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#jane and finch
thelensofyashunews · 2 months
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PRESSA RETURNS WITH A NEW TRACK, “GET BACK UP” FEATURING FRIDAYY
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Emerging Jamaican-Filipino-Canadian rapper Pressa releases his new track “Get Back Up” featuring Fridayy. In this new track, listeners can hear Pressa rapping about how he had to stay down until he was up in life, while Fridayy sings the chorus about being there to help his people get back up if they fall off in life.
Most recently, Pressa released “W Hotel” featuring Toosii. The track was a long overdue collaboration between the two friends as they can be heard rapping on verses together on the track about having a good time at the W Hotel.  
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Last year, Pressa dropped two singles –  “Minimum Wage” , and "Unfollow Me". “Minimum Wage” music video was directed by Corentin “Coco” Leroux. “Unfollow Me” had an official Jason B-directed visual and focuses on the fast pace of the industry and Pressa’s continuous hustle and the fame/women that come with it.
Those singles follow his feature on Bandokay’s 2023 single "The Jungle".  Prior to this, Pressa dropped his 2020 project Gardner Express, which got a deluxe version in 2021. The deluxe included the alternative version of hit song “Attachments” featuring Coi Leray and featured other artists like Swae Lee, Sleepy Hallow, Sheff G and more.
Check out “Get Back Up” and stay tuned for more coming from Pressa soon.
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little-noko · 8 months
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I took a small break between commissions and I've had this in the back of my mind for a while now~
Finch would definitely be a griffindor, he is a natural trouble maker and making him a quidditch player felt like the most natural choice, Jane however- Ravenclaw all the way with a special interest in divination.
Art(c) @little-noko Jane(c) @alainaprana
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just-call-mefr1es · 3 months
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oh so no head?
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finchmarie · 1 year
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@queercraftingchonk Happiest of holidays from your secret santa for @masseffectholidaycheer Was super stoked to get a mutual <3
I hope I did your wonderful Shepard justice, she was a blast to draw!! I wanted to draw something cute for this exchange and wish granted cause honestly who is cuter than Shalibrations <3<3<3
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thesorrowoflizards · 1 year
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@userblorbo’s BLORBOS OF 2022
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fadeaway-comic · 2 months
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[Arc 1 Chapter 1 - Page 43 , 44] - "Stranger"
Prev // Next // First
El diablo finally shows up, how great.
God Noriel...
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sasaofastora · 5 months
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~ Jane Sewell ~ Gen One ~
Read Jane's story here.
I had a lot of fun making moodboards for each of the characters in the Finch Legacy so far- including portraits of my sims made on the ToonMe app.
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movie--posters · 1 year
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gatutor · 8 months
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Jane Fonda-Peter Finch "Amor prohibido" (In the cool of the day) 1963, de Robert Stevens.
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therosecrest · 2 years
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blackramhall · 2 years
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-One must follow one's star wherever it leads. -Even to disaster? -Even to hell itself.
Agatha Christie's Death on the Nile - John Guillermin (1978)
Manor Murder Mystery
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catboy-joyfriend · 7 months
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actually the only actual downside of going on testosterone is i wont even be able to pretend to be able to sing soprano songs way out of my range anymore
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little-noko · 2 years
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Finally some decents updates, I'm glad to be back and I genuinely hope you like the wallpaper of this month, working on this was pretty fun~
Art & Worldview© @little-noko & @alainaprana
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just-call-mefr1es · 3 months
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(pls add in which characters u would like me to draw after picking ij the replies or by reblogging tank u🥳🥳)
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zoominag · 2 years
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1800-1849
This is part of a series in which I am posting clips of my larger project by decade as I finish them. For more about this project, or to ask me to include your doll or OC, check out my pinned post.
Previous posts:
17th century
1700-1739
1740-1769
1770-1799
The OCs in this post that are mine are Charlotte and Jane, Rachel and Abigail, and Hannah and Delia (they're in pairs because I did the Best Friends series based on @americangirlstar's suggestions, and in the process created a Best Friend for each of my own characters). Héloise and Aoife belong to @autistickirstenlarson, Violette belongs to @getintothesun, and Charlotte belongs to @gardner-n-pardner.
While putting together previous installations I became aware that I have the birth dates wrong for several of the canon characters. I'm planning a redo for the canon character set, eventually, so please do let me know if I'm wrong about anyone. I might already know, but since I have pretty severe dyscalculia as well as ADHD it's not bad to have the info available in multiple places.
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1800s
Charlotte Finch: 85-94 Jane Finch: 83-92 Héloise Cormier: 46-55 Kaya'aton'my: 45-54 Speaking Rain: 45-54 Felicity Merriman: 35-44 Elizabeth Cole: 35-44 Rachel Gabay: 20-29 Abigail Schorr: 20-29 Lydia Livingston: 1-10 Caroline Abbott: 0-8
This is it, as narrow as skirts are going to get for about a century. Everyone was really into looking like Greek and Roman statues, so white dresses in drapey fabrics were the rage for young women. Caroline and Lydia are a little young for that style though. Before I decided to add the Best Friends to the project, I put Lydia's dress in Caroline's collection, but then I did make Lydia and made the green dress her meet outfit. Now that I'm thinking about a redo, I want to give Caroline a completely different dress, maybe that also has those sheer sleeves.
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1810s
Charlotte Finch: 95-99 Jane Finch: 93-99 Héloise Cormier: 56-65 Kaya'aton'my: 55-64 Speaking Rain: 55-64 Felicity Merriman: 45-54 Elizabeth Cole: 45-54 Rachel Gabay: 30-39 Abigail Schorr: 30-39 Lydia Livingston: 11-20 Caroline Abbott: 9-18 Clara Montoya: 0-7 Josefina Montoya: 0-5
The switch from wearing their skirts calf-length with visible pantalettes to ankle-length might have been an exciting growing-up moment for Caroline and Lydia. At the same time, the silhouettes are getting less flowy with stiffer fabrics and little puffs on the sleeves. Meanwhile, in New Mexico, I gave Clara styles based on illustrations of Ana and Francisca as well as leftovers from Josefina's collection, and then afterward decided to do a siblings series, so...whoops again, I guess.
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1820s
Héloise Cormier: 66-75 Kaya'aton'my: 65-74 Speaking Rain: 65-74 Felicity Merriman: 55-64 Elizabeth Cole: 55-64 Rachel Gabay: 40-49 Abigail Schorr: 40-49 Lydia Livingston: 21-30 Caroline Abbott: 19-28 Clara Montoya: 8-17 Josefina Montoya: 6-15 Hannah Kane: 0-5 Delia Freedman: 0-5 Violette Metoyer: 0-5
The early Regency was all about long, narrow lines, but now the width is coming back, along with growing sleeve puffs and lots of horizontal lines. Frills, lace, and bows are starting to show up on skirts, and hairstyles are starting to get tall again. It's coincidence that @getintothesun's Violette is the same age as my Hannah and Delia, but drawing them together is turning out to be a fun exercise: Hannah and Delia are comparatively plainly-dressed kids, appropriate to their hardworking lives on the Erie Canal, while Violette has a richness in her wardrobe that works with her comfortable life in the Louisiana warmth.
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1830s
Héloise Cormier: 76-85 Kaya'aton'my: 75-84 Speaking Rain: 75-84 Felicity Merriman: 65-74 Elizabeth Cole: 65-74 Rachel Gabay: 50-59 Abigail Schorr: 50-59 Lydia Livingston: 31-40 Caroline Abbott: 29-38 Clara Montoya: 18-27 Josefina Montoya: 16-25 Hannah Kane: 6-15 Delia Freedman: 6-15 Violette Metoyer: 6-15 Aoife Callaghan: 0-3
This decade for the first time we have two members of the @autistickirstenlarson extended universe in play! Each of her characters has a strong color palette for their collection: not every outfit incorporates the theme colors, but enough do to feel like the character herself has a preference. For Héloise, the go-to colors are blue and brown. For Aoife it's green and cream.
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1840s
Héloise Cormier: 86-95 Kaya'aton'my: 85-94 Speaking Rain: 85-94 Felicity Merriman: 75-84 Elizabeth Cole: 75-84 Rachel Gabay: 60-69 Abigail Schorr: 60-69 Lydia Livingston: 41-50 Caroline Abbott: 39-48 Clara Montoya: 28-37 Josefina Montoya: 26-35 Hannah Kane: 16-25 Delia Freedman: 16-25 Violette Metoyer: 16-25 Aoife Callaghan: 4-13 Cecile Rey: 0-7 Marie-Grace Gardner: 0-7 Kirsten Larson: 0-5 Singing Bird: 0-5 Charlotte Devereux: 0
I struggled a lot with finding accurate, non-exoticizing references for Singing Bird, as I did for Kaya and Speaking Rain. As a result, it feels necessary to include a disclaimer to the effect that this project should not be viewed as an accurate source for Nimiipuu, Salish, or Lakota clothing. Please do not cite me as a reference. While it was easy to find examples of modern-day Nimiipuu , Salish, and Lakota regalia, and there are photos of individual garments from the 18th and 19th centuries on display in museums, it was hard to get a feel for what an outfit might accurately have looked like, without entering into a level of research that would have been way beyond the scope of this project. That said, I do intend to eventually go back and redo the canon characters, so if someone seeing this does have access to and familiarity with good 18th and 19th century Nimiipuu, Salish, and Lakota clothing references, and the time and patience to share it with me, I will absolutely use them in the redo. For now, please know that the probable inaccuracies in my drawings of these characters are not intended as disrespect, and as always I am open to knowledgeable correction.
As always, to get your historical doll or OC included in this project, HERE'S THE LINK. Obviously if your doll is from earlier than the 1840s they'll have to wait for the next round of drawings, but you're welcome to put them in the form.
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mourningmaybells · 2 years
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nothing will go harder than a character who lives within the walls because of guilt or fear or someone else’s mistake, but you don’t realize they were there until the very end, and it re-contextualizes so much.
this house was never a home because it was a prison. maybe it was panopticon to you, but it was definitely a jail cell for them. they were a ghost the inhabitants thought lived too long, and maybe they themselves wished for death. does this mean anything
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