#race ethnicity cw

[notes-from-sarah]

When Magneto became Romani

These three pages were included in an X-Men anthology book titled Magneto #0, The Twisting of a Soul by Fabian Nicieza. It was published in 1993 and seems to be the first, or even only place where Magneto's Sinti background is mentioned. This issue is comprised of two short stories about Magneto's background written by Chris Claremont in the 1980's, plus these three additional pages which contradict everything previously written on Magneto's backstory. Unlike the DC universe, Marvel's mainline books are all in the same continuity since the beginning of Marvel Comics in the 60's. Every writer must follow what is established by the ones before. Of course, retcons will happen from time to time, but that's the idea in general. These three pages represent an almost whole-cloth retcon of everything written about Magneto's backstory to this point. For almost 17 years ('75-91), Chris Claremont developed a well defined backstory for Magneto, some of which is included in the very volume that these three pages come from, and Nicieza ignores all of it.

(Content warning for a word that is often considered a slur against the Romani people, I am quoting directly from the text)

Let's examine some of Nicieza's claims:

Pg 1 - "The man who would become Magneto was born Erik Magnus Lehnsherr, to a gypsy family of Sinte desent"

Fact: Magneto is Jewish, which goes completely unmentioned here, and has never before been suggested to be Sinti. I don't know why this author decided to erase his Jewish background and make him Sinti, but nowhere does Nicieza say anything about Magneto's Jewishness, instead casting him solely as Sinti, born to a Sinti family. The illustration even shows him with two pierced ears, an open shirt and a scarf around his neck to drive home the stereotypical "Romani" look.

Also, many Romani people are religiously Catholic/christian.

Pg 2 - "After Danzig was annexed to Nazi Germany in 1939, the young man then named Erik -- along with thousands of other gypsies -- was shifted to a work camp in the city of Auschwitz. We all know what happened then. It is -- or should be -- indelibly branded on our collective consciousness. Genocide. Extermination. Not only of the Jewish race. But also of the Poles, the gypsies, the homosexuals, the intellectuals. Anyone the 'Master Race' felt was disposable... Lehnsherr lost his parents and sister during his imprisonment at Auschwitz."

Fact: Magneto's sister and parents were murdered outside of their town/village by the Nazi Death Squads called the Einsatzgruppen. Magneto was the only member of his family sent to Auschwitz, the rest were murdered and buried in a mass grave.

Additionally, while many groups suffered under the Nazi regime, the genocide of the Jews was specific, deliberate, and at a scale not experienced by the other groups mentioned. For more information, read up on The Final Solution. There was also never a specific attempt to murder all Poles, that's just a lazy attempt to universalize something that was not universally experienced. People can suffer in different ways and it's a disservice to their stories if you attempt to blend them all into one homogeneity.

Also, why use the term "work camp" instead of calling it what it was? It was a Nazi death camp, no need to say it nicely.

Pg 2 - "But he gained something in the liberation of the camp in 1945, as well. He gained hope in the form of a wife, a woman named Magda. In 1946, they took up residence in the Ukrainian city of Vinnitsa... where Magda, gave birth to a daughter they named Anya."

Fact: Magda gave birth to Anya in a small village in the Polish Carpathians. Magneto, Magda and Anya lived in that village for some time, most likely 3-6 years, before moving to Vinnitsa.

Additionally, Magneto was around 15ish in 1945, while nothing disputes this claim directly, I'm not sure he was married at 15 years old.

Pg 2 - "But Lehnsherr had learned something else about himself in Auschwitz, something which was becoming more apparent and more frightening to him everyday -- he learned he was a mutant"

Fact: Magneto didn't discover his powers until he was in Vinnitsa. He didn't have a name for it or consider himself a mutant till much later.

Pg 2 - "When Anya was tragically killed in an arsonist's fire, Lehnsherr lashed out at the villagers who refused to help save her"

Fact: Magneto was prevented from saving his daughter by secret police who were trying to arrest him for an earlier altercation he'd had with someone. He did not "lash out" just because nobody would help, he lashed out because his daughter burned to death in front of him while he was actively being restrained and prevented from helping her.

Also, it's never mentioned that it's an arson attack that caused the fire. I don't know where Nicieza is getting this.

Pg 2 - "In his misery, in his loneliness, he went to Israel -- to save his own soul. He chose to work with survivors of the camps, and in turn, helped them regain theirs."

Fact: Magneto went to Israel because he was Jewish and he had nothing left after Magda left and his daughter died. He helped other concentration camp survivors because he knew what they had been through and could help them.

Also, why is this author having such a hard time calling a concentration camp a concentration camp?

For further information on his time in Israel, read Uncanny X-Men #161 by Chris Claremont.

Pg 3 - "Lehnsherr had taken to calling himself Magnus... as if by choosing his middle name, he could bring some semblance of balance and simplicity to his haunted life."

Fact: Magnus was the only name Magneto was ever given. There was never any suggestion that he was hiding his "real" name when going by Magnus and he is referred to solely by Magnus or Magneto throughout the books. I don't know why he suddenly needed a new name in the 90's but Magneto name was Magnus for more than a decade.

Pg 3 - "I can separate Magnus the man from Magneto the Mutant Crusader. And please note my choice of words, for I have valid reasons to label Magneto Crusader and not Dictator."

Fact: Crusader is such a loaded Christian term, it's very strange for an Israeli Jewish woman to use it about another Jewish person.

Final thoughts: I'm not against comics taking a character in a new direction or developing them in some new way. What I don't understand is why Nicieza decided to rewrite Magneto's backstory so that he would be Sinti instead of Jewish, so that the chronicle of events in his life would happen in a completely different way, and why he literally ignored all the pages that came before the three he wrote in the same issue!

If you like Magneto as Sinti, that's awesome! It has the potential to be a really cool backstory for a reboot of the character, but also remember for nearly 20 years, Magneto was Jewish and it's not wrong for that version of the character to exist without the Sinti addition. I'll also note that the current version of the Character, the Max Eisenhardt version, is also not Romani. It's one of those things that has been done and undone a few times, much like everything about the character since the Claremont era.

Also, this post should in no way be interpreted as me downplaying the suffering of the Romani people during the Holocaust. Their stories deserve to be told and characters ought to be created to respectfully tell that part of the story. What happened to the Romani people was tragic and should not be forgotten. It also deserves to be told in a more thorough and respectful way than just taking an existing character, changing one or two bits of info about him and saying that's good enough. Nowhere does this Sinti background have any meaning for Magneto, it seems more like a random fact someone added because they were bored of him being Jewish. Magneto's Jewishness has meaning for him as written by Chris Claremont, whereas Nicieza and other writers in the 90's makes no mention of the Sinti background having any influence on the character. It has no effect on his life and seems to be a change made for the sake of it. Both Sinti and Jewish characters deserve better than that.

To read more about how Magneto has been portrayed in comics read my Magneto Biographical Timeline covering the years 1963-1991.

#X-Men #Magneto #Erik Lehnsherr #Jewish #Sinti #Romani #CW: Slurs #Holocaust #Marvel #Comics #Magda and Anya #Race and Ethnicity #Magnus #Max Eisenhardt #Hack writers of the 90s #Hack Pack #xmen

[fictionkinfessions]

Hey, I've been seeing an influx of these kinds of asks here, so let me set the record straight.

Hello, I kin Fukase. As you can tell, he is Japanese.

I'm not Japanese irl. I'm a white Scottish-American.

I will never try to claim I am Japanese irl despite being Fukase. I do not like being referred to as Fukase outside of the context of kin conversations for clarity purposes. I will not act as an authority on any issues involving Japan, Japanese people, or Japanese culture. These are all basic forms of showing respect.

Despite being a Japanese character, I am not a Japanese person. I have no experience with what it's like being Japanese in this universe, therefore it would be really disrespectful for me to claim to have those experiences, especially with anti-Asian hate at an all-time high.

I do not mean to pat myself on the back for this, talk over people of color, or guilt-trip anyone. If that's how it comes across, I sincerely apologize. All I'm saying is that if a living can be normal about kinning a character of color, so can you. Behave.

-Fukase (#👁❌️🔴)

#fictionkinfessions #fictionkin #👁❌️🔴 #fukasekin #vocaloidkin #race ethnicity issue #racism cw #apology #mod party cat

[sugar-konpeito]

reminder that europeans can have brown skin (without being mixed with an ethnicity from another continent). thanks : )

#acting like all europeans are pasty white and accusing them of “race faking” when they aren't is just racism #you are racist. that's it. #you aren't being funny or progressive. you are being closed minded and shitty #it's almost like europe has multiple ethnic groups and isn't just britain #it's almost like it's an entire continent #cw rant #cw racism #getting reallyyyy sick of white supremacy being disguised with leftist words #erasure of non white cultures is okay as long as you say it in a leftist enough way and tack on something about hating “white people”😍 #how are you guys not realizing that it's fucked up to harass someone for having brown skin and keep telling them to lighten it #including when it's “just a tan”. why the fuck do you think you're the boss of someone else's *skin color* #all europeans should have light skin right? that's not racist or colorist to think at alllllllll #had to get this off my chest because for fucks sake

[patches-the-sock-monkitty]

i don’t think humanity is unsalvageable but i do think there are some people too far gone to save

#MENTAL ILLNESSES ARE NOT RACES #they are not skin colors or ethnicities or any of that #your race is set in stone the second you’re born #trying to change that makes you a moron and a racist #transrace cw

[magicalenbysarah]

When a Zionist says they have Jewish DNA and are indigenous to the Levant because Judaism is an ethnoreligion

#ethnicity is not race #you are not indigenous because your ancestors might have come from Palestine #Jewish DNA is not a thing #Zionism is white supremacy #cw gore

[poeticallyspiteful]

hiii! could you please write a regulus black x potter! reader? maybe something like reg and reader secretly going out and getting discovered by James?

thank you!! have an amazing day 💗💗

his muse (pt. one)

regulus black x reader

fluff / angst

cw: unedited as always 😌, a sex joke but it’s a titanic reference lol, marauders being overprotective, kissing, cuddling, someone may threaten to pull out someone’s teeth and put them on a necklace (it seemed like a very regulus threat), artist!regulus because 🥰

summary: you’re the honorary little sister of the infamous marauders; what happens when they catch you with a certain someone?

notes: hey love, thank you so much for the request!! just so you know, i don’t like to write readers to be related to another character, because i want my readers be able to relate to the ‘reader character’ without altering their preferred fancast for another one based on things like race or ethnicity. that is totally on me for not putting that in my request post and i will do that asap, but i hope you enjoy this anyway <33

more notes: i did get just a tad bit carried away and decided to divide this request into two parts, just to make it less overwhelming for me and y’all as well. anyways, enjoy <333

“oh reggie, paint me like one of your french girls,” you giggled, draping yourself dramatically across regulus’ pristine sheets.

he looked up from his sketchbook, brow furrowed in a way that made you want to kiss him until you both passed out from lack of oxygen.

god, you loved him.

“what?” he asked.

“nothing.”

evan and barty had both left the slytherin dorms, off to some place or another, giving you the perfect opportunity for some alone time with your lovely boyfriend. you’ve made sure to do this at least once a week since you started dating in your fourth year. now that you’ve reached sixth year, the tradition had only grown more cherished; precious were the moments spent with someone you’d been otherwise forbidden to see.

“he’s dangerous, (y/n),” sirius insisted, only just finished with his dramatic act of fake vomiting. you had made the grave mistake of assuming your friend would have a normal reaction upon hearing who had asked you to the yule ball.

“a slytherin, (y/n), how could you?” james moaned, collapsing onto the auto-man like he was faint in the heart. “you have been my little sister all my life—”

“you met me when you were twelve and we are not related,” you corrected.

james feigned offense. “how dare you question our bond? blood does not matter! we are family and that is that, young lady.”

“leave her alone, the both of you,” remus laughed, throwing an arm over your shoulder and pulling you to his chest. “our little girl had to grow up someday.”

sirius looked appalled. “not with my bastard, slimy, death eater of a brother—”

“he’s not a death eater, we’re fourteen!” you exclaimed, pouting dramatically at the older boy. “just one dance, i promise padfoot, if it’s that weird to you, i’ll never see him again.”

you lied.

sunlight peaked in through the curtains, the golden rays hitting regulus in such a way that made him look angelic. so focused on his sketchbook, glancing up every few moments to gaze at you like you were something to be revered.

you sat up in his bed, fiddling with the hem of his sweater that lay around your mid thighs; though you loved to, you rarely got the opportunity to wear reggie’s clothes, given sirius would recognize them in an instant. so, you took advantage of these moments whenever they came your way.

you loved wrapping yourself in the soft, strong, warm smell of him: minty cologne, sea salt, and pine trees. the scent was practically woven in the fabric, making everything feel so much softer, so much more him.

you did have a couple shirts and sweaters you’d stolen over the years, but they remained in your dorm at all times.

well, mostly.

it was a moment of stupidity. a dreary saturday morning, a hogsmeade trip, and you had slept in. naturally, you had to rush out of your dorm to get to breakfast in time; but, you didn’t need to change, did you?

why not wear the sweater you had slept in and save yourself a little time?

so, after changing into more appropriate pants, you made your way down the breakfast and sat in your regular spot; in between remus and james, and smack dab across from sirius.

he noticed his brothers favorite sweater the second you sat down.

“what’s that?”

you’d barely sat down by the time sirius spoke and continued making your morning coffee as the group grew silent around you. finally looking up, you glanced between your friends in confusion.

“what’s what?”

you lifted your sleeve to rub your nose, breathing in quickly through your stuffed up sinuses; stupid fall allergies.

you froze as the familiar sent cooled your insides, eyes darting over to the slytherin table across the great hall.

oh.

that’s ‘what’s what’.

“who’s jumper is that, (y/n)?” james asked, arm draping over your shoulders to tug the sleeve on the other side. “doesn’t look like one of mine—”

“or mine,” sirius chimed.

“or mine,” peter chirped, though you hardly stole borrowed his sweaters anyways (too scratchy).

“it’s mine!”

you were surprised to hear remus’ leap to your defense, as you knew damn well the sweater wrapped around you wasn’t his— still, you weren’t about to question it.

“mhm,” you hummed, taking a sip of your coffee, hoping the boys didn’t notice your shaking hands. “i don’t know what all that third degree was about, but i stole this from moony a month ago.”

“what’re you thinking about, lovely?”

regulus was suddenly just inches away from you, sketchbook tossed to the side, instead opting to look at his muse more close up.

“nothing,” you mumbled, smiling as he dipped down to kiss your collarbone, working his way up to your lips with featherlight kisses that made you wish you could stay with him forever.

though at this point, everything he did made you wish you could stay with him forever.

“you’re beautiful,” he whispered, eyes scanning every curve and point of your face like a work of art; his work of art, his muse.

he’ll never get tired of that word.

you breathed in deeply, the smell of him practically making you glow like some sort of protection charm; you’d never felt safer than you did with regulus near. you felt untouchable with him, like nothing could ever hurt you.

“what are you doing here?”

lovely.

a grating voice to disrupt your already terrible day.

“hey,” severus called. “i’m talking to you.”

you spun around, glaring at the greasy haired boy across from you with as much contempt at you could muster. “piss off, severus!” you shouted; you’d never bit back like this before, but the shocked look on his face was worth it. “really, cornering a younger student in an empty hallway? pretty cowardly, don’t you think?”

before you could debate the consequences of your actions, severus’ hand was gripping your cloaks and you were shoved up against the wall.

“you filthy little—”

just as quick as snapes hands were on you, they’d been torn off, and you scrunched to the ground. regulus shoved him up to the wall opposite you.

“defending your little mudblood, huh?”

“shut your filthy mouth about her or i swear on merlins grave, i will rip every single one of your teeth out and put them on a necklace like a string of fucking pearls,” regulus bit, baring his teeth like an emphasis to the threat. “you got that?”

that night, you ended up in a very similar position to where you were in now; wrapped up in your lovely boyfriends sweater, curled in his arms, and having sweet nothings whispered in your ear.

“y’know, i mean it when i say you are beautiful,” he muttered, pressing a kiss to your temple as he spoke, breath fanning over your face. it tickled, but you didn’t care; you just wanted to hear his voice. “breathtakingly gorgeous, inside and out.”

“really?” you teased, nuzzling your nose further into his chest, arms wrapped around his torso.

“really,” he laughed. “i could stay like this forever.”

you pouted, pulling yourself half on top of him. “but my daft friends just have to get in the way, don’t they?”

you hear a gasp from the doorway.

“did you just call us daft?”

#regulus black #regulus black x reader #regulus black x y/n #regulus black x you #marauders x reader #marauders #marauders x platonic!reader #harry potter #regulus black imagine #request #regulus black request

[annadoingshitpoorly]

i don’t know if this is a weird request but it’s also my first one.

but i had the idea of abby coming home from a long shift at work, and she finds reader trying to make themself cum?

it just popped into my head and i need it to come to life 🙏🙏

No anon cause I love this trope so much, thank you for trusting me with your first request (ur doing great sweetie!)

(Hope you don’t mind an AU btw <3)

Word Count: 1600 (technically not a drabble ig)

CW: Doctor AU, Abby is a sexy doctor, Strap usage (R! Receiving), AFAB reader, Feminine nicknames used, cowgirl position, tried to keep it race/ethnicity inclusive, mentions of Abby trying to keep you healthy and sleeping well.

No Minors, Men, or general Cunts.

If you see spelling mistakes, no you didn’t. 💚

Abby is tired. And pissed off. But mainly she’s tired, with sore feet and a pounding headache, not helped by the wind howling outside the car causing the rain to beat down heavily on the wind screen. From having to prevent a kid with a broken arm from crying a flood as he called his mom to stopping the blood pouring out of a woman’s intimate parts in the emergency department. It was a very long day.

After running into the house from her now parked car, she pushes the trainers off her feet and takes in the dark hallway, walking back into the kitchen she notices a plate of chilli chicken and rice with a little sticky note attached to the cling film covering the food, ‘gone to bed, eat before you come up <3’ .

She smiled at the note and placed the food in the microwave, yawning as she watched the orange glow and the spinning of the plate in the little metal box. Bed couldn’t come soon enough, but she definitely wasn’t going to face the wrath of a wife scorned by her not eating her delicious food. Made with love, by her love. The blonde was always a bit love struck when sleep deprived.

Inhaling the food and making the executive decision to leave the dishes until the morning, the blonde trudges up the stairs with her feet heavy and her head even heavier. It’s not until she gets to the top of the stairs does she hear the creaking of a bed and hushed whimpers coming from your shared bedroom. She pulls her phone from her pocket and checks the time, ‘00:37’. You should be fast asleep by now.

Peaking her head around the door, not even having to push it open due to you leaving it ajar, she captures what can only be described as a beautiful sight. Abbys pretty little wife lays there. With one of your hands pumping her fingers in and out of your sopping wet cunt with such force your breasts and tummy jiggle lightly with each movement. Your other hand draped over your eyes, shielding you from Abby’s piercing blue gaze. She stands there and watches, leaning against the door frame, enjoying the view and appreciating every little huff and moan leaving your lips.

Finally deciding you’d had enough fun, Abby clears her throat. You jump. Your hand pulls away from your cunt, a shiver running through you as your body yearns to be full again.

“Mrs Anderson,” Abby starts, “you couldn’t wait for me to come home, could you?” Despite her phrasing, it is not a question. It’s an order.

The blonde continues, “Did I not tell you that you were to catch up on sleep, Mrs Anderson?” She tilts her head this time, prompting you to answer. “Yes, Abby…”

“And did you follow the doctor’s orders, pumpkin?”

“No, Abby.” The heat rising up your neck and slithering across your cheeks is a dead give away to Abby as she takes your face in one of her hands, her long, thick thumb rubbing soothing circles onto your cheekbone.

“Since you’re already up, it must mean you’re not tired? Am I right, sweetheart?” The blonde releases you face and takes a step backwards to take all of you in once more.

“Abby I-”

She interrupts you, “Well. Im tired. I’ve had a very long day, sweetheart so if you want to get off, it’s on my terms, we got a deal?” As she speaks she shrugs off her undershirt and undoes the button on her jeans. She watches as you nod and reach out for her, arms outstretched and hands making little grabby motions to try and get her close again. Be grudgingly she steps forward and out of the jeans pooling around her ankles.

Abby is left in her boxer briefs and a white cotton bra as she wraps an arm around your waist, lifting you away from the center of the bed and dropping you on the edge of the mattress. Gripping your chin and pulling your face so that your gaze meets hers, she smirks down at you. “Stay there. Don’t move okay, baby?”

You nod and watch as she goes to the build in wardrobe, her broad shoulders flexing as a hand moves to take the elastic band from the end of her braid, as her hand reaches into the drawer looking for something.

With her hair loose and a harness in her hands Abby slides the leather straps over her hips and into place. Turning back to you, you’re able to see the cock she’s chosen. As she walks forward you come face to phallus with nine inches of dark purple silicone. “You wanna get it wet for me, baby?”

Instead of answering, you slip a hand around the harness and pull her close enough so you can take her length into your mouth. Abby smiles warmly as she watches you only managing to get about half way down the strap, her blue eyes creasing at the edges as you wrap your hand around what you can’t fit in and start rubbing along the shaft. The sight sends a low moan rumbling from Abby’s chest. With a pop, your mouth lets go of the blonde’s cock as she takes a step back and watches as a line of spit connecting the silicone to your bruised lips breaks.

Abby kisses your forehead and sits down on the bed beside you, a blink and you’ll miss it ‘good girl’ falls from her lips as she situates herself against the pillows at the head of the bed. Her finger makes a curling motion, calling you over. Sliding up to sit next her, a hand grips your hips, “Get on top, sweetheart.”

“Abby, I want you to be on top-”

“And I want to go to bed, but since you’re being a needy little brat and not waiting for me to come home before fucking yourself.” She gives your hips a squeeze and continues, “And not listening to me when I tell you that you need more sleep. So now, you’re going to get to cum, but on my grounds. On doctors orders. Okay, baby?”

You nod and move to get straddle Abby’s hips, only to have her reach up and yank you down by the nape of your neck. “I said ‘okay, baby?’ It wasn’t rhetorical.”

“Okay Abby.” She kisses you square on the the lips and let’s you climb up on to her hips, she leans back and watches as you line yourself up with her cock and lower yourself onto the plastic. A tight smirk graces the blonde’s face as she listens intently on the hasty breaths you give out as you become re-accustomed to the stretch that this particular dildo always gives you. As you move your hips up and down, mewls and pants come flooding from your mouth. That knotting tension that never truly left your abdomen from your solo session had returned with what can only be described as a vengeance.

Bouncing up and down on Abby’s cock, you can feel yourself getting closer and closer. Blue eyes scan your whole body, one large rough hand resting on your hip as it helps guide your movements, the other holding one of your tits squeezing the flesh and every so often tugging the hardened nipple as her thumb ran over the sensitive flesh.

Abby’s hips remain surprisingly still, despite your pleas and begging, her stance stays unwavering. This entire session was most definitely on her grounds. Though her body remains relaxed yet unmoving, Abby’s eyes are burning with intensity you can clearly see it, the bubbling want and desperation underneath the stoney exterior.

“Abby-” you huff, exhaustion hits as your desperate moans are met with nothing but raised eyebrows and the occasional ‘yes, princess’.

“I wanna cum, please can I?”

“You’re asking permission, baby? And without being told, oh sweetheart, you can cum anytime you want.”

Without another word your hips slam down against Abby’s, the strap hitting impossibly deep inside as you cum, you rest on top of her. Folding over, you find your head resting underneath your wife’s chin as thick fingers come to the back of your head and her short nails give gentle scratches to your scalp, relaxing you further into the blonde’s firm, broad chest.

Pulling yourself away from Abby and off of her hips you see a creamy ring coating the hilt of the strap as you pull away from your wife. A heat rises to your cheeks once more as Abby sits up properly in the bed and yanks you down into her arms. “Thank you, baby. You did so good.”

Snuggling into her side, you kiss her cheek and strong square jawline as she loosens and slides the harness from her hips.

“Long day, doctor?” Your teasing brings a soft tired smile to Abby’s face as she lets herself yawn. “Like you wouldn’t believe, sweetheart.”

She turns to you, blue eyes staring into yours, deep icy pools that hold such love in them you can’t imagine them ever being cold, “I’m sorry if I was too pushy.”

You laugh and pull the covers up to surround the two of you, “Abigail. We have a safe word for a reason.”

“I know it’s just that-”

You shut her up with a kiss, and once you break it she seems to be content that you had enjoyed the evening, even before she got home. Content and with reassurance, Abby falls asleep and her little wife too.

☘️🦖☘️🦖☘️🦖☘️

Remember Reblogs make the World Go Round

REQUESTS ARE STILL OPEN 💚

#abby anderson #tlou x reader #abby anderson x reader #drabble #abby anderson fan fiction #abby anderson smut #anon ask

[hwadam-stories]

⊹ PHANTOM PAINS ⊹ PILOT EPISODE

(black!fem!) mea harper!reader x ceo boss!dhan tae-oh

ᴍɪɴᴏʀꜱ ᴅᴏ ɴᴏᴛ ɪɴᴛᴇʀᴀᴄᴛ

I do not consent to my work being reposted, — stolen or translated anywhere else.

⊹ CW: long post, emotional cheating, unrequited love, depression, fluff, drama, etc.

⊹ SYNOPSIS: Celebrating his niece's birthday at a restaurant, Dhan recognizes you from across the room as his past lover from five hundred years ago and is determined to stop at nothing to be with you again.

⊹ A/N: this is my first serious fanfic, feedback on this pilot (comments, messages & reblogs only!) will help me consider continuing it with motivation. Canon divergent / somewhat canon compliant to the MEA CULPA (2024) film by Tyler Perry with some crossover aspects thrown in. I hope you enjoy!

⊹ ⊹ ⊹ ⊹ ⊹ ⊹ ⊹

"Does Your Majesty wish to meet again in our next lives?" You asked, wrapping your arms around him.

"Of course, were you considering abandoning me?" Dhan replied, chuckling.

"Okay then, when the time comes, I'll be your master once more." You promised. "Your love. Your pain. Even your very last breath, please give them all to me."

"They are all yours, y/n."

⊹ ⊹ ⊹ ⊹ ⊹ ⊹ ⊹

There was a time when those words meant everything to him.

A time when finding you meant everything to him.

But after his fifth life, Dhan had given up on his search and the phantom pains have haunted him ever since.

It was a pain that wasn't his, a pain that never faltered in reminding him of his failure despite the many times you two were reincarnated throughout the last five hundred years.

Your souls were connected after all and even though this pain has brought him a great deal of misery, part of him hoped you weren't feeling anything.

Presumably, because he was always reincarnated as a man, he assumed you would be reincarnated as a woman but other than that, he never really had any concrete way of finding you. It was safe to assume that since his ethnicity changed, yours did too.

Not that he particularly cared what race you were now, all that mattered was that he was reunited with you. But that promise has become nothing but a fleeting dream. A delusion Dhan couldn't completely let go of because this pain meant that you were alive, somewhere out there. Hopefully looking for him too.

In every lifetime after the first one, he always accumulated a great deal of wealth somewhere in his mid to late twenties under the name of Dan.

In this era, he was Dhan Tae-Oh, the boss of a CEO corporation in Korea and came from a long line of gangsters that reinforced the values of family and business to a rather high degree.

⊹ ⊹ ⊹ ⊹ ⊹ ⊹ ⊹

Tonight, he was celebrating his niece's 9th birthday and his sister-in-law's most recent promotion in the fashion industry.

His younger brother, Charles Kang, arranged everything at the finest Italian restaurant in all of Chicago, Illinois, called up Dhan three days before and here they all were.

"You know, we got lucky tonight." Charles set aside his fork and knife for a sip of wine.

"I initially planned to invite more people for Abby's dinner party but a larger group had already reserved a bigger table and I snagged us the only one they had left."

Now that Dhan gave it a second thought, Piccolo Sogno was unusually packed tonight and much busier than he had initially anticipated.

Even looking over his shoulder he could still see the glimpse of the same crowd he passed through, still waiting in line outside.

His assistant, Seon-woo, mentioned something about a on the rise celebrity artist being one of its more known customers over the last couple of years. No one Dhan had really heard of or cared to for that matter.

"Their celebrating their mum's birthday, I heard." Susan remarked, her posh accent gleaming through. She looked past her husband and over her shoulder, seeing the large the table behind them.

There were about five people and that one particular redheaded woman must've been the birthday mom. "Surely Abby won't mind sharing her special day when two cakes come out." Susan teased.

"You got me a cake?!" Abby gasped, beaming with a smile. "Is it a big one?"

"You can only have two slices, young lady." Susan tenderly pinched her daughter's cheek. "The last thing we need is you bouncin' off the walls at 2 o'clock in the mornin' on a school night."

Abby pouted and brought those puppy eyes straight to her uncle.

Dhan stifled a laugh, hiding that cheeky smile behind a half closed fist. "I'm sorry Abby, not even that can convince me to break your parents rules but I'll make it up to you when dessert arrives, I promise."

⊹ ⊹ ⊹ ⊹ ⊹ ⊹ ⊹

Dessert was served in the form of a double stacked white and pink frosted cake decorated with strawberries and red icing for the words "Happy 9th birthday, Abigail!"

Candles were blown and nine year old Abigail Kang became tonight's birthday girl that the staff (and some nearby tables) sang to. Pictures were taken and there were smiles all around.

The gift that Dhan purchased was a reasonably expensive one but not something he would ever think to showboat about. He simply had some connections here and there and thought to put them to good use for the short time he was going to be in Chicago.

"All fourteen of Taylor Swift's albums!?" Abby squealed, wrapping her arms around her Uncle Dhan and squeezing him tight. "I love it! I love it! I love it!"

Dhan laughed nervously, patting her head and squeezing her shoulder tenderly. "Your arms squishing my insides make that explicitly clear."

Everything was going great. Dhan was feeling great.

That is, until things weren't great anymore.

⊹ ⊹ ⊹ ⊹ ⊹ ⊹ ⊹

Dhan suddenly gripped the edge of the table to stop himself from keeling over on the floor of the restaurant.

His chest became uncomfortably tight and his head began throbbed with a splitting sensation.

The phantom pain had returned.

For the sake not wanting to make a scene or ruin what was already a perfect night, Dhan got his breathing under control, keeping some stoicism to his face to not alarm anyone.

The tightness in his chest seemed to lessen but the throbbing in his head wasn't going anywhere.

"Pumpkin, why don't me and you freshen up in the girls' room and leave the boys here, yeah?" As if on cue, Susan took her daughter by the hand and headed straight for the bathroom.

"Dhan." Charles sighed, addressing him in a somber tone of their birth language. Entirely oblivious to what his brother suffering with. "I know we haven't always seen eye to eye but I'm really glad you could make it tonight."

He listened to his brother -- or at least tried to.

The words were being drowned out by a sudden ringing in his ears, leaving him momentarily stunned that it almost felt like the world around him was going to spin.

But he wasn't feeling nauseous from the alcohol or a sudden fever. It felt more like ... resentment.

It put a bitter taste in his mouth and made him clench his fist at the end of the table until his knuckles went white.

His brother hadn't done anything wrong and yet Dhan was being swallowed whole by the sensation, not knowing where to place it.

It's just ... if his brother wasn't the problem, then who?

"Oh look! Her Majesty, The Queen has finally arrived." A woman's voice cackled in the air.

She was an older looking caucasian woman with red curly hair and wine red lipstick, belonging to the group that booked a table for a total of nine and judging by what the already opened and nearly empty wine bottle, she must've had a bit too much to drink.

That's when he saw you approach the table.

It was you. It was really you.

His soulmate.

⊹ ⊹ ⊹ ⊹ ⊹ ⊹ ⊹

"Don't worry son, your second wife will be on time." Azalia, your mother-in-law cackled, caressing the cheek of Kal, your husband.

His awkward shuffle of a smile made it crystal clear that whatever came out of her mouth tonight, he wasn't going to come to your defense anytime soon.

What can you expect from a man that holds his disrespectful mother over your marriage of three years?

What's worse is that Azalia had the nerve to invite the one woman she favored more.

Your husband's childhood friend, Jenna.

The same childhood friend that had become the topic of your marriage counseling session that your husband Kal had ditched midway through for this dinner party.

A session that you had to finish by yourself, making you the one who arrived late.

Jenna was a tall, light skinned woman with dark curly hair and a bright red dress with a V neck to show off a window of cleavage and a shortened skirt to show off her toned and slender legs.

And to add salt to fucking wound -- Azalia made sure Jenna sat next to your husband while you sat at the end of the table with your only friend and sister-in-law, Charlise.

"I'm sure you won't mind, y/n. You and Charlise probably wanna talk anyway."'

You looked at Kal, searching his gaze for something, any sign of him speaking up to his mother but to your utter disappointment he just let it happen.

You can only push down the intense feeling of resentment and agitation with a passive aggressive smile, taking your seat at the far end with Charlise.

This was going to be a long dinner to get through.

⊹ ⊹ ⊹ ⊹ ⊹ ⊹ ⊹

Apart from a brief exchange of words from your brother-in-law, Ray Hawthorne, and the couple sitting across from you, Charlise was the only saving grace at this table and frankly the only reason you kept it together as long as you did.

As much as you wanted to tear off that terrible red wig and burn it, you tuned out your mother-in-law whenever she made any more chide remarks about you.

Not much of a point in ignoring your husband, he was too focused on Jenna and giving Azalia one of the most expensive birthday gifts you had ever seen.

A silver and gold watch that you knew your unemployed husband didn't have the money for.

"Happy birthday mom, from me and y/n."

You scoffed in utter disbelief and stood up from your seat, grabbing your purse. "If you'll excuse me, I think I need some fresh air."

"Oh, well you take your time. We're doing fine here." Azalia insisted, smiling from ear to ear.

Kal was on the verge of getting out of his seat, expressing concern. "I can come with you babe--"

"No." You snapped coldly, barely sparing him a glance as you waved him off dismissively. "I'll be fine on my own, thank you."

Kal frowned, lowering himself back down with a defeated expression. "A-Alright, just don't stay out there too long."

You sighed into the night air, hands pressed against the metal railing while the people behind you carried on with their evening under the lit up patio roof. Glasses clanking, people laughing, wine pouring and plates clinking.

All of it was just background noise to drown out one particular thought that you couldn't run away from.

Maybe it's time to put this relationship on permanent leave.

It's not a pleasant thought. It never was. You and Kal had known each other for eight years and had been married for the last three of them. You've had your ups and downs like any other couple and got through it but this? This was too much. His mother was too much.

But that's probably what SHE wants. The sooner you're gone. The happier she'll be.

You only stuck it out this long because you genuinely loved Kal and Charlise was the anchor keeping you grounded.

As one of Chicago's most successful defense attorney's alongside your brother-in-law, you had everything and yet nothing at all with how your marriage was starting to fall apart, on top of shouldering the numerous bills since Kal lost his job as an anesthesiologist.

God, where did it all go wrong?

"Having a rough night?"

You were snapped out of your thoughts by the deep and smooth voice of a man walking up beside you. The cool night's breeze washing over you both.

He was a tall and handsome man of Korean decent. The darkness of his long hair making the crimson color of his eyes seem as though he were some beast straight out of a fairytale.

Alluring eyes that stared into you with a hint of sincerity and invitation.

You can barely hold in a chuckle, crossing one arm over the other to let your wedding ring glint in the moonlight. "That would be the understatement of tonight."

He sees this and can't hide the smirk on his face. "I don't blame you. In-laws can be infuriating like that sometimes. Especially mother-in-law's."

The restaurant wasn't exactly that big in terms of table arrangements so it makes sense one's antics would be overheard when they're standing around the biggest table in the room.

You chuckle again. The tightness in your chest starting to lighten but your smart enough to keep up you guard to shut down any potential flirting, even the harmless kind. "Can you expect anyone to act cordial on their birthday? I've been here all night without a single drink of my own and tolerating her has been exhausting."

You certainly weren't the type to open up like this to a stranger of all people but it felt good. Yes, you had your friend, Charlise, but there was something different about this man. Something oddly familiar.

"Because she's acting like a cunt towards you and only you and you feel that if you didn't step out when you did you would've tore her a new one right infront of her favorite son and the entire restaurant?" He guessed your exact feelings with a cheeky smile.

You exhale a baffled laugh.

It's like he knew exactly what you were feeling.

"Oh, so you're a mind reader now?"

He raises his right hand, jokingly. "Guilty as charged, your honor."

The both of you laugh.

"Dhan."

"Y/n."

Dhan smiled, staring longingly into your eyes. "A pleasure to meet you, y/n."

⊹ ⊹ ⊹ ⊹ ⊹ ⊹ ⊹

Eventually, you were back inside the restaurant. Sitting comfortably beside Charlise and ignoring another passive aggressive comment from Azalia.

You had been gone for a solid eight, maybe ten minutes tops.

The dinner eventually ended and everyone was putting aside their plates and gathering up their coats and belongings while Ray generously secured the bill.

That's when the waiter approached with an expensive looking bottle of wine.

Ray dismissively waved his hand. "No need to send over anymore wine, sir. You can take that back, the dinner party is over."

The waiter shook his head. "I'm sorry sir this isn't for the table. I'm looking for a y/n, is there a y/n here?"

You raise your hand slightly to get the waiter's attention. "I'm y/n."

The waiter smiled at you, presenting the bottle. "Piccolo Sogno would like to formally gift you our most exclusive wine to enjoy right at home. On behalf of a generous courtesy from Mr. Tae-Oh, ma'am who wishes you a fine night. Thank you for you dining with us."

A bit stunned, you still accepted the bottle. That name alone already clued you in to who this was from.

Unaware of your husband's jealous gaze, you can't hide the smile on your lips as you read the note on the bottle.

A drink to wash away all your frustrations - Dhan.

#mea culpa 2024 #mea culpa x reader #kelly rowland #trevante rhodes #kelly rowland x reader #mea harper x reader #black!fem!reader #black!reader #black fanfiction #elixir of the sun #dhan x reader #manhwa x reader #manga x reader #reader fic #black reader

[tip-top-cloud-surfer]

Rooster Master List

Back to Main Master List

The Forgotten Nest (and AU Series) Master List

Multi-Part Stories

Endings and Beginnings Part 2 - Fem!Reader (Wife!Reader)

CW: Pregnancy, Labor and Delivery (Part 2)

Summary: It's Maverick's retirement party but Rooster's far more concerned about you, his pregnant wife, than anything else.

COMPLETED

The Ironies of Life Part 2 Part 3 Part 4 - Fem!OC (Naomi)

CW: (Unplanned) Pregnancy, Exes, Angst, Mentions of Vomit

Summary: A few weeks after breaking up with her long-term boyfriend because he wouldn't commit to marriage and kids, Naomi finds out that she's pregnant with his baby.

COMPLETED

One Captain's Daughter Part 2 Part 3 - Fem!OC (Amara Mitchell-Blackwood)

CW: Forbidden Relationship, Exes to Lovers

Summary: Amara Blackwood-Mitchell arrives in Miramar for her next assignment. And she can't stop running into familiar faces along the way.

DISCONTINUED

The Benjamin Effect Part 2 - Fem!OC (Kate Benjamin-Mitchell)

CW: Daddy Issues, (Very Much Adult) Age Gap Relationship, Enemies to Lovers, Childhood Rivals to Lovers

Summary: With Maverick and Penny's wedding drawing closer, Rooster is called upon to convince Maverick and Penny's first daughter, Kate, to come around to the idea. Of course, Rooster and Kate have their own history to work through and Kate is definitely not going to make it easy for him.

PART 3 COMING SOON

The Boss [*] Part 2 [*] - Fem!Reader

CW: Bodyguard AU; Power Imbalance; Implied Age Gap (Still VERY MUCH Legal); Stabbing; Death Threats; Referenced Nudity/Showers; Light Angst; Reader is a Bit of a Brat

Summary: You and your bodyguard, Rooster, are at odds when he tries to keep you locked in the safe house.

COMPLETED

If You Met Me First Part 2 - Warrant Officer!Fem!Reader (Echo)

CW: 'In Love with Someone Already in a Relationship' Trope; Bar Fight; Not Healthy Relationship Dynamics; Jealousy

Summary: Rooster confessed to Echo that he was in love with her before the mission. One minor problem: she has a boyfriend.

COMPLETED

The Love of a Princess Part 2 - Simpson!OC (Princess Alexandra)

CW: Royal AU; Set in 1920s/1930s; Bodyguard AU; Implied Very Much Legal Age Gap; Sexism; Angst; War and Politics; Eventual Non-Descript and/or Implied Sexual Content

Summary: When Princess Alexandra is sent to the countryside to allow her father, King Beau, to deal with pressing state issues, she views it as a banishment. But with Lieutenant Bradshaw of the Royal Navy accompanying her, perhaps she can finally find the freedom she's been searching for her whole life.

DISCONTINUED

Three Generations Universe (Dad!Brad)

Dad! and Husband!Rooster. Wife!Reader is not name nor is she physically described. OC!Bradshaw son is named Kai with the 'callsign' Duckie. Limited physical description (i.e. 'he has his dad's smile') but nothing that would indicate race/ethnicity

CW: (Referenced) Biological Child (Kai), I don't think there's anything major, but this will be updated as extra segments are uploaded

COMPLETED SERIES

Three Generations

Summary: Rooster is married. Maverick found out when the paperwork got filed with the Navy, but he doesn’t have a chance to ask Rooster about it until after the mission

A Day with Duckie

Summary: Maverick takes Kai to the zoo for the day and finds out why Rooster was so insistent upon needing a babysitter.

One Shots

Wedding Day - Fem!Reader

CW: Mentions of Pregnancy

Summary: It's Bradley's wedding day and he can't wait to see his wife.

First Word - Fem!Reader (Wife!Reader)

Summary: You and Rooster make a bet about your daughter's first word.

First Time Father - Gen Fic

CW: Hospital Visits, Light Angst

Summary: It's Rooster's first time alone with his baby daughter. But when she comes down with a fever under his watch, Rooster seriously doubts his abilities as a father.

Don't Go to Bed Angry - Fem!Reader (Wife!Reader)

CW: Arguments; Martial Strife; Storming Off; Some Angst

Summary: You and Rooster have an argument and he storms off.

Grand-Mav and Baby Chick - Gen Fic

CW: Parental Stress; Implied IceMav

Summary: Rooster needs a babysitter for his son last minute. Maverick volunteers.

Lost in History - Kazansky!OC (Delilah)

CW: Cheating/Infidelity (Does Not Actually Occur, But is Discussed); Fighting (Verbal and Briefly Physical); Angst; Serious Misunderstandings (You'll See); Anger/Rage; Crying

Summary: Rooster finds his girlfriend and Hangman having dinner one night in Hangman's house. He reacts accordingly.

Bumping Beach Bikini - Wife!Reader

CW: Pregnancy

Summary: Rooster admires the view of his pregnant wife on the beach.

Honey, I'm Home - Wife!Reader

CW: Kids; Talk of Pregnancy but Not Actually

Summary: Rooster comes home from work and takes care of his family.

Merry Ex-Mas - Naval Officer!Reader

CW: Cheating/Infidelity (Not Between Reader and Rooster); Implied Sexual Content/Suggestive Content

Summary: After surprising your boyfriend doesn’t go as planned, you spend Christmas with Rooster.

What if I Never Get Over You? - Naval Aviator!Reader (Callsign: Nova)

CW: Exes To Lovers; Jealousy; Somewhat Toxic Relationships; Implied Sexual Content

Summary: Rooster and Nova broke up a few months ago. With the Dagger Squad party looming, can they prove that they're over each other?

Target Acquired - Female!Reader

Summary: Amelia gets her first period while Rooster is left in charge of her. He is forced to ask for help from the first woman he sees, which just so happens to be you.

Life's Too Short - GN!Reader

CW: Toxic Work Environment; Angst

Summary: Your life has been completely taken over by your toxic job. Rooster gives you the support you need to leave it behind.

#tgm masterlist #bradley rooster bradshaw #bradley rooster bradshaw x oc #bradley rooster bradshaw x reader #top gun masterlist #tgm #top gun: maverick #top gun maverick #top gun #bradley bradshaw fic #bradley bradshaw #rooster top gun #rooster bradshaw #rooster #k’s masterlist

[bluetortoist]

Time for another Batman OC! Again not too awful original, but this one is my own take on the Brave and the Bold character Scream Queen.

She was Crane's star student, who became obsessively hopelessly in love with him enough to follow him down his path of a rogue while also both, harboring a complicated romantic relationship together. This one's a little dubious sooo

CW: Stalking, Student/Teacher descriptions down below

Name: Kathleen "Kathy" Holloway

Alias: Scream Queen

Age: 27

Gender: Cis Female

Identifies: Bisexual

Race: Human

Ethnicity: White

Nationality: American

Birth town: Gotham Heights

Current Living: Grand Avenue

Allegiance: True Neutral- Neutral Evil

Powers/Abilites:

Cursed hooded dress - Her magically cursed dress hoodie gives her many different abilities, such as below:

Flight

Invisibility

Sonic Scream - one of, if not her only, means of attack. It let's out powerful screams enough to blast through concrete and even metal to an extent. Every scream she emits is different sounding than the last; She hypothesized that the different screams it omits are most likely the screams it's collected from all of its past victims.

Life Force Draining - This ability is what helps power her Sonic Scream. It emits a different colored beam that is used to literally take the breath away of any living thing until the victim is drained completely of their life force (their breath per se), leaving them as a completely immobile, breathless husk. This, remarkably, is also collected by the cloak and stored as another victims scream to add to the ever-growing collection. This can and WILL kill the victim if not treated right way.

Medical/ Pharmaceutical Knowledge - Her family background and her Major in college has made her very knowledgable in the ways of treating illnesses, injuries, and even some knowledge in drugs/medicine. Even though she never got licensed, they are skills that absolutely do in a pinch and help with Crane in the lab sometimes.

History: Kathy Holloway was born into a wealthy family who does business selling medical technology. Perhaps not as wealthy and as influential as names like Wayne, but were still known and respected fairly well by those around them since they help contribute to some of the hospitals in Gotham. In her childhood, Kathy was determined by teachers to be intellectually smart for her age. However, she was als considered "the creepy weird girl" that her peers hated to be around or bullied her. It also didn't help that she had little interest in what other people her age liked and would sometimes get into arguments and fights with other kids. She was bothering a lot of her peers to the point that word got around and even her family couldnt help but think she was a problem child. But in response to her high intellect, they made her spend a few years of her childhood studying, then counseling at school and then taking finishing lessons at home as a means of keeping her in line and shaping her to be "normal" enough. It put a lot of pressure and hurtful abuse on her self esteem. She still wouldn't break from her usual self, but she tried her best to play along just so it could stop. When Kathy became 13, it started to feel pointless to her parents, and she was then considered "not to be bothered with anymore" and focuses on furthering her younger brother's growth instead.

Later on in highschool, it was at least a little less restricting than it was at home. Kathy was still ostracized among peers who grew up with her, but still managed to become friends and eventually a relationship with a senior year boy. However, she quickly became infatuated with him to the point of stalking him. She was caught and had a restraining order put on her, she was suspended from school for a time, which isolated her even more. She managed to graduate highschool with relatively no troubles, but as soon as she did, her family kicked her out of home, and cut her off after feeling too much shame from their failed and disturbed child. She hasn't made any attempt to contact any of them since. Luckily, Kathy had some money to her name, enough to find a place to stay, found a job at a nearby metaphysical shop, which was then when she found the cursed hooded dress that she decided to keep. When she discovered its frightening abilities, she quickly begun figuring out how it works and, taking inspiration from her favorite horror movies, uses its powers to commit small, haunted robbery's that left police and detectives baffled at how this is even happening. Gotta pay the rent and food somehow.

After a while, after finally scraping and stealing enough, Kathy uses said money to finally get into Gotham University. It was there she met Proffessor Crane, taking one of his Psycology classes. She didn't think much of him at first, but as soon as he acknowledged her intelligence and in her assignments (considering her one of his star students), how she saw how he revelled in his obsession with fear, and his phobia experiments on other people, she felt a kinship to him and his dark eccentricities and fell instantly in love with him. She would stalk him for a few months after that, trying to get his attention in any way subtle way she could. There was reluctance, but Jonathan gave in and thus begun having a relationship with his star student, albeit brief. She still stalked him, even finding out that he has taken on the Scarecrow persona after hearing how he was fired and kicked out of the school for his horrible experiments.

She continued her schooling after his attack on the University until she eventually got her masters, but continued keeping tabs on his whereabouts and activities. Even taking on her Scream Queen persona to help him out of a jam or two (much to Scarecrows confusion and uneasiness at first). She was finally caught one night when she got a little too brave sneaking into one of his secret hideouts and they found out both their identities. Scarecrow honestly thought that he would never see her again, let alone all that she has been doing without him noticing OR she was the reason behind a few of his close calls. Nonetheless, he couldnt take that risk no matter how fondly he thinks of her. But in response, Kathy insisted that as a compromise, she stay by his side and work alongside him in whatever he needed; She was more than willing to take this chance to be near him as much as she could. Scarecrow was both reluctant and distrustful at first. She knew his hideout and, apparantly, more so about him than he thought and could use it however she pleased. But on the other hand, she would've done so anytime but didnt and already said she is loyal to him (definitely stroked his ego). He definitely thought her strange abilities could be useful and knew how capable she was already. They, at first, agree to work together in the sense that they could both ruin each other at anytime, but Scarecrow soon starts realizing that they work together a lot better than he thought. Thus begun a complicated, twisted, slow burn romance that he never thought he'd get into with his right hand in fear, "Scream Queen".

Notes/Quirks:

Its typical, but she likes horror movies from all range of subgenres, but has a personal love for the ghost/haunting genre; she knows a very good amount of horror trivia; Some of her favorite directors are Dario Argento, James Whale and Wes Craven.

While in school, Kathy minored in Film/Acting because of her love of horror media and the means of producing and acting in them. Taking much inspiration from the actresses and female characters is what made her borrow the term "Scream Queen" as her alias.

While working at the metaphysical shop. She learned a few things like tarot reading from a former friend/employee of hers. She didn't entirely believe it (at least not at first before she found a literal magic hoodie for crying out loud!), but she thinks it's all very interesting to learn about.

She prefers to be called by her shorter name "Kathy" because she doesn't like her full name or when other people use it. Jonathan is one of the handful of people whom she let's call her "Kathleen".

The only family members that Kathy can say she remembers fondly or indifferently towards to was her little brother, and her estranged Aunt on her mother's side. Her Aunt being the one person she felt connected to due her Aunt also being seen as an embarrassment by her family. She unfortunately passed away when Kathy was 11. Kathy and her little brother, sadly didn't spend much time together. Her brother would be constantly away in his own schedule their parents made and was 7 when Kathy was kicked out. He doesn't remember much about her.

#art #dc #batman #btas #batman tas #batman the animated series #btas oc #batman tas oc #btas scarecrow #scarecrow #jonathan crane #cw stalking #cw student/teacher #some stuff might change in the future idk

[spacelazarwolf]

Can i ask why people seem to only refer to black and brown people? I'm east Asian, and it can feel kind of bad not really being included in the language surrounding talk about racism. We're one of the groups that faces the most discrimination and hate crimes, especially with how covid started. Me and nearly every Asian person i know has faced racism over our lives and many of us have very pale skin. It feels very alienating to be, in a way, left out of the discussion. I understand that often we're included somewhat implicitly, but it doesn't look like it when the language doesn't represent it.

so before i get into it, i'm giving two caveats: 1. even though i'm jewish and my family and i have had a complicated history with being racialized as non white, i'm still racially white. so while i always try to take into account all the things that my family has experienced and that the people of color i know have taught me, that's still the individual perspective i'm speaking from. 2. i live in the us, so that's the culture and society i'm talking about. it may apply to different places in the west (or even outside the west idk) but it may not so like inb4 "#american centric" bc i am literally talking abt america.

re: your actual question of why people seem to only refer to black and brown people, i think it's mostly used to talk about issues that affect darker skinned people of color, but sometimes used as another variation of "people of color" that's meant to encompass all nonwhite people. i've definitely used it that way before without really thinking about it, but i can see how that could make groups who may not see themselves as being black or brown feel left out of a conversation that still absolutely pertains to them. i think we as a society are currently struggling with what vocabulary to use when we talk about racial issues. there's a bunch of different acronyms and phrases people use, and listing out all the different racial and ethnic groups we can think of always leaves someone out.

but i also think our struggles with vocabulary are caused in part by the way our view of race has become very black and white. especially when it comes to east asians, i think people fall way too easily for the model minority myth + think lighter skin = less oppression, so they think east asians don't need as much advocacy as other groups. but as you said, especially since covid, there's been a massive spike in anti asian racism, and that's something i don't think people are really taking seriously. there's this one scene in station 19 (cw for discussion of anti asian hate crimes) that i feel like addresses this so well. people are afraid to downplay the severity of anti black racism (which is understandable considering that anti black racism has been downplayed for hundreds of years), but they end up gaslighting other racial and ethnic minorities or even themselves about the other kinds of bigotry that exist. and as one of the characters states in the clip, "it's all bad."

and like, as a jewish person, i definitely feel a lot of solidarity with east asians because our struggles are dismissed in similar ways. for those of us who are light skinned, we're often told (in my experience, usually by non black people) that basically our skin is too light for people to care because "black people have it worse." people use any success our communities have had as a reason why what we experience Can't Possibly Be That Bad. but what they're missing is that it's all connected. the same people who are perpetuating anti blackness are likely perpetuating anti asian racism and antisemitism too. you can't get rid of anti black racism without dismantling white supremacy, and part of dismantling white supremacy is addressing anti asian racism and antisemitism. we can't just keep hacking away at one brick and expect the entire wall to come down. we have to bulldoze it all.

#ask avishai

[fatphobiabusters]

[PHOTO ID: Three photos of an article from the June 2022 issue of Good Housekeeping. First image is a flesh tone title page, on it sketches of pear shaped women are seen, they are curly and faceless reminiscent of a fashion doodle, they have various skin tones and are standing in different poses. The other two images are of the article itself transcribed below. END ID]

CW: o word, healthism 

Transcript: Titled “Why we’re saying bye to BMI”  followed by “When it comes to your health and happiness, Good Housekeeping is committed to providing the most relevant and reliable information. Th more we’ve reported on body mass index, a widely used but flawed measure of health, the more we’ve grown to see that thee are more accurate and less stigmatizing indications of overall health to include in our coverage. To understand- and to lean what these are- read on. By Kaitlyn Pirie”

“It’s all by impossible to see a doctor without hopping on the scale and being told your body mass index (BMI), a number calculated b dividing your weight in kilograms by your height in meters squared. The concept originated in the 1800s as a way to categorize the population by weight, says Amy Lee, MD, an internal medicine physician and weight specialize in South California. People are “In a range of ‘underweight’, ‘normal’, ‘overweight’ or ‘obese,’ she says. As Benign as that may sound, many experts are realizing that there are problems wit the measurement and that the way it is applied can do more harm than good. The issue is complex, but here ar just a few reasons:

“Overweight” is not a synonym for “unhealthy.” 

“While higher BMI is correlated with certain conditions on a population level, there is littler evidence that higher weight cause these in individuals. Yet with so much emphasis in our culture on thinness and BMI, things can get oversimplified. In some cases, people with high BMIs are denied treatments (such as IVF or surgeries), or weight loss is presented as a secure all. Consider a patient with knee pain: ‘If the patient is fat, the doctor may diagnose weight as the problem, prescribe weight loss as the treatment, and send them as their way without further diagnostic tests or treatments,’ says Paula Brochu, PHD, an associate professor in the College of Psychology at Nova Southeastern University who studies weight stigma. ‘But if the person is not fat, they are much more likely to receive scans and treatment for the knee pain at the time of complaint.’ Not only might the doctor miss a problem that would have been visible on an X-Ray or other imaging, but being mistreated can discourage bigger people from seeking medical care, possibly worsening health issues. 

In truth, you can be heavy and healthy - or thing and less so. ‘One large study examined peoples cardiometabolic health across the BMI spectrum and found that nearly half of all overweight people and nearly one third of obese people were metabolically healthy,’ says Brochu. Almost a third of normal weight people were not. ‘Researches estimated that nearly 74 million adults in the US have their health misclassified on the basis of BMI,’ she says.”

“Race and ethnicity matter.”

“While BMI is calculated the same way fore everyone, research shows the significance of the number to be different for different groups. ‘For the Indian population, we know their chances of [issues associated with] metabolic syndromes like diabetes and heart disease go up at a BMI of 27,’ says Saniea Majid, MD, FACS, FASMBS, a board-certified obesity specialist is Livingston NJ. That’s lower than the BMI of 30 associated with the same issues in white people. The number is even lower for people of Taiwanese descent, adds Dr Majid. SO someone who thinks they're in the clear with a BMI under 30 may actually be at serious risk.  Other research has shown that the BMI associated with living longest is around 23 to 23 for white people but 23 to 30 for Black people- ie a higher BMI could be beneficial for Black people. While medical weight stigma and inadequate care are bad for all, misclassifying Black people as overweight may add to an already wide racial health disparity.” 

“BMI doesn't take body shape or composition into account.”

“As a result, muscular people are often classified as overweight, says Dr Lee, leading to stigma and denial of treatments. BMI calculations also don't factor in where you carry your weight. Studies show that a higher waist-to-hip ratio is more closely linked to heart attack risk than BMI, whereas having bigger hips does not seem to pose as similar risk.”

“A higher BMI does not mean higher mortality.”

“Many people are surprised to learn that those who are overweight have lower mortality risk than normal weight people and that people who are obese have the same mortality risk as normal weight people, says Brochu.”

“Why is BMI still used?”

“The data point is easy to calculate and cheap to measure, and its the basis of decades of health research. It is also entrenched in our health care system. For example, BMI is baked into the coding system that doctors use to let insurance companies know what they’re billing for. Also, many doctors, including Dr Majid, find it a helpful screening tool when used in conjunction with other measures. These include blood pressure, pulse, cholesterol, fasting sugars, fatty liver disease and bod composition as well as ‘a conversation based on a patients ethnicity, family history, lifestyle, age, activity level and whether someone is perimenopausal,’ Dr Majid says. Other medical doctors, however, as well as psychologist such as Brochu, fell that the use of the BMI leads to too my emphasis on weight in medical setting and fuels the mistaken belief that thinness equals health. ‘It focuses on weight loss as a health outcome, and by and large weight loss is advocated at any cost, which often leads to harm,” Borchu explains. ‘A focus of health rather than weight provides more support to patient of all sizes.’” 

In the periwinkle rectangle it reads:

“Our Commitment”

“Good Housekeeping will avoid relying on BMI as a marker of health in our reporting, and if we determine that we must mention it, we will point out its limitations. How much emphasis you give to this measurement, or to body weight at all is between you and your provider. If you decide to deemphasize weight as a measure of your own health or happiness, you can ask your provider to do the other tests noted here (such as blood pressure, pulse and cholesterol) without having you step on a scale. ‘People have the right not to be weight and not to consent to discussing their weight,’ Brochu says. If you would rather not be weighted but aren't sure how to say so, visit more-love.org for helpful phrases to us as well as small cards you can give to providers to express your preference.” 

Additional thoughts from mod squirrel below:

I read many “family” or “womens” magazines for a lot of reasons but suffice to say these magazines are going to people who are likely the backbones of families. The fact this information is likely to reach so many people, people who can advocate for fat children, who can model good behavior for others both in their families and communities is so so important. Depending on the magazine they can skew conservative, I personally find GH to be middle of the road, and thats great! 

#mod squirrel #healthism #medical fatphobia #bmi

[sanemisstalker]

NAV.

Wip.

Hi hi! Requests Are : ON HIATUS!

I'm Sanemisstalker! I'm 20, and a (predominantly) KNY (Demon Slayer) smut blog.

To interact with my content, you must be 18+, as the majority of my writing is kink related in some way! I'm fully supportive of minors having safe spaces in online fandoms- but I cannot be that space provider.

☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.

What Do I Do?

I am specifically a kink/fetish oriented writer who really likes to focus on character! (Aren't we all?)

I write more bizarre/extreme sexual fantasies people might have with certain characters while, hopefully, not butchering said characters in the process.

Some sexual practices are better practiced fictionally or solo, and I've always been interested in providing said fiction. If it keeps you horny and safe, I've done my job!

I love all the hashira and upper moons, but I have some particular soft spots for Sanemi, Douma, and Shinobu. I'm always most excited to write about them!

☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.

MASTERLIST

W.I.P - I only tag my personal works! anything I've written for a character will be tagged as #(character name) smut. I'm adjusting to the tumblr app format, so please give me time to make a proper masterlist.

☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.

ASKS/INBOX

Rules :

-You must be 18+ to submit an ask.

-Anything goes. If I'm not comfortable, i will simply ignore/delete the ask! You will not be posted, as I have no grounds to clown you when i'm writing KNY porn in my free time.

What won't I write?

☆I won't write for Tanjiro's Crew, Genya, or Muichiro. No judgement, they're just not my favourites.

☆Race Specific asks - As a white person, I do not have the background to accurately portay a sexual situation regarding traits exclusive to POC.

However, my stories intentionally do not mention anything referring to skin tone or imply any ethnic background aside from the setting they are placed in. (If they do, please tell me so I can change it immediately.)

☆Incest, this is just a personal thing. I have no judgement, just an unpleasant past with the subject. If I mention a character having a thing for this, It will likely not be elaborated on.

☆Scat, once again, no judgement, It's just one of my hard limits. It's hard to romanticize for me personally, and my writing wouldn't have my heart behind it.

☆Characters being parents- I am not fond of pregnancy, and would much rather just write about fucking with no long term consequences.

☆This is subject to change, and can be updated accordingly☆

☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.

Content Warnings

Any posts I make will usually have a CW/TW explicitly before the writing. It will usually be in Bold, or a different color from the rest of the post to identify it.

CW// ->

I tag based on what I know to be common triggers, and will not tag for certain triggers such given their existence is implied by the setting/story in general.

For ex. I will not tag a post about demon slayer with 'blade use', as it's directly implied by the setting of demon slayer that there will be blades present in some capacity. I will not tag 'cum swapping with the hashira' with -gratuitous cum- etc. etc.

However, I will always tag for SA, which will be reffered to as Non-con/Dub-con, and for Gore, regardless of how lightly either is treated. If you believe I missed an important trigger, please let me know. I write in a flurry, and do not spell check nor proof read.

☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.☆°☆.

W.I.P

#demon slayer x reader #demon slayer smut #upper moon smut #upper moons x reader #hashira x reader #sanemi smut #douma smut #shinobu smut #douma x shinobu #shinobu x sanemi

[theriverbeyond]

just finished blue eye samurai, my extensive thoughts below the cut but tl;dr IM OBSESSED, it was really good, I highly recommend this show. it is gory and beautiful and so fucking good.

spoiler free thoughts first, then will label where I start discussing spoilers.

Ok so first off my thoughts about the title & character design:

i saw a fair amount of discourse before it even dropped about how it was Bad for giving an asian character blue eyes, which like, on a surface level fair! I get it!! it does Shit to the body image for all the Cool Asian People to have light colored eyes. i get being a persom of color and wishing badly for white features instead of my very much nonwhite ones

But the actual story smacked me in the face with like. Mizu is a mixed race person with physical traits that clock them immedietly as mixed race, in a context where they must hide those traits to "pass" or else face discrimination or death. this is revealed in... the first 5 minutes maybe??? and the fact that it is their white features that mark them as "other" "demon" "monster" is because the story takes place IN JAPAN where the ethnic majority is JAPANESE. and that's. like. that's a STORY!!! that's WAY DIFFERENT from "asian character has light eyes bc it looks cool". and Mizu does look cool, that is undeniable. but it's part of the story. idk!!! i just feel those critiques were pushed out way too fast with no understanding of what the show is about and while i think in a vacum we should have more positive, "looks cool" representation of nonwhite features, a story about a mixed race person is maybe not the one to criticize about this specific topic. to me.

NOT SPOILERS REALLY IF YOU READ THE EPISODE SUMMARIES BUT IT WAS A JUMPSCARE TO ME AS SOMEONE WHO WENT IN BLIND re: mizu's gender:

I went in blind and due to the way the story is structured and how it addresses Mizu's gender, I read it as an intentionally transmasc story and was absolutely jumpscared the first time I opened the episode menu and saw it refering to Mizu with she/her pronouns. and then after watching I went on ao3 (as one does) and people also seem to use she/her on there??

and obviously. this is fine. canon, really, considering the netflix episode descriptions. and probably it was way too optimistic of me to even ASSUME that someone would be able to create an intentionally transgender samurai action animation series on Netflix. but i just REALLY see them as either a gay trans man or he/they nonbinary and am just having an Experience reconciling what i got from the show directly vs how I am seeing other people talk about the character/the show.

I would write fic to fix this but my knowledge of edo peripd japan is so slim I feel I would make unforgivable and offensive mistakes... idk... like obviously the show itself refers to Mizu with she/her so I have no leg to stand on wrt feeling upset about seeing it but I sure was surprised.

THEMES OF THE SHOW specifically about race (some spoilers maybe, but not specific late show ones): cw for discussions of historical and canon sexual violence

I am deeply, deeply intrigued and invested in the story, and am specifically fascinated with how it is dealing with like, white imperial violence. Mizu is hated because they are mixed race, specifically mixed Japanese and white. It is shown in the show that white people and whiteness is hated because of the violence that white men have brought to japan; opium, human trafficking, slaughter, and multiple other abuses. Mizu, as well as other theoretical mixed race children exist almost solely due to the rape of Japanese women by white men. They are hated and hunted by both their white fathers and everyone else in Japan (because of their proximity to white imperial violence, even when the children themselves are a product of that violence).

Mizu is on a revenge quest against their white father specifically, who is presumably one of the four known white men in Japan. Mizu faced discrimination and abuse from everyone, but it is their *father*, who they have never met (vs the multiple abuses they faced from Japanese kids, their mother, etc etc etc), that they are hunting. not anyone else. because their father must have raped and abused their mother. their mother who to their knowledge betrayed!!!! them. This is just such an INTERESTING and COMPLICATED and FASCINATING dynamic like. I'm eating it with a fucking spoon my brain is on fire (positive). Probably more to say and I hope/wish I am saying it in a reasonable enough way but. im eating this. I really love this.

MORE THOUGHTS likely spoilers ahead. you have been warned

im chewing the bars of my cage... taigen and mizu need to kiss sloppy style. WHEN MIZU SAW THE TWO MEN KISSING IN THE BROTHEN AND THOUGHT ABT FIGHTING TAIGEN???? this too can be yaoi

when they cut together Mizu GETTING NAKED TO FORGE STEEL and akemi having sex??? CINEMA

there are cocks in this show. i had to DM multiple friends about the cock jumpscare. also there was sex which was frankly awesome. fuck yeah for adult animation that is serious storytelling with beautiful art. the nudity in this show was like less explicit than many HBO shows but it was a similar vibe/energy in a way that felt really cool and normal. it didn't feel gratuitous it felt like "this show is for adults and features sex and ful frontal". more of this in adult animation please

too many occasions of Mizu being wildly hot hot for me to count... they are SO whumpable and also when they fought in the makeup that ran so it looked like they were crying blood??? when they killed all those guys? when they killed all those OTHER guys????? Mizu are you free tuesday. are you free tonight.

THEYRE GOING TO LONDON??? I'm going to die if this doesn't get a season 2 but I'm also so scared like it is so good... what if they RUIN it in season 2. what if all the complicated interesting bits get sanitized. what if they stop letting Mizu kill people. what if they make Mizu have a girl power woman moment. anyway i need this to be renewed SO BAD I need to know what happens. I need Mizu to get bloody revenge on the 4 white men who have brought such pain to the country. MIZU IS GOING ON THIS QUEST FOR REVENGE AND DIGGING 4 GRAVES‼️‼️‼️‼️

Fucking loved the tropes like. Yes they are going to face off 200 armed warriors and kill them all. of course they are.

Akemi was there. ok ok ok actually I really liked her coming into her own and trying to make her own power.... was really sad when that immedietly got fucked up for her. Really interested in her developing in future season(s) into her own person, I hope she doesnt go back to taigan bc i think she can do better and also her story is more interesting when she is trying to Make It And Be Someone vs running after him.

I feel like this show is Saying a lot of things but in a way where it is up to the reader to pick them up and think about them vs sending a soecific message. Which rocks honestly.

Animation, gorgeous. It was 3D it looks like and some tiny bits are less than stellar but OVERALL. fucking beautiful. hot. etc.

Really liked the story. this was really good and I already want to rewatch it. clawing my walls. i could go on but will stop for now

#trb.txt #media blogging #blue eye samurai #i wanna write fic but i don't know enough about edo japan..... this is so tragic.....

[reddragon-cowboy]

PSA

CW: Anti-blackness, Racism.

I usually don't make posts of this nature, but something had to be addressed since it involves my racial identity as a black women. This involves my experience in the server with one individual.

This is a post to share my experience concerning an individual who displayed direct and indirect racial prejudice towards me in the @bebopcrew server. First and foremost, I must say that the Bebop crew is an amazing server and, although I am particularly shy as it can take me awhile to feel comfortable enough to socialize in groups, the members there made me feel welcomed and supported me, as well as many writers/artists alike.

But one member in particular, @/Drasino, stood out to me that treated me differently than the rest. I thought I could put the situation behind me and let it rest, but due to seeing them on my dash often continuously calls back to mind what occurred.

This happened when I had begun to try to come out of my shell, attempting to socialize and engage in conversations in certain channels. I left a compliment on some insight they shared in a channel, but I never got a response that showed he acknowledged me. I also tried to engage in them again, but he didn't acknowledge me and proceeded to ignore me. Interestingly, he would engage with other people in the server and their stuff, but nope, not me.

Ironically, a day or so later right after, Drasino posted an image where he outwardly mocked the Afrikaan language. That was the first red flag for me. I asked one of the admins about what they posted, what his intention and motives could be about the crude image. The admin got right on it and confronted Drasino about it, to which he acted oblivious and played innocent. But after that incident, the admin updated the rules to emphasize how racist and other toxic content, comments, or memes are not allowed.

Afterward, there wasn't no more images of that sort again. However, he proceeded to deliberately ignore me and my stuff while engaging and initiating conversations with other people. I also tried to involve a few people in a channel where he and other people were talking, which he easily could've engaged with me as well, but instead, he proceeded to switch over to another channel to try initiate a totally other conversation, again, deliberately and willingly trying to exclude me from his presence. There was also a comment a admin told me where Drasino made a joke about monkeys as well.

All of these things began to pile up. Even though he acted oblivious about the picture he posted, you have to remember, Drasino, ACTIONS SPEAK LOUDER THAN WORDS. THE WAY YOU TREAT OTHERS IS ENOUGH TO KNOW THE TYPE OF PERSON YOU ARE. I am not stupid; I knew exactly what you were doing, and your actions towards me further proved my case. I do my utmost best to extend kindness towards others, try to make others feel welcomed, and I don't like it when others feel left out. I extended kindness towards and courtesy towards him in the same manner as I try for anyone else. But he didn't for me; the fact I'm the only black person ( plus with the only black oc) in the server who he outwardly and deliberately chose to not give me the same courtesy and respect as he gave other people stuck out like a sore thumb. Plus, that image was all I needed to know because he knew exactly what he was doing and proceeded to downright ignore me.

This type of behavior something I wouldn't expect to experience in this type of community, but here we are. Shinichro Watanabe created a show with a diverse cast of characters; Cowboy Bebop is abundant with diversity of different languages, cultures, ethnicities, and nationalities-it is an element I love about the show. Anyone who is a fan should understand and appreciate the message and vision that Watanabe delivered for us. If Watanabe appreciates and respect others, no matter their race, culture, or language, a fan of his work should share that same openness. With that being said, showing racial prejudice, anti-blackness, xenophobia, or any other type of prejudice towards another person is completely unacceptable here.

I decided to make this post to make others aware of my experience with this individual, and for others who look like me to be wary of their company, so they don't also have to go through the same thing I experienced.

#antiblackness tw #racism tw #( ooc ) the mun. #drama tw #discourse tw #cowboy bebop

[ordinaryschmuck]

Why do I love Spider-Man: Into the Spider-Verse?

Aside from the fact that it's about my favorite superhero of all time? Let me count the ways...

The animation. I already know I'm not blowing any minds here, but good word, the animation is SPECTACULAR! By blending CGI models with hand-drawn elements, this is the only experience in a superhero movie that made me feel like a comic book has been brought to life. You might say that "it's not live-action," but that's beside the point. 90% of most MCU movies are practically animated, aside from the 10% that have actual humans on screen. So you should have no qualms when this beautiful masterpiece of a film manages to make you feel like you're watching a comic in motion, to the point where you could pause any frame of animation and turn it into a comic panel. Sidenote, if they make this movie into a graphic novel, I would absolutely buy it. I don't care if it's pointless when I could just watch the movie. Give me that graphic novel version of this gorgeous film.

The opening logos are unironically jaw-dropping. They flash through the many variations each insignia could have/has gone through, giving you a taste of the insanity of what this movie will bring. It also plays into what happens to the characters, meaning that while the story hasn't started yet, we're still given a heavy dose of foreshadowing.

The CCA stamp doesn't get enough credit. For those who don't know, back in the day, comics had to adhere to the Comics Code Authority's regulations, sticking their CCA stamp onto every cover to ensure parents that what was inside was kid friendly. It got to the point where no one took it seriously anymore, and the stamp became an irrelevant system that almost always failed to point out the age demographic for comics. The fact that Spider-Man: Into the Spider-Verse is rated PG makes the callback even funnier.

The opening narration. It introduces us to this universe's version of Peter Parker, who's basically the every-man in the Spider-Man universe (The every-Spider-Man?). He features the highest highs and lowest lows of Spider-Man, showcasing his history and origins in a way that fans will adore while making something entertaining for the 1% of people who somehow never heard of Spider-Man.

Miles' introduction is close to perfection. Making him an artist already earns some relatability points from yours truly but having him jam out to music while doing it turns him into one of my favorite characters that I see myself in. I can't count the number of times I'm drawing something, and I get lost in the music playing in my headphones. I've known this character for less than a minute, and I already see a lot of myself in him. The fact that he procrastinated getting ready and did it all in a rush is just the cherry on top. And given how I look whiter than the snow on a Christmas day and Miles looks...very much not that, I already feel like the writers are doing something right if I see myself in someone like him. Most writers go the route of making a character's race or ethnicity their only character trait. There are some good intentions in that somewhere, but writers forget that without things like personalities, interests, and desires, the character's race does not matter. They're still going to be boring. Give me more Miles Morales, less of the hollowed shells called human beings that you find on the CW.

The one-take of Miles walking through his neighborhood mirroring/contrasting with his walk through school does well to visually explain the disconnect he feels about being in a new school and an unfamiliar environment.

I love Miles' dad. I'll get more to the emotional stuff later, but Jefferson Davis starts out great as someone strict but still trying hard to connect with Miles. It's genuinely heartwarming to see. Plus, that "I love you, Dad" scene…I mean, come on!

The montage of Miles' first day does well in showcasing the pressure the character is feeling. Maybe I'm still relating so much to Miles, but I felt how hard his day was for him.

The video of Olivia Octavius is some solid foreshadowing of the multiversal madness ahead and even better foreshadowing of who Olivia is, considering that Miles JUST blocks her last name. This scene also introduces us to Gwen while subtly hinting at who she is by Miles briefly saying, "I've never seen you around here before.”

Community is playing on Uncle Aaron's TV...That's it. I watched all of Community last year and grew to appreciate seeing a reference or two about it showing up.

Miles' moment with Uncle Aaron is sweet. It shows how things are easy between them, and Miles can rant about anything to the laid-back person his uncle is, in contrast to the eggshells Miles seems to dance around when dealing with his dad. Plus, Aaron showing off the shoulder touch pays off for two great scenes in the future. Not to mention his "hey" sends this bisexual a little...haywire.

Miles spray painting the wall is touching for two reasons. For one, it proves how much sweeter this universe's Aaron is. In other iterations, he manipulates Miles, searching for ulterior motives, primarily for Aaron's selfish gain. Here, it's clear he genuinely cares about his nephew, wanting to share this moment with Miles and have fun in a way the two should. It's also touching to see Miles express himself. We got a taste of his phenomenal talent near the beginning, but to see him make that masterpiece that he made proves how much of an artist he really is. It really is the best way to make this Miles not only unique but also engaging. 

The spray paint getting sprayed on the corner of the screen is also a nice touch. They didn’t have to do it, but they did, and I love it.

The Spider bite. The thing that fundamentally changes Miles' life, and the lives of other Spider-People before him, for now, and forever...and he swats it like it was nothing. That's...incredible.

Miles reacting to his spider bite, however, leads to a collection of great moments that are awkward as they are hilarious. 

By the way, have I mentioned that this movie is funny? And not in your face with it like other Marvel movies. I mean that Spider-Man: Into the Spider-Verse is naturally funny, having great jokes that work well within the situation while never stealing away from the moment. I won't go over all the humorous moments, but I'll definitely talk about my favorites.

Like Miles' interaction with Gwen post-spider bite. It's awkward in all the right ways, and his facial expression as he stiffly places his hand on her shoulder cracks me up every time.

The "Who's Morales?" bit is iconic. I told you, this movie is just naturally funny!

Using the Amazing Fantasy comic cover as a reference is great. It's the comic that gave us the best superhero ever made, so it's nice of the animators to throw that in as a callback, honoring the contribution it made to humanity.

By the way, it used to bother me how Peter Parker allowed a comic to detail his backstory, but it just now occurred to me that the Peter Parker in the comic looks vastly different from the one in that universe. That, coupled with the knowledge that he has licensed merch, proves that he allowed this comic as long as the artists made sure his identity remained secret. Just another little detail that makes this movie amazing.

Speaking of small details, I love that Miles has a lot of contacts on his phone. Both his contacts and that one-take in the beginning show that he's a social kid instead of an outcast like Peter, which is nice. It’s for the best that this movie shows that Miles is his own person than a mixed-race Spider-Man 

Another fact is that his comic creators are in there too. That's a cute thing to include.

The visual explanation for Miles' spider sense is remarkable. I always get chills with the words "LOOK OUT," illustrating that it's silently screaming in his brain. Gah, such a good scene! Can you marry a scene? Because I want to marry this scene. It's easily my favorite in anything Spider-Man-related.

Peter's fight with Green Goblin is INSANE! Admittingly, when I first watched this movie, it was a little hard to tell what was going on due to so much happening all at once. But, after seeing it for the fiftieth time, I can certainly say that I appreciate how off-the-wall Spider-Man: Into the Spider-Verse gets with its action, especially with this first fight scene. It's only a taste of what's to come, and I'm glad the film slowly eases you into the more insane scenes by prepping you with a moment like this.

Peter Parker’s introduction to Miles is perfect. The writers do everything right, starting with Peter breaking the ice with a joke, attempting to cool Miles off from his first near-death experience, only to get serious once Peter realizes what Miles is exactly. And I adore how Peter calmly approaches the situation, reassuring Miles that while things will change whether he likes it or not, Peter will be there to help him. Peter doesn't even hesitate when he volunteers to mentor Miles. You get the sense that Peter's excited about it, and, gosh dang it, these writers really did a great job in making him the Every-Spider-Man.

Miles recording Peter's fight with Prowler...Because of f**king course, he does. Wouldn't you?

Kingpin's the villain! This is cool because, while he's mostly remembered as a Daredevil villain nowadays, it's great that this movie recognizes that he started off as a member of Spider-Man's rouge's gallery. And, sure, he lacks the depth that Vincent D'Onofrio had in Daredevil. But he's still pretty threatening and even terrifying, being the character that allows this movie to earn its PG rating. 

Plus, his motivation is...good enough. It's not the best thing in the world, but it works just enough to be believable for this character, all while explaining why he's working hard to, you know, break the universe. So, yeah, a solid villain for one of the best superhero movies of all time.

The fact that it's Peter Parker that technically caused the other Spider-People to show up is amazing to me. It proves that without meaning to, he still manages to find a way to save the day. Even if that means pulling other Spider-People from their dimensions...which is ultimately killing them. Yeah, isn't that just classic Peter Parker bad luck for ya?

Also, heh, you can see Peter B. Parker and the others fly away from the explosion. That's funny.

Peter's last words to Miles...Wow. It's one of those moments you know that he knows that he's not going to make it out this time. So, in his last moments, Peter offers as much advice as he can to Miles, telling him what needs to be done and how to do it. What I love most is the fact that he still cracks jokes and still gives Miles the false hope that he'll "catch up," showing that, above all else, Peter cares about making people feel safe and secure. Again, he really is the Every-Spider-Man...Or was, at least.

Peter's eye-roll at Prowler. Even at death, he's still making us laugh.

Miles is a coward...It feels weird to say that's something I love about this film, but it's true. Miles starting off as someone who runs and hides instead of trying to help Peter Parker does the job to make it even more satisfying when Miles eventually does find courage and confidence in being a Spider-Man. 

Also, his guilt seems more reasonable here than it does in the comics. Miles' guilt in the comics stems from not being there to help Ultimate Peter Parker, even though there's not really anything Miles could have done to help, and Peter was already as good as dead before Miles knew he could help. Here, while it's a lot more likely Miles could die, I do understand his guilt as he's right there and able to do something rather than nothing. So not only does Miles' cowardice set up a great character arc, but it also does its job in making him feel better guilt than his comic counterpart. So, nice job all around.

This version of The Prowler is amazing. His motif, his outfit, his silent badassery. It’s just so perfect.

Miles runs home to his family and not to the school...because his family is where he feels the safest. That just hit me--GAH, THIS MOVIE'S GREAT!

Miles' mom is so sweet. She's mostly remembered for one line, reassuring Miles that their family doesn't run away from things, but that one line proves to you all what you need to know: She's there to tell Miles what he needs to hear, even though she doesn't entirely know how much he needed to hear it. Such a great mom.

New York's reaction to Spider-Man's death. You feel it in everybody, literally everybody. Just the number of people showing up to his funeral proves how much he earned the title of "Friendly Neighborhood Spider-Man."

Best. Stan Lee cameo. Ever. This movie came out a month after Stan Lee passed away, and I feel like Spider-Man: Into the Spider-Verse did the best job of honoring him. Spider-Man really is Stan's greatest co-creation (with help from Steve Ditko, of course), and the best Spider-Man movie being one of the last he made an appearance in really hits hard. RIP, Stan. Thank you and Steve Ditko for the hero that is loved by all.

It's also neat that Spider-Man: Into the Spider-Verse has a better reason why Miles is wearing a Halloween costume when dressing up as Spider-Man. It was done in the comics to make him easily hide his identity, but it's also in poor taste, to the point where even the characters in the comics point out how it's poor taste. Here, Miles buys the costume in tribute to Spider-Man when going to Peter Parker's funeral, like a lot of people have done. And, well, he already has it, so he might as well continue to use it. Man, this movie really is trying to make Miles' origin story better than it was in the comics, huh?

This movie manages to do the "Jump/Pussy" scene from Venom, and not only is it funnier, but it's also done better. At first, you're laughing at Miles giving up despite the music epically building up about how he's about to jump. But then, after he gives up the first time, he tries again, using a smaller building because he thinks it'll be easier. This movie took a funny scene, then twisted it to visually tell us how determined Miles is to do the right thing! You see, Venom? This is how you actually make a good movie!

Peter B. Parker's narration does a great job of underlining the contrast between him and Peter Parker (also, for consistency, I'll be calling him Peter B. for the rest of the review. It's simpler). While Peter's narration reveals to us his success and zeal for the life he has, Peter B.'s is all about his failures and how much he's given up on life. Already, it's a quick and easy way of proving how different both Peters are, and I don't mind it. Primarily because each narration works well for the film's main running joke and because Peter B.'s is the funniest because what he says clashing with what is shown. I still laugh at that hard cut of him crying in the shower, as mean as that sounds.

The seahorse bit. I mean, come on. The fact that he gets choked up about seahorses mating for life always gets to me.

While Peter B. is getting sucked into the portal, knowing there's no stopping it, his first priority is to get his mask. That tells me that despite how far life beat him with the bad luck stick, he still knows the number one rule of being Spider-Man: Always bring your mask. 

Also, he tries to save the pizza...which makes me chuckle. I won't lie.

Peter B. and Miles getting pulled/dragged through the city is the best type of chaos. It's great knowing that while the animation is perfect for some epic fight scenes, it also has some impeccable slapstick.

Peter B. is the Spider-Man that rejects the code: With great power comes great responsibility. That part of Peter B. always intrigues me, and it makes sense. He was beaten down because of great responsibility, so even though it was the last words of his Uncle Ben, he'd rather live without them. Yet that doesn't mean he's done with being a good person. He's tired and burnt out, sure. But he still helps Miles once realizing that he can't just walk away from someone that needs him. It presents an interesting dynamic, for while Peter B. has to teach Miles how to be Spider-Man, Miles is there to help Peter B. remember how to be Spider-Man. Not a lot of people bring that up, and it's what I admire about their relationship.

I don't know about you all, but the diner scene always makes me want burgers and fries, without fail. It just makes the food look so good! Too bad it comes from a restaurant with a C-grade health code...Oh, so that's why it closed down six years ago in Peter B.'s universe.

Aside from their narrations, Peter B.'s advice also clashes with Peter's. Peter B. always offers more practical stuff, telling Miles what to do so he won't lose his mind while being Spider-Man. It works with Peter B.'s character and, once again, proves how he couldn't be further different from Peter Parker. With that said, Peter B. still offers great advice from time to time. Granted, it's when things are actually serious and during danger, but, hey, at least he tries.

Peter B. and Miles thinking is perfect and earned being a meme.

Peter B. coming up with the plan. It proves that he's both intuitive for coming up with it so quickly and simple-minded in thinking it would be that easy. Plus, Miles' interjections offer great humor.

Peter B. saying teenagers are the worst always gets a chuckle out of me because of the fact that Spider-Man is the superhero widely remembered for being a teenager.

Olivia Octavius. GOOD! GOLLY! MISS MOLLY, what a twist! Now, there are a few minuscule hints making it more obvious in hindsight, like the octagon decorating surrounding her and what looks like an arm prototype behind Peter B. With that said, however, I WAS SHOCKED IN THEATERS! This kooky lady who, at first, seems ecstatic to see Peter B. turns out to be an alternate version of one of his worst enemies and was actually fascinated by how he got there and how to kill him. Such a good scene that never fails to give me chills!

And the fight that comes after it is equally intense, fun, and epic.

The funniest moment in the movie is the monitor gag. That is all.

BAGEL! By the way, someone actually cosplayed as that scientist who got BAGELED! Not really a fun fact about the movie, but it is a fun fact about life.

Gwen's narration is probably the most beneficial. Nearly everybody knows about Peter Parker, and I think enough people know about Miles, but I'm not sure how well-known Spider-Gwen was before the movie (and, yes, I know she's called Spider-Woman or Ghost Spider. It's just that Spider-Gwen's more fun to say. Leave me alone). People might know of her but not so much about her whole deal and origins. So, it helps that the movie flies by her origins, telling newcomers what they need to know and leaving them to learn the rest from her comics.

Also, Gwen, come on. Miles is the reason you got that dope haircut in the first place. Let him compliment it.

ALSO also, Gwen's a pretty fun character. I have some problems with how she's in the story, but I do love her punk-rock personality and how she's basically the only Spider-Person with a functioning brain cell...Except for that Gwanda bit, but we don't talk about that. Despite some flaws, Gwen's a character with a lot of humor and solid character interactions, especially with Miles.

Gwen and Miles are adorable together. Have I mentioned that? Because it's true. They don't have much time to develop their relationship (that's for future movies to do), but the time they do have is still pretty darn cute.

Kingpin's flashback is beautifully animated while also paying homage to the art style of the comic his design is based on. It's pretty cool that this already brilliantly animated movie still manages to find different ways to look gorgeous.

This movie has the best Aunt May. Don't argue, Raimi nerds! You know it's true! She kicks ass, accepting of Peter's secret, looks old, and has some pretty snappy one-liners. You see this woman and understand how Peter Parker came to be the man he is--Er, was. If you have a problem with this Aunt May, you can take it up with the baseball bat she used to beat Tombstone. Tombstone! How can you hate an old woman who can do that?!

As for May's interaction with Peter B., it's--Say it with me now--perfect. They're both basically meeting ghosts of people they loved, and May and Peter B. interact the same as if it was the version of each other they've always known. There is genuine heartbreak and love in each of their voices, and you feel every bit of it. Even the jokes about Peter B. being fat and wearing sweatpants doesn't spoil the moment but add to it, showing May's distaste over a version of her nephew letting himself go. It's snark, but snark from the love of a woman who's basically his mother. What did you expect?

The Spider-Cave is awesome! Little weird that Peter Parker, a character known for being as poor as dirt in the comics, has this, but then you remember something: The merchandise. This was a Peter who whored himself out with cereal, Christmas albums, and so-so popsicles. Heck, even the Spider-Buggy, also from the comics, was promotional material. This means that Peter Parker made BANK on the stuff he made, so much so that he was able to afford a cave that would make Batman jealous. It might not be one-for-one the exact explanation for how he has it, but the movie offers enough information to make it a reasonable conclusion anyway.

I want a Spider-Noir movie. I don't care if it's animated or not. I want a gosh dang Spider-Noir movie. And it has to be played by Nicholas Cage. It wouldn't be right if it wasn't because he’s the reason that Spider-Noir is the funniest character in the movie.

I love that every single Spider-Person is totally on board with staying behind and leaving their homes forever if it's the only way to get the others back to where they belong. They're definitely Spider-People, alright. Nobel sacrifices like that are all a part of the DNA.

The scene where the others put a lot of pressure on Miles results in complicated feelings. On the one hand, it's not cool for them to do this. On the other, you understand why. This isn't the typical stopping a mugger or fighting a c-lister. This is a fight to save the multiverse with dozens of people who will make the mission all the more dangerous. The pressure they're making Miles feel is close to what they'll be dealing with in the fight with Kingpin, so what they're doing is somewhat validated through the current circumstances. I may not like it, but I do understand it.

And I've got to give Peter B. credit for being both Miles' hype man and telling the other Spider-People to cool it with the pressure. Out of all of them, he understands Miles a little better and wants to keep the poor boy sane. It's pretty sweet.

Jefferson reaching out to Aaron is also pretty dang heartwarming. You can tell there's some definite tension between the two, but they're still brothers. Family loves family, no matter the mistakes (unless your family is reasonably toxic, in which case, you cut them out yesterday). Jefferson reaching out is a testament to that...Even if Aaron might not have deserved it--Yeah, let's get into that.

The reveal of Aaron being the Prowler...Where do I even begin? Fellow comic nerds already knew this was coming, but that doesn't stop this reveal from hurting. The part that gets me is the score. It expertly portrays the amount of fear and betrayal Miles is feeling at this moment, to the point where you don't even need to see what's happening to understand something tragic is going down.

The chase scene that follows is also pretty intense, added with the red sky and the several moments where Miles barely gets away. It's...You know what it is. It's f**king perfect.

Scorpion looks cool. A little weird, sure, but still pretty badass and intimidating.

My favorite fight in the movie might just be the Spider-People battling the...Fearsome Fivesome? Alright, whatever they're called, they're part of a fun and chaotic fight scene, with playing keep away with the Goober being what adds much-needed tension.

Uncle Aaron's death. I love that they let Aaron die a good man, willing to back down so Miles could go free. It's definitive proof that he actually cared for his nephew, to the point where the first thing Aaron felt upon realizing it was Miles was pure fear. Like, "Oh, crap! Not only did I almost kill my brother's son, but this boy is now in some deep s**t! I gotta help him!" And I appreciate that the writers made Aaron a decent human being rather than a diabolical scumbag who wanted to take advantage of Miles or a coward who tried to kill him because he was too scared to fail Kingpin. Even when Aaron's dying, the first thing he does is apologize for letting Miles down, a sentiment that's as sweet as it is tragic. Aaron may not have been a perfect man, but he died wanting to protect Miles, the love for his nephew overshadowing his greed. And I think that redemption is worth everything.

And, MAN, is his death a gut punch! The writers certainly succeeded in giving Miles his Uncle Ben Moment, with Aaron's last words being motivational in telling Miles to "keep going" and how he's the best of them. It's a bittersweet moment, and Miles' dad mistaking Miles to be Aaron's killer doesn't make things any better.

What is sweet, though, is how all the Spider-People are there for Miles, sharing the tragedy they all went through and confirming that the hardest part about being Spider-Man is losing the people you love. And the biggest miracle is that THE CARTOON PIG DOESN'T RUIN THIS MOMENT! Seriously, what does it say about this movie where the character who's practically a Looney Tune manages to keep the emotional weight of the scene going?

Peter B. being tough with Miles...Ouch. It was necessary. Peter B. was doing it as one final test, giving Miles one last chance that he could come through when it matters. The others were even right outside his window, ready and hoping to let Miles join them. But it wasn't meant to be, and it stings to see Miles at this low point. Thankfully, he has someone to pull him out of this funk.

Jefferson's talk with Miles...Told you I'd get to the emotional stuff. But joking aside, this scene...left my eyes a little steamy this time around. Jefferson visually meets Miles halfway and pours his heart out, sharing the feelings Jefferson usually kept guarded except for a moment when it mattered. Sure, Jefferson doesn't know all the facts about the current tragedy he and Miles are going through, but the words he provides give Miles the spark he needs. The spark that Jefferson has always seen in Miles. And the spark that Miles uses to free himself to take that one last step to being Spider-Man. Or, rather, one last leap.

The "What's Up Danger" scene. Do I really need to explain what makes this scene incredible? I know I keep saying the word perfect a lot with this review, but that's really the best way to describe so much of this movie, especially with this moment. The visuals of Miles rising instead of falling and swinging through the city in succession are awe-inspiring. The score mixing in Miles' hero motif with "What's Up Danger," resulting in a moment that's as pleasant on the ears as it is on the eyes. All of it culminates together for a scene that delivers all of the hype, creating a moment where Miles is no longer Miles Morales. He's f**king Spider-Man. And he earned that title.

Also, a small thing, I love that Miles' suit is one of Peter Parker's, but spray-painted black with Miles' interpretation of the Spider-Man logo. It shows Miles stepping into Peter Parker's shoes but doing it in his own style. It's just a great little detail that not a lot of people mention.

Did Kingpin seriously throw a memorial service for the guy he killed? What a filthy, disgusting man...I love him!

The bread scene is hilarious. It involves a pointless character, but I can't help but crack up at how Peter B.'s attempt to find closure with MJ is through him apologizing about not getting her table bread. Peter B. saying, "I want to fill this room up with bread," is just the cherry on top this hilarious sundae.

I really dig Olivia saying, "Goodbye, Peter Parker." You can tell by the way she said it that she wanted to be the one to kill Spider-Man.

Miles coming in to deliver that punch at Doc Ock is a laptop background in the making.

I love how in a situation where the universe is crumbling apart around them, and bad guys are shooting at them all, THAT is the moment when Peter B. realizes that he wants kids. I'm telling you, most of the time, this movie is just naturally funny.

As for the situation they're in, the collider fight is, without a doubt, the most insane final battle in a Spider-Man movie. All the universes merging and tearing the place apart forces the characters to fight as the environment morphs and forms around them, making it a battle where anything could go down. It results in a pretty fun climax, and I love how the colors match the light tone this fight is going for...remember that. It's gonna come back later.

Spider-Ham DESTROYING Scorpion after he dissed cartoons is an exact representation of what the animation community wants to do when someone calls animation kids' stuff or silly. Let it be known that we'd wreck your shop too if we could.

I love how Miles swinging up to the top of the collider incorporates lessons from both Peter Parkers. Obviously, there's the way Miles copied his universe's Peter moves to get up there, but stealing away the Goober by throwing back Peter B.'s "don't watch the mouth, watch the hands" motto adds a little extra that I appreciate.

Miles' goodbye to Peter B. is a culmination of their arcs, where Miles, the student, finally becomes the master, being the one to trip up Peter B. (with the same move he used on Miles, no less) and tells him to get his s**t together and go home. Peter B. taught Miles a lot, letting him see the importance of Spider-Man, the pressure he has to go through, and the faith he must have. And here comes Miles spitting all that back at Peter B., adding more to how they teach each other how to be their better selves. And I relish that!

Remember how I said the colors were bright in the collider, matching the fun of the climax? Well, the second it's just Miles and Kingpin, the colors become darker and more intense, matching the tone of this final battle between good and evil. It makes things way more cinematic and visually pleasing, so kudos...to whoever I give kudos to in this case. There are SO MANY people responsible for animating a single second--Literally, a single second of animation that it's hard to tell who deserves more credit half the time.

As for the fight itself, IT'S AS INTENSE AS THE COLORS IMPLY IT IS! You feel the beating Kingpin gives Miles, but despite how violent it is, there were always these small glimmers of hope that Miles might get the upper hand. That hope gets beaten down by Kingpin's cartoonishly big fist, but there is still hope nonetheless. And it would grow through the most unexpected places.

Is it a little ludicrous that Jefferson is right there to give the most essential words any Spider-Man needs to learn? Oh, absolutely. Without a doubt. But is it still heartwarming that Jefferson still tells Spider-Man to get up despite thinking he killed Aaron, further proofing how Jefferson's always there to tell Miles what he needs to hear when it's important? You'd better gosh dang believe it.

Miles using the shoulder touch on Kingpin is the best. In a way, that lets Miles and Aaron get revenge.

Seeing into the Spider-verse (ha!) is a gorgeous sight to behold, both for the audience and for Miles.

DID THEY HAND DRAW THAT EXPLOSION?! Gosh DANG IT, this movie is insane!

Dang, Jefferson allowing Miles to throw up his art on the wall warms the heart to the fullest it's ever been when watching this movie. He really wants to do better in reaching out to Miles, even if Jefferson still lays down the ground rules for how Miles should express himself.

And Spider-Man hugging Jefferson is equal parts touching and hilarious.

I'm noticing a pattern. My favorite Spider-Man movies are ones where Spidey webs up the big bad for the police to pick up. Instead of, you know...killing them. I loved it in Spider-Man: Homecoming, and I especially adore it here.

The one-take of Miles walking through the streets as Spider-Man mirrors how he did it at the beginning of the movie and contrasts the one-take at his school. It illustrates that he regained his confidence because how could he not after all the s**t he went through. I'd feel pretty big about myself too.

Miles' final narration does well in tying everything together, recapping events, showing how everyone else is doing, and stating the big lesson of the movie. A lesson that Stan Lee himself believed in, as he always thought that what makes Spider-Man amazing is that anyone, anyone at all, could be under that mask. No matter who they are or what they look like, anybody has the potential to represent the ideals of Spider-Man. And while I'm not a fan of movies spelling out their messages to the audience...It's a Spider-Man movie. Narrating to the audience is as essential for the ending as the final swing is, and this one has both! All around, a good ending...with a tease for more.

Though I will admit, it's not every day when I say that a movie's credits are as visually pleasing as the rest of the film.

And while Stan Lee's cameo is a great final tribute to him, ending the movie with one of his quotes is just as spectacular. Again, rest in peace, Stan.

By the way, I adore "Spider-Bells." Not only does it crack me up that Peter has a mental breakdown halfway through singing it, but it also means this movie is a Christmas movie...Because if people can call Die Hard a Christmas movie, then I can call Spider-Man: Into the Spider-Verse a Christmas movie too. Leave me alone.

As for final teasers, Spider-Man 2099 looks dope and I cannot wait to see him tear Miles apart in Spider-Man: Across the Spider-Verse...That felt weird to say, but let the record show that I said with love!

And they got the pointing meme in. Yup, I adore this movie!

So, a pretty flawless film, right?

…Weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeell–

Ok, I want to make it clear that while there are problems to be had, they don't spoil the movie. Most of them are just nitpicks that always bothered me personally, so don't take them too seriously. With that said...

Where did the spider come from? It's the thing that fundamentally changes Miles' life, and we never really got an answer for that.

Why did Gwen double back on revealing her name? Gwen's a pretty common name to have. And, odds are, the one in this universe looks vastly different to her. We already know Peter B. Parker is different from Miles' Peter Parker, so it's not too much of a stretch. Plus, even if Gwen looks the same, the Gwen we know within this movie is already risking a lot by being out as herself, so why change the name? I know it's a small thing, but like I said, it always bothered me.

And while we're on the topic of Gwen, I'm not a fan of her backstory. Not her origin story, that's fine. But the fact that she was in Miles' universe for a whole week and her spider-sense told her to go to his school is...confusing? If being in Miles' universe is literally killing her, how is she not dead already? And how does spider-sense tell her to go to a new school? As far as I can tell, spider-sense is an alarm system that gives a Spider-Person total awareness of everything around them. Not to act as an instruction manual of what to do in life. I take it that this is an excuse to get her and Miles to interact more and form more of a romantic bond, which I'm fine with because they're adorable together. It's just that I wish this was done in a way that made more sense because, as is, it's making my brain hurt.

Kingpin's design...is laughable. Apparently, it's paying homage to a Daredevil comic's artist interpretation of the character, which I guess it's cool...but he looks ridiculous. And don't get me wrong, I love it when superhero animation goes for a more stylistic approach with heroes and villains instead of a realistic one. It's why Spectacular Spider-Man is my favorite Spider-Man show as opposed to others, because every character looks unique from one another, especially the villains. And while Kingpin certainly looks unique...it's a little too much, and it's the one thing I never take seriously with this film.

Green Goblin! One of the most important and influential villains in Spider-Man's line-up...is wasted as canon fodder, dying just as fast as he's introduced. Kind of disappointing.

Spider-Noir, Peni Parker, and Spider-Ham are great characters. They're each animated in great styles that perfectly convey they're from another universe, have some great jokes, and are overall a good time. The problem? They're...not necessary. You can cut these three out of the movie, and nothing will change. I wouldn't mind if they were characters who were there to add fluff and nothing else, but they're there to also add emotional weight to the story. Take Peni's sadness about SP/dr getting destroyed or the characters all saying goodbye to Miles. I can tell that they're all meant to be heart wrenching moments, but we hardly spend time with these characters to feel like it's earned. Miles barely got time to spend with them, so that, right there, takes the punch out of their sad farewells. Again, they're great characters, and I do love that they're a part of this movie. The only problem is that they're in too short of a film to really deserve the emotional beats.

The Spider-People hiding from Miles' roommate might be the ONE joke that fits the more "In your face" style like other Marvel movies. It spoiled the serious momentum before it, and I feel like they kept it in for the sake of a trailer clip.

Hey! Mary Jane Watson is the worst part of a Spider-Man movie! Yeah, go figure. She's an essential part of Peter's life, but there's no personality to either version of the character we see in this movie. Calling her an over-glorified plot device would be generous.  Sorry, MJ, but a Spider-Man movie has, once again, done you dirty. But at least you're pretty good in the MCU...Don't give me that look. You know it's true.

I don't mind Kingpin failing to kill Miles. Villains will stupidly allow the heroes to gain the second wind, and you just need to accept that in superhero media...BUT HOW THE ACTUAL HELL DID MILES, HIS DAD AND ALL THE OTHER NORMAL LIVING PEOPLE SURVIVE THAT EXPLOSION! Look at it! It was massive!

But, seriously, that’s all I have.

Spider-Man: Into the Spider-Verse is the best Spider-Man movie. Nerds and losers debate about which of the live-action films are better but note how rarely anyone denies Spider-Man: Into the Spider-Verse being on top. Can you blame them? With game-changing animation, amazing characters, and a story showcasing everything that's to love about Spider-Man, you cannot get better than this. I look forward to the rest of this trilogy, but I have already accepted that Spider-Man: Into the Spider-Verse will forever remain at the best that there is, and it'll take actual flawless perfection to change my mind.

#spider-man into the spider-verse #spider man #miles morales #peter parker #peter b parker #gwen stacy #spider gwen #spider noir #spider ham #peni parker #kingpin #aaron davis #jefferson davis #what i thought about