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#it's really important to me that people don't have misconceptions on it
llycaons · 7 months
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im finally feeling awake now so @pharahsgf this is the post I was talking about
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foolish. reductive. immature. disrespectful. willfully ignorant. WRONG
#I have had this person blocked ever since they said they were into xi//cheng#but I wish I could block them again just for this. it's so stupid and indicitive of all the most annoying misconceptions#first of all pretending that jc and wwx are still at the same emotional and social and moral level postres#when jc not changing/remaining static is one of THE most important part of his charact#and wwx changing and developing and growing up is so significant esp postres when he's wiser and quieter and more mature#even in the flashback arcs he doesn't dwell on his torture of the wens he doesn't 'love it' he doesn't brag about it#he doesn't ever WANT to do it again he clearly just wants to put it behind him#he's done bad things in the past and he wants ppl like xy to pay but that doesn't mean he endorses torture#AND it brings in the fiction that wwx is or needs to be protective of jc when postres he's the one who needs protection FROM jc#like yeah im sure after the verbal assaults and the triggering of his phobia and the physical attacks#he's just rushing to throw himself in front of jc to protect him from dcs#it just plays into jc stans' misconceptions that wwx is happy to sacrifice everything for jc and always will and therefore SHOULD#because ohh everything is about jc and everyone loves him. literally not true to any version of canon#I don't even think the torture dungeon has enough evidence to really consider in the novel and its not even mentioned in the show#but his unilateral violence towards people he suspects of being DCs is visible in literally the second episode#and idk why wwx would just start to 'love' that violence and aggression when it was once pointed at him#especially when he has the option to instead spend time with people who have never tortured anyone suspected of doing some vague bad thing#okay I'm done! I'm done. this got me soo mad though what a stupid fucking post#cql txp
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soleminisanction · 7 months
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Okay this misconception keeps coming across my dash and it drives me nuts because it means people are lumping two very different versions of the DC universe under one disparaging banner. So let me just say this to get it off my chest because I'm this close to shaking somebody:
The New 52 ended seven years ago in 2016.
That started a section of DC's history called "Rebirth" in which they started bringing elements of the pre-Flashpoint continuity back into the timeline. The first changes came in a big burst called Convergence -- which is how Jon Kent effectively manifested fully formed at 10 years old -- while other reintroductions like Kon-El, Bart Allen, Cass Cain, etc. were more gradual.
The original plan, being forced through by King of Bad Decisions Dan Didio, was that after ~4-5 Rebirth would give way to another full reboot known as 5G. I could go into detail about the plans but they're honestly not important to this post because Didio was (thankfully, finally) ousted from his role as publisher early in 2020, along with something like 80% of the higher-level editorial staff. DC had a complete creative turn-over at the start of the pandemic and completely changed directions as a result. The material being developed for 5G was retooled into the hypothetical future event "Future State" to buy the new staff time to pull together their new direction.
That new direction is called INFINITE FRONTIER. It started in 2021 and THAT is the era of DC comics we're in now. Infinite Frontier is an active push to bring back the pre-Flashpoint characters, as well as some pre-Crisis ideas and characters, while also keeping the few elements of the New 52 that people actually liked (like Jason Todd's more heroic characterization) and actively pursuing diversity initiatives both in creative staff and in creations. And outside of the big events, they're making a real effort to keep these comics short and self contained in the hopes that that'll make them more accessible. So it's actually really easy, if you read comics pre-Flashpoint and dropped off, to just pick up a series and go with the flow. Anything confusing is just a Google away.
Please, please don't make the mistake of thinking modern comics are as bad as the New 52 just because some people are butthurt their ship isn't getting canonized. There have been some really good comics made in the last few years that you should totally try! Spirit World, Monkey Prince and the entire We Are Legends line has been genuinely fantastic. The new Birds of Prey is shaping up to be a ton of fun. Dark Knights of Steel is an entertaining Elseworld. Urban Legends and Brave & the Bold have done some really fun things with shorter anthology books. One Minute War was a really fun Flash family event and everything Stargirl's done recently is liable to make you cry.
I'm begging people to give these comics a chance. It's just really sad to see them being dismissed out of hand.
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strawb3rry-acid · 2 months
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König and Social Anxiety
I just wanted too ramble a little bit about how I personally believe that König's social anxiety affects him, coming from someone who struggles with severe social anxiety. I've seen a bit of misconceptions in the past (though it seems to have died down now thankfully) about social anxiety, so I just wanted to give my own opinion. Per usual, this is fairly long lol ♡
This post is purely meant to analyse his social anxiety instead of his personality, and just talk a bit about social anxiety in general. If you hold different opinions that's completely okay. These are just my thoughts.
If you're struggling/have struggled mentally in any way, shape, or form please know that you are not alone. You're loved, accepted, heard, appreciated, and cared for. Keep going, you've got this. It'll all be okay, I promise 🫂
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─ 𓆡𓆝𓆞𓆟𓆜𓆛 ─
So, for starters let me just get it out of the way that we, unfortunately, know practically nothing about König, or anything about the ways in which his social anxiety makes an impact on his life. The most when know when it comes to the latter would be the mentions that it's severe, likely developed due to his experiences with being bullied as a child, and that he likes to go unnoticed. Sure, we have voicelines, but I don't personally feel it captures clues as too how his social anxiety affects him. It eludes to his personality sure, but not so much his symptoms. I feel it's also important to mention that his disorder isn't his personality. It may have an affect on it of course, but it's not his personality.
Coming from someone who struggles with the same mental health condition I can be a completely different person in a place I feel I'm at my best in. Hell, sometimes it can seem nonexistent, but put me in a different situation, and it's nearly impossible too miss. In a military setting, König is definitely in his element. Not only is he in his element, but the military also provides structure, and consistency, which is very important when it comes to coping with any form of anxiety disorder, or any mental health condition in general.
I think it's important too mention as well that social anxiety isn't the same thing as being introverted, and/or shy. Does having it make it more likely for individuals too be introverted, and/or shy? Absolutely, but it doesn't always mean they will be. Social anxiety also doesn't mean that you don't like people. For many people it tends to mean that you're frightened about the negative possibilities when it comes to interacting with people. (For example, I love people, and I love getting to know people, but I'm often way to scared about humiliating myself/being judged to actually do it, so I usually I won't, and will avoid social events like the plague.)
I have no doubt in my mind that König feels like everyone has their eyes on him 24/7, and that they're somehow judging him in some way. Going off of his bio, I personally think the mentions that he was often bullied, and that he only found acceptance in fighting indicates that the bullying was likely on more of a severe scale. I doubt he found confidence in others very often, if at all, and really lacks skills in the socializing department.
He picks and chooses his words very carefully, and spends quite sometime practicing what he wants to say. He likely plans for every way the interaction could turn out, especially the worst case scenario. After the event, it'll be on his mind for quite some time as he replays it over and over again in his head, searching for any clues that he made them uncomfortable/embarrassed himself all while beating himself up for not saying/doing something better.
When he's not a blood thirsty, loud, human battering ram on the field I think he's very quiet, and is the type of person to stick to a wall, or the corner of a room. He's very observant of the people around him, and will try to be alone as much as possible to avoid any stress. When coworker's try to approach him, especially if it's unprompted, then he's very short with them. Of course, this makes him come off as rude, which I don't think he's trying to be most of the time. He's just nervous, and wants to be left alone so it doesn't show to other people. Plus he's very awkward, and doesn't want too risk saying the "wrong" thing that could result in him being judged/humiliated. Especially if he hasn't had the time to plan what he wants to say.
I do think he does feel bad when he behaves that way towards someone with genuinely good intentions, and who just wants to get to know him better, but he isn't too sure how to handle it if it comes out of nowhere. He tries, but he's not very good at it most of the times. He's polite enough, he's just very awkward which tends to come off as him being standoffish, and his discomfort tends to get misinterpreted as him being an ass. He's usually bad with words, and people overall which results in him being probably a fairly isolated man.
I think that when he's on leave, and out living the average civilian life is when it presents itself. He's expected to act a fairly different way when compared to how he acts on the job, and is completely out of his element. I think he's very different with civilians than he is with the people he works with. He knows that he really intimidates them, especially women and children, and tries his best to make himself appear as less frightening as possible. His tone is likely more hushed, his face is more soft, and he tries not too be as short as he is with coworkers. Kinda backfires though in some ways as he can come off as sounding very serious unintentionally, which makes him feel like a dick.
I think it's important to mention again that his social anxiety is specified as being severe which means it heavily impacts his life. Does that mean that he doesn't know how to cope with it, or live a fairly normal life? Of course not, but it still majorly effects him even if it doesn't show outwardly. There's likely some things he simply can't/won't do often, or at all due to his social anxiety. These thing's probably involve big social events, and instances where all focus is soely on him. Combine those two together, and you have a situation he'd never willingly put himself in.
He probably does have panic attacks. He probably will sweat, blush, stutter, and show other physical symptoms of anxiety in high stress situations that he can't escape from. I don't think this happens often (At least not in front of people. The last thing he'd want people to know is that he struggles with social anxiety in case it makes him a target.), but it most likely does happen. I want to mention this because I think it's important to talk about, but I've seen some people bring down other's for including symptoms of König's anxiety in their writing, and it's really disheartening.
He may be an intimidating, middle aged mountain of a military man, but he still had feelings. He's still a human being, not a complete monster. He's not going to start a random verbal/physical altercation with a random person that hasn't started anything with him to try to bring them down. I personally think, just like most of the other characters, he's a normal guy when not on the job.
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blood-orange-juice · 2 months
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Inspired by a discord discussion.
I keep seeing characters from snowy places portrayed as unbothered by cold or missing it, and every time I remember that it's completely counterintutive if you didn't grow up in freezing temperatures
So I thought I should write this post.
We are very bothered by cold. We are way more bothered by cold than southerners. Being bothered is what keeps you safe. Warmth is a resource.
There are few lucky people who simply never get cold (mostly guys of endomorph body type) but it's not a given and generally northerners start to complain and wear warm coats at the tiniest hint of cold.
Humans can only adjust up to a certain threshold.
For example, Irish and British winters allow you to ignore weather almost completely (you'll be miserable but you'll probably live), so there's a culture of stoicism, not heating your house above 16-18°C (60-65°F), wearing shorts and sandals (and a Very Big Scarf) when it's snowing and all that.
(I quickly got used to leaving the bathroom window open at 4°C when I was living there. who cares really)
So there's a common misconception that you can do the same with even colder weather.
However, once you are past that adjustment threshold (for most people it takes as little as -5..0°C/23..32°F lasting for more than a month per year) there can be no special built-in resistance to that type of cold (unless you are a yogi or a Taoist monk), instead you learn a bunch of behaviours that help you. You start to preserve warmth religiously.
You also start to differentiate between types of being cold and avoid some of them (some build up over time and it wears you down, so it's best to avoid them entirely). Anything that drops your core temperature (this is noticeable long before you start shivering, shivering is the equivalent of fire alarm) is a huge no. Fingers getting a bit numb from building a snow castle is nothing major though.
It can be hard to unlearn that even if you moved to a warmer place years ago.
Stoic northern characters who have moved to a warmer country are very likely to Complain About The Cold.
They'll start wearing coats at higher temperatures than southerners (because, well, the weather might get worse, or you might stay outside longer than you planned, or move less).
They'll get cold hands more often because their body panics at the tiniest signs of cold and diverts blood to the centre (my first impression of the Irish was how warm everyone was when we shook hands. I'm the same now).
Most will heat their houses to the point where it's possible to walk around in a t-shirt no matter how cold it is outside (those who don't will comment "thank gods that people don't do that in your country, I hated it back home").
They'll whine at +5°C (40°F).
Apart from heavier clothes they'll have a bunch of weird habits like Walking Really Fast when the weather is bad (it's for when you don't want to wear heavier clothes).
They might have a fondness for scarves and good winter shoes (warm shoes and a warm hat are even more important than a warm coat. the lack of hats in fantasy upsets me. scarves are less important but they are pretty).
When locals get surprised they'll reply with "yes, but this is *damp* cold, *dry* cold is different" (it's more complicated than that but this answer usually stops further questions, so we go with that).
It's not like they are actually less cold-resistant, they just take cold more seriously.
At the same time they can be weirdly unbothered by things that freak some of the southerners out because they know how their body deals with low temperatures and which things have no consequences.
(it's not something that you learn from books, it's practical knowledge of what you personally can get away with. for example, I often get completely numb thighs during winter walks, takes an hour to start feeling anything when I get home. but I know it's all right as long as my feet are warm and my core temperature is within normal range)
They also won't suffer consequences when it gets truly cold, while more nonchalant southerners won't notice when they get borderline hypothermic or just cold enough to get sick.
They'll probably consider -30°C (-22°F) exciting. It becomes enjoyable again, because the outside world is now a death zone and there's some macabre fun in resisting it. Oh, and your eyelashes get covered in frost and it looks dope. What's not to like.
Kids will make a point to eat ice cream outside in -30°C (no, they won't get sick from it). I can't explain it, it just works like that.
Generally people from colder countries are not bothered by cold if they can return to a warm place soon enough, it's the prolonged exposure to cold (even mild) they are worried about. Going out for a smoke without a coat is common.
If they are still in a cold country, it's also a bit different from what you expect.
There's a trope of drinking to keep warm. It doesn't work like that. You can drink alcohol to feel warm but not to keep warm and it's an important difference. When it's cold your body's proper response is to constrict blood vessels and to divert blood flow from extremeties to slow down the loss of warmth. Alcohol reverts that.
This means it's perfectly appropriate to drink eggnog or mulled wine at a fair (when you are supposed to get to warmth soon enough, so the illusion of not being cold is not harmful) or hard spirits when you get back from the cold (it will help you warm up faster), but not if you are staying in a cold place. During a hike through winter woods a thermos with sweetened tea and fatty food are your best friends.
Some won't know it and get drunk and frostbitten/hypothermic. People are stupid.
Food gets weird, fats start to seem even tastier than usual. People in Antarctic expeditions are known to crave sticks of butter. In certain weather sandwiches with frozen lard are delicious.
Anything can and will be made into tea.
Some tropes I personally disagree with.
Pain. Pain levels depend on the weather. Cold eases any kind of external pain (cuts or burns) but makes worse anything internal (broken bones, cramps, most headaches).
Hypothermia feels nothing like peacefully falling asleep. It's the most miserable state I've ever experienced, psychological trauma doesn't even come close.
Well, maybe there are people who do fall asleep but other people I've talked to seem to share my experience.
I'm not sure how exactly it works, I think it messes up your self-regulation, since most chemicals in your body require a certain temperature range to work properly. Basically you become Not Yourself. Your emotions go whack (usually it's either extreme self-pity or extreme anger). It feels awful. I hope you never get to experience it.
Most of us don't really miss cold.
Well, some perverts do, but there's a general consensus that cold is awful.
We do miss some things that only happen during cold days though. The stillness and the quiet or how pretty snow looks. How bright the stars are on a clear night. The colour of sunsets and twilight sky when it's freezing.
(in my opinion, the best experience happens around -5°C, it's already pretty but the world is not a death zone yet)
There's also an appreciation of contrast with things that are Not Snow.
Walking from the cold into a greenhouse with orchids.
Watching a blizzard rage outside your window while you sit in warmth with a cup of tea.
Jumping into a lake straight out of a sauna (then going back. do not do that if you have a heart condition).
Fireplaces. Holiday food. Mulled wine. Saffron in pastry.
There's also a lot of beauty in the world that is frozen. I keep stumbling upon the fact no one around me shares these experiences anymore and it saddens me.
The xylophone sound of first ice being broken by a passing boat.
Sea moving under the ice — when it's not too thick it rises and falls like some large animal breathing.
The whale-song-like sounds of ice cracking on large lakes.
There's a very special mood of waiting for first snow. The world is too cold and dark without it and then you wake up one night from the sudden quietness (snow muffles all sounds) and you know it's there even before you look out of the window,
There's the exhiliration of spring. The moment when the wind starts to have a scent — thawing snow smells a bit like watermelons but clearer. Winter smells like nothing at all.
The first tiny yellow flowers in mud. They are our hanami.
(I don't think anyone in Europe truly appreciates spring if they are not from Nordic or Baltic countries)
There's a certain attunement to the scent of ice too.
Like that barely perceptible tingle in the air in late September, long before you can see any ice.
I feel the scent of ice when there's wind from the right part of the Atlantic. No one ever notices but it's there. I love it.
It's nostalgic in a way.
But it's never missing the cold itself for me. For very few people it is, I think.
*
This is, of course, personal perspective and my experience is not universal. I'm a person from continental climate with harsh winters and hot summers and a city dweller with occasional visit to country houses and a tiny bit of mountaineering experience.
An indigenous person from a place with barely any summer or a character from a fantasy everwinter country will probably differ from me.
There are, after all, simply people who genuinely love cold. A lot of them. It is, however, not the default northerner's experience.
But hey, it's still more complex than it's usually written.
*
If you want to read something focused on winter descriptions, there's Smilla's Sense of Snow by Peter Høeg.
It's hauntingly beautiful prose and the main character is from Greenland.
‘It’s freezing, an extraordinary -18 °C, and it’s snowing, and in the language which is no longer mine, the snow is qanik – big, almost weightless crystals falling in stacks and covering the ground with a layer of pulverized white frost.’
And then there's Moominland Midwinter. I think it gets better when you read it as an adult and it's probably still the best thing I have ever read about winter solstice.
Anyway.
I think we need more good winter stories.
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apple-salad · 2 months
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Rose Ribbon Embroidery "Mini" Projects (for BABY NYFW) Part 1: Kumya JSK
I decided semi-last minute to attend BABY's fashion show at NYFW!
BABY had mentioned in their NYFW brand description that their newest collection would be a return to their origins, as well as presenting archival items.
You have to dress to impress for NYFW, right? So of course, I had to pull out all the stops and wear my Rose Ribbon Embroidery.
Also at the last minute, I decided to make a few extra complementing items...
A matching RRE kumya JSK, and a bonnet.
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What follows is more of a sew-along/journal rather than a tutorial or guide, mainly for my own memory's sake. But if you enjoy looking at my process (sometimes sloppy), I'm happy!
Also feel free to take a look at the more romantic process video I edited.
Part 1: Kumya JSK
Part 2: Bonnet
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To make a matching kumya JSK, I first had to investigate the original dress a little! This I found actually very fascinating because I had never bothered to take a very careful look at the construction details of this JSK (it was, and still is always a precious item that I am afraid will get dusty or dirty if I look at it wrong...)
I actually even found a spot where it looks like the material was torn and someone roughly repaired it by hand (laugh). I have a feeling this was a factory mistake/fix (either from fabric manufacture or sewing) because it's hidden beneath some lace ruffle and I don't really think it's something that an owner would let happen, but who knows.
So here's a few details of RRE~
Many people don't know that RRE is made of velveteen! And further, there is sometimes a misconception that it came in a "cotton" and "velvet" version. As far as I know, there is only one version made out of cotton velveteen.
So the white can get dirty and attract dust super easily :')
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The bodice has a panel of 3 ruffles + upper "hashigo" (ladder) lace part with ribbon. It is also boned (BABY's crap boning with sharp edges and no channels, meh...) but obviously I can skip that for kumya.
The skirt has a trapezoidal embroidered panel, the star of the show, surrounded by 3 tiers of ruffles that extend all the way around the back. The last "tier" is not gathered and has a smaller ruffle all around the skirt.
While thinking about how to construct something similar in kumya-scale, I found it fascinating that the under-material the ruffles are attached to are cotton! Makes sense to reduce bulk, plus you can't tell when the ruffles cover it.
The density of ruffle starts out quite concentrated, and then reduces as the bottom ruffle is reached. The cotton under-material also seems to have less material gathered than the main velveteen ruffle. This also makes sense to not only reduce material usage but also because having a huge amount of gather on the bottom tier can make the skirt look too heavy.
Knowing this, I fussed out some semi-arbitrary ruffle multipliers for each tier (and lining) in my notebook. Very important to keep tabs on how many fabric strips I need and their exact widths!
Also since everything is in kumya-scale the gathering is generally reduced by a lot. Kumya doesn't need much to have a very full skirt, and with such tiny tiers the effect of the gathering can easily look like overkill. The kumya elizabeth OP gathered lace/tiers very lightly:
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As reference dimensions for kumya, I have these two kumya dresses which I used lightly (mostly the sugar bouquet one because it's a JSK). I also have the babydoll kumya, but as it was out of commission for a while (on my christmas tree!😅) I didn't use it for checks at all.
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The sugar bouquet "bodice" is about 3cm long. I decided to extend it one more cm to 4cm to make it easier for me to calculate for the ruffles and also leave enough space so the ruffles would be visible and not potentially buried.
I use a cotton velvet fabric and a mixture of cluny and torchon lace I have on hand. This velvet has a noticeable twill weave to it and is thinner than the velvet BABY usually uses, but the thinness is perfect for this purpose. I was originally going to just use cotton sateen but remembered I had this!
You can't see the weave from afar so I tolerate it. I wouldn't have wanted to use polyester velvet/suede-like/minky, I think.
Since the material is still a velvet and does have a thickness compared to cotton, I decided to roughly hem any ruffle edges by hand with a simple once-turned whip stitch. it kind of seals the raw edge and hems it at the same time. Note that this is not a great idea for something that would be worn and washed a lot, but this piece in this specific case won't be.
In general, when it comes to mistakes with this piece I mostly ignore them because it's kumya-scale and not only will most people not notice, but as stated above it's also not a piece that will be worn and washed often so quality of construction isn't much of a concern.
Mentally deconstructing and calculating the construction of the ruffle part was a bit of a pain. My lace was wider that I needed so I had to roughly mark out where it should be sewn into the ruffle, not always with great success.
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I'm also not great with working at small scale...much respect to doll clothesmakers.
The bodice of the sugar bouquet kumya JSK is made from a front trapezoidal panel with a strip of fabric attached to the sides that extends all the way around the back, and the skirt attached to that. So I cut some slightly angular side panels to attach to my rectangular/square-ish front ruffle panel.
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(I threadmarked approximately where I wanted the seam to go because I don't trust myself to attach the side panel in the right area/dimension otherwise with such a wonky panel)
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Simple straps made from strips of fabric. I make these slightly thicker than a regular kumya JSK as well because I feel like RRE has thicker straps too (well, the entire construction of the bodice is a bit different, but ignoring that...)
And a facing layer of ordinary cotton is sewn to the front panel.
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For the section of lace at the top, I frankenstein together 2 types of lace that I trimmed to look more like the lace used on the original JSK. It seems the original JSK also has this lace sewn through the lining layer, so the stitching is visible from the inside.
I use the thinnest ribbon I can find--some silk ribbon in this case. It actually works really well because silk ribbon is very thin/flimsy and can be tied and threaded in nicely with relative ease.
By the way, if you aren't aware already, a yarn needle works very well for threading ribbon through lace.
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Bodice portion finished. This took way longer than I was hoping, an entire night. Hopefully the results are worth it.
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Next I fuss out the skirt. At this point I am working out the calculations and investigations already mentioned previously. I did make a few mistakes and had to re-cut a couple tiers!
I use a different lace from the bodice for the tiers because I thought the shape of this one was closer to what was originally used (it's actually the bilateral ladder lace used for the bodice, but instead of cutting off the lace edges and using the thread-through part, it's just cut in half)
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After hemming the ruffle, I attach the lace to the velveteen ruffle with a single gathering stitch (too lazy to use 2, and the thick material makes it hard to gather anyway). The under cotton layer is gathered separately and sandwiched between the cotton layer of the previous tier.
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Coming along. I think the lace length for these ruffles is a bit off/uneven/less than ideal, but oh well, can't be bothered to fix it...
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After the third tier, a non-gathered velveteen tier is attached with gathered lace.
I also prepare the bottom ruffle, but that will be attached to the completed skirt.
Next, the most exciting but also potentially the most taxing part must be done--the embroidery!
I know that the top of the embroidered panel is basically the same width as the bodice ruffle (referencing the original dress), but the width of the bottom is a bit arbitrary (about 3x the width of the top of the trapezoid)
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I mark out everything roughly with water soluble marker (the darker patches are where I messed up and used some water to erase, waiting for it to dry...)
The midlines of the panel as well as the 1/3 lines were marked because I 100% do not trust myself to make the embroidery symmetric without doing so. I'm a beginner and not nearly skilled enough in embroidery to freehand...
I carefully investigated the original embroidery and copied the locations of roses and leaves to my mini-panel. Once I have the general shape that I'm happy with, I start embroidering.
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I didn't take too many progress photos of the embroidery, but I also don't think you need them. Because the scale was small, this took an entire evening/night which I think is not too long?
For the roses I use a combination of the "pinwheel" rose method and french knots (+ some additional plain stitches where I wanted more volume).
The nice thing about ribbon embroidery, I think, is that the ribbons add so much texture that even if it's a bit messy it looks very impressive anyways. Plus your mind will mentally interpret some random puffy ribbon lines as a flower anyways.
I use regular DMC 6-strand embroidery thread (split in half, so 3 strands used here) for the vines and leaves. Because I also suck at embroidery and have never embroidered a real project/learned real techniques I mostly kept the leaves simple and slightly abstract with 3 branchlike stitches. I think I currently can't fuss with making nice rounded miniature leaves without messing up every second stitch...
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Finished.
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I spray water to remove the marker marks and let dry.
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Attach embroidered panel to ruffles. I should have double checked where the panel was aligning with the ruffles on each side since it's uneven, but whatever.
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Gather bottom ruffle and attach to skirt.
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I attach the bodice strip to the front bodice panel as well, and sew the straps down.
I basted the front of the bodice to the skirt by hand because I wanted to make sure they were aligned. Because I messed up sewing the ruffle tiers to the embroidered panel and they are somewhat misaligned, I tried to adjust where the top of the skirt was sewn to the bodice to compensate, it didn't work that well but eh, it's alright.
Gather the skirt and sew to the bodice portion. This was very fiddly and I had to redo some parts several times because the lace wasn't getting sewn down properly. It's still not great but I'll fix any egregious parts by hand.
The gathering is also pretty uneven, but I'm ignoring it...
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Looks almost done but not yet!
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There is a tiny bit more embroidery on the edges of the middle ruffle tier. I marked approximately where I wanted the roses to be and roughly embroidered them (without a hoop because it's too complicated to figure out alignment before construction, although embroidery is always easier with one).
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I also add a back ribbon to simulate waist ties, a detail I notice on a few other BABY kumya JSKs. The waist ties on RRE have a slightly rounded/pointed shape to them, so I freehand this shape for the bow "tails" (because I'm getting tired and lazy, I didn't really measure although I did check that the width was approximately the same throughout). The backside of the waist tie is another layer of cotton, which reduces bulk when turning the shape inside out (the backside of the original JSK is also just lining material). I also folded a long strip over itself and basted it down, creating a loose tube shape to use for the bow part.
It's pretty hard to create defined folds in the bow with such thick fabric, but I tried my best...at least it's likely the back will rarely be seen.
I gave the dress a final allover spray with water to hopefully erase any remaining soluble marker. Also, some interior hand finishing needed to be done (mainly tacking down some unruly seams)
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And finally, actually finished. The embroidery thankfully turned out decent enough to distract from any weird spots of construction and so on. It looks quite remarkably like the actual dress, so goal achieved I think!
Extra contents:
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I make kumya little wrist cuffs because some of the kumya variations (such as babydoll kumya) come with them, and that's really cute.
BBD kumya seems to use a type of lace that's already elasticated, but I don't have that on hand so I just sew two pieces of the same lace used for the bodice ruffles together to make it bilateral and stitch on an additional elastic with a stretch stitch. And add on a little ribbon bow (I only have silk ribbon in this narrow width, but I think a ribbon with more body such as poly satin or cotton satin would work better)
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And I also make two of those little applique ribbon thingies (you can buy them cheaply from craft stores and so on, but whatever) and stitch them temporarily to kumya's bows for an extra accent.
I'm lazy so I use the bloomers that came with the hawase kumya set underneath (I'm sure making a similar pair of bloomers wouldn't be too much work but I have no idea if these are patterned with some kind of shaping/rise and I don't want to deal with that)
This is actually yuefii's kumya that I am still hoarding for whatever reason and has its eye and mouth fur already trimmed.
And now Usakumya is ready to see the runway :)
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Part 2 (bonnet making) is here.
Thank you for reading! If you ever decide to take up a similar project, I'd love to see it!
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vesora · 1 year
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3D Unfavourable Circumstances: Experience Ramble + Reminder
We have all heard that the 4D is the source reality which the 3D then projects.
What happens when undesirable circumstances occur in your reality?
The past few days I have been feeling incredibly shit because of some circumstances and I fell down a spiral of self-loathing, wanting to hide from the world and just leaving life. When something bad happened, I said to myself omg sora youre so unlucky, your life is so shit all the time, no one likes you sora, sora you will die alone and I revelled in that. I immersed myself in that feeling because it was so comfortable to me because pain was what I felt for a long period of time so I actually started chastising me for it. I didn't understand how I manifested these bad things to happen and I felt like a failure in manifestation because why weren't they going away? The thing about me though is I always had both a good view and a bad view of myself so my mind was in a constant fight with each other. With LOA, I now learn that I can choose to give power to only the good side until the bad side dissipates away.
As one of the unfavourable circumstances happened, I let myself feel anxious but in my head I also affirmed against it. "Wow I am so lucky. I am having such a beautiful day. I love life so much." Usually I wouldn't let myself revise because I felt that was important in my development but now I just let go and choose my happiness FIRST. I can learn lessons and still be able to revise any desired events.
when any circumstance happens,
the 3d looks to YOU for validation.
A misconception we have even if we know the law is that the 3d is indicative of our success or not when in reality its only job is to reflect what you believe. When you're in any circumstance, the 3d looks at you and sees your reactions whether you accept it or not and then reacts accordingly. If things don't rectify immediately, do not worry, KEEP PERSISTING. Its only job is to fulfill your beliefs, right or wrong.
What if you react to the 3d?
It's really okay if you do. Your manifestations are not going anywhere. If you can in the moment though, affirm against it. It's not easy, it can be hard even for me but you must only focus on the new story primarily. Dont worry if you think ab the old story don't worry at all, you're still manifesting everything!
When I went through a self loathing spiral, I realised people around me were more prone to picking fights with me because I was unable to let that shit go. I kept focusing on how people are mean to me and how people don't understand me, forgetting I am the cause AND the solution.
I opened a healing meditation and my body was rejecting it at first but I finally let myself relax. Once I got into a calmer state, I started affirming good things and things were back to normal again. Progress might not be linear so do not give up.
Tldr; the 3d looks to you for validation. you are the only influence for your reality, use this power to be happy. it's ok to react to the 3d, remember to revise later. Do something that calms your body. Remember not all thoughts are true, only accept the thoughts you want because you choose which thoughts are true so choose the good ones. Youre not a failure, your body and mind might be going crazy sometimes but that doesn't mean you're a failure. Just affirm against it, whether its at that moment or later.
Don't overthink things. If bad things happen, stop asking yourself why, just focus on the 4D and leave the 3D alone or know that it must change and your pain is temporary sweetheart. It will go away, it must. Life was not made for suffering. Life is supposed to be easy. I love you and hang in there.
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postoctobrist · 5 months
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(disclaimer: i was trained combat first aid mostly to respond to mass casualty events, car accidents, and by the military to respond to basic ballistic/fragmentation injuries--in all of these cases, i was trained under the assumption that those involved would receive medical attention by a real doctor person)
re: the edge
people get a lot of conflicting advice and information regarding application of tourniquets to stop major bleeding and there's a good deal of misconceptions out there (onesuch misconception results in the [fictional] death of snowden in catch-22) that maybe i could clear up
above all else, one thing to keep in mind when treating massive bleeding is that everything you're doing is results-based. it seems obvious, but when you're trying to stop bleeding, you should work until the bleeding is decisively stopped. if it is stopped, take secondary actions to make sure it doesn't start again. as you move on to facilitate airway/respiration/hypothermia/shock, continue to reevaluate to make sure bleeding hasn't started again.
so, to properly begin, a tourniquet is applied to an extremity to halt bleeding so you the wound can properly be packed and dressed. it works through vasoconscriction--closing the blood vessels to stop the bleed. a proper tourniquet is about 2 inches wide and has a windlass to tighten it. the combat application tourniquet (CAT) is a good example and i'd recommending keeping one with some gauze and pressure dressings in your car if you drive.
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let me present an idea, let's say you come across somebody in a motorcycle crash, as you're calling emergency services, you find the victim has a massive gash along their femoral artery along their leg--you don't know where that is, but the wound is exposed and is spurting bright red blood at an alarming rate (cw: blood). you put as much of your body weight as you can into applying direct pressure to the wound but it's not really slowing down. you then wrap and tighten your tourniquet around the leg a couple inches above the injury, before winding the windlass to tighten it, securing the rod into the strap. having applied it, you return to applying direct pressure and check to see if the bleeding stop, which it does.
there's work to be done, but in the meantime, you double check for bleeding coming from other places, and gratefully there isn't any. the the victim here is unconscious now, but has a pulse and good respiration. paramedics will be there within a few minutes, so you move on to packing the wound as deeply as you can with gauze, almost excessively, before securing a pressure dressing around the injury. the tourniquet is still tight, but given the timeframe here, there isn't good reason to loosen it. continuing to monitor respiration and heartrate, you cover their chest with your jacket. the emergency services operator tells you not to put them in the recovery position because you can't evaluate if there was a spinal injury in the crash.
okay, so that's like the best case scenario here, but it's really important to know where things can go wrong as well. even if you put on a proper made-for-purpose tourniquet with a windlass, there are a number of ways things could go wrong: if you don't adequately tighten it, the tourniquet is placed at a joint (like the knee or elbow) and cannot be tightened, the tourniquet becomes loose over time but bleeding is not checked, or the tourniquet is deliberately loosened because the patient doesn't like how it feels (painful, and also really tingly). all of these can be corrected (or, if not obvious, mitigated) by focusing on evaluating the original problem: is the patient still bleeding? if they are still bleeding, or if you are able to address it, continue direct pressure. if that's not working, pack the wound with gauze. if you don't have gauze and direct pressure still isn't working, repurpose any cloth you have at hand to pack the wound, and continue direct pressure. you might be picking up on a theme here.
but what if you dont have a proper tourniquet? don't repurpose something like a shoelace! a belt or strip of thick fabric around 1-2" wide may do in a pinch, especially if you have a way to wind or tighten it; however, it's not something you can really trust, and should only be applied if you can't stop bleeding by direct pressure--you'll probably need to continue to apply direct pressure, either on the makeshift tourniquet, or the site of the wound after application, if it's not working, you'll go back to packing the wound and so on--ideally you have two people so one person stops the bleed with pressure on the makeshift tourniquet and the other person is treating the wound itself here, but it turns out okay because paramedics show up in twenty minutes and the people treating it are paying close attention to the situation.
but what if you're in the edge? there's a couple considerations here, the first being the timeframe. as i understand it, tony hopkins doesn't know when he and alleged manslaughterer alec baldwin will be rescued by the forces of american air mobility, so how do you decide what to do? sources on how long you have to have a tourniquet applied to cause damage, be it from gangrene, nerve damage, necrosis, or otherwise, vary from two to twenty-four hours, which is something to keep in mind. moreover, the journal of special operations medicine (great looking website) in an abstract that i read which makes me a total expert are all like using a tourniquet in subfreezing temperatures might mean you get frostbite faster ig.
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this gives a good argument for applying whatever tourniquet you can to treat the wound and, if you can control it through any other method, loosening the tourniquet after an hour or more (especially to regain mobility of the joint in the spirit of the Walk) might be your best bet for survival.
in short, massive bleeding will kill you before basically anything else after a traumatic injury. if you're ever in one of those school shootings where the cops don't do anything for hours, or in the alaskan wilderness with your in-the-closet friend who wants to fuck your wife, it might be better to risk losing complete function of a limb over your life. but remember, dont if you end up getting ahold of a CAT or other device for your medical kit, make sure you learn from proper sources how to best apply and use it, and avoid causing harm through neglect.
its like 4 am so im gonna go to bed now
this was a fascinating read I’m choosing to insist perfectly vindicates everything I said, thanks so much
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hindahoney · 1 year
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To the Reform Jewish community:
I think I have some misconceptions about the reform community. I think I'm wrong about how I perceive reform Jews and their level of observance, and I want to be educated.
The things I'm going to say are going to be pretty harsh, but I promise I say them so you can understand where I'm coming from, my experience with the Reform movement, and that I want to learn because I see some problems with my thinking. My background and experiences are primarily with the conservative movement, modern orthodox, and Chabad. It's no secret that within these communities, reform Jews get a pretty bad reputation (I want to stress: Not everyone in these movements says/believes these things, but it's common to hear) To the more right-wing side of Judaism, reform Jews are seen as assimilated Jews, "Jewish only in the name" I've heard. I'm told about how reform Jews widely don't keep kosher, often don't have mezuzot, don't pray, don't lay tefillin, don't keep shabbat except making a dinner every now and then. I'm told, and given the impression, that reform Jews have a loose relationship with their Judaism and misunderstand our core texts which leads to misunderstandings and demonization of Jews who do (ie "Orthodox Women are oppressed").
I don't have very much experience with Reform Judaism (which is likely where my ignorance comes from), and I understand that there are Reform Jews who may keep kosher, or may keep Shabbat, but I think my misunderstanding of what makes someone reform is their level of observance. To me, if I encountered a Jew who grew up Orthodox but now no longer kept kosher, kept shabbat, threw out the tzitzit and doesn't lay teffilin, I'd say he's no longer orthodox and he's reform.
Is this where my misunderstanding is coming from? Is it the shul you go to? I just can't imagine seeing a man with tzitzit in a Reform shul. Are you taught that there are observances you no longer need to keep?
I have a pretty decent-sized Reform following, so I've heard from you about how it's offensive and painful when people assume a lack of observance, and that that's not what it means to be reform. I want to be educated, and I want to listen. At the same time, I can't ignore the instances I was in a reform-dominated space and they told me themselves "Oh yeah reform Jews don't keep kosher, it's not important," or about how they work on Shabbat, and then I notice they don't know Hamotzi or the Birkat.
I see the divide between movements and it feels like we can't reach across the aisle to understand each other. Ring-wing Jews are mad at left-wing Jews for not maintaining important traditions, but mainly they are mad at reform rabbis because they see the loss of tradition as the fault of the community leader, that the community would choose to uphold more traditions if they were educated on it, which is the responsibility of the rabbi. Reform jews are mad at right-wing Jews because, let's be honest, right-wing Jews are constantly talking trash and have a belief that they are "better" Jews for being more observant. But I think reform Jews don't really understand some practices, or they aren't taught about them right, because a large portion of dialogue I've had with reform Jews has been me having to field accusations and speak for the movement about how right-wing Jews aren't all sexist, homophobic, transphobic, etc. and neither are the practices. So I think this also plays a large part in why Reform Jews have a problem with Jews from other movements, because they believe we're closed-minded.
I think these hard conversations need to be had so that we can come away understanding each other. I want Judaism to move past the need for movements, which I think we are, because part of me believes they do more harm than good and people never feel like they quite "fit" certain movements. I just hope that these conversations can be had in good faith.
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66sharkteeth · 2 months
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Belated weekly thoughts-
Mostly because this was too big of an ep to completely skip and I really wanna clear up a few misconceptions I keep seeing in the comments. I know only a small percent of readers see these, but at least a few of you will have the canon facts:
First off, just some personal thoughts-
I get asked a lot of reader input has ever influenced the story and, aside from a few fan-servicey memes like Roof Blank, the answer is no for the vast majority of the comic. This episode was kind of the one exception. I definitely never intended to address Rex's ace identity in the comic (outside of his obliviousness), but the more people learned he was canonly ace, the more I realized how important that was to a lot of people, so I thought it'd be cool to actually canonly address it- of course in a way that's realistic. To be clear, Rex absolutely has no idea what asexuality is, and I doubt any other characters do either. This comic does not take place in the digital age, so Rex doesn't have resources like twitter and reddit to help him figure this stuff out lol. He just knows he's not experiencing attraction the same way everyone else seems to, and that's what this episode is addressing.
Now as far as misconceptions- He is not aromantic. I've seen a few people jump to that? And I'm not really sure where it comes from, because he is very much in love with Bell, as I thought (?) I made clear in this scene. I understand the demi assumption, but I don't think he's that either. Bell's just the first person he's felt romantic attraction to, but he does not have sexual attraction (towards her or anyone). However, he's not repulsed by the idea, and that was also important for me to depict, as someone who...basically identifies the same way haha.
Now, for the BIG misconception- Bell potentially taking Lyss' face. So let's clear some things up:
This would not kill Lyss. She got plastic surgery on her nose that Bell already stole, so she would have a way to breath if Bell took the rest of her face.
Lyss would be able to resume a completely normal life after some reconstructive surgery. Blank victims still have a mouth and eyes under their sealed flesh. She explained last season that the only reason she's missing her eye still is because her parents wouldn't pay for the surgery to fix it after she moved out. Basically, giving Bell the rest of her face would just result in a painful and expensive surgery, but she would be by all means fine.
Not so much a misconception I've seen in this episode but just in general when I bring up the reconstructive surgery point- No, this does not mean you can just keep having your face stolen over and over and over. Your face gets a little harder to rebuild each time, and it's very expensive and painful. Think like an acid burn victim getting facial reconstruction, but just smoother...then getting in the same accident and surgery over and over. Surgeons can only do so much.
Bell would not "lose herself" or "become Lyss" if she stole the rest of her face. At this point, Bell is practically a half-blank in the sense that she fully her own person with her own personality, and stealing the rest of a face wouldn't really change that beyond maybe some influence- Much like how when Rex stole Mikiah's face, he didn't stop being Rex. He still maintained the personality and preferences he had as Rex, but just now has knowledge and memory of all of Mikiah's personality and preferences. Bell is slightly different in the sense that she *started* as a copy of Lyss, so many of their preferences and identities are the same (i.e, if Lyss is a straight cis girl, Bell would be a straight cis girl. If Lyss hated cilantro, Bell would hate cilantro), but she's developed in such a different environment from Lyss, that she has very much adopted her own unique personality (though with traits from Lyss, like her fieriness), and taking the rest of Lyss' face wouldn't change that. She would just have memory and knowledge of the rest of Lyss' life. The only real consequence of taking her face might be...getting some unpleasant memories of Rex and Scion, but even then, Bell has grown into such an understanding and forgiving person, I don't think she'd hold those past actions against them (except maybe Scion for the whole attempted murder stuff).
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trans-axolotl · 3 months
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also: I mostly switched over from saying "antipsychiatry" to psych abolition after I started to see more groups like CPA use it, and thought I'd share some of my thoughts on it.
antipsychiatry is a fundamental part of psych abolition for me, but i think my definition of psych abolition contains a lot more. first, there's a lot more things than just psychiatry that i want to abolish and transform--the whole mental health system and many different belief systems, types of providers, forms of treatment, and types of incarceration that are encompassed in that. i think it's important to name and identify the particular harms of psychiatry as a value system in the way it is the strictest example of pathologizing, medicalizing, and the strongest adherer to the purely biomedical model of illness and how this creates so much harm. but i think that there are also so many other harmful structures + belief systems within the whole mental health system. i also sometimes see therapists, for example, portraying themselves as alternatives to psychiatry, and while that's true in the sense that they are a different treatment option than a psychiatrist, they are often still harmful actors in their own rights and entangled with the state in an equally bad way.
second thing for me is that i think it's really important to intentionally build cross movement solidarity, especially with the prison abolition movement and to expand the way psych survivors currently support support people fighting for abolition of all forms of incarceration. (i drew inspiration from sins invalid and the 10 principles of Disability Justice). I see so many people in psych survivor spaces saying " I can't believe we were treated like prisoners on the ward" with the implication that it's fine if prisoners are treated that way, but it's bad when it happens to them. i think that's fucked up and i think that any psych survivor movement that doesn't actively support people incarcerated in prisons is a movement that does nothing to dismantle white supremacy. we need to be able to recognize the ways carceral logics operate in many different structures, and approach our activism as a shared struggle, where we constantly are led by those most impacted. so i think that naming what we're doing as "abolition" is important (with the important caveat that our organizing must then actually be abolitionist, and especially for white organizers, that we need to learn about the history of abolition, actively support the Black leaders and thinkers who have created the prison abolition movement and not center ourselves, that we actually have to be actively involved in supporting abolitionist work happening in your area, instead of just stealing the work of Black abolitionist scholars to use it for our own benefit without any credit or reciprocity, that we need to actively interrogate ways white supremacy culture and antiblackness are showing up in our movement places so that we aren't inviting our comrades who are people of color into spaces that are not safe for them, or exploiting our comrades of color by expecting them to do the work of dismantling the racism within our shared organizing spaces--don't call yourself a psych abolitionist if you still call the cops on your homeless neighbors, if your solutions to psych incarceration contribute to gentrification, if you refuse to support currently incarcerated comrades, for example.)
third thing is that antipsychiatry as a specific term is often associated with the sociologist theory from the 1960s, some of which i think is useful, some of which comes from antisemetic and racist psychiatrists who should not be given any legitimacy. antipsychiatry also often gets associated with cults like scientology. although i think that scientologists bastardize a lot of antipsychiatry stuff and weaponize it for their own ends, a lot of the public thinks of them if you say antipsychiatry, and it can cause misconceptions. also think that people sometimes assume antipsychiatry is inherently against medication and while i don't think that's our responsibility to clear up every time people misread our words on purpose, i think it's been a lot more helpful for me to talk about medication in the context of autonomy, harm reduction, war on drugs, and the ways that psychiatry creates issues to consent, autonomy, informed use, risk reduction, etc etc etc. and i think psych abolition helps me do that a little better.
i get in a lot of conversations with people who say "well from what i've seen you are just against institutionalization. why not just say that instead of attacking psychiatry?" and my answer is always if we want to end institutionalization, we have to end the structures, belief systems, and power dynamics of psychiatry--psychiatry is one of the logics that enables institutionalization to continue, and abolishing institutionalization without abolishing the structures that allow it to continue mean that it just pops up again in a new form with a new name (asylums to hospitals to group homes etc etc etc). so i think psych abolition to me is a clearer way to encompass the ways that all these systems are interconnected, and that when we're fighting for mad liberation, the right for mad/neurodivergent/mentally ill people to access care, support, healing on our own terms, to be free from institutionalization and violent treatment, and have the right to exist as mad people, whether or not we're "cured."
TL;DR: I switched to saying "psych abolition" rather than antipsychiatry even though there are many core ideas of antipsychiatry that I agree with. I think that for me, psych abolition helps clear up some misconceptions that people have about antipsychiatry, more clearly connects to prison abolition, and makes it clear that we need to transform more of the mental health system than just psychiatry.
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nabulsi · 6 months
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what are some misconceptions and/or myths about hamas stuff that people can be aware about? I'm gonna be honest I don't know alot about hamas related stuff and I hear some people on the internet say that they are a horrible terrorist organization that did horrible stuff and then there are some that say that they aren't a terrorist organization and then some say that they are antisemitic because of their old charter and some say they arent because of the 2017 charter, it kinda feels conflicting.
Hello! I am sorry this has been sitting in my inbox for a few days and I've debated how exactly I wanted to answer it because I can admit that I'm not the most knowledgeable about the topic.
I can see that you've already read conflicting accounts about Hamas from others and many different perspectives. All I can do is give you my own perspective, as nuanced as I can. Though, I am speaking as a Palestinian and what the truth is to me, with my experience.
But also, I don't want to do your thinking for you. Please consider my flawed and biased answers and do some research on this yourself.
Are they a terrorist organization?
This depends on who's defining it as a terrorist organization. Hamas is, according to western entities such as the US and the UN, a terrorist organization. It has been recognized as such. However it is also important to keep in mind, who is defining it as a terrorist organization and why they are defining it as such. Remember that the west is comprised of many current and former colonial entities which have an allyship with the current colonial entity of Israel. And, in threatening Israel, Hamas has made itself an enemy of the West. From the Palestinian perspective, Hamas is the government of Gaza. They, and other armed resistance groups operating in the area, are Gazans' first line of defense against Israeli aggression and oppression. Individual Palestinians may have varied opinions on Hamas, what they stand for, and their methods. Of course they are not universally liked--just as a citizen of any other entity may oppose their government. Against Israeli oppression, Palestinians stand together, however. And in my perspective, they are not a terrorist group.
2. Did they do horrible stuff?
That's vague, so I'll try to make it less vague so I can give you some form of answer. There are a few things people have accused Hamas of. Some of the more horrific things have not been verified or confirmed. And some have been retracted and not confirmed. (source / source / source) The big one, though, is did they really kill over 1000 Israelis and take hundreds of hostages? Yeah. Probably. Though Israel has been trying to quash an interview with rescued hostage, Yasmin Porat, who claimed that it is quite possible IDF killed many of the Israeli citizens as they shot indiscriminately at hostages and Hamas alike. And many of the deaths were IDF who are, quite frankly, valid targets. Not to mention, many former hostages have been reporting humane treatment by Hamas. (source / source / source) That's not to say that Hamas does not have blood on their hands. Hamas did at one point, to great condemnation from the Palestinian community, claim they would start executing hostages. To my knowledge, though, they never followed through.
3. Are Hamas antisemitic?
This is like a few questions baked into one. Was the attack on October 7th antisemitic in nature? Definitely not. That was a coordinated and organized operation with the express purpose of striking a blow to Israel as an occupying force and furthering the Palestinian liberation efforts. Hamas did not go in there with the aim of killing Jews. (And remember that the occupiers of Palestinian land ARE Jewish, so it's not like they had non-Jewish targets here.) Is Hamas as an organization antisemitic? Also no. Hamas's old charter was antisemitic. It did not make a distinction between Jewish people and Zionists. The new charter has been rewritten to make that distinction really clearly. I don't see a reason not to believe they are operating under different principles from before, as they are already considered a terror group, not like they're trying to change to "appeal to western sensibilities" If you don't want to take them at their word that's your call. Are the members of Hamas antisemitic? Allah only knows what's in their hearts. But I will answer: No more than anyone else on this Earth. Antisemitism is unfortunately a global issue and exists in every community. Hamas are not exempt from this. That doesn't excuse any antisemitism, but I do want to emphasize, that they're not like... exceptionally antisemitic. Also remember that accusations of antisemitism are constantly being weaponized against Palestinians in general, not just Hamas, so think critically when you see such accusations.
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martha-autie · 11 months
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Levels are important and so is using them correctly.
There is a misunderstanding about levels that borders on abelist. Some of you may have seen others say "levels are harmful to low support needs autistics" or "some days I'm level 1, some days I'm level 2 and some days I'm level 3".
These statements are harmful for an assortment of reasons and I plan to discuss some of those today.
First:
Levels are not inherently harmful to lower aupport needs autistics the idea that level 1 means no support needs, is not built into the level system. Level 1s require support, level 2s require moderate support, level 3 requires a lot of support. Instead of attacking the level system, the focus should be on addressing the incorrect belief that level 1s don't need any support. For moderate and high support needs people, levels can be invaluable. It can be very difficult for me, a level 2, to explain how my autism effects me. Being able to tell my doctors and the government, that I am a level 2 takes the pressure of trying to verbalize how my disability impacts me. If you can explain how your autism effects you that's great but many of us cant and that is why levels are important. It is shorthand for low, moderate and high support needs people who cannot put into words how autism impacts them.
Some may say that level 1s will be denied services due to misconceptions, this could be possible, though I know level 1s on SSI and such. However, the diagnostic criteria notes level 1 autistic people need supports as well. The level system is very beneficial for many moderate and high support needs people and the problem that some level 1s bring up are the fault of misconceptions of the level system that would be better addressed by educating those who think level 1s don't need support, than by attacking the level systems.
Second:
"Some days I'm level 1, some days I'm level 2 and some days I'm level 3".
Is a perplexing and disturbing saying. Many people, often level 1s, use this phrase to refer to their bad days and in argument against the level system. Some will say levels are useless because "some days I'm level 1, some days I'm level 2 and some days I'm level 3". They are referring to how stressful, difficult, or painful a particular day is and conflating it with levels , not referring to an actual level change.
This is problematic because that isn't how levels work. It is also insulting because it implies that level 2 and 3s are always having bad days and that our level is a state of a bad day. It also implies that if level 2 and 3s had better days or better environments they would become level 1s. This gives an unrealistic impression of how varying degrees of autism works and contributes to misinformation that can harm the autistic community.
I would like to share an example of something a low support need autistic person said about high support needs people "they have tricked everyone into thinking they can't do more so everyone does everything for them". This horrible statement is fueled by the idea that levels are just a measurement of good and bad days. I am a level 2, I am not the imbodiment of a moderately bad day, I am autistic person who needs moderate support. Please think hard the next time you say "some days I'm level 1, some days I'm level 2 and some days I'm level 3". And ask yourself, what that statement really implies.
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stormblessed95 · 2 months
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Really sorry to bother you but since from few days the gcft talk was going on on twitter i was wondering if you have a post about "Tokyo trip was supposed to be vminkook and not jikook" the famous claim by tkkrs..i know it's not but i kind of want a series of events together and why they think like that. I did went through your "jikook posts" scrolled through some but don't know how to get till that post (if you have made one). It would be helpful if you tell me what i need to search if i want to get to that post cause there's many posts there and i kinda got lost reading other posts lol 😭
thank you.
Ah, I believe that the um, misconception comes from (or they twist the words of) this interview where Jimin says that he once told V and JK that he wanted to go on a private trip to Tokyo one day. Not that they planned to go on one together the 3 of them and the plans fell through or even that any plans were made at all. Jimin just shared that he once expressed a desire for a vacation destination to his best friends at some point in the past. And then eventually he and JK did get to go on and enjoy that vacation together and it meant a lot to him.
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You can read the full interview translated here:
They also say that he was supposed to go but ended up not being able to because of family obligations (no evidence) because Tae posted a video of him in Osaka Universal Studios in Japan on Halloween at the same time on a family vacation.
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And Jikook in Tokyo for Halloween 🥰
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But clearly as mentioned in the first interview and in the book they recently released, it was clearly something the two did together, no one else was "supposed" to be there or left out lol
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And just because vminkook were all in Japan at the same time doesn't mean they were sneaking off to meet up secretly the 3 of them, or that it was supposed to be a trio trip where Tae just got pulled into family obligations instead. They just traveled over a small break period to two different cities and enjoyed their time off with the people they wanted and were able to. Jikook together and Tae with his family. And all enjoyed Halloween amongst the crowds and the people masked and undetected lol! Osaka and Tokyo are 6.5 hours away from each other people. They were on opposite sides of the country for their trips 😂😂 still everyone clearly had a BLAST!! You can find more links to Jikook talking about their Tokyo trip together constantly on my masterlist too 😊🥰
Hope that helps!! Lol and I didn't already have a post about this technically but for future reference, my correcting misinformation or shipper lies posts are on my masterlist under "Important Posts" and then "Correcting Misinformation."
Thanks so much for your ask!!
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you're trans, right? how did you come out to your parents? how did it go? how would you recommend someone go about doing it if they aren't sure how their parents are going to react? (positive to other people's kids being trans, dislike trans women in sports, generally vote democratic). i'm ftm.
sorry if this is too personal or already been answered or something
-- aar
Lee says:
As a matter of fact, I am indeed trans! I specifically identify as genderqueer, non-binary, transmasculine, transgender, and transsexual, although that's neither here nor there.
I actually didn't come out to my parents-- I came out to my friends, and then more publicly to my classmates at school. Then one of my classmates told her parents about me being trans, and that parent met my parents at a party and mentioned that I was trans. Unfortunately it just so happened that while they were at the party and out of the house, I took the opportunity to cut my hair short at home. Yikes!
Anyway, I would fully recommend actually coming out over being outed, if you have the choice, because then you have some control over the start of the conversation and can initially let them know whatever you want them to know.
As always, safety comes first. Do not come out if you do not think you will be safe. If there's any risk of harm or severe negative consequences, you should wait to come out until you're in a more secure position, like being 18 or older, financially independent, not living at home, or at the very least, having a support system in place like a trusted therapist who can help you deal with the repercussions of coming out.
There's a difference between being genuinely unsafe and feeling uncomfortable. Most people will feel their fight-or-flight anxiety response kick in when they have a really scary and stressful conversation, especially when they're talking with someone who means a lot to them and has a lot of authority in their life. But being anxious about their reaction might make something feel unsafe, emotionally, even if you logically know that you are safe and they will not kick you out, abuse you, etc.
That doesn't mean that your feelings aren't real feelings though. If you think that you would not be able to cope if your parents don't immediately and fully accept and support you, then maybe it isn't the right time to come out either. Your emotional well being is important, and if you would be unsafe as a result of mental illness/extreme distress after coming out (if your parent's reaction isn't what you had hoped it would be) then you should consider that to be just as important as if you were physically in danger from an external source. After you've had some time and therapy and got re-stabilized then you can reconsider coming out.
Let's say that you've decided to proceed with coming out. The next step is to continue to gauge their attitudes. You've already observed some of their views. This can be a good starting point to understand how they might react. Remember, though, that parents' reactions to their own child can sometimes be different from their general opinions. So they might be fine with your trans friends, but not be fine with you being trans yourself.
You can't fully predict what will happen, but making sure you have a sense of what they currently think might help a little-- if the topic hasn't come up in over a year and you're working off of what you remember them saying far in the past, it's possible their views have changed by now.
But either way, you'll never really know what will happen after you come out, so if you want to do it, you just gotta go for it.
Now it's time to prepare. You may want to have resources ready for your parents, so looking to find those resources should be your next step. Are there local support groups for parents of trans kids and do you know of any peers whose parents have attended? They might have questions or misconceptions about being a trans man, so be ready to share some basic 101 information with them and don't assume they understand what it really means to be trans. Websites, books, or even contact information for a knowledgeable counselor can be helpful.
Think about what you want to say beforehand. What's the point of coming out? Do you want something to change, like having them call you a different name, use different pronouns, buy you different clothes? Do you want them to understand the nuances of your identity and know the right terms and words to use and what terms and words are offensive? Think about all of your goals, and then write down the key points you want to get down.
This is the time to consider your answers to the questions they might ask you, like "how long have you felt this way," "do you plan on medically transitioning," "what does this mean for your sexual orientation," etc. Even if you don't know all the answers yet and are still figuring yourself out, you want to have an idea of what you'll tell them, even if it's just "I don't know yet, I'm still figuring it out".
I'm personally not a fan of gimmicky/"cute" ways of coming out when you aren't sure whether your family will be accepting. So I would recommend just using a letter to initially come out if you're worried about getting overwhelmed or forgetting important details, and being prepared to follow that up by having a sit-down conversation.
Have a support system in place. This could be friends, other family members, teachers, counselors, or online communities who understand and support your identity. I always recommend scheduling an event with friends either for directly after you come out so you have an excuse to leave the conversation and go, or at least for the next day so you can decompress and discuss it with people who support you.
When you're as ready as you can be, choose the right moment. Find a time when your parents are likely to be calm and not preoccupied with other stressors (so not on their birthday, a major holiday, etc) and either leave the letter for them or ask them if they are available to have an important conversation.
This might not always be possible, but a peaceful environment can facilitate a better conversation. Choose a time and place where you feel safe and where you won't be interrupted. This could be at home during a quiet weekend afternoon, an evening after dinner, or during a walk together, depending on your family dynamics.
Finally, it's time to have the conversation. You should be clear and direct. Tell them "I'm transgender and that means I feel I am a man," or whatever language you feel comfortable with. Don't hint at it because they might not know what you're trying to tell them, just tell them exactly what you want to say.
It’s okay to admit if you don’t have all the answers yet. Transitioning is a journey, and it's fine to be figuring things out as you go.
But if that isn't the case for you, and you are sure, then you should be ready to stand up for yourself and tell them that. They might react positively, negatively, or be unsure, but their feelings are not your fault/your responsibility because you're living true to yourself. It's okay if they need time to process the information, but don't back down and let them railroad you into saying that you're not sure or didn't mean it if you are sure and do mean it.
Finally, be prepared for the long haul. Understand that your parents might need time to fully grasp and accept your identity. Patience can be challenging but is often necessary since it can take several months to years before they come around and truly support you. That means that one conversation is usually not enough. Be open to ongoing discussions and expect them to be sometimes awkward.
We have a coming out page with more info, although some of the links are old and broke (I promise I'll get to fixing it some day!)
Followers, any advice for anon?
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buttercuparry · 7 months
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You know it always hurt how the actors who played their respective characters on the show, loved them so dearly but Maisie couldn't ever seem to get that footing when it came to Arya. Emilia loved Dany and Nikolaj loved Jaime. Sophie was obviously on cloud 9 regarding Sansa...but Maisie...every time she spoke about Arya, it seemed like she had nothing in on the character except for those popular misconceptions. I know that this is on the actor themselves but Maisie was so, so young when GoT aired for the first time. Granted she could have given those books a chance later, so maybe this is on her but as an actor she was given a script and whatever she had been given, she always nailed it. She trusted those scripts and it is not like even if she had read the books, she could have had a say in the ( lack of )creative decision of the directors. My point is that there was no love nurtured for Arya in the show. With the plotline where Arya spent so much time on the road, it was necessary for them to dress the actor in rags, but still love could have been nurtured with how one chose to tell the story. I know show only viewers of any series often criticize book purists by saying that not everything on page can be translated for TV and it is true, but that's why we have a team of people working on a show so that even when it becomes necessary to leave out certain things, the essence of story is preserved. Or to even bring the story that has already been told in a book onto new heights ( like I have heard them doing with Jacob's vampire show)...but with GoT and especially when it came to Arya, they cut her down to a deformed skeleton of what the character was actually supposed to be. I don't know if I am remembering correctly but Maisie didn't like those ragged costumes. She was in school and Arya's costumes when on run didn't help Maisie's self esteem, and I understand that the get up with the hair and all was a very important part of the story but Arya had other dresses even when on the run! You are telling me Ed Sheereen ( is that how you spell the name) could be an extra on the set but could not get anyone to play Lady Smallwood? You had Sophie in her #girlboss dress at Vale but not one dress for Maisie with acorns? That's Arya's song. Arya's song with Gendry whom Arya fucked in the show. Stupid ass needle costume for Sophie but not even a rich mummer's cloak for Maisie? You butchered her story, you won't give her more than the bare minimum when it came to costumes. You won't style her...how would she know how to love Arya Stark? I also don't know about her friendship with Sophie. Like that's their business but why blindly agree with everything Sophie has had to say about your character? Like I know there was no research done on Maisie's part...that always sucks. But if the narrative set up by the writers too is that distorted and with a friend whose whole personality during filming was of a Stansa...then yeah it is no wonder why she couldn't really love Arya.
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queen0fm0nsterz · 6 months
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So, if you are accepting any asks, I have a small question.
Who do you think was longer in The Spiral? And which kids were "born" there? Sorry if this is a stupid ask, or if someone already asked it.
Feel free to ignore! I just really like how you analyze and theorize 'bout everything of The Little Nightmares world; you realize things that most people most likely don't notice, and that's admirable to me!
Thank you so much!!! This makes me very happy to hear, I'm very grateful you enjoy my interpretations of the games. Your question is not stupid at all; it's a very good one, and I see there is a few misconceptions about children who are Nowhere born and children who come from other worlds.
I have seen argued that most children we meet must be kids of the Nowhere due to their ability to survive; for example, a child as young as the Toddler was able to survive for at least a while before being snatched away. However this is not an indicator of them actually being Nowhere born.
Noone herself explains how this is possible in episode one of the podcast. Quoting:
"I turned away from the window, which was only a hole in the stone wall of the curved passageway, that stretched on a long ways. This- odd feeling, told me to get up. But I couldn’t stand because the ceiling was so low."
(...)
"That same feeling told me I was lost inside a giant."
They are being guided by this strong instinct. Which explains why children as young as a Toddler can get around without dying near instantly: they inherently seem to know what to do and they are constantly on the move. If anything, children who are stagnant are more likely to be Residents or becoming Residents; they are the odd ones out. Remaining still means certain death, after all, unless you intend to join the Nowhere.
Here's a diagram to show in short who is what based on what we know about the world. The ones with the * are those who are uncertain.
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Visitors
These are the most common kind of children one can meet in the Nowhere: the ones brought from outside, either by the Ferryman or from other forces. Remember; the Ferryman is a guide, not the means.
In Episode 3, Noone was pulled into the Mall, an outside force, and in Episode 4 the Ferryman was not present at all. He is not the only way for one to get inside the Nowhere, he's merely somebody with enough power to intercept some of the children coming in to bring them away with him. I don't doubt that his role is incredibly important, as he's the reason why many children even reach the Nowhere alive, but... he's a harbinger of death, no doubt.
All these children are the nameless ones. The ones whose full journeys we'll never get to see: just segments and fractions. We saw the beginning of Noone's, and the end of RCG's and RK's. Nothing more, and nothing less.
The campfire children in particular are highlighted because of two reasons:
The comics were confirmed to be partially not canonical. Obviously not everything was cut from the comics, since the Ferryman and Mirror Man are both physically there and implied to exist, but due to the vague answer we were given, we'll have to take their tales with a grain of salt.
We could only hear two of four stories; as such, only the Humpback Girl's testimony can be counted as her not being a child of the Nowhere. We can attest this because of a few lines given from her friends:
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This place is haunted, though, as well as being sealed. Someone locked the mirrors away a long time ago, but! Interestingly enough, they did not break them. Maybe whoever sealed this place away was hoping for someone to come back?
Considering that Low and Alone are also involved with mirrors, I wonder if Mirror Man's abilities are on par with the Ferryman's, meaning he too can cross the bridge between realities. It could be a reason as to why the Ferryman does not intervene until the very end here. This post is not about him though, so moving on!
Nowhere Children/Residents
Now we're getting to the interesting part of the ask. As you can see in the diagram, we only know a few children who are Nowhere born, and of them, only one of them is 100% factual. Let's go through them one by one.
The Pretender was born and raised in the Nowhere. Period. She has her own mansion, pictures with her parents, and on top of that her family at the very least part of the bourgeoisie.
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While powers are not necessarily an indicator of one's belonging to the Nowhere (if Low's powers are of any indication), the Pretender herself has quite the number of supernatural abilities that seem to have been present since her youth, making it hard for her to form meaningful connections with others. She's a very lonely child. This means that these powers most likely developed from her naturally rather than being acquired from the outside, like Six's and possibly even Low's.
(Even then, one can make a small argument to counter with Six developing a small power of her own... but there's a reason as to why I set her aside from everyone else.)
Now, here's someone a lot more interesting to discuss (both on this topic and in general): Mono.
He's a real special little guy. Taking into context the etymology of his name, the meanings we get always tie back to the idea of there being one of him. A single, unique little boy. Looking at the descriptions we were given of Mono, we can find out some more about him and his backstory:
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Interesting as this is on a character perspective, what I would like to direct your attention on here is the mentions of the world. Here, it's mentioned that Mono is aware that the world outside hates him. Being a single minded child living in the Nowhere this makes a lot of sense; what is interesting here is the wording.
There is never the mention of "another world" in Mono's descriptions, unlike Six's descriptions in which it is directly mentions her not originating from the Nowhere.
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For Mono, it's not a world: it's the world. Almost as if there is no other world he knows by now.
His nature is also rather unique. You see, Mono is a glitch. Not in the traditional Glitching Remain way, but still not entire enough to be considered a human being. For one, he quite literally glitches multiple times: we see it happen everytime he is near a Remain and is about to absorb them, whenever he gets too close to the Thin Man, he even glitches as he channels his powers to use them.
The Thin Man causing him to glitch is especially interesting because when he motions to grab him, Mono does not split in two like Six does. There is no body to be left behind: instead, he flies into Thin Man's hand and you can visibly see his body go both entirely glitchy and instantly limp.
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(You can see it for yourself in this video; pay attention to him struggling when other enemies grab him vs how quickly he stops moving as soon as the Thin Man gets his hands on him.)
This indicates his nature as not being human the same way Six is, for example, but rather a product of the Nowhere. Due to how his cycle works, this makes sense: for the Tower to have a continuous of energy supply and access to the power of the Transmission, Mono needs to live through this experience over and over for as long they deem fit. This could also explain some other odd factors of his, such as not having to take a break when running and his almost grayish skintone.
While it can be argued that at the beginning of this whole mess Mono was a Visitor rather than a Resident, at this point in time many factors point to the version of him we play as being a Nowhere child.
The Refugee Boy is, as for the campfire kids... complicated to expand on due to the dubious nature of his story: nevertheless, I will still bring forth my evidence.
When the children begin telling Six their stories, the Refugee is the first to narrate his tale and he begins doing so by showing her a memento of his previous life outside of the Maw. This comes across as being peculiar on its own as no other child that we know of has anything of the like.
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As you can read here, children in his village are given charm against the North Wind that one day suddenly stop working. This implies that, unlike the Mirror Man, the North Wind has always been a tangible threat looming over their birth land.
It could be easy to chalk this up to N.W. being a local legend where the boy used to live and he had a nightmare about him, but it is then mentioned that he and his sister have been running away from him for years. Much longer than any of the dreams Noone ever had.
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This was a long pursuit. We know thanks to the LN III trailer that "normal" looking adults and cities existed in the Nowhere; this explains away both the Refugee's village existing and the other groups of people that chased them away when they brought around the North Wind.
While this evidence is good enough to stand on its own, it has a couple of points against it, which is why I marked the Refugee as "unsure".
The narrator could be considered unreliable. In this same screenshot I added right above, the narrator states that the siblings were welcomed everywhere, but we can visibly see them be chased away by the villagers. This can be interpreted as meaning "they were originally welcomed, but when the North Wind arrived as a consequence, they were chased off", but we don't have enough substance to back this up.
^ Supporting the above take, the narrator also says that the children have been running for years, but we visibly see that they remain the same during all this time. The sister not changing makes sense as the Ferryman has taken her place, but the Refugee also doesn't change at all. We don't know how fast time passes in the Nowhere, so it could also be attributed to that, but it must be mentioned for fairness' sake.
The Refugee's words: I'm not running anymore. This sentiment has never been echoed before, nor will it ever be echoed again. As I said earlier, being stale in the Nowhere only leads to two things: death or permanence. His surrendering could indicate that he has chose to remain in the Nowhere after being stuck in it for a long time, thus becoming an official Resident. If this is the case, he could classify as a "Visitor turned Resident".
With this, I suggest we move on to our last and currently final segment:
Visitors turned Residents
This one is an interesting breed. We don't get to see the act of a child turning into a permanent part of the Nowhere all that often; Noone could count as that, but we don't yet know if she ultimately decides to be still in the Nowhere or if she'll regret her choice.
We do have the most importantly character of this narrative as an example to this, however.
Six, my dearly beloved... what a terrible path she's gone down to. I have already displayed the evidence stating that Six is from a different world than the Nowhere up un Mono's section so I won't dwell on it.
Thin Man splitting her in two is what doomed her and, as hard as she tried to fight it, her trip to the Maw was the nail in the coffin. No matter how far away from it she gets: she will never be free from the influence it had on her person. When it comes to the LN I ending, this is what the writers had to say on it:
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(From this interview. It's an interesting one; they also confirm that the Signal Tower and the Maw were not places that were "built" but that exist for various reasons, which supports the idea that they are entities rather than buildings.)
I think Six is not leaving the Nowhere anytime soon. If at all. She might have left the Maw, but at this point, she's ventured too far in to turn back to the person she was before. To think none of this is even her fault is saddening, to say the least, but horrifically realistic.
Sisi... is an incognita. I've only put her in this category to be fair, since we don't know anything about her. There is a possibility that she has grown up to become a Resident, but it's just as likely that she may have died off somewhere, like many others before and after her.
I will not be dwelling into the adults for now, but we do have reason to believe that some of them are most definitely Visitors turned Residents. Most notable is the Lady who, in her character description, directly expresses discomfort with how nonsensical the Nowhere is - a sentiment only someone who knows alternatives to it can have.
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It also indicates a surprising level of self awareness to some extent; most Nowhere inhabitants do not question the nature of their world, not even important and powerful beings like, say, the Thin Man.
I hope this answers your question!
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