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#me going out and seeing people will surely be worth it if i get covid again and fucking die
healingheartdogs · 1 year
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Love having talks with my parents (/s) where they tell me I "need to stop living in fear and get back out in the world" and that they haven't stopped living because of COVID and they don't even mask and it's fine because they got it once and it was just like allergies to them and "it's not even that bad it's just like the flu or a cold", ignoring that I also have had COVID before and was in the most extreme all over pain I have been in EVER in my entire chronically ill chronic pain suffering life for over a week to the point that I was mentally begging the universe to just let me die toward the end of it so it would finally be over and am now left with significantly worse chronic fatigue, chronic pain, and heart issues than I had already before because of long COVID. Also my sense of taste and smell have still not fully recovered, which is a sign of lasting neurological damage.
But it's just fearmongering, clearly, and I'm just falling for government propaganda (even though the government has said COVID is over and that we don't need to take precautions anymore because they value profit over human lives). Sure. Makes sense.
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hillbillyoracle · 16 days
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So you want to print and distribute a free zine...
I wanted to throw together a short tutorial on how I print zines using this excellent COVID safety zine by @newlevant as an example.
Printing
First make sure you are clicking on the printable file. When you open it, it should look slightly jumbled. I always look for seeing the front cover and the back cover on the same page.
Then click "print" (usually a printer icon) and open "more settings".
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The key things people tend to get wrong when they try printing zines is they forget to make sure that it is double sided and flips on the short edge. If you tried printing one and it came out looking wonky, make sure to check this.
Also, it will make your life infinitely easier if you use the collate option should you have it available to you.
Fit to printable area is a helpful setting to have on if you're printing zines who use a different paper standard than you. This zine didn't for me but I leave this on out of habit.
When you've got this all set up - print as many copies as you want to assemble.
Assembling
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When you get them out of the printer they'll look like this. Just a big old stack. I highly recommend parsing out each individual copy before you try assembling any. I have made that mistake before.
This is how I stack mine.
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I like to leave the cover side up as it makes for a clearer division as I'm assembling.
As you're flipping through these to parse and stack them, check them over for any issues with printing. I ran out of printer toner on the first three so I'm glad I checked.
Imperfections are fine but you're looking for anything that makes critical information unreadable.
To assemble a copy, get them lined up by tapping them on the table along a short and a long edge.
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Both hands is a lot easier but I was trying to take a picture lol
Then fold them hamburger style and smooth down the spine as best you can. If you have a bone folder or similar use that.
Again, let go of perfection. We are looking for good enough here. Minor errors here should not make info unreadable so don't sweat the small stuff.
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I recommend doing all your folding in one go to prevent errors. Or at least it really helps me.
Now it's time to staple. You will see my fancy stapler in the background - you do not require it and I would not recommend it. Unhinging a normal stapler is way easier to use in my opinion and this one gets jammed fairly easy. Use what you've got.
If you don't have staples, but you do have sewing supplies - check out this tutorial for a way to bind it with thread.
If you have no staples and no thread, you don't have to staple every zine. Smaller ones (~5 pages or less) do fine with no staple. They can be a little tougher for some people to use and don't hold up as well being taken in and out of places so I would consider that when thinking of where to leave them. They're still well worth printing and putting out.
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This zine is small enough that one staple in the center should be enough to keep it together.
I opted to staple in two places - one about an inch in from either edge - mostly out of habit. It does add a little stability and will make them a little better for putting in Little Free Libraries and other places where they'll be removed and placed back.
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Here is my partner looking over the zines to make sure my stapling didn't cut off any important information in each copy. It's a little tedious but it's pretty important. A quick flip through can mean the difference between someone getting the info you want them to have or not.
And here's the finished product
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I made 15. I'm pretty privileged and have been making zines for over a decade now so it's almost like knitting or crochet for me. Feel free to make fewer copies or just one for yourself. It still counts.
I will stick some in each car and my bag. I have some medical appointments coming up so I will for sure be leaving some of these in the waiting room.
I'm also going to keep an eye out for Little Free Libraries and other place where people are looking for something to read. I might also toss some on the tables of a coffee shop I pop into sometimes (masked, take out only) and the library to pick up books (also masked).
I tend not to give them to specific people, even people I know, because people are way more open to information they've picked up themself than something it feels like someone is pressuring them to read. But if people bring it up in conversation, I'll be sure to offer a copy to anyone who is interested.
Hope this is helpful!
Go out there and print!
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mod2amaryllis · 7 months
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I'm waiting for this migraine to die so I'm gonna tell you guys about Marshall, the dog who made me quit. read on if you wanna learn about extended quarantine and why this job sucks sometimes and other times is the most rewarding thing on the planet, often for the same reasons lmao.
in 2021, the weight of covid was kinda crashing down. i heard this was the case for a lot of health workers. we switched into emergency mode throughout 2020 and powered through, then the rest of the world decided to try and "get back to normal" a year later, giving no regard to the people who'd been working like a speeding train with the brakes off all that time. i was losing it!!! add a few more hay bales to my back when we hired a new doc who was the most demanding dude I'd ever met (still is, but we've come to some understanding lol) and who decided to run me as ragged as possible the first day he was left to his own devices.
that was the day Marshall came in.
i didn't talk about this back then because the outcome of the case was uncertain and the details so specific, but here's the run down knowing that 2 years later, Marshall is living his best life. when he was a baby, too young to have received a rabies vaccine, his owners found a rabies positive bat in the house. the state vet will always recommend euthanasia in these situations, OR, if you can somehow find and afford the option, a 6 month quarantine. this was such a tragic situation the owners were willing to try to save him. my clinic happens to have a decent isolation ward that's rarely in use; we use it for infectious patients like parvo puppies, uri's that have to be hospitalized, etc. so my boss agreed to take him for those 6 months. but the owners' caveat was that if he wasn't mentally adjusting to isolation after a couple weeks, they would euthanize so as not to put him through it and leave him with lifelong behavior issues.
that day, when animal control brought Marshall in the middle of an insane rush, we were short staffed and already at the end of our ropes with this new doc. i was the only qualified person who could talk to the officer. i was the only person who could take him back to isolation. the act of putting a 12 week old puppy in a 4 x 4 run where i knew he would either spend 6 months untouched, or never see the outside again, broke me. last straw.
i was a mess, for the rest of that day and the rest of that weekend having to go in and take care of him, when it was too early for him to adjust so i was sure he wouldn't make it. I'd come home sobbing. eventually jose was just like, "this isn't worth it any more," and i sent in a two weeks notice. i'd come close to doing so many times in the previous 6 years but never pulled the trigger. it took a total meltdown. my managers responded with regret, but understanding.
i wish i could've just felt free and done with it but for those two weeks i was just uncertain. this job is so complicated. the benefits for my pets are enormous; it's my main social network; it's income; I'm good at it and it gives me purpose. it's just also hell on earth! with no pressure from anyone else one way or the other, by the end of two weeks I'd decided to instead try going part time. that's where I'm at 2 years later so guess it worked lol.
but! there was still Marshall. shortly after we took him, we also happened to get a call for the same situation on 2 cats, and decided to take them as well. 3 animals on a 6 month quarantine. very new and daunting for all of us.
that first weekend was hard, but slowly, Marshall figured things out. it was the least ideal situation imaginable and i was at rock bottom and so was he, but i had this moment of like.....ok. if he wants to make this work, I'm gonna do as right by him as possible. and of course all us techs were helping him (one of my road dog coworkers always opened so i referred to her as his "morning mom") but i in particular took a special interest in training and enrichment. it became a passion. i was working less, but i volunteered extra weekends so i could see him more.
he was so young he hadn't even done much basic command training, and the fact that i couldn't touch him at all was a challenge. i started with a clicker to signal I'd rolled a treat into his run, since i couldn't give it to him directly. over those months we went through the basics: sit, down, paw, touch, using a back scratcher for a hand. part of the worry was him getting enough exercise; we noticed that when he'd get agitated, he'd jump on the bars non stop. i was like hmm that might be our only option, so i made "up" a command. i'd basically run burpies for exercise, up-sit-down-sit-up. he was a fast learner, very attentive. seeing him keep his wits about him like that was straight up thrilling. he even "potty trained" himself, barking like crazy whenever he'd go to the bathroom so we'd know right away he needed the run cleaned.
in the ward, there are 2 runs and 3 kennels. i trained Marshall to go back and forth between runs so we could clean. we'd have his food waiting for him in the next run over so he could eat while we'd clean; at the midday switch, he'd have a doggie popsicle. he was such a smart dog i knew toys and treats alone weren't cutting it for enrichment, and i couldn't constantly train him when i still had to be doing the rest of my job.
i started having everyone save every single box and paper-packaging that came in. i'd unfold some boxes for "bedding," so he'd at least have something between him and the concrete (he'd chew and eat any blanket we tried giving him). the rest, i turned into puzzles. i put treats inside and closed them up. put big boxes on their side in his run so he could go in and out. crumpled up paper-packaging with treats mixed in for him to dig through. every day i'd turn one run into a box-toy paradise, let him in, clean the other, and by the time i was checking back in on him he was snoozing in a pile of destruction. success. when other techs wouldn't go to the same lengths, i'd stay late pre-making his boxes and telling people to just throw them in dammit. i also queued several ambient sound playlists, birdsong cityscapes etc, to play on the weekend days when he was alone for long periods.
the months went by like this. i learned more about training, enrichment, and most specifically quarantine than i ever had outside of my experiences with my own puppies. we fell into a routine. we straight up loved each other, he was part of my life. he'd been this horrible trigger and pretty much doubled my workload, but he got to live.
then there were the cats! they were a little easier than Marsh just because they were already adults so didn't have all this energy to wrangle. for them, daily cleaning of course, taking turns going into the 1 empty kennel where i'd have treats, catnip, and other "new" smells waiting for them. for enrichment i focused on reconfiguration. every 2-3 days i'd rearrange things in their kennels, with the big pieces being a litter box, a bed, and an upright sturdy box (so they could either be in it or on top of it, giving them one upper level). it was habitat tetris. we'd play with strings and use the back scratcher for pets. then about every week, i'd switch their kennels to slightly change their view AND traded beds to mingle scents. they were from the same household and we were worried there'd be difficulty re-bonding after not being in direct contact for so long. they also did very well by the end of 6 months aside from gaining a lot of weight (oops). i learned just as much from them, and would love to help anyone else who might struggle with needing to quarantine pets.
i've seen people posting for help about similar situations and just wanna scream from the rooftops: the beginning is very daunting and hopeless, but animals aren't like us!!!!!! they do the best with what they got!!!!! if you work hard and keep them clean and develop a routine it'll all work out!!!!! Marshall walked out of there at 6 months a normal happy puppy in desperate need of a haircut.
it's interesting because i've never interacted much with his owners. i don't think they know i'm the one who kept him from losing his mind in there, even though everyone else at the clinic does, and i'm weirdly ok with that. the other day he came in cuz the dummy ate a bunch of meds he wasn't supposed to; the doc brought him to the back and instantly, Marshall rushed right for me. he still remembers me in a good way. there's still love. it's like...one of the few patient relationships i've had that feels truly deeply personal. in retrospect i think he had a bigger hand in healing my relationship with this career and animals in general than i realized at the time.
so thanks for making me quit Marshall. i feel a lot better now.
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(i don't have any pics of him from that time (tragic ssd card accident) but he was an overgrown doodle puppy so he looked like this.)
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convolutedblasphemy · 2 months
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Since it's Aromantic Spectrum Awareness Week I want to thank the aro community for everything they taught me and everything they did for me even before I started to identify as frayromantic. I had so much amatonormativity to unlearn before I could arrive at this point, so this is my first aro week, but identifying as ace for years, I inevitably met a lot of aros online and saw a lot of aro positivity posts.
Truth be told, from age 14 - 19 I suffered a period of debilitating, very traumatizing emotional abuse that killed my entire social life and my abuser would make sure i couldn't form these bonds when i wanted to. As soon as I got out of that -> covid lockdown. When the pandemic restrictions were lifted I've spent 7 years at that point pretty much socially isolated aside from online contacts. And in the past 3 years I've been busy healing, studying, adulting and picking up the pieces.
It's been almost a decade now in which I didn't have a stable social life (aside from my relatives) and everyone else has always looked at me with this... weird pity for it. I had a lot of anxiety due to being ace as well; because i didn't feel like i could find that close committed relationship i wanted without engaging in sexual activity. People imagined the past decade in my life as me sitting on the couch all day wallowing in self-pity and loneliness, which honestly does such a disservice to all the places I visited, the ways in which i've grown, the art i made and the changes i made. People treated me like I had wasted 10 years of my life and constantly put pressure on me to be more social, to put myself into situations i wasn't comfortable with or to at least get a partner so I won't have to die alone. Dying alone was this terrible horror concept that was pushed onto me as my inevitable fate if i didn't get my shit together. And for the longest time I believed that. I hardly struggled with loneliness, I struggled with this internalized idea that I had failed at life - that i am a failure - if i don't have this many irl friends or a partner.
The aro community was THE FIRST SPACE that helped me dismantle this perspective of seeing the relationships in my life as an extension of myself. The first space that taught me that relationships of any kind aren't these things i have to collect to prove I've led a successful life. The first community that turned around and said "You are whole as you are. You are enough. And you don't need anyone else to complete you." And hearing that, to me, was such a wake-up call; it was such a novelty-realization in contrast to all the bullshit i had internalized, that I cried because damn, this was what I needed to hear.
Suddenly the value of my life wasn't defined by the kind of relationships and how many relationships I filled it with. Suddenly I realized that the committed relationship I wanted didn't have to be romantic (or sexual for that matter); hell, I didn't even want it to be. Suddenly I realized the biggest obstacle to enjoying life for me was all the people who told me i wasn't enjoying my life properly. The aro community taught me so much about love, self-worth and independence. And I haven't been active here for long but everyone has been so kind.
The aro community gave me all the hope and positivity that i needed to focus on myself and my life. I still want to form meaningful irl friendships and get a QPR in the future but the pressure is gone to get all of that asap or else my time on this earth is wasted. I have faith that these things will come when I'm ready and when it's the right time and even if they don't, it's not going to be the end of the world. My value as a person and the success of my life is not defined by the people in it and it never will be. Nor will yours. Nor will anyone's.
Some of y'all might be out here asking yourselves "I'm not aro, what does the aromantic community concern me?" So much. Amatonormativity and relationship hierarchy go so much deeper than just the assumption that everyone desires romantic love. The aromantic community can teach us so much and help us unlearn so many things that are ingrained into our system and into our way of thinking. We should be unlearning those things because doing so will take pressure away from all of us, no matter how we identify. The aromantic community should concern you because they're people with their own hopes and dreams who deserve to find happiness in whatever way feels right for them without the world constantly telling them they're doing it wrong.
The aromantic community has made me a more understanding, hopeful, positive and independent person and I can't thank them enough for that. Happy Aromantic Spectrum Awareness Week.
🧡💛🤍🩵💙
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Hi, saw one of your reblogs about masking and wanted to ask something. Sorry if you're not the right person to ask, feel free to ignore, I just haven't got anyone irl that even cares anymore. I've been masking daily this entire time ever since the pandemic first started, but I'm beginning to wonder, when are we going to be able to stop masking? Is there anywhere you can recommend where I can inform myself about this, about what our outlook is like re: COVID and other safety precautions and that type of stuff? The government's position in my country is pretty much just "masks are no longer mandatory" (I wasn't even allowed to get a booster this year, they're apparently not recommended for under 60s here unless you're high risk), and there isn't a culture of masking when sick here, so almost no one does, not even doctors. And it's starting to affect me socially as well, you kind of end up socially excluded/ostracized quite a lot when most places you go you're the only one masking (which I realize is not as bad as death or long COVID but I do have to admit it's getting to me). I guess I'm just wondering if there's anything else to look forward to other than masking indefinitely?
I'm really sorry but unless and until there are widespread, systemic safety measures in place, as far as I know masking is gonna continue to be your best option in terms of protecting yourself and others from covid and its complications :(
There are less effective but still useful options, like the covixyl nasal spray and nasal sanitizers, and iota-carageenan nasal spray and/or cpc mouthwash as post exposure prophylaxis—but those are most effective when paired with masking.
If you do at any point decide to stop masking, altogether or in certain situations, I hope you'll consider using some of those preventative tools. They're dramatically better than no protection at all.
Air cleaners like the corsi-rosenthal box can help if you're in a space where you'd be allowed to set that up. Socializing outside helps a little esp if you're spaced out.
But unless systems get put in place to overhaul ventilation systems and quarantine sick people etc the most effective option I'm aware of as an individual is a well-fitting N95/kf94/kn95 mask with no gapping at the cheeks or anywhere else.
It might be worth finding out who in your area is organizing to try to demand or implement better covid safety measures, and see if you can join them. Try disability advocacy groups—even if they don't have a project like that in place they may either know who does or be willing to help you set one up.
Lastly, I'm just repeating info I've taken in (hopefully accurately) from medical journal articles. I'm just an ordinary person, I'm not an epidemiologist or virologist or medical expert of any kind, so please do your own research as well. Make sure any info you accept as for-sure accurate is from peer reviewed medical studies published by credible scientific journals.
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davidlcki · 1 year
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sick reader x ultra worried bruce wayne?
worth it
i LOVE this idea, and its perfect timing because i currently have covid :(( i know a lot of people are sick right now so i hope you all can find some comfort in this!
pairing: pattinson! bruce wayne/ reader
warnings: none :)
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the second you woke up this morning you knew something was wrong. you had chills, a sore throat, and a headache. bruce was still sleeping, so you carefully slipped out of bed to take your tempurature which very clearly displayed the fact that you had a fever. you rub your temples with a sigh, and go to grab medicine. suddenly, a hand was on your wrist. you nearly jumped out of your skin, a yelp escaping your lips as you turn to see who it was. your shoulders relax at the sight of bruce.
“jesus you scared me! what’s wrong?” you hold your hand over your heart as your fast beating heart calms down. bruce practically couldn’t sleep without you, so he of course woke up when you left the bed.
“sorry honey” he lets out a small laugh, which was always music to your ears “you’re sick?”
“how could you tell.” you throw sarcasm at your boyfriend who now looked down at you in pity. you clearly felt like shit and he didn’t want you to have to lift a finger for anything until you were better. he frowns and places a soft kiss to your forehead.
“sit down, i’ll grab your medicine and some coffee” you drop your sarcasm at the softness in his voice. you could tell he really cared.
“thank you, bruce” you smile to the best of your ability through your pounding headache and sulk off to the couch.
it was taking a suspicious amount of time for bruce to arrive with coffee and advil, and when he finally did, you realized why. his arms were full of different types of medicine, blankets, ice packs, and your favorite foods.
“bruce!??” you raise your eyebrows in shock at the sheer amount of stuff he was bringing to you. he gives a sheepish smile.
“i wanna make sure you’re okay, here take this.” bruce hands you your coffee and a small amount of meds, then, he drapes the blanket over your frame. you could tell his experience in this area was limited, considering the fact that he’s never really had to take care of anyone before, and when he’s sick alfred does just about everything for him.
“bruce, you really didn’t have to” you watch as he shakes his head stubbornly.
“i wanna make sure you’re okay” he sits down next to you and watches as you take your medicine.
“i’m trusting you gave me the right medicine, wayne. i mean, this is kind of a lot” you raise a teasing eyebrow at the man.
“it’s what alfred gives me. i think.” he holds his hands up in defense.
“well, thank you. really. before i met you i didn’t know anyone who would care for me like this.” bruce smiles and kisses your lips softly in return. he wasn’t usually one to express with his words, but his kisses did all the talking.
“hey careful, i don’t wanna get you sick” you giggle as bruce continues to pepper you with kisses.
“worth it”
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paper-land · 1 year
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Just a note: this post started as a discussion of and is going to spend a decent amount of time discussing Yannick Mirko’s firing and replacement in Ride the Cyclone, but I realized I wanted to address my experience with ablism in theatre in general. I can’t force anyone to read this, but if you have the time and you care about representation in theatre, I’d to ask you to try and hear what I have to say
TLDR: Yannick Mirko's speaking out is bringing more attention to ableism in theatre, I added some examples I've seen to emphasize that ableism in the theatre world is really common
Literally I take a break from writing my papers for finals for like 10 minutes and I find out that Arena Stage cast Yannick Mirko’s able-bodied understudy to play Ricky in their production of RtC.
For anyone not caught up, Yannick Mirko is the first disabled person to play Ricky Potts, a canonically disabled character, in the musical Ride The Cyclone. He was unjustly fired from the production he was in (the McCarter atheater) because of their disability. They had one medical emergency and was told that his disability was too unpredictable that he would be replaced by his understudy, who is not disabled.
Now, onto the Arena Stage production. Three of the seven cast members played the roles they are in now in the McCarter Theater production (Jane Doe, Mischa Bachinski, and Noel Gruber). Two are playing their original role from a different production (Constance Blackwood, Ocean O’Connell Rosenberg). One appears to be playing their role for the first time, though I could be wrong on this (The Amazing Karnak). The only cast member of the Arena Stage production who, as far as I can tell, was an understudy for their first production is their Ricky Potts. Ricky is being played by the able bodied understudy who took over the role when Yannick Mirko was fired from the McCarter Theater production. He was also reportedly referred to by his disability aids during the rehearsal process, rather than his name.
This is genuinely disgusting. Theatre is already so discriminatory to disabled people and the McCarter Theater and Arena Stage productions have so far only proved that they can get away with it. Admittedly, I have minimal social media presence so there could be conversations I haven’t seen, but I have seen a maximum of 5 people talk about this.
It’s very much worth noting that most productions I have been in or seen we’re willing to bend over backwards to make sure an able bodied actor could stay onstage. I’ve been in five shows where an understudy was sent out. Three because the actors had Covid and two because the actor was in the hospital and would not be discharged until after the show was over. This may sound like a lot of productions with understudies, but I’ve been in theatre for 11 years. I’ve been in 30 shows. Five shows, especially mid-pandemic, is nothing. I have been in shows where directors have done everything in their power to keep an able bodied actor in a lead role (including many cases of severe illnesses and one with a concussion and staples in his head). I’ve seen an actress onstage while she had broken ribs. I’ve seen a friend perform after slicing her leg and spraining her ankle. Ive seen a different friend come to a three hour rehearsal after spending the morning vomiting. Two different people I know have performed with dislocated joints. I’ve been onstage when I was so sick I couldn’t breathe or speak. I’ve been onstage when my glasses broke and I couldn’t see as far as the people around me. Most actors I know who have left productions only left because they could not physically return or because they were fired for actually valid reasons (skipped nearly half of the rehearsals so they could go on vacation without informing the director).
If these were fine, if I’ve been praised and seen actors praised for doing this, why was Yannick Mirko fired for one medical emergency? Easy answer: Ableism.
One less-than shocking part for me was realizing that I’ve worked with one of the people who was involved in the McCarter production for an awards show. I watched her work with disabled performers in one of the other acts. And, mind you, by “work with,” I mean that she told them their spots and expected them to know where to go. She was absolutely lovely to everyone else (especially leads but I don’t want to get into the treatment of ensemble actors right now, that’ll probably be a different post one day).
I also want to discuss my experiences with ablism in theatre, as someone who has witnessed it and, very recently, started experiencing it (to, admittedly, a significantly lesser degree than many).
The first show I was in with a disabled actor, I was 14. My friend was made to climb multiple set pieces despite her leg not being fully functional. She’d been in a wheelchair for several months at school that year. I didn’t fully realize something was wrong until she started complaining about minor pain to me. She never wanted anyone to go to the director and she never went on her own.
My next is when I was 15. I didn’t realize what was really happening for many years. He had missed several rehearsals with no word to our directors and was made to leave the show. This sounds normal enough, I mentioned someone else who was forced to do the same earlier on. This would be normal if the director hadn’t checked in on and allowed able bodied actors who had done the same thing back into the show. I figured at that point in my life that he’d just missed more shows or assumed that he’d come to the mutual agreement to leave. I don’t have answers, but I’ve started to doubt those beliefs in recent years.
My next show with a disabled actor was when I was still 15. We had one disabled actress, a girl in a wheelchair. The show was set in a high school. She was in onstage twice. The first time, she sat on the side during a group number and sang with us (she was never taught any choreography. The second time, a cast member brought her on, she was crowned prom queen, and then she left the stage and was never seen again until curtain call. Honestly, at the time, I thought it was weird that we were treating her as less capable and not allowing her into any more of the show, but it’s hard to bring that up with anyone. Especially when everyone you try to talk to about it defends the choice. Everyone said that she was less capable or that she’d stick out or that her wheelchair would get in the way. I didn’t feel I could address it, so it was left unsaid. She went to school with me for five years and I never saw her in another production.
It took several years to be in another show with a disabled actor. My school was by all accounts really great about our treatment of disabled people until it came to extracurriculars.
My most recent show that I’m talking about was not technically with a disabled actor, but one who was injured for the entire rehearsal and performance process and was treated similarly from what I could see. It was last year. They were cast in the group that was onstage the least. Nobody in that group was invited to any vocal rehearsals and they were all in one choreography rehearsal. They were also made to stand at the bottom of a set piece on their own because they couldn’t climb it like the rest of their group.
I’d also like to discuss my experiences since finding out that I have a wrist problem that will likely impact me on and off for the rest of my life. For context, I have limited mobility in one of my hands due to a problem with my wrist and thumb. I cannot fully bend my wrist in any direction, nor can I comfortably straighten my thumb all the way or make a fist with the thumb on the inside.
I’d also like to note that I am currently in university taking a creative writing minor, so that sucks because my wrist and thumb do affect my ability to type and write, so it flares up a lot. I also really like to draw and sew for fun and I’ve had to greatly limit my ability to do the things I enjoy. I’ve been in two shows since I went to my doctor because of the pains and four shows since the pain started affecting my abilities to do things.
This first show I was in after my wrist got bad was a very dance heavy production that consisted of two group numbers and a solo or duet for every cast member. The worst part for me was dance warmups, where we were instructed to do many things forced us to put large amounts of pressure on our hands. Primarily different forms of lunges and pushups. I would cry after every day’s warmups. I could barely hold my props.
The next show, I actually worked crew on. I was involved in props, costumes, and makeup, as well as moving sets/props between scenes. I made props with box cutters and scissors I could barely hold. My hands shook so hard when I was trying to melt the edge of a ribbon to keep it from fraying that I dropped a match (thank god I was outside and on pavement). I sewed costumes until I couldn’t do anything for the rest of the day. One of the worst parts was when I hand-sculpted multiple special-effect-makeup prosthetics for one of our actresses. I could hardly hold my makeup brushes or my dummy head that I was sculpting on by the end of every one I made (three sets, for context, every set used two pieces). The other worst was moving sets. I was originally set to move a desk for an office scene that was so heavy that I cried after our first rehearsal and requested to be switched to a new job. I was given a bookshelf that was on wheels. Two of the four wheels were broken and I had to pick up the shelves to get it into the correct position anyway. This show was actually the reason I went to the doctor about the wrist pains.
My next show was actually an improv workshop followed by two performances. I spent the day of the workshop painting for a school activity. I ended up in a wrist brace for the full workshop. I have never seen a group of people so cautious around me, nobody was even willing to touch that arm, which made a certain amount of improv very strange because we were doing a lot of physical stuff with each other. Everyone else was grabbing hands and stuff and they were just awkwardly standing next to me. I ended up taking off my brace for the performances so that I could feel like a part of the show. and hurting myself because I should have been wearing it.
The last show was a recent production where off-and-on through the rehearsal process, I was in the brace. There were many comments made asking about why my wrist was still hurting me, which I assume is a certain amount of ignorance because yes, my wrist still hurts, I haven't been able to move it properly for half a year. However, I was not given a single costume I could wear the brace with and another cast member was instructed to pull my by the arm that was hurt. Luckily, between pain meds and excessively taking care of myself, it didn’t hurt during production week, but I’d still call that some bad treatment.
Basically, theatre sucks for disabled actors. Please, help bring awareness to this. If you’ve seen or experienced ableism, I encourage you to speak out. Yannick Mirko is a wonderful performer and an inspiration to me. He’s been through so much. Also, I’m not fond of cursing, but fuck McCarter Theater and fuck Arena Stage. Cast disabled actors as disabled characters and don’t replace them with an able-bodied understudy.
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dramavixen · 8 months
Text
are producers the clowns for approving subpar endings or am i the clown for expecting more
**Spoilers for:
Love Like the Galaxy (China, 2022)
The Red Sleeve (South Korea, 2021)
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Late as I am to every bandwagon, I at last completed my first watch-through of Love Like the Galaxy a few days ago. For the past couple of weeks, I have done nothing but think about, consume, and breathe this story. At last, a show that was ticking all the boxes! I could tear myself free from this drama slump of mine!
This celebration lasted until I sat down with my parents to observe that thing the producers might call an "ending," but which sparked a frustration in me so severe that it triggered a post-COVID coughing fit, which in turn almost made me throw up. I couldn't comprehend it: was this the same show? Did I accidentally click on a parallel universe version where everyone's intelligence was operating 20% capacity?
Since I'd like to avoid making myself physically ill again, I'm not going to focus too much on how logic abruptly becomes an imaginary concept throughout the last two episodes. At least all that did was make me angry. What I can't accept is that they use that lack of logic to curse our leads with the most careless of reconciliations.
To alleviate my distress, we're going to perform an investigation. A deduction, if you will, of precisely what the ending was lacking, and utilizing a case study of how to conclude a story in both a fitting and compelling manner.
An unresolved misery
In recent years, my tolerance for male leads' misbehavior has plummeted down into the core of the earth. You could say that after years of being brainwashed by media into excusing male characters' questionable actions due to how much they "love" their partners, I'm taking back my common sense. So when faced with Zisheng's killing spree while armed with the knowledge that a "happy ending" was endgame, I anticipated how the writers would close such an abyssal rift in the leads' relationship. And the result was...well, not all that worth it.
If you need a memory refresh or you're reading this without fear of spoilers (godspeed), the conclusion of LLTG sees Shaoshang being kidnapped multiple times by people who she knows don't hold good intentions, but she goes along with them anyway. Don't ask why (the answer is so Zisheng can swoop in to rescue her). Some needlessly dramatic things lead to Shaoshang assuming for a few seconds that Zisheng has died in an explosion. But lo and behold! Here he comes, emerging unscathed from the ordeal. She flies into his arms and forgives him. Then they run off and save China, because it's not a historical C-drama until they do.
By the time we got to the fire/explosion scene, my mental state had already been reduced to a pulp. Therefore, to write this piece, I had to rewatch that part and make sure I was getting all the details right. It shocked me into a second round of holding my head to prevent my brain from ejecting itself as it sought to escape this reality.
(Also, I have to take a moment here to demand justice for He Zhaojun. They leave a pregnant woman on the floor after dragging her out of a fire, while she's having contractions, so they can instead take the time to hold a premature mourning session for Zisheng. Guys, it's not the end of the world if you don't have a brain. But please don't throw away your conscience.)
However the writers did it, it still counts as a happy ending. Such a conclusion should come as a relief, so why do I find it so hard to come to terms with? Let's rewind a tad.
Both Shaoshang and Zisheng grew up under grim circumstances, their identities subjecting them to emotional and social turmoil. But while they share a similar internal struggle, they must deal with it in opposing ways. Shaoshang opens herself up to anyone who shows her true kindness, desperate for someone to accept her for who she is. On the other hand, Zisheng can only isolate himself from everyone, unable to reveal his true self due to both political and personal interests.
Their eventual parting is unavoidable. Shaoshang is moved by Zisheng's unwavering love for her. Can't blame her all that much; just look at him. But the closer she gets, the more Zisheng fears dragging her into his mess of a life, and the more he pulls away. When Zisheng chooses vengeance over love, he's already crossed Shaoshang's bottom line several times by refusing to share his troubles whenever she asked—the irony being that he once scolded her for keeping things to herself.
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ZS: If, one day, they really intend to kill you, would you not tell me then, either? Shaoshang, exactly who do you take me for? Why must you always act on your own, and not trust me? SS: It is not that I do not want to trust you. I simply— ZS: You simply do not care about me. After betrothing you, I would frequently think about how great it would be if I could become your confidant and anchor. You could tell me about all of your fears and loneliness. I do not wish to control you. All I hope is that you can be honest with me. But how is it that your heart never warms toward me?
I see that Zisheng is a loyal believer of the "do as I say, not as I do" doctrine.
While it's initially funny to look back on the above scene in context, it's quite sad once you mull over it more. Zisheng's desire to know Shaoshang's troubles is rooted in a concern for her safety that is both emotional and practical in nature. When Shaoshang later applies that same thinking on him, the tables have turned completely. Zisheng is now aware that few situations are simple enough to be resolved just by being honest with someone else. And if the problem is severe enough, doing so may only aggravate it further.
From his perspective, telling Shaoshang would mean ruining her and her family's lives by association. Not to mention, she herself swore that she would stay with him through everything. So if he dies as a result of carrying out his revenge, the possibility of her dying solidifies itself as an inevitability. Leaving her behind is the one method he has to ensure that he alone would suffer the consequences.
Like it or not, it's hard to blame either of them for the end of their relationship. Is Zisheng wrong to keep Shaoshang in the dark? Arguably yes, arguably no. But is Shaoshang justified in her anger about being kept in the dark? Absolutely.
While we can be reasonably upset that post-timeskip Shaoshang possesses none of the outspoken nature of her teenage self, her lingering depression is the most realistic result of everything that happens. She has tried repeatedly to find her place in the world, yet arrives at nothing but failure every time. Not to mention, she suffers from an inferiority complex that intensifies the ache of each and every rejection. She isn't unfamiliar with being abandoned, but Zisheng doing it to her is the final straw that breaks her. The coffin her family was preparing for her didn't go to waste—the moment that Zisheng turned his back on her, he killed a part of her. Meanwhile, Zisheng becomes a corpse with a pulse, someone who only continues to breathe so he can regret what he has done.
When you delve into how much Zisheng hurt Shaoshang and himself, it becomes clear that a Michael Bay explosion shouldn't have been the answer to their problem. After the timeskip, the issue at hand should be less about her forgiving him than it is about each of them needing to redeem parts of themselves that they lost to the circumstances. That's why their interactions at this point are so painful to watch. Every word, every look, every movement brims with love for the other person, but they are both shells of their former selves that cannot move on.
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No words for the above; too busy sobbing as they each individually accept that they'll never experience true happiness again.
As a viewer, you know that Shaoshang accepting him at this point would be an objectively bad idea. But it's also hell to watch two people, both overly accustomed to suffering, walk away from the person who brought them the greatest joy in their life. That's the art of tragedy, flourishing before us in a quiet, leaden fog. And they killed it in a bloom of gunpowder, of all things?
The beauty in tragedy
To say that a tragic ending is inherently superior to a happy one would be a pretentious fallacy. At the same time, a forced happy ending will feel unstable enough that the slightest of questions will cast it into doubt. The genre of an ending is irrelevant. It only matters that the ending is the right one.
So should LLTG have ended with the leads parting ways for good? To find the answer, I want to first dig into a successful example of tragedy. For that, let's look to our dearest, our legendary, our precious: The Red Sleeve.
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Similar in premise to LLTG, TRS features a female lead with independent thinking and a dream for freedom, faced with a man of high social status who goes about chasing her in a way that flaunts his power. The stakes are higher in TRS since the man in question will one day be king, but the highlight of the show is the same as in LLTG: you bounce back and forth between hoping that she ends up with him and praying to any god that exists that she runs far, far away from him. You can't really win.
One day I'd love to write a thorough analysis on the amazing character that is Sung Deok-Im, but for our current purposes I'll focus on the nature of her ending. TRS is roughly based on history, and a quick Google search when you begin the drama will inform you that our female lead is fated to die at 33 years old—only a few years after she is "promoted" from gungnyeo to Yi San's consort. As a result, you spend much of the drama battling the lurking dread of how her death comes about.
A few months after her young son passes away, Deok-Im falls ill and dies. The unborn child in her womb follows her. Yi San is beside her as Deok-Im slips away, and her dying wish is cruel but fair: should they meet again in another life, she begs Yi San to pass her by. Only then can she choose to live a free life, full of choices, which was all she had wanted until she fell in love with him.
While watching LLTG, my emotions mirrored those I endured through TRS. Both dramas force you to get to know the female lead as someone who wants to be herself, a baffling idea in the face of a society where women's primary identities are those associating them with someone else: daughters, wives, sisters, mothers. Yet she continues to harbor hope that she can control her own life, even as she falls in love with a man whose station will certainly snuff out that possibility. The saving grace in LLTG is that Zisheng is not a part of the royal family, and even then Shaoshang goes through her fair share of frustration. TRS on the other hand...even if you haven't seen it, you can likely guess what happens.
The biggest tragedy in TRS is not that Deok-Im dies young. It's the despair that trickles through every part of you as she transforms from a free-spirited, boisterous young woman into an obedient consort whose every word and movement is straight out of the books of etiquette, who isn't permitted her own feelings or thoughts in the face of the country's interests. History may not share the specifics behind how the consort actually died, but the drama all but tells you that depression played a major role. By the end of the drama, Deok-Im hasn't existed for a while. She dies as Royal Noble Consort Ui.
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I wonder what I have gained by being in this place, and what I have lost.
I cry inconsolably whenever I see this expression of acceptance and resignation on her face as she sends off her friends and her former self, knowing full well that she has caged herself into a life of sadness so she can be with the one she loves—a man whose first priority can never be her.
But oh, no; our suffering doesn't end there. Yi San lives on after her, looking after his country while carrying the lingering pain of Deok-Im's death. At one point, he retrieves her belongings and appears stunned by her gungnyeo clothing:
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It is so small. Were you always so small? Yet, I loved you.
In Yi San’s memory, Deok-Im was a person of great stature. What she may have lacked in social position, she more than made up for in personality. Her tenacity made her appear so strong that only in hindsight does Yi San understand just how vulnerable she was.
Yi San is also someone to be pitied. When we watch palace dramas, it's easy to say that the king's consorts have it far worse than the king. They fight over a man in order to survive, and arguably their sacrifices are greater in number and magnitude. But it's egregious to host a competition of suffering, and you can't deny that Yi San himself leads an unfortunate life. In the cold isolation of the palace, Deok-Im gives him warmth and company. It's no wonder that he wishes to have her by his side, but he is still willing to let her go when she pushes him away.
Almost every other palace drama would have you turning up your nose at the king or emperor's so-called "love" for one of the women in his harem. TRS leaves no room for such doubt. The throne takes away Yi San's ability to choose, and ultimately his ability to wholeheartedly love someone. Even so, Yi San holds Deok-Im so dear that you might want to blame him for how she ends up, but it's hard. Really, really hard. (For anyone interested and who hasn't already, I highly recommend reading the actual history behind this drama. Dude was so in love that it physically hurts.)
In the final scene, he reunites with Deok-Im in the afterlife. At last, they are together and without all the frills and chains of royalty tying them down.
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Many years have passed, and at times, I was not certain myself. Do I truly miss you, or do I simply glorify the past? Now I know. I missed you, and I missed the time that I spent with you. [...] Now I understand that we do not have much time. And we do not have the luxury to wait. So, love me. Please. Love me.
I'm always scared to watch the last episode because I just spend the full hour and a half bawling until I can't breathe. Taking these few screenshots was truly a test of my entire being.
So what makes a good tragedy? Tragedy is not "bad things happen." It's "bad things may have happened, but I wouldn't have chosen any differently." When Deok-Im becomes Yi San's consort, it isn't because he keeps her there. She chooses to stay. She loves the prospect of freedom, but she just loves Yi San more. It's awful, it hurts, and it's perfect.
What could have been
We've taken a slight detour, but have at last arrived back at the topic of: how should LLTG have ended?
If given the choice between Shaoshang and Zisheng being together and them not being together, I would obviously choose the former while beating the latter into a permanent nonexistence. With any degree of empathy, you can't watch two people suffer as Shaoshang and Zisheng do, then turn around and wish for their continued misfortune and loneliness. So although I'll concede that it would have easily made for a fantastic tragedy like TRS, I can't bear to say that it should have been one. But if the writers want to go for the non-obvious happy ending, it still has to follow the progression of things.
The current problem is this: Zisheng abandoned Shaoshang and scorned her trust in him. We're now in a position where Shaoshang has the decisive say in whether the relationship can be revived.
LLTG's primary focus has always been Shaoshang. Though multifaceted, her personality and motivations are pretty straightforward. Each time she suffers is a result of her lack of agency. She had no choice in her parents leaving her as an infant, no choice in her poor upbringing, no choice in agreeing to marry Zisheng. Even when she gave up Lou Yao, was that truly a result of her volition alone? For someone whose greatest enemy is helplessness, what matters most is maintaining her own free will.
Through this lens, each time Shaoshang asks Zisheng if he has something to tell her, not only is she asking him to trust in her as his equal, she wants him to let her decide to stay with him. Zisheng turning her away scars her so deeply because it's the same thing as telling her, "I don't care what you want to do." He's drawing a line while taking away from her the power to choose—the one thing she's told him repeatedly matters to her.
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SS: I used to hate you for abandoning me. I hated that you acted on your own. I hated that you would rather leap from a cliff than walk alongside me. I hated that I loved you so truly, whereas you told me lie after lie. It has been five years. It was not easy to let go of all of this. I can no longer give away my heart or trust again. ZS: I am sorry. Regardless of what choice you make, I will respect it. These last few years in the Northwest, not a day went by where I was not filled with remorse. I know you. I knew completely that you feared being abandoned. Yet I still chose to harm you in the way that would hurt you the most. In the first twenty years of my life, I lived in hatred. And for the rest of my life, I will live in remorse. If I could, I would tear my heart from my chest to show you. But I know I no longer have that right.
"A married couple exists as one entity." Such is what the drama emphasizes time and again, but what does that mean? Not that one party is in automatic agreement with the other. It's about learning to reach compromises and understanding what's important to the other person. When you don't give your partner their say in that conversation, then what relationship is there to be had?
That is why Shaoshang's unwavering desire for individual opinion matters even more after entering a relationship, and why she still struggles to come to terms with what Zisheng has done. She doesn't blame him. She doesn't want him to beg for forgiveness. After everything she's been through, she just can't put herself in the same vulnerable position again. And he's learned to fully respect her opinion, which means that he has to let her go.
TRS's ending works for the simple reason that it remains true to the characters and their motivations. The tragedy isn't there to make us sad, it's just where the story was always going to find itself. This is why we as viewers hate the ending, but we wouldn't have wanted it written any other way—to do so would be betraying Deok-Im and Yi San.
But when you look LLTG, it gives you a very weak argument for Shaoshang and Zisheng's reconciliation. In front of you are two people whose love for one another could not run any deeper, yet there are legitimate obstacles to their relationship. Shaoshang needs to relearn trust and feel respected. Zisheng's conflict mimics that of Yi San's; as much as he may regret the past, there is nothing about it that can be changed. That regret is something that has to be addressed. (Of course, in Yi San's case, that was addressed through his death. So maybe not that for Zisheng, if you please.)
I can see where the writers attempt to cure Zisheng's remorse, but come on now. They stage a bizarre speech for him where he denounces his previous actions, like a child being punished by his parents and being forced to write a 200-word essay reflecting on his wrongdoings, and while they're being held in the most asinine hostage situation ever known to man. He seriously proclaims that he should have walked the honorable path instead of opting for vigilante justice.
This entire scene was a nauseating roller coaster, but that last part threw me for a major loop. Sir, the only reason you can say that so shamelessly is because your soon-to-be wife found evidence after you killed the guy. Are you really going to stand there with a straight face as you tell me that you regret how you killed the man who you watched murder your father, and who brought about the horrific deaths of your entire family? There was no other option at the time. Of course you had to kill him. It was as much a personal vendetta as it was political. No one likes what happened after that, but those are consequences that should be dealt with separately. Also, Shaoshang's qualms aren't rooted in you killing the guy, they're rooted in you killing him and then trying to kill yourself, all without taking her desires into consideration.
And just as I was thinking the above, the next thing that happened on-screen: Shaoshang turns to him with an expression that says, ah, so he's learned his lesson! Oh...my goodness.
Hi, ma'am? Question. What exactly is more emotionally persuasive about this weird declaration now than when he laid his heart out that night when you wished one another well and said goodbye? Is it because he almost explodes afterward? In the five years he spent out on the battlefield, was he not always in danger of exploding, or being stabbed, or being tortured to death, etc.? Did he not almost die saving you from falling off a cliff two days prior? Why didn't you waver then, especially since it should remind you of, you know, the other time that he jumped off a cliff?
During the scene where she runs to him after discovering he miraculously is not dead, a severe suspicion came over me that perhaps they inhaled so much smoke that they were no longer thinking straight.
A solid happy ending was clearly a possibility. Even if they wanted to go with the above nonsense, could we not also have had a moment where they admit to one another that while overcoming their pain will be difficult at first, being apart from one another for eternity would be much more painful? That nothing in life is easy, but it will be easier with each other? That that commitment is what makes a married couple a single entity, and they just want to commit to each other? Then they can go off and save China, whatever.
They deserved an ending that had me rejoicing that these two are finally, finally, finally on the same wavelength. It should have been more introspective and more considerate of Shaoshang's hurt and Zisheng's regret. Their psychological wounds are instead dismissed through an absurd monologue in a basement and the arbitrary realization that death is lurking around every corner.
The hilarious part is that in the last two episodes, even the actors are noticeably less enthusiastic. In their performances, I see essences of how I feel when a client requests edits to a design that will make it significantly uglier. You gotta do what you gotta do to pay the bills.
Sigh. I could forever grieve what could have been, but this is still one of my favorite dramas. Characters that feel like real people, relationships that make your heart hurt. Those should be common sense in media but are hard to come by in reality, and I'll continue to appreciate what LLTG gave me.
All I really want from the drama industry is for it to please, for the love of our collective sanities, stop thinking that "happy" endings are a valid shortcut to satiating an audience. Good tragic endings are difficult to write, yes, but good happy endings are not any easier. To underestimate that is to let down the story and characters that were so painstakingly brought to life in the first place.
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ladykailitha · 2 months
Text
WIP Wednesday Game
It’s WIP Wednesday, time for a little accountability, sharing your work, and getting a kick in the pants.
Here’s how it works:
In a reblog (or new post w/ rules attached), post up to five (5) filenames of your WIPs; not titles, file names.
Post a snippet from one of them. Snippet must be words you wrote in the last 7 days. We’re posting progress here. If you haven’t made any, go make some and come back to post!
After you’ve posted, people can send you an ask with one of your file names. You must then write 3 sentences in that file. If the filename is one you can't share from (for example, an event fic), write 3 sentences on it anyway, and then 3 more on another to share.
That’s it! You can invite others to join in, or just post. If you tag me in your post, I will send you an ask request!
If you’re reading this, you’re invited!
If you see someone posting a WIP Wednesday Game snippet, send them an ask! Make them write.
My only problem is that I tend to file name what the title is so I can find it easier, so...here’s what they were called before I titled them.
"File" Names
Soulmate AU
Werewolf Steve
Boy w/a Bat Book 2
Steve is in a Metal Band
Snippet
God, it took me a half hour to decide which tasty snippet to give you guys today, so settled on the scene that started me down the Steve is a history nerd journey.
Enjoy!
“Have you thought about selling your pieces?” Katie asked. “You could be making bank with these.” She lifted up the shirt to emphasize her point.
Steve shrugged. “Sure, but I wouldn’t have any idea where to sell them or who to sell them to.”
“I’ll sell them for you,” she said, “with a cut of the profits, of course. I sell at gaming and comic conventions, Ren fairs, sci-fi and fantasy conventions.”
Steve chewed on his lip. “I don’t make them very quickly. With them being all hand sewn.”
“Which makes it all the more valuable,” Katie insisted. “A hand sewn dress from a major clothing designer would be worth thousands, sweetie.”
****
Now, like I've mentioned all week (and will mention again in tomorrow's post so no one misses it) I will only be working on these four on WIP Wednesdays because Omega Escort Steve and History Nerd Steve are going to get super spoilery super fast as I'm nearing the end and don't want to lessen the fun of either story.
Also I'm not sure how much time I'll have with these today, if all goes well my husband will be out of quarantine and I'll see him for the first time in over two days (he had a COVID outbreak at work).
But I don't want that to stop you. Send them. Loads and loads. I can answer them on tomorrow or Friday if I need to. I'm happy to do that.
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bonesandthebees · 10 months
Note
I would love some makeup and skincare tips if you're willing :)
-🌼
of course!! (these answers are very general/assuming you're starting from the very beginning. if you want more specific advice lmk just give me more specific questions)
so I've talked about skincare on here before so I'll put that at the bottom of this ask, and I'll start with make up instead this time
makeup takes a learning curve to figure out how to use. there's no getting around that. it took years for me to figure out makeup stuff and I started playing around with it when I was only 12-13ish. don't feel embarrassed if your makeup doesn't turn out how you want. depending on what you're doing, you're basically learning how to paint but, like, really specifically and only on your face. it takes practice and that's ok! if you're embarrassed about people seeing you with makeup on, just do it alone in your room. the only reason I got good at winged eyeliner was because I made myself do makeup every day during the first quarantine era of covid so that I'd have a daily routine established and wouldn't just sit in pajamas in bed all day. I wasn't going out at all, so I made myself do winged eyeliner every time bc I knew no one was gonna see it, and it didn't take long for me to get good at it. so practice when you're alone and wipe it off when you're done. you'll figure it out eventually.
now as far as what kind of makeup to do on your face. well, that depends on what you're trying to achieve with makeup. do you want to cover up acne? do you want to do fun eyeshadow and eyeliner? do you want to enhance your natural features? if you're completely new to makeup I'd recommend starting with the basics of just trying to enhance your natural features. that's usually very simple and easy makeup that'll help you learn the foundations of it all so you can build up from there.
'natural' makeup routines that you read about online are probably going to consist of some kind of tinted moisturizer, maybe some concealer, maybe mascara, and probably a bit of blush. it depends on how much you want to do. if you're going for something with more coverage to cover up acne, look for foundation instead of tinted moisturizer.
if you're just starting out you're probably going to want to go for drugstore makeup instead of the expensive stuff. maybelline anti-age rewind multi-use concealer has been my go to concealer for years now. elf as a whole is a really low-priced and generally well recommended makeup brand with a lot of variety to what they sell. for whichever product you're trying to get, tbh just google 'best drugstore brand [insert product here]' and you'll find a ton of magazine articles pop up with recommendations.
last tips for now. here's what you don't need when you're just starting out: primer (you are probably not going to be doing heavy daily makeup right off the bat it's not worth it in that case). look, I know everyone talks about primer being amazing. but I basically never use foundation or tinted moisturizer, I just use concealer. so it's very unnecessary for me. later on you might find you need it, but at the start I promise you don't
hope that helps with some makeup stuff! skincare info below!
okay so for skincare, I've found that it's easiest to build a routine one step at a time. don't feel like you have to rush into everything all at once. first get into the habit of washing your face every morning and night if you don't already. make sure you have a good facial cleanser that's suited to your skin type (please don't use body soap for your face). cetaphil and cerave are both very highly rated drugstore skincare brands that have a lot of options for face cleansers for all skin types (oily, dry, sensitive, etc). then you need a moisturizer. again, I recommend either cetaphil or cerave to start off with bc of their low price point and how highly rated their products are. I use cetaphil daily face cleanser and cetaphil's daily oil free moisturizer with spf 35. definitely try to get one with spf in it because sun protection is the other essential part of a bare bones skincare routine. when looking for a face moisturizer, try to go for ones that say they're non-comedogenic which means they won't clog your pores. oil-free is probably preferable too especially if you have acne.
after you have the basics you can get into other stuff! this stuff is going to depend on what skin issues you have. there are a whole lot of serums out there you can look into (niacinamide I think is one of the best serums for most skin types and you can get a bottle of it from both good molecules or the ordinary for like $6). different serums are formulated to target different things, so again try to google stuff to see what might be most helpful for you. skincare brands besides cetaphil and cerave that I think are good to start out with is the ordinary (high quality at a very low price) and good molecules. neutrogena also has some pretty good products, and I really love elf's eye cream. but if you're really unsure where to start, the ordinary has an online quiz you can take on your site which will recommend products to you based off what you say your skin issues are, so even if you don't end up buying anything from them that can give you an idea of what products to start looking at.
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I want to talk quickly about teacher pay. It's going to come up a lot I'm sure over the next few days. Teachers have had an (unfunded) pay rise this year (not all teachers have received it yet) and so the starting salary for a teacher is £28,000 outside of London.
Which sounds like a lot I'm sure.
Take home from that with my student loans and pension deductions is about £1,700. Still sounds like a lot, I'm sure.
I looked up the cheapest rent for a 1 bed flat where I used to live. That's now £700. Due to the amount of work you have to do at home, and especially during covid I think it's very difficult for teachers to live in shared houses. Of course some do, but for me, at that point it gets into the territory of "why am I bothering"
So, I worked out what would be left over based on my old bills, except electricity which I used my current bill for, because of price rises.
After essential bills only (including a car because it was essential in that town and mobile+ internet because they are considered essential for teachers by most schools), I worked out said teacher has £480 a month left over.
That's to cover any hobbies, buying clothes, any subscriptions, any money they spend on school stuff (which they will in most schools) any treats like a takeaway or god forbid a night out...
You can see it's not going to go that far. Like, sure, it's doable and you know in your second year of teaching it will go up etc etc.
But equally, when you're looking for jobs to apply to (and there are a lot) you'd potentially discount expensive towns. Maybe you'd live in a city and not have to run a car? Maybe you'd live in a cheaper location? (Maybe you'd decide it's not worth it and opt for that 32k grad scheme instead). (Maybe you'd opt out of your pension).
Anyway perhaps you start to see why some schools in some areas of the country struggle to recruit. In London, the pay is higher of course, but not in other expensive places like Bristol or Oxford etc.
And then equally you start thinking about couples who want to have a family. Childcare is crippling, they need to be able to afford a 2 bed house, even on M3/M4, it looks pretty unaffordable. Maybe one of them goes part time. Maybe one of them switches careers?
The point of this is not to be like "woe are teachers" because I know a lot of people have a lot lower take home pay. My point is that a) teachers are well qualified people with the option to switch careers b) we need teachers to be able to live in every part of the country.
Now, I can only see two possible solutions. Rent controls, or pay teachers more. Unfortunately, I'm not allowed to strike over housing costs, so therefore I'm left with the option of striking over pay.
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faeriekit · 2 months
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you post about library stuff, and I wanted to ask if you had an MLIS, and if so, how did you go about getting it? No pressure of course!
I am always down to talk about library school, no worries! 🧡🧡
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I think I do have a couple posts in my library posting tab that also talk about my MLS process, so they may cover details I forget here, but details to know are:
I already worked at a library at the time that I applied to an MLIS program
Therefore I had a lot of help from other librarians, library assistants, administrative persons, and friends along the way
There were several other prospective students in my system that applied simultaneously, so we all could pool information so that we didn't all have to retread the same research holes simultaneously
I applied at the height of covid.
Several people in my workplace had already told me that online was the way to go if I was going to get a degree; better scheduling possibilities, more choice of programs, and more opportunities to apply; otherwise I would have had to go to the state school. It would have been fine. But traveling in person is a pain.
I did research on schools; what the price was per credit hour, how long it took to graduate, criteria to graduate, whether it was synchronous or asynchronous, or other things I might want to know during the application process. When picking a school, make sure it is ALA accredited if you are in the united states! They are the only schools! Do not pick a graduate degree in librarianship if ALA has not given it their Okay!
So I used their searchable database for an online, asynchronous, relatively cheap program. When I found one I liked, I went to look online specifically to see if it was an online program PRE-Covid. I did not want amateurs trying to work out zoom for the first time. I wanted a good program that already knew what it was doing.
So I found a program I liked, and double checked to see what I needed to apply. Normally it was three recommendation letters; due to covid, they only wanted one. Great! Begged one off a former professor. Normally I would have needed to take the GRE, but it was covid so it was waived, and I had a GPA high enough that the program would have waived the need for a GRE test score anyway. Score!! As someone who tests horribly on cumulative stuff, that was a huge relief.
I applied! I got in! I crammed as many classes in as I could simultaneously, since I was working part time and I needed to save money. I could have taken a maximum of six years to finish a degree, but every semester of tuition + sundry is a flat fee, So I saved my money by finishing as quickly as possible. (And, to be fair...nine credits a semester is easy. I used to do eighteen a semester in college. If you have ever taken an online course in your life, it's not that much harder in library school, especially when it's asynchronous.) I'd saved up money from a terrible former job where I couldn't see any friends or go anywhere to see anyone or take time to myself or even eat out, so I'd had money saved up I could use for my degree. 😬 I think in total it was somewhere between... $20,000 and $26,000. Semesters fluctuated between 4,000 and $6,000 depending on the classes I took. I never did winters and I never did summers, since the amount of classwork I could have done during those sessions wouldn't have made the flat fee worth it.
And then they were all keen to have me work on a practicum during my job, which was full time at that point, so I was working eleven hours a day in order to fulfill my degree requirements between my full time job and my part time job...it was super easy to arrange, since I just had to basically walk over to a former library I used to work and and be like "want me back here for free?" and they were like "is that illegal?" and I was like "apparently not", which is the benefit of networking, but our collective HR department had a conundrum of legal matters on their ends haha. And that's when I wrote Blister Pack out of sheer stress! 😊🧡🧡
And then I GRADUATED! Which just felt like Tuesday, since it was. I got my degree in the mail, my job made me pay a different entity $70 to make sure I was a "certified" librarian in this lovely state, and now I work the exact same job I did in grad school, but with slightly more pay.
Things I learned whilst pursing my degree:
Make out with a database. Seriously. Databases are 90% of your job now. The rest is on-the-floor maintenance, problem solving, and local politics. Learn to use limiters and Boolean goods and keywords and everything else, because you will need it.
The people who struggle the most are the former teachers and other alternate-profession professionals looking for a change in careers. The people who do the best are people who work in a library. If you have not worked in a library, volunteer at your local library. The concepts, lingo, and jargon will make so much more sense when you're exposed to them naturally.
Speaking of; network, network, network. Ask local librarians for help sooner rather than later, because eventually you are going to have to interview them or ask for their help or something. Know them now. Ask them your homework questions. Every librarian wants to talk shop. Let them.
Sometimes your books are cheap on Thriftbooks and Alibris and sometimes they are cheap because you find the PDF online for $0.00 and it feels morally wrong to use it for class but no it isn't. It's just illegal. But not even for you; it's only illegal for the site for hosting it. So...consider downloading your texts, lest they be $80 each.
OH but Worldcat does a price comparison on the side of every book entry so that you can see which site has a cheaper copy! That's just a library fact 🧡 Here's an example!
Anyway...this is just me. People who went in person ate up more time overall, but I also had a whole school of 90% White conservative-leaning students so that was kind of new and alarming for me. Go Texas! Double check if you're in any time zone changes if you go online...
People want to think that librarianship is a noble profession that can make a difference in a single life, and it is, but it's mostly public servitude. You will be paid less than other professionals with a graduate degree and you will have your budget slashed with no notice and you will have local townspeople and officials demand you justify the cost of running a library on the town and you will have to defend yourself every time, because you are a vital resource no one appreciates until they need it and every child deserves to read. Half of librarianship is fighting the good fight. The rest of it is construction paper and kid scissors, phone calls, public arguments, resource management, lysol wipes, and sometimes there's even books.
Anyway! If you read this far, make sure your library card is up to date! 🧡😘 Thanks for asking! I love it when I get library questions.
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There are so many songs that I find hard listening to cause they were written about YB, and knowing what we know now and how Taylor put him on a pedestal and made him out to be this perfect boyfriend when it wasn't true just absolutely disgusts me., plus the underlying layer of anxiety and her fear of him leaving, but no other song can quite literally trigger me like Peace does. His integrity made her feel small, feeling like she was wasting his honor for talking shit with her friends. Meanwhile, he was probably shit talking about her behind her back to his friends based on the Anti-Hero Remix. No wonder why all her friends unfollowed him so quickly. They were probably relieved she finally left him. Writing a song like You're Losing Me and STILL staying for over a year trying to fix things and his ungrateful ass couldn't do anything, not even the bare minimum. Like, you have THE TAYLOR SWIFT begging you to make things work and is willing to stay with you through all your bullshit and put up with your carelessness when she could so easily find someone new and have men lining up in a quee just to be with her, and you TAKE HER FOR GRANTED?????? Choose YET AGAIN (at the last minute cause you weren't even the first choice) your 5 min worth of screen time background role in a movie that probably no one's going to see over supporting your girlfriend ??? (Jack had Covid and couldn't attend, but he still watched through a grainy screen live on insta or tiktok and I'm sure Joe did not do that) When she's done nothing but supporting him and prioritizing him and following him around from country to country only to have him leave her behind to pack things up, cook for his cast mates, allow them to record music using her own equipment, him throw birthday surprise parties for his female co-star when he can't bother make time for her birthday, send his mom or brother to her events cause he can't show up, but is perfectly capable of showing up to events where he's got nothing going on for himself and take his own friends over his girlfriend who probably got him in the room in the first place, the list goes on and oooooooon. He was also fine with staying with her rent free and going on luxury vacations on private jets, get paid royalties from her music (Taylor definitely overexaggerated his contributions and was very generous with him only to have her craft compared and diminished to baking surdough bread in quarantine), but couldn't put up with her fame that was providing all this. (He strikes me as one of those people that secretly want the fame and attention on them but are going to complain and bitch about how that's not what they want once they get it. The thing is, the attention was on Taylor, and he couldn't be a side character or merely her boyfriend cause of his insecurities... well now he's Taylor Swift's ex first and foremost much to his inconvenience)
I can imagine him being jealous and insecure of how well the All Too Well short film was embraced by the industry he's been in for so long, only to have Taylor come in and be praised right and left for her talent. He's been basically "Hollywood's next big thing" each year ever since 2017 and each year being unsuccessful at it. It's embarrassing. (Even Harry, who's not the best actor out there and has no prior training or much knowledge in that field, has more talent, charisma and appeal in his pinky finger when it comes to acting than Joe does.)
I'm so here for YB lashings out on X. He's not a saint as some think. I can only imagine how he might've gaslighted and manipulated Taylor for her to always put the blame on herself in all her songs...
^^^^
Bring on TS11, where even if we don’t get more detail YB’s shitty behaviour, we WILL get more reflections on Blondie the Phoenix has risen.
Thanks for the detailed ask.
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nickgerlich · 2 months
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Surging Forward
When it comes to the Four Ps of Marketing, there is one that affects us the most. It raises eyebrows. It may cause mental anguish. And it hits where it hurts the most, the pocketbook. I can only be talking about one thing: Price.
As I was telling my undergrads yesterday, they have now lived through—and survived—a period of inflation. This hasn’t happened for 40 years, which I remember all too well from my university days. It’s the kind of thing you tend to remember forever.
While inflation is now more or less within a reasonable range (about 3.1% last month), our grocery bills are up about 25% in the last four years. You can thank the compounding effect for that. Some manufacturers have responded by reducing the size of the package, so they can try to maintain price points. Labeled as “shrinkflation” by President Biden and others, it gives the illusion that prices haven’t gone up, even though the unit price definitely has.
Given that we have all now become hyper-sensitized to price since COVID, it should come as no surprise that Wendy’s plans to test surge pricing for its hamburgers is drawing the ire of many. It’s bad enough that the price of fast food has skyrocketed, but now they want to charge even more during hours of peak demand, as well as at locations that are typically busier than others.
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Surge pricing, which also goes by the moniker dynamic pricing, has been in use for decades. It’s what explains the matinee price at movie theatres, a time of day in which far fewer people are likely to see a movie. Airlines have done it for years, with peak demand times seeing fares much higher than off-peak. Add hotels to the mix, too. Business hotels are often weekend bargains for families, because all the people with expense accounts have gone home. And we all know how expensive food and beverages are at airports and stadiums, while not far away they are much lower.
Uber is another company leaning on this model, with the price of a ride reflecting the demand. If a stadium is emptying out, the price just went up. Many other retailers, from Amazon to Target, Kroger, Best Buy, and others have done it. The advent of digital price tags makes it all too easy to reset prices within a store, or even systemwide. Heck, I even saw it in Germany some years ago, with gas stations raising prices at peak commuting times, and lowering them during others. Shame on you for not refueling at a better time!
One of the more interesting aspects of dynamic, or surge, pricing is that used on Dallas-area toll roads and express lanes. Essentially, the price is set based on traffic volume. As congestion increases, the price for diverting to the express lane goes up. The thinking is that it might just be worth your added dollars to be able to zoom by the unlucky proletariat stuck in traffic. Be sure to wave as you go by. These lanes are the sky boxes of the highway system. At peak times, a person driving solo can pay up to $0.90 per mile for the privilege.
The weeks ahead will be interesting to see how the market reacts to Wendy’s move, and whether they stick to their guns or back down. If customers swallow surge pricing, it opens the flood gates for all fast food restaurants to do the same. It could then spill over into all restaurants, and everywhere else. Consumers will be left at wit’s end trying to keep up with what amounts to a wide array of possible prices for the things they buy. I suspect that apps and websites will arrive that allow for crowdsourced updates on all of it.
It’s the price we pay for being alive today. Inflation is one thing, but having to endure exorbitant temporary price hikes is quite another. Even staying home and being a hermit does not make you immune, because you still have to buy things. As for me, I’m staying in the slow lane just as a matter of principle, and because I’m still waiting for my salary to go up commensurately to account for the last four years.
Dr “Not Getting Inflated Expectations” Gerlich
Audio Blog
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wewontdieunbloomed · 1 year
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this is part two of unlearning the bad things i unconsciously learnt from last year.
part one was the negative default pessimism i fall in to, which i keep calling it me being emo which means i dwell in my “misery” for far too long, instead of trying to think of something positive to get myself moving out of the bad zone i am in. as we are often told, sadness and negativity gets comforting, it feels like you are protecting yourself. but one cannot see beauty in life and find joy for oneself if one does not make oneself vulnerable.
and so making myself vulnerable is what ive been doing. trying to romanticise this state that im in, a liminal space, at crossroads. its not the most ideal, too many things are unknown and for the first time in my life im dealing with having barely any structure to my days, with nothing to do yet so much i should do.
it took me quite a while to stop lamenting this unknown and start returning to the foundations i built this blog and my entire philosophy off, the whole concept of “lest we die unbloomed” of making sure i dont realise one day ive wasted my time. and in small parts i like to think ive made progress on that
the focus now is the second part. i lost a lot of my attention span and impulse control, and today i reached a horrible point where i am sitting on the kitchen floor at 9 with no dinner, having ruined my microwave dinner out of a lack of common sense. i am not sure if all this recent muddling is because of covid brain fog or the horrifying amount of screen time i have had recently, but i was so sick of it. i have done a lot of things on impulse recently, and though today i had a really fulfilling day spending time with people i havent in a long time, when i got home and im back to reality of the things i havent done and been procrastinating for too long on, i felt horrible. this need to change, i realised.
so this is part two. it calls back to one of the values i set as something important to myself, being honest with myself. i know what im doing now is not working. i know that even though i use my planner im not sticking to it. i know my todo lists are not helping me. then why do i stubbornly stick to methods i know dont work? i told myself a year ago i would not change my system if it doesnt need to be changed. i have forgotten that i need to change it when it does. how silly! so im changing.
so in the last 2 hours in order to get myself up ive written todo lists on paper instead of in my journal. used a timer for every single step from shower to sweeping the floor to brushing my teeth. enough lazing around and letting simple things occupy too much time. its a parkinsons law thing.
enough doomscrolling and opening instagram when i have nothing to do. im setting a limit for a block of time in the day where i am not allowed to use social media, pwrhaps not any internet at all. i need to make drastic change, even if it seems inconsequential. it might not be academic but its personal. and my personal life and what i want to do with my time is worth taking big measures for, because it should be more important than all that revision for exams i used to do.
so the point f this ramble is to clear things out with myself. make some sense of whats goijg on. have a direction. tomorrow i have an interview. ill come home and do the chores i have to. prepare for my afternoon activity. go for lunch and my afternoon appointment. go for a run. buy dinner. write my applications. research on uni stuff. read a book. and all the other tint things i need to give more importance to even though they seem inconsequential. it sa new mantra ive gotten into ever since part one of this. that “this is the way” this is the new way. enough lazing. its time to go hard and be rurhless. take things up a notch because when else can i do it? go big from experiences to measures i have to take to discipline myself. this is the way.
04.04.2023
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andrebearakovsky · 7 months
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(cont. ask) first of all NOOO don't apologize i was looking for a long post, this is why i came here! i've been lurking way back! i remembered your blog name! 2. wow??? this is such a comprehensive answer!!! 😍😍😍😍😍😍🤗😳 thank you so much! 3. any content you want to post i am here for! 4. i can't believe there are so many new guys, like yes of course, but i can't believe it! 5. Oh yeah the details of the Holtby thing are coming back to me, i seem to have repressed it.🙈
Aw that's so sweet of you! A longtime viewer! (Viewer? What am I, a YouTuber? Calm down.) It's sweet of you to remember me and I'm delighted that I am apparently famous and evidently famous for making long/extensive posts lol. Which I'm about to do again.
I talked about Strome, Milano, Sandin, and alllll those young guys on my last post, as well as Darcy and TvR. [And Dowd but you already knew him.] The rest of the guys currently on the team I haven't really touched on yet that joined post-Holtby era are Nicolas Aube-Kubel, Anthony Mantha, and Charlie Lindgren. I'll get into them in a bit, but I gotta get into some other things first.
You said you haven't really watched since the Holtby era, so I'm going to assume you know everything that happened/all the people we had up til that final season, and that you know little/nothing of what has happened since then. So I'm gonna give a quick recap of some of the big things that have happened in that time:
You missed the ENTIRETY of the Sammy and Vitek goaltending era, which was kinda turbulent. Sammy was gonna be the starter with Henrik Lundqvist as the backup, but then it turned out Lundqvist had a heart condition and had to retire and never played a game for the Caps. This forced Vitek into action, and we had 2 years of the Sammy and Vitek goaltending duo. I, personally, loved it. Some people did not. I still hold that they were BOTH GOOD!! They split time, neither one ever TRULY grasped the starting reigns. There was also when Vitek got taken by the Kraken in the expansion draft and then immediately traded him back to us. Also they were besties, which started when they were a duo down in Hershey. It's also why my blog is titled "goalie best friend tandem," though it also currently applies to Darcy and Chuck who are besties. You can search the "goalie best friends" tag on my blog for cute Sammy and Vitek content. Neither of them are here anymore, but they're still friends - I remember seeing a quote Vitek gave to some Devils people talking about him and about still being friends and such.
Players you knew back from the Holtby era who are no longer with us: Lars Eller, Richard Panik (useless), Jonas Siegenthaler, Travis Boyd, Christian Djoos, Michal Kempny, Radko Gudas, Garnet Hathaway, Dmitry Orlov [don't talk to me about these last two I'm sad]
Players that played with us for multiple seasons after the Holtby era who are no longer with us this year: Justin Schultz, Conor Sheary, Daniel Sprong, Matt Irwin
COVID robbed us of our time with Brenden Dillon and I'm sad about it
We had Zdeno Chara for 1 year, and he straightup fixed Nick Jensen. Jensen was abysmal before that, then Chara was his defense partner for the whole year, and Jensen is good now. I no longer dread every time he touches the puck, I trust him. Also he has a personality now! Idk what kind of dark magic Chara used, but I will be forever thankful to him for it. 1 year of Chara absolutely 1000% worth it just for fixing Nick Jensen
We got Marcus Johansson back! :) And then we traded him again
We traded Jakub Vrana for Anthony Mantha, who is useless and unfortunately still here. He never fit in with the team vibe of "sexy idiots," he's not loud enough or slutty enough.
In March 2022 Carl Hagelin suffered a really bad eye injury during practice. I think the butt end of someone's stick got into his eye? (We were never told whose stick it was, I'm sure they have to feel absolutely terrible about it.) He's lucky he didn't lose his eye. He tried to come back, but he never played a game again after that. He was technically on the roster all of last season, but he never got into any games, and he just announced his retirement this summer. A really sad end, tbh. And RIP to the 4th line of dreams.
We were GONNA have Connor Brown for the 2022-23 season, and he was gonna play with Dylan Strome whom he's friends with and played in juniors with. But he played for like 2 games and then got hurt and was out for the season and never played for us again. I think he's in Edmonton now.
You know about goal songs, right?? I think the last year of Holtby was the first year of goal songs. I have a Spotify playlist of goal songs if you wanna check it out
There have been SO many injuries the last 3 years. 2021-22 was what I like to call the year of babies. I don't even remember who exactly was injured but there were so many injuries it necessitated the callup of SO many rookies. TWELVE rookies played that season: Martin Fehervary, Connor McMichael, Beck Malenstyn, Garrett Pilon, Hendrix Lapierre, Brett Leason, Aliaksei Protas, Axel Jonsson-Fjallby, Zach Fucale, Joe Snively, Alex Alexeyev, and Lucas Johansen. All of whom made their NHL debuts that season except for Fehervary, McMichael, Malenstyn, and Pilon. Of those rookies, Fehervary and McMichael were the only ones who were really supposed to make the team that season; they stuck around the whole season, while Leason and Protas played 30+ games, AJF played 20+, Snively and Malenstyn played more than 10 each, and the rest had 6 or less. It was truly the year of babies. Some of those guys aren't in the organization anymore, but I think this is the year the rest of them finally make the leap and are true full-timers. [Except for Fehervary, who already is]
More injury news: Nicky and Tom were injured for like the first half of last season. And in December, John Carlson broke his fucking face. He got hit in the face with a puck and it broke his entire face, like it was really bad, and he hardly played again. I think he came back for like the last few weeks, but tbh his injury was when the season went downhill. [I say "broke his face" but the official reports are he had a fractured skull and severed temporal artery. Yikes! He's fine now though]
Ovi just keeps breaking goal records. He got 800 goals and then passed Gordie Howe last season!!! He is now number 2 all-time in goals!! He currently has 822. Watch out, Gretzky, he's comin' for ya
Oh yeah the Hershey Bears won the Calder Cup this year!! It was absolutely epic. They played the Coachella Valley Firebirds (Kraken AHL team) in the finals, and it was an awesome finals. It went to Game 7 overtime. GAME SEVEN OVERTIME!!!!! Do you know how rare that is? It's only the 2nd time the Calder Cup Finals has gone to overtime in Game 7, with the first time being in 1953. In the NHL, it has only ever happened in the Stanley Cup Finals TWICE. EVER! By the Wings in 1950 and 1954. So the Bears won the Calder Cup in Game 7 overtime and it was exciting as FUCK. And a lot of guys who might make the Caps roster this year were on that Cup-winning team: Snively, Protas, McMichael, Malenstyn, Johansen, as well as top prospects Lapierre and Iorio. They're the oldest franchise in the AHL, and that was their 12th Calder Cup, which is the most in AHL history.
And you said to feel free to post some content so I am going to POST some CONTENT. Starting with:
✨Darcy Kuemper✨
I fucking love Darcy, so much. I've already said that I've liked him for a long time, and I'm absolutely elated to have him on the team. He won the Cup with the Avs in 2022. He is also very tall, he's 6'5", one time he hugged TJ and it made TJ look like a child. He's so sweet, and he's so dumb. He's like a giant labrador. Some of my favorite assorted Darcy things and moments include:
In one of his first interviews after signing he said he was gonna visit every museum in DC, and I'm like no you're not, Darcy, that's not possible. Our first sign that he was a big dummy
One time suplexed Matthew Tkachuk into the ice
Got a shot on goal during a game last year
The time he tried to "interview" Nick Jensen at the outdoor game practice while giggling incessantly
Here's him at NHL media day last year, featuring him kicking a soccer ball like you see in my profile pic :)
Says one of his life goals is to bring back the dinosaurs. Please see this post for the full story on that one
Is absolute BESTIES with Charlie Lindgren, the backup goalie. Like, so much so that they and their wives constantly take their dogs on walks together, the dogs are reportedly besties as well, and the Kuempers dog-sat Chuck's dog over Christmas. They also kind of have matching dogs, I'll include a picture below. Chuck also called himself and Darcy two of the "more normal goalies in the league" which is an absolute lie after the dinosaurs thing, so clearly Chuck doesn't have that many brain cells rolling around up there either. They also did THIS at media day this year. Their friendship is just so pure. You can read more about it in this article. And like, they didn't know each other before signing here. According to the article, evidently after they signed, they texted each other and then literally the scene from stepbrothers happened
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And then TvR 🥰 Mine own love TvR. I adore Trevor van Riemsdyk so much. He's just got incredibly good vibes. I also have a bit more of a personal attachment to him, because he and I have the same birthday (July 24). He's a bit soft-spoken, especially compared to some of the other freaks on this team. Possibly one of the only ones with any semblance of a brain cell. He's not flashy; he's a steady-eddy defenseman, almost always on the third pair barring injuries. He's not gonna score a bunch of points, but he plays hard defensively every game (one of the reasons goalies love him), he's reliable, and he blocks SO many shots. He's also one of THE guys on the penalty kill. The penalty kill is TvR, Jensen, Fehervary, and Dowd, those are the main guys. We also officially claimed him as our own. As of this year, he will have played more years with the Caps than with anyone else, he currently has more goals, assists, and points with us than with anyone else, and after about 40 more games he will have played more games with us than with anyone else.
Also the ENTIRE team is absolutely fucking OBSESSED with him. There aren't like that many big specific things I can point to, it's just how I've noticed them treating him over the years, and how they talk about/to him and the general energy. They all love to shout "REEEEEEEEEEEEMERRRRRRRR" at any and every opportunity. And like you can just tell that every single one of them is deeply in love with him. They are all constantly tripping over themselves to give him the player of the game award in the locker room, even when other guys have a bunch of points in the game and it feels like they're the obvious choice but no they all want to give a love letter to their collective crush. The goalies especially love him. (Here's Chuck giving him the POTG, Nicky giving him the POTG, and a recounting of Sammy's love affair with him two seasons ago). The coaches also love him, sometimes too much for their own good - there have been times in the last few years when they've put TvR on the power play and in the shootout (??) when he had no business being there lol. And like I don't blame them lmao. He's grown to become a leader on the team (and occasionally gets As on his chest during preseason games and when a bunch of dudes are injured - another thing that confirms to me they're all in love with him, he got real high up on the chain of command real quick), he's super consistent (there was one game last year when there were so many injuries on D that the defense was quite literally just TvR plus a bunch of rookies - I said that day that the defense was "TvR and a dream"), and he will absolutely never put his mouthguard in his mouth. So as the year goes on, and as you watch games and social media content, just keep your eyes peeled, watch TvR, and you'll see that the entire team is so fucking horny for TvR specifically. I made this meme awhile back, which is exactly how the Caps feel about TvR:
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Other miscellaneous fun facts about the team and players that I think you should know:
Our backup goalie is Charlie Lindgren, but we all call him Chuck. It suits him better, especially with his mustache. He also catches right-handed, which is different than practically every other goalie in the league. So like if you look, he and Darcy wear their catching gloves on different hands.
There are a LOT of NHL brothers on this team. Dylan Strome's older brother Ryan plays for the Ducks, and his younger brother Matt actually plays for the Hershey Bears. Trevor van Riemsdyk is also the middle child of three hockey-playing brothers: his older brother James plays for the Bruins, and younger brother Brendan doesn't play in the NHL but played college hockey. And Charlie Lindgren is the oldest of 3 hockey brothers: Andrew played college hockey but never made the NHL, and youngest brother Ryan plays for the Rangers.
Kuzy has been doing some wacky shit in the shootout the last few years, just go look it up on YouTube
Here's a video of the mentors trip this year so you can see Sonny Milano's father who is simply exactly who I envisioned him to be in my head
Nicolas Aube-Kubel (NAK), a French-Canadian fourth line winger that the Caps picked up on waivers in November last year, is Sergei Ovechkin's (Ovi's son) favorite player. We learn this in a video feature with Ovi's wife and kids (I'm including the link to this gifset from the lovely @thornescratch which is where I first saw this). The producer asks who Sergei's favorite player is, and Sergei immediately answers "Aube-Kubel." Not only is Aube-Kubel his "guy" according to Nastya, but then we also see that a selfie of Sergei and Aube-Kubel is the lock screen of Sergei's iPad. And Sergei calls Aube-Kubel his "best friend." Learning this information is such a curveball, because it's like the last person you'd expect Sergei's favorite to be. It's not somebody Russian or even European, it's not somebody old or someone who's been on the team a long time, it's not one of his dad's closer friends, and it's not even one of the stars of the team, it's a young Canadian dude who plays fourth line if he's in. Aube-Kubel must be REALLY friendly, otherwise why else would he be Sergei's favorite? You know it has to be absolutely devastating to Tom Wilson to not be Sergei's favorite lol. [I'm also convinced this is why they re-signed NAK so quick in the offseason, you HAVE to bring back Sergei's favorite player!!]
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Speaking of NAK: remember how I said Beck Malenstyn was Nic Dowd's chosen winger? NAK is his OTHER chosen winger. Those two are twin shitstarters and Dowd loves them and I know he absolutely wants both of them on his line this season. They're gonna be a great 4th line. I could talk all day about Dowd and his 4th line duties, and you can ask me to do that if you want but I'm not gonna do it here
I also know everyone's zodiac sign because I'm a freak. I can also get more into that in a separate post if you want
There's probably more stuff, but this is all I can think of for now. Please feel free to ask me more stuff, I love diving into things. Stuff about the team, players, my favorites, whatever. I hope this is both informative and entertaining!
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