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#man left behind
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i drew this in the most unromantic way possible please understand that ethan is just their miserable wet cat they found outside in the snow
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cozylittleartblog · 6 months
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gooseworx in the glitchx livestream: i want to see people draw jax in a suit. people should draw him crying
me: sure thing, boss o7
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shalaaex · 3 months
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Is there a she-ra fandom on tumblr somewhere?
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poorly-drawn-mdzs · 6 months
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MDZS Disco Elysium AU part 2 - Psyche Skills
Part 1 - Part 3
#poorly drawn mdzs#mdzs#disco elysium#MDZS disco elysium au#jiang cheng#jiang yanli#yu ziyuan#While it's more in vogue to draw a character's skill roster tailored to them -#One of the more subtle details I love in DE is how some of the skill portraits parallel character portraits of people hbd associates with.#Theres somethine rather poetic to be said about how other people shape out thoughts and sometimes act as a 'voice' in our head.#How we are in part a collection of impressions other people left behind on us.#I am a huge Skillhead (Those are my friends! My party members! They love me! They have their own agendas and alliances!)#so of course a healthy portion of this AU is dedicated to them <3#the Int skills go basically unchanged from DE. Psy as well (with changes to a few quirks in voice).#Fys skills though...well...wwx is in a different body! Those voices belong to Someone Else.#Esp electrochem (MXY in this AU also partied to near death. WWX is withdrawing and craving substances he's never even heard of before)#While I personally don't fully subscribe to Volition Jean I *do* see Volition Jiang Cheng. The voice of your Not Brother keeping you afloat#All three of these parallels make me unbelievably sad. They are also both purple. Art is like that sometimes.#Empathy Jiang Yanli...oh man do I have a lot of thoughts about her. Disco fans Who Know....you can probably see what I'm cooking.#Authority is a really interesting skill in DE because *yes* its about power and intimidation - but it's also about finesse and respect#Titus Hardie and YZY both abuse *and* finesse how they establish their authority - in a way that leaves quite an impression.#2 more mdzs disco posts that I *need* to create and then I'm off to working on raffles <3
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sorio99 · 6 months
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Knowing “Nerdy Prudes Must Die” was the first idea the Lang brothers had for Hatchetfield makes the whole series so much funnier.
Like, did they know in “The Guy Who Didn’t Like Musicals” that the weirdo who demanded a hot chocolate would be the leading man of the high school horror show?
Did they know the prude they mentioned a few times would be a homophobic murderer who defiled a corpse, fucked a ghost, and became a vessel for dark lords?
Was the homeless man joke in BEFORE the recast because they were still brothers, or not?
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raulsparza · 11 months
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Succession 1x3 // 4x10  - Kieran Roman bracelet appreciation 
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chapinii · 3 months
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qfitmc with his lil player data notepad greeting new islanders like "It's a pleasure, now how many grass blocks would you say you've placed so far-"
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ghostbsuter · 5 months
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The Zone is down.
It is a horrible truth, the destruction of home was inevitable and that doesn't lessen the pure hurt he feels during the final moments.
Every life, every death, the memories of many. All seal in a sphere of a fallen sky, in the soft palms of their king.
Their boy king leaves, bringing along his people, infinite in number and all sleeping, none the wiser.
It will take time to re-create their home, nothing impossible, however. The sphere in his hands, pulsing with life and humming with power, the child and successor of the Infinite Realms.
Many lives are lost, many are ended and every single one will remembered.
So when he takes refuge in a strange dimension, he receives care in their base in space, a room and slowly opens up.
It's only then that he allows himself to grief.
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nerdyenby · 1 year
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NO YOU DONT UNDERSTAND
Martyn’s betrayal isn’t just him betraying Scott, but the ideals of the entire season.
Limited Life has had the most stable alliances in the life series across the board, with everyone sticking with their ep 1 crew until the end. The theme of this season was loyalty, you guys.
The Clocker’s weren’t the only family, far from it. The entire series is like a sitcom — neighborhood drama. Everyone was related in some way, everyone cared about each other to an extent, and the bonds formed were never broken. Sure there were accidental team kills and mistrust between factions, but the teams themselves all were so individually devoted to each other.
It’s a perfect reflection of Last Life, last time the bogeyman sewed seeds of distrust and betrayal, now we see unwavering faith in spite of the curse. It’s hardly a curse anymore; as with any disease, those who have had it before have higher resistance. We have people resisting the urge to turn on their teams and instead confiding in them, working together to get them cured. The bogey doesn’t divide people, but bring them closer together because of the inherent trust in looking at someone you love, seeing the bloodlust in their eyes, and saying “I’m not leaving, we’re going to get you through this.”
The whole season feels more amicable for it, people are willing to make alliances in the final episodes with people who have hurt them before because there’s some small, remaining foundation of trust there. While Last Life was built on lies, words have weight in Limited Life. Promises are kept here. Grudges are dealt with. Fistfights are held to put past hurt behind them. People willingly offer their lives to each other, even if not on the same team. People beg their allies to kill them, just so they can have a little while longer.
So when it comes down to the final three, there’s no bad blood, they were working together earlier that very episode. They want a good, fair goodbye to their enemy, because he’s still their friend. So they redistribute time until they’re equal, they burn together to level the playing field, and they agree to do a fair 1v1v1. No weapons, no armor, may the best man win.
But that’s not what happens. Martyn has come too far to leave it to chance. He has no reason to honor this agreement so he doesn’t. He even goes after Scott first, betraying his closest ally to let Impulse know this isn’t about him. It’s not about making Impulse lose, it’s about making Martyn win.
In the season built on trust and good faith and interdependence and promises, Martyn breaks all of these in the final minute of the game.
The winners are always those who go against the grain, and Martyn is no exception.
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zeb-z · 5 months
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also okay. Leo voiding and Foolish going “that’s alright I’ll just wait. I can wait. I wait.” like yeah totem boy that’s all you ever do isn’t it. waiting loyally for Vegetta to come back, for his plans to find fruition, for islanders and federation workers alike to take him seriously, for Leo to return now, just like he waited for her before, keeping patience like none other. he’ll wait - that’s kinda his thing.
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wrenkos · 1 year
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mushitaro is a good influence who excuses murder & breaking-and-entering but not theft, apparently
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yangsejongs · 1 year
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people willfully misunderstanding the whole point of cho yeong’s arc was not to return to who she was but to grow and find a purpose in life that she chose for herself
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lanwangjihouse · 10 months
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... 🐞 ...
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spudcat · 3 months
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currently having a mental breakdown over pianos so i drew gaster in heels. this is one of the strangest things i've ever drawn
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americankimchi · 1 month
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god i wish they hadn't retconned maul's death. i get wanting to explore more of his character because he was, objectively, one of the coolest star wars characters to ever hit the big screen and didn't get much screentime prior to his death, but also his role was fulfilled perfectly within those constraints so i wasn't too upset by it.
but by retconning it and making it so he never died it's like. okay. what now? the whole point (well, to me, ymmv of course) of the theed generator fight was that it was the first ever fight between the jedi and the sith in thousands of years, and that in the end even though the jedi (obi-wan) won the fight, a jedi (qui-gon) and a sith (maul) still died. a master and an apprentice dying together to herald the start of a new age/the return of the sith. perfectly paralleling the way in rotj a master (palps) and an apprentice (anakin/vader) died together to herald the return of the jedi. in both instances, a father figure (qui-gon/vader) dies in the arms of their son (obi-wan/luke) as a sith (palps/maul) is cast down into the abyss to their deaths. (palps being alive in the ST and retconning his death in rotj is also annoying for this reason)
i mean i like maul. don't get me wrong. he's an incredibly compelling character and i enjoy seeing more of him... but there's always the thought hovering in my mind like "he should be dead though. he should 100% be dead. this wouldn't be happening if he was dead, but i honestly would rather it not if it meant that maul was dead."
like the tpm fight just doesn't hit the same knowing that canonically he's just. going to become a robot octopus at some point. (shoutout to palps becoming sith glados in the ST) it cheapens the moment for me. it was supposed to be a moment of triumph marred by the deep and soul-crushing loss of a loved one and it's just... not, anymore. or at least not to the same extent. AUGH i'm just. frustrated. wish star wars as a whole wasn't constantly reframing/retconning what's been established. just puts a bad taste in my mouth.
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willowser · 1 year
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i think that childhood best friends to lovers with kiri would actually be — an incredibly sad journey LOL
you're perfect in his eyes. quirkless, exactly as you're meant to be, with the potential to do anything. everything. the world is at your feet and he knows you'll go after it — it's him that falls flat, that can't follow in your footsteps. his quirk isn't anything special, nothing manly, and it won't make him a hero like his heroes. instead he's just in this odd, empty space in between. floating.
you accepting him that way — i think it would mean everything to him.
neither of you really know what to expect, when he goes off to ua. of course you're excited for him; even if his hair is new and he seems a little different, you can feel the build of confidence in him, the motivation he has to try, and that means more to you than the distance ever could. of all things, you want kiri to be happy, even if your friendship takes a backseat to bigger, better things.
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days turn to weeks turn to months and the calls become less frequent. the first time he comes home in a while — maybe half a year — he brings his new friends and they're...incredible. strong and powerful and full of life, full of excitement, spontaneous and fun. the kind of people that become heroes. the kind of people kiri needs around him.
you don't think he means to be so distant; what little time the two of you get together is the same as it always is. cheesy movies and multi-player RPG's until the late, late hours of the night. pizza and energy drinks and jokes that are still as funny as they were when you were six. he sleeps on the couch instead of your bed now and doesn't sit as close as he used to, doesn't take his shirt off just because anymore — but you don't mind. you try not to. you try not to care about how much he sweats when you stare at him, or how red the back of his neck gets, or how it seems like he can't look you in the eye anymore.
you don't think he means it, and so you can't be angry at him. angry, no, hurt though...that's a little harder. because everything seems the same with him; it's not like he's upset with you or even wanting to leave you behind. he always apologizes for not keeping up, genuinely, looking like a sad little puppy even though you for forgive him, easily. you're not sure what has changed exactly, you're only sure that everything has.
kirishima's able to go pro very quickly, has a spot secured even before he's graduated. by the time he was sixteen, he'd already been in the news a handful of times, celebrated for the incredible hero he's always been capable of being, and the public loves him by the time he's eighteen. while he's out saving lives and making an impact on the entirety of japan, you're studying or trying to find a new date to the summer festival, because you know he won't be able to go. he doesn't make your graduation — and sounds really sorry about it, when he calls a few weeks after — and you get petty enough that you don't go to his either.
it's stupid, and you feel bad, but kirishima doesn't even notice.
a long time goes by, before you see each other again. all the attempts he makes to meet up with you are fruitless; either he can't make it or you don't want to try, too tired and embarrassed after being stood up time and time again. his apologies become redundant, and even if you know he means them, it doesn't make them any easier to hear.
naturally, you see him again at the worst moment: coming out of the gym, sweaty, without makeup and fighting off a painful zit on your chin. he's with his bestie — bakugou, who is even more terrifying at twenty-four than he was at fifteen — and kiri has his hair up in a cute half man-bun and it's longer than you remember and he's bigger than you remember and in a shirt that should hardly count as a shirt.
and he's overjoyed to see you.
"oh my god!" he laughs, smacking a hand to his forehead as you stand awkwardly in the doorway, trying to tuck your face down in the most nonchalant way.
it's the wrong move, because you don't see him step in to hug you.
"kirishima!" you squeal, trying to jerk away as you feel his cheek press against your damp hairline. you feel gross, even worse when you see the face bakugou makes. "quit it!"
"sorry! i just can't believe—" and when he sees the look on your face, the happiness on his drops, replaced by something like humiliation as he glances between you and his friend.
there's something terrible about the slow end of a friendship, and you can see it manifest in his expression. how much of a stranger the two of you have become over time, due to neglect, and it seems like all the ugly feelings are soaked up by him like a sponge.
you don't even know what to say. you don't even know if there's anything to say—no, no, that's not true; there are a million and one things to say, but you just don't know where to begin.
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