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sinceileftyoublog · 2 years

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Riot Fest 2022 Preview: 4 Reasons to Come Early, 1 to Stay Late

Bob Vylan

BY JORDAN MAINZER

This year’s Riot Fest offers a lot in the way of postponements from previous years, whether Nine Inch Nails’ headlining set 1 year in the making or My Chemical Romance’s triumphant return to the stage 2 years late. But there are plenty of great bands to check out before the sun sets. I’ve highlighted 4 bands worth showing up early for and 1 that will make you want to stick around. Oh, and even if you’re not going, you can buy some or all of each band’s music on Bandcamp.

FRIDAY

Boston Manor, 1:30 PM, Radicals Stage

Next month via SharpTone Records, British rock band Boston Manor will follow up their breakout record Glue and last year’s Desperate Times, Desperate Pleasures EP with Datura, their biggest but bleakest album yet. Recorded with Hundred Reasons guitarist, vocalist, and producer Larry Hibbitt, Datura reflects the time-warped days of the pandemic, nights filled with drinking too much and mornings filled with the repercussions of the nights. Lead singer Henry Cox immediately rattles off a series of stark observations on the alien opener “Datura (Dusk)”: “There’s a fire in the cark park / I see it smoldering / Heard my neighbor kill his own dog for going in the bins.” The music of Datura mirrors a similar pervasive sense of dread, harsh noise enveloping the otherwise dreamy guitars of closer “Inertia” and synth bounce of “Crocus”. The rest of the band--lead guitarist Mike Cunniff, rhythm guitarist Ash Wilson, bassist Dan Cunniff, and drummer Jordan Pugh--provide storming instrumentation alongside the pulsating electronics of “Floodlights on the Square” and synth glitches of instrumental “Shelter From The Rain”.

Live, Boston Manor should play at least a couple of the singles from Datura, such as the reflective “Foxglove” and the dramatic “Passenger”, while also taking the Glue victory lap they weren’t able to experience at the height of the pandemic.

Bob Vylan, 4:15 PM, Rebel Stage

The liner notes on the deluxe version of Bob Vylan’s debut album We Live Here start with the words, “Recorded in 2019, mastered in 2020 and relevant today!” You could follow the same formula for all songs from the UK punk rap duo. Even the song that begins with an order to kill the now late queen may be updated on their current tour to use King Charles’ name instead. Bob Vylan’s music lives in constant urgency. Their second album, the phenomenal Bob Vylan Presents the Price of Life (Ghost Theatre), begins with a sample of a speech from Guyanese historian and activist Walter Rodney: “People in their day-to-day lives will know what it means to be living in a state of economic crisis.” Considering the ever-present ills of colonialism, an unprecedented cost of living and housing crisis, and even some food banks closing on Monday for Queen Elizabeth II’s funeral, Bob Vylan speak from their own experiences and on behalf of others. With a combination of driving guitars, propulsive beats, shouted choruses, and limber flow, the duo target everything from the surveillance state (“Phone Tap”) and big pharma (“Drug War”) to the blissfully ignorant (“Turn Off The Radio”) and fake progressives (“Bait the Bear”). “They say I’m violent,” laughs Bobby Vylan, before declaring, “The whole country’s fucking violent.” Fighting fire with fire out of survival, they’ll bring the riot to Riot Fest in true spirit rather than just aesthetic.

SATURDAY

Alexisonfire, 4:30 PM, Radicals Stage

They reunited 7 years ago, but it wasn’t until this June that Canadian post-hardcore greats Alexisonfire actually released a new record, their first in 13 years. Otherness (Dine Alone) strikes a delicate balance between remaining faithful to what makes the band tick while exploring new genres and styles, like the 8-minute folk, psychedelia, prog metal closer “World Stops Turning”. While they might not whip that one out during their hour-long Riot Fest set, Alexisonfire should churn through Otherness highlights like “Sweet Dreams of Otherness” and the surprisingly soft “Sans Soleil”. Of course, they’ll play classics from albums like Crisis and Old Crows / Young Cardinals, but the Otherness songs should fit in nicely in a live set.

Read our review of Otherness.

SUNDAY

Zola Jesus, 2:50 PM, Riot Stage

On Zola Jesus’ 6th album ARKHON (Sacred Bones), Nika Roza Danilova bares all. The record was born out of a state of vulnerability--heartbreak, change, writer’s block--with Danilova reaching out to collaborators earlier than ever in the creative process, including producer Randall Dunn and percussionist Matt Chamberlain. The result is the most outwardly expressive Zola Jesus album to date. On “The Fall” and “Desire”, Danilova straight up belts, dynamically over a shuffling groove on the former and raw-like over acoustic piano on the latter. “Lick my wounds like you can taste them,” she asks of a partner on “Desire”, making them tangibly consider the end of a relationship. Importantly, though the record is immensely personal, a product of intense alienation, Danilova finds common ground with the listener, finding subtle, clever ways to express the universality of her themes. She sings around syncopated samples of a Slovenian folk choir on “Lost”, the voices individually disjointed but unified in spirit. Her vocals intertwine with Louise Woodward’s chamber accompaniment on the cinematic and thrilling “Dead and Gone”, and with sinewy synths and cascading drums on “Into the Wild”. Ultimately, she speaks for all of us, wondering “How can love be misguided when your heart learns to beat?” ARKHON is forever truthful and empathetic.

Though Zola Jesus is somewhat embedded within the dark wave or industrial realms, her set should be a comparatively experimental outlier within Riot Fest, a can’t-miss at the festival for those looking for something different.

Photo by David Black

Yeah Yeah Yeahs, 7:10 PM, Roots Stage

The firmly rooted NYC three-piece are back, the band responsible for such Aughts indie rock classics as Fever to Tell and It’s Blitz! bringing their beer swilling, microphone swallowing live show to the Riot Fest grounds. More importantly, they’ve got a brand new album out at the end of the month. Cool It Down (Secretly Canadian) is, remarkably, only their fifth album in over two decades of existence, and judging by the early singles, it might be another gem in the band’s catalog. Expect to hear plenty of it on Sunday night, including slow-burning anthem “Spitting Off The Edge of the World” and the building, orchestrated “Burning”.

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thisaintascenereviews · 2 years

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Of Mice & Men - Echo Metalcore is a genre that’s been divisive ever since it appeared more than 20 years ago, and it didn’t reach its peak until the late 00s and early 2010s when a lot of the “crabcore,” “Risecore,” and scene bands came to prominence. Bands like Attack Attack, Memphis May Fire, Pierce The Veil, Blessthefall, and Of Mice & Men dominated the scene, and people had differing feelings about these bands, but it’s been a decade or so since these bands were huge, and I’ve noticed that they tend to age in two ways -- like fine wine or spoiled milk. It just depends on what band it is, and where their career went after their initial popularity. Attack Attack, for a good example, lost some key members, and those members formed other bands, the most popular of those being Beartooth, formed by guitarist and vocalist Caleb Shomo, and they’ve had a great career over the last decade. Another scene staple, Memphis May Fire, haven’t; they’ve been just been pumping out the same metalcore records with some hard-rock ideas and sounds thrown in to appeal to the general rock fandom, but they aren’t the big names that they once were. One of the most interesting bands of the time, and the subject of today’s review, was Of Mice & Men, who were formed out of vocalist Austin Carlile being kicked out of Attack Attack after their debut album, 2008′s Someday Came Suddenly. Carlile had a good career with the band, but due to creative differences and health issues, he left before the writing and recording of 2018′s Defy. Former Jamie’s Elsewhere vocalist and guitarist Aaron Pauley came into the band a couple of years before, and Defy was his first album as the sole vocalist of the band. Their sound has gone through a few interesting choices, especially getting ahead of the nu-metalcore train that started in the early 2010s, where bands were becoming more and more influenced by Korn and Linkin Park. They’ve abandoned that sound for a more traditional metalcore sound that was found on the first two albums, especially on 2019′s Earth&Sky, and their newest album, 2021′s Echo. I totally forgot about the latter album, but I enjoyed the former album a lot when it came out a few years ago. They ditched that nu-metal and hard-rock sound for a more melodic metalcore sound and it was great. The band signed to SharpTone prior to the release of this one, but they dropped this album as three EPs throughout the last year and a half, which is really weird, but I waited until the whole album came out to listen to it. I’ve been in the mood to listen to older bands’ new albums, since the new albums from Miss May I and The Devil Wears Prada came out, so when I saw that Of Mice & Men had their new album, I totally forgot about it. I never listened to it when it came out, so I’ve been spending the last few days with it, and I don’t know how to feel about it for better or worse. This is a very strange album, but it’s not because it’s comprised of three EPs. I think it’s because this album seems like a lazy retread of things they’ve done before, but there are some really good things here at the same time, so it’s a bit of a confusing listen for me. I like certain tracks on it, and I’m invested in the album, but I’m taken out of the experience on other songs. This is a pretty simple metalcore album, but your mileage on it will depend on how you feel about the genre, as well as how you feel about this band, whether it’s their early material or later work. I have to give credit to a few things here, mainly Aaron Pauley. He’s not the greatest vocalist out there, especially in the metalcore scene, but he’s got some pipes, at least when it comes to his clean vocals. His screams aren’t anything to write home about, but they’re done well enough that I can enjoy them. The hooks are where they shine, but this album oddly feels devoid of memorable ones. It has some, and the ones that stick out are really good, such as “Fighting Gravity,” “Levee,” and “Bloom,” but some other songs just aren’t memorable enough. Pauley’s vocals are good throughout this record, especially his cleans, but the hooks aren’t extremely strong on a lot of songs. The same goes for the instrumentation, too; a lot of this album just feels flat and lifeless, especially for a metalcore album. It just feels like a lifeless retread, like I said earlier, and I don’t know how to feel about it. Everything on this album is good, don’t get me wrong, but it’s nothing special, either. It’s got some fleeting moments here and there, especially in terms of breakdowns and vocals, but nothing really great, either. The lyrics aren’t half bad, either, but pretty standard for a metalcore album, nonetheless. I just didn’t get as much out of it as I was hoping for, but it’s not all bad. I didn’t dislike this album at all, but it’s not quite as good as their last album, unfortunately. Aaron Pauley is a solid vocalist, and the instrumentation is well-done, but it was nothing extremely noteworthy, either. I’d still recommend this if you want to see what this band is up to, especially if you haven’t listened to them in awhile, because they’ve ditched the butt-rock sound that they had on some of their middle albums, and they’re back to being a straight up metalcore band, but it’s with mixed results.

#of mice & men #echo #austin carlile #aaron pauley #metalcore #metal #heavy metal #post-hardcore #rise records #attack attack #memphis may fire #pierce the veil #sharptone

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surra-de-bunda · 1 year

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Erykah Badu during Millions More Movement Launch at Streets of Washington DC photographed by Johnny Nunez (October 2005).

#Erykah Badu #Seven #Jay Electronica #Al Sharpton #xo #2005

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wherelibertydwells · 9 months

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Imagine!

#al sharpton #grifter #hahaha #history

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mimi-0007 · 1 year

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James Brown and Al sharpton

#james brown #black tumblr #black literature #black excellence #civil rights #black history is american history #black history #black community #civil rights movement #blackexcellence365 #al sharpton #black and white #black americans #black archives #soulful music #soul #black culture #strong black men

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blackwolfmanx2 · 7 months

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Al Sharpton Claims Gun Control Is Civil Rights Because People Can't Do M...

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Of course the Democratic king maker is advocating for gun control. For someone who fights for black people sure loves making them easy victims.

#blackwolfmanx2 #ancap #libertarian #colion noir #joe biden #al sharpton #black statist #closeted cop faggots #gun grabbers #all gun laws are infringements #gun control is oppression #statism #authoritarianism #left wing statists #left wing idiots #guns are essential #shall not be infringed #come and take it #Youtube

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twixnmix · 1 year

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Michael Jackson receives a plaque presented to him by Rev. Al Sharpton, president of the National Youth Movement and chairman of the Victory Tour’s community relations team, as members of the “Pride Patrol” look on at the Hemsley Hotel in New York City on August 2, 1984.

Photos Marty Lederhandler

#michael jackson #rev al sharpton #king of pop #1984 #mj #1980s fashion #1980s music #1980s #pop culture #reverend al sharpton #new york city #jacksons #victory tour

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the-garbanzo-annex-jr · 7 months

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by EZRA BEN-PESACH

Some of Sharpton’s defenders contend that he has had a change of heart, but there is no evidence to substantiate this assertion. The only semblance of an admission on Sharpton’s part is that he has relayed the anecdote of Coretta Scott King chastising him for using “cheap” rhetoric to get “cheap applause.” He also noted that he was supposedly appalled by the Palestinians’ “pay-for-slay” policy. Why he just realized that is anyone’s guess.

On the Jewish calendar, as we approach Rosh Hashanah, the New Year, we are taught that it is a time to perform teshuvah or “repentance.” It is a requisite of teshuvah that we specifically acknowledge our actions and the harms they have caused.

There is also precious little indication that Greenblatt will engage in teshuvah for the serious harm he has caused the once great organization that he now heads.

During the Crown Heights riots, Rabbi Shea Hecht worked across racial lines to reach a harmonious resolution of the conflict. He subsequently co-chaired the Crown Heights Coalition with African-American Dr. Edison O. Jackson.

Asked about the ADL’s current partnership with Sharpton, Rabbi Hecht said, “It is shocking, but then again not. The ADL was not there for us when the riots happened. Still, in some ways what is going on now is worse. The great sage Hillel the Elder famously asked, ‘If I am not for me then who will be for me?’ It does not appear that the ADL is fully there for the Jews in Crown Heights. While I believe that anyone can become our ally, it does not appear that this is being done the right way.”

#adl #anti defamation league #al sharpton #crown heights

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schraubd · 1 year

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Things People Blame the Jews For, Volume LXIV: Al Sharpton

Among the more prominent fusions of antisemitism and racism is the idea that Black political leaders are really just mouthpieces of the Jews. It combines a belief in Black inferiority (obviously, they can't think for themselves) with a belief in Jewish conspiracy (they're pulling the strings behind the scene).

I pulled this tweet -- a beneficiary of Elon's "blue check" destruction -- not just because it's a sterling example of the genre, but because its choice of example is positively baffling:

The Black Community is in dire need of strong black voices to represent them. Al Sharpton is a pissant sycophant working for the Jews who made him into the charlatan he is today. All Black voices in DC were created & given their positions by the Jews ...who tell them what to…

— The White Lady (@NephilimWatcher) May 19, 2023

(I don't even know what to make about concluding with the motto for "Survivor". So we'll just move along....)

Again, the core allegation here is not unique. But specifically citing Al Sharpton as the template -- that's a decision. To be sure, I don't think in the year 2023 it's useful to reduce Rev. Sharpton just to his role in the Crown Heights riot. But certainly that rather specific history Sharpton has with the Jews makes him an odd choice to hold out as your paradigm case of a Black voice under Jewish control.

What I'm saying is that racists need to learn better history. Among other things they need to learn.

(Hat tip)

via The Debate Link https://ift.tt/Jg8Pwct

#Al Sharpton #anti-semitism #Black #Jews #racism #things Jews are blamed for

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decemberthe7th · 1 year

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li ving like a ma so chist

#masochist #polaris #song #tbt #2023 #new #year #band #bands #metalcore #2019 #the death of me #music #video #breakdown #sharptone records #sharptone #records

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thisaintascenereviews · 1 month

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Comeback Kid - Trouble - EP

Hey, Canadian hardcore band Comeback Kid signed to SharpTone, and dropped a new EP, entitled Trouble. I can’t say I was super excited for it, as I’m not a diehard fan of these guys, but I’ve heard a few of their albums. I’ve only really listened to 2014’s Die Knowing, and 2022’s Heavy Steps. Both of those albums are pretty cool, despite how they never reinvented the wheel. Their last album was an honorable mention on my yearend list for 2022, just for being a “good what it is” album. These guys aren’t the most unique band, but they’re a reliable band. Even if they don’t reinvent the wheel, they’ll give you a good experience, so I was wondering if we’d get that with this EP.

Trouble is only four songs, and it’s twelve minutes, so it’s a short little record, but a short album can pack quite a punch. This record does just that, but Comeback Kid kind of offers something new. It’s not much, but Trouble has some clean vocals. I’m sure that they’ve employed them before, but this is more or less a melodic hardcore record, or even leans into punk, versus hardcore. The cleans aren’t bad, either, and they elevate these songs that are actually quite solid already. These are some solid hardcore bruisers, and that’s all they need to be. Songs like “Chompin’ At The Bit,” and “Breaking And Bruised” are surprisingly catchy, and they’re also heavy and rowdy.

This EP is only 12 minutes, but it’s a load of fun. If you want some solid hardcore, you’ll have a blast with this EP. It seems to serve as a stepping stone to another record, or as a teaser, but if this is how their later stuff is going to sound, I’m going to love it. Sure, this EP doesn’t do too much that’s new or unique for this band, but I love the integration of clean vocals. They’re still a heavy band, and there’s a lot of mosh-ready moments, but the clean vocals add something to the EP that I didn’t get from their last album. I’m excited for whatever they do next, as I’m sure it’ll be good. They could end up being more than just “ol’ reliable,” but if that ends up happening, I wouldn’t complain.

#comeback kid #trouble #sharptone #metalcore #metal #rock #punk #hardcore punk

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girlactionfigure · 2 years

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#NY #antisemitism #al sharpton

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scripture-pictures · 3 months

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#al sharpton #judges 3:12 #pac man #eglon king of moab #peta #israel #daily bread #nightly bread #god is love #bible

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thisworldisablackhole · 4 months

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Top 25 Albums of 2023

These are not reviews, simply blurbs of my thoughts on each release. Some have more effort put into them than others. So without further ado...

25. Cursetheknife - There’s A Place I Can Rest

SOUNDS LIKE: HEAVY SOFT ALT ROCK FOR STARGAZING ENTHUSIASTS / LISTEN

Oklahoma rock group cursetheknife caught me by surprise with this release. This was one of those unplanned listens that I checked on a whim because I was intrigued by their 2000s emo "no spaces allowed" type band name paired with a black and white still life painting of an urn and some... cubes? I like it. This record is really great at being loud and quiet. Acoustic guitars and hushed, tired vocals are interrupted by a massive wall of crunchy guitars coloured by pretty harmonics and sustained tremolo bends. Reminds me of both the earth shattering gaze of Hum and the moody depressive folk of Pygmy Lush. A combo I never expected to hear but one that won me over without hesitation.

24. Militarie Gun - Life Under the Gun

SOUNDS LIKE: MELODIC POST-HARDCORE FOR GROOVERS / LISTEN

I wasn't a huge fan of the mix on Militarie Gun's earlier EP's. I liked what they were trying to do musically, but it sounded dry and flat, and vocalist Ian Shelton's strained pleas for love hardly changed their inflection enough to keep me waiting on stand by. My first impressions of this band were completely turned on their head and booted into outer space when I saw them live. Everything made sense. The mix from stage was loud and dynamic, with just enough room verb to slick up their sound. The songs were tight, catchy, and had enough punch to shake you to your core. Their performance that night left me awed, and I’m happy to say that version of the band I saw on the big stage is much better portrayed on this LP. What we get is 12 songs of 90s influenced, groove laden post hardcore that would make any fan of Fugazi, Lungfish or Self Defence Family happy.

23. PinkPantheress - Heaven Knows

SOUNDS LIKE: DRUM & BASS WITH SOUR KEY POP HOOKS / LISTEN

Where are you feat. WILLOW was the first song to draw me into the downtempo bubble gum world of PinkPantheress. Downtempo and bubble gum might sound like distant, thrice removed descriptions, but melancholic piano leads, ambient backing vocals and breakbeat drum samples are combined with PinkPantheress’ signature high pitched, sweet vocal delivery and highschool journal-esque lyrics in a way that hasn’t been done before. Things are generally more upbeat on this album, and it’s good that way. I actually think her style works better when the energy is high and the drums are quick. This album is almost flawless with the exception songs like Bury me, Internet baby and Feelings where the bass lines slow down into a warp, the drums become more sparse, and the lyrics become more repetitive. It’s these moments where the energy and charm are lacking and the result is just meh. Trim the fat, take out a few of these songs, and the album would be a 5/5.

22. Year of the Knife - No Love Lost

SOUNDS LIKE: HEAVY HARDCORE WITH LONG HAIR SENSIBILITIES / LISTEN

Woof, not only does this band have the grit and claws to survive and face real life tragedy, but their tough as nails resolve as individuals is fully apparent through the music they create as well. This album is punishing, frantically violent, but measured and controlled. This band absolutely smokes through powerviolence blast beats and nasty death metal riffage with a cool head, creating a record that teeters on the edge of deathcore at times without ever giving in to the cornball theatrics (which I love btw).

21. END - The Sin of Human Frailty

SOUNDS LIKE: CHAOS, PANIC, CAUSTIC BURNS, METALCORE / LISTEN

Face melting, pummeling madness, blah blah name your adjective, this band has it. Dissonant and chaotic metalcore that will make you feel like you’re being buried alive - face down in the dirt fighting for your life. The production on this thing is DENSE and begs to be played loudly. The layers of noise are packed together in a tight weave that really adds to the oppressive, suffocating nature of their music. Yet it all begins to break apart and show it’s intricate colours the more volume you pump into the speakers. If you’re not a fan by the time Hollow Urn hits you with that cinematic, theatre rumbling bass drop that sounds like a war horn from hell, then I don’t know what to tell you.

20. Panopticon - The Rime of Memory

SOUNDS LIKE: UR LAST MOMENTS BEFORE YOU DIE IN THE WOODS ALONE LOL, ATMOSPHERIC BLACK METAL / LISTEN

This is it, this is gonna be the album that finally reignites my love for black metal. Beautiful, atmospheric, sad. The opening two tracks are full of gothic folk passages packed with orchestral strings, acoustic guitars and even a softly blown flute. By the time the blasting drums, guitars and tortured howls kick in 8 minutes into Winter’s Ghost, it feels like you just got snapped thru a speed run flash back of someone’s personal grief simulation. Your heart will sink through the fucking floor, but from that pain will rise immense beauty and the courage to trudge thru the brutal, frozen wasteland soundscapes of The Rime of Memory.

19. Silent Planet - SUPERBLOOM

SOUNDS LIKE: THE SOFTWARE CHIP IN YOUR BRAIN IS MALFUNCTIONING, METALCORE / LISTEN

I’ve been watching Silent Planet from the sidelines for a couple years now, first being introduced to them through their 2021 effort Iridescent, and then dabbling in some of their older catalog which oddly made me think of an alternate timeline where La Dispute was a metalcore band. I wasn’t a huge fan of hearing melodramatic slam poetry before my breakdowns, but they had a knack for songwriting which made them hard to discredit. Their earlier work just seemed like something I would have had to be there for on release to fully appreciate. Now was my chance. When singles started dropping for SUPERBLOOM, I was excited to finally be on board the hype train for one of their records. This record ended up showcasing a heavier, more modern and electronic influenced side of the band than we’ve seen before. Anecdotally, when this was released I was in the midst of a Cyberpunk 2077 playthrough, and found it to be a very fitting soundtrack to the game. Colourful and archaic. There are a lot of fun and creative ideas on this LP, some of which aren’t given ample room to breathe, but are nonetheless present. I found some of the tracks a little unmemorable at first but it honestly sounds better the more time I give it between listens. Only time will tell how it continues to age.

18. Polaris - Fatalism

SOUNDS LIKE: THE BOUNCY CASTLE AT UR PARTY IS DEFLATING, METALCORE / LISTEN

Polaris are good at what they do. Maybe too good. They are at the pinnacle of modern progressive metalcore alongside bands like Erra and Northlane, but whereas Erra excels in technical proficiency, and Northlane excels in synth pop metal integration, Polaris just brings down the emotional hammer. This band excels in the art of mixing heavy progressive riffs with soaring, passionate, radio ready choruses that just tug at your heart strings. I think Fatalism is overall heavier than their 2020 album The Death of Me, but they have doubled down on all the parts of their formula which make their songwriting so effective at simultaneously jerking tears and making your fists swing in a rage.

17. Night Verses - Every Sound Has A Color in the Valley of Night…

SOUNDS LIKE: SWIRLING, INTOXICATING INSTRUMENTAL PROG METAL / LISTEN

I was pretty adamantly opposed to instrumental music outside of electronic and ambient for a long time until I recently started reading books again. I wanted to see if I could get two birds stoned at once and listen to some tunes that I would usually avoid while I absorb words. I ended up enjoying this release so much that I started listening to it even when I wasn't reading books, but it does make every page you read play out like an intense action scene, so I'm inclined to continue listening in that fashion. Night Verses are an instrumental metal band, but don't go into this expecting full gas technical wankery. Night Verses are pro's at utilizing restraint and softer textures to weave a narrative with their instruments. Never have I encountered a band so skilled at telling a story without words.

16. Termina - Soul Elegy

SOUNDS LIKE: EMO ROBOTS FROM NEPTUNE DISCOVER TECHY DEATHCORE / LISTEN

I was first introduced to this outfit through their single Parasocial and was immediately sold. Sharp, twisting angular guitar leads over over deathcore inspired instruments and vocals. At one point the instruments drop out into an evil bass heavy hip hop beat with pitch shifted demon vocals before launching straight back into full auditory assault. It was just straight up one of the coolest switch ups I've heard in a metal song before and I was really hyped to hear what else they had in store. Ultimately I didn't enjoy the other singles on first listen as much as Parasocial, but the rest of the album really delivered upon release. There are points during this record where I feel like it was written by an AI; algorithmically engineered to release the right amounts of dopamine in my brain at specific intervals to keep me engaged. I don't mean that as an insult, as the result is a highly addicting LP that hits all the hallmarks of modern metal while still feeling innovative and fun.

15. Dying Wish - Symptoms of Survival

SOUNDS LIKE: THAT SHIT UR 40 YEAR OLD METALHEAD HOMIE PUTS ON THE AUX, TURN OF THE CENTURY MELODIC METALCORE / LISTEN

I was exposed to this band when they were on tour with Counterparts. The bill that night was supposed to be Counterparts, Dying Wish, Foreign Hands and SeeYouSpaceCowboy, but unfortunately Foreign Hands had their vehicle broken into in Washington and couldn't cross the border. I was still treated to a ménage à trois of metalcore excellence that night, but was especially blown away by Dying Wish as they were the only band on the bill I wasn't familiar with. My expectations were low and they spin kicked me in the teeth with their oldschool melodeath inspired riffs. From that moment on I was eagerly awaiting this album. The singles they drip fed us showed a marked improvement in their songwriting and especially in Emma's performance as a vocalist. The full album proved to be a worthy contender, bringing back a solid nostalgic sound to an arena packed to the brim of tiresome modernity. I still can't get the sound of those crash laden breakdowns out of my head.

14. fromjoy - fromjoy

SOUNDS LIKE: CHAOTIC GRINDIN MATHCORE MADE BY DEPRESSED ZOOMERS WHO PROBS GREW UP ON 4CHAN / LISTEN

This is a very recent addition to this list, but one that has swiftly earned it's place. There have been plenty of bands this year that have done this kind of chaotic, math influenced metalcore, but none that have blended the sound with electronic breakbeats and haunting choruses the same way fromjoy has. I can get kind of tired of albums that are just 100% speed and brutality front to back, but fromjoy have injected enough elements of other genres here to offer moments of respite from their brain melting, hellish soundscapes. Songs like of the shapes of hearts and humans, or the saxophone vaporwave of Helios, are much like a bench atop a canyon vista. A moment to regroup and recover before you continue pushing that boulder up hill.

13. Invent Animate - Heavener

SOUNDS LIKE: U JUST PISSED OFF SOME ANGELS BRUH, METALCORE / LISTEN

Invent Animate are a progressive, atmospheric metalcore band. Sounds pretty fuckin cool to me, but I have a strange relationship with this album. It's an album that I've always liked, but have really struggled to connect with on an individual track basis. It took months of casual listening before I could really differentiate one track from another. It all sort of blurred together, which is on one hand a testament to the atmosphere they have created with this record, but on the other hand it created a challenge to find specific moments to draw me back in. Despite that I still really enjoyed the general sound of what I was hearing; heavy polyrhythmic riffs backed by icy reverberated synthesizers which melted into breakdown ASMR in my headphones. It wasn't really a hard decision to continue giving it a chance to grow on me, and I'm glad I did.

12. TesseracT - War of Being

SOUNDS LIKE: IF DREAM THEATER WAS GOOD LOL, PROGRESSIVE METAL / LISTEN

I was a huge fan of TesseracT's album One back in the early 2010's. I decided to revisit that album earlier this year just out of curiosity to see if I would still enjoy that kind of music, and I was pleased to find that the album still sounded just as good to my 28 year old brain as it did to my 16 year old brain. It's always a nice feeling to realize that your younger self didn't have terrible taste in music. During this time of re-listening to One I had no idea that they were on the verge of releasing a new album. When the single War of Being dropped in July I was absolutely floored to find out that not only did their old material still hold up, but their newest material was absolutely on par with it. The groove, the heaviness, the atmosphere, Daniel Tompkins sultry sweet vocals and crushing screams. It was clear to me that TesseracT hadn't missed a single step in their newest endeavor. It was a full package that made the 16 year old in me gleam from ear to ear.

11. Mental Cruelty - Zwielicht

SOUNDS LIKE: LEGOLAS FUCKED UP AND TOSSED GIMLI STRAIGHT INTO THE ORCS, SYMPHONIC DEATHCORE / LISTEN

I didn't even really know what deathcore was until I saw Lorna Shore's Pain Remains plastered all over the front page of sputnikmusic and the users top albums of 2022 lists. I decided to give it a try out of morbid curiosity and discovered that I actually really loved the combination of heavy as fuck instrumentation, twisted pig squeal vocals and symphonic, fantasy soundtrack-esque passages. It was like nothing I had ever heard before and I loved the total absurdity of it. Discovering Mental Cruelty just cemented my newfound love for this genre. Zwielicht is epic, grandoise, brutal, disgusting and beautiful all at the same time. The symphonic breakdown on Pest makes me feel like I'm listening to a metal record while witnessing firsthand the battle of Helm's Deep in Peter Jackson's adaptation of Tolkein's The Two Towers. Dark and dramatic, this album perfectly conjoins my love for both extreme metal and fantasy.

10. The Republic of Wolves - Why Would Anyone Want To Live This Long?

SOUNDS LIKE: YOU JUST GAVE THE INDIE KID A NOOGIE, LOUD ALT ROCK / LISTEN

The Republic of Wolves completely blindsided us with a surprise EP in December, just two weeks before Christmas. I had listened to this band very briefly back in 2011 when they released The Cartographer, but it wouldn't be until discovering Shrine a couple years ago that I really fell head over heels for them. Their moody, dim lit and introspective brand of post hardcore tinged indie rock felt like it was tailor made for my tastes. To put it simply, this new EP is fantastic, but it comes with a caveat; the mix. It is raw and unpolished. Maybe a little thin and tinny sounding when compared to Shrine. This release is kind of like a haphazard demo tape thrown together just to remind the world that they still have the chops, and boy do they ever. Hidden below the rough edges of this recording is some of their most adventurous and rewarding song writing. Beautiful moments reveal themselves like treasure chests on the high seas, and the closer you get the more they glisten.

9. Koyo - Would You Miss It?

SOUNDS LIKE: I DONT HAVE ANYTHING FUNNY FOR THIS ONE, SAD POP PUNK IS ALREADY A JOKE / LISTEN

Pop punk! A genre that I always thought was kinda corny and lame until I started listening to The Story So Far and realized that it can actually be incredibly potent, emotionally charged and energetic form of catharsis. Koyo really fit the bill when I was searching for more bands that would satisfy my TSSF cravings. Although I'm not a huge fan of "gruff bearded IPA guy" vocals in punk music, Koyo's songs were so catchy and impactful that even the singer eventually won me over, and this record found itself in constant rotation.

8. Maruja - Knocknarea

SOUNDS LIKE: HARDCORE KIDS STARTED LISTENING TO JAZZ AND NICK CAVE, POST PUNK / LISTEN

My friend randomly sent me a song from this, saying that it auto played for him on spotify and he thought I would like it. I was enthralled by it immediately and it ended up being the best thing he has ever recommended to me. I am a huuge sucker for saxophone and firmly stand behind the opinion that horns can improve almost any genre of music, especially when that genre is moody post punk blasting straight out of the smoky stairwell exit of an underground english club. Maruja's use of the saxophone is much more than just a garnish though, it is woven into the structure of each song the same way a guitar would be. When paired with the anguished croons of vocalist Harry Wilkinson, the result is an atmosphere almost oppressive with it's heavy yet deeply moving temperament. This will undoubtedly be a band to pay close close attention to in the coming years.

7. Johnny Booth - Moments Elsewhere

SOUNDS LIKE: BOTCH TAPE IS IN THE STEREO AND UR BRAKES JUST STOPPED WORKING, METALCORE / LISTEN

I had never heard of this band before this album dropped, and I only checked it out because their name sounded weird as hell to me. I thought we left name-names like Billy Talent in the dust years ago. What I wasn't prepared for was the scourge of angry-fun math infused metalcore behind it's surreal cover art. One thing that made this album stand out to me was the pure variety of sounds and influences available. Everything from Botch worship, dreamy alt rock reminiscent of the softer cuts on Loathe's 2020 mammoth ILIIAITE, and Blood Brothers inspired "four on the floor" dance punk. This album portrays itself like a psych-ward colouring book, and the result is an album that never feels boring or out of touch.

6. Spiritbox - The Fear of Fear

SOUNDS LIKE: NEW AGE, EASY LISTENING, ALTERNATIVE METALCORE / LISTEN

Spiritbox have been a controversial band in the metal community, mainly criticized for their streamlined, "sterile" (not my words) take on pop infused metalcore. I for one love the fact that they are creating heavy music that is still accessible, smooth, and packs enough heart to caress the unwrinkled surface of my brain. This EP is extremely succinct, all killer no filler, and just a really great example of all the strong suits this band has to offer. Songs like Cellar Door and Angel Eyes are just heavy and intense, purely utilizing harsh vocals to convey the feeling of anxiety that comes with grappling your sense of self. Nothing has resonated with me this year more than Courtney screaming "I can't live in this world while I breathe in another one" right before the heaviest fucking breakdown. Too Close / Too Late, The Void, and Ultraviolet are all shimmering and beautiful alt-metal tracks with no harsh vocals present at all. Jaded sits firmly in between, open arms firmly grasping from all corners of Spiritbox's repertoire to create a perfect balance of screaming, frost bitten metallic riffs and a chorus so catchy it could rival some of the biggest pop R&B artists on the radio today.

5. Nothing,nowhere. - Void Eternal

SOUNDS LIKE: THE PICTURES IN YOUR HIGHSCHOOL LOCKER, NU METAL, METALCORE / LISTEN

Given the fact that this album features Pete Wentz, Shane Told, Buddy Nielsen, Underoath vocalists Spencer and Aaron, as well as some more contemporary artists such as Will Ramos, Connie Sgarbossa and Olli Appleyard, it confuses me to see how little it is talked about. I don't know if this album completely flew under the radar of post hardcore and metalcore fans, or if it was just written off as over produced studio nostalgia bait. Naysayers be damned as there are some seriously catchy, well written songs here. Even when the album ventures into Linkin Park nu-metal rap territory, Joe Mulherin is just such a talented vocalist and song writer that he always brings the songs back to earth with a bangin chorus or death defying breakdown.

4. Wednesday - Rat Saw God

SOUNDS LIKE: IF MBV WAS A COUNTRY BAND, TWANGY ALT ROCK / LISTEN

Kind of the oddball addition to this list, but god damn I love this album so much. Even though I come off as a metalcore fan first, a lot of my favourite artists are actually 90s indie rock bands of the slacker variety, and adjacent americana influenced singer songwriters. Wedneday checks all the boxes that I love about 90s alternative music. Rough around the edges but infectious with it's melody. Reminiscent of both the untuned honesty of David Berman and the super charged, off kilter charm of Swirlies.

3. Hail The Sun - Divine Inner Tension

SOUNDS LIKE: AN EDGIER, COOLER MARS VOLTA, PROGRESSIVE POST-HARDCORE / LISTEN

This was my most anticipated album of the year, and one that I made the unfortunate mistake of burning myself the fuck out on it's singles. I listened to Maladapted, Under the Floor, Chunker, and Mind Reader so many times in a row that when the full album was released, it just sounded WEIRD to me. Obviously I didn't let that get in the way of my enjoyment, but my brain had been wired to expect certain songs to be preceded by and followed by certain songs. Ya know what I mean. It threw me through a loop and it took a long time for the other songs to really click into place. Divine Inner Tension is one of Hail the Sun's strongest and most fun albums to date. These tracks are smart and witty, dazzling with it's technicality and playfulness. Math rock guitar harmonies, funky bass lines and spastic drum fills phase in and out of battle stances before breaking free into powerful choruses and descending back down their stairwell of madness. Vocalist Donovan Melero can be a bit of an acquired taste, but fans of The Mars Volta will feel right at home listening to the dramatic flair in the ceiling shattering range of his voice. Despite the fact that he can sometimes hold me back from recommending this band to people in my inner circle, I couldn't imagine a more perfect vocalist for the band. He knows how to command a room, and sometimes (if you close your eyes) the instruments feel like an extension of his voice, spreading from his open mouth like tendrils to do his bidding. Admittedly I still feel a stronger emotional connection to New Age Filth and Wake, but this band doesn't miss and I'm sure my emotional attachment to Divine Inner Tension will grow the more it marinates and the singles that I burnt myself on begin to simmer down into a stew on low boil.

2. Aviations - Luminara

SOUNDS LIKE: BEING EMBRACED BY THE SWEET WARMTH OF THE COSMOS, PROGRESSIVE ROCK, METAL / LISTEN

Beautiful melodies, progressive signatures, intricate harmonies, bright pianos and sweet, soaring vocals. This album engulfed me in it's gorgeous fiery glow and there was no looking back. Despite technically being a metal band, pure heaviness is merely a fork in the road on Aviations journey, a stormy mountain passage per se. In fact, I think one of the most impressive aspects of this band is their ability to utilize downtuned guitars and hard hitting polyrhythms in the softest way possible. Screams are sprinkled here and there on different tracks for emotional emphasis, but fourth track Legend is the only song on the album where the band goes all in on the heavy. They offer us a brief, deafening glimpse into their realm of madness before switching gears with La Jolla back into a band that sounds suspiciously like a modern church worship group, almost as if Legend was just an accidental slip of the mask that you were definitely not supposed to see. Watch your back. It doesn't matter which mask this band wears though, as everything they do is just beautiful and unique in it's ability to sound like a sunrise in motion. Adam Benjamin's vocals are just icing on top of an already sickingly sweet cake. His ability to dance between delicate falsetto and smooth, passionate wails makes me believe he has cherry blossoms and bleeding hearts in place of vocal chords. Luminara is a testament to what can be achieved when six technically proficient musicians come together with a central vision to create a a metal album that moves mountains with it's tenderness. The artistically explorative and emotionally impactful music they have laid down here make it an easy pick for second place.

1. Currents - The Death We Seek

SOUNDS LIKE: JUMPING IN THE BATH WITH A TOASTER OVEN, STICKING A FORK IN AN OUTLET, METALCORE / LISTEN

See below or click here for my full thoughts on the undisputed AOTY of 2023.

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