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#luke snyder
sophsun1 · 2 months
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krazycattgurl · 2 months
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Miss them ❤️ Nuke
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1whump-dump1 · 7 months
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Luke Snyder (As The World Turns)
Watch
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multi-muse-transect · 10 months
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I call bullshit on Zack Snyder’s comment that Lucasfilms rejected his Star Wars movie that turned into Rebel Moon cause it it didn’t have known characters per some policy.
Because Lucasfilms had this at the time when he pitched it: 
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Alongside this: 
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comicwaren · 2 years
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From The Variants #001
Art by Phil Noto
Written by Gail Simone
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My '10' Favourite Books of 2022 & My Book of the Year
My ’10’ Favourite Books of 2022 & My Book of the Year
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terminalfix · 4 months
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(via Zack Snyder's STAR WARS: Part 1 - A New Hope - YouTube)
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fantastic-nonsense · 4 months
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I can only assume the Duke and Luke thing is one part WFA and also I remember reading on Duke's Fandom wiki page that he really admires Luke, but admittedly I have no idea where in canon that comes from. So still a wild choice to choose Luke for co-parenting when Black Lighting, or Duke's actual cousin/ legal guardian are right there
Oh interesting, I dropped out of reading WFA awhile ago and haven't caught up yet, so that's a cool thing to know. Not main continuity in any sense, but I can see how someone who's a WFA-only reader might jump to the conclusion that they have a strong relationship in comics canon too if they're portrayed as friends there.
And I honestly don't remember if Duke has ever expressed an opinion on Luke either way in the main continuity, because it's been a couple of years since I've read any of his pre-Outsiders (2019) books, but if he has it was probably way back during the We Are Robin/Robin War era, or potentially in Snyder's All-Star Batman run, when Luke was actually a notable player in the Bat books and not quarantined off in John Ridley's little Fox family sandbox. I absolutely wouldn't be surprised to learn that Duke admires Luke, though! It's just wild to me that, like you said, they picked Luke over any of the Outsiders (particularly Black Lightning or Katana) or Jay, Duke's cousin and current guardian.
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sophsun1 · 2 months
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He doesn't seem like a very nice man.
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coraniaid · 9 months
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School Hard is, in retrospect, one of the pivotal episodes of Buffy the Vampire Slayer.  
In this episode, Buffy is trapped in Sunnydale High School, forced to confront one of the most significant villains the show has yet introduced; one of the most iconic and memorable of the show’s seven seasons.  Somebody who, the first time he speaks to Buffy this episode, casually threatens to kill her and walks away without so much as a scratch.  Somebody who we’re meant to see as an altogether different proposition than his Season 1 predecessors.  Somebody whose attempts to destroy Buffy this time around are only foiled thanks to unexpected support from her mother, leaving him free to try again and again for the rest of the season. 
A villain who, unlike Luke and the Annointed One and all the other Season 1 monsters of the week, actually seems to be having fun while he does his best to ruin Buffy’s life and inflict misery and torture on the population of Sunnydale. Somebody who relishes in inflicting pretty cruelty.  Somebody who was originally intended to be killed off after only a few appearances, but who – thanks in no small part to his performance in episodes like this one – will instead continue to appear on the show for years to come.  A character it is impossible to imagine Buffy the Vampire Slayer without.
I am, of course, talking about Principal Snyder.
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(Also there are some new vampires in town this episode I guess but whatever.  This post isn’t about them.)
I didn’t talk about him much during my Season 1 rewatch, but I really enjoy Principal Snyder as an antagonist.  I think he might actually be one of my favorite minor characters.  He’s incredibly well realized from his first appearance in The Puppet Show: instantly this note perfect pastiche of a self-important petty little bully with just barely enough power to be really dangerous.  The show uses him as a contrast to the other adults in Buffy’s life (Giles, Joyce) to such good effect (especially at the beginning of Season 3).  And Armin Shimerman is fantastic in the role: you can see why the writers gave up on their initial idea of Sunnydale High having a whole string of different principals who got killed off every few episodes.
He’s such a well done comic character too: funny, but never slipping up and giving the impression of being in on the joke.  We’re only seven episodes in, and we’ve already gotten gems like “I can smell trouble – it’s like a sixth sense.” and  “What are you, ghouls?  There are no dead students here.  This week.”.  All delivered with this perfect growling sneer and no acknowledgement at all that what he’s saying is ridiculous.
He’s just fun, in a way that I really don’t think any of Buffy’s other non-supernatural antagonists are.  Yes, Buffy will continue to find the non-supernatural parts of her life hard after high school, but it’s all so impersonal after this.  Other than Maggie Walsh (who is really part of the supernatural world anyway, as head of the Initiative, so barely counts), none of the bad professors she has to deal with in college are recurring characters.  Neither is her bank manager, or her boss at the Doublemeat Palace, or Dawn’s security worker. (Okay, very technically her second manager at the DMP is recurring, but you know what I mean.) 
Of course, being a Slayer still causes Buffy problems in her day to day life, but for whatever reason – I don’t know if it was a deliberate choice or just a result of the later seasons becoming increasingly serialized and story-arc focused - the show becomes less and less concerned with showing us that everyday life.  (Is Parker the last recurring character of any importance who never finds out that Buffy is the Slayer?) And when Buffy goes back to work at the high school in Season 7, everything’s so tied up with her being the Slayer that we just don’t get the same juggling-two-lives thing anymore.
And ... well, I guess Buffy doesn't miss Snyder. I can hardly blame her. But I do.
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aroacesafeplaceforall · 2 months
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TELL ME ABOUT YOUR ARO CHARACTERS PLEASE
I’ll list some characters that I sometimes canonise as aro!!
-every cartoon character ever. Fight me. They’re all on the spec
-regulus black
-pandora
-Anakin skywalker
-luke skywalker
-my OG book characters
-valek on the spec from poison study by Maria v Snyder my fav books as they’re the best shitty romance you will ever read
-any characters who touch a bug in any media
-myself, who’s a character in my own story
-bugs themselves
-stars
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sirfrogsworth · 4 months
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I am only 3 minutes and 8 seconds into Rebel Moon and it is already gorgeous to look at and it already has some annoying Zach Snyder shit going on.
The man cannot get out of his own way.
He actually reminds me a bit of George Lucas. In the original trilogy he had his wife (at the time) save Star Wars in the edit, then he hired writers and directors for Empire and RoTJ to manifest his story and vision. There was always someone to pull him back and keep him from going FULL LUCAS.
I mean, whoever convinced him to truncate "Adventures of Luke Starkiller, as taken from the Journal of the Whills, Saga I: The Star Wars" deserves half of his net worth.
But in the prequel trilogy, George was the boss. He wrote everything. He directed everything. And there are bits that are just wonderful spectacle and genius world building. But there was no one preventing him from going FULL LUCAS and suddenly we have Jar Jar and Hayden Christensen trying to make the hatred of sand seem interesting.
With 300, Zach was unproven and had to be careful. He couldn't unleash and go FULL SNYDER. He made something unique that no one had ever seen and even though in hindsight the color grading looks a bit crunchy and we realized there wasn't much of a story, the sheer novelty impressed a lot of people—me included. It was a super enjoyable popcorn movie experience at the time and showed great potential. The man knew how to make shit look cool, no doubt about it.
But then his ego got pumped to massive proportions and studios gave him a blank check and full creative control. He still made some really cool looking shit, but that novelty wore off and the lacking storytelling skills started rearing their ugly head.
I wonder if Sucker Punch would be tolerable if you put it on mute, enjoyed the pretty pictures, and maybe played Pink Floyd's "The Wall" along with it.
I don't know if a movie ever went as FULL SNYDER as that one and it revealed he could really use someone to pull him back.
If Zach Snyder were to ever find a lamp with a genie inside, his first wish should just be self awareness.
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frazzledsoul · 11 months
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So there was a lot of talk the past two days on my feed over Rory being right to turn down Logan's marriage proposal in S7....which is completely the rational take as both of them were under 25, they'd never discussed it before, Logan is going to crash and burn by trying to rush right into marriage, home ownership, and financial independence at the same time at the ripe old age of 24 (slow down, my man, there's a recession coming in two years), Logan said he'd factor her plans into his and then does the exact opposite and she didn't want to break up with him over the issue....and oh yeah, she didn't want to and it's not like the disaster of her parents failed reconciliation a few months prior to that event could cause her to be wary of the institution in general. Sure, her career devolves on its own years later and Logan becomes unavailable as a legitimate prospect to her years later because he decides to become a character in an eighteenth century novel with the whole "I have to marry this heiress to please my dad even though my heart is stuck on another, whatever shall I do? Oh, nothing, apparently, the narrative says I'm doomed no matter what"...but hey, maybe all of those things would have happened anyway, and it's still not a reason to force yourself to get married when you don't want to.
However, can we talk about how weird this episode is? Why is Rory leaning on her mother for advice at this point, who has gone through a failed engagement and a divorce (to two different men!) in less than a year and Rory was upfront with thinking the marriage was a bad idea? Why is Christopher whining about Logan not asking him first, given it seems that he hasn't contacted Rory on her own since the divorce because he STILL is unwilling to do much of anything parental unless Lorelai is involved? Why is there no discussion of Luke attending this graduation, even as a suggestion that's dismissed? What is even up with Logan's "my way or the highway" attitude? That isn't how he's acted all season and he and Rory have had disagreements and been able to deal rationally with them. And finally, what is up with Luke and Lorelai taking so many steps backwards? Lorelai is frustrated that Luke isn't making a move when she's going around telling everyone that serenading him isn't a big deal, what did she think was going to happen? Luke very logically tells her that Rory marrying her college boyfriend seems like something she should carefully consider (gee, it's not like he and Lorelai both have ill-fated spontaneous marriages in their recent past or anything that could inform his thoughts on this matter) and Lorelai decides to make that entire conversation a metaphorical moratorium on their relationship and conclude that Luke isn't willing to consider marriage again? (Uh, maybe this issue isn't going to be resolved in one conversation, hon). And finally, Lorelai tells Rory that if she doesn't immediately want to marry someone the first time the issue comes up, she should just accept that she's never meant to marry that person and the discussion is forever closed! I'm sorry, Lorelai, that is TERRIBLE ADVICE and maybe ease up on the projecting here.
This episode was written by Jennie Snyder Urman, who would later go on to run Jane the Virgin. She also wrote the Luke/Lorelai car shopping episode, Lorelai and Christopher's breakup episode, and the episode where Lorelai tells Rory she's gotten married and Rory and Logan fight over the magazine article she writes. I think she has good takes on both couples in the past, so it's bizarre to keep why they're so off kilter here. I get it that they wanted Rory to be single by the end of the season and not get Luke and Lorelai back together quite yet but it's just...a really sour way of making the narrative orient around rom com miscommunication and kind of taints the back half of the last season, which was otherwise pretty stellar.
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madsworld15 · 4 days
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20 Questions for Fic Writers
tagged by @lostcol
How many works do you have on ao3? 70
What's your total ao3 word count? 704,657
What fandoms do you write for? Mostly Queer as Folk, Schitt's Creek, and Teen Wolf. In the past, I have written for Shameless, Good Omens, Our Flag Means Death, Dead Poets Society, and Maze Runner.
Top five fics by kudos: I Can Be Your Hero (Teen Wolf, Sterek), To Me, You Are Perfect (Teen Wolf, Sterek), Mend My Heart (Teen Wolf, Sterek), Trying To Make Sense Out Of This Confusion (Schitt's Creek, David/Patrick), and Mother Knows Best (Schitt's Creek, David/Patrick)
Do you respond to comments? I try my best to reply to every comment I receive, but sometimes, it can be overwhelming, so it takes me a few months to get back.
What is the fic you wrote with the angstiest ending? If we are going back to my fanfiction dot net days, there is a fic I wrote there that was post-major character death within the As The World Turns fandom. That fic, Never Alone, was about Noah dealing with the death of Luke.
However, on AO3, the fic with the angstiest ending has to be my David/Patrick, Schitt's Creek fic, where Patrick is diagnosed with early onset Alzheimer's. It doesn't have a happy ending due to the nature of the disease. (Weep Not For the Memories)
What's the fic you wrote with the happiest ending? For the most part, my fics are angst with a happy ending, but I think the one with the biggest payoff is actually a tie between two different fandoms. The first that comes to mind is Everything That I Am, which is David/Patrick from Schitt's Creek and covers both of them recovering from a major car accident. The other is On The Page of History, which is Sterek from Teen Wolf and covers Stiles being a teacher at a school experiencing a school shooting, and Derek is a deputy on call to respond.
Do you get hate on fics? Yes. When I wrote Patrick Brewer as asexual for a few fics, fans in a certain social media group were extremely nasty toward me and then stalked me to other platforms to continue their vitriol. It broke my inspiration to write any kind of fan fiction for a while.
Do you write smut? No. I don't even try. I usually do fade to black/illusions.
Craziest crossover: Going back to my fanfiction dot net days, I did a crossover where a gay character from As The World Turns (Luke Snyder) and a gay character from Days of Our Lives (Will Horton) ended up at the same bar one night and got drunk together. It was called A Night They Won't Remember.
For AO3, my craziest one was one where I had Thomas from Maze Runner and Stiles Stilinski from Teen Wolf run into each other on the beach. Seeing Double was just me poking fun at two roles by the same actor.
Have you ever had a fic stolen? Not that I'm aware of.
Have you ever had a fic translated? No, but I would love for that to happen someday.
Have you ever co-written a fic before? YES! My best friend, Karyn, and I met through a Teen Wolf convention almost a decade ago. We then decided to write a fic together where the POV changed from chapter to chapter. It was called Objects in the rear view mirror (May appear closer than they are) and centered on Sterek as parents of twin boys. It was unfortunately never finished because of medical issues on her part, but maybe someday we will go back to it.
All time favorite ship? If you look at AO3 it would seem the answer is David/Patrick from Schitt's Creek. And while I do love them, my favorite of all time is actually a tie between Sterek (Stiles Stilinski/Derek Hale, Teen Wolf) and Britin (Brian Kinney/Justin Taylor, Queer as Folk).
What's a wip you want to finish but doubt you ever will? Right before I received a lot of hate within the Schitt's Creek fandom, I started a fic called Every Thunder That Came Was One More I Might Not Get Through. It centered on Patrick being an adopted child with past abuse trauma and David being a young man who witnessed a death in his early 20s. Both meet online and strike up a bond, only to find out that they are actually in the same therapy group IRL. Unfortunately, I only got through the introductory/story-building chapters before I lost all inspiration for Schitt's Creek fics.
What are your writing strengths? Introspection and dialogue are pretty evenly matched. Most of my fics are heavy on one or the other or a combo of both.
What are your writing weaknesses? Smut/Sex. I don't write it because every time I've tried, it comes out sounding extremely cheesy.
Thoughts on dialogue in another language? I have used a line or two in different languages (I once wrote a Days of Our Lives, WilSon fic set in Italy), but I always make sure to have the translations in the notes at the end of each installment/fic.
First fandom you wrote in? The first fandom I wrote in was As The World Turns (Luke/Noah or Nuke)
Favorite fic you've written? I can't decide just one, so I will tell you my favorite one I've written from my biggest fandoms.
Queer As Folk: There's Beauty When It's Bleak
Schitt's Creek: Trying To Make Sense Out Of This Confusion, which is linked above, so instead, I'll pick my next favorite, Waves Crash With Anxiety.
Teen Wolf: Return to Beacon Hills
Shameless: Inquiring Minds
Tagging: @winderlylandchime @thotpuppy @vulcanscully and any other writers who see this and want to do it!
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frasier-crane-style · 4 months
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So I watched this.
-The opening image is in space, with Anthony Hopkins narrating about the Mother World*, and a wormhole opens that cannot be described as anything other than a Space Pussy. Uhh, Cinema.
*(an unwieldy title for a group of bad guys, so eventually the script starts calling them "the Realm" instead, though no one bothered to go back and have them stop talking about "the domain of the Mother World" and such)
-They also try on referring to the villains as "The King's Gaze," the name of the ship they crew, and of course, it is great fun to see working actors talking very seriously about how much they fear the King's Gays.
-As in any Seven Samurai riff, the good guys are humble farmers, which in Zach Snyder Land means they are both pacifistic Luddite believers AND burly Vikings who love to fuck.
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Ladies and gentlemen, a Quaker!
-They're also all white, making Sofia Boutella the only minority and also the violent outsider with a haunted past who keeps talking about how she doesn't belong and everything she touches dies and all that. It's a mite awkward. But she's also the only one who isn't DTF in the Fuck Farm, so who knows?
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-The, uhh, Mother Worlders* show up and prove an eclectic blend of Peaky Binders haircuts, Soviet Russia fashion sense, working-class British accents, and, uhh, Día de Muertos parade?
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Not since Cobra have so many random villain traits fallen under the same tent. You're left asking if it's political commentary or if Snyder just has something against the Angry Video Game Nerd.
-Snyder also tries to do a Good King/Evil Usurper bit with the Mother World, but makes it explicit that during the Good King's reign they were also an expansionist colonial empire just killing the shit out of things. As ever with da Snyd, it's unclear if this is meant to be subversive or just poorly thought out.
-I know there's no hiding that one is doing a Seven Samurai riff, but the MacGuffin is still... grain. The humble villagers aren't mining vibranium or anything, the evil Empire just really wants grain and these villagers are going to give it to them or else. You'd think a post-warp civilization wouldn't need to lean on subsistence farmers for snacks, but there you are.
-The appeal of this, if any, is to do R-rated Star Wars, but for some reason Netflix wanted a PG-13 version of the R-rated Star Wars, so we get something that's... maybe a little wilder than Andor? They redo the cantina confrontation between Obi-Wan and Cornelius Evazan, but here Evazan explicitly wants to rape 'Luke Skywalker' so, uhh, yay?
-Apparently the idea is to do a director's cut later on that'll be three or four hours; it's pretty obvious that stuff's been cut. The narrative spends a lot of time talking about how they're going to find a really cool guy fighting in gladiatorial combat at an arena. The heroes go to the arena, stand next to the arena, talk for a bit, and then leave. No gladiatorial combat is had.
Snyder, you're killing me, man. I thought the whole two-part business was so that we could have a whole movie to get to know these characters, but it basically goes Character Introduction > Standing Around In Crowd Scenes. Unless you're about to die, of course, in which case you get a sizable monologue to put in your acting reel before you leave.
-Oddly, they introduce quite a few characters who seem like they're going to be a part of the Magnificent Space Seven--guy trying to court Sofia Boutella, a turncoat Stormtrooper, a pacifistic robot--only to forget about them. I guess they'll show up in Part 2, but it seems unfulfilling to have this movie be a prolonged "Getting The Band Together" montage with some of the heroes not even getting to be in on the bonding. Which isn't much bonding to begin with, it's just Sofia Boutella sloooowly revealing her backstory and not even getting to the obvious punchline by the closing credits (you killed the princess, didn't ya? This universe might not have Force powers, but you don't need 'em to see that coming).
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