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#that one also gets sad
stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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astearisms · 8 months
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fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started
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wardingshout · 4 months
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Zelda goes mushroom girl
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hyuckonia · 6 months
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deuce fucking dies dot jpg
bonus:
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old man breaks back laughing at lame joke too hard 😂😂😂😔
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soranker · 3 months
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tomorrow :)
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tubbytarchia · 3 months
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I don't know what this is all I know is that LimL Joel makes me really emotional
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poorly-drawn-mdzs · 7 months
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Get Their Ass.
[First] Prev <–-> Next
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puppetmaster13u · 5 months
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Prompt 74
When a new black-haired blue-eyed person appeared in the manor, one could easily be forgiven for thinking that Bruce’s adoption problem had struck again. So color many a batkid surprised that no, this kid isn’t a new sibling, no he didn’t get grabbed from the street, and actually he’s here for Alfred. Apparently Alfred never found it important to mentioned that he has a husband- that the kid kind of implies isn’t human what with the casual way he says he himself is half human- and that this kid is apparently their child. For once it’s Bruce’s turn to come home to a surprise sibling. 
Danny on the other hand just learned that his Clockpa has a semi-mortal partner who has offered to take him in, (in another dimension even! And there’s aliens!!) while the ancient takes care of some stuff at home. And yeah it’s in a rich-manor but Sam has proved that not all rich people are evil, and based off of Mr Pennyworth’s stories the Waynes weren’t bad either. Though based off of the others’ reactions perhaps he should wait to mention that there wasn’t one new family member but three…
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andavs · 1 day
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I’m pinballing back and forth between “Buck and Eddie are fucking idiots who get blackout drunk and lose Chimney somewhere stupid” and “they all get drugged and it’s kind of fucked up actually” and I hate that with 911 they’re equally likely to happen.
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screwpinecaprice · 1 month
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Just a silly guy, with silly silly thoughts.
@glowweek Day 2
Casual | Surprise
A casual surprise?😬😬😬
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bottombaron · 9 months
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just me thinking abt the insidiousness of the Familiar Clinic
a place where every familiar is recommended to be put down
not because of any injury or disease
but because their vampire cared about them enough to take them there in the first place
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binary-bird · 4 days
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25 expressions challenge feat. david!
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buttercup-barf · 5 days
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This has to have been done a hundred times by this point, but. Regardless. I think I'm very funny.
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thisischeri · 8 months
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Sony AIBO ERS-111 robot dog, 1999
ig: cheri.png
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lazylittledragon · 2 months
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discussion: would gale accept only getting a few decades with his partner because he’s a squishy human OR would he go the lich route a la barry bluejeans
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courfee · 7 days
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“Regulus would be proud of us,” James whispered quietly to no one in particular, still gripping onto the painting like a life raft. 
— Tender Curiosities, Baby!  @otrtbs
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