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#long post lolol
himemeiya · 9 months
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Stumbled upon your blog yesterday and realised you were the one behind the Utena Bet On it AMV, plus all the other videos on that channel! I had a friend who had already watched RGU reccomend the show to me and when I finished the finale she sent me a bunch of videos, essays, meta, memes she really liked about Utena. Out of the videos your vine videos, your bet on it amv and your tiktok sounds utena videos all featured as Things U Gotta Watch. Top Tier. And they are! I cannot stress how good they are. I've got a friend I'm trying to get to watch utena and I'm already prepared to send your whole channel her way.
Like, your Bet On It amv is just crazy - to the point I associate the whole song with utena instead of high school musical. High School Musical Who? I have driven home from work with the song blasting and in my head I'm thinking of the corrosponding imagery in my head. listened to the song a LOT just thinking of the amv. 'blame the world but never blame you' and it focusing on anthy. the start 'everybodys tryna get in my head' with everyone who manipluates utena? the bridge speeding up through all their utena/anthys relationship until utena gets up again at the climax of the song? This video is a masterpiece.
The vines and the tiktok sounds are soooo spot on and hilarious. every onee. and seeing an upbeat version of 'empty chairs at empty tables' to the end of utena emotionally altered something in me oh my lordie. I got introduced to the song The Draw from your other amv, which is SO PERFECT for the black rose arc?
And as a Lizzy McApline fan the ceilings youtube short took me OUT! the way the details about the car, the lines about 'you dont exist' being applied to utena's prince/akio, 'story ive seen before' being the prince/princess/witch ohturi mythology and ending with anthy at the end....... !!!!
All this to say I love all your utena edits on youtube and will be watching them many times over, as well as showing them to other people. Great work. ╰⁠(⁠*⁠´⁠︶⁠`⁠*⁠)⁠╯
🥺 This message is so damn nice and I have reread it multiple times cause oh my god your appreciation of my videos just makes me so happy and I'm so glad you watched and enjoyed them!! 😭 The support I've gotten from the fandom is very heartwarming, I just love it!!!
Yes hehe I'm the one behind all those videos! The Bet On It video specifically was one that lived in my head for YEARS until I finally sat down and decided to make it everyone else's problem too 😂 I would just listen to the song on repeat while geting overly emotional imagining Utena's journey and the fact I was tearing up to a Troy mf Bolton song was so unhinged 💀 yet now look at me, I have spread my vision like a plague amongst the fandom and everyone else gets to be just as unhinged over the golf course disney movie meme song as I am ⛳️ I would have it no other way. My favorite comments on that video are the ones along the lines of "I clicked this thinking it was gonna be funny but now I'm crying" cause if that doesn't just sum up the experience of Revolutionary Girl Utena itself then idk what does 😂
RGU's tonal conflict is one of my favorite things so choosing goofy audios for the end of the show was such a treat lmfao. And ugh The Draw is just such a good and ominous song. I rlly love how the Black Rose arc is all about radicalizing character's emotions to the point where they'll do anything to get what they think will fix their lives. Reverse therapy with Mikage is a hell of a drug. 🦋☞
I rlly feel like Ceilings captures that self-sacrificial "first love" feeling so many girls go through (especially with men) where they're uncomfortable and can't be open but ignore all those red flags until it gets to a point where things crumble and they realize the relationship never existed how they were imagining it. GAH THE FEELINGSSSS.
Sheesh thank you so much again for this message, it really brightened my week and was so touching to read. 😭💜 If I may humbly offer some video suggestions (if you haven't already watched them) I really love the For Your Love amv by Mari F and the Utena in 7 Minutes amv by Akilice. The first rlly captures that melancholic yet hopeful tone of Utena & Anthy and the latter has the audacity to make me emotional over a goddamn acapella Hamilton mashup of all things 💀 (the It's Quiet Uptown part literally destroys me every time.....). Digi Story has an Utena Deep Dive Analysis that I really enjoy, he talks about how RGU is "prismatic" in it's storytelling where there's no singular interpretation because there's just so much to look at and analyze. And finally, the Therefore You and Me animatic by edsartfactory literally changed my life it's ridiculously good!!
AHH thanks once again and I hope you have a great weekend!! 💞
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wis-art · 6 months
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bus stop
or how raphael became wiki and a lesbian
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thankstothe · 3 months
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lines?
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brookheimer · 11 months
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i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.
(read more under the cut because jesus christ did this get long)
in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.
again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.
so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.
really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.
i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.
shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.
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hallwyeoo · 1 year
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Ellie’s memory of the golfing scene and what it tells us about her.
🚨spoilers for tlou2🚨
I think Ellie’s flashback to Joel’s death is very telling of how she internalized the event and the meaning she applied to his death. It’s also a good demonstration of her relationship to autonomy. Let’s break down the elements that were inconsistent with the actual event:
The stairs/hallway are much longer than they were. This suggests a sense of helplessness, an inability to get there fast enough. Joel is constantly out of reach.
There is blood on the floor outside of the door. Not entirely certain on this one but my hunch is that she blames herself for not seeing more obvious signs of violence/not knowing something was wrong sooner.
The door is locked, another roadblock in her path to Joel. She can’t access him, she can’t help, he needs her and she isn’t there.
Most importantly. Joel yells “Ellie, help me” (which he didn’t in the actual scene, he just screams. He doesn’t say a word in the actual scene)
Ellie hearing Joel scream for her help, calling for her while being horribly beaten, and her being repeatedly impeded on her way to him suggests that what she took away from his death is that she wasn’t enough. They always helped each other, always had each others backs, always got up. Ellie views his death as a failure. She was too slow, too weak, not smart enough to save him. She failed him when he needed her most. She is absolutely helpless to save him, just like she was helpless to save Riley, Tess, Sam, and Jessie (and Marlene, and humanity, and and and-).
Once again, Ellie makes a decision (staying with Riley, going to the fireflies, staying with Joel, being the cure, trying to forgive Joel) and once again her autonomy and ability to find closure is ripped from her.
This is the inciting incident of tlou pt2, this is the moment where Ellie’s whole world shatters the same way Joel’s did at the start of pt1. Ellie enters into the same cycle (which I like to call the “Joel cycle” because… yeah.) that he did, and throughout pt2 she stays in the “20 years later” phase of the cycle. She is changed, she has lost her light, lost what she fought for. She lost her chance to genuinely forgive Joel and rebuild their relationship. She is stuck in a gruelling and violent world that she has no anchor in, at least not anymore. His death is so sudden and so incredibly violent that it practically gave her (and me as well, tbh) whiplash. She’s in a state of total shock.
On another devastating note, this is one of the three times in tlou that we see Ellie beg (that I remember). The first is begging Joel to get up at the university of Eastern Colorado, the second is begging him to get up and for Abby to stop, and the third is begging Abby to not kill Dina because she’s pregnant. (Two times she begs Joel to get up, one time he doesn’t. Two times she begs Abby to spare her family and one time she does. What a beautifully haunting contrast)
To wrap up, every person creates an internal narrative, a story of their life that is crafted from their context and lived experiences. The meaning we derive from those experiences doesn’t always reflect the truth, and that can sometimes bite us in the ass majorly when we experience a traumatic event. We tend to want to find someone or something to assign blame to, some reason or rationale to why it happened. We tell stories. We write them in our minds about ourselves and what happens to us and what that says about us.
But Ellie is wrong. Joel’s death happened in response to a conscious and willing choice he made. It is in no way her fault, and there was absolutely no way for her to know or to stop what was happening. I think Ellie knows that much on an intellectual level, It just doesn’t change how devastated she is over the whole event. It can’t change the fact that she FEELS as though this was all her fault, that Joel did what he did to save her, that she could have saved him. That she should have.
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allgremlinart · 8 days
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I would like to hear about the earth kingdom over expansion theory
‼️ ok. admittedly this DOES require some knowledge of my pre-unification theory to understand better sdhsdh.
but basically, it rests on a few certain assumptions and ideas that make me believe that The Earth Kingdom looks as big as it does because it has made some aggressive, ambitious, and somewhat wobbly land claims throughout its history.
the facts of canon are as follows:
While being divided into smaller kingdoms and states the Earth Kingdom has a centralized seat of power that exerts authority and administration over them (currently, Ba Sing Se).
The Northern Air Temple is marked on the world map as Earth Kingdom Territory, while the other three Air Temples which are not connected to the contiguous EK by land are not.
By 4,000 BG the four nations were not yet unified or ethnically identifiable.
my assumptions and theories are as follows:
While when we appear on the scene in 100AG its clear that the 4 nations developed to have a strong sense of ethnic identity, it is unclear if national ethnic (see: elemental) identity came before or after these territories unified.
The borders of the 4 four nations changed and oscillated over time.
It is the central authority that is currently in power (BSS, Chin The Conqueror, Kuvira, etc) that decides what is and what is not considered the "Earth Kingdom."
These decisions and claims are not always 100% salient, or there is no intrinsic or inherent claim to an ethnic Earth sovereignty over all the territory we see that it possesses.
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So essentially what I've concluded/headcanoned based off my own personal assumptions is:
Once upon a time the Earth Kingdom decided that the Northern Air Temple and the mountains they lived in were now Earth Kingdom territory. The Air Nomads simply didn't challenge this because they didn't care about borders or nation states and also the EK has no way of ascending to the temples to collect taxes from them or anything anyway.
Once upon a time the Earth Kingdom decided that the islands closest to the South Pole, which were historically either a mix of Earth and Water elemental identities, mostly Water Tribe, or populated mostly by non-benders, were now Earth Kingdom territory. The people from these islands did not put up much of a fight to these claims since the EK rarely bothered to sail out there anyway.
In conclusion: this theory is mostly an excuse for me to make the world's history messier (because it's fun and realistic) and to expand the Southern Water Tribe's identity and cultural sphere of influence (because it's fun and I can draw about it.) Uhm. play with me in this space? if you want.
(the map I used is from the official RPG book, but here's another map of 98 AG by GPMAsss2 on Deviantart because. well idk just because. I like this one. atla has a cool map community if you know where to look...)
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tinapaipai · 1 year
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some twitter dumps
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rainbowserenity · 3 months
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Zack Fair + Florida man headlines (plus bonus Cloud)
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ahbeduo · 3 months
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Do u have any subject 2 headcanons? 👀
I DO ACTUALLY!!! I think I've mentioned some in another ask, but uHHH I will put them here again cuz I might have changed some since last time🤔 I will put em belowwww Because I will not shut up about him /lh
REMINDER THIS IS ALL MY HEADCANONS! I ain't saying they're correct and true at all! There's so little screen time and crumbs I had to cook my own bread
Note: If it's not in any Aeruby AU (Aether x Rubedo but i and my friend like to call him Ruby haha) then he will forever be subject 2 in my head
I had HC Subject 2's real body underneath the Albedo imitation has multiple large jagged scars from when Durin had eaten him. Those large sharp teeth probably had pierced through his body once or twice before he was sent down the esophagus. That's why some parts of his body are so damaged he can't feel anything there
Another thing is that his hair.. I HC it to be black as opposite to Albedo's pale blonde-ish colour since Albedo is considered free of impurities and Subject 2 isn't at this point? Marinating in Durin's blood has GOT to do something right? Right?
This isn't exactly my HC, but of a friend who I always throw my brain worms at. They say his hands and feet has a bit of darkening, like a siamese cat's paw 🥺 It ends at his forearms and shins
Mentally, he is a child because I don't think Rhinedottir had allowed him to grow and develop so much. So yes, he doesn't have as much control over his emotions as Albedo. He isn't patient either compared to his successor. His relationship with their Master is complicated. He hates her, yet he refers to her as his mother. Mommy issues ayeeeee lmao
"You are my magnum opus" Rhinedottir had said to him. He had been proud to be her work of art. So he didn't expect to be thrown away for failing. What did he fail at? He didn't know. He was never told.
other simple stuff
-He won't get a vision -Has an interest in plants and animals -He's physically stronger than Albedo since he doesn't have a vision to rely on -Is very willing to get his hands dirty and commit murder for his benefit ((not surprisinglol))
All in all he gives feral stray cat energy that just wants love but would rather replace his successor to get it than to start his own life.
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going to be so totally honest, im willing to sit through ANY amount of spock straightness love triangle subplots as long as SNW keeps up the 'giving compelling characterization to female characters' energy because holy shit how incredible has this season been so far? uhura, la'an, number one, chapel, and ortegas have all had iconic spotlight arcs where they just Do Shit, who even cares about spock at this point (and im saying this as someone who chronically and autistically Cares About Spock)
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moonsidesong · 8 months
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as a kid in utah, i remember really clearly that touch typing was a thing schools started teaching you as early as second grade, but my friends in arizona just. didn't ever learn and some of them are now teaching themselves to as adults. so now im kind of curious...
(It doesn't matter if their lessons actually stuck for you, I'm just curious if they even tried lol. feel free to also add in tags when they started teaching you and/or what general area of the country you live if you're comfortable!)
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bdubsgreen · 2 years
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Y’ALL
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thankstothe · 4 months
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Girls night out
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josephtrohman · 3 months
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just booked my first tattoo (im 24 btw)
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puricodraws · 4 months
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Here's a long post no one asked for, but I gotta get off my chest. Lots of infodumping about Kingdom Hearts and in particular the casting of it's voice talent, so strap in y'all. So something I find very interesting is the way Square/Disney has treated the character of Kairi throughout the years. She started out as a damsel character, and was hated by very vocal group in the fanbase. I myself didn't really care about Kairi any which way, I didn't find her particularly interesting and I could understand the hate for the character like... a little bit? But what's funny to me is how that perception has changed over the years. Maybe there is still a very vocal group of people hating on Kairi on some forum I'm not aware of but I feel like the general consensus on her these days is: That's our girl. We can recognize that she is a victim of bad writing and the damsel trope. She's become a bit of un underdog in my mind. Like, treat her better Square! Come on!
The issue with Kairi is that she's just a... nothing sandwich. Kairi is a sweet girl, she likes Sora, she likes to write and makes good luck charms. She's also secretly a princess and therefore has a pure heart and can do nothing wrong. She is a little bit sassy sometimes, but not too much, she cares about her friends and will jump into danger to protect them, but most of the times she is the one who needs to be protected. She's strong, but not too strong, she's sweet and easygoing, and she's boring as hell. In the games at least... She rules in the manga.
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In the game she softly lowers a bottled letter to Sora in the ocean, while in the manga she tosses it in there with all her might.
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In the game she sort of runs away when Axel tries to kidnap her but in the manga she THROWS HANDS at one of the nobodies who tries to capture her.
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Also later in the story when she is kidnapped by Organization XIII, she actually manages to escape for a bit by wiggling through the bars of her prison cell, and then throws hands at Demyx, who is actually trying to help her out. (the manga takes some liberties with the story, it's great you should really read it if you get the chance)
Shiro Amano actually lets her put up a fight and let her actually try to escape by herself when she's captured. Watching this girl be strong and throw hands without hesitation is so so great. Shiro Amano said: Girls should be allowed to go feral once in a while, as a treat. Also I would be amiss if I didn't mention this moment with Olette:
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(In the game, Olette awkwardly and weakly puts up a hand to protect Kairi when Axel shows up in Twilight Town to kidnap her, but is just ignored in the most disrespectful way.)
Anyways, back to Kairi. It's sad to say, but her original characterization is just boring. She doesn't really want anything for herself and she doesn't really have a function in the story except to wait around for the boys to pay attention to her or get kidnapped and need to be rescued. And while in recent years the writers are finally exploring her being a keyblade weilder and having her actively participate in the story, they still just can't resist damseling the poor girl, fridging her, and putting her on the sidelines while Sora and Riku take center stage. It's great to see how the fandom's perception of her has changed over the years, people are seeing how Square has been dropping the ball and are actively rooting for Kairi to get more stuff to do. Fans are creating mods of the games to make Kairi playable, are writing fanfiction exploring role reversals where Kairi is the hero and there are several notible fan comics comics that explore her character in a really interesting way.
Anyways, now to get to the actual thing I wanted to talk about: How she's casted in the English version of the games, and how the inconsistent approach to the casting feels... a little disrespectful. Having a consistent voice for a character is something I, and many others really appreciate. It shows a level of care from the creators to bring a consistent group of actors together to bring life to the world. Now, VA's being replaced in the Kingdom Hearts series is not uncommon. The series is known for casting well known actors, and actor availability and budget are problems for which recasting is the solution. For example: Billy Zane got recast as Ansem by Richard Epcar, Brittany Snow by Meaghan Martin as Namine. And then of course there are Christopher Lee, Wayne Allwine, Leonard Nimoy and Rutger Hauer, who had to be recast because they sadly passed away. (RIP, Kings)
Like, all of that makes sense. So here's the confusing situation with Kairi:
Xion and Kairi share a VA in the JP version. This is an intentional creative decision that ties into the lore of Kingdom Hearts. Risa Uchida has consistently voiced these characters in Japanese for years and does a fabulous job.
Sadly this was not the case in the English version. Hayden Panettiere originated the role of Kairi in English, but they got Alyson Stoner to voice Xion when the character debuted in 358/2 days in 2009, which was originally a DS title. Before this they also got Alyson to voice Kairi in the re:Chain of Memories dub in 2008.
These titles were likely smaller budget, which becomes pretty obvious when you look at the overall quality and presentation of the cutscenes. In Kingdom Hearts 1 and 2 the dialogue was recorded in English and the japanese lipsynch animation were redone to match the English dialogue. This was not the case in 358/2 days. The dialogue was recorded to match the japanese lip flaps, and the animation was not altered at all to marry the two together. So availability and budget could have been an issue in getting Hayden Panettiere to record for these games. At the time I also considered the possibility that Hayden simply didn't want to do it anymore. It wouldn't have suprised me, because these things happen. Take Brittany Snow for example, after KH2 she got her big break in the Pitch Perfect films, and probably became too busy to come back as Namine. From 2006-2010 Hayden starred in the popular TV series Heroes, which could have impacted her availability and desire to do KH. And with the lower budget for these projects, and where Hayden was at in her carreer at the time, it could stand to reason that she was simply not interested. I should also mention that in this time period Kairi barely got anything to do. When she did show up it would be for a couple of lines of dialogue. As for Xion, 358/2 days on the DS had around 10 or so voiced cutscenes. So the amount of voice work needed for the character was notably smaller compared to one of the numbered games. So the amount of voice work needed, budget, and availability could all have been factors to why Alyson took over for Hayden during this time.
Now don't get me wrong: Alyson is amazing and is, as far as I'm concerned, the definitive voice for Xion. She originated the role and brought so much to the table. She has a wonderful voice, is a talented actress and we have no choice but to stan.
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Before long it became apparent that Alyson replacing Hayden permanently was not on the table. In 2010 Hayden reprised her role as Kairi and took over the role of Xion in the secret ending of Birth By Sleep!
So at this point it seemed that the original creative intention for these characters would be honored. Kairi and Xion should have the same voice actress, for lore reasons, and that actress should be Hayden Panetiere, who originated the role.
And wouldn't you know it, in 2012 Kingdom Hearts Dream Drop Distance comes out for the 3DS. It's another hand held title, but the budget is lit. There is lipsynch animation for voiced cutscenes, and the amount of voiced cutscenes is comparable to KH1, KH2 and BBS. Kairi has a few appearances, but has only one line of dialogue. Same goes for Xion, while she does get a line of dialogue near the end of the game. Hayden came in to record for Kairi and Xion and it really seemed like she would be taking over the roles from Alyson.
So obviously, at this point in time it's all but confirmed that Hayden wants to work on KH, and the creative team were making an effort to consistently bring her back as Kairi and Xion. That would be a tough deal for Alyson though, was she gonna get replaced permanently as Xion? Well wait a second and I'll tell you!
So in 2013 Kingdom Hearts HD 1.5 Remix was released. It was the first in a series of HD remasters of the Kingdom Hearts series, and the collection included KH1, KH re:Chain of Memories and around 3 hours of newly made cutscenes retelling the story of the DS game 358/2 days. Days originally featured mostly textbox cutscenes. These scenes were remade from scratch and would feature newly recorded voice acting in Japanese and English. Now I don't need to get into it but... The 358/2 days cutscene "movie" is.. not very good. It's boring to watch through, which I think is to blame entirely for the way they approached it. They remade all the cutscenes true to their original appearance, but forgot that there's no action gameplay to break up hours of dialogue scenes. The pacing is bad, the action is non existent, and what's worse is that it doesn't have adjusted lipsynch animation at all. This means the English voice acting was done to match the japanese lip flaps, resulting in awkward pauses and weird deliveries of lines.
The saving grace was that Alyson Stoner was reprising her role as Xion, recording new dialogue for the cutscenes. They also reused her previously recorded dialogue for the DS cutscenes as well. So... I guess Hayden isn't taking over Xion after all? Or perhaps it was easier to get Alyson to come back, so that they could reuse some of the original voice lines from the DS version? I can't imagine that THAT would've been the deciding factor though, because there weren't that many cutscenes from the DS version that would have to be redubbed should they get Hayden back on board. It's hard to say what the reason for this was.
But I was happy to hear Alyson as Xion in the "definitive" version of the 358/2 days story. She has a pleasant voice, and she portrays Xion beautifully in my opinion.
So then KH HD 2.5 Remix comes out in 2014 and features no new Kairi/Xion content. It does feature the Final Mix version of KH2, originally released exclusively in Japan in 2007. This version had new cutscenes, which were now finally dubbed in English for the HD remaster. What's more is they they also reanimated the lip animation to match the new English voice acting! An interesting thing to mention is that at this time, Meaghan Martin had completely taken over the role of Namine, fully replacing Brittany Snow. They luckily didn't choose to redub Brittany's original lines with Meaghan. But it does result in this funny moment where following Roxas' prologue Namine's voice is suddenly different for a single scene.
Anyways, flash forward to 2017, and the release of Kingdom Hearts HD 2.8 Remix, which included a brand new title by the name of, and hold on to your wigs for this one....
Kingdom Hearts 0.2 Birth By Sleep -A Fragmentary Passage-
This was the first look at what a next gen Kingdom Hearts title would be like. You got to play as Aqua and it was wonderful and heartbreaking and cool as hell. At the end of this game a cutscene plays where after a decade Kairi finally gets to be involved in the plot again. She is summoned by Master Yen Sid to begin her training as a keyblade weilder. And she is voiced by.... Alyson Stoner??
A few years later KH3 came out, and Alyson Stoner voices both Kairi and Xion in it. She does a great job. But it's all so confusing.
It seemed so clear that the studio's intent was to get Hayden back as Kairi, and potentially Xion as well. And KH3 was the next big budget numbered title in the franchise. The casting for this game was insane, they got the full cast of Frozen to reprise their roles. Idina Mcfreaking Menzel showed up for Kingdom Hearts! What happened to getting Hayden back? I don't get it at all. This is not to shit on Alyson at all, her Kairi is adorable, and I honestly can't imagine anybody but Alyson Stoner playing Xion. Whenever Hayden picked up the role of Xion I was excited to hear her, but it never felt quite right.
But yeah, this whole situation unfolded in the weirdest of ways. For years it seemed they were absulutely set on getting Hayden to voice these characters. Was she not available to come in for KH3? Well, to answer that question:
Apparently, Hayden wasn't even ASKED to reprise Kairi.
This could of course be a situation of her representatives getting the offer from Square/Disney and choosing not to give it to her. Which happens in Hollywood, and sucks. But there's also a very real chance that Square/Disney didn't even bother reaching out and offering it to her.
Seeing how they decided to recast Hayner, Pence and Olette in KH3, even though their actors are still working as VA's and would have likely loved reprise the roles, I'm leaning to the possibility that they simply didn't bother to reach out to Hayden.
Hell, that's what she said herself.
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All in all it's an interesting series of events. It's confusing, and a bit saddening as well. I can speculate why it all happened, but who can really be sure what their reason for replacing Hayden were. Perhaps they decided to do it because they found Alyson to be a better fit for the character? I may be reading into things but there's this interview Hayden did for the release of KH2 were she talks about the recording process and how the voice directors would keep telling her to "raise her voice an octave higher and make it sound more princess like." I gotta say the way she said that irks me..... I love the way Kairi's voice sounds in KH2! Hayden has a beautiful voice, it's a bit lower and more mature sounding than your average cutie girl voice. I would have loved to hear that quality in the character moving forward. Alyson ended up doing a lighter, cuter version of Kairi in KH3. And I do enjoy how Kairi sounds in KH3. Like, it's fine, she sounds very adorable, and it's fine.
But idk man... it feels... weird. I can't help but feel as though they replaced her voice with a younger sounding one, taking away the strength and maturity of the voice that I loved so much. Effectively infantelizing her. And then of course they proceed to damsel her, fridge her, bring her back to life and put her on the sidelines for the foreseeable future.
I feel like it all ties together with how the writers see her. She's not really a main character after all, she's not a priority. After years of showing a dedication to keep her voice consistent, it was all just thrown out of the window in the end. It makes me feel like they just didn't care in the end, people would be more upset if Sora or Riku got recast, but they just assumed no one would really care about Kairi. I can't help but care though.
I just wish for a future where Kairi can become a main player in the story, and where she is allowed to grow and mature. Where she isn't used as a carrot to dangle in front of the male lead. Where she isn't kidnapped or killed off as motivation for someone else. Where she can be a girl who is not just pretty and adorable and easy going and sweet, but a girl who is strong, silly, determined and is willing to fight like hell for the things she cares about.
Where she is allowed to interact with the world around her, and discover what her place in it is. Where she can discover what she wants for herself, instead of constantly having to be something for someone else!
IDK, maybe that's too much to ask from a Kingdom Hearts game though, haha.
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bryndeavour · 2 months
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