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#something about it appeals to me
isogenderskitty · 1 month
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i know i keep saying it in like a hopeful half-memeing way, that we could have pete & ted on stage together if nick played pete and joey played ted, but like. for real just imagine it for a moment. imagine the height difference. imagine how adorable. like
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ignore joe & darren in this picture for a second. that is ted and his baby brother. think about it. think about the visual storytelling of these people playing brothers with such a big age gap between them. i just think it would be lovely
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puppyeared · 8 months
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learned something about myself lately
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corvidcall · 2 years
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None Of You Know What Haiku Are
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音 (Furu ike ya kawazu tobikomu mizu no oto) (The old pond — A frog jumps in The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
meteor shower . . . a gentle wave wets our sandals
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . . we pretend to watch the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine
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paimt · 5 months
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this is yaoi to you freaks, right?
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crunchworldsupreme · 2 years
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FinFin has been thinking thoughts [Audio recommended]
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foursaints · 15 days
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i would be nothing without the elite literary salon of rosekiller bloggers whose feeds are just sexualized surgical gore followed by an anaïs nin quote & then perhaps an image of like a loose handful of teeth or something. barty crouch junior fans grab your freudian sexual hangups!!!! evan rosier fans grab your scoliosis!!!!!!!!!
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tiny-crescent · 10 months
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oh noo. I got a message in my inbox asking about Task Force headcanons, and now it's disappeared :') but I made these drawings to answer their questions– so I'm going to post it anyway!
long story short, I love the Task Force with all my heart, but I don't actually feel like I have many personal headcanons for them since I prefer to stick to canon as much as possible when writing fic. which is a really boring answer!! but I do have a few here and there, as well as just general thoughts on each character. so here they are!
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skitskatdacat63 · 7 months
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And this too, is vettonso to me:
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I’m gonna try to say this without sounding weird… okay?
Another reason why I like Barbatos so much as an Archon is that he is the type of god I would want for me.
He’s so human-like that it’s easy to forget he’s a god. He actively interacts with humans regularly to understand their culture, and he encourages “rest” and “joy” in life through a strong drinking culture and “whimsical” lifestyle.
It really is about finding joy in an everyday life.
Not only that, but he actively participates in putting on events to further this motto, most recent case scenario: The Poetry Event!
It’s these small things that he partakes in that encourages his people to grow and learn new things/try new things while—most importantly—having fun (!) that portray a god that is FOR the people first and foremost. Remembering that even though it’s simple (ish. Poetry is hard, sometimes, to me LOL), it is something new and exciting and breaks that monotonous life cycle.
He’s also a god that doesn’t “hover”; he’s there if you really need him but, otherwise, you have to fight your own battles. You need to grow; you need to realize your own strength by not having him around all the time.
Sure, he pokes fun at himself in these instances, sleeps so often that he really isn’t there all the time, is a drinker, etc., that it’s almost hard to see him as a god at all. He is so human.
You’re only reminded he’s a god when you realize he’s had a whole life, and several lives, really, before this one.
So, perhaps the reason he’s so appealing as a god is because he doesn’t really act like one at all. He acts like a “good” and humble human.
I suppose those that you find similarities in are what attracts you, so maybe that plays a part in Venti’s appeal. (Aka his human similarities)
On the other hand, Zhongli is probably best in encompassing the picture of a god: strong, capable, ready to step in but also ready to test his people “if they’re worthy” of standing on their own.
Ei is… a god in the sense that she’s feared. Untouchable. Hard to see any likeness in her to a human, so, she is, indeed, separate from her people.
Nahida holds knowledge so unfathomable and intangible that she is otherworldly, but due to her age, she is hard to compare to an “otherworldly god” and more seems like “another power”/“oracle”/“great other being” to seek out advice but to never quite “worship”—or at least, that’s what the Archon quest felt like to me.
Focalors is… well, she is painted to be the one imitating a god—down to the dotted ‘i’ where she puts on a bravado with none of the power to back it up. By all means, she should be the feared god, the powerful and interesting one that has an iron hand and all-wisdom—as if she plays both Nahida and Zhongli at once—but her power is that of a Venti, an everyday man that speaks ostentatious language to intimidate but never follows up on his word—for now. She’s just getting started, after all.
(Note: haven’t played the continuance of the Archon Quest at this time)
I guess it depends on how you define a god, which is why these portrayals are all so unique. It would then also depend on each individual to pick which one is the most appealing god to you—a protector, one with wisdom, a feared god, one that is active and fascinating, or—the one that blends in with its people.
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pokimoko · 14 days
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Hello!! I came across a couple of your animals with pride flags series (idk what you're actually calling it lol) and I wanted to request an intersex blue-ringed octopus (I'm not intersex myself tho lol, just thought it might look neat)
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Oooh, this was a fun one! Thank you for the request! 🐙
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milf-murdock · 3 days
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*ahem*
How would we feel about a smutty lil throwback Price one shot? Based on him and his lil wifey after he gets promoted to captain? And price realizes he has a bit of a thing for when you call him by his new rank? 👀👀👀
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antrunner · 5 months
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ive never read her comics but i think she's got truckloads of swag
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kenobion · 1 year
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Andrew Garfield for GQ+Saint Laurent
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ollyou · 2 days
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I finished Super Paper Mario earlier today for the first time after 16 years of owning and adoring the game and
I have a question for any Limentio / Dimigi shippers out there.
Why
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happy 3rd birthday to the hottest thing bastille has ever done anyone but me x nightmares (24.08.2020)
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