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#killing Heidi
redrcs · 3 months
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Killing Heidi
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y2k-2day · 1 year
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Anyone remember that trend in the early 2000s where all the girls wore a ripped white dress that looked like they raided the first aid kit ?
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samanthasgone · 2 years
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kirapuru · 8 months
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Ella Hooper 2019
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albumswhatilistenedto · 9 months
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dougwallen · 1 year
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Ella Hooper review for The Weekend Australian
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weepingwidar · 8 months
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Heidi Ukkonen (Swedish, 1980) - The Killing Moon (2022)
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oedipushansen · 3 months
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i hate the deh novel
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byronicbrit · 5 months
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mmgoldy
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chalkscrub · 6 months
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not enough moral fibre between these four to knit a small lady's handkerchief
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y2k-2day · 1 year
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Killing Heidi - Live Without It (2000)
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bikinikillarchives · 1 year
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REKO MUSE was an art gallery in Olympia, WA, set up by Kathleen Hanna,Tammy Rae Carland, and Heidi Arbogast, prompted by having their artwork censored at the Evergreen State College.
"We were all trying to make feminist work that was kinda inspired by Jenny Holzer, and Barbara Kruger – and, you know, we were taking these photo classes and, when we would bring in our work, we were treated like we were crazy. I made work about sexism. […] Because my work was censored from the college, we started an art gallery in like, an old garage. And it was called Reko Muse, and it was like a feminist art space that me and my friends started."
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(1,2, screenshots taken from The Punk Singer.)
on top of being a space for feminist art, spoken word, and photography, the studio also held as a venue that hosted all-ages shows; included were Nirvana, Amy Carter, The Go Team, Viva Knievel, The Melvins, and Seaweed. the studio can most famously be seen on the cover of Nirvana's 1989 debut album, Bleach, taken by Tracy Marander.
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(3: Kathleen Hanna: "Flier I made in very early 90s. A benefit for the feminist art space we ran", 4.)
although the space only lasted for 3 years, it was Bikini Kill's first rehearsal space, and kathleen hanna's first shows played live. i wish i could find more information and accounts of it from the little i have :)
founded in 1991, the space has been converted to a youth center for trans and queer kids. <3
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undertheclocktower · 9 months
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𝓲'𝓶 𝓫𝓮𝓰𝓰𝓲𝓷𝓰 𝓶𝓮𝓻𝓬𝔂
a non-comprehensive guide of creepy reasons to not visit volterra if you enjoy being alive (1/6)
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𝓻𝓮𝓪𝓼𝓸𝓷 𝓸𝓷𝓮: alluring danger lurks around every darkened corner in shades of red and black
𝓽 𝓱 𝓮 𝓿 𝓸 𝓵 𝓽 𝓾 𝓻 𝓲 𝓰 𝓾 𝓪 𝓻 𝓭
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even when you think the dark isn't looking? it is. and just think of all the ways that darkness may come to swallow you whole. beg as you may for freedom, plead for an everlasting piece? at the end of the day?
𝔂𝓸𝓾 𝔀𝓲𝓵𝓵 𝓯𝓲𝓷𝓭 𝓷𝓸 𝓶𝓮𝓻𝓬𝔂.
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(bestie @stuckinvolterra enables me so I'm not responsible for this weirdness even though I am)
the other reasons to not visit volterra (2/6), (3/6), (4/6), (5/6), (6/6)
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heidiamalia · 6 months
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lol in light of the recent derangement in certain tags, I just wanted to mention that deborah ann woll is gonna be in a new dnd show on freevee starting thursday and I'm really proud of her
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weshallc · 4 months
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(Original post @ilovemushystuff )
What do you mean it’s 1968 and we don’t have Deliveroo?
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foldybikes · 6 months
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Hi there! I loved your Calamity liveblogging, all the speculation and reactions were a joy to read!
In case it wasn't on your radar already, I wholeheartedly recommend the Calamity Wrapup roundtable discussion. More character lore and commentary on the Everything of Camality
thanks so much, gern geschehen! it was so fun to have people along and interact!
I'm def for sure absolutely going to watch that wrap-up because I NEED to hear their thoughts about what went down. hoping to catch some nice tidbits about their intentions and their character creation and how the sessions affected them. especially curious to hear luis' take on zerxus v asmodeus and his interpretation of his own paladin pc.
I am currently watching the familiar problem one-shot as a palate cleanser hehe. bit of a breather before I dive into the last bit of calamity content.
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