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#thanks for ranting to me!
showtoonzfan · 1 month
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Just want to preface this by saying i love ur analysis sm- u put my exact thoughts into words when i cant verbalise whats wrong with a particular writing decision 🥲🥲
Anyway, smth ive noticed is how... little time vivzie actually spends on writing or characterizing or fleshing out her characters.
Which has to be the weirdest thing so far bc every writer and artist ive met agree that its the best part of making an oc! Its so fun to think of backstories and tie that into their current personality and generally just figuring out random details to get to know your characters!
Like, my ocs are my best friends, i know everything abt them from their trauma and childhoods, to their favourite food and music.
But time and time again she proves that her characters are at best acquaintances... the fandom fleshes out the characters so well and with so much love and care and thought that vivzie herself cant do and its just sad.
Not even mentioning the hundreds of retcons and how characters will just change personality randomly or act out of character which results in the work feeling like a fanfic of itself. (Ironic considering some fanfics have better and more consistent characterisation)
It feels like shes making it up as she goes, instead of having an actual plan. Just shoving random ideas she likes or picks up from the much more creative fandom into the 2 shows without actually stopping and thinking abt the consequences or implications.
Theres so many decisions shes made that irk me so bad... the ideas individually have potential but they either dont fit the show or have to make huge retcons and result in the plot not making any sense.
Also, ngl but she has the worst case of tell dont show ive ever seen my god 😭😭 like... you realise you have to show things instead of just fucking singing it or having a character say it??? Or is that another thing that the fandom has to do so they can convince themselves that the show has good characters??
Atp idk how to salvage the show... i keep finding more and more plotholes and unless i literally turn my brain off and only focus on haha funny dick joke or pwetty colors, these questions keep popping into my head making it a painful unenjoyable experience.
Again, if the fandom has to justify your bad nonsensical hypocritical worldbuilding then you failed. Massively.
Anyway im very sleepy rn just wanted to rant a bit bc im a writer and artist myself and it pisses me off how someone gets their show on the air and still doesnt care abt putting in effort into their plot or characters beyond aesthetics and random ideas that dont go well together...
You’re speaking facts! And it’s honestly like..kinda funny too that people who have their own OC’s can flesh them out and deep dive into their arcs/backstories ect, yet a professional showrunner who’s had these characters for YEARS can’t even give the majority of her characters flaws or quirks, or even consistency, same goes for Helluva Boss.
Viv is a really good example at letting inspired writers know what not to do when making a story and characters so at least they have that lol.
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catastrxblues · 4 months
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everything about coriolanus and sejanus is sick. because to sejanus, coryo was his everything. his best and only friend, his only companion, the only person in the academy who cared enough for him that he had even risked his life to bail him out of the arena. in district 12, when sejanus appeared in the brink of snow’s hopelessness and brought hope and familiarity to his life, coryo immediately embraced him, and then practically telling him that sejanus just saved him from committing suicide— which obviously only solidified sejanus’ belief that his best friend treasured him and loved him and cared for him unconditionally. (which i believe snow did, just to some extent).
but most of the times, to coryo, sejanus was just a friend. a friend that he tolerated every once in a while, a friend he resented lots of time because of his background, and a friend he really cared for, but not enough. never enough when the other choice was his country. and sejanus died not knowing that. he died without the knowledge that it was his best friend who betrayed him, and that he was still referred to as a “traitor” by him on an occasion with the dean.
and what’s so fucking sick is that coryo did care and mourn about it yes, but then he moved on and took on the ladder by taking pieces of what was left of his friend’s life with his blood on his hands and used it to his advantage.
he was taken in under the care of his dead friend’s family, loved and cared for, never had to worry about money anymore. ma and strabo plinth would never know that the reason their beloved son wasn’t alive, why their son wasn’t there anymore for his 19th birthday was because of his best friend they had just taken in. and no one would ever ever fucking find out.
and coryo. just. doesn’t. care. about. sejanus. anymore. in a snap. because now he has won, taking over panem one step at the time, and that has always been his biggest motivator. he might’ve cared for sejanus, like he cared for lucy gray, but that has never been enough. not when at the end of it all, the only person he has always been striving to save was himself and the glory of his family name and he ends up getting both. all’s well that ends well
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steddiealltheway · 6 months
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Steve can see it in Max. That same loneliness and ache that he finds in himself. For him, it’s result of his parents leaving with no intent to return to him unless absolutely necessary.
He knows he was an accident. Or rather a mistake as his father used to call him when he was particularly angry. But it made sense to him. Steve's the reason his father had to marry his mother. He left him "trapped." And maybe no one says it out loud, but he can tell his mother feels the same way too.
But they must keep up appearances, right?
Which is what Max has been trying to do since Billy died, El moved away, and it's been just her and her mom. But she's been going about it through a different route - pushing people away all while pretending things are fine. But Steve sees the way she picks up the broken pieces of her mom and tries to put them back together - Steve's had to do the same thing before.
So, he starts sticking around a little longer. Offering her more rides to the arcade and around town to pick up groceries when she needs to. Sometimes he'll tell her about a new recipe he's been trying for a casserole and pick up the ingredients, pretending like the milk and butter he bought will spoil by the time he drives home from her trailer.
Of course, they both know it's a lie, but Max humors him and plays along. She'll let him cook dinner while she picks up the bottles her mom left on the floor, dumps out the overflowing ashtray, and feeds the dog. Usually, Steve will ask her what she's learning in school and linger a little longer than usual in hopes that she'll say more than the usual, "I don't know. A bunch of boring stuff."
But lingering has gotten a lot of things out of Max such as her love for Kate Bush, a story about El and how much she misses her, and short quips about Lucas before she gets a sad smile on her face. Steve doesn't really know what to say most of the time, but he hopes that just being there will help.
Unfortunately, lingering and just being there has led him to his current predicament of none other than Eddie "The Freak" Munson sitting on the hood of his car glaring at him as he walks out of Max's place. Steve jumps a little, startled by the figure on his car and becoming more hostile as he sees the expression on his face. He shoves his hands in his pockets and slows his pace. "Is there a problem?"
Eddie snorts humorlessly. "Christ. You're really going to pretend like there's nothing wrong with what's happening?"
Steve's brows furrow, entirely missing whatever point he's trying to make.
Eddie stands up and stalks toward him. "I see you, you know. Always lurking around when her mom isn't home. Coming out of her trailer late at night."
Steve laughs, finally understanding the absurd conclusion he's come to. "Jesus, man. You're delusional."
Steve doesn't expect it, but Eddie sharply shoves his chest and grits, "I don't fucking lie to me, Harrington."
Steve holds his hands up. "I'm not," he firmly states. "Nothing like that is happening here. I'm glad you're looking out for her, but it isn't like that."
"Do you expect me to believe that? Maybe this is why you're always hanging around Henderson and the other kids."
Steve crosses his arms and his jaw tenses. "I'm not a fucking pervert or a pedophile if that's what you're trying to say. I'm just looking after them."
"Why?" Eddie asks, dramatically opening his arms, "Why would King Steve adopt a group of misfits to take under his wing? See, the math isn't adding up."
Usually, Steve would just brush it off and tell the person to fuck off and mind their own business. But his parents have just left town again without leaving a note and Max had snapped when Steve tried to help her clean the place because it looked worse than usual, and he was just generally feeling like shit and angry at his parents and Max's parents for not being there. So he broke, "Because I don't want Max to end up like me! I don't want any of those kids to grow up without a role model. And god forbid if any of those other kids' parents fuck up, and they’re left with only me. I need them to know that I'm there for them! Because sometimes it feels like whenever the world goes to shit, I'm the only one who is there, and I plan to stay there, okay?!"
He finishes his rant breathing a little heavier than usual and noticing that a few of the lights in the trailers have turned on around them. He looks around and awkwardly nods to the people glaring out their windows. God, he needs to get a grip.
When he turns back to Eddie, he notices the conflicted expression, jaw dropped, eyebrows knitted together, eyes searching him as if he's still wondering if he's lying.
A door creaks open behind them and Steve curses under his breath as he hears Max say, "Eddie, leave him alone. Do you really think I would hook up with my damn babysitter? Jeez."
"Language," Steve quietly lectures as the door swings shut. He runs his hands over his face and takes a deep breath. It's been a long fucking day.
A hand lands on his arm and tugs him away from Max's trailer. Steve glances up at Eddie, leading him across the way. "Where are we going?"
"My place," Eddie says.
"Why?"
"So we can talk."
God, the last thing he wants to do is talk to Eddie of all people, the guy he's been actively avoiding since Dustin started worshipping the ground - or rather tables - he walks on. But he lets himself be pulled away in the trailer and practically deposited on the couch in the living room.
He glances up and comments, "That's a lot of mugs."
"My uncle's, but that's not what I wanted to... Christ," Eddie says, pacing in front of Steve and tugging his hair in front of his face. The anxious display makes Steve feel even more tired, but he lets him pace. God, what is he even doing here?
"I'm sorry," Eddie blurts out. "I'm just..." he trails off and rushes over to grab a stool a few feet away before dragging it in front of the couch. He sits on it but his leg still holds that nervous energy as it rapidly bounces up and down. "I jumped to conclusions, and it was really shitty of me, man. I just... didn't believe what Henderson was saying about you and thought 'Oh, this makes way more sense than Steve Harrington being a good dude.' And I'm sorry to accuse you of that. And I... I didn't know about your... parents and stuff. Like I knew they were away a lot because of your parties but... I just never connected the dots. And I'm sorry. No one deserves that shit, man."
Steve doesn't know what to do this whole interaction, especially with it coming from Eddie Munson who he doesn't think he's ever talked to before this moment, but... he needs to hear it. God, he needs to hear it.
Of course, he can't let him know this, so he does what he's best at and brushes it off. "It's fine. You were just looking out for the kids. And really just ignore what I said back there, it isn't that big of a deal."
Eddie worries his bottom lip before he blurts out, "I know what it's like." He pauses and takes a deep breath. "I mean, I know what it's like to have... absent parents. But in my case, eventually, my uncle Wayne took me in, and I can only imagine if he didn't." He gives him a pointed look and lowers his voice, "Do you have someone like that?"
A big part of Steve wants to leave right now, and he knows there's nothing stopping him. But a bigger part of him needs to stay. Needs to talk about the emptiness in his house that he can never truly escape at the end of the day that he can’t talk to anyone about. Because he's not supposed to be weak. He's supposed to take care of the others. So he admits, "No, I don't have... anyone like that. Except Robin but..."
"That's different," Eddie finishes the thought for him.
Steve nods. He loves Robin, but he loves her as a platonic soulmate and not as a parent figure in his life. "You know, I once had this basketball coach in middle school - Mr. Weston. And I remember looking up to him so much. I wanted to be just like him, and I would go to his office during lunch and ask him for advice or talk about dumb shit that my father would never talk about. But he never shamed me for my questions. And sometimes he even packed an extra dessert for me." Steve smiles at the memories and runs a hand through his hair, remembering the day he got the news. "But one time, when I went to his office, he had this look on his face. And I just knew it was bad news. And really, it wasn't bad news to him because his wife was pregnant. But she wanted to move a few states away to raise the kid closer to her family. And it wasn't his fault, you know? It wasn't like he purposely chose to move away from me, but I felt like I was abandoned again."
Steve wipes a tear from his eye and puts his head in his hands. "God, I don't know why I'm even telling you this story. Sorry."
"Don't apologize," Eddie says quickly. He pauses and shifts on the stool, his gaze being far away. "I remember him. He was one of the only gym teachers that defended me against all the shitty middle school bullies. He was a good person.”
Steve nods. God, he was a good person.
Eddie continues, “I'm sorry that he left. And I bet he still regrets leaving you behind."
Steve leans back against the couch and looks away, shaking his head. "I bet he forgot about me."
"You're kind of hard to forget."
Steve looks at Eddie and sees a slight blush on his cheeks as he shakes his head and waves his hands as if trying to make the comment go away. "What I mean is that there's no way he's forgotten about you. Someone who you used to have lunch with all the time to the point of giving you free food... Nah, man. He remembers you. I think you may have been as important to him as he was to you."
The thought breaks away at a wall Steve had built up long ago. "Thanks," he practically whispers.
Eddie just smiles at him, small dimples appearing on his cheeks.
"You didn't deserve it either, you know," Steve says. "The absent parent stuff. Even with Wayne, they should've been here too."
Eddie's smile falters a bit as he swallows and looks at the ground. "Thanks," he mumbles. He looks up at Steve and comments, "Getting sappy with Steve Harrington. Who knew."
"Yeah, getting sappy with Eddie Munson," Steve echoes back at him.
Eddie laughs, "I'm surprised you even know my name."
"You're kind of hard to forget," Steve says easily.
That same blush comes back to Eddie who shifts in his chair a bit as if he needs to process the information with his whole body.
They sit in the moment for a bit before Eddie gets a somewhat serious look on his face and offers, "You know, I'm definitely not a parent figure or anything, but I'm always here and around to talk about that whole thing if you need to."
Steve's heart beats a little faster at the sheer genuineness. "Same here," he can't help but offer in return. He glances down at his watch and sighs, "It's getting late, so I better..."
"Right," Eddie says, standing up and leading him to the door. "Do you need water for the road or anything?"
Steve smiles and pats him on the back without thinking too hard about it. "I'm good, man. But thank you. For everything really."
"Sorry for being an asshole," Eddie apologizes again.
"Usually that's my line," Steve accidentally voices before cringing a bit, wondering further why Eddie's been so kind to him.
But as he opens the door, Eddie comments, "I don't know. It seems like Dustin was right about the whole reformed jock thing. Maybe your crown really has fallen - which is a good thing by the way."
Steve slightly smiles at him before he turns to leave. But he can't help but say, "I wonder what the neighbors will think about me leaving your trailer so late."
Eddie groans then laughs. "Sorry to ruin your image."
"I wouldn't mind," Steve replies, honestly unsure what he means by that. "Goodnight, Eddie."
"Goodnight, Steve," Eddie says, that same blush on his cheeks, only this time Steve isn't sure if it's something he said or a result of the cold night air.
In bed that night, Steve feels a slight weight lifted from him and can't help but feel like he’s a little less alone.
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people-wxtching · 2 years
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Yeah, I know many people have talked about this already but I need to say it as well before I explode.
I love visually seeing how the campers are all age accurately cast. In the books, it didn't hit me as hard because it was something I read when I myself was around 12. Even upon rereading I just go back to my 12-year-old body and the age is just this textual evidence that I KNOW exists but it doesn't truly impact me as much as it really should.
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With this still, though, it's clearly visible how young all of them are. And it's scary. It's just the teaser trailer and it's already scary to think just how tiny and innocent they are, and how many hardships they have to go through at such a tender age.
But the scariest part about the scary part?
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The youngest campers. That little girl (sorry for the bad quality) who's sitting right behind the girl with glasses looks around 7-8 at most. She's so small, so tiny, and yet she's at a camp where she has to learn how to survive and fight off monsters 100 times her size.
And the essence of all this is exactly what the movies failed to capture. The movies had a mostly adult cast, with zero ideas of what they were doing with the plot and characterization that could make the movies as impactful as the books, and focused a little too much on getting their Percabeth ship going, with absolutely no buildup of trust or slowly falling for each other or anything.
But with this show, I'm sure it'll be a lot more emotional and real because while it is sad that they're all just little kids, it's also a reflection of reality. Not every kid has a wonderful life; we all have to fight our own monsters no matter how young we may be, because life doesn't wait to see how old you are to throw problems at you. It doesn't have an age limit for trauma and hardships. The younger you are, the harder it impacts your life, and them being this small has a much more impactful meaning to it than watching almost adults go through the same problems that often get solved in an underwhelming manner.
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bipbopdepmop · 3 months
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something something these guys are almost always used as just a sidepiece to grian
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strawberryspence · 7 months
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inspired by the recent events (think of a singer and football player) and ofc, inspired by the brilliant, @henderdads, who has graciously allowed me to make this into a whole thing. 👀
check out the original post!
*i don’t know ANYTHING about the NFL, so sorry for the obvious mistakes*
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”What do you mean?” Steve looks up from tying his shoelaces, and stares at his agent.
“Harrington, how many times do I have to say this?” Robin smirks at him, “He’s here. He’s sitting with Mama Joyce.”
Steve’s 100% sure a wire short circuits in his brain. He blinks rapidly at her before asking once again.
“Eddie Munson?”
Robin hums, “Ahuh.”
“Like the 12 time Grammy winner, Eddie Munson, from Corroded Coffin?”
Robin slaps a hand on her forehead, “Yes, Steve! Eddie Munson is in the stadium right now. You’re the one who asked me to arrange his seats.”
Steve jumps from the wooden benches, “I didn’t think he would come!”
Robin crosses her arms, “First of all, you were the one who made that bracelet with your number on it—“
“I WAS DRUNK!”
Robin puts up a finger, “You weren’t drunk when you brought it to his concert and asked Lucas Sinclair to hand it to him. You also weren’t drunk when you announced it on a podcast, when it could’ve been a secret for all of us to keep. Second of all, you whined and annoyed me until I finally caved in, called his publicist to finally arrange the whole thing and the thanks I get is more whining?!”
Oh no. Steve stares at her, as all of the things she said finally sinks in. Oh no. Eddie Munson is in the crowd. He came. Steve asked and Eddie came. He’s gonna watch Steve Harrington play. Weirdly, he wonders if this is what Eddie feels when he’s about to play sold out arenas. Steve’s never felt nervous to play, the field is— well— his comfort place and not once has he had this sense of dread to play. Not even when he had to play the Super Bowl.
"I didn't think he'd come!" Steve panics.
“Uh-oh. No time for panic attacks. The game starts in about 15 minutes.”
“Oh my god.” Steve groans as she pushes him out of the locker rooms to the halls. There’s TVs in every corner, and one TV catches his attention.
There he is.
Eddie Munson’s sitting beside his adoptive mother and his siblings. Dear God. In what world is this real?
The commentator squeals in delight as he broadcasts, “Here’s one for the books, one that’s surely going to break the internet tonight. In the crowd tonight, we have the lead singer of best selling metal group, Eddie Munson. The rumors are apparently true! Harrington and Munson are definitely friends, maybe even more?”
Steve groans as Sinclair moves pass him, bumping shoulders. A huge smirk on his face, “I didn’t think you could do it, but I have to say, I am very proud of you.”
”Leave me alone.” He sulks as Lucas walks down the hall laughing his head off.
When Steve started talking to Eddie, he never really thought he’d end up here. Did he want something serious with Eddie? Well, yes. He’s been crushing on the man since he realized he was bisexual and Eddie was already the cover of the Seventeen magazine for nth time. But Eddie was a superstar singer who’s still on a world tour that has already sold billions, so no, Steve didn’t expect him to be here. He also knows that Eddie just got out of a pretty public break-up, so he didn’t expect anything but friendship. He just— shoot his shot and prayed to the Gods.
Steve thinks back to the conversation they had a few nights ago. A conversation only possible through the help of prayer and two shots of vodka.
“You wanna go out this Sunday?” Steve asks, trying his best to keep the nerves under the wraps.
“Isn’t that the day of the game?” Eddie speaks over the phone and Steve still can’t fathom the fact that he’s talking to Eddie Munson on a regular Wednesday night.
“Yeah, I mean. We can go out after the game.” Steve gulps, and he feels the need to take another shot.
”Huh.” Eddie hums, “Would that be a date, Harrington?”
“Yes.” Steve lightly bangs his head on the wall, “I mean, if you want it to be.” Steve covers his mouth to muffle the embarrassing sounds that comes out from him. What a wuss.
“Here, let’s play a fun little game. Let’s wait till Sunday.” Steve can hear the smirk in his voice, and god, Steve will have to look up the damn “Eddie Munson smirks for 10 minutes” compilation on Youtube again.
”What do you mean?”
“I’ll think about it. On Sunday, if I’m in the crowd then maybe we can get some dinner. If I’m not, then maybe next time.” There’s a playfulness in his voice that makes Steve want to tear his hair out.
Steve gnaws at his lips, that sounds easy enough, “Okay. That sounds… easy.”
Eddie laughs. It’s music to Steve’s ears and he feels pathetic, “Not so easy, big boy. If I’m there, you have to get a touchdown and then it’s a date. If not, then we hang out with your siblings. They’re pretty cool.”
Steve stares at the wall in his room, there’s maybe 50% chance he’ll get a touchdown. He could talk to Sinclair and McKinney to get him the ball. He could do it. It’s just another touchdown. He’s done—what?— like 50 touchdowns in his life.
”Okay.” Steve gulps, “Let’s do it.”
“HARRINGTON!” Steve blinks back to the present, lifting his eyes away from the picture of Eddie Munson wearing the red windbreaker representing his team.
Hopper’s calling him over, a smirk clear on his face. Why is everyone fucking smirking at him? “I see you’re distracted. I hope this doesn’t cripple your ability to play.”
”Hop!” Steve groans, only for his coach to laugh and pat him in the back.
“Go on! Line up!” Hop smiles, winking at him, “Good luck out there.”
Steve puts on his helmet, before taking a few deep breathes.
He just needs a touchdown. One touchdown.
Steve smiles.
He’d do anything for Eddie Munson.
A touchdown is nothing.
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chrollohearttags · 9 days
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thank you all for your well wishes and love, I really appreciate it. I didn’t exactly plan to go on hiatus or leave. Honestly, I was just fine, nothing major even happening in life (at least I thought so) but I ended up having an unexpected mental break of sorts. School and work has always been manageable but work has began its busiest season and this last class was a little trying so I’m guessing it became too much. I started isolating from everyone and hadn’t been very social lately. Not to mention, I’m preparing to have surgery in a few months. Truthfully though, I think I just became exhausted with this app and its nonsense..or the clock app I should say. Like I said, I’ve been working on being less combative and confrontational on here bc it’s not who I am and as I stated in my post a couple months ago, if I have to be in defense mode, I don’t want to be here. Although I’ve gotten no anon hate recently, I can see posts. I can see anons being sent by proxy of my friends and I can see screenshots of my name being mentioned in comments on apps I don’t even use. I’ve always been very passionate about my writing and I try my best to pour as much of myself into it as I can. I know people say ‘passion project’ or ‘magnum opus’ but that’s what I strive for with each of my works. I never wanna give bare minimum, hence why I deny certain anons or don’t write certain tropes if they don’t align with that purpose.
Again, I’m perfect by no means and my fics are not for everyone. However, having these straw man fics about baby mamas and drug dealers attached to me is infuriating (not bc I have an issue with them, but bc it shows some of you don’t truly read my work) With that being said, I’ve got the next two weeks off from school and I’ve been working on some stuff I’m really excited to share. My only request is that y’all start spreading more love to ur writers..show ppl that you love their works. The energy that you use to critique and throw hate, use it to be reblog and show appreciation. I’ve seen so many great writers leave this app and I hate to join them, but I’m just not going to burn myself out for mediocre feedback and diet lite racist commentary. I have Google Docs and my drafts, I’m good. Be blessed everyone <3
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rninies · 2 months
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jaw drops to floor, eyes pop out of sockets accompanied by trumpets, heart beats out of chest, awooga awooga sound effect, pulls chain on train whistle that has appeared next to head as steam blows out, slams fists on table, rattling any plates, bowls or silverware.
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otrtbs · 5 months
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here’s the thing. the absolute joy and wonder i feel whenever someone tells me they came across ahb! and are now taking an art history course / majoring in art next year / went to their local art museum for the first time in ages is exponential. when yall send me your favorite artworks and tell me about them or tell me you went to x museum to see x painting mentioned in ahb??? it’s just so so wonderful. because never did i think something i wrote out of love for art and love for art history would lead anyone else to research art or talk about it or seek it out for themselves and that’s so much more than i could ever imagine would come out of a very timid first attempt at creative writing/fandom involvement.
i wrote it out of love and y’all have all reciprocated that love tenfold and ran with it to talk about art and explore it and share it with me and those around you. and it’s just been a very special incredible thing that makes me emosh. :,)
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ride-a-dromedary · 5 months
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Oh, my friends, don't ask me what your sacrifice was for.
There is a burden to being the survivor.
The witness to other's tragedies.
It only grows heavier with time.
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wisellamawerewolf · 1 month
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Heaven has a point and it's ruining the show's entire premise
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*rant under the cut*
It has probably been said before by other people who can articulate their thoughts better, but considering the way VivziePop chose to tell her story, Hazbin Hotel's premise just doesn't work.
At first the show's main idea was presumably about how it's never too late to become a better person. The themes of Hotel and providing redemption to damned souls if they CHOSE to become better was fitting for that concept and it could've worked well without much involvement from Heaven. Yearly extermination (although arguably not necessary) added stakes and a sense of emergency, but making Heaven fully involved in the situation was a very questionable choice. Now the main theme of the show is less about "self-improvement" and more about "Heaven is hypocritical", and it just doesn't work well for one (main) reason: every single sinner we have encountered are absolutely horrible.
I already sense some that people might bring up the "They're in Hell" argument, but here's the thing: it would've worked fine with the initial premise, but you can't say "Heaven is bad for exterminating souls" when these souls a.) killed, hurt and ruined people's lives when they were alive; and b.) kept killing, hurting and ruining people's lives in the afterlife. Is there a better solution than just killing these people? Probably. But that doesn't make Heaven seem hypocritical and unjustified. At worst it makes them look stupid, because if they knew most people would find extermination of souls abhorrent, they could've just send someone to rearrange hell and completely isolate the most vile sinners from others in order to prevent them from hurting people, instead of just letting them continue doing their shit but in a slightly worse place.
Another argument that comes in mind probably sounds something like "well obviously not EVERYONE is irredeemably bad in this place, and Heaven is surely unjustifiably sends people Hell for stupid reasons if it's overpopulated". And if this statement is true, I have a couple of questions:
Why then literally none of these people are in the Hotel? Surely Charlie could've find at least some of such people and convince them to participate in her experiment. This is probably better to live under the protection of one of the strongest beings in hell than being potentially killed in the streets, so what do they have to lose? If none of these people believe in Charlie's idea, why every time we meet a non-resident, they are always murderous assholes, with almost no exceptions? If Hell is full of wrongfully condemned souls, why doesn't Charlie address them in the seventh episode, instead of going to the cannibal town to ask for help?
I think I've said it somewhere before, but VivziePop wants to criticize religion for scaring people with eternal punishment for doing arbitrary and harmless stuff, but also wants to treat said punishment as a playground for her edgy OCs most of whom are the exact people who by all logic should be in hell.
She wants her story to be about redemption but then turns around and says "actually, my homicidal OC's did nothing wrong, the SOCIETY that condems them is a true villain. Please ignore corpses my faves piled up in the corner". Viv wants to have her cake and eat it too, which results in a sloppy writing.
The most frustrating thing about this that it could theoretically work if handled more carefully: Charlie is already naive and Vaggie is a freshly exiled angel so just make them believe that all sinners have a legitimate reason to be in hell and need to be "fixed". Let them run into Angel Dust and try to make him improve, only to later learn that better people were turned down in heaven and send to hell because of the arbitrary reasons.
It could've both drived the message of "you can always chose to be better" and provide a valid critique to the religion in regards to what counts as a "sin" and wether it deserves such a hursh punishment or not, but ut VivziePop just can't decide what she wants to do and talk about so she just throws in everything at the same time.
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It is funny to me how Harry Potter is literally the main character, yet people tend to go like he didn't suffer that much or he wasn't "abused"; Like, how can one misunderstand the literal main character of the damn franchise?
He wasn't abused; yes okay. He absolutely did not grow up inside a cupboard; the tiny place that is mostly reserved for brooms or cleaning supply. He absolutely was not treated inferior to the other child who lived in the same house. He was totally was not treated like a "freak" or a "stain" that his family was ashamed off. He grew up inside a cupboard while there was a literal unused bed in the same house. And you want to know what that screamed to a child, a baby — who slept inside a cupboard while there being a perfectly usable room right there? You are worth nothing and we don't love you and we are ashamed of what you are.
He wasn't starved, or at least he was fed; Yeah, no. We see it from the first book. How Vernon was no food for you and in the cupboard you go — and by the looks of it, that was like his most common punishment. And then, in the second book — you practically see it happen. He was locked, inside a room with only a can of soup that he shared with Hedwig. Now, tell me what it would do to a child — to be given food through a cat flap, and fun fact? Harry got to eat less than people on war rations; in short? He was starved, yes.
He wasn't abused physically so it's not abuse; As for people's thinks abuse isn't abuse until it's physical (which is inherently wrong because abuse isn't only physically, fyi); Harry has learned to dodge Vernon and he states that, very proudly when his uncle tries to grab him. He dodges a flying pan and states that fact, again very proudly as if it is the norm; do you know how heavy pans are? And do you know what would happen when one hits you? If you want an even clearer proof; Vernon Dursley strangles Harry in Ootp. There you go. Also, in the first book, we clearly see Vernon encouraging Dudley to hit Harry. Read between the lines and actually try to understand what that signifies.
And favourite part; When he wasn't treated like a prisoner, or a freak— he was their servant. And that is very much canonical. Tending Petunia's garden during summers and drinking from the water hose in the garden because of how hot it was? Having to wake up early so he can tend the kitchen and when he wasn't doing all that he is locked away. And it is all canon.
In conclusion, Harry— not only grew up to think that he was inhumane, undeserving of love, a freak that didn't even get to have his own bed because someone like him didn't deserve it, physically harmed enough times that he dodges them out of reflex and also the Dursleys' glorified servant; that is not even taking into account what Harry went through in Hogwarts. And after all that if someone tells me; this child, right here — didn't go through much then well, maybe read the books again?
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sarathrwizard · 1 month
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Hello dear 👐🏻
Who is your favorite turtle and please tell me why?
Rise Donnie is my favorite! First off, he's the 'funny one'! (Which is so true!) His sarcastic voice and lines are what make me Laugh Out Loud!
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Poor boy is always pushed down by his bros in the tv show. (Thus he has to praise himself for his achievements because his bros don't that often.)
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I think it was such A great idea that all the turtles are different species! The fact that Donnie is a soft shell turtle and he had to build himself A protective shell is just genius! But this still means he's more vulnerable than his brothers are in battle.
(To be honest, he'd be dead in this scene without his battle shell!)
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The way he couldn't let go of his tech weapon over a mystic weapon just shows how much he cares and trusts his designs. (They are his babys after all!)
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And It's hard to get a genuine smile out of him, but there are those rare moments. And when my boy Dee Dee is really happy, I'm really REALLY happy! (That's two reallys.)
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Honestly who I have to thank is the creators of the rise tmnt show. The design is fantastic! I mean look at those eyebrows! The decision to make him a soft shell, the voice actor they hired did an amazing job, and of course the animation team did a wonderful job capturing his emotions! So thank you for making such a lovable variant of the tmnt Donnie! ❤
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uncanny-tranny · 3 months
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I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.
I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.
Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.
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birb-boyo · 1 month
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LU BACKROOMS???
This is basically me describing backrooms based on the Chain, one on the safer side and one deadly and how to survive them :]
@trippygalaxy @vio-starzz @mushr0oms-and-m0ss @shadowlinktheshadow @raven-does-artstuff-894 @treasure-goblin idk who cares about this but I spent all day on it-
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Time
His first liminal space is fairly safe. You can’t die unless you do something diabolical.
His safe room like would be basically like this
You fall down somewhere, probably on your walk home, but you pick yourself up and see that this is very much not the side of the road. This is a grassy field.
There weren’t many grassy fields where you lived. And even those fields were no where near as expansive as this one.
Upon looking around, you see a giant wall and a drawbridge. You start walking to it, thinking that you somehow fell hard enough to pass out.
You reach Castle Town and get weird glances from many. While you’re scouting the area, you spot a little boy in green picking up random dogs. You look at him weird when he puts one dog down and chases after another one.
The boy catches you staring and with one glance, you’re suddenly in that big grassy field again
So yeah, if bro looks at you, you get set back. After a while, this space will easily drive someone insane. This is because no matter what you do, you will meet him, and you both will meet eyes, and you’ll be sent back to the beginning.
So in a way, Survival Rate: 98% but it’s gradual and you might get out of there before you go insane
For his “You’re most likely gonna die” room
I wanted to incorporate Majora’s Mask into it, saying that the masks are hunting you.
There goal is to capture you and bring you to Fierce Deity. He thinks that you killed Link.
But you didn’t because this little kid who told you that he was who the deity was looking for is literally following behind you-
This kid could be regular young Link or Ben Drowned, though it would change the survival rate massively
Survival Rate for young Link: 67%
Survival Rate for Ben Drowned: 15%
This is because the only way to stop being hunted and/or not die is to present a piece of Link to the deity when you’re eventually caught
If it’s Link, he’ll accept it and call the masks off and you’ll be free to move on to the next hell or, if god loves you, you’ll go home
If it’s Ben, you better be fast on your toes because you’ll be hunted until you die or get out of there.
I want to also want to add that the masks don’t just pop up out of no where when they find you.
You know how you have to follow the music in order to learn Saria’s Song? Don’t do that. You’ll be caught
When they emit the Song of Healing, run, Link/Ben will be right on your trail and even if he wasn’t when you stopped running, he’ll always find you even if he leads a mask to you
I forgot to mention that Link/Ben will give you hints as to how you need to give Fierce a piece of his tunic or hair or something close to it
Also that Link/Ben physically can not get close to FD as they are, as the boy says, “part of the same soul”
Twilight
Idea given from @tiercel13 and @link-posting
That whole game has this unsettlingly warm ethereal quality where it's like- you're comfortable but uncomfortable at the same time and it's so weird
But basically I would say somewhere like a large field that's in perpetual twilight. You've never seen it before but it feels safe and familiar, like you've been there a thousand times. Still, there's something just slightly off, and it prevents you from ever being able to truly relax
It’s a village, deserted in the canyons, it’s wooden houses crumbling with time and weathering
Survival Rate: 100%
I think we all expected this one but you’re being hunted. It’s just you, the flora, the fauna, and a big wolf trying to kill you
It’s Wolf Twi but it’s not wolf Twi. Like, that’s the Blue-eyed Beast alright, but that’s definitely not Twilight. That’s a Wolf hardened by the need to survive. A need to eat.
The thing about this room is that it’s very survivable, but only to a select few people
For people who know how to manage in the woods, who know how to make fires without lighters, who know how to properly cook wild animals without utensils and iron, for those who are experienced in the wilds, they have a much easier time surviving this
But for those who are always inside and have little to no outside knowledge, you’re cooked almost immediately
This is a genuine hunt. This wolf can hear god knows how far, this wolf can track you with even the faintest scent
The only reason why the survival rate is as high as it is, is because it hesitates.
That’s how many survive their first encounter with the wolf, the wolf hesitates to take that final bite
I feel like the only real way to get out of here if to survive for a certain amount of time
Survival Rate: 52%
Warriors
Another idea by @tiercel13 because they are so big brained
For safe it's the castle barracks but they have a completely nonsensical layout
there's random doors where they shouldn't be and some of the actual ones are gone, there's things in the rooms like it's just been vacated but a layer of dust covers everything
It must be vacant right? Those shadows that lurk behind the corners are just you going crazy right? Nobody is here. Nobody is here. Nobody is here. Nobody is here-
Survival Rate: 87%
Idea given by @hyrules-feral-hero
You got claustrophobia? That’s too bad, you’re stuck in a fairy bottle now
You don’t get ripped apart or anything like that
Your death will be slow and painful
Conserve oxygen? There’s no reason to, you’re not going to be set free :)
Survival Rate: 0%
Sky
I feel like being blunt with this one
Safe space is just a vacant Skyloft
No one is around, just the occasional keese and Remlits and rapid Loftwings flying about so watch your head!
It’s peaceful and welcoming and airy but empty.
I imagine that this would bring about some sort of uncanny valley feeling, but that is probably the wrong word for it. Because who lived here? Why are these birds so big? Why are these raccoon cats so aggressive at night?
Survival Rate: 100%
Get Silent Realmed😌
Basically just that. If you don’t know what the Silent Realm is, it’s basically a thing you do in SS where you have to get 15 tears
You have to get 15 orbs, if you step into waking water or a spirit’s light or take too long to get one of the orbs, the guardians will be after you
The guardians are what make this space dangerous. If they catch you, no matter how insignificant the gash was, you will die
You can get these guardians off of you when you get the next tear, but until you get all of them and retreat back to where you started, you are at the mercy of the guardians
Survival Rate: 73%
Wild
Picture this, you just woke up in this weird place so naturally, you ask someone where you are.
“This is Faron woods, are you a traveler?”
“…sure…?”
“Great! I can’t really leave this stable with my condition, so could you do me a favor and give this to my wife?” The old man asked
“…what?”
“She lives over in Hateno, up passed the Dueling Peaks!” He shoves a note in your hands
“Sir I-“
“Thank you so much! Here’s your pay for your kindness!” Upon inspecting what he had given you, you see that this is a bare diamond
You were bringing this man’s wife this letter.
Survival Rate: 85%
Evermean forest, good old homicidal trees, need I say more?
Survival Rate: 95%
Wind
Imagine chilling on a boat with your grandpa but your grandpa is the boat.
Yes, the waters are expansive, you haven’t seen an island in days if at all, but this boat is keeping you company, telling jokes, soothing your nerves
Maybe you should be freaking out that this boat is talking, but his voice is nice so what can you say?
You start to joke around, singing dumb sea shanties, he chuckles with your antics, but keeps moving forward.
The sea is vast, but at least you’re not alone
Survival Rate: 98%
Imagine this: You’ve just been dropped in this random place. Now you’re on a random raft in the middle of the sea
Suddenly, the wind isn’t strong enough to push you forward and you’re on top of a tidal wave
Your raft finally gets back on steady water, but now there’s a shadow looming over you
You turn around and you can even comprehend how big it is
It’s probably the Kraken btw
Survival Rate: 0%
You’re cooked 100%
Hyrule
I’m realizing that a good bit of these rooms are in the woods, well, Rulie’s is no better🤷🏽‍♂️
Except these woods don’t have anything trying to actively murder you and eat you
These woods have things trying to help you
Little floating glowing grandmas if you will😌
As soon as you fell into these woods you smelled sugar and sweets, you were still very discombobulated from your fall and now you were suddenly in woods?
Soon enough, you’re swarmed by lights of different colors, they ask you if you’re alright, if you’re ok, what is someone like you doing here
Then they guide you out of the Fairy woods, whether that means that you end up in another room or go home is up to god
Survival Rate: 100%
Idea given to me by @tiercel13
A neverending cave slowly circling further and further down. The deeper you go the more it seems to close in, the air seems thicker, and the voices of people you almost recognize begin to echo off the walls, crying for help
This room, similar to Time’s “safe space” is mostly a “you’re going to go insane” rather than “that thing is gonna fucking kill you” :)
Survival Rate: depends how sane you were when you entered
Four
Imagine going on a wild goose chase for coins kinstones in a field with all the pieces hidden in tall grass
Survival Rate: 100% but it’s hell
This is gonna make some people mad but let me cook rq
You guys know Poppy Playtime? The Smiling Critters that chase you? That one clip from the Hour of Joy when they were eating that one guy alive?
That, but Minish :)
Survival Rate: 0%
As you traverse these woods, you realize that there are no animals in the wake. No rabbits, no mice, not even a wolf.
But this forest is littered with the bones of those lost animals.
So basically for backstory, minish got overpopulated and that meant they ate meat religiously. It was enough to feed, but soon enough, they ran out of food and now they’re hungry again
There is no survival here
There are too many Minish and you are locked in their woods
You can here their chittering and chatting, but if they spot you, you’ll only know by the dead silence of the forest
You can try breaking the bones you find on your path, opening the middle so they can smell the marrow rather than your flesh
But you only have little time and some bones are thick
And- wait…who’s bones are these? These are Hylain bones-
Legend
There are so many choices with Legend…
For his safe room, you’re just chilling on the walls. Not in the walls, on them. Your image is planted on the wall. You can move freely, you’re just glued to the wall, 2D
You’ll probably use this to scare the weird people who live around the house who’s walls you currently inhabit.
Survival Rate: 99.9% (Someone played too much and the family who lived there destroyed the house)
You guys no the movie Us? It’s basically that
There are different versions of you running around and they kinda really want you dead-
Survival Rate: 65%
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ofbreathandflame · 11 months
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With the rise of booktok/booktwt, there's been this weird movement against literary criticism. It's a bizarre phenomenon, but this uptick in condemnation of criticism is so stifling. I understand that with the rise of these platforms, many people are being reintroduced into the habit of reading, which is why at the base level, I understand why many 'popular' books on booktok tend to be cozier.
The argument always falls into the 'this book means too much to me' or 'let people enjoy things,' which is rhetoric I understand -- at least fundamentally. But reading and writing have always been conduits for criticism, healthy natural criticism. We grow as writers and readers because of criticism. It's just so frustrating to see arguments like "how could you not like this character they've been the x trauma," or "why read this book if you're not going to come out liking it," and it's like...why not. That has always been the point of reading. Having a character go through copious amounts of trauma does not always translate to a character that's well-crafted. Good worldbuilding doesn't always translate to having a good story, or having beautiful prose doesn't always translate into a good plot.
There is just so much that goes into writing a story other than being able to formulate tropable (is that a word lol) characters. Good ideas don't always translate into good stories. And engaging critically with the text you read is how we figure that out, how we make sure authors are giving us a good craft. Writing is a form of entertainment too, and just like we'd do a poorly crafted show, we should always be questioning the things we read, even if we enjoy those things.
It's just werd to see people argue that we shouldn't read literature unless we know for certain we are going to like it. Or seeing people not be able to stand honest criticism of the world they've fallen in love with. I love ASOIAF -- but boy oh boy are there a lot of problems in the story: racial undertones, questionable writing decisions, weird ness overall. I also think engaging critically helps us understand how an author's biases can inform what they write. Like, HP Lovecraft wrote eerie stories, he was also a raging racist. But we can argue that his fear of PoC, his antisemitism, and all of his weird fears informed a lot of what he was writing. His writing is so eerie because a lot of that fear comes from very real, nasty places. It's not to say we have to censor his works, but he influences a lot of horror today and those fears, that racial undertone, it is still very prevalent in horror movies today. That fear of the 'unknown,'
Gone with the Wind is an incredibly racist book. It's also a well-written book. I think a lot of people also like confine criticism to just a syntax/prose/technical level -- when in reality criticism should also be applied on an ideological level. Books that are well-written, well-plotted, etc., are also -- and should also -- be up for criticism. A book can be very well-written and also propagate harmful ideologies. I often read books that I know that (on an ideological level), I might not agree with. We can learn a lot from the books we read, even the ones we hate.
I just feel like we're getting to the point where people are just telling people to 'shut up and read' and making spaces for conversation a uniform experience. I don't want to be in a space where everyone agrees with the same point. Either people won't accept criticism of their favorite book, or they think criticism shouldn't be applied to books they think are well written. Reading invokes natural criticism -- so does writing. That's literally what writing is; asking questions, interrogating the world around you. It's why we have literary devices, techniques, and elements. It's never just taking the words being printed at face value.
You can identify with a character's trauma and still understand that their badly written. You can read a story, hate everything about it, and still like a character. As I stated a while back, I'm reading Fourth Wing; the book is terrible, but I like the main character. The worldbuilding is also terrible, but the author writes her PoC characters with respect. It's not hard to acknowledge one thing about the text, and still find enough to enjoy the book. And authors grow when we're honest about what worked and what didn't work. Shadow and Bone was very formulaic and derivative at points, but Six of Crows is much more inventive and inclusive. Veronica Roth's Carve the Mark had some weird racial problems, but Chosen Ones was a much better book in terms of representation. Percy Jackson is the same way. These writers grow, not just by virtue of time, but because they were critiqued and listened to that critique. C.S. Lewis and Tolkien always publically criticized each other's work. Zora Neale Hurston and Langston Hughes had a legendary friendship and back and forth with one another's works which provides so much insight into the conversations black authors and creatives were having.
Writing has always been about asking questions; prodding here and there, critiquing. It has always been a conversation, a dialogue. I urge people to love what they read, and read what they love, but always ask questions, always understand different perspectives, and always keep your mind open. Please stop stifling and controlling the conversations about your favorite literature, and please understand that everyone will not come out with the same reading experience as you. It doesn't make their experience any less valid than yours.
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