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#she's confident in her looks
coffeecatcraze · 3 months
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I would just like to say how hard it hits me in the chest to see Charlie masking every time she's onscreen the day before the fight (including what we see on Vox's spy screens of course), except when no one is with her but Vaggie. Even during her emotional speech she tries so damn hard to keep that confidence up and smile on. But we do see her stop masking twice, when the only person watching her is Vaggie.
First:
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No one's really paying attention to her, and she's not smiling; she's worried. When Vaggie approaches her, she doesn't put on a happy face. She talks about her mom with the same smile as in the first episode (during a very emotionally vulnerable moment with Vaggie, might I add). It's not happy or confident. It's nostalgic, wistful, and sad, because her mom's absence is something very personal and painful for her. When Vaggie asks if they're ready, Charlie doesn't instantly start to smile or answer with confidence even though she usually would (even within that short beat of time), because her mask is off. She's not confident or optimistic. She's scared. She's not ready.
Then Pentious comes out and she's all smiles again! The mask comes back on when someone other than Vaggie is there.
Second:
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Of course, one of our favorite scenes. Charlie's alone when she breaks down, but when Vaggie shows up, she keeps the mask off. She admits how scared she is. When she does smile, it's not the big smile she's been throwing on throughout the day, and it's not strained either. It's soft, gentle, and real. She's not masking. Vaggie is genuinely making her feel better when she's finally letting herself fall apart, just by being there and reminding her that no matter what happens, she's already accomplished so much, and she's so loved.
Charlie is under a lot of stress and pressure. She's scared. She's not as optimistic as she's making herself out to be. She's giving everything she's got out there being a strong, confident, inspirational leader and friend in front of everyone, and it's only with Vaggie that she lets it go. She doesn't have to try to be strong. She doesn't pretend. She lets down her guard, because for her, Vaggie is that one infinitely special person who gets to see every part of her; the one person she can always be her honest self with.
There were plenty of times in other episodes when Charlie didn't mask her negative emotions around people, but that was when she didn't have anyone looking to her as a leader. She's running on adrenaline and the weight of people's expectations as Extermination Day gets closer, and she can't let the mask she's put on slip in public. She has to seem like she's totally ready for what's coming. But Vaggie is different.
The amount of trust and love Charlie has for her is staggering. She's under an insane amount of stress and pressure, and having Vaggie by her side is probably the only thing keeping her from completely falling to pieces. Seeing a relationship so full of deep trust and love is absolutely beautiful. <3
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mochapanda · 10 months
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bunch of kairis (+ bonus quadratum kairi)
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ordordordordord · 6 months
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thinking about transfem sanji and "apparently-bisexual-now" zoro.
Sanji comes back to sabaody post ts with long hair and fem presenting, yet kicks zoros ass even harder than before and he's immediately smitten.
Zoro who's never been attracted to a woman before, but now all he can think of is sanjis long hair and pretty eyes and "yeah, okay, I guess this is it now."
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yasmin khans career is insane to me. this kid walked depressed out of high school and into a police station and went yo i wanna do this. and then probably did some kinda degree apprenticeship for a year and a half and then we meet her. dont think it wouldve taken her more than a year to start tugging on her boss's sleeve like lemme save a life pleaaaaaaseeeeee
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aroaceleovaldez · 1 year
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HoO is so funny to me when you actually think about the ages of all the characters. Octavian is 18. Percy and Annabeth are 16, almost 17. Reyna is presumably 16. Frank just turned 16, Jason’s about to turn 16. Leo and Piper are like 15. Hazel’s like 14 and a half, and Nico is 13.
The Death Sibs are both the youngest and oldest on the Argo II. Octavian is a college freshman getting into petty drama with a bunch of high schoolers. He gets told to shut up at one point by a random 8th grader. Everyone is scared of the 8th grader. We Sent A 13 Year Old To Superhell and he came back weirder, Just Like Middle School. TLH was just three high school sophomores being sent to do a task and it going Exactly Like You’d Expect. Percy’s the only demigod on the ship who can legally drive (though Reyna gets her drivers license at some point before TOA). What Is Happening.
#pjo#hoo#heroes of olympus#riordanverse#my second favorite thing related to this is like every time Hazel references someone's age especially in SoN it's just. blatantly incorrect.#she goes into very specific detail about how she's 14. detailing like exactly how many months it had been since her birthday#and when she died and when she was brought back. just like ''okay. im 14 and a half. got that? good.''#''anyways here's Frank. he's 3 years older than me'' like literal next chapter. we are told Frank is not 3 years older than her.#Hazel: Here's my older brother! [Nico is younger than her in literally every way feasible]#ive just decided Hazel is an unreliable narrator who is just really bad at guessing/remembering how old people are#which like. adhd mood. forgetting how old everybody is.#and she has the bonus excuse of saying her sense of time is skewed from being a ghost for so long#but it's just so funny every time she's just. with the upmost confidence. blatantly the wrong answer.#i want a scene of Hazel looking at Percy and just going ''hm. I bet he's like 20.'' and then learns he's 16#and she's just [surprised pikachu]#also we know it isn't an error that she's 14 cause in TOA she's like ''oh yeah im learning to drive!''#so she's 15 by then#it is however an error that *Nico* is said to be 14 in hoo cause he's 12 in TLO and 14 in TOA#but we know in HoO the reason that error was made was cause Rick hadn't figured out Nico's birthday yet#and he was flipping it between January or March#so he just forgot how old Nico is for a series and then we went back to normal
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@emperor-pavoom as much as I love cyber-punk Tox… I’m okay with the new punk Mohawk Tox 😁
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owlsie-hoot · 7 months
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"He’s learning when she walks into a room and something’s not right for her, or she is a bit disturbed, because sometimes she’s brisk, sometimes she’s busy, sometimes she’s stressed. She’s got a lot to do. But when she’s upset, he gets it. I like that.”
Samuel West
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nevertheless-moving · 1 month
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Hesina Willshaper AU
Step one canon divergence: Amaram's army doesn't do the kind thing. Kaladin's listed next of kin are sent a letter stiffly informing them that their son is a deserter and, thanks to the highmarshall's mercy, has been sold into slavery.
Step two canon divergence: a light spren has started following Hesina around.
The letter reaches hearthstone.
Hesina cries the bones of the first ideal through labor pangs. Their wretched diamond lamp grows slightly dimmer during childbirth.
Hesina and Lirin discuss if there's anyway they could possibly find their son and pay his slave debt. They're not optimistic.
Hesina talks with her lightspren.
Lirin and Hesina talk again about trying to find their son, now that Oroden is starting to be weaned.
Hesina appears to have grown taller. No one but the two of them seem to be aware but they're worried other future changes might be more noticeable.
Hesina and Lirin realize that she can mold rock as if it was clay with stormlight. A spark of hope for freeing their son emerges.
The two leave town.
They find a slave market in the nearest city. They see other parent's sons, but not their own.
Hesina swears to free those in bondage. Stormlight starts coming easier.
They make a tunnel. Rebellion follows. Lirin is horrified by the violence (the violence is not actually that bad all things considered. a couple guards dead. some bystanders frightened. Fair amount of property damage as they rob the military barracks food supply, steal every sphere that's not nailed down. and also steal the spheres that are nailed down. (Lirin won't admit it but the stealing from lamps part is kindof fun.)).
Many of those they freed flee. Some return to slavery willingly, scared of retribution. Many decide to follow the Radiant woman who has vowed to see others like them freed.
The group proceed to the next town. They find another slave market. They make a tunnel. There is more resistance than last time, clearly they were warned something might happened. Hesina kills a man.
Lirin is terrified by what his wife is becoming.
Hesina swears to shelter those without homes. The lightspren forms an unbreakable hammer, perfect for knocking crem free from buildings. And for knocking down men.
A now larger motley group seeks shelter in a mountain town razed in one of Alethkar's many skirmishes over the last decades. Hesina builds homes. Lirin begs her to stay here, to stop fighting before she goes to far down this path, not to go to war. The slaves they've freed are split, many wanting to stay, hide, some wanting to fight and free more, with a radiant at their head, there's a real chance to change things. Hesina lingers, practicing, spends some time falling in and out of shadesmar.
Lirin and Hesina separate.
Lirin stays with Oroden and the noncombatants. Hesina leads those who want to fight to another city, still trying to find their son, still trying to free everyone's children.
The town settles into a routine. Hesina and Lirin miss one another. This is the first time they've gone longer than two days without seeing each other in the last 25 years, and the two days was only when Lirin had to travel to where someone had overturned a cart on the road nearby and Hesina had to stay and watch the children, too young to travel. besides that, it had been every day. they keep turning to talk to each other.
While the army is gone, the free town is attacked by those trying to reclaim her property.
Hesina swims deliberately through shadesmar for the first time. reaches lirin just in time.
Lirin accepts that not fighting won't stop the violence. (It breaks him just a little bit)
Hesina shouts that one person's freedom ends where another's begins. She vows to fight against powers which would rather see their people in cages then homes. A thousand light spren rise up to grant her strength.
(yes I know she's moving fast through the oaths. but she's always been a thoughtful woman and she raised two children who asked difficult questions and now shes mother to another several hundred. honestly she had already worked through some of these concepts before they became actionable on such a grand scale.)
Lirin vows to support his wife through whatever trials the Almighty seems inclined to put her through.
The lightspren, who has started to get some memories back, remembers Oathgate Spren not terribly far from here by physical realm measurements, guarding a hidden human city
the stone remembers the way the radiants once traveled.
The path to a kingdom in the sky is slow — there are many cages to break on the way.
Kaladin doesn't know it right away, because people weren't exactly telling slaves about the freedom riots, but slave wagons start having harder and harder times reaching the shattered planes after him.
Someone mocks Lirin for having a wife so determined to pursue the masculine art of war. Lirin gets pissy and decides to show them by learning to read and write to help support the administrative side of his wife's kingdom wide asskicking.
The highprinces lead a fairly successful misinformation campaign about the slave riots, lots of accusations of rampant violence, the dregs of society lashing out, you can probably imagine
The ongoing rebellion is large enough that word trickles to the bridge crews, encouraging bridge four's hope for escaping, while also making it substantially more daunting, as the crews are even better guarded than canon.
Rumors of a female radiant swirl around. Most people assume it's a woman in shardplate with some sort of tunneling fabrial, which is still pretty crazy, but several major players Take Note
A very large and tired huddled mass of people reach Urithiru. there's just enough squires, and two new willshapers with their own oaths, to make tunnels through the shattered planes and reach the oathgate without being seen by the alethi armies
the parshendi army is another story, but some are willing to take a chance listening to the neshua kadal, and come with them.
The political implications of Dalinar freeing 1000 slaves is slightly more complex, especially considering the rebellions have been impacting Sadeas the hardest
About a week after being freed, Kaladin hires a spanreed intermediary to write home and find out if his hometown is alright (again, a lot of misinformation and rumors about the violence of the riots)
Is informed by Laral that his family left town looking for him shortly before the riots started, were presumed dead
Kaladin is under the impression that 1) his parents are dead because of him 2) the Rebellion is not the righteous fallback plan that he and the men were hoping it was.
Hesina has many reasons to go to the shattered planes. Nearest part of the trade network for food and necessary goods. Many slaves to be freed from there, and a part of her still hopes to find her son, even thought its been so long. Home of Alethkar's political leaders, the source of Alethkar's slavery.
I have spent. A LOT of time imagining many possible reunions between kaladin and his mom in my highly specific high oath hesenia au. She has a couple faces she could wear when visiting the planes. Brightlady. Radiant. Cagebreaker. Queen of Urithiru (not her real title, they're tentatively trying the Listener council model, but they know what the Alethi will understand). Even darkeyed mother, if she and Lirin approach slowly from a different direction. Honestly, pleased as I am with all of the above, a lot is flexible, the key here is kaladin going "MOM??" In some fashion
Thank you @sorchasolas for conversation and the urithiru ideas and for leading me to actually write all this down <3
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vigilskeep · 7 months
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one thing abt visibly chasind morrigan that’s super interesting is that it makes your ability to ask if flemeth is really her mother actually makes sense when it’s startling how fereldan flemeth looks and dresses when you’re brought there
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🎉✨Baby Chrobin!!!!!!! 💜💙🎉
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raspberrydaisieschlb · 2 months
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So, hot take I guess, but Jinafire Long evolving from wearing what is essentially just an orientalist dress to wearing normal clothes is a massive upgrade.
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oop oc concept posting! this bad bitch is for an original story of mine - the main characters are all from different "genres", and i needed One More to round out the group and well. puppet-y guy fit the bill! i can't decide on a name!
she's from a children's show that had a western themed rock group that would provide lessons through the power of Music! she was the band guitarist until she fuckin. fell into the labyrinth & got corrupted by her found family of idiot assholes
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heartbeatbookclub · 4 months
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I think, in a lot of ways, Monika and Sayori are reflections of each other.
Really, I think all of the girls are similar in a lot of their issues (self-esteem, anxiety, etc) and that's something emphasized in a lot of the stories, and a big part of why they all gravitate towards each other and work to create the club as a safe space for all of them, but I think Monika and Sayori in particular are just very much alike.
I think Trust really emphasized this similarity in the reveal of Sayori's poem, Become the Flower.
Prior to shifting focus onto the poem, Monika talks to herself about her real vision for the Literature Club. I think here, Monika points out what Sayori actually meant when she said that Monika was "trying to make the club [she] needs the most, out of anyone", even if she doesn't actually realize that yet. It's pretty clear that when she says that literature is a window to the real self underneath the person who's "forced to always smile and blend in", and is "forced to be perfect", she's really talking about herself.
I think that a lot of Monika's character throughout Trust is expressed more subtly, often in a roundabout way like this. A huge part of the story is centered around Monika's own personal struggles expressing herself, and that trait is pretty well exemplified in this indirect way of talking about her own struggles. I think that the reason why Monika's characterization here is so subtle overall is reflective of this.
And I think it's pretty blatant that this is statement is also meant to be reflective of Sayori, given that we immediately move from this statement onto the poem which reveals to Monika that she's been hiding her own problems. In this way, I think Team Salvato wanted to explicitly point out how similar they really are, and draw your attention to it.
I think that the way that Trust as a story is put together is meant to really emphasize just how similar they are even in their differences; spending a great deal of time focusing on Monika's own problems, to then showcase Sayori as the mirror to them.
I think the two of them make a very interesting pair in that respect, because a big similarity they have is that they very much place others above themselves, so they both end up individually building each other up while they put themselves down. It creates this strange back and forth where they each insist they suck and the other is great, when the reality is that they're both pretty fantastic.
In the statement Monika made to herself about her vision of the club, while it's clear she's talking about herself, she frames it in the context of somebody else getting those benefits out of the Literature Club, rather than herself. Throughout the entirety of Trust, she speaks dismissively of her efforts and her problems alike, while pointing out that Sayori is providing a lot of help. Sayori by contrast spends most of her time hyping her up and points out, explicitly, that Monika doesn't give herself enough credit. She also dismisses her own efforts, pointing out in most things she does, up into the climax, that Monika is a lot better than her at whatever she's doing. And when Sayori's problems are actually revealed, she explicitly says that she doesn't want Monika to worry about her, and that she doesn't want to have this conversation.
I think this all really shows that both of them are averse to tackling their own problems head-on, and I think this comes out of a fear of being vulnerable, since that's directly mentioned several times in Monika's issues openly expressing herself.
I think what makes Monika's particular brand of self-negging quite so disheartening is that she dismisses it out of hand as her being silly and dramatic, and in that way, she doesn't actually address the fundamental problem underlying it, nor does she actually address the statements themselves as incorrect. The amount of time she spends talking down her own problems as something trivial and silly, particularly in comparison to Sayori's problems, are a manifestation of her own desire to avoid the vulnerability of even having these problems, and it's just...heartbreaking. Sayori's denial is its own can of worms, but Monika's ability to so consistently minimize her issues when they are clearly still impacting her is so uniquely troublesome.
I think a big difference between the two of them in that respect is that Monika wears significantly more of her heart on her sleeve, so Sayori finds it a lot easier to directly target Monika's problems than Monika does in the reverse, but their individual habits of avoidance are coming from the same place.
I'm traveling a bit aimlessly in this essay, trying to tie things together nicely as I see them, but there are just a lot of similarities I notice between their actions and the way they think that showcase that they have a lot of the same problems, and a huge theme in Trust is expressing oneself, which both Monika and Sayori struggle to do, in much the same way.
I think a key similarity between the two of them is their tendency to catastrophize over a situation when left alone, mostly revolving around seeing the worst possible scenario for how they could've personally messed up the situation. I'm just rewatching Trust for this little essay, so there are two major moments I see Monika doing this, but I remember Sayori doing this...a few times, actually, throughout the side stories.
I think the spiral Monika goes into after reading Become the Flower is particularly important, as it exemplifies the habit of dismissing her own problems fantastically; in this case, she has an excuse. It's true that Monika's issues with her perfectionism seem silly and trivial in comparison to Sayori's, but that's exactly the thing: She shouldn't be comparing them in the first place! Her problems are real, and they clearly cause her distress, but because Sayori's own issues appear so much more serious than hers, she dismisses them wholesale as her being dramatic and silly. Because Monika's problems seem so small, she doesn't see them for the problems they really are. In the same way, because her own accomplishments and work seem so small, she doesn't see them for the accomplishments they are.
This spiral showcases Monika's biggest problem, the reason why she has such trouble expressing herself, and conversely, the exact same problem Sayori has. She doesn't want to be the center of attention.
Put another way, she doesn't think she deserves to be the center of attention. Her problems are so trivial; her accomplishments menial. Her fear of vulnerability isn't a fear that others will hurt her; it's a fear of being selfish.
Sayori is very similar, in that the reason she actively works to avoid showing any possible sign that anything is wrong is because she doesn't want anyone to worry about her. She doesn't want other people to dedicate time and energy to her.
I think that for both of them, this comes from low self-esteem. Sayori is self-explanatory I think, but I'd say Monika's perfectionism makes it exceptionally difficult for her to really feel accomplished in anything she does, which, coupled with her constant preoccupation with how she appears to other people (I think Monika places very high expectations on herself. I mean, Trust literally starts with her frantically apologizing and saying "I normally don't ever do this!" when Sayori finds her napping) makes it very difficult for her to feel confident in herself.
The fear both Sayori and Monika have in being vulnerable isn't that people will use that vulnerability to hurt them.
It's that people will try to help them.
And I think that's a really big part of why Sayori feels like she can trust Monika with her darkest thoughts, because she understands that they're the same in a lot of ways.
Monika created the club which she needed the most...and it was also the club Sayori needed the most, for the exact same reason.
I think it's kinda easy to overlook a lot of this because of the sheer amount of focus placed onto Sayori and the more explicit issue Monika has (insofar as the plot is concerned), but I think Sayori is exactly what Monika needs just as much as Monika is what Sayori needs.
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imthursdaysyme · 10 months
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It’ll pass series 1/5: ronance
#drawing#art#stranger things#robin buckley#nancy wheeler#ronance#look I’m sorry for this series#it’s all sad#and I’m sad#bc I don’t have a funny story to put in the tags ☹️#but I like to think they were like together#enjoying each other and the closeness of being around someone simply but never going too far#I think that Robin would say it first bc she loves so easily and so much that how can she not let Nancy know that she loves her?#how is robin supposed to keep her feelings to herself when she always felt so unloved as a child? how could she refuse to let someone know#that they were loved?#and sweet Nancy with her walks built up high and tight with guards stationed round who grew up with people yelling her they loved her#and never meaning it#so she sees beautiful Robin and her nervous smile and easy confidence in her declaration of love and thinks that she’s either lying#or soon Robin will see Nancy with her walls down and see her unguarded and think oh#this isn’t what I expected behind the walls you built up#and leave#so robin loves too much and Nancy is scared that she’ll not be enough for that love so she stops her heartbreak sooner than it can start#even though telling Robin it’ll pass is a heartbreak in itself bc Nancy fell and didn’t even know it#robin has already seen glimpses behind Nancy’s wallls and thinks it’s the lovely#but alas no communication happens#and so they part and Nancy always wonders if rob would have still lived her with her walls down#and Robin will always wonder why her love wasn’t enough#anyway#digital art
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tothepointofinsanity · 4 months
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This is one of my favourite Sayaka outfits. The blue and white tones work really well and it just looks cute. I also have a dress [that is bunny themed instead] similar to it u_u
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got these from @ninerosethinker & @TenRoseDaily on twitter. i had to put them together bc they just scream "MY doctor" lol. rose tyler is not sharing
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