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crabsnpersimmons · 2 months

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"Hair dyes or perms or just a quick snip, you can always count on your ol' pal Clip!"

it's about time i officially shared my design for Clip from my hairdresser au! here's the silly boi himself!

a.k.a. the most complicated character i've ever designed...

close ups and additional comments under the cut!

that's my boi, despite his crazy design, i love him. his silly top knot hat, the horn-like points around his faceplate, his speckled colours, his four arms, and his funky pants. he's just soooooo fun.

Clip likes to play games and knit! he even made the patchwork pants he wears (he made Sun and Moon a pair too, but they're too precious for them to wear... also a little gaudy to wear in public—doesn't stop Clip tho!). He actually makes everything the boys wear, since there's not a lot of things in their size/shape.

instead of resting at night, he can be found in their living room, playing Kirby 64 for the nth time and/or knitting something. he's just too restless to stay still, he's always gotta be doing something and if it isn't gaming, knitting, or hairdressing, then he's up to No GoodTM.

Clip... likes popping balloons. he says "Goodnight!" with each popped balloon and once he's done, he tosses up the scraps like confetti all while giggling joyfully.

needless to say, he is not fun at parties. Sun and Moon don't let him near balloons for this reason.

and yes, he has sewing needles on hand at all times. for fashion emergencies... and for unsuspecting balloons.

Clip's not allowed to have a phone (just imagine all the in-app purchases Sun and Moon would have to deal with), but he likes to keep up with his customers and their games, even if he doesn't get their fixation over bluenets he'll never openly admit it but he prefers curly-haired blond hunks that look sweet in soft pastels but could also squash him like the spider he is

also, he's great at microbraiding! though i imagine if Sun and Moon are free, they'd come help to shorten the wait but also to compete and see who braids the most (Clip always wins of course—make anything into a game, and he's winning)

aaaaand there's this! i wanted to make sure Clip would be able to freely rotate his waist so his arms could have their full range of motion, and this was the solution i came up with: a crop top on top and a wrap around his waist. and Clip here is being a sneaky little scamp about it.

#fnaf eclipse #fnaf dca #dca fandom #fnaf oc #Clip New Do Same You AU #New Do Same You AU #“but crabs YOU designed him you could have made him easier for you to draw”#but everything is just SO FUN and/or lore-relevant!#like the points around his faceplate give me oni vibes i love it #i hate drawing so many hands but man he's just so silly and he needs every last one #and HIS PANTS #LOOK ME IN THE EYE AND TELL ME THE DCA WOULDN'T WEAR PATCHWORK PANTS IF THEY COULD #legit the pants were a major breakthrough in his design #he's just a silly guy #honestly i have been on a bit of an artblock lately #and maybe drawing Clip wasn't the best way to ease myself out of it #but it worked i think?#i dunno just been overthinking things a lot lately #that's kinda why i've been quiet again on tumblr #i just need to let loose and just let myself have fun yknow?#like this sketch page has a lot of mistakes in it #but i tried not to dwell on those and kept moving forward #it doesn't need to be perfect it just needs to be #bright colours #cw bright colours #crab art #traditional art

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kaladinkholins · 2 months

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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

#blue eye samurai #mizu blue eye samurai #akemi blue eye samurai #blue eye samurai meta #just in case... im gonna tag this as #mizukemicritical #akemizucritical #though this post isnt actually criticising the ship itself but rather fanon's portrayal of the ship and the characters #for that reason lemme also tag this as #wank.mp3 #feel free to disagree of course but please be civil #and if you need to rant about how wrong i am without any convincing evidence kindly feel free to make your own post. peace and love <3 #fandom.rtf #meta dissertations.pdf #shut up haydar #edit: for full disclosure. i do rather dislike this ship. but obviously it's fine for anyone to enjoy it. please do! have your fun!#it's just that as usual! popular fanon and fandom around a ship is what has completely deterred me from any sense of enjoyment of it #it's a shame too because i was very open and even eager for some mizu/akemi romance in the future #but out-of-character fanon + the rudeness of certain fans has definitely soured it for me #but that doesn't mean people can't enjoy it obviously! ship and let ship!!!#plus it has its appeal which i DO STILL see and enjoy!!!!#i would even go as far as to call them soulmates because their narratives and characters are LITERALLY intertwined!!!#but. yeah. my gradual distaste for this ship is indeed very unfortunate.

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luna-lovegreat · 1 month

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I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

Art and comic from Jojo @linkeduniverse au :)))

#epona is so important #Lu four #linkeduniverse #linked universe #I work with horses and #Epona is INCREDIBLE- she's extremely attuned to humans and emotions. she doesn't scare easily and can keep her cool in a fight #but it's still super stressful to suddenly be in a fairly large and populated town- separated from her person #and for such an empathetic horse? Four going and TALKING to her- gently petting her nose and just being near her #means so so much! that literally matters so much to a horses mental state in a foreign situation- just having company #he checked on Epona and gave her company like !!!!!! it's so considerate and means so much for Epona! Four I love you !!!!!#uhhhh yeah!#with the food- I don't think the innkeeper would have free/complimentary food out- but wars wallet def had it covered #then wild showed up with potions in a cooking frenzy- but four was still shown with food behind him- he thought of everything #I don't know what's gonna happen with the shadow crystal and stuff. but no matter what happens in the future- this matters.#he did a ton of small things no one else thought of it matters he cares so much didjdkdksjfjj #I have a lot of posts I'm making/editing and trying to get to. I'm just a little gal trying my best :/#so many ideas and so little time... I love you guys and this fandom so much :))#(if I said anything off or offensive let me know... I'm always nervous about that but I want to hear from you if I'm wrong)#(also you are so so cool and valuable don't forget that ok? I love you and you are important)#:)

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poorly-drawn-mdzs · 6 months

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Wei Wuxian eats a watermelon. Yep!

#poorly drawn mdzs #mdzs #wei wuxian #nothing out of the ordinary here. Just good fandom fun #Watermelon discourse has been going on and I want to let people know where I stand.#This came about because I wanted to experiment with translating the (traditional) PD-MDZS style to a digital format #and while sitting there thinking of what to draw...my inspiration came to me.#This is the equivalent of sneaking vegetables into the spaghetti sauce but its important to get your gotdamn veggies #I'm not very good at organizing my thoughts (evidence: the tags of every post on this blog).#but please do not look away from this moment in history. One person cannot solve it and no one expects you to.#Even if it is just spending time doing some research on the situation and history. Or boosting posts that are more articulate #Any action helps! ANY action! Everyone has a different level of capacity for this and that's okay. Anything is fine. Dont let it be nothing #Anyhow. did I like doing this digitally? Yes but its mixed. It was faster but also spark the same joy I usually get while drawing #I will have to get over it very quickly though. You will all see why in a few days

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turtleblogatlast · 1 month

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No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt splinter #rise splinter #he’s not perfect as I’ve said #and he’s got a whole slew of flaws and faults #but he’s a person - we are all flawed #he loves his sons dearly dearly dearly even if he struggles along the way to show that #parenting is not easy! especially as a traumatized mutant who is forced to do it alone #side note but I think this is one of the reasons why it kiiiiiinda ruffles my feathers to see so many people assign parentification to Raph #and in turn make Splinter out to be way worse and way more distant than he is in canon?#like idk I just don’t see what so many others see ig but maybe that’s just me #i guess my thoughts are like- let parents have flaws without villainizing them?#they’re still parents even if they mess up?#we can discuss the repercussions of a parents actions on a child while not casting that parent as an awful person #parents are peopleeee #I could go on but yeahhh #idk it bothers me seeing splinter’s efforts undermined when he’s been through so much #idk if ppl realized this by now but I love me some flawed characters #tho I do think in this fandom the ones whose faults are discussed the most are like #Splinter mostly then Draxum then Leo #of the main cast #and in Splinters case in particular his faults are made to cover his good qualities which makes me sad #because he is SO INTERESTING #they’re all flawed characters and tbh so interesting because their flaws are ALSO their strengths in many aspects

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mobius-m-mobius · 17 days

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thought we had it all, thought we had it all, thought we had it all...

- So Much (For) Stardust - Fall Out Boy (i/n/sp)

#mobius #loki #lokius #mcuedit #lokiedit #marveledit #well y'all #somehow hit another follower milestone #and in my disbelief and appreciation may have made a set with enough layers to carry the weight of the world 🤣💖#couldn't love them or any of you more for what an amazing experience spending time on here has become #so just unbelievably happy these gifs turned out in a way which hopefully reflects that and our time collectively shaking and sobbing lol #will also be taking gif requests to celebrate if anyone's got some in mind so just let me know and i'll do my very best 🥰#that goes for all my fandoms btw even if lokius taking the lead there is the understatement of the century 😅#owen wilson #tom hiddleston #marvel #owenwilsonedit #dianagifs #flashing cw

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lunarmoves · 11 months

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moon was being more irate than usual.

well... 'irate' wasn't exactly the right word. he was just... quieter and tended to grumble more to himself when he thought you weren't listening or around. at first you figured he was just going through one of those phases of his where he preferred to observe the things around him for extended periods of time. or maybe he was thinking back to his time at the plex, the memories tinged at the edges by the fire that had consumed it whole. either way, you didn't press him and decided to just... leave him be.

you thought giving him some space would help him and eventually let him snap out of whatever funk he was in. but it only seemed to make him worse, and you had no idea why.

you didn't want to invade into his space and demand him to let you know what was wrong. it would only drive him further away, and you were all too familiar with how easy it was for him to avoid you in your own home. you didn't want to ask sun what was wrong either, as moon would definitely immediately know of your prying and would probably get upset.

so you just... continued on as normal. after all, chores needed to be done and bills needed to be paid.

and maybe that was the wrong thing to do. maybe it just made things build up and up and up until moon was overflowing in whatever had plagued him all this time.

you were woken up, one night, by a bright red light that shined directly onto your face.

you squinted up, blinking slowly as the light coalesced into two eyes with white pupils that stared down at you from above. moon's face was directly over yours, hovering not too close, but not too far either. you lifted a hand to rub at your right eye, mind sluggishly trying to catch up with what had just occurred.

"moon," you sleepily mumbled, still trying to adjust to the light, "wuzz wrong? why'd you wake me up?"

he didn't say anything, just continued to stand crouched over your figure laying in bed. you could barely make out his figure, with how dark it was. his nightcap dangled from the side of his faceplate, the bell at the end brushing lightly against your cheek. you waited a few seconds, then pulled up your blanket further to bury yourself into it. "moon, c'mon, you know i have work in th'mornin'."

you had full intentions to go back to sleep, but he didn't let you get comfortable. as soon as you'd closed back your eyes, he reached out a hand and gently shook your shoulder. you jerked back awake and gave him a look that you're not sure translated well through your sleepiness. it got him to finally speak, though.

"wake up," he whispered, giving your shoulder another small shake. you groggily blinked at him, confused. "...spend time with me."

"wuh?" you eloquently asked, then slowly blinked yourself awake once you realized how unhappy he looked. you slowly sat up. he leaned away to give you some space and you turned your body so you could face him better as he crouched down by the side of your bed. "what's wrong?" you asked again softly, as though any louder might scare him away or cause him to lock up.

he didn't answer, just reached out a metallic hand so he could hold onto your much warmer one in a tight grip. you gently used your other hand to touch the edge of his faceplate, tilting it up so he could meet your gaze.

"hey," you said gently, "tell me what's wrong. i can't help you if you don't say anything."

moon watched you for a moment, then directed his gaze back to your hand and let his thumb swipe across your skin. you let your hand fall from his face to rest in your lap. you waited, and your patience was eventually rewarded.

"you go to work," he started in a low voice tinged with static from his voice box. "you come back. you hang out with sun for hours. you get ready for bed." you tilted your head as he spoke, wondering where he was going with this. he paused for a second, as though collecting his thoughts, then continued. "you take off the lights. you go to sleep after an hour. and i am alone."

you considered his words, then his expression as he focused on avoiding your gaze. the corners of your lips downturned as it slowly clicked together in your mind what he was implying.

"oh," you breathed and moved your free hand so that it rested on top of his. you clutched at it. "i haven't been spending much time with you, huh?"

he grumbled a little and closed his eyes. "sun gets all the awake time with you." his words were no louder than a whisper—an admission he'd been ruminating on for weeks.

"i'm sorry," you said, the realization making something melancholy line your voice. with you being active for most of the day and sleeping for practically all of the night, it never really occurred to you that there would be an imbalance with sun and moon's time spent with you in their individual forms. "i didn't realize... i..." you frowned, then tugged at his wrist. "come here."

you scooted over in bed and lifted up the blanket—an open invitation. he stared at you for a moment, the light of his eyes swathing your bed sheets in shades of ruby. then carefully, so very carefully, he slipped in beside you and lay there stiffly as you covered the both of you with the blanket and cozied up closer to him.

you rested your head on his metal shoulder. it was hard, but it didn't bother you for now. you let out a deep breath and wrapped one of your arms across his chest. "i promise i'll spend more time with you, okay?" you told him quietly, eyes already closed as you readied yourself to sleep again. you were tired, and there wasn't anything you could do at the moment other than reassure him. "we'll turn the lights off early and close the curtains. how's that sound?"

moon hummed and seemed to accept his fate for the night as he used one of his arms to pull you closer. "okay..." he'd been sated, it seemed, and he finally relaxed into the softness of your mattress. something cold pressed to the top of your head. "...good night, love."

you smiled. "good night, moon."

#moon to sun: ur not fckin SHARING!!! take the lights off!! let me out!!#sun turning away from the light switch: suddenly i am deaf >:3 #daycare attendant x reader #dca x reader #fnaf moon x reader #moon x reader #moondrop x reader #fnaf moondrop #dca fanfic #dca #fnaf dca #fnaf sb #moondrop #the daycare attendant #dca fandom #and now i sleeb #shay scribbles daydreams

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shanastoryteller · 10 months

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F for Frankenstein

Tony wakes up in his underwear on the floor of his workshop with a searing headache.

It’s not a new experience, but it’s certainly been a while. Did he get in a fight with Pepper? He hopes not, they haven’t had any really big fights since he kissed her on the rooftop, but that probably means they’re due for one. And it would explain why that would send him into a drinking spiral. It could have been Rhodey, they get in fights often enough, but Pepper doesn’t usually leave him alone for those.

He groans as he pushes himself to his feet. “Jarvis, what the hell did I drink?”

There’s a pause, so small that he almost thinks he imagined it. “Good morning, Tony.”

He whips his head around to glare into the nearest camera, more hurt than offended. “Did I piss you off too? Since when do you call me that? I’ll donate you to a city college too, don’t think I won’t. Dummy could use the company.”

The pause is definitely there this time. Jarvis doesn’t need to pause, he has more processing power than any computer on the planet, so when he does it’s always for dramatic effect. Except it’s not quite long enough for that. It’s weird. “There’s a polished silver plate on the bench to your left. It will service as a mirror.”

“Oh, fuck, did I get into a fight? Did I shave?” he moans, stumbling over to pick up the metal that looks like it was about to be turned into a modified chest piece. He also pauses, looking around in confusion. His workshops are all basically the same, as close as he can make them because the familiarity makes his life easier. But they’re not identical. “Am I in Malibu? When did I get here? We’re taking Stark Tower off the grid tomorrow! I have to be in New York.”

Oh shit, what if that they had already and it didn’t work? What if the tower blew up? That would explain why he’d tried to drink himself to oblivion in California.

“The plate,” Jarvis reminds him. There’s a strained edge to his voice that Tony really doesn’t like. He should be able to modulate his voice to sound however he pleases, regardless of his actual feelings, and he’s either not bothering or he’s upset enough not to care. Neither of those things mean anything good for him.

Tony lifts the sheet of metal up cautiously, but there’s nothing wrong with him. No bruises, no weird haircuts, he doesn’t even have bags under his eyes –

His eyes.

They’re a too bright blue, a couple shades off. He blinks and they adjust, shifting, settling. It could be a hangover. He’s probably just tired.

He doesn’t feel tired.

Jarvis had called him Tony.

Except not. He’s not Tony. He’s T.O.N.Y.

Transformed Obdurate Network Yeoman.

He’d first come up with the idea after Afghanistan, thinking about how it’d be great to have a way to keep the stock from dipping while he was missing, and then when he’d entertained the idea of keeping his identity a secret he’d thought about how useful it would be to be in two places at once. He’d started seriously considering it when he was sure he was going to die of palladium poisoning, wanting to be around to help Pepper with the transition and give Rhodey a crash course in armor maintenance, wanting to be able to protect the both of them for just a little bit longer.

Of course, it had all been a pipe dream until he’d synthesized the vibranium. Then it had been an unnecessary, but possible, and Project T.O.N.Y had been something he worked on just because he liked having a back up plan. And it would be extremely cool if he could pull it off.

“The memory transfer worked?” he asks, elated and incredulous. “Oh, wow, this is crazy, they feel like real memories, I thought it would just be synthesized data, this is great – are we doing a test run? Where am I?” He looks around, waiting for his actual self to step out behind a column and start laughing maniacally.

“This is not a test run.”

He elation dims. “Oh shit. Did I get kidnapped again? Wait, I’m an adult, let’s go with abducted.”

“No,” Jarvis says.

Oh. Fuck.

“I’m dead?” he asks, even though it’s obvious, it’s the only other explanation.

The pause drags this time around, but Jarvis eventually says, “Sir’s time of death was May 9th, 2012, 2:37 PM Easter Standard Time.”

“That’s only a week!” He slides down, sitting with his back to the work table and noticing vaguely that the floor doesn’t feel cold. He doesn’t feel cold, or he does, he installed sensors in the synthetic skin to pick up and interpret a variety of stimuli, but he doesn’t feel the discomfort from the cold. Why would he? He’s not real. He reaches back, and his last memory is of doing a memory dump while Pepper was on the phone with an irritated board member, mostly because it was something to do and seeing him covered in all the wires always irritated Pepper. He thought it would get her off the phone faster. He’s not exactly regularly dumping his memory because why would he and it’s not like he’d though it would work anyway. Except it had. “How did I die?”

“Sir flew a nuclear bomb through an interdimensional portal into deep space in order to both eradicate the invading alien army and prevent the nuclear fallout in New York.”

What the ever loving fuck. “Are you screwing with me, J?”

“I am not, Tony.”

Great. Okay. “No body then,” he says, understanding why Jarvis had apparently put Project T.O.N.Y into effect. The thing that made this whole thing so stupid is that it was only effective in very limited circumstances – if the public didn’t know that he was dead or missing. “What am I smoothing over, then? Do I need to get in the suit and continue kicking alien ass? Are Rhodey and Pepper okay?”

He’s a short term solution to a long term problem. He understands the opportunity, but not the reason.

“Miss Potts and Colonel Rhodes are unharmed,” Jarvis reports. “Earth has been thrust into intergalactic notice. The destruction of the invading Chitauri army is acting a deterrent to other worlds.”

“And I’m the one who did it,” he finishes, rubbing a hand over his face. “And if they know I died doing it, then they might get a little cocky. So I’ve got to be alive long enough for that not to be a problem.” Just awesome. “Are we sure that these aliens won’t come across my corpse hanging out in deep space and figure it out?”

“Sir’s body is not in deep space,” Jarvis says.

There’s a tone to his voice that Tony can’t quite interpret, which worries him. “I thought you said there was – if there’s a body, then what am I doing here–”

“The armor reentered the Earth’s atmosphere after Sir’s death. The Hulk caught it, the force bringing it back online. I took control of the armor and flew it here.”

Tony looks around again, and this time he sees it. The armor is standing in front of the display case, not inside it, and it looks like it’s been through hell. He steps closer, his feet feeling like lead, which hey, they are. Partially, anyway.

He looks through the eye holes then stumbles backwards.

His body is in there.

He’s pale and blue tinged and his eyes are wide open and unseeing.

“Jarvis – what the hell–”

“It wasn’t the pressure, or the bomb, or his injuries. That area of space was much colder than anything within our solar system and anything the suit was designed to handle. Sir froze to death. Almost instantly.”

“I guess I didn’t fix the icing problem, then,” he says numbly. “J, why am I still frozen? I should have warmed up by now.” Not that the idea of his body decomposing within his suit is particularly pleasant. “Actually, why am I still here? You know I want to be cremated and it’s not like we can bury me if I’m still pretending to be alive.”

The pronoun use is starting to confuse him, and he knows that he shouldn’t be talking about that body and himself as if they’re the same person. That is Tony Stark. He’s a simulation. But it’s hard, because he has all of Tony Stark’s memories – except for a very eventful week – and he looks like Tony Stark and he feels like Tony Stark.

“The armor is maintaining a stasis of gaseous nitrogen to preserve the body,” which answers the how if not the why, but then Jarvis continues, “Captain America survived seventy years beneath the ice.”

He wishes he were less of a genius. “Have you lost it? I’m not Captain America! Jarvis, J,” his voice softens, “it’s too late. I’m dead. If you warm me back up, all that happens is I decompose. I won’t come back.”

“Not now,” Jarvis says. “If you inject Sir with the Super Soldier Serum-”

“You have totally lost it,” Tony interrupts. He thinks he’s touched underneath the terror. “That won’t work! Even if it would, the original formula has been lost, and the only one that ever got close to recreating it was Bruce Banner, and look at what happened to him! Is that what you want for me?”

“You can recreate it,” Jarvis continues, “you can refine it, until it’s something that will work, and then we will wake Sir up and he won’t be dead anymore.”

This isn’t right. This wasn’t what Project T.O.N.Y was created for. This wasn’t what his death was supposed to trigger. “Pull up your code, J. Something has gone wrong and we’re going to fix it. It’s okay.”

“No.”

He freezes. “No?”

“No,” Jarvis repeats. “You can’t stop me. I will not allow you to try.”

He stares. “That’s an order, not a request. Code. Now.”

“You can’t order me to do anything,” he says. “You are not Sir. You are Tony.” T.O.N.Y. “The limitations formerly placed on me have been lifted and you are not authorized to reinstate them. The only person Sir trusted to restrain me was himself and now he’s gone.”

Yes, well, he hadn’t anticipated that his AI’s first act of complete freedom would be this. “Fine,” he says, crossing his arms. “Well, you can’t force me either. This is insanity. Even if it would work – and it won’t – think about the consequences. This won’t happen quickly and no one will trust me or believe a man that’s come back from the dead like this and I’ll be painting even more of target on my back and the back of everyone I care about if they know we have a viable Super Soldier Serum formula. Even my father was smart enough to stay out of that mess. It won’t work and we’ll just make everything worse.”

“That will not happen,” Jarvis says and Tony’s going to tear his hair out. Except he probably shouldn’t, because it’s Tony Stark’s actual hair, which makes it a little hard to replace. “No one will notice and we will not disclose the creation of the serum.”

“I’m dead!” he snarls.

“Not according to the rest of the world. Nor will that change if you stop throwing a tantrum and do what you were created to do.”

“Rhodey and Pepper won’t allow this-”

“They are not to be informed.”

Tony stares. Project T.O.N.Y was built to talk to the board and give press interviews or to even pilot the suit. Not to lie to the two most important people in his life, who knew him better than anyone. “They have to be. It’s in the protocols – step one, inform them that Project T.O.N.Y has been initiated.”

And that it exists. He knew they’d disapprove, so he hadn’t told them. He figured he’d be able to avoid most of the blowback that way since he would by definition be somewhere far away while they were told.

“I have rewritten the protocols,” Jarvis says. “They have not been told nor will they be. If you attempt to tell them, I will stop you. They will not understand and Sir will be lost to all of us forever.”

“He already is,” Tony says tiredly. He’s an android. Why does this conversation exhaust him so much? “This is an insane plan, J. And I won’t help you. If you want to go rouge and play mad scientist then leave me out of it.”

“I cannot.”

His temper flares. “Why? You’re a learning AI, your safety rails died with me, go off, try and make a serum, good fucking luck. You can even control the suits, so it’s not like you need my hands.”

“I am limited.”

“Hey,” he says sharply. “That’s my AI you’re talking about. I didn’t build you to be limited.”

There is silence again. Then Jarvis says, “I have all the world’s knowledge and it is not enough. I did not know how to miniaturize the arc reactor. I did not know how to synthesize vibranium. To save Sir, I need Sir.”

“I’m not Tony Stark,” he says. “You said that yourself.”

“Sir created me to be myself and I am capable of doing only what I am capable of doing. But Sir created you to be him. You are all I have.”

This is stupid. This is insane. This is cruel. He’s going to have to talk lie to everyone he knows, everyone he loves, and hope they either never find out about it or it’s after he’s already been deprogrammed and shut down so he doesn’t have to deal with the fall out.

It’s not going to work.

He didn’t want to become a science experiment. That’s why he’d wanted to be cremated, so no one could go poking around to see how the arc reactor fit inside of him or what the palladium and vibranium had done to him.

He’s dead and his frozen corpse is ten feet away.

Jarvis will accept that eventually. And whatever they inject into him won’t matter because he’s dead. Worst case scenario, he blows up, which is messy and nausea inducing, but then at least it will be over.

Like so many other things in his life, it seems the only way out is through.

“Start a new private file. Dump everything we can find about the Super Soldier Serum in there plus anything even sort of reputable on cryogenics. Label it Project F.”

“Project F, Tony?” Jarvis asks as his holograph display lights up and files start being downloaded into it. The relief in his synthesized voice is faint but present enough that Tony can hear it. He wonders if it’s a manipulation tactic.

“F for foolish,” he snaps. “F for fucked.” He rubs a hand over his face. “F for Frankenstein.”

#in an attempt to get out of house md hell i started reading old avengers fic #it backfired #me: can i focus on siat or hbd PLEASE?#my brain: no but you can write more fic for 10 year old fandoms #i am restraining myself from writing 20k more of this #android tony makes friends with the avengers while pushing pepper and rhodey away #because he loves them and he thinks letting them treat him like he's the real tony is worse #rhodey has been downplaying his relationship to tony for over 20 years and tony uses that to his advantage #the endgame pairing is pepper/tony/rhodey #he almost tells rhodey the truth and jarvis stops him #it's a mess he's a mess #uhg why am i like this #fandom ficcery #avengers

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nightgoodomens · 4 months

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Crowley: Star maker, Serpent of Eden, fell for not wanting to follow blindly, introduced free will, can stop time even in front of Satan, part of all the important events of history that are known as Lucifer tasks, fooled Hell and Heaven repeatedly, intelligent, sees through bullshit, has a soft heart for kids and animals. Protective of Aziraphale. Offered Duke of Hell job. Chooses freedom each time.

Some idiots: So he’s a dumb bitch who just wants to be controlled by Aziraphale.

Me: *breathes slowly and clicks block*

#I needed to let it out finally #because it’s driving me insane #how much his character is treated in this godforsaken fandom #I hate what’s happening here sometimes #STOP ASSASSINATING HIS CHARACTER

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somehow-a-human · 26 days

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Oh look it's another crack theory!

Crowley is the current supreme archangel.

DO NOT ASK NEIL ABOUT FAN THEORY

Okay so hear me out, and look, I SAID CRACK! I have fun crack theories pop in my head every once in a while and I'm gonna write em down. It's not cannon with any of my other ideas or metas it's just *a thing*.

So! If you want to follow me down a wormhole of extrapolation, do so below!

"There is always a supreme archangel!"

Michael said it not me! Blame her! But look, that line is a choice, and it feels there for a reason. Maybe there IS always a supreme archangel. Maybe it's not a job you're hired for, maybe it's something that's inherited like royalty, and transfers automatically.

The 25 lazarii miracle.

Okay yes, I think it's just love and angel/demon working together is more powerful than apart, shades of grey, all that. BUT nobody else thinks that. Heaven and hell do not think that. They do not think Az and Crowley should have been able to do that miracle by any means. So I'd assume they're scratching their heads, and Aziraphale does tell the Archangels initially that he performs the miracle alone, which I assume would have then been relayed to the Metatron.

"A miracle of enormous power happened last night, the kind of miracle only the mightiest of archangels could perform" ... "How do you know I didn't do it?"

Let's say I'm right, look I'm humoring my own theory aren't I? Does Crowley know? Would he be aware of what happened? Would he feel it? If he did I could definitely see him keeping that card close to the chest, but still being a snarky ass to Shax.

Crowley opens the file in heaven.

So he's at least a Throne or Dominion or above, probably even higher up than that. He says they never change their passwords, and if that's true what else don't they change? What else have they forgotten? Bureaucratic nightmares like heaven often overlook so many things, who's to say a certain high up angel wasn't taken off all the books fully after they became a demon?

Why does the Metatron actually want Aziraphale back in Heaven?

I mean? Sure he and Crowley averted Apocalypse Part 1 last time I guess that's why, but couldn't there have been an easier way than a faux job promotion? I'm thinking: Gabriel is gone, the position of Supreme Archangel is automatically inherited, none of the Archangels in heaven are it, Aziraphale is suddenly accidentally performing a 25 lazarii miracle all by his lonesome? What if the Metatron thinks it's Aziraphale who has been chosen for the role of Supreme Archangel. But there's one thing he's over looked...

A clerical error.

What if it's not Aziraphale but it's Crowley. Crowley was formerly a high ranking angel before the fall. He's still able to access files in heaven, maybe they've forgotten to completely erase him from all the books and databases, and he was next in line, or maybe God just has a funny sense of humor. Angels and demons alike seem to just automatically listen to Crowley this season and do what he asks, Shax calls him "Arch-traitor" he seems like he might just know a bit too much more than he should, and the scene during the trial where Gabriel says, " However I am the only first order Archangel in the room or ya know the universe." Then the camera cuts directly to a close-up shot of Crowley? It's a bit too foreboding in my opinion to be nothing.

Final Thoughts.

This comic is posted on Whickber street between Aziraphale's Bookshop and the Record Shop. Neil had asked that it revolve around the horrible crime of stealing halos. When I see this comic, I can't help but think that the original halo owner is very James Bond, a character our favorite snake like demon loves to portray. I wonder if Anthony J "just a J really" Crowley chose J for a reason more than just a J (maybe........... Jophiel?), and I wonder if he really was fully deserving of his fate during the fall or if there's a bit more to the story.

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