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#obviously that's bullshit
evilkitten3 · 2 years
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*reminds myself some arguments aren't worth picking bc i don't have the energy even though i really want to*
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hellsite-hall-of-fame · 10 months
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I mean, you're obviously President Barack Obama, right?
well obviously
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also can everyone stop stealing my shoelaces now >:(
/j
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spartanlocke · 2 months
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every time i say tumblr staff (and tumblr itself let's be real) made social media worse by never punishing harassment, allowing people to get comfortable pushing cancel and callout culture so they could harass and dehumanize anyone (especially minorities) they want without ever having to worry about consequences, an attitude they brought with them to other websites like tiktok and twitter after the 2018 porn ban....
This is what I'm talking about. tumblr staff doesn't give a shit if you're stalked and harassed, but if you're a trans woman posting selfies? instant ban.
tumblr staff has NEVER done anything to protect its users, but now they're actively participating in doing the harm.
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von-karmas-a-bitch · 7 months
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anghraine · 2 months
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I love that Elizabeth and Darcy are so ready to effectively tell each other they're full of shit. This happens a bunch of times, but I was re-reading their conversation at the Netherfield Ball and they're both kind of refreshingly Done.
[Darcy:] “Do you talk by rule, then, while you are dancing?” [Elizabeth:] “Sometimes. One must speak a little, you know. It would look odd to be entirely silent for half an hour together; and yet, for the advantage of some, conversation ought to be so arranged as that they may have the trouble of saying as little as possible.” [Darcy:] “Are you consulting your own feelings in the present case, or do you imagine that you are gratifying mine?” “Both,” replied Elizabeth archly; “for I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the éclat of a proverb.” “This is no very striking resemblance of your own character, I am sure,” said he.
It's also pretty funny, because I suspect Darcy is thinking of this sort of thing in a later conversation at Rosings:
“You mean to frighten me, Mr Darcy, by coming in all this state to hear me. But I will not be alarmed, though your sister does play so well. There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me.” “I shall not say that you are mistaken,” he replied, “because you could not really believe me to entertain any design of alarming you; and I have had the pleasure of your acquaintance long enough to know, that you find great enjoyment in occasionally professing opinions which, in fact, are not your own.”
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s0fter-sin · 9 days
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soapghost circus au
ghost’s an extreme motorcycle stunt performer - globe of death, riding on his back wheel along tightropes, that sort of thing
soap’s a fire breather/dancer. he’s a roaming performer; he just finds empty spaces or bored people and starts twirling
he pretends not to notice the way he always wanders towards a certain tent every night to watch a certain masked daredevil defy gravity. he thinks he's slick and that ghost won't notice him in the crowd, completely forgetting that he's carrying something that happens to be on fire
ghost couldn't miss him if he tried
one day off, soap's trialing fire whips; he loves the loud crack and the way the flame licks through the air and maybe he's a little too impatient to practice with non flaming whips first, even though he's never used one before
he's covered in soot and fine welts where the tip of the whip keeps flicking back up at him, cutting through his shirt and stinging his skin but he doesn't let that stop him. it starts to stick to him, damp with sweat and blood and he's quick to strip it off; throwing it to the side to keep practicing
when soap finally gets a few good cracks in a row and breaks to celebrate, he almost jumps out of his skin when he sees the masked rider leaning against a trailer watching him
of all the times he's wanted ghost to talk to him, this is not one of them
he wanted to impress him, dance for him with his flaming batons and be mesmerised by his fluidity and skill
not catch him filthy and struggling with something as basic as a whip
he's ready for ghost to ream him out for not having control over the whip - he's known throughout the circuit for expecting utter perfection in his routines - but when ghost finally does speak, it's only to ask if he's done for the day
soap falters for a moment. he wanted to get some consistency with the whip before he stopped, but he's starting to feel the hours of practice; muscles aching and skin blistered with minor burns
he says he is and ghost pushes off the trailer, nodding his head to make soap follow. he brings him back to his trailer and tells him to clean up then takes out his personal med kit to treat the grazes on soap's skin
soap's shocked; for all that he loves to watch ghost perform, they've never really talked before
part of why he joined the circus was so he wouldn't be a burden on anyone, the oldest in a family with too many mouths to feed and not even time to nurture, and here he is taking up ghost's valuable practice time be he wasn't good enough to handle his own discipline. he tries to brush him off, downplaying the burns and tries to leave before half them can be treated but ghost just glares and orders him to sit back down
ghost does expect perfection from himself but it isn’t out of any malice or ego; it's bc he knows if he isn't perfect, he could very easily die. he’s picked a dangerous profession and he gives it the respect it deserves. there isn't any shame in being a novice or failing at something; he thinks there's a lot of beauty in having the courage to get back up again and again
so every day he watches soap practice and bullies him into his trailer to put him back together bc he knows he won't do it by himself
and every night soap wanders over to ghost's section of the fair grounds, in awe of his skill and wishing he could be worthy of the care he gives him
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noswordinourlake · 8 days
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I feel like Shen Jiu was a "robes with necklines up to the chin, five thousand layers" sort of dresser for sure for any number of choose your tragic backstory reasons (scars, social armor etc) though my headcanon is this man MUST have had wild nerve damage—on top of what childhood malnutrition will do to you, whatever went down at Qiu Manor plus all his Qi deviations have to have toasted his nervous system. Which also means toasted thermoregulation! An icicle of a man
All of this is lead up to say I do think a lot about the mass hysteria that must have resulted the first time Shen Yuan got to commission new robes for himself as SQQ. Since he didn't know why the maiden aunt aesthetic I'm sure he chose robes that showed his NECK. Possibly some collarbone. Do you think Yue Qingyuan fainted
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There is a version of him living rent free in my head that decided to go apeshit at some point between the first and second movies and it does not go particularly well for anyone
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ratective · 1 year
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80s gems winter in eastern europe edition
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angelsdean · 5 months
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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.
So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?
Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.
Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.
Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.
So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)
And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."
So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)
And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."
But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.
Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)
So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.
Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.
Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.
Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.
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stairset · 1 year
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I don’t think Mace Windu was the jerk people make him out to be but I think he should’ve been. I think when Anakin got mad about not being made a master he should’ve called him a whiny little bitch and asked him if a sippy cup would make him feel better. I think when Boba said you started it when you murdered my father Mace should’ve been like that sucks what happened to your dad but I simply came out...AHEAD and then the camera pans to a clone with a set of drums doing a rimshot. I think when Dooku indirectly accused him of only ratting him out to get a seat on the council he should’ve called Dooku a paranoid dumb thotticus. I would still support him.
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cuepickle · 5 months
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Stranger Things x Breakfast Club AU (part ?)
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seenfull · 1 year
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transmascutena · 2 days
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"erm actually this teenager is just as bad as the adult who is grooming them because they sometimes act according to the horrible things they've been taught and have been offered no alternate perspective on" <- how some of you sound when talking about rgu
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theminecraftbee · 11 months
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you know, there are a lot of posts about how transitioning as an adult is like going through puberty all over again. and I’m not medically transitioning (at least not yet, maybe one day), so I don’t know if I ever expected to exactly experience that. after all, my hormones are at normal adult levels for someone on birth control. but no, some of the stuff I experience does make me feel like a teenager awkwardly becoming an adult again, actually.
see, I’m attending a friend’s wedding, and I need new formalwear for it (protip: it is generally frowned upon to wear a wedding dress to someone else’s wedding, and that’s the last formalwear I purchased). and I just… really didn’t want to wear a dress, so I went to go get a suit. and I didn’t know how to get any of the required clothes for it and had to have a salesperson help me figure out how dress shirts work and nervously stood there while getting shown how to try stuff on and it really did feel like I was a lost teenager, despite being, you know, almost twenty-six.
but also: I own a three-piece suit now! it’s grey! it looks pretty good on me! I even got a blue tie with bees on it! so it was worth the temporary embarrassment of suddenly realizing I don’t know how men’s formalwear sizes work and, oh god, why are there so many variations of “white dress shirt” what does this mean.
and I figure as I very slowly work up the confidence to be out more irl there will be more and more moments like this, and I’ll lament the fact I didn’t do all this stuff as an actual teenager, but as weird and scary as it is, so far, it’s been worth it.
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lavenoon · 10 months
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Gotta make sure there are as few tripping hazards as possible in the daycare <3
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