implicit expectations of gender roles, whether they’ll admit it or not. Cassian and Mor are playing their roles well; Nesta is not.

That leads me to believe it is NOT all about her, but the systemic and internal factors influencing their perception of her and the ways she’s struggling. It’s distasteful to them for her, a female, to be deteriorating this publicly, despite the fact that her very identity makes it harder for her to function in the patriarchy of Prythian. We hear almost exclusively about sexual violence against women, aside from 2 male characters. Past or present assault of women is a major plot point on multiple occasions (Mor, Gwyn, Nesta, Emerie, Rhysands mom and sister, the lady of autumn, Cassians mom, Azriels mom, I could go on). But something about the way Nesta is contending with that is unacceptable, and I believe it’s because she’s not trying to cover up her dysfunction. In prythian, we keep these things hidden- Mor’s assault is never processed in full, Azriel’s mom seems to be alone at Rosehall, priestesses are literally hidden inside a mountain for centuries. Women process trauma alone and in the dark, but Nesta is in the light and she is loud. She is refusing to hide her problems, and the IC don’t like that, whether they realize it or not.

So why don’t the IC understand this? Like I said earlier, as a culture we hate addicts, or what they stand for, in very much the same way I think we hate people experiencing homelessness. We convince ourselves it was a series of bad choices that led someone where they are, choices we would never make because we are smart, smarter than them. We believe are more in control than that. We can prevent bad things from happening to us because we are good, because we are better than whoever it’s happening to. But the reality is almost ALL of us are one hospital stay away from homelessness, just as all of us are one trauma away from addiction. And with female addicts, we have another layer of expecting women to only struggle nicely and quietly, or to go away. Intersectional factors are at play here, too: white women are much more likely to have alcoholism attributed to mental health and trauma factors, where people of color often suffer the same addiction being more associated with crime. You can imagine how that plays out differently.

So what is the effect of all this? Gendered expectations lead to not only external stigma around addiction and tx, but also to internalized stigma which can limit willingness to seek tx. (2) Many social forces encourage women to drink and discourage them from telling anyone. Factors such as poverty, family planning, access to education, racial discrimination, and location can make services harder to access. Internally, women are more likely to enter treatment with less confidence in their ability to succeed, but report more strengths and more potential to grow recovery strengths during and following tx. For men, the pattern is reversed (3). And women have more successful tx episodes overall when gendered considerations are a part of the design and implementation of services (4). For Nesta, the effect is that she’s forced into treatment and copes by having hate sex with her ex and changing herself to conform to her family’s expectations while the House and the Valkyrie’s actually take care of her. I do not see how Sarah drew the line from there to recovery, I truly don’t. If anything, she recovers in spite of the ICs intervention, not because of it.

In summary, Nesta Archeron deserved better. Nesta deserved the same compassion the book gives to men who are struggling, and it’s a reflection of not just the book’s culture but the author’s culture that she doesn’t get it. Female alcoholics are worthy of treatment that integrates their identities, as those identities are often essential factors contributing to their addiction. What's shown in ACOSF is a reality many women live, and they shouldn't have to.

Barry Loneck, James A. Garrett & Steven M Banks (1996) The Johnson Intervention and Relapse During Outpatient Treatment, The American Journal of Drug and Alcohol Abuse, 22:3, 363-375, DOI: 10.3109/00952999609001665

Groshkova T, Best D, White W. The Assessment of Recovery Capital: Properties and psychometrics of a measure of addiction recovery strengths. Drug Alcohol Rev. 2013;32(2):187–94.

Best D, Vanderplasschen W, Nisic M. Measuring capital in active addiction and recovery: the development of the strengths and barriers recovery scale (SABRS). Subst Abuse Treat, Prev Policy. 2020;15(1):1–8.

Polak, K., Haug, N.A., Drachenberg, H.E. et al. Gender Considerations in Addiction: Implications for Treatment. Curr Treat Options Psych 2, 326–338 (2015). https://doi.org/10.1007/s40501-015-0054-5

#nesta archeron #pro nesta #alcoholism #mental health #sexism #acotar #acosf #stigma #rehabilitation #prythian university #sjm critical

[clonerightsagenda]

I may be forgetting something but I don't remember any signs of institutionalized sexism in the FMA universe. Olivier is a general and gets into Bradley's inner circle. Izumi is invited to become a state alchemist. Mei doesn't see her gender as a barrier to winning the Xingese throne. No one questions Winry running a successful business.

There's individual sexism - Ed's surprised when he realizes Lan Fan is a woman, and Greed has his 'I don't fight girls' routine, although tbf he a) is several centuries old and b) had Lust as a sister, both which could be contributing factors. And Olivier leans into sexist stereotypes to try to manipulate Raven, which leads me to believe she's probably dealt with this before during her career. That could explain why we don't see many high ranking women, but they're allowed. I figure Father doesn't care what your gender identity is as long as you're furthering his imperial aims.

Diversity win! The inhuman entity grooming your country for human sacrifice is an equal opportunity employer!

#fma #perpetual perpetual ladies night

[theotterpenguin]

I really like the nuanced take about Zutara and why it makes some people uncomfortable and I can see both sides of it. I ship Zutara now but at first I didn’t and it made me really uncomfortable but I think it was just because of certain fan content I was coming across. Some people do portray Zutara in an extremely fetishized & creepy Stockholm syndrome way that makes Katara come off like some helpless damsel stereotype. It made me feel really gross thinking about as a young WOC but rewatching the show and seeing the true dynamic of these characters made me fall in love with them again. So I guess my feeling is that in canon i really love the dynamic but I hate the way *certain fans* twist it and refuse to acknowledge the racism & misogyny in what they’re doing

this is a complicated topic with many layers to it but first - i am sorry if you have ever felt unwelcome in the zutara fandom due to experiences with racism/misogyny.

it would be ignorant to claim that the zutara fandom is somehow uniquely unaffected by systemic racism or sexism, but it would also be disingenuous to claim that these issues only exist in certain parts of the atla fandom. racism, sexism, and general bigotry exist in every fandom due to institutionalized inequality in social structures. and to make it clear, i'm not directing this criticism towards you, anon, you are entitled to your own personal experiences, but i have seen a broader trend of people attempting to use fandom racism to moralize their position in ship wars, which is diminishing from the actual problem - the focus should be on acknowledging the existence of fandom racism/sexism, combatting implicit biases, and creating spaces that can uplift marginalized voices, rather than focusing only on optics in an attempt to gain moral high ground in a silly *fictional* ship war.

however, given all this, the reason that i am still in the zutara fandom is because i appreciate how many people in the fandom are dedicated to unpacking issues of racism and sexism and cultural insensitivity in atla's source material, which i personally haven't seen in many other sides of the fandom (that often sanitize what actually happened in the text to avoid acknowledging these issues in their favorite show). of course this is a broad generalization, but that's generally why i stick with the non-canon shipping side of the fandom because fans that are willing to stray away from canon are often less afraid to engage in critical analysis.

i also do think the zutara fandom has come a long way from the early 2000s when the show first aired. for example, when i first joined the fandom i had mixed feelings on fire lady katara, but i have since read some fanfics that have done an excellent job deconstructing some of the problematic ways that this trope could be interpreted and balancing respect for katara's cultural heritage and autonomy with the political and personal difficulties of being involved with an imperialist/colonialist nation. the fire lady katara trope, capture!fic, and other complicated topics/tropes are almost never inherently racist/sexist, but rather, their execution is what matters. and all this is not to say that issues of systemic racism/sexism do not still exist in this fandom, but it personally has not significantly negatively impacted my experience in the zutara fandom due to the wonderful content that so many other fantastic people produce, though everyone's mileage may differ with what they are comfortable with. anon, i hope that you are able to find a place in the zutara fandom for you! but i also know many people that have stepped back from other fandoms due to experiences with racism/misogyny, so i understand that decision as well.

on a final note, i think it's important to acknowledge that fandom doesn't exist in a vacuum and broader issues of racism and sexism are rooted in the media, the entertainment industry, and mainstream societal norms. while i do sometimes focus on fandom dynamics/discourse in my criticisms, i think it is equally as important to acknowledge how issues of prejudice and inequality are perpetuated through larger social structures, which is why it frustrates me when the atla fandom refuses to acknowledge the flaws of the original show, which has far more influence and social power over the general public than discourse over fandom tropes ever will. personally, i don't understand the phenomenon of holding fan-made material to a higher standard than mainstream media.

#zutara #atla #atla fandom critical #atla critical #zuko #katara #racism #sexism #and i hope it's clear that i am not condoning racism/sexism in fan material - but i do think it's hypocritical to ignore the foundations #of this that is built into the source material #anon ask #my asks #my post

[ckret2]

Is there a reason why you didn't make triangles be near the bottom of the society hierarchy? Is it bc you didn't want Bill to have some basis for seeing himself as a "liberator"? Bc you wanted to focus on the child celebrity/cult leader angle? Something else?

Flatland was, when it was published, a commentary on the society the author lived in.

The setting Flatland is meant to be a distorted, exaggerated mirror of (what was) modern society. Bill is a mirror of the Pines' worst character traits and reflects ideas (conspiratorial, political, existential) found in their modern society.

You fail to honor both what Flatland is intended to represent and what Bill represents if you decide that Bill and his homeland mirror a society that ceased to exist over a hundred years ago.

To me, there's an absurd irrelevancy in giving Bill a rigidly Victorian backstory. It optimizes him to serve as commentary on facets of society that SIMPLY DON'T EXIST in the era of Gravity Falls. That's not to say that there aren't still remnants of Victorian-era problems in the current day, like yeah we still have inequality, we still have sexism, etc.; but we've reached a point where the majority public opinion has decided that institutionalizing or euthanizing anybody with a disability because they're allegedly inherently less law-abiding is, in fact, an extremely stupid and morally heinous idea. The entire section on banning colors is absurd if you don't know that it used to be illegal for poor people to wear certain fancy garments so they couldn't impersonate the rich. Our issues are different.

Unless it's intended PURELY to be a piece of speculative fiction worldbuilding with NO INTENT AT ALL to satirize real human society, a Flatland-derivative work ought to reflect the modern society in which it's being written—not a dead society. A fanfic about Bill Cipher interacting with humans is UNABLE to be pure speculative fiction worldbuilding because he's already tied into a work about a modern human society. Make him Victorian and you flub a billion opportunities to enhance his ties to the main cast and his ability to serve as their foils.

Just for a couple examples—you can't build strong parallels between his life and Ford and Stan's "get rich & famous or die trying" young adulthoods if he's BIOLOGICALLY FORBIDDEN from accruing wealth or socially advancing. You lose opportunities to explore the mingled specialness/ostracism of being born a "freak" if his society has NO CONCEPTION of odd physical mutations even POSSIBLY being "special."

It's very easy to look at Flatland as it is and go "oh, yes, that's a very bad place." There's no nuance to that, there's not much fresh to say about it, Flatland is a reflection of a society we moved away from BECAUSE we decided those beliefs were bad. We can't relate it to our own society except in loose senses like "well... sexism is still a thing." (Sure, but not sexism like THAT.) To maximize how much Bill's culture meaningfully interacts with Gravity Falls' culture, you have to maximize how much Bill's culture mirrors Gravity Falls' culture.

The Victorian era was 120 years ago to us. So Flatland was 120 years ago to Bill.

#anonymous #ask #about my writing #bill goldilocks cipher

[haggishlyhagging]

Drive, executive ability, and a single-mindedness of purpose became enduring characteristics of Susan Anthony. She was impatient with whatever did not contribute directly to the battles she waged in her various campaigns for reform. She began as a teacher at the age of seventeen, and for many years she was a critical observer and then vigorous participant at teachers'-association conventions.

An early example of her courage and ability to press to the main point of an argument can be seen in her role at the 1853 state convention of schoolteachers. At this time women teachers could attend but could not speak at the convention meetings. Susan listened to a long discussion on why the profession of teaching was not as respected as those of law, medicine, and the ministry. When she could stand it no longer, she rose from her seat and called out, "Mr. President!" After much consternation about recognizing her, she was asked what she wished. When informed that she wished to speak to the question under discussion, a half-hour's debate and a close vote resulted in permission. Then she said:

“It seems to me, gentlemen, that none of you quite comprehend the cause of the disrespect of which you complain. Do you not see that so long as society says a woman is incompetent to be a lawyer, minister or doctor, but has ample ability to be a teacher, that every man of you who chooses this profession tacitly acknowledges that he has no more brains than a woman? And this, too, is the reason that teaching is a less lucrative profession, as here men must compete with the cheap labor of woman. Would you exalt your profession, exalt those who labor with you. Would you make it more lucrative, increase the salaries of the women engaged in the noble work of educating our future Presidents, Senators and Congressmen.”

Susan's point on the wage scale of occupations in which many women are employed is as pertinent in the 1970s as it was in the 1850s. Equal pay for equal work continues to be seen as applying to equal pay for men and women in the same occupation, while the larger point of continuing relevance in our day is that some occupations have depressed wages because women are the chief employees. The former is a pattern of sex discrimination, the latter of institutionalized sexism.

-Alice S. Rossi, The Feminist Papers: From Adams to de Beauvoir

#Alice Rossi #susan b. anthony #equal pay #pay gap #education #women’s history #sexism