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#one detail i wanted to add to your masterpiece of a scene
mediumgayitalian · 23 days
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whoever sent me that road trip au ask about fergalicious….tumblr fucking ate it. i was answering it and the app crashed and it’s nowhere to be found. i’m devastated. it was so so correct. please know you were right
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shimmering-star · 4 months
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THE ART FROM THE HEART
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☆ Navia x artist!fem!reader
☆ Genre: fluff
☆ Warnings: none! Anxious reader (?) (Men and minors dni)
Enjoy reading!
˚    ✦   .  .   ˚ .      . ✦     ˚     . ★⋆. ࿐࿔
   .     ˚     *     ✦   .  .   ✦ ˚      ˚ .˚    ✦   .  .   ˚ .             ੈ✧̣̇˳·˖✶ ✦  
“Stay still, or else I will make a mistake in your portrait. I don’t want to ruin it, not the look of my beloved”. You furrowed your brows, looking into each little detail on the canvas. You were a perfectionist in everything, especially when it came to the art related to your girlfriend. It felt challenging to concentrate today; lately, you became a little ball of anxiety, as your love described you. Thoughts about your upcoming art exhibition, the first one for you, made you endlessly nervous. And you wanted Navia’s portrait to be the centre of it, as she was the one who never let you down and made you keep going for all these years with her energetic spirit.
“Oh, come on, don’t be that serious about it. I’m sure it looks like a masterpiece,” – she said, coming closer to you and tapping your shoulder. Her long, golden locks were shone on the sun. Sometimes you thought that she was your only light in life — the sun that comes after the long, cold night. And the one that you never want to lose, ever.
—“Hey, are you listening, Y/N?”— she asked.
“Sorry, love, I got distracted,” - Your painting picked your gaze once again. It seems perfect, but something feels odd. The Navia on the canvas is somehow different from your beloved, which doesn’t make any sense. “I’m sorry; I think I would need to redo it or add some details. Can you please— “She didn’t let you finish; her gloved finger gently landed on your lips.
“Shush, my flower. I’m sorry that I’m about to turn down your request, but you should rest now. Your creation is more than perfect for me. I’ll definitely put it into the frame later, but if you are not sure, let's go unwind? We’re on a date after all; I need to drag you out of your troubled mind sometimes,” – she said, patting your head. Of course, you couldn’t argue with your girlfriend. Plus, persuading Navia was nearly impossible even for you. “Sure thing” — you replied as she took your hand. Your fingers intertwined immediately, and you felt your tangled worries were slowly washing away.
Navia was telling you something, but you couldn’t concentrate. You were else were, watching the way she moved so gracefully, like the petal of the rose on a wind. Suddenly, everything disappeared as you felt her hands covering your eyes.
“H-huh? What is going on?”
“No need to worry; l’m just brining you to the place where are we going to have our date.”
“Weren’t we already on a date?” This question received no answer. As you walked forward together, you felt a sudden feeling of being loved. Her soft hands warming face, the aroma of her perfume enveloping you, like an invisible cloak, brining you comfort. “We are here!” — she happily exclaimed.
When you opened your eyes, a scene from the finest landscape painting greeted you — a picnic on a shore. A big basket with the fresh bread stood in the middle of the blanket, surrounded by other tasty dishes. Desserts caught your eye; they were all yours and Navia’s favourites. The view from here was magnificent—a city below and plains and forests of Fountain beyond. Right above you, you noticed some cutesy birds that seemed like they were inviting you both to sit down.
“Surprise! Do you like that?”
“Yes, I do, very much,”- you said. You should have seen yourself smiling this moment. Your lips reaching from ear to ear. “Oh, love, you really have should just told me, we could organise it together and— “
“I wanted to surprise you. Come on, sit down,” — she said, making you settle on the blanket.
For the next hour you both were happily talked about this and that, savouring the desserts, you found out were cooked by your beloved.
“They are so tasty Navia! Hundreds of thanks to you, love.”
“My flower, no need to thank me that much; I just wanted to spend some time with you. Oh, look at me...” You raised your eyes towards hers. She gently took your chin, swiping a cream from a dessert with her thumb.
“That’s better, “— she said, not quick to let go. Her gentle finger brushed your lip, admiration and care evident in her eyes. She bit her lip. Red as a tomato, you felt her passionately dive in for a kiss. You returned it that exact second, lost in that moment of passion. The kiss tasted like vanilla from macarons. Your fingers ran through her silky hair, trying to get even closer to her. The minute felt infinite, but soon you ran out of breath. No one was saying anything, while you were trying to catch your breaths. After a moment of silence, her happy giggle rang in your ears: “You are so cute when you are that blushed.” Your beloved gently picked a blossom and put it behind your ear. “Y/n, you are pretty as this flower, no... even more beautiful than it” Navia giggled once again, making you smile wider.”
After a long time of being engaged in various activities, both exhausted, you collapse onto the blanket. Your head rests on her soft thighs, and the soothing patting nearly lulls you to sleep.
“Y/n?” — she asks.
“Yes?” – you respond, not bothering to open your eyes.
“Will you marry me?”
“What!?” Startled, you lift your head from her legs, sitting there in disbelief as the proposal sinks in your mind. “You mean it?” You felt heat rising to your cheeks once again, while Navia remained silent. Instead, she presents you a small black box, containing a beautiful gold ring with a carved rose on it. You didn’t answer anything, but with overwhelming feelings, you leaned and kissed her once again, showing her your acceptance.
“Of course.”
You love Navia — for her character, charisma, quirks and her radiating presence. The rest of the evening you both spend cuddling together under the soft blanket, witnessing the dawn and being ready to greet the night and a new coming day full of adventures together after that. As the dusk was gathering, you realise your artwork has been missing your own emotions, the way you saw Navia. And now you are ready to show this on your painting.
˚    ✦   .  .   ˚ .      . ✦     ˚     . ★⋆. ࿐࿔
   .     ˚     *     ✦   .  .   ✦ ˚      ˚ .˚    ✦   .  .   ˚ .             ੈ✧̣̇˳·˖✶ ✦  
Happy new year everyone!
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mistercrowbar · 4 months
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Heya! Firsr I wanted to say that I love your art it always makes me smile when I see it. I'm trying to learn how to draw, and eventually want to be able to draw stuff like yours. Do you have any tips/ advice on how to improve on drawing characters?
I could give the Fine Art Answer and go on about drawing from observation, from photo reference, making master studies, gestures, linear perspective, colour theory lightning composition etc etc etc but really
Let obsession grab you and ride it
I’ve known plenty of people whose art skills took off because they got into D&D and wanted to draw their OCs and they kept drawing and drawing and learning along the way. It can start as simple as, how do I draw my character making a really angry rage scream, and so you go to a mirror and make silly faces and draw from that. Then it can go to, I want to draw my OC and their party in that funny scene we RP’d at the tavern, so you start grabbing references for the interior of such a place, dabble in that perspective thing to lay out the bar, find references for the pirate NPC’s parrot, add some other elements just to frame everything nicely and bam, you’ve drawn yourself a full scene, got experience in drawing interiors, and learned some avian anatomy.
I do emphasise starting small and having fun. I illustrate full time for a living so that’s why most of what I post is silly sketches, I just wanna get the ideas out there without stressing myself. You wanna make art a habit, you want to make it something you look forward to doing, instead of getting wrapped up in thinking every new work has to be a masterpiece. Try to learn one thing at a time and add it to your repertoire instead of lumping a bunch of lessons in at once.
One thing specifically for characters, don’t jump right into making a reference. They’re likely to evolve the more you draw them as you get a better handle of what traits you want to emphasise or details that kinda get forgotten. Like, look at Aldiirn, I’ve had him for 3-4 months and he’s put on at least 30lbs lmao but also a bunch of other changes to emphasise round shapes like nose eyes hair. No one’s holding a gun to your head to keep things consistent.
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So yeah! You can crunch and do the master studies and learn quickly, but if you’re just in it for you, have some fun! Draw your blorbo a million times and try branching out for one new thing here and there. If you are just starting out, it could be helpful to learn the basics of constructing a head and general body proportions. I don’t have any tutorials to recommend but I’m sure there must be something on youtube.
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trashboatprince · 24 days
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Oh i just thought of a prompt idea! Aziraphale trying to write a book? Maybe under estimating how easy it would be?
Hahaha, the massive difference between reading something and writing something.
On with the fic!
--
"Angel!" Crowley shouted as he loudly threw open the doors to the bookshop. "You in? Cause I know you are, I can sense your 'goody-goody' angel essence here. Plus, you tend to call me when you're gonna take a little trip or do somethin' for Heaven."
He glanced around, there looked to be more dust than usual, and he could smell the unmistakable scent of forgotten tea cups. Bleh.
Which means that Aziraphale either found a new, ancient tome to pour over for days to make sure he reads every single thing, examines every damn, little detail. Or, he's bookbinding/repairing for a commission and completely forgot about everything else in the world, including answering his blasted phone.
Crowley rolled his eyes and headed right for Aziraphale's work space, and as he got closer, he seemed to pick up on a ticking sound. And a metallic ding, followed by some odd sound, then more ticking.
Gosh, that's a combo of noises Crowley hadn't heard in person in ages, mainly you heard it in movies or TV shows from bygone times. Or, when Aziraphale decided to pull it out of its case and use it because his ancient-as-anything computer just won't cut it.
Peeking into the work space, Crowley found a mess.
Papers everywhere, stacked into what had to be piles of organized chaos, or simply discarded, judging by some of the crumbled up paper balls. And there was Aziraphale, with several cups that may or may not contain mold, glaring as he rapidly typed away at a typewriter that had to be from the 1890s.
Aziraphale growled and yanked out the paper. "No, no! Terrible, all of those were incorrect for the scene! Fine, attempt number fifteen should be it..."
The typewriter suddenly had paper again and Aziraphale began typing away, muttering under his breath.
"Hell's teeth, angel, what's all this about?" Crowley asked, picking up one of the discarded papers. He looked at what was on it, and it seemed to be dialogue between two characters, though the conversation was very prissy, very Aziraphale-like.
Aziraphale squeaked and turned, blinking owlishly behind his little glasses. "Oh! Good... uhh... what time is it, dear?"
"It's 10 in the morning."
"Ah! Right, good morning! Dreadfully sorry, been a bit busy lately."
"I can see that." Crowley tossed the paper aside. "You writin' somethin'?"
Aziraphale looked excited. "I am! I decided that it's about time that I add to the literary world, and not just contribute to it through my reading!"
"So, you're trying to write a book." The demon picked up a few more pages. "This is why I haven't heard from you for over a week?"
"It's been over a week since we had brunch?" Aziraphale blinked. "Gosh, I seem to have been more into my work than I thought."
Crowley snorted, tossing the other papers aside into the mess. Then he stopped, and a big, toothy grin came to him. "Brunch! Oooh! This is why you're writing a book, isn't it? Cause I told you that it's a lot of work for good literature, after you complained about all those annoying books that 'popular' authors these days just churn out every two months! You were all 'It takes time and effort for memorable books, anyone who doesn't just want the next paycheck can do it'."
Aziraphale huffed and fixed his bowtie. "I stand by that, Crowley. And it's true, a love for writing and reading can create amazing stories. And I decided to prove my point!"
"From all this paper, and how pissed you looked when I came in, it's not going very well?"
"Well..." The angel coughed, looking away and back at the typewriter, "it is a work in progress, and not everyone can create a masterpiece on the first attempt! Besides, I think I'm onto something with my story, finally! Inspiration struck me and I've been on a roll, I just have to make sure I get everything right! I will not settle for anything less with this specific plot!"
"Uh huh. And what's it about?"
Aziraphale's cheeks pinked and he tugged at his vest. "W-well, it's a secret, I'm not ready to reveal the plot just yet!"
Crowley grabbed a random page off the pile next to him and cleared his throat. "'It would be the most magical of nights, if one excuses the pun, of course. A chance to show my skills to a real audience, on the West End of all places!' I think I can take a wild guess as to what this-"
The page was snatched from Crowley's hands and Aziraphale shoved it into his vest, hiding it from the demon. His face was red and he looked embarrassed. "It's a secret! No reading!"
Crowley chuckled, shoving his hands into his pockets. "Fine, I'll just have to wait for when it's finally released. You'll have to let me know when it's available, I'd just love to read it." He lowered his glasses to give the angel a wink before snatching up the forgotten tea cups.
"Now, how about we take a little break, Mr. Writer Man. We can do brunch again."
--
Aziraphale seems like the sort of writer who won't settle for anything less than perfect if he's gonna write something based on his life. And that magical night in 1941 must be correct!
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wisyhana · 4 months
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These are some pages that I made as fanart for a fanfic i Really Love. It's something rare that I look back and actually kinda liking the result- 😂 I've been trying to improve my panels flow(?)/pacing And the Lettering- adding words in comics is pretty hard 🥺 if you had some insights, pls let me know ❤ or just give me what you think... Thank you so much!!
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Hi! Thank you for waiting this long hahaha
First of all I love your Yugi, is so freaking adorable, big fan over here aaaaaa.
And okay we're gonna talk about comics. Oh boy. It's not a topic I dont like talking but it's something I get way too.... intense, even if I feel I don't have much to defend with. Anyway I'll try to not be so detailed and serious about it so I can bring a decent commentary!
Disclaimer that I have a lot of issues with the use of thought bubbles, but that's a me thing. Myself I try to avoid them so I can focus on a "show more, talk less" type of flow. So if I start talking about them it's because of that, not that you'r doing a bad thing or anything.
I like how you use the panels, by themselves and ignoring the dialogues, they work perfectly fine! I think my thing with the pacing is that I'd draw a 3-4 pages comics instead of 2 for this scene alone. It's a pain I know, but I think for this type of scenario adding a little more of time could help to appreciate some details, like Kaiba being notoriously angry, the moment he touches Yugi's forehead, etc. But this is also a very personal opinion because I'm a sucker for very sloooow interactions, so all this I'm saying is for the sake of a slower pacing. Sadly you gotta draw more or write less if you want to get that effect, also you can get in a situation where things end up vague and ugh, what a pain hjdfhjhds.
I have a serious problem with dialogue bubbles, I never know where to put them Dx. I always feel they're on the way or that they hinder the reading or that they look straight up ugly hahahaha. I think you use a good space for them! they're not in the way of the faces or important scenes, but I can see you needed to add arrows for the conversation to work. In my opinion the dialogue works perfectly without the arrows. We all know there are two people talking so having only the faces on the bubbles was enough to understand who was talking and what order follow.
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Now, if you want to work on bubbles without using the faces to show who's talking and don't lose the order in the way, I could recommend something like this:
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Sorry if it looks way too clumsy! But a thing we artist have to deal is how the order of the bubbles affects on the flow of the dialogue. Specially when we don't have a specific way to show how the person talks (for example japaneses have many ways to show character's expression so it's easier for them to identify it.) So we need to focus on the flow.
A wonderful person who talks TONS of this matter is the motherfucker Scott McCoud!
This is just an example of how dialogues can contribute to the time and spaces and how the order affects the reading. This is not the exact example for what I mean but Scott is a badass of the comic and the complexity of it.
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Understanding Comics The invisible Art is a masterpiece, I blame him for making me doubt is I'm doing a good job or not.
Okay before I go way too into this, one last thing and this is personal opinion. I love white background but you gotta be very careful to not make it look like lazyness. You don't need to draw a full background but maybe adding some shading can help to make the illusion of space rather than having a blank space. Of course this is just my opinion.
Anyway, I really like how you work! my huge recommendation would be to simply take your time on it, I feel it shows a bit of impatience or nerviousness, but that's just my idea. So far you're going a good way on creating comics and I'd love to see more of them :3
Hope this helped you in some way! And as always don't forget to have fun drawing your beautiful bois!
this is me everytime I draw comic and find a inconsistency.
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luanneclatterbuck · 1 year
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I watched The Ice Storm last night. I first saw it maybe 20 years ago and thought it was beautiful back then. But I wasn’t a parent then. My marriage hadn’t deteriorated yet. I was an adult but I hadn’t been one for very long, so there was so much that was lost on me.
Now that I’m as old as the main characters, and I have teenagers, and I’ve lived through the end of a marriage where neither of us are who we were when we married, it hit in such a different, more powerful way that I was not prepared for. It was like the story took so many specific details of my life, gave them a light stir to put this detail over there, changed this color to a different shade, and wound up as a barely disguised version of me.
Being a parent and watching your kids struggle go from kids to not-quite adults. The dissatisfaction with being married to someone that, for multiple reasons, isn’t the right person anymore. Living in a fairly well-to-do and very social neighborhood but feeling like you don’t fit in. Being friends with the person your spouse has turned to instead of you. Turning to things like alcohol and other people to avoid feeling the things you don’t want to feel. Missing what all of it felt like when you were younger. Not knowing what to do about any of it. And then having so much taken away from you.
The scenes with the actual ice storm are a masterpiece. I’ve been out in a severe ice storm, and I happened to be the age of Mikey when he was experiencing it. It’s beautiful and magical and completely terrifying. The eerie silence (save the tinkling and cracking of the ice), everything shiny and turned to glass... if you’ve never experienced being out in an ice storm, the movie captures it perfectly.
It’s one of the best films ever made. I’m glad I revisited it now that I have the life experience to know that, yeah, that’s how it is sometimes. And that it *is* as cold and quiet and dark as the movie makes it feel. Maybe in another 20 years I’ll revisit it again, but I don’t think i could handle it much before then. I would recommend it, but it’s a difficult one. If I were to hear my opinions on it as someone who hadn’t seen it yet, I’d never ever watch it. I usually avoid difficult entertainment because life is heartbreaking enough. But it really is quite a beautiful masterpiece if you’re ever in the mood for something like that.
Edited to add: When I was younger, I thought every character was a horrible person and didn’t deserve happiness. Turns out I was a naive and judgmental child. They’re all just desperate and flawed adults who don’t know how to be happy but are trying to feel *something*.
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koqabear · 9 months
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HELLOOOO i am back with my (hopefully) long awaited analysis/review!! i don't know what switch flipped in my brain last night but i woke up this morning with such an intense Yearning to read killer instinct after years an entire week and so... i did! i almost want to scold myself for how long it took me to finally read because why on earth was i depriving myself of yet another masterpiece?? literally as i was reading this i thought about how this could be just like that wattpad one direction fanfic that got turned into a movie with how good this is like you don't even get it...
i just finished reading so my brain is kind of all over the place huhu i wrote in my notes again because there's so much i want to touch on but nothing that i wrote is really coherent but i'm going to try my very best to write everything in a way that makes Sense. i think i might just spend an entire hour and a half, or even more, (edit: it took me even more, and not because i was typing but i because i got distracted) just trying to get through everything i want to talk about though because holy shit... there's literally just so much; i think i went straight into my notes just during the first scene where beomgyu and taehyun are trash talking each other just before their first ever fight, and i just couldn't stop thinking about that initial teaser warning about a "healthy dose of homosexual tension" because literally, the first note i wrote down was GOD THIS PLACE REEKS!! (read in the voice of that blue shark from spongebob that's like 'oh brother, this guy stinks!') i love it ofmmgmgng the cockiness. The undertones of homosexuality. Chef's kiss; in response to:
“If anything, I should be the one worried for you,” Taehyun mutters, a fake look of sympathy crossing his face at the thought, his voice patronizing as he continues, “I wouldn’t wanna ruin your pretty face.”
And then the way it just Kept Going when taehyun shows up at beomgyu's mom's restaurant and they're literally bickering at the counter like they're about to start fighting in the middle of said restaurant... you're crazy but i'm crazier because i was absolutely living for every second of it!
okay, in an effort to make this all Make Sense i'm just going to start off by saying i think one of my favorite parts of my whole experience with reading killer instinct was that it was written as if you were to read the alt text to an entire kdrama... which, in hindsight, i guess is kind of what literature for considering some kdramas are based off webtoons or some movies are live adaptations of books? lol? i don't know how to better explain this idea because it already makes sense in my head but i guess i really like the way everything flows so naturally into different scenes regardless of whether there was a cut or not and how you vividly depict the settings of scenes in a realistic way that it feels like the words i'm reading are happening around me or they're something i can easily visualize as if the setting was actually in front of me in the form of a show or movie; and this is something i really enjoy seeing... reading? when i read because i think it's just so so important that, as a reader, i can picture exactly what and where something is going on because not only does it add to the experience of reading, but it also i guess shows (?) in a way, what the writer was imagining as they were reading and... that's important! i feel like a lot of people kind of don't really pay attention to or focus on adding the details to describe the setting or atmosphere of where their story is happening and it's kind of just left up to everyone else's personal interpretation and imagination through word choice, dialogue, and whatnot. okay, so ig little tldr; i really like colorful descriptions! i can immerse myself better that way!
anyways back to the kdrama thing, the general idea of the plot i was getting in the beginning (i was still in that crazy bamtori headspace so my take was still very much centered around him and his existence... sorry <3) was like... it's supposed to trick viewers into thinking they know the obvious which is that the story is centered around beomgyu who's the average mischievous male "lead" — except he's not actually the male lead and they just want you to think he is — who is constantly getting himself into trouble and worrying his best friend, who just so happens to work at his mom's restaurant, sick because she has to go drag him out almost every time and then boom! here comes taehyun, and everything you thought you knew about what you were watching is chucked straight out the window because surprise! the male lead is actually the second one who you just met and not the first one you were suspecting the entire time.
also, kind of in addition to that, i kept getting like... mad at beomgyu lmfao? like mc was taking the words right out of my mouth!
“I asked for your help— three hours ago. Yet you still chose to be a brat and go back upstairs the moment your mother pitied you. You—“ cutting yourself off, you sigh, shaking your head before you’re picking the wet towel back off, turning your back to him, “I hope you realize how much she spoils you.” 
possibly the realest thing mc could have ever said i was getting Real Life Angry because most of the time momma's boy boys (? words) are can be so evil like they'll KNOW they're in the wrong too for taking advantage of their mom's kindness like that too and as i kept reading i would just get more and more angry at the shit beomgyu would say like the whole:
“You know, for a mere worker, you sure are involved in our personal lives.” Beomgyu’s words are hissed out and sting like acid as your eyes widen, gritting your teeth together as you watch Beomgyu sit back in realization— as though he didn’t know what he said until now. 
SOLFHJUSHGJIDURGH... i don't even think you understand how bad this triggered me, like i swear to god when i tell you i have never wanted to jump through a screen and hit a man so badly in my entire life... i genuinely wanted a go at him. you made it so hard to like him at all and be the crazy bamtori i am (this had to be on purposefudhughdrg) i genuinely hated him and before i started reading, i saw another anon send an ask about focusing on his character so i was like omg~ but noo. i literally wrote a note under this part saying, 'this man needs to die and go to hell. Mere worker.... MC IS HELPING YOUR MOM AND YOU LIVE. SHE GOES TO YOUR STUPID UNDERGROHND ILLEGAL FIGHT CLUBS BC SHES STILL WORRIED ABOUT YOUR WELLBEING AND YOUUU.... The belittling is fucking crazy im gonna die of cardiac explosion like a sim if he keeps this shit up' so for the entire first third of the story i was like JIN LET ME AT HIM!!!! also side note, it's kind of funny (as in coincidental) too because the other day i saw these tweets where it was basically like 'i think fathers lose their mind a little bit when they realize their daughters aren't as forgiving as their wives' and one of the responses to that tweet was 'husbands lose their minds a little when they realize their wives aren't as forgiving as their mothers'. now.. beomgyu is neither a father or husband in killer instinct, but he IS (or at least i thought he was at first!) a little bitch, so the way that both statements basically touch on how as men realize there's less and less bullshit they can get away with as there's more women surrounding them, i thought it was crazy to actually... be able to see that dynamic between beomgyu's extremely forgiving mother and mc who acts as this "uptight" older sister (and taehyun's instigating after made me absolutely livid i wanted to bite his head off) who always has to get him out of trouble just made me think of that and i was like damn! in essence, i was once again reminded that i hate men and the patriarchy, BUT as i kept reading i realized there were actually a lot more layers (what did i expect really... like of course there was, it's not a koqabear fic if there isn't insane characterization!) slowly unraveling as we get to the part where more about mc gets revealed and by the time jay was introduced, i had to stop reading just to write down everything i wanted to tell you that i noticed and liked because... seriously just by adding half of the industry into this story allowed it to be so much more jam packed with characterization and layers; i think you did a really good job writing their personalities and back stories and then when applicable, incorporating both of those into their fighting styles with characters like beomgyu and jay for example.
The things he could do with the prize money were endless— he already had a few ideas in mind, thinking back to his hardworking mother and how much she struggled to raise him on her own while still managing her restaurant. Then he thought about you, of the hard times he gave you, knowing how much you feared him going through the same things you did, of turning to a life dependent on fighting and gambling.
i wanted to jump off a building. So bad. and like i said, by the time jay got introduced i had gotten a pretty good gist of everything and i just want to say i love love love how everyone is characterized so differently and how you made it a point to acknowledge so many things when it came down to writing their fighting style and why they do it. i'm genuinely amazed at how detailed and intricate the world building for this fic is. it's absolutely insane. even though there's cliches like the spoiled rotten momma's boy who's an absolute menace to society and says or does things that make you want to slap him silly and tell him, just like many characters in the story had, to just use his brain for once and think. and then the weak kid who's filled with so much rage and a burning desire to protect himself with, what started as self defense, but allows/gets manipulated into having it become an unhealthy way of coping with his trauma and the only way he knows how to express his anger as he becomes the very same bloodthirsty monster he used to fear all those years ago the moment he steps into the cage... it's actually brilliant idk! i think there's just a whole, completely different and deeper sentiment you can get by simply reading it instead of watching it. being able to have this sort of epiphany, whether it was something you intended on incorporating or my overanalyzing, i think my general point still stands that it takes an amazing and extremely talented writer to take something that's generally viewed as a cliche or an overdone trope to the point that it's boring and express it in a way that feels new and even refreshing to read and realize.
like i mentioned before, i think it's just as important that there's characters like mc who feel like they're entitled to stop someone from going down the same path they did and feel responsible when they still do even though in actuality it's not their fault or doing at all, as well as beomgyu's mom like. ugh. i love how despite knowing mc's (and yoongi's!) history with those clubs, given they met there, his mom never once blamed or accused her for beomgyu's constant returns to those clubs or even implied that she was a bad influence on him. even when she gets the phone call that her son's in icu with an infection from getting stabbed at one of those clubs, instead of scolding mc or berating yoongi, two champions of the very illegal underground fight club she had to take beomgyu out of as an adolescent and now see him lay in a hospital bed in critical condition because of his involvement there again... she was happy and relieved to see them and to the point she gave them big ol' bear hugs like T_T i just love the little side found family you incorporated because being able to read the scene which is, essentially, what leads mc to be taken under beomgyu's mom's wing and out of that bad place with something as simple as "and you? will you be alright here?" followed by “if you’re ever hungry, you can always stop by. On the house,” then realize that that very same kindness without judgement she was shown is something she still remembers and cherishes is so beautiful and heartwarming idk like i can't even be ashamed if this is just me overanalyzing and being corny because i ate that shit up! licked the plate clean! not an ounce of anger or judgement in that fictional woman's body... having his mom, be a mom was just kind of the icing on the cake because there was still a character like her who existed in the world you created despite all the chaos within it. also joy too omg even though her time was fairly short, it was still nice to have that just-happy-to-be-here and carefree bubbly personality thrown into the mix of what is already a serious matter like illegal underground fighting, gambling, the welfare of character's like beomgyu; his mom; and mc herself because... like you wrote, mc's only there and out of where she came from because of beomgyu's mom and with him in icu racking up hospital bills from being in critical condition and getting treatment for it, his mom would be subjected to pay for all of that and it doesn't just affect her, but it affects mc too. just knowing that there was so much on the line for them, how mc blames herself for not doing better to save him and the years she's been trying to steer him out of that direction; there was just a sense of realism i experience reading and it was to the point that as i was taking these notes of what to say, i realized that in a way joy's character could even be angering to some...? because there's just so many things at stake and despite the rigorous physically taxing training to make ends meet by putting Everything on the line into this one, extremely dangerous glimmer of hope, there's still someone like joy who can lessen the blow just by existing and being there. This was not at all supposed to be this long but fuck it we ball!
all seriousness aside, because holy shit why did i start making comparisons to the real world when i was just talking about characters and personalities, there were so many times i laughed while reading this because even though. the story's not at all meant to be comical it is like in the very beginning i had to take a step back because no way my babygirls taehyun, beomgyu, jin, TAEYONG, and jeno are all here? also the whole thing where jungkook and mc very Clearly have something going and putting it in a TAEHYUN fic is so sick and twisted!! you know he taehyun looks up to him jungkook! 😭😭😭 the part where they're kind of having a little rival moment had me giggling because like beomgyu, i also wanted taehyun's head on a saucer in the beginning because aside from instigating and being a bitch with an attitude (telling mc to keep her nose out of beomgyu's business) after just having taken a jab at beomgyu by checking him when he said that him and mc are like family i was just. LIKE THAT'S CRAZY!?#@?! the little warning about him being a bitch was so necessary because i got whiplash reading how he'd interact with beomgyu and mc. just a very insane man, but he was still my silly little sharkcat (this is also a crazy thing to say sorry); despite them all being connected to very much Illegal and Shady things you kind of perfectly portrayed what being a "newbie" really is because there's seasoned veterans like mc and yoongi, aaand then there's taegyu. the part where he can't stop looking at where the gun is concealed took me out so bad like this poor boy 😭 he just wanted to fight and win some money fair and square then next thing he knows he's being sent on a mission to get that money back because his sparring partner got set up and, on top of that, stabbed??? HIS ASS DID NOT SIGN UP FOR THAT? also the way this next part flows so naturally had me laughing a little like. I feel like zendaya with tom holland right now but hear me out you were funny on Accident while writing this?
“You know I have a club to run, right?” it’s clear you’ve given up as you mutter a yeah yeah, softly, pouting like a child to the older man, “I can’t have this place running while you’re training that poor kid to death.”
“My regimen has results.” you say defensively, glaring at Seokjin, who simply puts up his hands in defeat, unphased by your attitude as he glances back at Taehyun.
“He looks like he’s about to pass out.” 
the pacing was perfect? so was the forced proximity. LET ME GET ON WITH THIS. okay, so back to the kdrama point i made earlier. that still stands! the late night deep conversations and life stories shared at a convenience store over a bottle of soju and cheap instant ramen despite the whole world wanting to fall apart right under your feet and the sky is willing itself not to come crashing down on you... that's something i love to see! honestly, i think by the time taehyun and mc started making progress...? in their relationship there was already so much i had to process, it was too much for my brain to handle and thoroughly analyze to comment on, so i just kind of blacked out and regained consciousness when there was that kiss of adrenaline from winning and taehyun not being given the chance to process any of it. Also making out in front of a hospital is crazy? in a good way though! still definitely not as crazy as like. literally everything else going on but aside from that i think the laaasst compliment i have is that. you're getting way too good at writing that little turning point where the tension between mc and the member just kind of Explodes everywhere. it was like gyu from camera shy possessed taehyun through the keyboard like. Sorry but the parallel between “How are you gonna make it up to me now?” and “I won just for you... Don't you think I deserve a reward for working so hard?” is crazy i'm sick to my tummysgjdjgdh. I need to be held after reading this – ml
HI!! When i tell you your review absolutely FLOORED me, you were so detailed and went above and beyond with your thoughts/analysis, i feel so appreciated right now i could cry :((( you’re fueling my ego right now, this is a bit dangerous…
as always, i go into detail under the cut ! if it all sounds insane i apologize bc i did indeed go insane a little! 
-[Taegyu and the intense… tension]
ACKSNDKS NO BE HEAR ME OUT. killer instinct was three seconds away from looking like a taegyu fic from how much tension i kept adding 😭😭 when i took a step back from the scene i remembered thinking “holy shit the mc hasn’t even showed up yet” like,,, i had to fight for my life to make her character relevant once she showed up??? this could’ve ended up as a serious bromance if i hadn’t been more careful 😭
-[descriptions and storytelling hehe]
thank you sm for picking up on this omg <///3 i think this story is one where i was really inclined to make everything really detailed? i feel like in a setting and world that intense, the environment is rlly important to include bc it adds to the storytelling!! especially in the opening scene, something must’ve possessed me bc i was just super determined to set the mood properly dksbdkd 
i really appreciate you pointing that out !!
-[i almost made gyu a love interest… (hides in shame)]
omg lemme just say, throughout the beginning of the fic i almost considered adding a sprinkle of unrequited feelings from Beomgyu for the mc, but i decided against it bc the idea of a “love triangle” in a story like this was straight up unnecessary; im so glad i did tho, because it allowed me to focus on a different dynamic i’ll get into in a bit! 
-[turning ml agianst beomgyu ?! / abt gyu, the menace to society.]
HAHAHA UR SO REAL FOR THIS 😭 when i was thinking of how i would write the mc, i knew i had to give her a reason as to why she was such a “bitch” to beomgyu— and lemme tell you, i absolutely despise a mommas boy, specifically one like beomgyu. he’s very childish and spoiled (on the surface, at least) especially bc his mother treated him like royalty growing up. she only gave him the best and always coddled him bc she was all he had and she wanted to give him the best life she could. so as a result, she raised a very rotten kid 😭 naturally, when the mc appeared and began acting as the strong and cold authority figure beomgyu never had, he didn’t really know how to react; which leads to him saying shit he has no business saying and acting like a damn fool. he’s learning, though! 
-[A small look into the mc’s past and how it affected her relationships with others.]
“…fathers lose their mind a little bit when they realize their daughters aren't as forgiving…”
“…husbands lose their minds a little when they realize their wives aren't as forgiving…”
the way that both of those quotes had me in pieces. i think a big reason as to why i like the mc is bc of the relationships she’s made with the choi family and also bc of how she carries herself despite dealing with a lot of trauma. she’s a very strong and independent woman who refuses to take shit from anyone, especially men; i only briefly touch on her backstory bc i didn’t want to write anything triggering that didn’t really need to be written full-depth, but the mc doesn’t come from a loving family— at all. it’s the thing that led her to a life of crime in the first place, which is exactly why he became so protective of beomgyu; he has the one thing she’s only ever wanted, and that’s a loving parent that would go to the deepest pits of hell to rescue him. to me, adding the choi family was like granting the mc rest— which is why she was able to fit herself into their life so easily, and why she makes herself into a sister-figure that keeps beomgyu in line; just so she can prevent him from becoming another ruthless monster in the world. 
-[me going insane over characterization]
again, thank you for pointing that out eee!!! one thing i always enjoy the most about writing is characterization! i genuinely find it fascinating to see how writers bring a character to life, so i find it very important to try and make my own characters interesting and layered 😭 i think my favorite part about having so many characters in killer instinct was the fact that i could add a deeper sense of life through the way they interacted with each other and the relationships they made! who they knew, whether they liked them, the way they acted and talked around/to them, it all aids in characterization !  it’s genuinely one of my favorite things about writing, so you bringing it up means a lot to me <3
-[wow, gyu’s all grown up.]
i think that by the time beomgyu decided to join in the fightx tournament, he really matured as both a son and a friend/family to the mc. sure, he had always used his reward money to help pay the expenses of the restaurant and rent, but it was only because it felt more like an obligation as a son to him— but as he grew older and became more involved in the underground fighting scene, he began to realize just how important his family was to him, even if it was too late to outwardly express it with confidence— even more so when the restaurant began struggling a bit and the mc had to overwork herself as a result. and yeah, he may have gotten a bit blinded and carried away by the prize money from fightx, but he only wanted to give back to the two people that raised him and never gave up on him, even when he grew to be a little bitch !
-[me rambling about fighting styles 😔]
not to keep geeking out abt my characters but i had soooo much fun writing everyone’s fighting styles— it really let their personalities shine through and it made me think about what each character was like on a deeper level. i think joy is one of my favorite (and more obvious) examples, but ya, choosing to do an mma au instead of simply boxing was the greatest decision ever :))
-[my thoughts on movie adaptations lol]
thank you so much, seriously omg :(((( i’m so glad that you think i gave these cliches justice haha, i honestly wondered if jays character was a bit… much..? but i do agree with the whole deeper sentiment through reading thing, because there’s just some things that can only be conveyed through words; i feel like that’s why i’ve found some movie adaptations a bit empty or lacking— because at the end of the day, i feel like even the smallest details and choice words really help elevate a character’s thoughts and emotions, but not everything can be expressed in a movie. 
-[Ms. Choi is literally an angel idc] 
Ms choi is both the sweetest and most emphatic character in that story <3 she’s an absolute sweetheart who, despite everything she’s gone through, has learned to always look on the bright side and not let the negativity get to her— after all, it wouldn’t be very good for beomgyu to grow up with a vindictive and resentful mother, right? in the end, everything about Ms Choi goes back to her son; which is why, during the scene where the mc and gyu first meet, Ms Choi is able to get a good grasp of the mc’s character— even more so when she opens herself up to visiting her restaurant to even working at it. 
all that time of trust and growth only proved to Ms. Choi what she already knew of her (and yoongi, merely bc of the amount of time he spent glued to mc’s side while she worked) and that was the fact that deep inside, all she really longed for was the security and comfort of a good life, surrounded by loving people. and who was she to deny that from her ? <3
-[My weakness, the found family trope.]
if i had allowed myself to, i would’ve indulged in the whole found family aspect of this fic a lottt more. it’s genuinely one of my favorite tropes simply bc it destroys me every time, so the fact that you’re bringing it up is rlly satisfying to me :)) 
-[my thoughts about joy’s character]
i think joys character was also really refreshing to write; someone who, just like Ms. Choi, chose to cope with her situation and hardships by trying to remain positive and bubbly, even if the situation didn’t really call for it. and though her attitude may have made her seem insincere or insensitive, it’s just her trying to keep everyone on a lighter mood instead of letting them get too into their heads— and yeah, she’s definitely had times where people get angry and up in her face bc she seems to take everything as a joke, but that doesn’t stop her from caring in her own, unique way. 
-[thoughts on choosing idols + tyun, an absolute psycho.] 
NO BC IT WAS WAYYY TOO FUN PICKING THE IDOLS THAT WOULD FIT THE CHARACTERS 😭😭😭 like i know for a fact taeyong would be the last person in the universe to step into a shady and brutish place like that, but man does he have to appearance for it ! (along with jeno hehe) 
as for the jk thing….. no comment! ^v^
but seriously, taehyun was a little batshit insane in killer instinct 😭😭 a true instigator and fiend at heart, he barely has the power to control his mouth before he’s spitting out stuff that’ll get him in serious trouble. which,, has happened before, so let’s just say he also got into fighting as a defense mechanism! 🤗 (that is a joke. kinda.)
(ALSO THE SHARKCAT THING IS SO FUNNY BUT ACCURATE???) 
-[tyun, who did not sign up for any of this!!]
no bc i literally had so much fun when it was revealed that the mc was also a fighter 😭 it added another layer of superiority bc she now was both older and more experienced than tyun— so let’s just say the poor dude practically fell to his knees at the memory of him telling the mc she doesn’t know shit about the underground fighting scene skdbdkd 
but the tyun fr just wanted to cope in his own way, what the hell do you mean he’s going up against a tyrant's prodigy??? what the fuck!!
i also enjoyed myself a bit too much when the mc interacted with jin or yoongi, simply bc she could allow herself to let loose around them haha 
-[killer instinct and its lack of romance 😔]
i’m such a sucker for those types of typical scenes lmaooo like… can you tell i’m an avid kdrama watcher?? oooouuuh it’s showing isn’t it. 
but i seriously feel a bit bad for those who expected this story to have more romance 😭 i did think about adding more honestly, but that would’ve made the story longer simply because their development had to be slowww if i was going to be detailed. there’s so many scenes i mentally cut out simply bc i was like “ok i fr should get on with this.” 
one of them being a scene where they visit gyu and the mc gets to see the friendship between the two better— it allows her to see him in a new light and blah blah blah u get the gist huh 
-[my secret thoughts about the smut ahhhh]
making out in front of a hospital is indeed insane and if the parking lot hadn’t been empty the two most definitely wouldn’t have had any peace!! like, hello?? ppl are dying over here!
i honestly did get reminded of camera shy gyu when i wrote that line 🫣 also a little confession, i was not satisfied with the smut like. at all 😭😭😭😭 i felt as though there was so much more room to play around with their dynamic but i just didn’t?? and i blame it on the fact that i was telling myself not to get carried away for the sake of how long it already was 😭 
i actually wrote love fool bc i had finished killer instinct and was in a mood to write a more detailed smut out of pure spite 😭 love fool was neverrr supposed to see the light but i was so frustrated with myself that i decided well, fuck it!
-[ml you are everything to me, thank you </3]
ml (who, as i currently type this, is no longer ml, i guess?) i seriously can’t begin to tell you how thankful i am for this— like, i’ve never felt more grateful for the fact that you took the time to write such a detailed, long review??? you are straight out of a writer’s greatest dream, i will never stop loving the fact that you went into so much detail with this— when i first received your inbox, i started scrolling… then kept scrolling… then kept scrolling…. and when i tell you my eyes widened so bad and my jaw dropped, i had never been so happy while reading a review <3
writing is made even more enjoyable to me because of people like you, who give me the opportunity to share my thought process and talk about universes and stories i absolutely adore <3 you are seriously the best thing that’s ever happened to me on this blog, and i sincerely hope that other writers are able to experience this joy for themselves as well haha 
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retrobr · 2 months
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🌿 and 🦴 ??
🌿 - give some advice on writer's block and low creativity;
Welp, I rarely have writer's block (and I rarely write in general lol), but still, I'll try to give a couple of advices!!
First of all, do not force yourself to write if you don't really want to do it. You see, writing should be a fun, pleasant experience, just like any other hobby. If you force yourself to write under the onslaught of what people are waiting for or if you haven't written in too long, then your favorite hobby gets an unpleasant taste of chore. Do it only when you feel like it;
Secondly, I advise you to find something that inspires you not only for your hobby but also for life in general. It may sound a little odd, but it's really important for any activity. If you have happiness in your life and every day you wake up with a light feeling in your chest and enjoy any small things around you, then the desire to create will not take long;
Thirdly, if you managed to find the inspiration/desire to write, do not try to make your writing perfect from the very first time. To begin with, just dump out everything that you have in mind: let it be stupid, ugly, or short, but eventually you will have at least some information in front of your eyes. After that, you can gradually add some details, change and delete paragraphs and sentences, and come up with new scenes and descriptions for the work. Just remember: any finished result requires a gradual approach, and any masterpiece begins with a rough and somewhat unattractive start;
And the last thing: read other people's works and take some ideas or details from them. No one says to steal other people's descriptions or ideas, but you can take inspiration from your favorite authors. Personally, when I read the works of other great authors, I have a very strong desire to write something of my own, and beautiful scenes and ideas seem to automatically form in my head.
🦴 - is there a piece of media that inspires your writing?
Of course!! To be honest, I am inspired exclusively by my favorite movies, and I mostly write about them. For example, recently I have been inspired by two movies: "Night at the Museum" (obviously) and "The Grand Budapest Hotel". 
But if we're talking about other things, not movies or anything like that, then I take a lot of inspiration from poems and other people's love letters. Damn, I am quite a sentimental person, and such things give me a very significant boost for my own plots on my favorite ships.
Many thanks for your ask anon!! It was quite interesting to answer these questions :3
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denimbex1986 · 3 months
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'Andrew Haigh’s (‘Weekend’) emotional, near-indefinable and multi-BAFTA-nominated new film ‘All of Us Strangers’ – a ghostly story of love and loneliness set in an eerie but very recognisable London – lands like a blow to the solar plexus. You think you have its measure, even as lonely screenwriter Adam (Andrew Scott) embarks on a journey back into his own childhood, searches for a sense of himself, and falls hard for his mysterious neighbour (Paul Mescal). Then the credits roll and you find yourself sobbing on the floor. And, well, maybe you didn’t.
It’s a movie, in other words, that contains an ocean’s worth of emotional undercurrents. And if you’re a Londoner, you can double that. Adapting Japanese novelist Taichi Yamada book ‘Strangers’ and switching its Tokyo setting for London, Haigh creates an almost imperceptibly off-kilter London of soulless apartment blocks, disconnection and loneliness, and adds a wealth of autobiographical detail to the story. For all that, it’s a London film that’s full of love for its setting – and it’s the adopted home of its filmmaker, who was born in Yorkshire, lived in the Midlands for a time, but has lived here since graduating uni aged 18. ‘I love it in London,’ he says. ‘You have your history around you, your life growing up.’
All of that personal history is poured into ‘All of Us Strangers’, which completes the filmmaker’s loose trilogy of films about love, alongside ‘Weekend’ and ‘45 Years’ before it. ‘Those two are about the beginning and end of love, and this one is about its power and – not to sound idiotic – its cosmic importance,’ says Haigh. To make it, he did something almost unprecedented and filmed in his own childhood home, as well as another old haunt. As he tells Time Out, the ghosts were behind the camera, as well as on-screen.
1. The haunted East End tower block
‘All of Us Strangers’ introduces Andrew Scott’s struggling screenwriter Adam as the (almost) lone resident of a new apartment block. ‘Initially, we chose a building in Vauxhall,’ explains Haigh, ‘but it was run by a multinational corporation and they would never let us [film] there’. Instead, the exteriors of Adam’s tower block were filmed at a new tower in Stratford, East London. The buzz of the city is seemingly just out of reach for the lonely writer. ‘The rest of London is out there, but it feels a bit distant,’ says Haigh. ‘I liked that feeling for the character: it should be great, but the building is not embedded into London yet and that can feel especially isolating.’
2. The entirely fake stoner apartment
Confined spaces being fiendish to film in, and Adam’s apartment not being palatial, Haigh opted to film the interior scenes – where Adam and Harry hang out, have sex and get stoned – in a specially reconstructed ‘flat’ on a Wembley Park Studios soundstage. ‘Your brain just adjusts to it,’ remembers Haigh. ‘You’d walk in and think: oh yeah, we’re in an apartment.’ Plates of Adam’s actual views were projected onto the windows. ‘I hate green screen,’ he notes, ‘but you can’t shoot on a 22nd-floor apartment because they’re not very big and I wanted the light to move. Everything in this film is a representation of how Adam is feeling: the light and the movement of the clouds is all part of it.’
3. The nostalgic ’80s family home
A time-travelling train journey into the suburbs of London takes Adam back to his childhood home, where his mum and dad (Claire Foy and Jamie Bell) are there to welcome him. In what may be a movie first, these scenes were filmed in Haigh’s own childhood home in the London suburb of Sanderstead: ‘I left that place when I was eight or nine and I’ve never been back,’ he says. ‘You see Adam lift up a photo [when he’s trying to find the house], and that’s a photo of me and my mum, with Claire Foy in place of my mum – I used that photo to find it. When I walked in there again, it felt like a haunted house.’ Strangely, the filmmaker’s old boyhood eczema broke out during filming. ‘I thought: maybe it’s the fucking house!’ laughs Haigh. ‘The film is about how we store traumas, big and small, and it felt like my body was physically reacting to how I felt when I was younger.’
4. The full-on, legendary dream club
To break him out of his isolation, Harry takes Adam out for a ketamine-fuelled night on the tiles. The club they wind up at isn’t specified – there’s a deliberate vagueness to ‘All of Us Strangers’ London settings – but it was filmed at another old Haigh haunt, the Royal Vauxhall Tavern. ‘I spent many nights there in the ’90s,’ says the director. ‘We saw ourselves as gay indie kids, so I’d go there and to Popstarz and Ghetto behind the Astoria.’ The 50-year-old has mostly given up on clubbing these days, but still knows what feels real and what doesn’t. ‘I wanted to get across what it’s like to be in a club: it’s exciting and you feel together, especially in a queer context, but it can be complicated too.’ The result was two 12-hour days, with proper disco tunes booming out and a sweaty crowd of up-for-it background actors to make it all look real. ‘It’s exhausting and it’s so loud, but it’s the only way to do it,’ says Haigh.
5. The eerie, unsettling Tube carriage
‘All of Us Strangers’ isn’t Haigh’s first foray into London locations. His 2009 debut ‘Greek Pete’ was filmed quasi-guerilla style in Soho, and at one stage, ‘Weekend’ was going to be set in South London (‘I wanted that to be a tower block too – there was one near Clapham Junction – but we couldn’t get the money in London,’ he explains). It was, however, his first time experiencing that old staple of romcoms, thrillers and action movies: a scene on London Underground. ‘I wanted to use the Central Line, because it has the right glass [for the reflection shots] but there’s loads of people on it all the time, so we did it on the Waterloo and City Line,’ he says of the scene in which Adam travels across the city. ‘It’s closed on Sundays, so we filmed then. The track is so bumpy to film on that by the end of the day, everyone was feeling sick.’
While he has nothing planned yet, it’ll take more than a spot of motion sickness and a few other logistical trials to stop Haigh returning to London for a future project. ‘It’s expensive to shoot in and it’s complicated and there’s no fucking parking anywhere,’ he says, ‘but I love London so I'm sure I'll film here again.’'
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sophieswundergarten · 11 months
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Yet Another Sophie Live-blog Reaction to Reading "S.O.S" (Chapter 14)
@nobody33333333 I love this chapter so much!!! I love all of your stuff, but this was so neat!!! Absolutely beautiful :)
So, without further ado, my insanely unhinged notes on how Bods has yet again created a masterpiece:
The Title Is Scaring Me
However, reading one of the Great Jeffers Scenes right off the bat made me quite happy
Erika!!
(Yes. I will continue to cheer for every single minor character whose name I manage to recognise :>)
Oh boy, the magic scene
How dare you make me Feel Things over Curtain’s stupid magic tricks
Something about “Martina didn’t deserve the Brain Sweeper. Not because of them” is just so good!! It perfectly parallels things that the Society has said/thought before, and I really like how you added it right here
And we once again enter the spiral otherwise known as “Curtain Rationalising War Crimes to Himself” SIR. You can’t wipe a child’s brain and call it a good thing!!
“But fortunately for Martina, being betrayed by a member of the Wetherall family was a situation with which Dr. Curtain could empathize.” Oh goodness. I see we’re pulling no punches this chapter.
I really love how you explain Curtain’s little magic trick in practical terms, as well as why he did it. Because, even though it’s warped and kind of problematic, he still loves Kate
Also, his concept of “the principle of the matter” and how he keeps his promises is such an interesting detail to include in his thoughts!!! I like how it communicates his morals and loopholes, because with that “letter of the law” kind of thinking, of course there are some things he’d let slide
THE MISUNDERSTANDING. THE WAY CURTAIN IS TRYING TO COMFORT HER IN HIS WEIRD SICKO WAY AND KATE IS TERRIFIED BECAUSE SHE THINKS SHE’S GOING TO LOSE SOME OF THE MOST IMPORTANT PEOPLE IN HER LIFE. AHHHHHHH
Just. “a mix of confusion and terror” is the perfect way to describe all of Kate’s responses to Curtain being all wacky at her
Ah, yes. The “Milligan Surrendering Bit”. This marks the first time of many (Aside from seeing your message that you were updating) that I had to walk away and screech and wave my hands about before coming back to continue reading
The greys are so bad at their jobs, honestly. Even if he’s lying, you should probably react with more of a plan than “Okay, sure, lets take this guy in!”
(At least, that’s my opinion. I’m sure they’re trying their best, and Milligan appearing out of the bushes would be disconcerting to anyone)
OH. OHHHHHHHH MY WORD. Milligan doing all the same stuff he’s done so many times before but he doesn’t know it. Ahhhhhhhhhhhhhh. And we’re so close to him getting (At least some) of his memories back, too. I don’t know how to feel but most of it is just insane amounts of anticipation
I love the exchange of "[W]hat exactly do I want you for?” / “Everything.” / “Everything?” so very much. I enjoyed watching it on-screen, but the subtle details you add make it so much better, especially because the written format you’re using allows you to see what the characters are thinking about each other. Stupendous
ALSO. THE PARTS WHERE CURTAIN GETS ALL WORKED UP BECAUSE HE THINKS NICHOLAS IS PURPOSEFULLY TRYING TO HURT HIM (Especially when they involve the Wetheralls) ARE RIDICULOUS AND FANTASTIC. I AM LOSING IT. I’M GOING TO RELEASE TERMITES IN YOUR BASEBOARDS. AJKDJKDSKJDFJKDSJKDS
Oh, and he knows that Milligan cares about Kate so much!!! The dramatic irony of Curtain (As the kind of “main character”) and the audience knowing all of the things, and then he just refuses to elaborate on his creepy vague statements is both beautiful and infuriating
“Well, Curtain figured, traitor or not, the least he could do was indulge his former friend. For old times sake. After all, Curtain had the time to spare, and for as much as he liked to think of himself as the superior performer, he couldn’t deny that Wetherall’s stories always had a bit of a dramatic flair to them. Curtain supposed there was nothing wrong with a little entertainment before his moment of triumph.” This paragraph is gorgeous. I love it. I love it, I love it, I love it. It just made me feel such heartache and hopefulness at the same time. Curtain's pain and Milligan being just on the edge of remembering, oh my word. I don’t have any clue how to put words to the exquisite mix of emotions reading it creates in me.
MARTINA MARTINA MARTINA MARTINA MARTINA
It’s really interesting how you write Martina’s reasoning, with her telling herself that if people got in trouble, it was because they deserved it. She didn’t get in trouble because she worked hard, and that's how the world worked. (I wonder if it has anything to do with the fact that her parents don’t seem to value the work she puts into things and how she might feel like she has to earn appreciation)
Oh no. Jackson and Jillson. This can go one of two ways and I don’t feel like either of them are good
Once again, your J&J dialogue is spot on and fills me with very happy wiggles
I don’t know if it was intentional, but the fact that Jackson is the one who says “or us” both times when they’re saying Martina wouldn’t betray them is so sad
THE CONFLICT. THE EMOTIONAL TURMOIL. The way that Martina is wrestling with doing what’s right and betraying the only friends or security she’s known up to now and the way that Jackson and Jillson don’t know how to form independent opinions but they still care about her and it is just a huge mess but I love it!!!! AH
I’m really proud of Martina, and of course the way you detailed her decision is wonderful, but I am still so sad for them
Okay. Bods. Listen to me. The way that you can write such gut wrenching angst and sorrow and have so many heartfelt moments, but you also pepper in things like “(which apparently included the lengthy task of painting perfect rectangles onto a warehouse floor, lots sneaking through the sewers, and testing the believability of several disguises and accents, all of which Wetherall was happy to demonstrate)” is flabbergasting. That’s such a delicate balance, and somehow you execute it perfectly each and every time. I love how this fic is a huge mix of things, because I know that I will never have to face overwhelming despair, but it also has enough intrigue and complexity that I am always invested. You are unfathomably talented.
MILLIGAN AND GARRISON OH NO I’M GOING TO LOSE IT ONCE MORE
And more hints to Garrison’s opinions on psychics!!! Oh goodness gracious, I want to shake her. Just talk to someone for heaven's sake. Ask for help!!!
The memory fragments you keep slipping in for Milligan’s point of view as extraordinary and I love them but also I am going to have to start shredding bedsheets now
AND THE FACT THAT THE LINES ARE FROM THAT FIGHT. I knew immediately what scene it was, and the “Where was your precious conscience then?” just about had me sobbing on the ground
But, you know, par for the course, this chapter made it so much more painful
“Milligan almost took a step back as Curtain approached him. He felt a sensation creeping up on him. A familiar sensation, one that told him to run.” followed by “Curtain did not bother to watch as his men dragged Wetherall to the Brain Sweeper. There was no need. He had already watched them do it so many times already.” was like being decked in the face twice over in the span of thirty seconds
And Curtain!! Who is still grieving his friends because he can’t let himself process one (1) single emotion in a healthy way ever!!! And so he has fully committed himself to the idea that what he’s doing is the right decision that he has basically no sense of reality at this point. It’s such a weird whiplash effect to go from the mostly reliable narration of some of the other characters to Professional Liar Curtain's inner monologue
I wonder if he truly didn’t think it would cause Garrison problems to sweep Milligan or if he just had so much going on he figured it was worth the risk to trust her with it
ASKJFHDSKJSLDKGASJKDFJDSK NO!!!!!!!
Garrison and Kate is one of the worst potential relationships we lost in my opinion
(I say as if it doesn’t change all the time depending on which bit I’m reading)
Oh, and they took her bucket. And Garrison doesn’t know why it’s so important.
THE CABINET.
Oh, yes!!! YES!! Garrison, oh my goodness I am so excited. She may not be the best person, but she’s trying her hardest and I have been waiting to see what she would do for ages. You’ve made her into such a compelling character. Oh great heavens. **Incoherent screaming**
StickyStickyStickyStickyStickyStickyStickyStickyStickyStickySticky
“Curtain looked at Sticky in surprise. The sequence was right, but Sticky had messed up the first part. He had ordered people not only to not acknowledge that Curtain’s commands were in their heads, but to ignore to them entirely.” I am infatuated with how you add these little details, because even though they might be what would logically follow, you give them such a sense of belonging in the story and it makes the whole thing a lot richer.
Oh dear, every time Curtain starts thinking about which of the kids are spies he goes along the lines of “Of course! It was so obvious!” and somehow he’s still always off
“As for Reynie Muldoon, the boy clearly had some social issues and was a bit of a rule breaker” Why does he keep judging this child so harshly
GARRISON’S RUNNING. I THINK SHE’S ABOUT TO GO DO SOMETHING INADVISABLE
Isaac!!! I was holding my breath waiting for this since you mentioned him and I am so excited!!!
Aw man, he’s such a goof.
You don’t know how happy I am that you resolved poor Isaac being sent out into the woods
“-Martina doesn’t like you. Reynie lied to you so that you would give him his keycard.” For some reason this line stuck out to me. It’s so… visceral. It’s very blunt, but it’s true. And it’s showing a much more vital side of Garrison that she’s been hiding from for years, and I’m ecstatic about her little (and big) character breakthroughs
“ “But maybe one day I’ll learn to love again,” the thirteen-year-old boy mused sadly. “And maybe the next time things will work out.” ” Who is this child. Why is he like this. I have so many questions but I love thim.
In a way, he’s so mature, and the way he reacted to Garrison has a lot of sensibility in it, but also he’s thirteen
OKAY
OKAY LISTEN
I STILL CAN’T PROCESS THIS BEAUTIFUL GORGEOUS AMAZING FANTASTIC LOVELY WONDERFUL AWESOME GLORIOUS EXTRAORDINARY PART THAT YOU WROTE
I AM TRYING MY BEST BUT MY MIND DISSOLVES INTO LITERAL GIBBERISH WHENEVER I THINK ABOUT IT SO FOR THE SAKE OF GETTING THIS OUT SOON I’M GOING TO HAVE TO PUT THAT PART ON HOLD
BUT KNOW THAT I LOVE IT AND I WAS SCREAMING SO MUCH LAST NIGHT AND I STILL AM SCREAMING RIGHT NOW
(I do love that you added Mr. Oshiro being like “I’m an actor!” in the middle of that)
The Jackson and Jillson stuff almost killed me. I don’t know how I’m going to survive the rest of this fic when you try and give me a heart attack every few minutes
YEAH MILLIGAN
I need you to know that I legitimately started laughing out loud as soon as the clapping happened
I was giggling like a madman, alone in the dark, and I thoroughly enjoyed every second of it
“Milligan frantically looked around him, looking for the sight of Kate Wetherall (which was the only person Milligan assumed Jeffers could have been referring to), but of course, found no one.” Yet another hugely artistic and lovely line that I want to hug extremely tightly
I adore how once again Milligan is completely distracted and Does Not Care In The Slightest and just knocks Jeffers out and keeps moving
Peak “rival” relationship
HHHHHHHHMMMMMMMMMMMMMMMMMMMMMMMM
Milligan and Garrison and Milligan and Garrison and Milligan and Garrison and Milligan and Garrison and Milligan and Garrison and Milligan and Garrison and Milligan and Garrison and Milligan and Garrison and—
AND SHE KNOWS. SHE KNOWS HE’S KATE’S DAD AND I WANT TO HUG HER
Oh. Oh, and she thinks he’s going to hurt her. And she thinks she deserves it
This is the “I think you need better friends” / “And I think my friend deserves better” thing all over again and I’m going to cry
THEY’RE BOTH CONFUSED AND SAD AND HURT AND THEY CAN’T COMFORT EACH OTHER
AND SHE TELLS HIM
SHE TELLS HIM AND I WASN’T EXPECTING THAT AND ONCE AGAIN I HAVE FALLEN PREY TO THE NOBODY SIGNATURE LAST SCENE GUT PUNCH
“And this could all be a lie, a distraction, there was no point in Milligan getting his hopes up when he had a mission to fulfill, and… if Kate was his then he…he wouldn’t have abandoned her, he could never have forgotten her…could he?” Oh, hello. Thank you for ripping my heart out again
I do really love how you worked the bit about Milligan’s hair being short in
(Also because I cut my hair and donate it every couple years, so that was kind of a neat personal connection for me :>)
“Milligan’s eyes began to fill with tears, realizing just how much he might have lost. A daughter who grew up without her mother or her father, a love he had lost and couldn’t even remember. A part of him didn’t want so much tragedy to be real. And…it might not be. These memories still felt so far away, it felt like he was remembering a dream he’d had once. But to another part of him, it felt right. Like was the truth that he had been searching for all along, and whether it was unpleasant or not didn’t matter because it was real. It was his life.” There are too many absolutely majestic snippets of your writing. I’m sorry for copy-pasting so much of your own work, but it’s driving me up a wall.
Oh!! OH!! And she gives him memory revival tricks!!!!
But they can’t help him.
AND HE CAN’T JUST LEAVE. BECAUSE HE STILL CARES ABOUT HER.
BUT. BUT GARRISON STILL THINKS SHE’S IRREDEEMABLE. 
“ “No one deserves this,” Milligan insisted, “including you.” ”
AND THEN YOU BRING THE DREAM THING BACK AGAIN
And it’s in Isaac’s little speech!! And Jeffers!!! Oh man, I don’t know if I’m reading too much into it, but you and your metaphors and your themes and your motifs and just your writing
Poor Garrison somehow always ends up alone. Oh, I want Milligan to be able to talk to her!!!
Also can you please stop causing my molecules to disintegrate because your fic is so good? I’m going to freeze every butterknife you own in a block of ice
Bods!!! So, so good!!! I know I completely skipped over Isaac and Lindsey and the kids and everything, but this was already, like, five pages long and that particular scene sends me into such a state of elation that I can’t articulate a coherent thought at the moment. I am so happy that I had the time and ability to read this chapter as soon as it came out, and I thank you once again for sharing your genius ideas and beautiful writing skills!! It made my whole week, and I just cannot get over how talented you are :)
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luveline · 2 years
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hi jade baby!! i’m a bit late to the june baby lovetrain but i needed some time to gather my favourite parts and long commentaries about that work of art – because that’s what it is, a masterpiece, honestly.
first of all: junie!! she’s the loveliest baby in the world and i would die for her. and the way eddie is always calling her “little lady” or “trouble” <\\\3
“There's not nearly as much clutter or decoration as his own home but it's twice as clean and every surface brags a clear affection – you fucking love your daughter. There's a framed photo of her as she looks now at the mantle without a single fingerprint on the glass, baby photos in smaller frames hang on the wall.”
i’m obsessed with the little details you add to your descriptions that end up meaning so much!! like mentioning that junie’s photo doesn’t have a single fingerprint, how her mom loves junie so much that it’s quite literally crystal clear!!
"The oatmeal needs to soften. Is there anything you want with it? I've got lots of options," you tell him, pouring milk into your own mug. When you're done you and Eddie swap. […] Eddie shovels half of the smile into your bowl. You clutch your spoon in your hand like you want to protest, but no way is he gonna watch you miss out on nice things in your own home.
her selflessness and how eddie very quickly realizes it, sharing his own blueberries with her!! 😭😭 also the way you write them having breakfast together, the familiarity of each using something and then swapping right after they’re done with it 😭😭 there’s so many other scenes where you write their domesticity so beautifully – when eddie mentions the luxury that is having someone washing his hair in juxtaposition of everything being so small, when she starts humming while cutting it and he says that doubts she realises what she’s doing. another personal favourites are “She also points at the red cat and says blue. It's a learning curve.” and "Ooh, she's so smart. First blue, then red. Next you'll be saying indigo, and vermillion, and-"
“Jammies," he repeats. You hate how happy he looks.
and
"Nobody ever asks about work," you say. 
and also
“He thinks if Junie could understand how often her mom prioritises her and misses out for her she'd want to fix that. Eddie doesn't know you half as well as she does and it breaks his heart sometimes to watch you insist on a smaller portion, to watch you put things back at the grocery store because she wants a box of milk duds, even to watch you wear yourself out ironing baby clothes in the only pair of pajamas you own.”
the way eddie picks up how everything in her life seems to be a little junie-centered and actually makes an effort to ask about her!! how his features always soften when she casually slips these details 🥺🥺
“You’d die for Junie. You’d do worse. But to eat, to know she’s fed — gorged — to know you can sit here and eat this whole bowl of fruit all to yourself and you won’t have to put it down, that’s heaven. It’s better, because you never let yourself have anything nice if you can help it. The fruit turns to a lump in your throat and you swallow it, sniffling. Your lashes grow heavy with unshed tears and you keep your gaze resolutely on your dessert. When was the last time you had something this nice all to yourself? When was the last time somebody ever went out of their way to be this nice?”
she’s since the beginning saying how nice eddie is and how she’s always looking after her and junie until this moment where his affection overcomes her 😭😭😭
there’s so many other scenes and lines i could talk about, honestly. the “Eddie Munson is an expert at pushing his luck” and “You do, but it's not really what he'd meant.” are also personal favourites. but my absolute favourite scene must be this one:
You tuck his hair behind his ear and grin at him. "Now what are you sorry for?" Your hand lingers near his cheek. Slowly, you turn it, pressing the knuckle of your index finger into the skin under his eye and rubbing a small line. He worries he’s in love with you right then and there. […] Your beaming smile hits him straight in the chest. He thinks about how beautiful you look and can't stop, hiding his face in your stomach to stop from saying something stupid, laughing loud. You laugh in tandem, hugging the back of his head until your giggles peter out. 
their closeness!! their affection!! their familiarity!! jade, your writing is genius, i don’t think i have enough words to talk about it. honestly, thank you for sharing your amazing talent with us – and for free! you’re insane. you’re spectacular, really.
i’m sure this is the longest ask i’ve ever sent you, (sorry 😅😅) so I’ll shut up for now! can’t wait to read the next part of june baby, but please take your sweet time to write it and please please take care of yourself, baby. super super proud of you and your writing, sweetheart!! ily!! 💌 - lu
oh my god oh my god this is such a treat, i still can't believe you noticed the fingerprints thing im <3
thank you so much for taking the time to collect your fave parts and share them with me I promise it means EVERYTHING to me, I love love love seeing what you liked and what you thought
you're more than kind, thank you for this 😥 it feels like such a gift, I must've read this ask five times over now with a smile. to think something that I see myself as a silly story and know you like it idk it's just insane
and thank you for always making me feel so special, you're always saying i should be proud and that you're proud of me and you're just so sweet, i know i don't deserve it but im selfishly so happy that you expend the time and effort to be this lovely to me
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vespersposts · 1 year
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Reap what you sow
In this chapter there are the first interactions, there is Akashi and his subtle but empathetic way, then there is Daiki who always has a bit of trouble with first impressions. Please let me know how you like it.
Thank you for every comment, suggestion or message, you make me really happy. My hugs to you,
Vesper
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Things hadn't gone as planned, and if there's one thing you hate, it's when things don't go as planned.
Of all the places to waste time, the gym is about as pleasant as a hellhole: the overly bright lights, the screaming, the rumbling of every sound, and that sharp, unpleasant sound, that strangled squeak that always makes you think of a rodent in distress. Not to mention the smell that permeates the air: sweat, hormones, and all sorts of hygienic deficiencies that make up an unpleasant bouquet.
But there she is, the princess, strutting in the front row, her ravenous little eyes scanning the scene, hiding who knows what valuable comments behind her hands, laughing with her friends, also ecstatically admiring this handful of capable bamboozlers. 
You have to wait for them to leave; and that annoys you. On top of that, Satsuki isn't around and doesn't even answer your messages.
Well, your mobile phone's battery is charged and you don't want to lose another afternoon like this, so you'll wait. You smile as you read Shunji's message, wanting to make sure you are ok. You know you are breaking the rules when you hit the reply button, but he is different, always has been. He is a person you should try to trust because he is protective, reliable and present, even though his schedule is a masterpiece of adjustments and schedules filed down to the minute. He always has ten minutes a day to ask you how you are, what you are doing, which lesson was the most boring of the day. Ten minutes to cheer you up or pick you up if necessary, ten minutes that have become so important in the course of the year that they put you in a bad mood if for some reason they are not given to you. 
They're only ten minutes, and they're yours.
You're distracted when a male voice calls out your name and greets you as he approaches, looking surprised. A few steps away, Momoi's unmistakable hair tells you that even if it's not the best time, now is the time.
"Nice to meet you too, Akashi-kun" you smile at him, gripping the handles of your bag a little tighter, as he stares at you with those intense eyes. Luckily, Satsuki joins you, but it's a pity that her genuine astonishment at meeting you , makes you feel even more uncomfortable.
"My father and Mr Abe are good friends and lifelong business partners. It's not uncommon for the two of us to share the lounge or tables at their galas! " the magenta-haired boy explains elegantly, but your friend doesn't seem to understand who he's referring to.
"Mr Abe is what I should call Sensei Shun" you add, noting the subtle upward curve of your interlocutor's lips at this bold declaration of familiarity.
"I see" the pink-haired girl simply says, scanning your expression.
"If I may say so, I think Mr Abe sincerely appreciates any effort you make to distract him from his worries. As a son, I wish I had the same ability you have on him with my father" he finishes, giving you a genuine smile, a smile that sweeps away any doubts you may have had about the nature of his previous reaction. You readily agree to follow them to the gymnasium to observe the Vorpal Swords from their privileged perspective. You are able to ask questions and make observations, but your mind is still on that detail, Seijuro's smile, which fills you with excessive pride: for if he too noticed it, perhaps your dreams of being something more to this amazing man might have some truth to them.
When the heir to the Akashi dynasty takes over as captain of the basketball team, you feel two things: the first is Satsuki's hand clasping yours to take you to the bench, and the second is Kuri's venomous gaze, which seems to care more about your circle of friends than her beloved number five.  
"Look at that face!" says your friend, handing you a pen and paper. What really bothers you is the sombre expression on the face of another girl who is approaching at a leisurely pace. She is quite pretty, but at the same time intimidating, especially when she stands in front of you with her legs wide open and blatantly tells you her number one rule: "The bench is reserved for those who work for the team, not for those who wish to warm the beds of its members".
Satsuki is so scared that her smirk makes you laugh out loud, as she pierces you with a startled look. As if you are so lame that you need a smelly gym and 10 brats to fulfil your erotic fantasies. 
"Forgive me, Aida, she was invited by the captain himself, not by me or the fan club" Momoi explains, clearing up the confusion once and for all.
"My mistake then! Those damned chicks are always distracting them, and those losers can't wait to make a show of themselves and not move a finger!" the newcomer snorts, shaking hands and welcoming you to her realm. Then she shouts something back at the group and leaves you alone.
"She's intense, but if it weren't for her, this place would be chaos!" your friend smiles, looking away from you and searching for her Tetsu among the players.
You follow her gaze: it's time to start collecting data.
If your work has taught you anything, it is how to read people. You soon realised that actions reveal our true nature, so you have become very good at reading between the lines, looking for what everyone wants to hide, until it became so easy for you to see. Satsuki, for example, can't say no. Kuri thinks that her whims make her seductive. What she doesn't know is that noone will ever work so hard to get something that all girls have; at least not someone in love with another girl. It's obvious when your eyes meet for a moment, as soon as Aomine averts his gaze from the princess to Momoi, as if he deserved some relief from the avalanche of garbage his ears have to bear. He's so easy to read, even a child would understand his thoughts. 
There's only one person he would risk everything for: his Satsuki.
Too bad it was all for nothing, because she doesn't even notice his best friend's turmoil. Poor Daiki, with a battered heart and a head full of guilt. You see him examining Tetsu, then holding the towel the princess has just offered him as a token of love. He rubs his cheeks and tries to convince himself that he is able to disappear. If he no longer existed, he would no longer have any feelings for his childhood friend, and he would no longer disappoint his beloved team-mate on a daily basis. If he could disappear, he would no longer have to suppress his feelings, and the guilt that consumes him would be at an end. If he could disappear, perhaps Satsuki would come in search of him, and give him the only reassurance he had been longing for all these years. 
He stares at you with a confused look and you know he's worried, almost angry.
You can tell by the way his eyes are glued to yours, his eyebrows furrowed, his hands on his hips, as if to reaffirm that he, and he alone, has the right to walk through his thoughts.
Your task has suddenly become real, your hand outstretched in a silent greeting, your lips curved in a small sideways smile.
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stampwithtami · 4 months
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Kidding Around Card [Arrow Fold Series #8]
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KIDDIN' AROUND ARROW FOLD CARD  Today, I'm thrilled to share with you an adorable card designed especially for little ones using the Stampin' Up Kiddin' Around Suite of Products. This whimsical creation not only features an enchanting little girl in a dragon costume on the front but also includes a surprise inside – another sweet character donned in a superhero cape! Card Design: The focal point of this delightful birthday card is the captivating Arrow Fold technique. This unique folding technique creates an eye-catching castle backdrop for the lovable characters, making it a perfect fit for a birthday celebration filled with wonder and joy. Front Cover: As you open the card, the first thing that catches your eye is the charming little girl wearing an adorable dragon costume. The Stampin' Up Kiddin' Around Suite brings this character to life with vibrant colors and intricate details, making her the star of the show. The whimsical castle adds a touch of magic to the front cover, setting the stage for the adventure within. Inside Surprise: But the magic doesn't end there! As you unfold the card, a delightful surprise awaits – another lovable character, this time dressed as a mini superhero with a cute cape fluttering in the imaginary breeze. The inside of the card becomes a stage for the birthday child's imagination to run wild, envisioning a world where dragons and superheroes coexist in perfect harmony. Arrow Fold Series: This enchanting card is part of my Arrow Fold Series, where creativity knows no bounds, and each card unfolds to reveal a new and exciting world. If you've enjoyed the magic of this Kiddin' Around birthday card, be sure to explore more tutorials in this series.  Video & Tutorial and Instructions: To help you create your own magical masterpiece, I've prepared a step-by-step tutorial that includes a template for the fold. I also have a helpful Arrow Fold video tutorial that guides you through the process of this fold technique. Additionally, detailed instructions and a template are provided below, ensuring that your crafting journey is as enjoyable as the final result. INSTRUCTIONS, TEMPLATE & VIDEO INSTRUCTIONS PDF ⬇ The instructions include measurements, step by step directions and a template to create this card. There is also a clickable supply list.  DOWNLOAD PDF HELPFUL VIDEOS ⬇ ARROW FOLD VIDEO ARROW FOLD VIDEO CLASS SPRING MINI CATALOG REVEAL See this new Cap & Gown Stamp Set and the Sweetness Specialty Paper and all of the new products in the 2024 January-April Mini Catalog  on this video. Click the button for more details. SPRING MINI REVEAL VIDEO MATERIALS I USED TO MAKE THIS CARD STAMPIN UP MATERIALS I USED SEE MORE TUTORIALS MY ARROW FUN FOLD SERIES ARROW FOLD SERIES Click the thumbnails below for more free tutorials in my series. STAMPIN' UP! CATALOGS CURRENT SPECIALS Description for this block. Use this space for describing your block. Any text will do. Description for this block. You can use this space for describing your block. PHOTOS The focal point of this delightful birthday card is the captivating Arrow Fold technique. This unique folding technique creates an eye-catching castle backdrop for the lovable characters, making it a perfect fit for a birthday celebration filled with wonder and joy. As you unfold the card, a delightful surprise awaits – another lovable character, this time dressed as a mini superhero with a cute cape fluttering in the imaginary breeze.  The first thing that catches your eye is the charming little girl wearing an adorable dragon costume. The Stampin' Up Kiddin' Around Suite brings this character to life making her the star of the show. I love how the 2 scenes on the front and inside tell their own story and then with the card closed they work together. To help you create your own magical masterpiece, I've prepared a step-by-step video tutorial that guides you through the process of making this whimsical card. Want to save these ideas for later? Pin them to your favorite Pinterest board. Have you tried these designs? I love to see your creations! Be sure to share them on #shareyourcrafts post every Saturday on my Facebook Page    Read the full article
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authorkrysejay · 6 months
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Writing Story Drafts
I always compare writing a story to weaving a tapestry.
You begin with a rough idea in your mind, perhaps with a few key scenes plotted out. The first draft is to get all those ideas out on the page. It doesn't matter if things don't make sense or the characters are flat or stereotypical. At the end of it, you'll have a piece of art. A mismatched distorted image of the final product, but something to start with.
The second draft is where you go back and undo the stitching, untangle strings, pluck colors that have no business being there and add those that are missing. Sometimes you have to delete entire sections, scrap plot lines and weave in entire new ones. Characters will gain depth, make different choices. And at the end of it all, you'll have an image closer to what you first wanted to have created.
Every draft after will be much the same, third, fourth, fifth, sixth, it doesn't matter how many times you deem it necessary to go back and revise. Only you can determine when you are finished, until you are satisfied enough to sit back and marvel over your finalized masterpiece.
Its a good idea to get feedback from beta readers or friends along the way. They can see things you missed, a slight discoloration of the threads or lines that don't connect and should. Sometimes sitting too close to your own work, you miss some of the bigger picture. Or perhaps you're sitting too far away and you're missing smaller details.
Every writer has a unique writing experience, routine, and process.
You learn as you grow.
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bankgauthier8 · 2 years
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tomatograter · 3 years
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I saw you mentioning the princess bride in a post and it made me wonder both of what you think of the movie adaptation (as it was practically my entire childhood) and the references to it made in homestuck the comic and whether they serve any purpose to the text. I also wonder if you’ve seen the movie stardust from 2007 and what you think of. Like always, I love to read pretty much everything you write, whether analysing text on tumblr or your ao3 fics, thanks!
OK SO. I should have answered this MONTHS ago but I wanted to properly write down something and… that took a while! I'm sorry it was this long </3 Thank you for your patience! Now on to the meat of it:
These two stories definitely have a fond place in my heart. Early this year I read the original Stardust novel for the first time (then rewatched the movie due to brilliant childhood memories), and I gotta say I have a bit of a strange relationship with it since I did think the book was good, but not nearly as fun or engaging as the movie, and what the movie did to some underused characters-- particularly the ship captain, who is just the extreme blueprint for Jake Harley from tip to toes; BUT. I found out I really liked the book ending better.
The movie is a remix of the book, it takes a lot of the convoluted plots and streamlines them into something that ties together nicely, cuts out characters that don’t add much, & explores characters that were interesting in the original but never given enough time to do stuff. It’s not a masterpiece, there was definitely a scene in the middle where I got really tense and expected to see a violent hate crime happen, it definitely... aged badly in some places (repeated instances of ‘man in a dress’ jokes including the character I mentioned above), but it’s an entertaining movie. It’s got quirky fun dialogue from a time before that became a tryhard hollywood staple. Everyone loves a fetch quest fantasy romp! Most of all, me!
I think what I really liked from the book ending is that we’re shown how the main couple avoids the expectation of ruling the kingdom for actual decades, finding other paths to follow in their very young lives instead of immediately marrying and settling down. It had a very nice, peaceful, sort of pensive bittersweet ending about the star not being quite human. The movie changes how the story approaches immortality, and that's not inherently bad but it’s also not the same y'know. Generally I'd recommend the movie first thing but then add on that the book is worth going through for that different flavor characterization of the story, if you're up to it.
(This comparison also seems very apt, the director of the Stardust movie adaptation famously only convinced Gaiman that he'd be fit to adapt it because he wanted the movie to be "his Princess Bride".)
I love the princess bride movie.
I watched it way before I got around to reading the book and I *tend* to prefer the book version to the movie version 9 out of 10 times, HOWEVER... As far as adaptations go, I think The Princess Bride is a prime example for condensing a story so its heart remains even if a lot of the juicy book details didn't. It also utilizes its respective mediums really well! The PB Movie works because it tells a story through a Cinematic lens, focusing on a satire of the Hollywood romance formula, while the PB Book does the same through the application of literary farce to its greatest extent. It's a prolonged roast of the fantasy literary romance genre - but it's also dangerously genuine.
It is a book that presents itself as not only a narrative, but as a conversation between the reader and the ‘abridger’ of one other fictional text (from a made up writer) while tripling as a confessional for the real life frustrations of said ‘abridger’. A juggling feat that was undoubtedly only made possible because William Goldman, on top of being Princess Bride's original author, also worked as a professional scriptwriter. He wrote both the book and the movie adaptation, and he jokes about this by fully narrativizing himself as a character within the book's text. (And I’m sure this sounds familiar.)
The *medium* through which The Princess Bride is told is given emphasis when you compare where the story starts in each version, who is telling it, and precisely how it is told. This is going to be relevant for that HS comparison if you hang on for a second.
IN THE MOVIE:
(Where) The story begins with a kid sick in bed, and his visiting grandfather, who's planning to read him a book.
(Who) The aforementioned grandfather serves as our main narrator, with some skeptical commentary from the kid.
(How) We get intro montages to quickly establish characters, middle montages to stitch the story beats together, and some narrative interruptions to move scenes along, but aside from that the events of the fairytale roll on seamlessly with the assistance of the grandfather’s kindly voiceover.
It is a very straightforward take. We blur in and out of scenes with the benefit of contextless visuals - the audience is encouraged to fill in the gaps of "missing" information about the world/kingdom/mechanics with generic stock tropes, most of the book's Lore isn't even hinted at. The movie is a tongue-in-cheek subversion of twee romantic films and their inherent ridiculousness - but it's just as helplessly and wholeheartedly in love with the simplicity of the tropes it employs.
IN THE BOOK:
(Where) The book begins with William Goldman (the character) dumping his tormented childhood backstory and emotional connection to The Princess Bride directly upon your doorstep; after he’s reminded of the book's existence on the day of his son’s birthday, and then later discovers the original text is nothing like the cool adventure romp he knew as a kid. That story doesn’t exist. It was fabricated. The official book translation is actually an over-bloated total bore.
(Who) Goldman explains that he will serve as your editor and guide to ‘the good parts version’ of The Princess Bride — a book his immigrant father once read to him when he was utterly delirious for weeks, hospitalized and bedridden with a sour case of pneumonia. The original Princess Bride is said to be written by S. Morgenstern, an avid political satirist from the fictional country of Florin, the historical setting of The Princess Bride, which doubles as a birthplace for Morgenstern, and incidentally, Goldman's immigrant father. He has the Florinese accent, and a connection to the story as a piece of his own personal history. Goldman insists that the best possible version of the book was the version his dad once read to him, and to make sure his kid gets the same experience, the BEST experience, he’s going to essentially edit the whole monster of a book into a proper shape. Alone. With his own two hands.
In total we have about three-to-four narrators; Current Goldman, Kid Goldman, (Arguably) Goldman’s Father, and S. Morgenstein — who’s just Goldman again under a Florinese pseudonym.
(How) The Princess Bride is written in black and red text for ease of readability. Red is reserved for Goldman’s annotations and footnotes; he tries to introduce chapters and then give context to most of the cuts he makes to the book wherever he can, but since these can be very lengthy and merciless edits (think 20+ pages trashed at a time) he uses most of the space for the purpose of ranting or explaining himself. Sometimes he will gossip about S. Morgenstein’s life and critique his narrative choices, sometimes he will vent about his coworkers and his own life, sometimes he will tell you he has written an unofficial missing reunion scene and sequel for The Princess Bride, and is trying to convince the publishing house to let him print it, and would really, really like if you phoned or mailed the company, if you’d like to be in on that sweet fucking deal. (And these outside documents could be actually mailed to you at the time, though currently the only way to access them is through preserved online copies.)
This results in a book that is constantly taking itself apart on its own terms, and that is really funny to read. The humor aspect is played up to its fullest; sometimes S. Morgenstein tells jokes, sometimes the joke is Goldman dogging on Morgenstein (and thus himself), and sometimes, the meta-humor reaches around to being about you being slightly stupefied by Goldman’s reckless self-obsessed oversharing completely taking over someone else’s story - which he had ALREADY been recklessly fucking around with to fulfill a childhood delirium.
The book is a tongue-in-cheek dissection of fairytale romances, chivalric heroes, medieval fantasy tropes, why people read stories, why people *need* stories, disappointment, dissatisfaction, and The General Feeling Of ‘Catharsis’ that can only be found by choosing to look at things a certain way even when Shit Fucking Sucks. And also taking matters into your own hands, when you can. And also, it’s a little bit wholeheartedly in love with the genuine fondness shared between its main characters? (and I don’t mean just Buttercup and Westley, Inigo and Fezzik’s friendship plays a big part)
I think you must already know where I’m going with this, but let’s bring it back to how Princess Bride shows up in Homestuck, aka: okay how the hell does any of this connect with anything?
1- The Princess Bride Movie is in line with Jake’s outlook and approach to storytelling,
And:
2- The Princess Bride Book is in line with Dirk’s outlook and approach to storytelling.
While:
3- Both of them can be associated with the respective narrator roles in each version of the story (The earnest romantic guidance of the movie’s narrating grandfather, the book’s self-obsessed Goldman & history-bloated satirist Morgenstein), and not only that; They are both close to the story’s own protagonists (Dirk as Westley, Jake as Buttercup) and the supporting duo (Inigo and Fezzik’s long time friendship definitely tips towards the softly bromoromantic)
And I believe it’s worth exploring just how we get those Princess Bride lines and fight choreography added into Homestuck in the first place:
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Brain Ghost Dirk is misquoting Movie Inigo’s lines (“You killed my father” becomes “You kissed my boyfriend”) to announce his intention of protecting Jake, directly placing himself as a mix of Inigo/Westley in this situation- both these characters embody a take on the chivalric sword-swinging hero motivated by love, which is something Dirk really wants to be, but while Inigo’s core is platonic, Westley only does everything he does in the story because he loves Buttercup, and has done so since they were kids.
But then there’s that extra layer; Brain Ghost Dirk is Dirk’s splinter, yeah, but he’s also Jake’s creation, and as demonstrated by how the rest of this scene unfolds; his physical existence is wholly dependent on how desperately Jake needs him. 
There’s the whole double reacharound of creator-creation, protector-protected, how one depends on the other to keep upright, a theme that is prevalent in The Princess Bride. (Not to speak of the work’s love for satire, especially satire mixed with romance. It’s perfectly in the spirit of the thing.)
For the benefit of those unfamiliar with the story, and a refresher for those who may have forgotten, here's a brief breakdown of the character links and summary;
The Princess Bride is a medieval-fantasy tale that tells the story of Buttercup, a simple-minded farm girl who just wants to fuck around and have a silly little life, but keeps being interrupted by the text & the characters in it ceaselessly preaching about her nebulous “potential”, and how she could be one of the Most Prettiest Beautifulest Women Ever if she just Tried, despite her disinterest. (that’s our Jake)
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She’s also got some really fucked up recurring night terrors to do with her arranged marriage and childbirth and her perceived “inherent inability to love” because we already knew she was a jake but I guess it had to be made real obvious. (link from my screencap thread from when I was reading it in april)
Anyway, keeping on: Westley (Dirk) is a boy who works at her parent’s farm and fulfils her every wish because he’s deeply in love with her, but she never notices; until the day a countess makes eyes at Westley, Buttercup gets jealous, and then she finally gets it. Buttercup confesses, and is seemingly rejected by Westley’s total inability to respond. (Common theme with Dirks) She’s bummed out for a bit about this, but then the next day Westley announces that he does love her, he just has to go away to America for a while and work real hard so they can actually be together. He knows he can do this, because he’s trained for this moment; day in and day out he honed his craft in his hovel. He barely even fucking sleeps.
He can speak this part for himself tbh:
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Westley departs. Buttercup decides that while she waits for him, she’ll finally learn to take care of herself, maybe even realize that whole ‘potential’ business. Her efforts are laudable, but they aren’t enough. Then one day, Buttercup is told that Westley’s ship was ambushed by the Dread Pirate Roberts; they would never even see his body.
Ironically, Westley’s death and the grief Buttercup suffers from it are the last straw that unlocks her ‘true potential’.
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MEANWHILE, the king of Florin is dying, and Prince Humperdinck (Jane) needs to marry to be crowned king. He doesn’t really want to get married, but the law is the law and the new king needs to have a way to make a son and keep the lineage going. Since he’s only interested in the position, but he’d rather have some clout as well, Humperdinck comes up with a plan; he will marry the most beautiful woman alive, kill her, and then pin the blame of this “mysterious attack” in a neighboring kingdom, giving him an excuse to launch a war and conquer a place he wanted to own anyway. Buttercup is also not jazzed about his proposal, but she’s coerced into accepting or dying.
Once everything is settled, three years have passed in preparation to the wedding. Humperdinck hires a band of mercenaries to kidnap Buttercup and leave her body by the neighboring kingdom of Guilder. Those are Vizzini, Fezzik and Inigo. For our point-of-comparison purposes, I’ll only dwell on Inigo: he’s a Spanish swordsman rumored to be the Best Swordsman Alive, on a bloody revenge quest to find the six-fingered-man who killed his father, and slay him in turn. He’s so good, they might even call him the wizard of sword fighting. He also has a bit of a liquor problem. Can’t touch the stuff. (It’s interesting to note that while BGD associates himself with Inigo, and much of the character’s single-drive towards strict training and revenge for a father that was killed in combat is undoubtedly dirkesque, he also has some Roxy features. This is puzzling at first. And THEN you remember that Roxy is the one who ends up killing HIC with Dirk’s unbreakable katana in [S]: Collide as a symbolic revenge for them both, and the mixed nature of his character in specific makes a lot more sense.)
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But not all hope is lost. Unbeknownst to Buttercup, Westley was merely taken as the pirate’s apprentice. He’s heard of her upcoming marriage - and now her sudden kidnapping, and the rest of the story revolves around him trying to save her from her captors, dispelling the mix-up about his identity along the way. He’s kinda upset about the whole marriage thing and intends to be very bitchy about it though. (Dirks will do that.)
This is just the movie intro, or the first couple chapters of the book, so if you’re interested in reading it now to see for yourself -- you absolutely should! Some of the jokes have admittedly Aged (this is a book from 1973 after all) but I find they’re mostly clustered at the beginning/modern segments, and in the long run it’s very much worth it to stick with the story. When it's all said and done you can read it as a seamless dirkjake au.
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