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that-one-anxious-mango · 1 year

Text

lady in my life.

Summary: It’s official…your fave couple is are getting hitched’.

Contents: FLUFF TO DEATH. Clueless reader. Nervous Austin. Happy friends and family. Angst if you squint. Allusions to religion.

Pairing: Austin Butler x Black Reader

Warnings: I am not responsible for any stray tears or sobbing!

A/N: Hello beautiful humans! It’s me. First, I’m so sorry this took so long! I know I said last weekend but I wanted to make this perfect and rewrote it over and over until I finally stopped the madness. So two, I ask that everyone please be kind! I did my best and I know it’s not the greatest, but honey I put my soul in this lol. As always thanks for reading and sticking with me.

P.S Everyone feel free to comment and send more prompts, asks, and noodles! Much love! *hugs*

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" You're ridiculous." You grumbled out to the blonde haired man next to in the driver's seat who was laughing at your passionate outrage.

" Am not. " He shot back, " You're just too proud to admit that you might be wrong is all." He countered laughing at the scrunch in your eyebrows that you made as you glowered at him.

" Are too! I mean how could you say that! It's so..so s-o just..wrong! You're wrong, Butler." You concluded folding your arms across you chest in confidence.

" Nope I'm right. You can't beat the original, babe. It's a classic and that's my opinion. Deal with it." Austin cemented.

" Austin. Babe." You turned your head deadpanning him, " I can confidently say that me and about ninety-eight percent of the world will agree that Shrek 2 is absolutely better than Shrek 1. The end. So I don't care what you or any of the other pointy eared people of the world have to say about it because that's not a opinion, it's a fact. " You shrugged.

Smiling at how cute he thought you looked trying to be all serious Austin laughed, " Baby, is this what your going to do if we ever get married. Make fun of me to win a argument and look cute while doing it." He playfully squeezed your thigh with the hand resting on it.

You could feel your cheeks heat at the mention of the two of you married. It was something that you often pondered and had had some musings and conversations with Austin about. You already could see yourself being married but you wouldn’t lie. The thought seemed scary.

Would you really be enough for him forever?

All of a sudden feeling shy you turned your head toward the window to try and hide the gooey smile on your face that complimented the butterflies fluttering in your stomach that had made a permanent home there since you'd met your man almost two years ago.

Responding you say trying to sound light hearted, " Absolutely. Even though you may be handsome, smart, talented, kind, and equipped with certain mouth skills. I have to keep you from getting a big head one way or another. Besides this one wasn't much of a argument because like I said the clear answer is two. And even though you're wrong, you're still cute."

Austin couldn't help that he kept chuckling at you, " Whatever you say goes then I guess. Just as long as we can both agree that Lilo and Stitch is one of the best movies ever, I think we'll be fine." Austin patted your thigh.

" Well duh. I think you can tell from the fifty thousand times I’ve had us watch it that I whole heartedly agree.” You reminded him.

Nodding Austin glanced over at you with a smile on his face.

‘And I can’t wait to keep watching it with you over and over again for the rest of my life. He thought.

Eventually the two of you were exiting the car in a parking lot a block away from the Totem. Austin said there was construction being done in the surrounding area of the place so the usual parking lot and spaces were blocked.

Grabbing Austin's hand you sighed already feeling your feet begin to ache at the thought of walking the block in the new black converse shoes you'd just bought that weren't broken in yet. You were feeling cute today for some reason so when you thought of wearing them, you paired the shoes with some nice jeans and a cute blue low neck long sleeved top Austin suggested while you got ready. The two of you were stopping by The Totem for a second before heading over to a casual gathering Austin had been invited to. So you wanted to look your best.

Your hair was unusually silk pressed and flowing down your back since a couple days ago Alex had asked you to be her test dummy for a new heat protectant she wanted to try, and at the stipulation she clipped your ends you obliged.

Noticing a frown on your face he asked, “ What’s the matter? “ Shaking your hand to get your attention.

Looking up you shook your head quickly, “ Nothing.”

He raised he eyebrows while stopping you both, “ Y/N..” He asked.

You already knew that he wasn’t going to let it go you sighed, “ It’s nothing babe, honest. It’s just that I wish I would have worn better shoes. These are about to be a pain to walk in.” You huffed.

“ Well then don’t.” He stated simply back. “ Hop on.” He turned to move so you could jump on his back.

Giggling at how silly he looked you asked, “ Are you serious? “

He laughed back, “ About my baby being comfortable? Fuck yeah. Now c’mon.” He repeated.

Doing a quick look around you shrugged, “ Okay..then.” You agreed moving to grab at his shoulders.

" Alright, mama. On the count of three. One...two..THREE!" He coached.

Shrieking in glee you launched yourself onto his back where you secured your legs around his waist and arms around his neck. He made sure that you were attached to him good before he continued walking with a giddy you on his back.

You used a hand to cup the side of his cheek as you pressed a multitude of kisses to the side of his face and neck. Equally as happy he moved his head to the side to return the favor to a giggling you over and over again.

And before you knew the two of you had reached the door of the ever beloved totem, but once you seen the sign through the window your gleeful expression dropped.

Closed.

Immediately Austin could feel you begin to wiggle on his back in discontent, " No! No! No! Awe. I really wanted that cookie! " You pouted. " I could have sworn you said they were open when you checked."

Pressing another kiss to your cheek Austin wrapped you tighter around him, " I know, Mama. I did too." He offered." Maybe they just closed for a second for a cleaning or something." He tried reasoning. Just as you were about to suggest that the two of you pick up a box of insomnia cookies and go home to lounge in your underwear, Austin spotted your favorite barista through the door.

" Look it's Cameron. Maybe she can come to the door and we can ask." Austin suggests.

Your eyes grew in introverted horror, " No! No! Austin don't! " You protested trying to shift your body to get him to turn around.

But it was too late he'd already began knocking. " Hey Cam! Cameron! "

" Aus...." You whined feeling yourself involuntarily cringe.

But still that didn't stop him from continuing to knock on the door and call out like a mad person until Cameron finally came to the door cracking it open.

" Hey guys what's up? " She greeted looking chipper than usual. Probably because with the shop closing so her shift was shorter today.

" Nothing much. Sorry to bother you guys. I know you look to be closed and I really hate to ask truthfully. But is there any chance by the grace of God that you may have some oatmeal chocolate cookies and dark chocolate latte mix in there on stand by...maybe." He inquired squinting his eyes.

You turned your head cringing because you couldn't imagine ever feeling this confident to do something like this, and not to mention you felt bad bothering these poor people.

Turning her head to look back toward the café Cameron looked back to the two of you nodding, " I'm sure we could find some for the best of our two customers. Plus we're just closed for a couple hours for some deep cleaning so no big. C'mon in quick before anyone else sees you guys and thinks were open."

She ushered you in with a chorus of ‘thank yous’ coming from Austin and yourself.

Once you were inside Austin gently set you down pressing a kiss to your forehead while you made a puzzled face at him.

Even though he was a lot more social than you in most aspects due to his job, Austin was still just as much of a introvert as you at heart. So you were surprised he had knocked on the door like that.

Shrugging it off you glanced around at possibly your most favorite place on earth.

It looked normal. None of the tables and chairs were put up, the bakery display was full, with treats and all the machines were still running. The only difference was that the store lights were slightly dimmed and that was really it.

They must have just closed.

Grabbing your hand Austin walked you two over to the register so he could begin placing your usual orders.

For you, a medium light ice mango passion fruit tea with a oatmeal cookie chip cookie. As for him he always got, a extra cold oat milk latte with dark chocolate syrup and a shot of expresso that was usually paired with a cherry turnover of all things. And on days like these where the two of you hadn't eaten but still wanted to make dinner at home you split a harvarti grilled cheese (your favorite).

While Cameron rang it all up he turned to you, " You know what would go great with these, babe? " He questioned bringing out his wallet.

You stared up to him, " Hmm? "

" A poem from the poem machine to read. You mind going to get one while I take care of the rest of this." He questioned with a shiny quarter appearing in his hands to you.

You smiled, " No I don't mind. But first, put this in the tip jar for me, please." You asked handing him the five dollar bill, " And second keep you're quarter, babe I got my own." You shook your cute little googly eyed change purse at him.

The Totem had a really cool thing where they had a gumball machine full of poems from artists discovered and undiscovered throughout many periods of time. When the two of you started frequenting the place more often after your first encounter it'd become fun to get them to read. Plus all the money from the machine gets donated to minority charities which is a plus.

" I know you do. But I want you to use mine, please." He countered.

You frowned, " But you alrea-" . A kiss pressed to your lips cut you off and instead willed you to comply because when he pulled away and looked you dead in the eye, and without a word you took the quarter in your hand and ventured off to come back with a gumball poem.

Once you were around out of sight, Cameron clamped a hand over her mouth to hold in the excited scream that wanted to escape as Austin blew out a big breath of air watching you disappear a bit a ways.

He could hear quiet giggles and muffled laughs coming from the storage room where some of yours and Austin's closest friends were crammed into as they waited for their signal to pop out and start up the potential engagement party or crying session in the cafe's seating.

This whole thing had been two months of planning in advance. From both you and him conveniently both having the same day completely off which wasn't the norm, to all of a sudden earlier in the week Alex and Phoebe wanting to go to the nail salon for some girl time and the hair thing, yesterday night at a dinner hang Beatrice had out of no-where started bawling crying looking at you.

And how The Totem wasn't actually closed for cleaning but rather booked out for the evening by Austin who'd instructed the close friends to get here a hour before the two of you and park sporadically in the area so you wouldn't get suspicious. The whole staff was in on it and had been in the kitchen working overtime to craft the menu Austin and the owner, Margo, had curated for later that consisted of all yours and his fave items from here. For the “casual gathering “ you were dressed for.

Earlier in your relationship during a random late night convo you’d lethargically told Austin your dream engagement scenario which included your future hubby to propose somewhere meaningful to the relationship with some kind of corny heartfelt action. You’d also joked that it’d be funny if there was like a surprise party after or something so you’d be able to skip the hassle of planning a engagement party.

And even though the two of you sleepily had this conversation a year and a half ago, Austin never forgot.

Waiting until the coast was clear Phoebe walked out with tears in her eyes as she was overcome with excitement and anticipation silently coming around the counter and handing Austin the small black box she'd been entrusted with yesterday on the sly when she came to stop by really quick. Austin didn’t wanna risk you finding it at all.

Riddled with he nerves shakily accepted it running his finger across the small black box.

Putting her hand over Austin's Phoebe whispered, " It's okay. Don't sweat it. You love her and she loves you. That's all that matters. Just remember to ease into and take your time." She encouraged. " And just keep loving my bestfriend." She advised.

Nodding Austin carefully wrapped her in a hug with a small chorus of thank yous tagged along.

When they pulled apart Phoebe motioned to the storage room door that was cracked as yours and Austin's friends stuck their heads out whisper yelling words of encouragement and thumbs up that stuck out from behind the heads. Including a Ashley who was bonding with her new-found friend Beatrice over a very hefty tissue they were both using.

Nervously laughing and rubbing the back of his neck Austin cast them one last wave of a thank you before the door closed and he moved over to bay-window table that had become you and Austin's staple spot. The food was already placed thanks to Cameron. Shooting her a thank you, clammy handed Austin rubbed them together blowing out air in nerves and anticipation while he waited for his future wife to come to the table.

Max, a staff member quietly made sure the camera hidden on a opposite table was rolling and the mic also hidden on your table was working well to feed to the speaker in the storage room so everyone could hear, then scampering back to the kitchen.

---

When you made it to the poem machine you inserted the precious coin and turned the knob to produce the little plastic container. Although you did get distracted making your way back to the café by stopping to browse some books (which Austin had counted on), you'd picked up a new one by Kennedy Ryan titled Before I let go that you'd been hearing good things about.

Making your way back you found Austin at your table and took a seat.

Hearing your footsteps he quickly pulled himself together to put back on the confident and cool aura he'd been purposefully displaying today.

You can do this, just be cool.

Taking a seat you immediately thanked your man and then began to eat your delights. Austin grinned watching you moan in delight eating your goodies.

" Good? " He asked watching you wiggle and sway around happily while munching.

You nodded throwing a thumbs up.

" Good. Now, what'd you find, honey? " Austin takes a sip of his latte.

Waiting a second to finish you answered, " Oh..Um. It's that book I told that I wanted to find by that new author I recently discovered Kennedy Ryan. It's the on about the couple who's still in-love with each other after they divorced after being married for years with kids."

At the mention of the D word Austin couldn't help the choke on his coffee that happened as he set down his drink trying to catch his breath.

Immediately you reached across the table to pat his back in concern. Silently thanking you he motioned for you to sit back down much to your protest. He already felt nervous.

" I'm fine, baby. I'm alright just w-ent down the wrong pipe is all. " He reassured grabbing at your hand. Knowing you'd protest he spoke, "I'm okay really. Just while I catch my breath why don't you read the poem you got." He suggested biting the bullet as he knew he couldn't wait any longer. He knew he needed to ease into it, but he didn’t know if he’d be able to keep himself alive much longer.

He'd waited two years already.

That was enough.

Still not totally convinced he was okay you still popped the little sucker open and unfolded the strip of square piece of paper.

Taking one more look at him as he offered you a somber smile and nod to the paper.

You smiled not knowing that the small prints on the paper were about to change your life,

" So, it says.." You started:

" To the love of my life,

Our love will be ever thine, ever mine, ever ours for each passing minute, second, and hour until the days of our love bleed together.

Because if you'll be my wife, and take me a fool in love as your husband you shall be always be my greatest inspiration and joy in life.

This may be corny, I admit but to you my heart, mind, soul, and essence I commit for forever, always, and beyond.

Written to you will all I am.

Your hopeful future husband,

Austin."

You finished glancing over the words.

" Awe that's so sweet that someone would write that." You said out loud still not fully processing what'd you read.

With extremely observant eyes Austin continued to watch you transform like a caterpillar of cluelessness from a cocoon, to a butterfly in disbelief as you slowly went through the phases of realization.

At first you felt warmth in your heart.

But as the reality set in you felt your heart sped up a little.

O-oh SHIT!

Is this? Is he?

For longer than a minute you couldn't stop your eyes from rapidly re-reading the poem over and over again until your vision got a little blurry and you could feel the paper become wet and slick up your fingertip.

Even though your brain was still working overtime to compute what the fuck you had just read. It wasn't fully sinking in until his voice pulled you from your racing thought.

" Baby..."

Like his voice controlled the room you could see out your peripheral that the main lights had been turned down even lower so that beautifully strung string lights that decorated the place brightly at night, popped on. And the sound of Michael Jackson’s Lady in my Life began to play over the store speakers.

Slowly lifting your head while you felt the tears race each other down your face, you were met with Austin's face that was equally mixed with happiness, fear, and devotion wrapped all into one. He looked a bit flush and his cerulean eyes looked glossy with tears of his own. You watched him look to his own hand, training his view you let out a audible gasp.

And then you that's when you seen it, the small black box that he had in his hand.

He cleared his throat before starting, " Two years ago today right here in this very spot I fell in love with you and had half the mind to ask you to marry me then. And each day since I’ve found a new reason to keep falling. Your the first thing I think about when I wake up, and the last person I wanna see when I go to bed. I love you. I mean every part of you. I love your kind heart, budding intelligence, fierce loyalty, those curls and coils that grow our of your head toward the sun, those delicious thighs decorated with beautiful handcrafted marks and strokes from god's paint brush." You began blushing at this part.

" I want our children to inherit that smile that has the power to brighten any room you enter. I wanna look you in those gorgeous eyes that sparkle when you talk about your goals and dreams that I'll use every ounce of my power to support and help make happen. I'll keep forcing you to take cold medicine even if it means physically holding you like infant again. And I’ll watch Twilight, Lilo and Stitch, Greys Anatomy and whatever the hell else to keep you as happy as possible. " He recalled his interesting introduction to your aversion to flu medicine.

" Since knowing you there isn't anyone else I could imagine wanting to spend the rest of my life with. Sharing good times and bad, awkward and more awkward. " He continued making you smile. " You came into my life and made me grow as a human being and then from a little seedling our relationship has grown too through the love we have. And I want it to continue to grow...only now I hope it will grow with us as husband and wife." He declares.

“ Baby, you are the lady in my life and I want you and only you to be my lady. Forever.“ He continues.

Wordlessly you watched as he got up to kneel down in front of where you sat opening up the little black box to reveal a absolutely gorgeous ring you were almost too certain was too nice for your hand.

Looking to you he inhaled before asking staring you straight into your soul,

“ So..Y/N Y/M/N Y/N, will do this poor fool in love a mercy and please marry me? “ He finished.

Still stunned you were quiet feeling as if you were stuck.

You couldn’t believe this was happening.

This man who could have married probably any woman on the planet was asking YOU, of all people to marry him.

YOU!

You felt worry begin to creep in. Worry that you wouldn’t be enough for him, worry that he wouldn’t always feel the same, but mostly worry that you’d screw this up.

Growing up you’d never really had a example of a healthy or stable loving marriage. So how good would you be at something you had no idea about?

That worry wanted to push you to say no and bolt out the door to go into the nearest witness protection program.

But when you looked at this man. Really looked your man, who you’d spent every minute of two years loving, and wanted to love for the rest of your life.

All the worry melted.

Because he was it. He was the man who made even your deepest fears melt, and that was the kind of man you’d always hoped and prayed to marry.

You didn’t hide the gooey and down right bright smile that formulated on your face.

Not wanting to keep an obviously sweating Austin in suspense any longer, or unknowingly a whole backroom, kitchen staff, and others on edge who were clutching their pearls while holding on to each other. You spoke.

" Does this mean on the honeymoon we get to play accidentally in love in the background and have a montage like Shrek and Fiona ...or one like twilight." You goofed smiling through tears.

Blowing out air of relief as he was sure he was about to keel over he chuckled, " Woman what am I gonna go with you." He admired laughing at the power only you possessed to make him laugh while he was having heart palpitations.

Your smile widen, " Well, first your going to put that ring on my finger, and then lift out this chair and desperately make out with me, and then we're going to plan a honeymoon montage sequence to rival all honeymoon montage sequences, because the answer is yes. A million times yes I will marry you Austin Robert Butler." You answered before jumping up and down in your chair.

Not stopping the tears from rolling down his face he says, "So bossy, “ He joked laughed.

“ Well I warned you this would happen, didn’t I.”

“ You did. And whatever you say goes.” He grinned “ That’s the rule now.”

Grabbing your hand to slid on the stunning jewelry. You didn't get too long to gaze at on your finger because like you requested Austin stood to his feet pulling you up to hoist your legs around his waist as the two of you locked yourselves in a all breath taking, passion filled, white searing kiss that you wish could have lasted forever.

But of course it didn't because you both were interrupted by the sounds of multiple cheers and woops coming from somewhere.

Confused you pulled away watching in amazement as yours and Austin's friends pooled in from the storage room as well as some entering the store through the door.

You playfully pouted at him realizing now all the things he’d done. He’d actually taken you serious and listened.

God! You loved this man!

Placing a big fat kiss to his lips. You wiggled out his embrace before you were practically tackled by sobbing friends.

For the rest of the night the party was set up before your eyes and you got to celebrate mingling with yours and Austin’s friends who some congratulated the two of you, and others started planning future baby showers and anniversary dinners.

After things got a bit overwhelming, Austin had found you and recused you to a small quiet place between bookshelves so you could make out and slow dance the night away with your...fiancée.

#austin butler #daysofourlove #austin butler x reader #austin butler fanfic #austin butler imagine #austin butler x black reader #austin butler x black! reader #austin butler fic #Spotify

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marciabrady · 1 year

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as i was thinking about both fiona and odette one day, i realized how many similarities they shared! fiona transforms into an ogre at night, while odette transforms into a swan by day- literally recalling fiona's curse: "by night one way, by day another."

in their respective films, they're both seen healing parties that been injured with arrows back to health:

someone must've had to teach them how to heal said arrow wounds...with fiona, specifically, i feel like she's a product of the early 2000s. in certain moments, they make her this traditional princess for us to laugh at, and in other moments she's like this badass fighter, but they don't explain where those things came from...like who taught her how to fight? then my mind started opening up to the possibility that odette and fiona were somehow related/their stories intertwined

upon further thinking upon this theory, i thought about odette's formative years as portrayed in the opening number of her film. she's seen as being a prim princess with proper manners, but also someone that's combative and isn't afraid of a physical confrontation

ok so remember this. BUT ALSO there's a frog called jean bob in swan princess, who claims that he's actually a prince and that, if odette should kiss him, he'll regain his human form

you know who the voice of jean bob is? JOHN CLEESE AKA FIONA'S FATHER, KING HAROLD, THE FROG KING

this convinced me that fiona's ogreism is a recessive gene from king harold since she, too, turns into a green swamp-dwelling creature, similarly to a frog, just like her father.

BUT if it's recessive, that means it would've had to have been inherited from both sides...which would only be plausible if her mother had a similar transformation spell she was under- say, a SWAN TRANSFORMATION SPELL

also, in shrek 2, fiona's mother says the following about how she met fiona's father:

"don't you remember when we were young? we used to walk by the lily pond and (they were in bloom) our first kiss."

um, our first KISS

also, both odette and lillian (fiona's canonical mother) have feathered blonde hair. another connection- in the third film, fiona's mother is seen head-butting through a brickwall and freeing the princesses from a prison. when fiona is shocked, her mother replies:

"well, you didn't actually think you got your fighting skills from your father, did you?"

odette is a fighter and, going along with my earlier point, the one that i think taught fiona how to safely remove arrows! so odette HAS to either be fiona's mother or cousin and lillian is her aunt or mom...it all connects

also, not for nothing, but odette is the only princess to have an onscreen awkward phase (which relates to fiona feeling ugly) and odette is literally a ginger with braids at that time, which is fiona's signature look

furthermore, in the beginning of the swan princess, the parents arrange a marriage between derek and odette. in the hopes that the prince and princess will fall in love, the parents make them spend every summer together from the age of 6 to 16, praying they'll develop a romance. odette secretly likes derek the entire time, but derek hates her. it isn't until their final meeting, when she's grown up and conventionally attractive, that he takes to her and quickly announces to, "arrange the marriage!" odette interjects, "wait!" he replies, "what? you're all i ever wanted...you're beautiful." and she LITERALLY says, "thank you...but what else?" he blankly stares at her and says, "...what else?" to which she replies (source):

i can see this being a generation curse where fiona, too, needs to learn this lesson and i think, since odette already knows there's more than beauty, it causes...tension between she and fiona. fiona being like, "YOU DON'T UNDERSTAND WHAT IT'S LIKE TO BE LIKE THIS."

but also, the frog king, the swan princess, the ogre princess- this is def a family line COME ON

also since odette knows it isn't what it seems (which the prince has to master in the swan princess, as per odette's father)/there's more than just beauty, that's why i think she (lillian) wasn't shocked when fiona came back in shrek 2 as an ogre, whereas harold was visibly more upset. also, idk if you all know but there's a deleted scene with a character called dama fortuna that asks fiona to choose between 'beauty' and her 'happily ever after.' fiona chooses beauty like...again, the generational curse!

this would prop fiona up to be a perfect mix between her parents. like odette, she sees past appearances and knows there's more than beauty which explains why fiona doesn't judge shrek that much. she's initially disappointed he's an ogre purely because of her curse but otherwise, she doesn't care. meanwhile she can't accept herself because she takes half after her father, harold, who is so unaccepting of himself but also those around him (ogre shrek and fiona). like it makes SO much sense that fiona would be a combination of these two (source)

harold's need for "beauty", ie people who are societally acceptable in his eyes, leads to him literally imprisoning his daughter to a tower so no one sees her as an ogre. meanwhile, with lillian, she's way more accepting which is why i never understood how she would also send fiona off, especially since she willingly married harold the frog king.

BUT if you subscribe to my theory that she's odette

it would absolutely make sense she's cosign on sending fiona off because of the line above ("you're all i ever wanted; you're beautiful"). when fiona's growing up, odette/lillian notices fiona parroting a lot of her father harold's harmful rhetoric. where harold sends fiona off to hide her, i think odette/lillian sends her off so fiona learns the same lesson harold/frog king had to learn (it isn't as it seems/there's more to life than beauty or being accepted by society) and allowing her daughter to mentally develop in her formative years without the negative influence of her father or the unrealistic beauty standards/wrong priorities that far far away sends forth as an allegory of the entertainment and beauty industry (fairy godmother).

BUT i think with time, odette/lillian starts to feel bad and urges harold to bring fiona back, which brings us to the fourth movie with that scene where she convinces harold to make a deal with rumpelstilskin to bring fiona back

i have so much more to say on this but i'm wrapping this up for now and am qualifying this as the thesis of my theory

#the swan princess #shrek #princess fiona #princess odette #marciabrady #mine #some of this requires suspension of disbelief because yes i understand fiona's mother's canonical name is lillian BUT #here needs to be more discussion around these two female characters in general because they're incredible!

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casmick-consequences · 3 years

Note

obviously mick shrek and barry from the bee movie

According to all known laws of aviation, there is no way that a bee should be able to fly.

Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don’t care what humans think is impossible.” SEQ. 75 - “INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow... ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY (CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie" - JS REVISIONS 8/13/07 2. BARRY Sorry, I’m excited. Barry’s father, MARTIN BENSON, ENTERS. He’s reading a NEWSPAPER with the HEADLINE, “Queen gives birth to thousandtuplets: Resting Comfortably.” MARTIN BENSON Here’s the graduate. We’re very proud of you, Son. And a perfect report card, all B’s. JANET BENSON (mushing Barry’s hair) Very proud. BARRY Ma! I’ve got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You’ve got some lint on your fuzz. She picks it off. BARRY Ow, that’s me! MARTIN BENSON Wave to us. We’ll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 - DRIVING TO GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" - JS REVISIONS 8/13/07 3. ANGLE ON: Barry’s friend, ADAM FLAYMAN, standing by the curb. He’s reading a NEWSPAPER with the HEADLINE: “Frisbee Hits Hive: Internet Down. Bee-stander: “I heard a sound, and next thing I knew...wham-o!.” Barry drives up, stops in front of Adam. Adam jumps in. BARRY Hey, Adam. ADAM Hey, Barry. (pointing at Barry’s hair) Is that fuzz gel? BARRY A little. It’s a special day. Finally graduating. ADAM I never thought I’d make it. BARRY Yeah, three days of grade school, three days of high school. ADAM Those were so awkward. BARRY Three days of college. I’m glad I took off one day in the middle and just hitchhiked around the hive. ADAM You did come back different. They drive by a bee who’s jogging. ARTIE Hi Barry! BARRY (to a bee pedestrian) Hey Artie, growing a mustache? Looks good. Barry and Adam drive from the suburbs into the city. ADAM Hey, did you hear about Frankie? "Bee Movie" - JS REVISIONS 8/13/07 4. BARRY Yeah. ADAM You going to his funeral? BARRY No, I’m not going to his funeral. Everybody knows you sting someone you die, you don’t waste it on a squirrel. He was such a hot head. ADAM Yeah, I guess he could’ve just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that’s why they say we don’t need vacations. CUT TO: SEQ. 95 -

GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp...under * the circumstances. * They land in their seats. BARRY (CONT’D) Well Adam, today we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-men. ADAM Amen! BARRY Hallelujah. Barry hits Adam’s forehead. Adam goes into the rapture. An announcement comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwell. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: “Welcome Graduating Class of:”, with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWELL (CONT’D) ...9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it’s just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - “FACTORY” FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it’s going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: “Honex: A Division of Honesco: A Part of the Hexagon Group.” TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing the factory. BARRY (CONT’D) Wow. TRUDY We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant pollen jocks bring the nectar to the hive where our top secret formula is automatically color-corrected, scent adjusted and bubble contoured into this... Trudy GRABS a TEST TUBE OF HONEY from a technician. "Bee Movie" - JS REVISIONS 8/13/07 7. TRUDY (CONT’D) ...soothing, sweet syrup with its distinctive golden glow, you all know as... EVERYONE ON THE TRAM (in unison) H-o-n-e-y. Trudy flips the flask into the crowd, and laughs as they all scramble for it. ANGLE ON: A GIRL BEE catching the honey. ADAM (sotto) That girl was hot. BARRY (sotto) She’s my cousin. ADAM She is? BARRY Yes, we’re all cousins. ADAM Right. You’re right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. These bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTER. He gets up, and gives a “thumb’s up”. The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Krelman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam’s hand shoots up. ADAM Can anyone work on the Krelman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it’s done well, means a lot. There are over 3000 different bee occupations. But choose carefully, because you’ll stay in the job that you pick for the rest of your life. The bees CHEER. ANGLE ON: Barry’s smile dropping slightly. BARRY The same job for the rest of your life? I didn’t know that. ADAM What’s the difference? TRUDY And you’ll be happy to know that bees as a species haven’t had one day off in 27 million years. BARRY So you’ll just work us to death? TRUDY (laughing) We’ll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops down a log-flume type steep drop. Cameras flash, as all the bees throw up their

hands. The frame freezes into a snapshot. Barry looks concerned. The tram continues through 2 doors. FORM DISSOLVE TO: SEQ. 175 - “WALKING THE HIVE” INT. HONEX LOBBY ANGLE ON: The log-flume photo, as Barry looks at it. ADAM Wow. That blew my mind. BARRY (annoyed) “What’s the difference?” Adam, how could you say that? One job forever? That’s an insane choice to have to make. ADAM Well, I’m relieved. Now we only have to make one decision in life. BARRY But Adam, how could they never have told us that? ADAM Barry, why would you question anything? We’re bees. We’re the most perfectly functioning society on Earth. They walk by a newspaper stand with A SANDWICH BOARD READING: “Bee Goes Berserk: Stings Seven Then Self.” ANGLE ON: A BEE filling his car’s gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam begin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the street. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks) ...I don’t know. But you know what I’m talking about. They walk off. SEQ. 400 - “MEET THE JOCKS” SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive’s giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT’D) I’ve never seen them this close. BARRY They know what it’s like to go outside the hive. ADAM Yeah, but some of them don’t come back. "Bee Movie" - JS REVISIONS 8/13/07 11. The nectar from the pollen jocks is removed from their backpacks, and loaded into trucks on their way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes their nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You’re monsters. You’re sky freaks! I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder where those guys have just been? ADAM I don’t know. BARRY Their day’s not planned. Outside the hive, flying who-knows-where, doing who-knows-what. ADAM You can’t just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT’D) Look at that. That’s more pollen than you and I will ever see in a lifetime. ADAM (playing with the pollen) It’s just a status symbol. I think bees make too big a deal out of it. BARRY Perhaps, unless you’re wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. "Bee Movie" - JS REVISIONS 8/13/07 12. ADAM Those ladies? Aren’t they our cousins too? BARRY Distant, distant. ANGLE ON: TWO POLLEN JOCKS. JACKSON Look at these two. SPLITZ Couple of Hive Harrys. JACKSON Let’s have some fun with them. The pollen jocks approach. Barry and Adam continue to talk to the girls. GIRL 1 It must be so dangerous being a pollen jock. BARRY Oh yeah, one time a bear had me pinned up against a mushroom. He had one paw on my throat, and with the other he was slapping me back and forth across the face. GIRL 1 Oh my. BARRY I never thought I’d knock him out. GIRL 2 (to Adam) And what were you doing during all of this? ADAM Obviously I was trying to alert the authorities. The girl swipes some pollen off of Adam with a finger. BARRY (re: pollen) I can autograph that if you want. "Bee Movie" - JS REVISIONS 8/13/07 13. JACKSON Little gusty out there today, wasn’t it, comrades? BARRY Yeah. Gusty. BUZZ You know, we’re going to hit a sunflower patch about six miles from here tomorrow. BARRY Six miles, huh? ADAM (whispering) Barry. BUZZ It’s a puddle-jump for us. But maybe you’re not up for it. BARRY Maybe I am. ADAM (whispering louder) You are not! BUZZ We’re

going, oh-nine hundred at JGate. ADAM (re: j-gate) Whoa. BUZZ (leaning in, on top of Barry) What do you think, Buzzy Boy? Are you bee enough? BARRY I might be. It all depends on what oh-nine hundred means. CUT TO: SEQ. 450 - “THE BALCONY” "Bee Movie" - JS REVISIONS 8/13/07 14. INT. BENSON HOUSE BALCONY - LATER Barry is standing on the balcony alone, looking out over the city. Martin Benson ENTERS, sneaks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you’re interested in, Son? BARRY Well, there’s a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you something about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourself into a rhythm, it’s a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn’t right for me. MARTIN BENSON And you were thinking of what, making balloon animals? That’s a bad job for a guy with a stinger. "Bee Movie" - JS REVISIONS 8/13/07 15. BARRY Well no... MARTIN BENSON Janet, your son’s not sure he wants to go into honey. JANET BENSON Oh Barry, you are so funny sometimes. BARRY I’m not trying to be funny. MARTIN BENSON You’re not funny, you’re going into honey. Our son, the stirrer. JANET BENSON You’re going to be a stirrer?! BARRY No one’s listening to me. MARTIN BENSON Wait until you see the sticks I have for you. BARRY I can say anything I want right now. I’m going to get an ant tattoo. JANET BENSON Let’s open some fresh honey and celebrate. BARRY Maybe I’ll pierce my thorax! MARTIN BENSON (toasting) To honey! BARRY Shave my antennae! JANET BENSON To honey! "Bee Movie" - JS REVISIONS 8/13/07 16. BARRY Shack up with a grasshopper, get a gold tooth, and start calling everybody “Dawg.” CUT TO: SEQ. 760 - “JOB PLACEMENT” EXT. HONEX LOBBY - CONTINUOUS ANGLE ON: A BEE BUS STOP. One group of bees stands on the pavement, as another group hovers above them. A doubledecker bus pulls up. The hovering bees get on the top level, and the standing bees get on the bottom. Barry and Adam pull up outside of Honex. ADAM I can’t believe we’re starting work today. BARRY Today’s the day. Adam jumps out of the car. ADAM (O.C) Come on. All the good jobs will be gone. BARRY Yeah, right... ANGLE ON: A BOARD READING: “JOB PLACEMENT BOARD”. Buzzwell, the Bee Processor, is at the counter. Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them’s yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, Inspector No. 7, Chef, Lint Coordinator, Stripe Supervisor, Antennae-ball polisher, Mite Wrangler, Swatting Counselor, Wax Monkey, Wing Brusher, Hive Keeper, Restroom Attendant. ADAM (to Barry) You want to go first? BARRY No, you go. ADAM Oh my. What’s available? BUZZWELL Restroom attendant is always open, and not for the reason you think. ADAM Any chance of getting on to the Krelman, Sir? BUZZWELL Sure, you’re on. "Bee Movie" - JS REVISIONS 8/13/07 18. He plops the KRELMAN HAT onto Adam’s head. ANGLE ON: The job board. THE COLUMNS READ: “OCCUPATION” “POSITIONS AVAILABLE”, and “STATUS”. The middle column has numbers, and the right column has job openings flipping between “open”, “pending”, and “closed”. BUZZWELL (CONT’D) Oh, I’m sorry. The Krelman just closed out. ADAM Oh! He takes the hat off Adam.

BUZZWELL Wax Monkey’s always open. The Krelman goes from “Closed” to “Open”. BUZZWELL (CONT’D) And the Krelman just opened up again. ADAM What happened? BUZZWELL Well, whenever a bee dies, that’s an opening. (pointing at the board) See that? He’s dead, dead, another dead one, deady, deadified, two more dead. Dead from the neck up, dead from the neck down. But, that’s life. ANGLE ON: Barry’s disturbed expression. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Barry, Barry, what do you think I should-- Barry? Barry? "Bee Movie" - JS REVISIONS 8/13/07 19. Barry is gone. CUT TO: SEQ. 775 - “LOU LODUCA SPEECH” EXT. J-GATE - SAME TIME Splitz, Jackson, Buzz, Lou and two other BEES are going through final pre-flight checks. Barry ENTERS. LOU LODUCA Alright, we’ve got the sunflower patch in quadrant nine. Geranium window box on Sutton Place... Barry’s antennae rings, like a phone. ADAM (V.O) What happened to you? Where are you? Barry whispers throughout. BARRY I’m going out. ADAM (V.O) Out? Out where? BARRY Out there. ADAM (V.O) (putting it together) Oh no. BARRY I have to, before I go to work for the rest of my life. ADAM (V.O) You’re going to die! You’re crazy! Hello? BARRY Oh, another call coming in. "Bee Movie" - JS REVISIONS 8/13/07 20. ADAM (V.O) You’re cra-- Barry HANGS UP. ANGLE ON: Lou Loduca. LOU LODUCA If anyone’s feeling brave, there’s a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn’t that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck’s restricted. JACKSON It’s okay Lou, we’re going to take him up. Splitz and Jackson CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMALLER BEE THAN BARRY, CHET, runs up with a release waiver for Barry to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay, you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds, bears, and bats. "Bee Movie" - JS REVISIONS 8/13/07 21. Also, I got a couple reports of root beer being poured on us. Murphy’s in a home because of it, just babbling like a cicada. BARRY That’s awful. LOU LODUCA And a reminder for all you rookies, bee law number one, absolutely no talking to humans. Alright, launch positions! The Jocks get into formation, chanting as they move. LOU LODUCA (CONT’D) Black and Yellow! JOCKS Hello! SPLITZ (to Barry) Are you ready for this, hot shot? BARRY Yeah. Yeah, bring it on. Barry NODS, terrified. BUZZ Wind! - CHECK! JOCK #1 Antennae! - CHECK! JOCK #2 Nectar pack! - CHECK! JACKSON Wings! - CHECK! SPLITZ Stinger! - CHECK! BARRY Scared out of my shorts - CHECK. LOU LODUCA Okay ladies, let’s move it out. Everyone FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie" - JS REVISIONS 8/13/07 22. LOU LODUCA (CONT'D) LOU LODUCA (CONT’D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowers! A FLIGHT DECK GUY in deep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 - “FLYING WITH THE JOCKS” The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I’m out! I can’t believe I’m out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! SPLITZ This is blue leader. We have roses visual. Bring it around thirty degrees and hold. BARRY (sotto) Roses. JACKSON Thirty degrees, roger, bringing it around. Many pollen jocks break off from the main group. They use their equipment to collect nectar from flowers. Barry flies down to watch the jocks collect the nectar. JOCK Stand to the side kid, it’s got a bit of a kick. The jock fires the gun, and

recoils. Barry watches the gun fill up with nectar. "Bee Movie" - JS REVISIONS 8/13/07 23. BARRY Oh, that is one Nectar Collector. JOCK You ever see pollination up close? BARRY No, Sir. He takes off, and the excess pollen dust falls causing the flowers to come back to life. JOCK (as he pollinates) I pick some pollen up over here, sprinkle it over here, maybe a dash over there, pinch on that one...see that? It’s a little bit of magic, ain’t it? The FLOWERS PERK UP as he pollinates. BARRY Wow. That’s amazing. Why do we do that? JOCK ...that’s pollen power, Kid. More pollen, more flowers, more nectar, more honey for us. BARRY Cool. The Jock WINKS at Barry. Barry rejoins the other jocks in the sky. They swoop in over a pond, kissing the surface. We see their image reflected in the water; they’re really moving. They fly over a fountain. BUZZ I’m picking up a lot of bright yellow, could be daisies. Don’t we need those? SPLITZ Copy that visual. We see what appear to be yellow flowers on a green field. "Bee Movie" - JS REVISIONS 8/13/07 24. They go into a deep bank and dive. BUZZ Hold on, one of these flowers seems to be on the move. SPLITZ Say again...Are you reporting a moving flower? BUZZ Affirmative. SEQ. 900 - “TENNIS GAME” The pollen jocks land. It is a tennis court with dozens of tennis balls. A COUPLE, VANESSA and KEN, plays tennis. The bees land right in the midst of a group of balls. KEN (O.C) That was on the line! The other bees start walking around amongst the immense, yellow globes. SPLITZ This is the coolest. What is it? They stop at a BALL on a white line and look up at it. JACKSON I don’t know, but I’m loving this color. SPLITZ (smelling tennis ball) Smells good. Not like a flower. But I like it. JACKSON Yeah, fuzzy. BUZZ Chemical-y. JACKSON Careful, guys, it’s a little grabby. Barry LANDS on a ball and COLLAPSES. "Bee Movie" - JS REVISIONS 8/13/07 25. BARRY Oh my sweet lord of bees. JACKSON Hey, candy brain, get off there! Barry attempts to pulls his legs off, but they stick. BARRY Problem! A tennis shoe and a hand ENTER FRAME. The hand picks up the ball with Barry underneath it. BARRY (CONT'D) Guys! BUZZ This could be bad. JACKSON Affirmative. Vanessa walks back to the service line, BOUNCES the ball. Each time it BOUNCES, the other bees cringe and GASP. ANGLE ON: Barry, terrified. Pure dumb luck, he’s not getting squished. BARRY (with each bounce) Very close...Gonna Hurt...Mamma’s little boy. SPLITZ You are way out of position, rookie. ANGLE ON: Vanessa serving. We see Barry and the ball up against the racket as she brings it back. She tosses the ball into the air; Barry’s eyes widen. The ball is STRUCK, and the rally is on. KEN Coming in at you like a missile! Ken HITS the ball back. Barry feels the g-forces. ANGLE ON: The Pollen Jocks watching Barry pass by them in SLOW MOTION. "Bee Movie" - JS REVISIONS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a high arcing lob. Ken waits, poised for the return. We see Barry having trouble maneuvering the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He’s going to hit the ultimate overhead smash. KEN (CONT'D) You can just start packing up Honey, because I believe you’re about to eat it! ANGLE ON: Pollen Jocks. JACKSON Ahem! Ken is distracted by the jock. KEN What? No! He misses badly. The ball rockets into oblivion. Barry is still hanging on. ANGLE ON: Ken, berating himself. KEN (CONT’D) Oh, you cannot be serious. We hear the ball WHISTLING, and Barry SCREAMING. "Bee Movie" - JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000 - “SUV” The ball flies through the air, and lands in the middle of the street. It bounces into the street again, and sticks in the grille of an SUV. INT. CAR ENGINE - CONTINUOUS BARRY’S POV: the grille of the SUV sucks him up. He tumbles through a black tunnel, whirling vanes, and pistons. BARRY AHHHHHHHHHHH!! OHHHH!! EECHHH!! AHHHHHH!!

Barry gets chilled by the A/C system, and sees a frozen grasshopper. BARRY (CONT’D) (re: grasshopper) Eww, gross. CUT TO: INT. CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Barry pops into the passenger compartment, hitting the Mother’s magazine. MOTHER There’s a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tumbles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" - JS REVISIONS 8/13/07 28. FATHER I’m driving! Barry flies by the little girl in her CAR SEAT. She waves hello. LITTLE GIRL Hi, bee. SON He’s back here! He’s going to sting me! The car SWERVES around the road. Barry flies into the back, where the slobbery dog SNAPS at him. Barry deftly avoids the jaws and gross, flying SPITTLE. MOTHER Nobody move. If you don’t move, he won’t sting you. Freeze! Everyone in the car freezes. Barry freezes. They stare at each other, eyes going back and forth, waiting to see who will make the first move. Barry blinks. GRANNY He blinked! Granny pulls out a can of HAIR SPRAY. SON Spray him, Granny! Granny sprays the hair spray everywhere. FATHER What are you doing? GRANNY It’s hair spray! Extra hold! MOTHER Kill it! Barry gets sprayed back by the hair spray, then sucked out of the sunroof. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 29. EXT. CITY STREET - CONTINUOUS BARRY Wow. The tension level out here is unbelievable. I’ve got to get home. As Barry flies down the street, it starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT’D) Whoa. Whoa! Can’t fly in rain! Can’t fly in rain! Can’t fly in-- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! Mayday! Bee going down! Barry sees a window ledge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - “VANESSA SAVES BARRY” INT. VANESSA’S APARTMENT - CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? It folds out. Ken holds up his brochure, with photos of himself, and a resume in the middle. ANGLE ON: Barry hiding behind the curtains, as Ken CLOSES THE WINDOW. "Bee Movie" - JS REVISIONS 8/13/07 30. BARRY Oh no, more humans. I don’t need this. Barry HOVERS up into the air and THROWS himself into the glass. BARRY (CONT’D) (dazed) Ow! What was that? He does it again, and then multiple more times. BARRY (CONT'D) Maybe this time...this time, this time, this time, this time, this time, this time, this time. Barry JUMPS onto the drapes. BARRY (CONT'D) (out of breath) Drapes! (then, re: glass) That is diabolical. KEN It’s fantastic. It’s got all my special skills, even my top ten favorite movies. ANDY What’s your number one? Star Wars? KEN Ah, I don’t go for that, (makes Star Wars noises), kind of stuff. ANGLE ON: Barry. BARRY No wonder we’re not supposed to talk to them. They’re out of their minds. KEN When I walk out of a job interview they’re flabbergasted. They can’t believe the things I say. Barry looks around and sees the LIGHT BULB FIXTURE in the middle of the ceiling. "Bee Movie" - JS REVISIONS 8/13/07 31. BARRY (re: light bulb) Oh, there’s the sun. Maybe that’s a way out. Barry takes off and heads straight for the light bulb. His POV: The seventy-five watt label grows as he gets closer. BARRY (CONT’D) I don’t remember the sun having a big seventy five on it. Barry HITS the bulb and is KNOCKED SILLY. He falls into a BOWL OF GUACAMOLE. Andy dips his chip in the guacamole, taking Barry with it. ANGLE ON: Ken and Andy. KEN I’ll tell you what. You know what? I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Barry’s POV: Giant human mouth opening. KEN (CONT’D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from

their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken’s arm) Wait. Don’t kill him. CLOSE UP: on Barry’s puzzled face. KEN You know I’m allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have any less value than mine? Is that your statement? VANESSA I’m just saying, all life has value. You don’t know what he’s capable of feeling. Barry looks up through the glass and watches this conversation, astounded. Vanessa RIPS Ken’s resume in half and SLIDES it under the glass. KEN (wistful) My brochure. There’s a moment of eye contact as she carries Barry to the window. She opens it and sets him free. VANESSA There you go, little guy. KEN (O.C) I’m not scared of them. But, you know, it’s an allergic thing. ANDY (O.C) * Hey, why don’t you put that on your * resume-brochure? * KEN (O.C) It’s not funny, my whole face could puff up. ANDY (O.C) Make it one of your “Special Skills.” KEN (O.C) You know, knocking someone out is also a special skill. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 33. EXT. WINDOWSILL - CONTINUOUS Barry stares over the window frame. He can’t believe what’s just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 - “BARRY SPEAKS” EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone’s saying their good-byes. KEN Vanessa, next week? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on there. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I’ve got to say something. She saved my life. I’ve got to say something. Alright, here it goes. Barry flies in. "Bee Movie" - JS REVISIONS 8/13/07 34. INT. VANESSA’S APARTMENT - CONTINUOUS Barry hides himself on different PRODUCTS placed along the kitchen shelves. He hides on a Bumblebee Tuna can, and a “Greetings From Coney Island” MUSCLE-MAN POSTCARD on the fridge. BARRY (on fridge) What would I say? (landing on a bottle) I could really get in trouble. He stands looking at Vanessa. BARRY (CONT'D) It’s a bee law. You’re not supposed to talk to a human. I can’t believe I’m doing this. I’ve got to. Oh, I can’t do it! Come on! No, yes, no, do it! I can’t. How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool. As Vanessa walks by, Barry takes a DEEP BREATH. BARRY (CONT’D) (cheerful) Umm...hi. Vanessa DROPS A STACK OF DISHES, and HOPS BACK. BARRY (CONT’D) I’m sorry. VANESSA You’re talking. BARRY Yes, I know, I know. VANESSA You’re talking. BARRY I know, I’m sorry. I’m so sorry. VANESSA It’s okay. It’s fine. It’s just, I know I’m dreaming, but I don’t recall going to bed. "Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I’m sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you’re a bee. BARRY Yeah, I am a bee, and you know I’m not supposed to be doing this, but they were all trying to kill me and if it wasn’t for you...I mean, I had to thank you. It’s just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA Ow! BARRY That was a little weird. VANESSA (to herself) I’m talking to a bee. BARRY Yeah. VANESSA I’m talking to a bee. BARRY Anyway... VANESSA And a bee is talking to me... BARRY I just want you to know that I’m grateful, and I’m going to leave now. VANESSA Wait, wait, wait, wait, how did you learn to do that? BARRY What? "Bee Movie" - JS REVISIONS 8/13/07 36. VANESSA The talking thing. BARRY Same way you did, I guess. Mama, Dada, honey, you pick it up. VANESSA That’s very funny. BARRY Yeah. Bees are funny. If we didn’t laugh, we’d cry. With what we have to deal with. Vanessa LAUGHS. BARRY (CONT’D) Anyway. VANESSA Can I, uh, get you something? BARRY

Like what? VANESSA I don’t know. I mean, I don’t know. Coffee? BARRY Well, uh, I don’t want to put you out. VANESSA It’s no trouble. BARRY Unless you’re making anyway. VANESSA Oh, it takes two minutes. BARRY Really? VANESSA It’s just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don’t be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey, you want a little rum cake? BARRY I really shouldn’t. VANESSA Have a little rum cake. BARRY No, no, no, I can’t. VANESSA Oh, come on. BARRY You know, I’m trying to lose a couple micrograms here. VANESSA Where? BARRY Well... These stripes don’t help. VANESSA You look great. BARRY I don’t know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) Are you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 - “ROOFTOP COFFEE” "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. VANESSA’S ROOF - LATER Barry and Vanessa are drinking coffee on her roof terrace. He is perched on her keychain. BARRY ...He can’t get a taxi. He’s making the tie in the cab, as they’re flying up Madison. So he finally gets there. VANESSA Uh huh? BARRY He runs up the steps into the church, the wedding is on... VANESSA Yeah? BARRY ...and he says, watermelon? I thought you said Guatemalan. VANESSA Uh huh? BARRY Why would I marry a watermelon? Barry laughs. Vanessa doesn’t. VANESSA Oh! Is that, uh, a bee joke? BARRY Yeah, that’s the kind of stuff that we do. VANESSA Yeah, different. A BEAT. VANESSA (CONT’D) So anyway...what are you going to do, Barry? "Bee Movie" - JS REVISIONS 8/13/07 39. BARRY About work? I don’t know. I want to do my part for the hive, but I can’t do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there’s my hive, right there. You can see it. VANESSA Oh, you’re in Sheep Meadow. BARRY (excited) Yes! You know the turtle pond? VANESSA Yes? BARRY I’m right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don’t know. It’s like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appears that Vanessa is talking to an imaginary friend. JANITOR You all right, ma’am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it’s no trouble. BARRY Sorry I couldn’t finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, I’d be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. There is an awkward pause. BARRY Alright, well then, I guess I’ll see you around, or not, or... VANESSA Okay Barry. BARRY And thank you so much again, for before. VANESSA Oh that? BARRY Yeah. VANESSA Oh, that was nothing. BARRY Well, not nothing, but, anyway... Vanessa extends her hand, and shakes Barry’s gingerly. The Janitor watches. The lightbulb shorts out. The Janitor FALLS. CUT TO: SEQ. 1400 - “HONEX” INT. HONEX BUILDING - NEXT DAY ANGLE ON: A TEST BEE WEARING A PARACHUTE is in a wind tunnel, hovering through increasingly heavy wind. SIGNS UNDER A FLASHING LIGHT READ: “Test In Progress” & “Hurricane Survival Test”. 2 BEES IN A LAB COATS are observing behind glass. "Bee Movie" - JS REVISIONS 8/13/07 42. LAB COAT BEE 1 This can’t possibly work. LAB COAT BEE 2 Well, he’s all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He’s instantly blown against the rear wall.

Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, happiest moment of my life. ADAM Humans! Humans! I can’t believe you were with humans! Giant scary humans! What were they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of them don’t. ADAM How’d you get back? BARRY Poodle. ADAM Look, you did it. And I’m glad. You saw whatever you wanted to see out there, you had your “experience”, and now you’re back, you can pick out your job, and everything can be normal. "Bee Movie" - JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a microscope. BARRY Well... ADAM Well? BARRY Well, I met someone. ADAM You met someone? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I’m not attracted to the spiders. I know to everyone else it’s like the hottest thing with the eight legs and all. I can’t get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She’s a human. ADAM Oh no, no, no, no. That didn’t happen. You didn’t do that. That is a bee law. You wouldn’t break a bee law. BARRY Her name’s Vanessa. "Bee Movie" - JS REVISIONS 8/13/07 44. ADAM Oh, oh boy! BARRY She’s so-o nice. And she’s a florist! ADAM Oh, no. No, no, no! You’re dating a human florist? BARRY We’re not dating. ADAM You’re flying outside the hive. You’re talking to human beings that attack our homes with power washers and M-80’s. That’s 1/8 of a stick of dynamite. BARRY She saved my life. And she understands me. ADAM This is over. Barry pulls out the crumb. BARRY Eat this. Barry stuffs the crumb into Adam’s face. ADAM This is not over. What was that? BARRY They call it a crumb. ADAM That was SO STINGING STRIPEY! BARRY And that’s not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? ADAM No. "Bee Movie" - JS REVISIONS 8/13/07 45. BARRY It’s bread... ADAM Come in here! BARRY and cinnamon, ADAM Be quiet! BARRY and frosting...they heat it up-- ADAM Sit down! INT. ADAM’S OFFICE - CONTINUOUS BARRY Really hot! ADAM Listen to me! We are not them. We’re us. There’s us and there’s them. BARRY Yes, but who can deny the heart that is yearning... Barry rolls his chair down the corridor. ADAM There’s no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. ANOTHER BEE JOINS IN. ANOTHER BEE Thinking bee. WIDER SHOT AS A 3RD BEE ENTERS, popping up over the cubicle wall. 3RD BEE Thinking bee. EVEN WIDER SHOT AS ALL THE BEES JOIN IN. "Bee Movie" - JS REVISIONS 8/13/07 46. OTHER BEES Thinking bee. Thinking bee. Thinking bee. CUT TO: SEQ. 1500 - “POOLSIDE NAGGING” EXT. BACKYARD PARENT’S HOUSE - DAY Barry sits on a RAFT in a hexagon honey pool, legs dangling into the water. Janet Benson and Martin Benson stand over him wearing big, sixties sunglasses and cabana-type outfits. The sun shines brightly behind their heads. JANET BENSON (O.C) There he is. He’s in the pool. MARTIN BENSON You know what your problem is, Barry? BARRY I’ve got to start thinking bee? MARTIN BENSON Barry, how much longer is this going to go on? It’s been three days. I don’t understand why you’re not working. BARRY Well, I’ve got a lot of big life decisions I’m thinking about. MARTIN BENSON What life? You have no life! You have no job! You’re barely a bee! Barry throws his hands in the air. BARRY Augh. JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents’ MUFFLED VOICES from above the surface. "Bee Movie" - JS REVISIONS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father’s talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I’m talking to you. DISSOLVE TO: EXT. PICNIC AREA - DAY MUSIC: “Sugar Sugar” by the Archies. Barry and Vanessa are having a picnic. A MOSQUITO lands on Vanessa’s leg. She SWATS it violently. Barry’s head

whips around, aghast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her helmet. BARRY You go ahead, I’ll catch up. VANESSA (come hither wink) Don’t be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT’D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY’S PARENT’S HOUSE - CONTINUOUS ANGLE ON: Barry’s face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We’re still here, Barry. JANET BENSON I told you not to yell at him. He doesn’t respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don’t listen. MARTIN BENSON I’m not listening to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I’ve got to go. JANET BENSON Where are you going? BARRY Nowhere. I’m meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can’t decide? BARRY Bye! JANET BENSON I just hope she’s Bee-ish. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 49. SEQ. 1700 - “STREETWALK/SUPERMARKET” EXT. VANESSA’S FLORIST SHOP - DAY Vanessa FLIPS the sign to say “Sorry We Missed You”, and locks the door. ANGLE ON: A POSTER on Vanessa’s door for the Tournament of Roses Parade in Pasadena. BARRY So they have a huge parade of just flowers every year in Pasadena? VANESSA Oh, to be in the Tournament of Roses, that’s every florist’s dream. Up on a float, surrounded by flowers, crowds cheering. BARRY Wow, a tournament. Do the roses actually compete in athletic events? VANESSA No. Alright, I’ve got one. How come you don’t fly everywhere? BARRY It’s exhausting. Why don’t you run everywhere? VANESSA Hmmm. BARRY Isn’t that faster? VANESSA Yeah, okay. I see, I see. Alright, your turn. Barry and Vanessa walk/fly down a New York side street, no other pedestrians near them. BARRY Ah! Tivo. You can just freeze live TV? That’s insane. "Bee Movie" - JS REVISIONS 8/13/07 50. VANESSA What, you don’t have anything like that? BARRY We have Hivo, but it’s a disease. It’s a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Barry. MAN Dumb bees! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It’s usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any emotion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS REVISIONS 8/13/07 51. BARRY Yeah. Whew! Vanessa WHACKS Hector over the head with the magazine. VANESSA (to Hector) What is wrong with you?! HECTOR It’s a bug. VANESSA Well he’s not bothering anybody. Get out of here, you creep. Vanessa pushes him, and Hector EXITS, muttering. BARRY (shaking it off) What was that, a Pick and Save circular? VANESSA Yeah, it was. How did you know? BARRY It felt like about ten pages. Seventy-five’s pretty much our limit. VANESSA Boy, you’ve really got that down to a science. BARRY Oh, we have to. I lost a cousin to Italian Vogue. VANESSA I’ll bet. Barry stops, sees the wall of honey jars. BARRY What, in the name of Mighty Hercules, is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select? VANESSA Is he that actor? "Bee Movie" - JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For people. We eat it. BARRY Why? (gesturing around the market) You don’t have

enough food of your own? VANESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, bees make it... BARRY I know who makes it! And it’s hard to make it! There’s Heating and Cooling, and Stirring...you need a whole Krelman thing. VANESSA It’s organic. BARRY It’s our-ganic! VANESSA It’s just honey, Barry. BARRY Just...what?! Bees don’t know about this. This is stealing. A lot of stealing! You’ve taken our homes, our schools, our hospitals. This is all we have. And it’s on sale? I’m going to get to the bottom of this. I’m going to get to the bottom of all of this! He RIPS the label off the Ray Liotta Private Select. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 53. SEQ. 1800 - “WINDSHIELD” EXT. BACK OF SUPERMARKET LOADING DOCK - LATER THAT DAY Barry disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT’D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself behind the box again. HECTOR (CONT’D) (talking too loud, to no one in particular) Well, I guess I’ll go home now, and just leave this nice honey out, with no one around. A BEAT. Hector pretends to exit. He takes a couple of steps in place. ANGLE ON: The honey jar. Barry steps out into a moody spotlight. BARRY You’re busted, box boy! HECTOR Ah ha! I knew I heard something. So, you can talk. Barry flies up, stinger out, pushing Hector up against the wall. As Hector backs up, he drops his knife. BARRY Oh, I can talk. And now you’re going to start talking. "Bee Movie" - JS REVISIONS 8/13/07 54. Where are you getting all the sweet stuff? Who’s your supplier?! HECTOR I don’t know what you’re talking about. I thought we were all friends. The last thing we want to do is upset any of you...bees! Hector grabs a PUSHPIN. Barry fences with his stinger. HECTOR (CONT’D) You’re too late. It’s ours now! BARRY You, sir, have crossed the wrong sword. HECTOR You, sir, are about to be lunch for my iguana, Ignacio! Barry and Hector get into a cross-swords, nose-to-nose confrontation. BARRY Where is the honey coming from? Barry knocks the pushpin out of his hand. Barry puts his stinger up to Hector’s nose. BARRY (CONT'D) Tell me where?! HECTOR (pointing to a truck) Honey Farms. It comes from Honey Farms. ANGLE ON: A Honey Farms truck leaving the parking lot. Barry turns, takes off after the truck through an alley. He follows the truck out onto a busy street, dodging a bus, and several cabs. CABBIE Crazy person! He flies through a metal pipe on the top of a truck. BARRY OOOHHH! "Bee Movie" - JS REVISIONS 8/13/07 55. BARRY (CONT'D) Barry grabs onto a bicycle messenger’s backpack. The honey farms truck starts to pull away. Barry uses the bungee cord to slingshot himself towards the truck. He lands on the windshield, where the wind plasters him to the glass. He looks up to find himself surrounded by what appear to be DEAD BUGS. He climbs across, working his way around the bodies. BARRY (CONT’D) Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they’re on the road to nowhere. A MOSQUITO opens his eyes. MOOSEBLOOD Pssst! Just keep still. BARRY What? You’re not dead? MOOSEBLOOD Do I look dead? Hey man, they will wipe anything that moves. Now, where are you headed? BARRY To Honey Farms. I am onto something huge here. MOOSEBLOOD I’m going to Alaska. Moose blood. Crazy stuff. Blows your head off. LADYBUG I’m going to Tacoma. BARRY (to fly) What about you? MOOSEBLOOD He really is dead. BARRY Alright. The WIPER comes towards them. "Bee Movie" - JS REVISIONS 8/13/07 56. MOOSEBLOOD Uh oh. BARRY What is that? MOOSEBLOOD Oh no! It’s a wiper, triple blade! BARRY Triple blade? MOOSEBLOOD Jump on. It’s your only chance, bee. They hang on as the wiper goes back and forth. MOOSEBLOOD (CONT'D) (yelling to the truck driver through the glass) Why does everything

have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! CUT TO: INT. TRUCK CAB SFX: Radio. RADIO VOICE For NPR News in Washington, I’m Carl Kasell. EXT. TRUCK WINDSHIELD MOOSEBLOOD But don’t kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB - SAME TIME DRIVER You hear something? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, lowering the aerial. EXT. TRUCK WINDSHIELD - SAME TIME Barry and the other bug do a “choose up” to the bottom, Barry wins. BARRY Aha! Then he finally has to let go and gets thrown into the truck horn atop cab. Mooseblood is inside. MOOSEBLOOD Hey, what’s up bee boy? BARRY Hey, Blood! DISSOLVE TO: "Bee Movie" - JS REVISIONS 8/13/07 58. INT. TRUCK HORN - LATER BARRY ...and it was just an endless row of honey jars as far as the eye could see. MOOSEBLOOD Wow. BARRY So I’m just assuming wherever this honey truck goes, that’s where they’re getting it. I mean, that honey’s ours! MOOSEBLOOD Bees hang tight. BARRY Well, we’re all jammed in there. It’s a close community. MOOSEBLOOD Not us, man. We’re on our own. Every mosquito is on his own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They’re just all smacking. People see a mosquito, smack, smack! BARRY At least you’re out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly...mosquito girl don’t want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLOOD (CONT'D) Whoa, you have got to be kidding me. Mooseblood’s about to leave the building. So long bee. "Bee Movie" - JS REVISIONS 8/13/07 59. Mooseblood EXITS the horn, and jumps onto the blood mobile. MOOSEBLOOD (CONT'D) Hey guys. I knew I’d catch you all down here. Did you bring your crazy straws? CUT TO: SEQ. 1900 - “THE APIARY” EXT. APIARY - LATER Barry sees a SIGN, “Honey Farms” The truck comes to a stop. SFX: The Honey farms truck blares its horn. Barry flies out, lands on the hood. ANGLE ON: Two BEEKEEPERS, FREDDY and ELMO, walking around to the back of the gift shop. Barry follows them, and lands in a nearby tree FREDDY ...then we throw it in some jars, slap a label on it, and it’s pretty much pure profit. BARRY What is this place? ELMO Bees got a brain the size of a pinhead. FREDDY They are pinheads. The both LAUGH. ANGLE ON: Barry REACTING. They arrive at the back of the shop where one of them opens a SMOKER BOX. FREDDY (CONT’D) Hey, check out the new smoker. "Bee Movie" - JS REVISIONS 8/13/07 60. ELMO Oh, Sweet. That’s the one you want. FREDDY The Thomas 3000. BARRY Smoker? FREDDY 90 puffs a minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT’D) Couple of breaths of this, and it knocks them right out. They make the honey, and we make the money. BARRY “They make the honey, and we make the money?” Barry climbs onto the netting of Freddy’s hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Freddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT’D) What’s going on? Are you okay? HOWARD Yeah, it doesn’t last too long. HE COUGHS a few times. BARRY How did you two get here? Do you know you’re in a fake hive with fake walls? HOWARD (pointing to a picture on the wall) "Bee Movie" - JS REVISIONS 8/13/07 61. Our queen was moved here, we had no choice. BARRY (looking at a

picture on the wall) This is your queen? That’s a man in women’s clothes. That’s a dragqueen! The other wall opens. Barry sees the hundreds of apiary boxes. BARRY (CONT'D) What is this? Barry pulls out his camera, and starts snapping. BARRY (CONT’D) Oh no. There’s hundreds of them. (V.O, as Barry takes pictures) Bee honey, our honey, is being brazenly stolen on a massive scale. CUT TO: SEQ. 2100 - “BARRY TELLS FAMILY” INT. BARRY’S PARENT’S HOUSE - LIVING ROOM - LATER Barry has assembled his parents, Adam, and Uncle Carl. BARRY This is worse than anything the bears have done to us. And I intend to do something about it. JANET BENSON Oh Barry, stop. MARTIN BENSON Who told you that humans are taking our honey? That’s just a rumor. BARRY Do these look like rumors? Barry throws the PICTURES on the table. Uncle Carl, cleaning his glasses with his shirt tail, digs through a bowl of nuts with his finger. "Bee Movie" - JS REVISIONS 8/13/07 62. HOWARD (CONT'D) UNCLE CARL That’s a conspiracy theory. These are obviously doctored photos. JANET BENSON Barry, how did you get mixed up in all this? ADAM (jumping up) Because he’s been talking to humans! JANET BENSON Whaaat? MARTIN BENSON Talking to humans?! Oh Barry. ADAM He has a human girlfriend and they make out! JANET BENSON Make out? Barry? BARRY We do not. ADAM You wish you could. BARRY Who’s side are you on? ADAM The bees! Uncle Carl stands up and pulls his pants up to his chest. UNCLE CARL I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! JANET BENSON Barry, this is what you want to do with your life? BARRY This is what I want to do for all our lives. Nobody works harder than bees. "Bee Movie" - JS REVISIONS 8/13/07 63. Dad, I remember you coming home some nights so overworked, your hands were still stirring. You couldn’t stop them. MARTIN BENSON Ehhh... JANET BENSON (to Martin) I remember that. BARRY What right do they have to our hardearned honey? We’re living on two cups a year. They’re putting it in lip balm for no reason what-soever. MARTIN BENSON Even if it’s true, Barry, what could one bee do? BARRY I’m going to sting them where it really hurts. MARTIN BENSON In the face? BARRY No. MARTIN BENSON In the eye? That would really hurt. BARRY No. MARTIN BENSON Up the nose? That’s a killer. BARRY No. There’s only one place you can sting the humans. One place where it really matters. CUT TO: SEQ. 2300 - “HIVE AT 5 NEWS/BEE LARRY KING” "Bee Movie" - JS REVISIONS 8/13/07 64. BARRY (CONT'D) INT. NEWS STUDIO - DAY DRAMATIC NEWS MUSIC plays as the opening news sequence rolls. We see the “Hive at Five” logo, followed by shots of past news events: A BEE freeway chase, a BEE BEARD protest rally, and a BEAR pawing at the hive as the BEES flee in panic. BOB BUMBLE (V.O.) Hive at Five, the hive’s only full hour action news source... SHOTS of NEWSCASTERS flash up on screen. BOB BUMBLE (V.O.) (CONT'D) With Bob Bumble at the anchor desk... BOB has a big shock of anchorman hair, gray temples and overly white teeth. BOB BUMBLE (V.O.) (CONT'D) ...weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. JEANETTE is an Asian bee. BOB BUMBLE (CONT'D) Good evening, I’m Bob Bumble. JEANETTE CHUNG And I’m Jeanette Chung. BOB BUMBLE Our top story, a tri-county bee, Barry Benson... INSERT: Barry’s graduation picture. BOB BUMBLE (CONT'D) ...is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 65. INT. BEENN STUDIO - BEE LARRY KING LIVE BEE LARRY KING, wearing suspenders and glasses, is interviewing Barry. A LOWER-THIRD CHYRON reads: “Bee Larry King Live.” BEE LARRY KING Don’t forget, tomorrow night on Bee Larry King, we are going to have three former Queens all right here in our studio discussing their new book, “Classy Ladies,” out this week on Hexagon. (to Barry) Tonight, we’re talking to Barry Benson. Did you ever think, I’m just a kid from the hive, I can’t do this? BARRY Larry, bees have never been afraid to change the world. I mean, what

about Bee-Columbus? Bee-Ghandi? Be-geesus? BEE LARRY KING Well, where I’m from you wouldn’t think of suing humans. We were thinking more like stick ball, candy stores. BARRY How old are you? BEE LARRY KING I want you to know that the entire bee community is supporting you in this case, which is certain to be the trial of the bee century. BARRY Thank you, Larry. You know, they have a Larry King in the human world, too. BEE LARRY KING It’s a common name. Next week on Bee Larry King... "Bee Movie" - JS REVISIONS 8/13/07 66. BARRY No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. BEE LARRY KING Next week on Bee Larry King... BARRY Old guy glasses, and there’s quotes along the bottom from the guest you’re watching even though you just heard them... BEE LARRY KING Bear week next week! They’re scary, they’re hairy, and they’re here live. Bee Larry King EXITS. BARRY Always leans forward, pointy shoulders, squinty eyes... (lights go out) Very Jewish. CUT TO: SEQ. 2400 - “FLOWER SHOP” INT. VANESSA’S FLOWER SHOP - NIGHT Stacks of law books are piled up, legal forms, etc. Vanessa is talking with Ken in the other room. KEN Look, in tennis, you attack at the point of weakness. VANESSA But it was my grandmother, Ken. She’s 81. KEN Honey, her backhand’s a joke. I’m not going to take advantage of that? "Bee Movie" - JS REVISIONS 8/13/07 67. BARRY (O.C) Quiet please. Actual work going on here. KEN Is that that same bee? BARRY (O.C) Yes it is. VANESSA I’m helping him sue the human race. KEN What? Barry ENTERS. BARRY Oh, hello. KEN Hello Bee. Barry flies over to Vanessa. VANESSA This is Ken. BARRY Yeah, I remember you. Timberland, size 10 1/2, Vibram sole I believe. KEN Why does he talk again, Hun? VANESSA (to Ken, sensing the tension) Listen, you’d better go because we’re really busy working. KEN But it’s our yogurt night. VANESSA (pushing him out the door) Oh...bye bye. She CLOSES the door. KEN Why is yogurt night so difficult?! "Bee Movie" - JS REVISIONS 8/13/07 68. Vanessa ENTERS the back room carrying coffee. VANESSA Oh you poor thing, you two have been at this for hours. BARRY Yes, and Adam here has been a huge help. ANGLE ON: A EMPTY CINNABON BOX with Adam asleep inside, covered in frosting. VANESSA How many sugars? BARRY Just one. I try not to use the competition. So, why are you helping me, anyway? VANESSA Bees have good qualities. BARRY (rowing on the sugar cube like a gondola) Si, Certo. VANESSA And it feels good to take my mind off the shop. I don’t know why, instead of flowers, people are giving balloon bouquets now. BARRY Yeah, those are great...if you’re 3. VANESSA And artificial flowers. BARRY (re: plastic flowers) Oh, they just get me psychotic! VANESSA Yeah, me too. BARRY The bent stingers, the pointless pollination. "Bee Movie" - JS REVISIONS 8/13/07 69. VANESSA Bees must hate those fake plastic things. BARRY There’s nothing worse than a daffodil that’s had work done. VANESSA (holding up the lawsuit documents) Well, maybe this can make up for it a little bit. CUT TO: EXT. VANESSA’S FLORIST SHOP They EXIT the store, and cross to the mailbox. VANESSA You know Barry, this lawsuit is a pretty big deal. BARRY I guess. VANESSA Are you sure that you want to go through with it? BARRY Am I sure? (kicking the envelope into the mailbox) When I’m done with the humans, they won’t be able to say, “Honey, I’m home,” without paying a royalty. CUT TO: SEQ. 2700 - “MEET MONTGOMERY” EXT. MANHATTAN COURTHOUSE - DAY P.O.V SHOT - A camera feed turns on, revealing a newsperson. "Bee Movie" - JS REVISIONS 8/13/07 70. PRESS PERSON #2 (talking to camera) Sarah, it’s an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in history, we’re going to hear for ourselves if a honey bee can actually speak. ANGLE ON: Barry, Vanessa, and Adam getting out of the cab. The press spots Barry and Vanessa and pushes in. Adam sits on Vanessa’s shoulder. INT. COURTHOUSE - CONTINUOUS Barry, Vanessa, and Adam sit at the Plaintiff’s

Table. VANESSA (turns to Barry) What have we gotten into here, Barry? BARRY I don’t know, but it’s pretty big, isn’t it? ADAM I can’t believe how many humans don’t have to be at work during the day. BARRY Hey, you think these billion dollar multinational food companies have good lawyers? CUT TO: EXT. COURTHOUSE STEPS - CONTINUOUS A BIG BLACK CAR pulls up. ANGLE ON: the grill filling the frame. We see the “L.T.M” monogram on the hood ornament. The defense lawyer, LAYTON T. MONTGOMERY comes out, squashing a bug on the pavement. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What’s the matter? BARRY I don’t know. I just got a chill. Montgomery ENTERS. He walks by Barry’s table shaking a honey packet. MONTGOMERY Well, if it isn’t the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 - “WITNESSES” BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you are representing the five major food companies, collectively. ANGLE ON: Montgomery’s BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERY A privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT’D) You are representing all bees of the world? "Bee Movie" - JS REVISIONS 8/13/07 72. Montgomery, the stenographer, and the jury lean in. CUT TO: EXT. COURTHOUSE - CONTINUOUS The spectators outside freeze. The helicopters angle forward to listen closely. CUT TO: INT. COURTHOUSE BARRY Bzzz bzzz bzzz...Ahh, I’m kidding, I’m kidding. Yes, your honor. We are ready to proceed. ANGLE ON: Courtroom hub-bub. JUDGE And Mr. Montgomery, your opening statement, please. Montgomery rises. MONTGOMERY (grumbles, clears his throat) Ladies and gentlemen of the jury. My grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we were to live in the topsy-turvy world Mr. Benson imagines, just think of what it would mean. Maybe I would have to negotiate with the silk worm for the elastic in my britches. Talking bee. How do we know this isn’t some sort of holographic motion picture capture Hollywood wizardry? They could be using laser beams, robotics, ventriloquism, cloning...for all we know he could be on steroids! Montgomery leers at Barry, who moves to the stand. "Bee Movie" - JS REVISIONS 8/13/07 73. JUDGE Mr. Benson? Barry makes his opening statement. BARRY Ladies and Gentlemen of the jury, there’s no trickery here. I’m just an ordinary bee. And as a bee, honey’s pretty important to me. It’s important to all bees. We invented it, we make it, and we protect it with our lives. Unfortunately, there are some people in this room who think they can take whatever they want from us cause we’re the little guys. And what I’m hoping is that after this is all over, you’ll see how by taking our honey, you’re not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry’s family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM - LATER JUDGE Call your first witness. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon-Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekeeper. I find that to be a very disturbing term, I have to say. I don’t imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I’m sorry. I couldn’t hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don’t free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of

honey? MR. VANDERHAYDEN Well, they’re very lovable creatures. Yogi-bear, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTENDANT from her building ENTER with a GIANT FEROCIOUS GRIZZLY BEAR. He has a neck collar and chains extending from either side. "Bee Movie" - JS REVISIONS 8/13/07 75. By pulling the chains, they bring him directly in front of Vanderhayden. The bear LUNGES and ROARS. BARRY (CONT'D) Bears kill bees! How would you like his big hairy head crashing into your living room? Biting into your couch, spitting out your throwpillows...rowr, rowr! The bear REACTS. BEAR Rowr!! BARRY Okay, that’s enough. Take him away. Vanessa and the Superintendant pull the bear out of the courtroom. Vanderhayden TREMBLES. The judge GLARES at him. CUT TO: INT. COURTROOM- A LITTLE LATER Barry questions STING. BARRY So, Mr. Sting. Thank you for being here. Your name intrigues me, I have to say. Where have I heard it before? STING I was with a band called "The Police". BARRY But you've never been a police officer of any kind, have you? STING No, I haven't. "Bee Movie" - JS REVISIONS 8/13/07 76. BARRY No, you haven’t. And so, here we have yet another example of bee culture being casually stolen by a human for nothing more than a prance-about stage name. STING Oh please. BARRY Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say, (looking in folder) Mr. Gordon M. Sumner? The jury GASPS. MONTGOMERY (to his aides) That’s not his real name? You idiots! CUT TO: INT. COURTHOUSE- LATER BARRY Mr. Liotta, first may I offer my belated congratulations on your Emmy win for a guest spot on E.R. in 2005. LIOTTA Thank you. Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you’re devilishly handsome, but with a churning inner turmoil that’s always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn’t. But is this what it’s come to for you, Mr. Liotta? Exploiting tiny helpless bees so you don’t have to rehearse your part, and learn your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn’t a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doesn’t someone just step on this little creep and we can all go home? You’re all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: NEW YORK POST: “Bees to Humans: Buzz Off”. NEW YORK TELEGRAM: “Sue Bee”. DAILY VARIETY: “Studio Dumps Liotta Project. Slams Door on Unlawful Entry 2.” CUT TO: SEQ. 3175 - “CANDLELIGHT DINNER” INT. VANESSA’S APARTMENT Barry and Vanessa are having a candle light dinner. Visible behind Barry is a “LITTLE MISSY” SET BOX, with the flaps open. BARRY Well, I just think that was awfully nice of that bear to pitch in like that. "Bee Movie" - JS REVISIONS 8/13/07 78. VANESSA I’m telling you, I think the jury’s on our side. BARRY Are we doing everything right...you know, legally? VANESSA I’m a florist. BARRY Right, right. Barry raises his glass. BARRY (CONT’D) Well, here’s to a great team. VANESSA To a great team. They toast. Ken ENTERS KEN Well hello. VANESSA Oh...Ken. BARRY Hello. VANESSA I didn’t think you were coming. KEN No, I was just late. I tried to call. But, (holding his cell phone) the battery... VANESSA I didn’t want all this to go to waste, so I called Barry. Luckily he was free. BARRY Yeah. KEN (gritting his teeth) Oh, that was lucky. "Bee Movie" - JS REVISIONS 8/13/07 79. VANESSA Well, there’s still a little left. I could heat it up. KEN Yeah, heat it up. Sure, whatever. Vanessa EXITS. Ken and Barry look at each other as Barry eats. BARRY So, I hear you’re quite a tennis player. I’m not much for the game myself. I find the ball a little grabby. KEN That’s where I usually sit. Right there. VANESSA (O.C) Ken, Barry was looking at your resume, and he agreed with me that “eating with chopsticks” isn’t really a special skill. KEN (to Barry) You think I don’t see what you’re doing? BARRY Hey look, I know how

hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That’s just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" - JS REVISIONS 8/13/07 80. VANESSA Ken, I let Barry borrow your razor for his fuzz. I hope that was alright. Ken hits his head on the table. BARRY I’m going to go drain the old stinger. KEN Yeah, you do that. Barry EXITS to the bathroom, grabbing a small piece of a VARIETY MAGAZINE on the way. BARRY Oh, look at that. Ken slams the champagne down on the table. Ken closes his eyes and buries his face in his hands. He grabs a magazine on the way into the bathroom. SEQ. 2800 - “BARRY FIGHTS KEN” INT. BATHROOM - CONTINUOUS Ken ENTERS, closes the door behind him. He’s not happy. Barry is washing his hands. He glances back at Ken. KEN You know, I’ve just about had it with your little mind games. BARRY What’s that? KEN Italian Vogue. BARRY Mamma Mia, that’s a lot of pages. KEN It’s a lot of ads. BARRY Remember what Van said. Why is your life any more valuable than mine? "Bee Movie" - JS REVISIONS 8/13/07 81. KEN It’s funny, I just can’t seem to recall that! Ken WHACKS at Barry with the magazine. He misses and KNOCKS EVERYTHING OFF THE VANITY. Ken grabs a can of AIR FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken reaches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, wearing a chapstick cap as a helmet. BARRY Ken, look at me! I’m wearing a chapstick hat. This is pathetic. ANGLE ON: Ken turning the hand shower nozzle from “GENTLE”, to “TURBO”, to “LETHAL”. "Bee Movie" - JS REVISIONS 8/13/07 82. KEN I’ve got issues! Ken fires the water at Barry, knocking him into the toilet. The items from the vanity (emory board, lipstick, eye curler, etc.) are on the toilet seat. Ken looks down at Barry. KEN (CONT'D) Well well well, a royal flush. BARRY You’re bluffing. KEN Am I? Ken flushes the toilet. Barry grabs the Emory board and uses it to surf. He puts his hand in the water while he’s surfing. Some water splashes on Ken. BARRY Surf’s up, dude! KEN Awww, poo water! He does some skate board-style half-pipe riding. Barry surfs out of the toilet. BARRY That bowl is gnarly. Ken tries to get a shot at him with the toilet brush. KEN Except for those dirty yellow rings. Vanessa ENTERS. VANESSA Kenneth! What are you doing? KEN You know what? I don’t even like honey! I don’t eat it! VANESSA We need to talk! "Bee Movie" - JS REVISIONS 8/13/07 83. She pulls Ken out by his ear. Ken glares at Barry. CUT TO: INT. HALLWAY - CONTINUOUS VANESSA He’s just a little bee. And he happens to be the nicest bee I’ve met in a long time. KEN Long time? What are you talking about? Are there other bugs in your life? VANESSA No, but there are other things bugging me in life. And you’re one of them! KEN Fine! Talking bees, no yogurt night...my nerves are fried from riding on this emotional rollercoaster. VANESSA Goodbye, Ken. KEN Augh! VANESSA Whew! Ken EXITS, then re-enters frame. KEN And for your information, I prefer sugar-free, artificial sweeteners, made by man! He EXITS again. The DOOR SLAMS behind him. VANESSA (to Barry) I’m sorry about all that. Ken RE-ENTERS. "Bee Movie" - JS REVISIONS 8/13/07 84. KEN I know it’s got an aftertaste! I like it! BARRY (re: Ken) I always felt there was some kind of barrier between Ken

and me. (puts his hands in his pockets) I couldn’t overcome it. Oh well. VANESSA Are you going to be okay for the trial tomorrow? BARRY Oh, I believe Mr. Montgomery is about out of ideas. CUT TO: SEQ. 3300 - “ADAM STINGS MONTY” INT. COURTROOM - NEXT DAY ANGLE ON: Medium shot of Montgomery standing at his table. MONTGOMERY We would like to call Mr. Barry Benson Bee to the stand. ADAM (whispering to Vanessa) Now that’s a good idea. (to Barry) You can really see why he’s considered one of the very best lawyers-- Oh. Barry rolls his eyes. He gets up, takes the stand. A juror in a striped shirt APPLAUDS. MR. GAMMIL (whispering) Layton, you’ve got to weave some magic with this jury, or it’s going to be all over. Montgomery is holding a BOOK, “The Secret Life of Bees”. "Bee Movie" - JS REVISIONS 8/13/07 85. MONTGOMERY (confidently whispering) Oh, don’t worry Mr. Gammil. The only thing I have to do to turn this jury around is to remind them of what they don’t like about bees. (to Gammil) You got the tweezers? Mr. Gammil NODS, and pats his breast pocket. MR. GAMMIL Are you allergic? MONTGOMERY Only to losing, son. Only to losing. Montgomery approaches the stand. MONTGOMERY (CONT’D) Mr. Benson Bee. I’ll ask you what I think we’d all like to know. What exactly is your relationship to that woman? Montgomery points to Vanessa. BARRY We’re friends. MONTGOMERY Good friends? BARRY Yes. MONTGOMERY (softly in Barry’s face) How good? BARRY What? MONTGOMERY Do you live together? BARRY Wait a minute, this isn’t about-- "Bee Movie" - JS REVISIONS 8/13/07 86. MONTGOMERY Are you her little... (clearing throat) ... bed bug? BARRY (flustered) Hey, that’s not the kind of-- MONTGOMERY I’ve seen a bee documentary or two. Now, from what I understand, doesn’t your Queen give birth to all the bee children in the hive? BARRY Yeah, but-- MONTGOMERY So those aren’t even your real parents! ANGLE ON: Barry’s parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry’s parents. MONTGOMERY You’re an illegitimate bee, aren’t you Benson? ADAM He’s denouncing bees! All the bees in the courtroom start to HUM. They’re agitated. MONTGOMERY And don’t y’all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I’m going to pin cushion this guy! Montgomery turns around and positions himself by the judge’s bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don’t! It’s what he wants! Adam shoves Barry out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I’m hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is coursing through my veins! I have been felled by a wing-ed beast of destruction. You see? You can’t treat them like equals. They’re strip-ed savages! Stinging’s the only thing they know! It’s their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can’t feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will come forward to suck the poison from my heaving buttocks? The JURY recoils. JUDGE Please, I will have order in this court. Order! Order, please! FADE TO: SEQ. 3400 - “ADAM AT HOSPITAL” INT. HOSPITAL - STREET LEVEL ROOM - DAY PRESS PERSON #1 (V.O) The case of the honey bees versus the human race took a pointed turn against the bees yesterday, when one of their legal team stung Layton T. Montgomery. Now here’s Don with the 5-day. A NURSE lets Barry into the room. Barry CARRIES a FLOWER. BARRY Thank you. Barry stands over Adam, in a bed. Barry lays the flower down next to him. The TV is on. BARRY (CONT'D) Hey buddy. ADAM Hey. BARRY Is there much pain? Adam has a BEE-SIZED PAINKILLER HONEY BUTTON near his head that he presses. ADAM (pressing the button) Yeah...I blew the whole

case, didn’t I? "Bee Movie" - JS REVISIONS 8/13/07 89. BARRY Oh, it doesn’t matter. The important thing is you’re alive. You could have died. ADAM I’d be better off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT’D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there’s a little celery still on it. BARRY What was it like to sting someone? ADAM I can’t explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I’m sorry. I flew us right into this. What were we thinking? Look at us, we’re just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don’t know. ADAM I hear they put the roaches in motels. That doesn’t sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don’t check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT’D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don’t smoke. BARRY Right. Bees don’t smoke. Bees don’t smoke! But some bees are smoking. Adam, that’s it! That’s our case. Adam starts putting his clothes on. ADAM It is? It’s not over? BARRY No. Get up. Get dressed. I’ve got to go somewhere. You get back the court and stall. Stall anyway you can. CUT TO: SEQ. 3500 - “SMOKING GUN” INT. COURTROOM - THE NEXT DAY Adam is folding a piece of paper into a boat. ADAM ...and assuming you’ve done step 29 correctly, you’re ready for the tub. "Bee Movie" - JS REVISIONS 8/13/07 91. ANGLE ON: The jury, all with paper boats of their own. JURORS Ooh. ANGLE ON: Montgomery frustrated with Gammil, who’s making a boat also. Monty crumples Gammil’s boat, and throws it at him. JUDGE Mr. Flayman? ADAM Yes? Yes, Your Honor? JUDGE Where is the rest of your team? ADAM (fumbling with his swordstinger) Well, your honor, it’s interesting. You know Bees are trained to fly kind of haphazardly and as a result quite often we don’t make very good time. I actually once heard a pretty funny story about a bee-- MONTGOMERY Your Honor, haven’t these ridiculous bugs taken up enough of this court’s valuable time? Montgomery rolls out from behind his table. He’s suspended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients who have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery’s motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can’t. We have a terrific case. MONTGOMERY Where is your proof? Where is the evidence? Show me the smoking gun. Barry bursts through the door. BARRY Hold it, your honor. You want a smoking gun? Here is your smoking gun. Vanessa ENTERS, holding a bee smoker Vanessa slams the beekeeper's SMOKER onto the judge’s bench. JUDGE What is that? BARRY It’s a Bee smoker. Montgomery GRABS the smoker. MONTGOMERY What, this? This harmless little contraption? This couldn’t hurt a fly, let alone a bee. He unintentionally points it towards the bee gallery, KNOCKING THEM ALL OUT. The jury GASPS. The press SNAPS pictures of them. BARRY Members of the jury, look at what has happened to bees who have never been asked, "Smoking or Non?" Is this what nature intended for us? To be forcibly addicted to these smoke machines in man-made wooden slat work camps? Living out our lives as honey slaves to the white man? Barry gestures dramatically towards Montgomery's racially mixed table. The BLACK LAWYER slowly moves his chair away. GAMMIL What are we going to do? "Bee Movie" - JS REVISIONS 8/13/07 93. MONTGOMERY (to Pross) He's playing the species card. Barry lands on the scale of justice, by the judge’s bench. It balances as he

lands. BARRY Ladies and gentlemen, please, FreeThese-Bees! ANGLE ON: Jury, chanting "Free the bees". JUDGE The court finds in favor of the bees. The chaos continues. Barry flies over to Vanessa, with his hand up for a “high 5”. BARRY Vanessa, we won! VANESSA Yay! I knew you could do it. Highfive! She high 5’s Barry, sending him crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I’m okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won’t have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You’ll regret this. ANGLE ON: Barry’s ‘deer in headlights’ expression, as the press pushes microphones in his face. "Bee Movie" - JS REVISIONS 8/13/07 94. PRESS PERSON 1 Barry, how much honey do you think is out there? BARRY Alright, alright, one at a time... SARAH Barry, who are you wearing? BARRY Uhhh, my sweater is Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery’s right? VANESSA What do you mean? ADAM We’ve been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 - “HONEY ROUNDUP” EXT. HONEY FARMS APIARY - MONTAGE SARAH (V.O) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we’re going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee Movie" - JS REVISIONS 8/13/07 95. I believe we’re all aware of what they do in the woods. We will no longer tolerate derogatory beenegative nick-names, unnecessary inclusion of honey in bogus health products, and la-dee-da tea-time human snack garnishments. MONTAGE IMAGES: Close-up on an ATF JACKET, with the YELLOW LETTERS. Camera pulls back. We see an ARMY OF BEE AND HUMAN AGENTS wearing hastily made “Alcohol, Tobacco, Firearms, and Honey” jackets. Barry supervises. The gate to Honey Farms is locked permanently. All the smokers are collected and locked up. All the bees leave the Apiary. CUT TO: EXT. ATF OUTSIDE OF SUPERMARKET - MONTAGE Agents begin YANKING honey off the supermarket shelves, and out of shopping baskets. CUT TO: EXT. NEW HIVE CITY - MONTAGE The bees tear down a honey-bear statue. CUT TO: EXT. YELLOWSTONE FOREST - MONTAGE POV of a sniper’s crosshairs. An animated BEAR character looka-like, turns his head towards camera. BARRY Wait for my signal. ANGLE ON: Barry lowering his binoculars. BARRY (CONT'D) Take him out. The sniper SHOOTS the bear. It hits him in the shoulder. The bear looks at it. He gets woozy and the honey jar falls out of his lap, an ATF&H agent catches it. "Bee Movie" - JS REVISIONS 8/13/07 96. BARRY (V.O) (CONT'D) ATF&H AGENT (to the bear’s pig friend) He’ll have a little nausea for a few hours, then he’ll be fine. CUT TO: EXT. STING’S HOUSE - MONTAGE ATF&H agents SLAP CUFFS on Sting, who is meditating. STING But it’s just a prance-about stage name! CUT TO: INT. A WOMAN’S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H agent pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Barry looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey, gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can’t breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry’s hive. "Bee Movie" - JS REVISIONS 8/13/07 97. BARRY Bring it in, boys. CUT TO: SEQ. 3650 - “NO

MORE WORK” INT. HONEX - MONTAGE ANGLE ON: The honey goes past the 3-cup hash-mark, and begins to overflow. A WORKER BEE runs up to Buzzwell. WORKER BEE 1 Mr. Buzzwell, we just passed 3 cups, and there’s gallons mores coming. I think we need to shutdown. KEYCHAIN BEE (to Buzzwell) Shutdown? We’ve never shutdown. ANGLE ON: Buzzwell overlooking the factory floor. BUZZWELL Shutdown honey production! Stop making honey! ANGLE ON: TWO BEES, each with a KEY. BUZZWELL (CONT’D) Turn your key, Sir! They turn the keys simultaneously, War Games-style, shutting down the honey machines. ANGLE ON: the Taffy-Pull machine, Centrifuge, and Krelman all slowly come to a stop. The bees look around, bewildered. WORKER BEE 5 What do we do now? A BEAT. WORKER BEE 6 Cannon ball!! He jumps into a HONEY VAT, doesn’t penetrate the surface. He looks around, and slowly sinks down to his waist. "Bee Movie" - JS REVISIONS 8/13/07 98. EXT. HONEX FACTORY THE WHISTLE BLOWS, and the bees all stream out the exit. CUT TO: INT. J-GATE - CONTINUOUS Lou Loduca gives orders to the pollen jocks. LOU LODUCA We’re shutting down honey production. Mission abort. CUT TO: EXT. CENTRAL PARK Jackson receives the orders, mid-pollination. JACKSON Aborting pollination and nectar detail. Returning to base. CUT TO: EXT. NEW HIVE CITY ANGLE ON: Bees, putting sun-tan lotion on their noses and antennae, and sunning themselves on the balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning themselves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA’S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes “Sorry. No more flowers.” on a “Closed” sign, an turns it facing out. CUT TO: SEQ. 3700 - “IDLE HIVE” EXT. NEW HIVE CITY - DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam’s office. CUT TO: INT. ADAM’S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam’s office is in disarray. There are papers everywhere. He’s filling up his cardboard hexagon box. BARRY (out of breath) Adam, you wouldn’t believe how much honey was out there. ADAM Oh yeah? BARRY What’s going on around here? Where is everybody? Are they out celebrating? "Bee Movie" - JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they’re just home. They don’t know what to do. BARRY Hmmm. ADAM They’re laying out, they’re sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn’t? It’s the greatest thing in the world. I was excited to be a part of making it. ANGLE ON: Adam’s desk on it’s side in the hall. ADAM (CONT’D) This was my new desk. This was my new job. I wanted to do it really well. And now...and now I can’t. Adam EXITS. CUT TO: SEQ. 3900 - “WORLD WITHOUT BEES” INT. STAIRWELL Vanessa and Barry are walking up the stairs to the roof. BARRY I don’t understand why they’re not happy. We have so much now. I thought their lives would be better. "Bee Movie" - JS REVISIONS 8/13/07 101. VANESSA Hmmm. BARRY They’re doing nothing. It’s amazing, honey really changes people. VANESSA You don’t have any idea what’s going on, do you? BARRY What did you want to show me? VANESSA This. They reach the top of the stairs. Vanessa opens the door. CUT TO: EXT. VANESSA’S ROOFTOP - CONTINUOUS Barry sees Vanessa’s flower pots and small garden have all turned brown. BARRY What happened here? VANESSA That is not the half of it... Vanessa turns Barry around with her two fingers, revealing the view of Central Park, which is also all brown. BARRY Oh no. Oh my. They’re all wilting. VANESSA Doesn’t look very good, does it? BARRY No. VANESSA And who’s fault do you think that is? "Bee Movie" - JS REVISIONS 8/13/07 102. BARRY Mmmm...you know, I’m going to guess,

bees. VANESSA Bees? BARRY Specifically me. I guess I didn’t think that bees not needing to make honey would affect all these other things. VANESSA And it’s not just flowers. Fruits, vegetables...they all need bees. BARRY Well, that’s our whole SAT test right there. VANESSA So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there’s no more pollination, it could all just go south here, couldn’t it? VANESSA And I know this is also partly my fault. Barry takes a long SIGH. BARRY How about a suicide pact? VANESSA (not sure if he’s joking) How would we do it? BARRY I’ll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I’ve got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 - “GOING TO PASADENA” EXT. NY STREET - CONTINUOUS Vanessa gets into a cab. Barry ENTERS. BARRY Vanessa. Why are you leaving? Where are you going? VANESSA To the final Tournament of Roses parade in Pasadena. They moved it up to this weekend because all the flowers are dying. It’s the last chance I’ll ever have to see it. BARRY Vanessa, I just want to say I’m sorry. I never meant it to turn out like this. VANESSA I know. Me neither. Vanessa cab drives away. "Bee Movie" - JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can’t do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa’s cab. He catches up to it, and he pounds on the window. INT. TAXI - CONTINUOUS Barry motions for her to roll the window down. She does so. BARRY Roses?! VANESSA Barry? BARRY (as he flies next to the cab) Roses are flowers. VANESSA Yes, they are. BARRY Flowers, bees, pollen! VANESSA I know. That’s why this is the last parade. BARRY Maybe not. The cab starts pulling ahead of Barry. BARRY (CONT'D) (re: driver) Could you ask him to slow down? VANESSA Could you slow down? The cabs slows. Barry flies in the window, and lands in the change box, which closes on him. "Bee Movie" - JS REVISIONS 8/13/07 105. VANESSA (CONT'D) Barry! Vanessa lets him out. Barry stands on the change box, in front of the driver’s license. BARRY Okay, I made a huge mistake! This is a total disaster, and it’s all my fault! VANESSA Yes, it kind of is. BARRY I’ve ruined the planet. And, I wanted to help with your flower shop. Instead, I’ve made it worse. VANESSA Actually, it’s completely closed down. BARRY Oh, I thought maybe you were remodeling. Nonetheless, I have another idea. And it’s greater than all my previous great ideas combined. VANESSA I don’t want to hear it. Vanessa closes the change box on Barry. BARRY (opening it again) Alright, here’s what I’m thinking. They have the roses, the roses have the pollen. I know every bee, plant, and flower bud in this park. All we’ve got to do is get what they’ve got back here with what we’ve got. VANESSA Bees... BARRY Park... VANESSA Pollen... "Bee Movie" - JS REVISIONS 8/13/07 106. BARRY Flowers... VANESSA Repollination! BARRY (on luggage handle, going up) Across the nation! CUT TO: SEQ. 3950 - “ROSE PARADE” EXT. PASADENA PARADE BARRY (V.O) Alright. Tournament of Roses. Pasadena, California. They’ve got nothing but flowers, floats, and cotton candy. Security will be tight. VANESSA I have an idea. CUT TO: EXT. FLOAT STAGING AREA ANGLE ON: Barry and Vanessa approaching a HEAVILY ARMED GUARD in front of the staging area. VANESSA Vanessa Bloome, FTD. Official floral business. He leans in to look at her badge. She SNAPS IT SHUT, VANESSA (CONT’D) Oh, it’s real. HEAVILY ARMED GUARD Sorry ma’am. That’s a nice brooch, by the way. VANESSA Thank you. It was a gift. "Bee Movie" - JS REVISIONS 8/13/07 107. They ENTER the staging area. BARRY (V.O) Then, once we’re inside, we just pick the right float. VANESSA How

about the Princess and the Pea? BARRY Yeah. VANESSA I can be the princess, and-- BARRY ...yes, I think-- VANESSA You could be-- BARRY I’ve-- VANESSA The pea. BARRY Got it. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER Barry, dressed as a PEA, flies up and hovers in front of the princess on the “Princess and the Pea” float. The float is sponsored by Inflat-a-bed and a SIGN READS: “Inflat-a-bed: If it blows, it’s ours.” BARRY Sorry I’m late. Where should I sit? PRINCESS What are you? BARRY I believe I’m the pea. PRINCESS The pea? It’s supposed to be under the mattresses. "Bee Movie" - JS REVISIONS 8/13/07 108. BARRY Not in this fairy tale, sweetheart. PRINCESS I’m going to go talk to the marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT’D) Let’s see what this baby will do. ANGLE ON: Guy with headset talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER ANGLE ON: Vanessa putting the princess hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa’s float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry speed, dodging and weaving, down the freeway. BARRY (V.O) And once we’re at the airport, there’s no stopping us. CUT TO: EXT. LAX AIRPORT Barry and Vanessa pull up to the curb, in front of an TSA AGENT WITH CLIPBOARD. TSA AGENT Stop. Security. Did you and your insect pack your own float? VANESSA (O.C) Yes. TSA AGENT Has this float been in your possession the entire time? VANESSA (O.C) Since the parade...yes. ANGLE ON: Barry holding his shoes. TSA AGENT Would you remove your shoes and everything in your pockets? Can you remove your stinger, Sir? BARRY That’s part of me. TSA AGENT I know. Just having some fun. Enjoy your flight. CUT TO: EXT. RUNWAY Barry and Vanessa’s airplane TAKES OFF. "Bee Movie" - JS REVISIONS 8/13/07 110. BARRY (O.C) Then, if we’re lucky, we’ll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 - “COCKPIT FIGHT” INT. AIRPLANE Vanessa is on the aisle. Barry is on a laptop calculating flowers, pollen, number of bees, airspeed, etc. He does a “Stomp” dance on the keyboard. BARRY Can you believe how lucky we are? We have just enough pollen to do the job. I think this is going to work, Vanessa. VANESSA It’s got to work. PILOT (V.O) Attention passengers. This is Captain Scott. I’m afraid we have a bit of bad weather in the New York area. And looks like we’re going to be experiencing a couple of hours delay. VANESSA Barry, these are cut flowers with no water. They’ll never make it. BARRY I’ve got to get up there and talk to these guys. VANESSA Be careful. Barry flies up to the cockpit door. CUT TO: INT. COCKPIT - CONTINUOUS A female flight attendant, ANGELA, is in the cockpit with the pilots. "Bee Movie" - JS REVISIONS 8/13/07 111. There’s a KNOCK at the door. BARRY (C.O) Hey, can I get some help with this Sky Mall Magazine? I’d like to order the talking inflatable travel pool filter. ANGELA (to the pilots, irritated) Excuse me. CUT TO: EXT. CABIN - CONTINUOUS Angela opens the cockpit door and looks around. She doesn’t see anybody. ANGLE ON: Barry hidden on the yellow and black “caution” stripe. As Angela looks around, Barry zips into the cockpit. CUT TO: INT. COCKPIT BARRY Excuse me, Captain. I am in a real situation here... PILOT (pulling an earphone back, to the co-pilot) What did you say, Hal? CO-PILOT I didn’t say anything. PILOT (he sees Barry) Ahhh! Bee! BARRY No, no! Don’t freak out! There’s a chance my entire species-- CO-PILOT (taking off his earphones) Ahhh! "Bee Movie" - JS REVISIONS 8/13/07 112. The pilot grabs a “DUSTBUSTER” vacuum cleaner. He aims it around trying to vacuum up Barry. The co-pilot faces camera, as the pilot tries to suck Barry up. Barry is on the other

side of the co-pilot. As they dosey-do, the toupee of the co-pilot begins to come up, still attached to the front. CO-PILOT (CONT'D) What are you doing? Stop! The toupee comes off the co-pilot’s head, and sticks in the Dustbuster. Barry runs across the bald head. BARRY Wait a minute! I’m an attorney! CO-PILOT Who’s an attorney? PILOT Don’t move. The pilot uses the Dustbuster to try and mash Barry, who is hovering in front of the co-pilot’s nose, and knocks out the co-pilot who falls out of his chair, hitting the life raft release button. The life raft inflates, hitting the pilot, knocking him into a wall and out cold. Barry surveys the situation. BARRY Oh, Barry. CUT TO: INT. AIRPLANE CABIN Vanessa studies her laptop, looking serious. SFX: PA CRACKLE. BARRY (V.O) (in captain voice) Good afternoon passengers, this is your captain speaking. Would a Miss Vanessa Bloome in 24F please report to the cockpit. And please hurry! "Bee Movie" - JS REVISIONS 8/13/07 113. ANGLE ON: The aisle, and Vanessa head popping up. CUT TO: INT. COCKPIT Vanessa ENTERS. VANESSA What happened here? BARRY I tried to talk to them, but then there was a Dustbuster, a toupee, a life raft exploded...Now one’s bald, one’s in a boat, and they’re both unconscious. VANESSA Is that another bee joke? BARRY No. No one’s flying the plane. The AIR TRAFFIC CONTROLLER, BUD, speaks over the radio. BUD This is JFK control tower. Flight 356, what’s your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I’m a florist from New York. BUD Where’s the pilot? VANESSA He’s unconscious and so is the copilot. BUD Not good. Is there anyone onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who’s that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It’s got giant wings, huge engines. VANESSA I can’t fly a plane. BARRY Why not? Isn’t John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we’re headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150 - “BARRY FLIES PLANE” INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bumble. We have some late-breaking news from JFK airport, where a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That’s Barry. BOB BUMBLE ...is now attempting to land a plane, loaded with people, flowers, and an incapacitated flight crew. EVERYONE Flowers?! CUT TO: INT. AIR TRAFFIC CONTROL TOWER BUD Well, we have an electrical storm in the area, and two individuals at the controls of a jumbo jet with absolutely no flight experience. JEANETTE CHUNG Just a minute, Mr. Ditchwater, there’s a honey bee on that plane. BUD Oh, I’m quite familiar with Mr. Benson’s work, and his no-account compadres. Haven’t they done enough damage already? JEANETTE CHUNG But isn’t he your only hope right now? BUD Come on, technically a bee shouldn’t be able to fly at all. CUT TO: INT. COCKPIT. Barry REACTS BUD The wings are too small, their bodies are too big-- "Bee Movie" - JS REVISIONS 8/13/07 116. BARRY (over PA) Hey, hold on a second. Haven’t we heard this million times? The surface area of the wings, and the body mass doesn’t make sense? JEANETTE CHUNG Get this on the air. CAMERAMAN You got it! CUT TO: INT. BEE TV CONTROL ROOM An engineer throws a switch. BEE ENGINEER Stand by. We’re going live. The “ON AIR” sign illuminates. CUT TO: INT. VARIOUS SHOTS OF NEW HIVE CITY The news report plays on TV. The pollen jocks are sitting around, playing paddle-ball, Wheel-o, and one of them is spinning his helmet on his finger. Buzzwell is in an office cubicle, playing computer solitaire. Barry’s family and Adam watch from their living room. Bees sitting on the street curb turn around to watch the TV. BARRY Mr.

Ditchwater, the way we work may be a mystery to you, because making honey takes a lot of bees doing a lot of small jobs. But let me tell you something about a small job. If you do it really well, it makes a big difference. More than we realized. To us, to everyone. That’s why I want to get bees back to doing what we do best. "Bee Movie" - JS REVISIONS 8/13/07 117. Working together. That’s the bee way. We’re not made of Jello. We get behind a fellow. Black and yellow. CROWD OF BEES Hello! CUT TO: INT. COCKPIT Barry is giving orders to Vanessa. BARRY Left, right, down, hover. VANESSA Hover? BARRY Forget hover. VANESSA You know what? This isn’t so hard. Vanessa pretends to HONK THE HORN. VANESSA (CONT’D) Beep, beep! Beep, beep! A BOLT OF LIGHTNING HITS the plane. The plane takes a sharp dip. VANESSA (CONT’D) Barry, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we’re not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRPLANE The airplane goes into a steep dive. CUT TO: SEQ. 4175 - “CRASH LANDING” INT. J-GATE An ALERT SIGN READING: “Hive Alert. We Need:” Then the SIGNAL goes from “Two Bees” “Some Bees” “Every Bee There Is” Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let’s get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. AIRPLANE COCKPIT BARRY Our only chance is if I do what I would do, and you copy me with the wings of the plane! VANESSA You don’t have to yell. BARRY I’m not yelling. We happen to be in a lot of trouble here. VANESSA It’s very hard to concentrate with that panicky tone in your voice. BARRY It’s not a tone. I’m panicking! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 119. EXT. JFK AIRPORT ANGLE ON: The bees arriving and massing at the airport. CUT TO: INT. COCKPIT Barry and Vanessa alternately SLAP EACH OTHER IN THE FACE. VANESSA I don’t think I can do this. BARRY Vanessa, pull yourself together. Listen to me, you have got to snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! CUT TO: EXT. AIRPLANE A GIGANTIC SWARM OF BEES flies in to hold the plane up. CUT TO: INT. COCKPIT - CONTINUOUS BARRY You snap out of it! VANESSA You snap out of it! "Bee Movie" - JS REVISIONS 8/13/07 120. BARRY You snap-- VANESSA Hold it! BARRY (about to slap her again) Why? Come on, it’s my turn. VANESSA How is the plane flying? Barry’s antennae ring. BARRY I don’t know. (answering) Hello? CUT TO: EXT. AIRPLANE ANGLE ON: The underside of the plane. The pollen jocks have massed all around the underbelly of the plane, and are holding it up. LOU LODUCA Hey Benson, have you got any flowers for a happy occasion in there? CUT TO: INT. COCKPIT Lou, Buzz, Splitz, and Jackson come up alongside the cockpit. BARRY The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. "Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the blacktop? VANESSA What blacktop? Where? I can’t see anything. Can you? BARRY No, nothing. It’s all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you’ve got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhead shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I’m feeling something. VANESSA What? BARRY I don’t know, but it’s strong. And it’s pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" - JS REVISIONS 8/13/07 122. LOU LODUCA (CONT'D) EXT. RUNWAY All the bees are on

the runway chanting “Thinking Bee”. CUT TO: INT. CONTROL TOWER RICK What in the world is on the tarmac? ANGLE ON: Dave OTS onto runway seeing a flower being formed by millions of bees. BUD Get some lights on that! CUT TO: EXT. RUNWAY ANGLE ON: AIRCRAFT LANDING LIGHT SCAFFOLD by the side of the runway, illuminating the bees in their flower formation. INT. COCKPIT BARRY Vanessa, aim for the flower! VANESSA Oh, okay? BARRY Cut the engines! VANESSA Cut the engines? BARRY We’re going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRPLANE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LOU LODUCA Spin it around! The plane attempts to land on top of an “Aloha Airlines” plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I’m aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That’s a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready boys? Nose down. Bring your tail up. Rotate around it. VANESSA Oh, this is insane, Barry. BARRY This is the only way I know how to fly. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 124. AIR TRAFFIC CONTROL TOWER BUD Am I koo-koo kachoo, or is this plane flying in an insect-like pattern? CUT TO: EXT. RUNWAY BARRY (V.O) Get your nose in there. Don’t be afraid of it. Smell it. Full reverse! Easy, just drop it. Be a part of it. Aim for the center! Now drop it in. Drop it in, woman! The plane HOVERS and MANEUVERS, landing in the center of the giant flower, like a bee. The FLOWERS from the cargo hold spill out onto the runway. INT. AIPLANE CABIN The passengers are motionless for a beat. PASSENGER Come on already! They hear the “ding ding”, and all jump up to grab their luggage out of the overheads. SEQ. 4225 - “RUNWAY SPEECH” EXT. RUNWAY - CONTINUOUS The INFLATABLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Barry, it worked. Did you see the giant flower? BARRY What giant flower? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we’re not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT’D) Listen everyone. This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We’re the only ones who make honey, pollinate flowers, and dress like this. If we’re going to survive as a species, this is our moment. So what do you all say? Are we going to be bees, or just Museum of Natural History key chains? BEES We’re bees! KEYCHAIN BEE Keychain! BARRY Then follow me... Except Keychain. BUZZ Hold on Barry. You’ve earned this. Buzz puts a pollen jock jacket and helmet with Barry’s name on it on Barry. "Bee Movie" - JS REVISIONS 8/13/07 126. BARRY I’m a pollen jock! (looking at the jacket. The sleeves are a little long) And it’s a perfect fit. All I’ve got to do are the sleeves. The Pollen Jocks toss Barry a gun. BARRY (CONT’D) Oh yeah! ANGLE ON: Martin and Janet Benson. JANET BENSON That’s our Barry. All the bees descend upon the flowers on the tarmac, and start collecting pollen. CUT TO: SEQ. 4250 - “RE-POLLINATION” EXT. SKIES - CONTINUOUS The squadron FLIES over the city, REPOLLINATING trees and flowers as they go. Barry breaks off from the group, towards Vanessa’s flower shop. CUT TO: EXT. VANESSA’S FLOWER SHOP - CONTINUOUS Barry REPOLLINATES Vanessa’s flowers. CUT TO: EXT. CENTRAL PARK - CONTINUOUS ANGLE ON: Timmy with a frisbee, as the bees fly by. TIMMY Mom, the bees are back! "Bee Movie" - JS REVISIONS 8/13/07 127. Central Park is completely

repollinated by the bees. DISSOLVE TO: INT. HONEX - CONTINUOUS Honex is back to normal and everyone is busily working. ANGLE ON: Adam, putting his Krelman hat on. ADAM If anyone needs to make a call, now’s the time. I’ve got a feeling we’ll be working late tonight! The bees CHEER. CUT TO: SEQ. 4355 EXT: VANESSA’S FLOWER SHOP With a new sign out front. “Vanessa & Barry: Flowers, Honey, Legal Advice” DISSOLVE TO: INT: FLOWER COUNTER Vanessa doing a brisk trade with many customers. CUT TO: INT: FLOWER SHOP - CONTINUOUS Vanessa is selling flowers. In the background, there are SHELVES STOCKED WITH HONEY. VANESSA (O.C.) Don’t forget these. Have a great afternoon. Yes, can I help who’s next? Who’s next? Would you like some honey with that? It is beeapproved. SIGN ON THE BACK ROOM DOOR READS: “Barry Benson: Insects at Law”. "Bee Movie" - JS REVISIONS 8/13/07 128. Camera moves into the back room. ANGLE ON: Barry. ANGLE ON: Barry’s COW CLIENT. COW Milk, cream, cheese...it’s all me. And I don’t see a nickel. BARRY Uh huh? Uh huh? COW (breaking down) Sometimes I just feel like a piece of meat. BARRY I had no idea. VANESSA Barry? I’m sorry, have you got a moment? BARRY Would you excuse me? My mosquito associate here will be able to help you. Mooseblood ENTERS. MOOSEBLOOD Sorry I’m late. COW He’s a lawyer too? MOOSEBLOOD Ma’am, I was already a bloodsucking parasite. All I needed was * a briefcase. * ANGLE ON: Flower Counter. VANESSA (to customer) Have a great afternoon! (to Barry) Barry, I just got this huge tulip order for a wedding, and I can’t get them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You’re a life-saver, Barry. (to the next customer) Can I help who’s next? Who’s next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it’s time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It’s that bee again! ANDY (guiding Ken protectively) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don’t break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. "Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT: "Bee Movie" - JS REVISIONS 8/13/07 131.

#tw bee movie #spn #mick davies #shrek #barry benson

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palettes-and-prompts · 4 years

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25 Dialogue Prompts for Each Color of the Rainbow (Part 2)

Red 1) "How could anyone not like me? I'm perfect." 2) "Quick! They're coming, how do I look? Do I have anything in my teeth? Do I smell because I need to look perfect!" 3) "Wow, have you been working out, you look great!" 4) "Oh, this old thing? I just threw this on." 5) "You really think I'm beautiful?" 6) "I wasn't meant to be some little star. I was meant to be the sun." 7) "They haven't texted me since the date and it's been a week. What if they didn't like me? No, that's ridiculous, I'm wonderful. Something must've just happened to their phone." 8) "I'm going to die alone aren't I? Just me, some cats, and boxed wine. At least Real Housewives will always be there for me." 9) "They're obviously not looking for perfection because I'm right here." 10) "I'm not shopping at a thrift store, that's where poor people shop!" 11) "You had better change for the party because you're fucking high if you think I'm going to let you stand next to me while you wear that outfit." 12) "A gift? For me? Oh you shouldn't have! Oh...a book...wow...thanks. You, uh, really shouldn't have." 13) "Please be a loser somewhere else." 14) "I'm on a diet where I have to drink kale. If you value your life leave right now." 15) "I want this entire box of Kit Kats." "....the whole box." "NOW!" 16) "It's scary out there, I'm not coming with you to check out that noise." "Okay." "No! Wait, don't actually leave me alone." 17) "I am not a scaredy cat! I just don't like when things pop out at me or creep around in the dark or come within ten feet of me unless they're hot." 18) "I would never ever fall in love with you." "Okay, well, you're still holding onto me." "I just didn't want to get lost!" 19) "Wow, you're really strong. Like...really strong." "If you're that thirsty there's a water fountain right over there." 20) "God look at them. They look so good when they're sweaty. Oh fuck they're taking their jacket off." "You're drooling." 21) "Give me back the honey bun or I will scratch your eyes out." "You need to calm down." "You need to not tell me to calm down." 22) "Everyone keeps getting flowers and it's so annoying. Like, we have work to do, you shouldn't be worried about getting flowers. I hate flowers, I-" "I think there are some flowers on your desk." "Oh my god I love flowers! They're so pretty. Aww, I wonder who got them for me." " 23) "I think you're the most dramatic person I know." "That can't be true, I'm not dramatic." "You literally cried yesterday when no one noticed you got your hair trimmed like a centimeter." "It was a big difference from how it was!" "It was a centimeter!" 24) "My ideal home is one that's small but enough to have a family in." "They're such a fucking liar, their ideal home has to have mirrors everywhere, a double curved staircases so they can walk down dramatically, a maze in the backyard, a fountain in the front with a circular driveway, but then the road in is lined with trees because their dramatic and when you get to the gate it has their last initial on it." "Oh my god, you do listen to me!" "Unfortunately yes." 25) "Are you in love with me?" "What? No, I can't stand you." "You remember everything about me! You pay attention to everything I say and I can be very..." "Dramatic?" "Passionate about certain things. You hate it." "I don't hate it." "So you love it?" "We don't have to put a label on what I feel." "Yes we do. You love me!" "Fine, okay, I love you." "Really?" "Don't get all passionate right now." "I'm already planning our wedding in my mind."

Orange 1) "You're really cool, we should hang out sometime. Maybe you could watch me skateboard." 2) "You're always stressing yourself out, why don't you let me help you unwind?" 3) "It's just you, me, and this goat you told me not to get." 4) "You think hiding your snacks is gonna stop me from eating them? I'm like a bloodhound, I will sniff them out!" 5) "What do you think would happen if I snorted Cheeto dust?" 6) "Remember when you told me not to try to reach into the vending machine when my chips got stuck because my arm would get stuck in there. Well, the good news is I got my chips. Bad news is I wont be home for a while." 7) "You know how Gaston ate four dozen eggs every morning to help him get large? Okay, so that's bullshit because when I was a kid I tried to do that and I barely ate a dozen before I threw up." 8) "Oh, I'm an idiot? Because I think I'm fucking styling in these diamond studded crocs while I ride my razor scooter!" 9) "Oh, I always get a perfect score on any test I take. Everyone always thinks I'm cheating but the doctors say I've got something called an photographic memory where I only look at things once and I just remember it. Anyway, wanna see how many ants I can eat?" 10) "One time I got stung by a bee on the tongue because I wanted to see what it felt like." "Did it feel good?" "It did not." 11) "I used to think Bronchitis meant I was growing broccoli inside my lungs." "It doesn't mean that. When did you find out that it didn't mean that?" "Oh, um, like... a few days ago." "A FEW DAYS AGO?!" 12) "So, I did something." "What did you do?" "I should preface by saying I am not smart." "What. Did. You. Do?" 13) "Just shaved a cat to look like a lion with a mane." "That's so stupid, why would you do that?" "Why don't you look at the results first?" 14) "I beat all of Super Mario World and found every single secret." "When's the last time you slept?" "Last time I what?" 15) "Why are you all twitchy?" "I just mixed every energy drink from the gas station with pixie sticks." "Jesus, we're going to the hospital." 16) "I know eating cheese makes you constipated and everything, but like, how much cheese? I don't want to be constipated so what's the maximum amount I can eat without that happening." 17) "Don't freak out, but I'm in jail." "JAIL?!" "It's all a big misunderstanding!" 18) "Can I tell you something without you getting mad?" "You always ask me this and I always get mad." "Yeah, but like, maybe this time you could just...not get mad?" 19) "You are the human equivalent of the smiley face emoji." "Aww! Thank you." "It wasn't a compliment." 20) "You look like you eat sunshine and shit rainbows." "Actually I eat Lucky Charms. Well, just the charms actually with like a little bit of the lucky bit." "You're so positive it sickens me." 21) "I love Thanksgiving." "Yikes. Why?" "Because I get to have dinner with all my friends and family. There's no pressure to buy gifts or anything. We all just come together and appreciate each other." "I could put everything you've ever said on a Hallmark card." 22) "Do you know how much I love you?" "You send me every heart emoji before bed and end it with a kissy face with the words 'I love you' every night. I think I get it." "I'll start doing it every morning just to be sure." 23) "You know how in Inside Out there's all the different little people that represent each emotion?" "Yeah, I love that movie!" "Yeah, I think your Joy emotion person killed your Sad emotion person." "What? No! She wouldn't do that!" " 24) "You have to stop crying every time this scene in the movie comes up." "He thinks she doesn't love him!" "It's just Shrek. You've seen how it ends, you can quote it for fuck's sake!" "I know but he doesn't know right now!" "Oh my god." 25) "I swallowed the key to Person A's car." "Oh my god why would you do that?" "I thought it'd be funny but now I'm worried about it." "Oh now you're worried about it?"

Yellow 1) "I heard everyone survived, is that true?" "Yes, everyone's fine." "Pity." 2) "If being classy means being mean to everyone who's considered to be beneath you then I must be the classiest bitch in the whole fucking world." 3) "I don't think you're beneath me, I know you are." 4) "A piece of advice I'll give to you for free. Stay out of my way unless you'd like to be crushed under my foot." 5) "Hmm, I wonder which shoes I should wear to stomp on the dreams of others today." 6) "Don't cry on me, this jacket is worth more than your car!" 7) "Oh no, I won. Aww! And you wanted it so bad, didn't you?" 8) "You know, in duos it's usually one's the beauty and one's the brains but in our case I guess I really lucked out, didn't I?" 9) "Don't think for a second I'm interested in you, I'm only speaking to you because I have to." 10) "They took something that was mine. And now I have to kill them." 11) "I was scheduled to ruin someone's life today, but I guess I can save that for another time. Let's hang out!" 12) "I know that person, their significant other made my friend cry so I slept with their boyfriend/girlfriend and made them fall in love with me. I can't wait to be there when they tell them they're leaving them for me." 13) "You need good friends, people who will watch out for you and help you handle your problems." 14) "Listen here, you little shit, I've worked hard to get this perfect so if you fuck it up I will destroy everything you love." 15) "Oh, how cute! You think you're a threat to me." 16) "Next time you try to threaten me remember who you're dealing with. Because I don't do threats, I make promises. And when I promised I'd ruin your life I intended to keep that promise." 17) "Oh my god, here comes that insufferable bitc-Hi! Oh my god, I haven't seen you in forever, you look so good!" 18) "Oh, gag me with a fucking spoon. If I have to listen to you idiots try to talk and breathe at the same time I'm going to jump in front of a fucking bus." 19) "Move! I'll handle it just like I handle everything, with grace and vague threats." 20) "What do you mean they're in love with me? Did they say that word for word? Because you know I'm in love with them so if this is a trick it's not funny and I'll fucking kill you. Did they say that word for word?" 21) "I only have strengths I don't have weaknesses." 22) "They called me heartless? I'm not heartless! I'm nice. I'm so fucking nice. I'm going to prove how fucking nice I am and then they're going to look like an idiot for saying that!" 23) "Stop crying. You look fucking pathetic and you're not pathetic because I don't have pathetic friends. So keep your head up, bury your feelings, and act like the goddamn champion you are." 24) "Don't speak, you could make the town idiot feel like a genius." 25) "Stop acting like a loser or you're not allowed to stand next to me anymore."

Green 1) "Well, look at that, we're all alone. So, anything you wanna say to me? Anything you wanna do to me?" 2) "Of course I have sex for money, you think I'd just give all this away for free?" 3) "What do you mean I can't wear this to the funeral? It's my mourning crop top." 4) "How's my outfit?" "Hideous. You should shred it and then burn it just to be safe." 5) "Ew, what do you want?" 6) "I'm gonna need you to not stand next to me at this party, I don't want anyone thinking we came together." 7) "Does this make me look slutty?" "Not at all, it's very modest for you actually." "Ew, okay, I'm gonna go change." 8) "Why are you putting on glitter? We're going to a toddler's birthday party." "Look, if you wanna look like that that's your choice. I plan on looking like I hunt mythical creatures for a living." 9) "The robbers took everything in my house." "Yeah, but they left your clothes so what do you think that says about them?" 10) "I thought you hated the thrift store." "I did, I thought it was a very sad little place, but then I started designing my own outfit with all the decent things they sell and so now I love the thrift store." 11) "They broke up with you? You?! No, I don't think so. Come with me, we're going to fix you and you're going to show them what they're missing." 12) "They might have more money than me but I'm the one who has clear skin and the ability to not look like trash." 13) "A choker can be something that says it all. It can say 'I'm fun and I love hanging out with my friends' but it can also say 'I only have rough sex' you know?" 14) "You're not my type." "You haven't even turned around to see me." "Didn't need to. I could smell that cheap cologne/perfume from a mile away." "What is your type?" "Rich." 15) "What are you doing?" "Eating take out and watching porn." "What kind of porn?" "Bondage porn." "Oh, that kind of day, huh? Should I come over?" "No, I'll just try to sleep wit you." "You do that even when you're not sad." "Okay, you can come over." 16) "Where are you going with my keys?" "I've got to kill someone." "Okay, make sure you don't get blood on my seats." 17) "No, highlight yellow and highlighter orange are not real colors. Okay? Are you a hunter trying not to get shot or a construction worker? No, you're not. You're trying to seduce someone. So lets get rid of this monstrosity and find something that'll make your eyes look pretty." 18) "I love you very much and it's because I love you that I can say this. Please don't wear that outfit or you will embarrass me." 19) "You just kissed me." "Yeah, I did." "Why? Did I seem like I was drowning or that I needed mouth to mouth? Were you trying to kill a bug with your lips? Why would you kiss me?" "I like you. A lot." "Hahaha...wait, seriously?" "Why's that so hard to believe?" "Because I'm me, people don't like me, they just like looking at me." "Well, I like you. A lot. And if you like me maybe we could get some dinner later or something." "Okay!" 20) "Oh my god, is that a skort? I think I might vomit. Skorts are for children, not adults. Once you hit eighteen you are legally banned from wearing skorts unless you play tennis or something. Do you play tennis? No. I didn't think so. Burn that." 21) "Camo is disgusting and if I ever catch any of you wearing it we are no longer friends." 22) "Your shorts are a little too short." "Yeah? You like it?" "You're attracting a lot of attention." "But am I attracting your attention?" 23) "Oh, wow, that's a bright shade of yellow. Um, why don't we try a few different outfits for fun before we decide on that one, okay?" 24) "Hey, I came as fast as I could, where's the body?" "Actually, I called you for a--you came here prepared to hide a body with me?" "Of course I did, you're my best friend." "Aww!" 25) "I only have sex for free when I like someone, and for you, honey? It'll cost triple what I normally charge."

Blue 1) "I heard the pet store got new puppies and kittens, wanna go see them with me?" 2) "We should go ice skating!" 3) "I love having picnics with you, you always bring my favorite foods." 4) "I love spending time with you." 5) "I think I wanna spend the rest of my life with you." 6) "Are you cold? You can wear my jacket if you want!" 7) "I don't want any of that stuff. I just want you. I've always wanted you." 8) "I wonder what it's like to hug a cloud." "Your hands would go right through it." "Yeah, but I've always wanted to touch one." 9) "Is it okay if we stay a little longer?" "We can stay until close if you'd like." "I just really like looking at the fish." "I know." 10) "Could you hug me for like an hour?" "Yeah, okay, wanna watch a movie while we do that or?" 11) "We have to leave right now. The Easter Bunny is at the store up the road and they're doing pictures." "You're an adult." "Please!!!" "Fine. We can go sit on the employee dressed in a rabbit suit's lap." "Yay! Thank you!" 12) "You can't eat that much cotton candy, you'll make yourself sick." "But it's good!" "You'll get a cavity." 13) "Can we go to the fair?" "We're not riding the toddler rides again. People gave us so many dirty looks last year." "But what about the teacups?" "We can ride the teacups, but none of the other kid ones." 14) "Can we shoot fireworks this year?" "You hate the ones with loud noises." "Yeah, but I like looking at them." "I'll buy earmuffs for you." 15) "Can we paint the side room." "Sure, what color?" "I was thinking like maybe a purple or green. Maybe all the colors." "Like a rainbow room? Why would we do the whole room?" "It'd be fun, it'd be cute for a side room or an office, maybe a baby room." "Baby room?" "Maybe. I mean, if you like that idea." "I think it's a great idea." 16) "Can we get a dog?" "You're an adult, if you want a dog you don't have to ask me." "Yeah, but it's your house too so..." "Yes, we can get a dog. We can go to the shelter tomorrow." 17) "So, I was thinking maybe we could have our wedding during the spring or maybe the summer." "You have bad allergies during those times." "Yeah, but I was thinking we could get fake flowers and I could take some allergy medication and it could still look like a spring or a summer wedding." "I'll start looking at fake flowers." "I'll check venues." 18) "Why are you up so early?" "Look outside! It's snowing!!!" "And you woke me up so we could play in it?" "Uh huh." "One hour and then you let me go back to sleep." "I'll go get my gloves!!" 19) "We have to go to the zoo." "You hate the zoo, you said you don't like seeing animals in cages." "I know but the goats just gave birth to baby goats and they're finally letting them out to be pet today!" 20) "I dream about flying all the time but I never thought I'd actually get to do it." 21) "Thanks for tonight, I had a really great time with you. I hope we can do it again soon." 22) "We should move in together. I mean, if you want." 23) "I don't want to lose you, and it took me a while to realize but I know what I want now. Will you marry me?" 24) "I wouldn't trade you for all the gold, silver, gems, or all the most expensive things in the world." 25) "You really are the love of my life."

Indigo 1) "They're obnoxious and loud and stupid and I can't believe I'm in love with them." 2) "You may be a star but you'll never be as big a star as VY Canis Majoris." 3) "The most fucked up thing I ever learned was that Luna moths don't have mouths or a digestive tract because their sole purpose is to mate. So they live for a week and then die because they starve to death." 4) "I think you have more outfits than you have IQ points." 5) "Can you just stop doing...whatever it is you're doing for like ten minutes." 6) "God you're so annoying, just stop breathing. Please? Just stop." 7) "I wish I were a plant, I wouldn't have to talk or think or do all this shit. I'd just have to soak up sunlight, soak up rain, and take in carbon dioxide. Being a plant really is the fucking dream." 8) "Hey, I heard Person A broke up with you. That sucks. So, um, do you think I could get my Chemistry book?" 9) "Are you still upset about your break up with Person A? You shouldn't be, I've seen their family members, they don't age well. But, um, that neighbor of yours, the cute one, their family looks pretty good. And with your genes you two would have some above average looking children." "Thank you?" "You're welcome." 10) "You know, you're terrible at giving advice." "Yeah, well, I'm not used to being around other humans." "Maybe just say people. Calling other people humans is kind of...weird." "Noted." 11) "Do you want to come to a party with me tonight?" "To what? Drink, embarrass myself, have to listen to terrible music, and interact with people I don't even like?" "Yes." "Pass. I'd rather be here studying plants." 12) "Would you like to go out sometime, on like a date?" "Sure, I guess. You just set up the blind date and I'll do my best. Though, maybe you could find me someone who at least can carry on a conversation with me." "No, I mean would you want to go out on a date with me?" "With you? Why would you want to date me? Don't you have plenty of other options?" "I like you." "We wouldn't work out. You and I are too different. You are good looking and nice and deserve someone who's like you. You don't want someone like me anyways. Besides I'd bore you to death before the appetizers came out." 13) "I care about you." "You? Thought you didn't care about anyone." "I don't. Usually. But I think the reason I care so much is because I like you." "You like me?" "Yeah, it's um... it's a new feeling for sure." 14) "What they said back there. You're not a robot." "No, I am. They're right. It's hard for me to be like the others. I didn't grow up having friends so I didn't know what it was like to care about anything other than school or projects." "You care about me. You said you care about me. Is that true." "Of course it's true." "Then you're not a robot." 15) "You kissed me back there. Why did you do that?" "I was testing a hypothesis." "Oh yeah? What was your hypothesis." "You would kiss me back if I kissed you." "And the results?" "Well, if worked the first time. But a good scientists always checks their work to be sure, right?" "That's correct, yes." 16) "Have you ever kissed anyone?" "I've done a lot of things." "Have you had sex?" "Yes, but it was purely for research. I wanted to know what certain things felt like and what certain things would do for others." "Only you could manage to make sex sound so boring." 17) "Hey, I was--are you watching porn?" "I'm researching for an experiment." "What kind? You gonna see what happens when you put your hand down your pants to that?" "No, I was studying to see if I could tell the difference between a real orgasm and a fake one." "If you wanted to study that you could have just asked me." 18) "Do you think I should socialize more?" "Since when do you care what I think? You're the one with a billion degrees." "Well, you're better with people than I am." 19) "You're hugging me." "Yeah. It's what friends do, they hug." "It's, um, nice. I think." 20) "Yesterday I felt the urge to hug the mailman. Isn't that weird?" "Did you hug the mailman?" "No." "Then it's not that weird. Probably just your body telling you it needs to be touched physically, you know?" "What?" "You crave physical touch." 21) "I think I'm lonely." "Yeah, I think you are too." "Should I start dating?" "Do you want to date?" "Not particularly." "Then maybe just try getting friends." 22) "If I have to spend another evening with that idiot I might lose it." "Is this because they thought photosynthesis had to do with photography?" "Don't remind me." 23) "We're having dinner with my friends tonight." "They hate me." "They don't hate you, you're just smarter than all of them combined." 24) "I can't talk to Person A, they tried to ask me about plant cells and actually thought that I was talking about a cellphone made of plants." "They're not very good at Science, but they like you a lot an they're trying to find ways to talk to you. It's cute. You should give them a chance. Take them to a Science museum." "Like, the ones for kids?" "Yeah. They'll love it." "Fine, but if it starts to go bad I'm texting you to call me and say there's an emergency so I can get out of it." "As long as you give it a try." 25) "They're in love with you, you know? Why do you ruin all your chances at love?" "Because sometimes I'm not sure I'm capable of feeling it."

Violet 1) "You smell like desperation. That a new cologne/perfume or is that just you?" 2) "I'm not here to play nice, I'm here to protect your ass because you couldn't follow simple instructions!" 3) "God, you are so annoying. I can't believe I have to put up with you for six months." 4) "Get your shit, we're getting out of here. I'm not leaving you in this hellhole, alright? Pack your stuff, you're coming with me." 5) "Are we gonna be a family?" "Let's not call it that, let's call it I'm taking care of you for a while alright?" "For how long?" "For as long as you want me to." 6) "Are you gonna be my mom/dad?" "WOAH! No. Absolutely not. I'll be your guardian, okay? And it's only temporary." 7) "Goddamn it, kid, wake up! You can't annoy the shit out of me for months and make me care about you just so you can die like this. I'm not allowing it. Come on, get up, kid. If you get up I'll take you to that Funland place you wanted to go. Anywhere you wanna go. I'll be better to you. I'll...fuck! I'll take care of you for the rest of your life. I'll teach you how to ride a bike and be there for you when you do Science fairs and shit. I'll be your mom/dad." 8) "You're stupid trying to save me like that. You can't swim." "You never taught me how to." "Yeah, well, I'm gonna teach you when we get out of here." 9) "You're evil and manipulative and you're mean and I kinda love that about you, kid. You remind me of me. If you want a place to sleep and food you don't have to dig out of the trash you can stay with me as long as you want." 10) "Can I get a motorcycle?" "Absolutely not, kid. As long as I'm alive the only two wheel thing you'll be riding on is a fucking bicycle." "Well, can I get a bicycle?" "Yeah, we can steal you one later." 11) "You might be the most annoying person I've ever met in the world but I'd die for you." 12) "If you ever come near me or my family I'll fucking kill you. I will bury you in a shallow grave and leave you as food for the worms. Do you understand me?" 13) "You're not going to die here because I'm gonna protect you." 14) "Hey, you trust me don't you?" "Yeah." "Good, you're going to have to disguise yourself. And whatever you do keep your head down, don't talk, and don't let go of me, okay?" 15) "Hey short stack." "You came for me?" "Course I did, did you really think I'd leave you behind?" 16) "I'm coming with you." "You're not." "I am and you can't stop me." "I can handcuff you to that bench over there and leave Person A the keys." "...well I would appreciate if you didn't do that." 17) "Hey there, stranger, haven't seen you in a while." "What the fuck are you doing here?" "Is that really how you greet your best friend?" 18) "Out of my way." "You'll die if you go in there." "And you'll die if I don't go in there." 19) "I'm always gonna be here for you, you know that? 20) "Woah, what's wrong, why are you crying?" "You'll be leaving after this." "Come here, I'm not leaving you after this. I'm staying here with you. Did you really think I'd leave you here all alone? You can barely make toast." 21) "Hey, you can't run off like that again, do you hear me?" "Yeah, whatever-" "No! No, you don't get to whatever me about this. You could have fucking died out there. So you look me in the eye and you promise me you're never going to do that again!" "I-I promise I'll never do it again!" 22) "Look, I'm not your parent so I'm not going to tell you what to do, but that kid you're hanging around is bad news. I've seen their arrest record, you shouldn't be hanging around them. I know they're nice right now but people like that take advantage of nice. I would know. I used to be like them." 23) "I love you. More than anything in the world and that's why I train so hard. I have to train harder because now I have to be stronger. Because now I finally have something worth fighting for." 24) "You can't come with me. You're staying here." "I want to fight!" "You're sick. You need to stay here with Person A, take some medicine, and get some rest." 25) "Hey, watch your mouth, no one talks like that in front of my kid!"

#175 dialogue prompts #color prompts #25 prompts for each color #dialogue prompts #prompts #writer #write #writing prompts #fic prompts #fic inspiration #fic writing

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notallthosewho-wanderarelost · 3 years

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Real quick scattering of thoughts on Loki 1x02 and x03 before I watch the newest episode. I watched them pretty much at the same time so it’s a two-for-one post. Here be spoilers for episode 3! On mobile so no cut again, sorry.

Spoilers ahead. You’ve been warned.

Okay. In no particular order but attempting to start with ep 2 first:

Loki trying to get info on the Timekeepers and the TVA in ep 2 and being blocked by the most bored archive librarian ever was hilarious. The whole sequence of him trying to get her attention only for her to completely ignore him until he rang the bell was creepy but so funny.

Loki’s reaction to getting the details on Ragnarok made me so sad. :( Same, Loki. SAME. I’m also still gutted Asgard was destroyed and I refuse to even watch the movie ¯\_(ツ)_/¯ But him going to look at that in the first place made me wonder if maybe in the back of his mind Loki’s coming up with a plan to save Asgard? (Or at least, one version of Asgard in the multiverse.) I would love that. I want Asgard back in general and was hoping for Thor 4, but having Loki be the one to save Asgard would be SO fitting. He may be adopted but he’s still an Asgardian at heart, truly. Having Loki be the one to save Asgard would be a great way to show him finally acknowledging that and have all the Asgardians acknowledge it too.

We have an official population for MCU Asgard! 9719 people. That fits. It’s about twice the size of a pretty small suburban town. Asgard is SMALL. It just doesn’t have the space for a lot of people. It’s still a city, but Asgard the Realm has other things on it besides just the city, so it can’t have a huge population.

I wonder what the official population of New Asgard is when we see it in Endgame? And how many Asgardians come back post-Blip? This would really all depend on how many people made it through Hela’s rule and onto the ship during Ragnarok- and then half of them would’ve been killed by Thanos in the beginning of Infinity War. Would half of the remainder have been Snapped away at the end of IW, or would Thanos leave them out since he already halved their population? File under questions Marvel will probably never answer. Also file under “Thanos continues to be really bad at math.” (Should probably go look at the New Asgard sign again to check, but I don’t think it listed population.)

Loki annoying Mobius by messing with his salad was great. Loki annoying Mobius in general was great.

Loki letting the goats free in Pompeii made me think he might have a liking for goats, which means I now have a headcanon that Loki was friends with Thor’s goats as a kid and would sometimes let them loose to get their assistance with pranks. Thank you show, for cute kid Loki headcanons.

Tom Hiddleston probably had a BLAST yelling at people in Latin in character as Loki, and good for him!

Sylvie’s entrance sequence at the beginning of the episode with the fight scene vs the TVA set to “I Need a Hero” was amazing. I haven’t seen Shrek in a while but this might just reach the same levels of A+ “I Need A Hero” song usage as the Shrek sequence.

Speaking of the beginning of the episode, the Ren Faire setting was SO good. Great way to get laughs, and it made me want to go to a Ren Faire again.

The Roxxcart setting for the big encounter later in the episode made me flash back on all the times Roxxon’s appeared in the MCU. Two main thoughts: 1. I so want a Jane!Thor movie where the main villain is Dario Agger, evil Roxxon CEO and Minotaur. Preferably working with a better version of Malekith (from another universe probably) like in comics, because as much as I love Thor 2 my one complaint is that their version of Malekith was SO LAME. Especially compared to comics!Malekith. Plus an Agger + Malekith teamup would mean both the Nine Realms AND Earth are in danger, by definition. Thor 5 please, Marvel. 2. I really, really miss Cloak and Dagger and that show deserved so much better.

(Our) Loki’s perpetual insistence that he’s better and that the plot (pun intended) is about him is both funny and also a little sad- because he knows, or at least thinks, that if he stops insisting those things, everyone will stop paying any attention to him whatsoever. And he needs attention.

Poor Mobius probably felt so betrayed at the end of this episode. :(

Onward to episode 3!

This was by far my favorite episode so far. I LOVE Sylvie. I love her and Loki’s dynamic. I love that we get Loki talking to someone he considers an equal about some very personal things, and that Sylvie does the same thing with him. They understand each other in a way nobody else has. Because they’re the same person, sort of. I’ve taken to calling them “alternate reality twins” and that’s what I’ll keep calling them unless told otherwise.

They also annoy each other in a way nobody else can. And it’s hilarious. They look equally annoyed at the other not falling for their tricks and equally annoyed at needing the other’s help before they really start to bond and I LOVE ALL OF IT. I also feel like they adopt each other a lot quicker than either would be willing to admit, and then they’re annoyed at that! Loki yelling “you’re so weird!” at Sylvie made me go “OH they’re bickering like siblings!!!” and that was pretty early on! I’m an only child but that had peak sibling energy to me. Even them trying to trick and outdo each other had sibling energy most of the time.

Their earlier fight when they first get to Lamentis, before they realize where they are, had some VERY quality quips and also really had me wondering who would win in a fight between the two of them. Sylvie seems to have more physical strength, and she’s got a sword instead of daggers so longer reach, but Loki has skill and he has tricks. I think with his skill at magic (he can TELEPORT?! Probably only a few feet and probably limited by where he can see but that’s SO COOL!!! I don’t think we knew he could do that?!) Loki would likely run rings around Sylvie IF there were no people around for her to enchant. And assuming that she wasn’t able to set any traps beforehand, because Sylvie has proven well able to set traps to take down people who should be at a major advantage against her. Otherwise, I think Sylvie would win. She seems to have better physical training than our Loki, and if there were any people around for her to enchant he’d have to contend with them too. And if Sylvie could lay traps ahead of time, then it could go either way (you never can tell with a Loki, much less two) but I think Loki would probably lose. Loki is just as tricky as she is but that seems to be something she’s had a lot of practice in. Loki is more about confusing opponents with illusions and duplicates and talking his way around people. Sylvie sets traps instead, and is more comfortable/better at using brute physical force.

Speaking of enchanting, me while watching episode 2: “Hey, these mind controlling powers remind me of Enchantress’ powers!”

Sylvie in episode 3: calls her powers “enchanting”

Me: “OH.”

So Sylvie seems to be a composite of 3 characters. 1. Lady Loki, as in Loki when identifying as female. (There’s also that time from before they said Loki was genderfluid and a shapeshifter and back when Loki was still evil when he possessed Sif’s body and went by Lady Loki, but we don’t talk about that.) 2. Amora the Enchantress, a major Thor character/villain who uses magic to “enchant” people into doing what she wants-yes this is definitely a cringey “magically enchants people into loving her, consent-issues-out-the-wazoo” evil seductress stereotype in old comics, but it’s gotten better recently. And 3. Sylvie Lushton, the much lesser-known second Enchantress, who was a regular teenage human girl when after a Ragnarok (don’t remember which one, there have been multiple but this would’ve been early 2000s) Loki for shits and giggles decided to make her think she was Amora and give her the powers to match. She was on the Dark Reign-era (aka when Norman Osborn was in charge of SHIELD and the Avengers) version of the Young Avengers, the Young Masters of Evil, and that’s where I know her from. She’s a great character- she genuinely wants to do good and help people, but her brain is a bit messed up by the number Loki did on it, so she gets confused. I believe she’s currently in comic book limbo after Amora found out about her a while back, got pissed at her for stealing her name and her whole Thing, and tossed her somewhere dangerous on the World Tree while saying something about how if she can survive it then she’ll prove she deserves the name Enchantress. She sadly hasn’t been seen since as far as I know.

So each of those characters have similar characteristics with Loki’s Sylvie. Sylvie 1. Is a Loki who is female (Lady Loki), 2. Was presumably raised on Asgard and uses her magic to “enchant” people via a form of mind control into doing what she wants (Amora the Enchantress), 3. Is named Sylvie (Sylvie Lushton, Encanhtress II). Also worth noting that both Amora and Sylvie Lushton have blond hair, and so does the MCU’s Sylvie. All three characters also have green colored magic!

May turn the above bullets into their own post just for informational purposes. Also, when we said we wanted Enchantress in the MCU, this is not what we meant. Stop with the Monkey’s Paw-style wish granting, Marvel! (Looking at you, X-Men comics’ response to us wanting more Wanda.)

Anyway. Will round off with my favorite thing: everything on the train. Everything on the train was WONDERFUL.

Loki telling Sylvie about Frigga and how she taught him magic and then demonstrating the fireworks made me tear up. 🥺 Right in the feels. I miss Frigga a lot. I miss Asgard/the old Thor franchise in general a lot, but this is about Frigga. She was AMAZING and I miss her. Forever love the detail that Tom and Rene came up with the idea on the set of Thor 1 that Frigga is the one who taught Loki magic and fighting and how that informed their characters’ dynamic to the point of it being canonically discussed later. There’s a great Thor 2 deleted scene where Frigga talks to Thor about this exact thing. Frigga is such a fave of mine.

Sylvie telling Loki about her own past in turn made me very curious what her life was like and what the differences are. She seemed to have had a really hard time of it as a kid and I just want to hug her. (I also want to hug Loki, but that isn’t news.) Loki has had a very tough time, but really only after finding out he was adopted. He doesn’t appear to have had many friends on Asgard before (though I headcanon that he was friends with Lorelai before her exile, and since it’s my headcanon I imagine a similar situation with Amora, if not quite as close a friendship because comics Loki gets along better with Lorelai than her sister) but he at least had a family who loved him and who he loved, and a status as a prince that would’ve given him a good life and protection. Sylvie doesn’t seem to have had any of that as a kid. :(

“Surely there were some would-be princesses? Or perhaps a prince?” CANONICALLY BISEXUAL LOKI YES! YES.

Comics Loki is canonically both bisexual and genderfluid! Explicitly discussed on page, multiple times, and expounded on by writers too. (One of the most heartwarming Odin moments for me- yes, Odin does have heartwarming moments!- is when he’s telling his kids he loves them and he says something to the effect of “my son, my daughter, my child who is both.” The latter is Loki, the former are Thor and Angela. I might still be bitter over MCU Hela taking Angela’s place in the family sorry not sorry. This was in Original Sin: Thor and Loki, for anyone wondering.) I tend to default to he/him pronouns when talking about Loki because Loki tends to be male more in appearances, and also partly because it’s what I’m used to, but when Loki is clearly female I’ll of course switch to she/her. I have seen people use they/them pronouns for Loki too. I don’t think Marvel has ever said what pronouns Loki prefers though.

Speaking of which: I realize the “Sex: fluid” on Loki’s info card in episode 1 was probably foreshadowing Sylvie, but I kind of want to also read it as a nod to Loki being genderfluid. (Loki is also a shapeshifter, so gender would = sex in this case.) Whether it would be a nod to specifically comics Loki or also to MCU Loki is anyone’s guess as of now. We’ll find out I guess, or if it turns out to be strictly headcanon than it’s whatever floats your boat. :)

Back to the train scene!! Sylvie loudly protesting that she can’t sleep near people she doesn’t trust and then promptly falling asleep across from Loki a few minutes later made me emotional. ALTERNATE REALITY TWINS. Also VERY much a parallel to Loki falling asleep across from Mobius last episode.

Loki realizing that Asgard was really his home and his family really was his family only to also realize that he’ll never see either again and deciding to handle this by getting ABSOLUTELY DRUNK is SO ASGARDIAN OF HIM. I cannot. He even did the “Another!” *smashes glass* thing just to bring the point home.

Oh gosh, LOKI SINGING IN ASGARDIAN. FEEEEEEELS. I know, it’s actually Norwegian. I wonder a bit why they didn’t use Icelandic instead? Anyway, this was lovely and I love that going by the translation it’s a song of longing to go home, and it mentions Idunn’s apples of immortality. Apparently the full version of the song is going to be on the soundtrack and I’m so excited for that.

Loki’s metaphor of “love is a dagger” was actually quite good, he and Sylvie just lost the thread of it right at the end there. I wrote about this in tags somewhere, I’ll copy it in here later.

Edit: here’s an edited version of what I wrote on this post: This was a great metaphor until it got away from him. So close to the point (heh) and then they veered right away. Let me finish this for them: “Love is a dagger. It’s a weapon for far away and up close. You can see yourself in it. It’s beautiful. You have to give it to the right person.” So what this scene tells us about Loki is that he’s been hurt by love because it hasn’t been real. Or hasn’t felt real to him. Maybe he’s given it to the wrong people, or maybe he couldn’t tell who the right people were. (And if this is in reference to his family then I think he’s still too close to the revelation of his identity to be able to think clearly about the situation. Because his family DID love him! Even Odin. He just lost sight of that with everything happening.) Love is also about trust. And Loki doesn’t trust easily.

I really love this quote and this scene. Kinda want to do a “Love is a dagger” graphic of i ever have time.

I also wouldn’t be surprised if Loki and Sylvie come back to this conversation and come to a more satisfying conclusion. I hope that happens actually.

Sylvie using her headpiece against an opponent in the train fight instantly made me think of Wonder Woman. A+. Also, I haven’t mentioned yet but I love the fact that Sylvie’s headpiece looks exactly like God(dess) of Stories Loki’s from Agent of Asgard. Loki’s Ragnarok headpiece definitely had big AoA Loki vibes, but Sylvie’s headpiece is much closer- mostly it’s smaller, which is very Agent of Asgard Loki in general, but the one horn being cut off is specifically a God(dess) of Stories Loki thing and I love that they pulled from that.

Loki throwing the dagger and missing because he’s drunk was hilarious. Not good for Sylvie, but hilarious to watch. Don’t fight while drunk, Loki. Also, he threw “love” at Sylvie and I laughed when I realized that.

I didn’t realize until I saw a parallel gifset of it why Loki carefully going up to Sylvie after her scream felt so familiar- it’s just like how he went up to Thor after Thor overturned the table in Thor 1. The CONTINUINTY!! Absolutely amazing.

While trying to save the Ark Loki was probably thinking a lot about what he saw in the TVA clips of his own people trying to escape Asgard during Ragnarok and that hits kind of hard.

Loki apparently using telekinesis to stop the column from falling on him and Sylvie threw me off a lot until I saw another gifset that included the moment in Thor 2 (trailers only, I think) when he finds out Frigga is dead and all the furniture close to him breaks and flies away from him. The pose was even the same as when he stopped the column. I think he can sort of... push things away from him? (Almost like a Force Push 🤔) He seems to need to stop and tense up his arms while he does it though. And it doesn’t have the green effect the rest of his magic does, which is odd.

Speaking of Loki’s powers, I’ve said this in tags for sure but I’m so happy they’re FINALLY letting Loki hit people with green magic bolts. He does tend to prefer more subtle uses of magic, but I still can’t believe it took over 4 movies for that to happen. It’s kind of a no-brainer magic attack- probably exactly why Loki prefers other things- but you’d think he would’ve done it at least once after 4 movies.

I saw a post point out that by the end of the episode, Sylvie has lost both her headpiece and her cloak/robe thing, which makes me wonder if she’s going to get a new outfit by the end of the show. Or at least different accessories. I’m also curious if she’s going to take up the Enchantress moniker by the end of the show.

Finishing this with theme analysis and theory time:

The revelation that TVA agents used to be variants and were somehow reprogrammed makes so much sense. There’s something immediately shifty about the idea of 3 Time Keepers dictating the fate of everyone in infinite multiverses, and this just solidifies the hint that the Time Keepers are going to be the overall Big Bads. Which makes sense, narratively! But this shifts the TVA agents from villains to victims. Mobius gets to stay sympathetic and so does Sylvie, AND once the TVA agents find out about their origins it puts the same choice onto them that Loki has. They all have a choice now about who they’re going to be. They’re not who they thought they were, but are they going to let themselves be defined by what other people (here, the Time Keepers) think they should be, or are they going to be who they want to be.

This is exactly what Loki: Agent of Asgard is about, by the way. And I know I said in the last post that Loki’s greatest villain is himself, but I’m going to amend that because I didn’t say it quite right. Loki’s greatest villain is his evil self. Loki the god of evil, the Loki that is the villain. Loki (and all the other Asgardians) in Agent of Asgard is genuinely a god, and AoA tells us that gods are defined by belief- they are what people believe them to be. That’s how they exist. So because so many people believe Loki is an evil villain, the universe tries to twist him to fit that role. The plot of AoA is Loki trying to avoid that fate, to be better, be who he wants to be. It’s a meta story. It’s Loki trying to break free of the narrative he’s been part of up until that point. And eventually he manages to break the fourth wall itself and take control of his own narrative by becoming the god of stories. He controls his own story and it no longer matters what other people think he is, only what he thinks of himself. Nobody else gets to change or define him.

AoA’s villain is a future version of Loki that does go back to being evil. He’s basically the cosmic force- destiny, the narrative itself, etc- that’s trying to fit Loki into the “evil” box personified. Loki is seemingly taking that idea and subbing in a different personification for that same idea of lack of choice: the Time Keepers. We know from the Miss Minutes short in episode 1 that the Time Keepers want one timeline. We don’t know if that’s actually to prevent a multiversal war like the short suggests or if that’s just propaganda. When Loki tries to find out more about the war or about the beginning or end of time in episode 2, he can’t access those documents. Something doesn’t seem right there.

Edit: Also, in episode 2 Loki compares the TVA to Asgard by saying both the TVA agents and Asgardians are equally stupid. The reveal of who the TVA agents are adds a new dimension to that comparison. They both see themselves as guardians of the world around them, special, but really they’re no more special than the people they’re fighting to protect. Or in other words, they’re only as “special” (“heroic,” really) as they make themselves.

Also an edit: damn I just realized the continued stupidity of R*gnarok having Fenris and Odin in the same movie and Odin dies but get killed by Fenris. Asgardians have a saying about watching for wolves’ teeth.

I’ve seen the theory around that Sylvie might be a former TVA agent (which seems to be backed up by the midseason trailer I very belatedly saw, oh my GOD TINY SYLVIE!!!!! But also oh no tiny Sylvie at the TVA :() and I really like that. It makes sense. Maybe she went rogue because she realized the TVA is preventing people from choosing for themselves. Maybe she even knows what it is the Time Keepers actually want. Or maybe she’s doing this just for herself because she didn’t enjoy being brainwashed by the TVA and she doesn’t like being told who to be! That is after all part of “what makes a Loki a Loki,” even if she doesn’t use that name anymore.

I’m also wondering (hoping?) if maybe her being a former TVA agent could explain why she’s a mashup of different characters, instead of it just being Marvel mashing characters together because they can. This is mostly wild speculation, but could the TVA possibly have put multiple people’s timelines/memories inside her head? What if she’s in universe an amalgamation of a Loki, an Amora, and/or a Sylvie?

We’ve had some clips of what looks like a Thor 1 era Loki in front of the throne on Asgard- which looks different to me; maybe Loki redecorated? We’ve also gotten a shot of Loki in front of a ruined NYC skyline, including Avengers Tower. Maybe we’ll get an episode where Loki wins and we’ll see different timelines where he wins in different ways, until he realizes that this isn’t actually what he wants?

Whoops this got long??? Thanks for reading if you read this far!

#long post #loki spoilers #loki 1x03 #loki 1x02 #loki series #meta #a rare text post appears #my stuff

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fortune-fool02 · 4 years

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Their Happily Ever After

Imp Gyro Zeppeli x Princess female reader

Fairy Tale AU

This was inspired after watching Shrek 2 I need a Hero scene. This is kinda long. Please enjoy.

Hooves slammed against the ground rapidly, almost shaking the area around it as the horse galloped down the street; the steed’s rider encouraging the horse to gallop faster, his heart drumming against his chest, ready to burst from his rib cage.

But that meant little to Gyro, all that matter to him was getting to his wife, [Name], before she was stolen away from him forever. The mere thought of her with that bastard made his blood boil with rage. It was a trick right from the very beginning, since the second they got to this damn kingdom they were walking right into their trap and they were completely oblivious to it. By plucking at his heart strings, Fairy Godfather Valentine had been able to twist Gyro’s beliefs to how he wanted it.

And now Gyro was at risk of loosing the love of his life to that slippery bastard, Prince Diego Brando.

***

His emerald green eyes were wet with tears at the scene before him, his hands pounding against the window in a vain hope that [Name] would hear him and turn to see that the man next to her was not him but someone else entirely. But, even though he and Diego looked absolutely nothing alike, she was unaware of what Gyro had done. The affects of the potion he had taken had affect both himself and her, transforming them into the “perfect” fairy tale lovers but with her oblivious to it, she was just lost.

“[Name]!” Gyro shouted, hitting the window again but it was to no avail. She couldn’t hear him.

“[Name]!” Valentine also shouted, attempting to sound like he was trying but it was clear he knew they could not be heard. Just how he had planned. The blonde fairy turned to the heart-broken male, a sympathetic mask carved into his face like stone. “I don’t think she can hear us, lad.”

A blade struck through Gyro’s chest at those words, knowing them to be true. “Look, I know this must be painful for you but this is what’s for the best. For [Name].” Gyro tore his gaze away from the scene and looked at Valentine, the hope in his eyes dying before the man like a flame dying, reducing to nothing but glowing embers and crumbling away.

“But, look at me,” he motioned to himself. His appearance almost unrecognisable from the potion. Who was once an Italian creature of myth was now a human male, even he didn’t recognise himself when he first awoke as this. How could he expect [Name] to know? “Look at what I’ve done for her.”

Valentine gave a small head shake, that fake smile on his lips still, “It’s time you stopped living in a fairy tale, Gyro.” he said, “[Name]’s a princess and you’re an imp. That’s something no amount of magic will ever change.” Despite what Gyro wanted to believe, Valentine’s words were true. He turned back to the window, the gnawing feeling of defeat sinking into his muscles, weighing him down like a boulder had been dropped on him. Diego’s arms wrapped around [Name], pulling her into an embrace.

“But, I love her.” he muttered. Valentine’s hand fell upon his shoulder,

“If you truly do love her, you’ll let her go.”

And Gyro did. He left the castle without a word, storming past Johnny and making his way…. somewhere. Somewhere to forget the pain. As agonising as it was, everyone was right. Imps and princess don’t live happily ever after. Princesses got their prices and Imps… they were left to be Imps; thieving, mischievous creatures that often terrorised princesses. If this was what Gyro had to do in order for [Name] to be happy then he was willing to bare the pain.

Well, that would have been what happened if Gyro didn’t notice [Name]’s father ask for Valentine’s location in the back of the pub; where Diego was also waiting. Apparently, [Name] was suspicious about her “husband” and was almost trying to distant herself from Diego. This led to this little meeting. Gyro was willing to let [Name] be happy but when Valentine handed [Name]’s father a small vial, telling him that whoever drinks it will fall in love with the fist person they kissed, he knew he couldn’t stand by and let them do this to [Name].

Upon discovery of their unwanted eavesdroppers, Valentine had the guards go after them, shouting an raving about them being terrorists and traitors to the country.

And now, with time against them, Gyro and Johnny had to do everything they could to stop that kiss at the ball tonight. Or Gyro would lose [Name] for good.

***

[Name] watched from her window as her “husband” made his way down the red-carpet, smiling and posing for the cameras like some form of celebrity. Gyro never did that before. Gyro never did anything that this man was doing. Her [Eye colour] eyes fell down to the ring on her finger, remembering the day that Gyro had proposed to her, asking her to be his princess.

The imp who had asked her to marry him was not the man on that carpet. But… Fairy Godfather Valentine did say that the potion did change some things unintentionally but he had assured her that it was indeed Gyro.

[Name] knew her husband. She didn’t know that man.

A knock at the door caught her attention, her father peering in with a tray in his hands. “Ah, there you are. I thought you’d like a nice cup of tea before the dance.” he said, setting the tray down where two cups sat on. Sighing softly, she looked back outside.

“Father, I know my husband. I know he’s an Imp but I love him.” she said, motioning to “Gyro”, “And that’s not my husband.” Her father gave her a reassuring smile though it was somewhat forced, unsure of what to do.

“W-Well, maybe you’ll like this new Gyro?” [Name] gave a low sigh again, looking down at the ring on her finger with a lost look in her [Eye colour] eyes.

“But it was the old one that I fell in love with.” she spoke softly, a sense of longing in her voice as she wanted nothing more than to have her Gyro back. “I’d give anything to have him back.”

Though she didn’t see it, her father gave her an apologetic look. The guilt of his actions seeping into his bones. What has he done?

***

Valkyrie galloped through the castle gates, Slow Dancer by her side, as both riders carved their path through. Hot Pants and Mountain Tim also aiding them in their quest to rescue the princess from the jaws of the dinosaur. With the sudden crowd of guards appearing behind them, both Hot Pants and Mountain Tim stopped their horses and turned to face the crowd.

“H.P, Mountain Tim!” Gyro shouted upon noticing their friends’ stop. Hot Pants threw a glance over her shoulder.

“Go, your wife needs you!” They were going to hold of the guards and by Gyro time to get to [Name]? He smiled at them, nodding his head and continuing down the hall, hearing the battle begin. Don’t worry [Name], Gyro thought, I’m on my way.

***

Twirling her around and pulling her back into his chest, Diego smirked at the [Hair colour] woman in his arms. Everything was going to plan, by the end of tonight, [Name] was going to be his. He took her hand and spun her around, casting aside the rose in his lips and pulling her in close, inhaling her scent slightly. He could smell Gyro’s scent on her, that’s something he would have to fix later.

As the song began to reach its end, Diego dipped [Name] down, their lips hovering close together. Just one kiss and she was his. Slowly, his lips lowered down to hers. Just as their lips were about to connect, the doors slammed open followed by someone shouting. All eyes turned to the voice and Diego felt his eyes widen at the sight of Gyro and Johnny approaching him.

“Oi, jackass!” Gyro shouted, jumping off his horse and storming over to him. His eyes burning with a flame he has never seen in him before. “Get the Hell away from my wife!”

Confusion painted [Name]’s face at this, taking a step away from Diego and throwing glances between the two males. Before she could step too far away from Diego, Valentine suddenly called out.

“She’s taken the potion! Kiss her now!” Gyro’s eyes widened at that, his hand outstretched to throw his Steel Ball when Diego grabbed [Name]’s wrist and pulled her close, forcing his lips upon her.

“No!” He was too late. It was done. He had lost [Name].

Diego pulled away from her, his lips lifted into a soft smirk as she looked at him with such a sweet, adoring expression. The kind one would have when in love. He tucked a strand of hair behind her ear, throwing a glance at Gyro who had fallen to his knees at this. Diego had won.

Slowly, [Name]’s hands rose up to Diego’s face, gently cupping his cheeks before she suddenly shot her head forward, smacking him with enough force to knock him down for a few moments, throwing everyone off guard.

She turned and rushed over to Gyro, throwing her arms around him and holding him close. “Gyro, what’s happen-?” [Name] was cut off by Gyro pushing her aside just as Diego lunged at him, pinning him to the floor. Fangs bared and claws pushing through his gloves.

“You just couldn’t leave everything alone, could you?” the blonde snarled, digging his claws in deeper. Gyro narrowed his emerald green eyes at him,

“If you think I’d let you put your filthy lips against my wife’s then you’re a fuckin’ idiot!” He brought his foot up and slammed it in Diego’s stomach, forcing the man off of him and jumping to his feet.

His Steel Balls in his hands, ready for any attack as he looked over at Valentine who glared dagger at him. Anger radiated from the Fairy Godfather as he shot up into the air, charging at Gyro. Once he was close enough, he was shot down by Johnny, his form thrown off balance and colliding into the tables, his wand falling from his hand. At the clink of the wand, both Gyro and Diego looked at the magical weapon, locked eyes and charged for it.

Gyro had been able to knock it from Diego’s hands, throwing it somewhere away from them and hoping that someone caught it. Diego’s clawed hands grasped Gyro’s throat, pinning him down and wrapping his tail around the man, restraining him as Valentine approached. Wand in hand.

“This could have ended much easier, Gyro, if you just did as we told you.” the blonde man hissed, the wand twirling in his hand as he stood in front of the hatted man.

“Valentine!” All eyes turned to the voice and Valentine’s eyes widened. [Name] stood, hands shaking slightly, as she tightly grasped a wand. His wand. He looked at the one in his hand to see it was a dinner knife, an illusion. Discarding the useless item, he turned to the [Hair colour] woman.

“[Name], go! Get away from him!” Gyro shouted only to have Diego tighten his grip further, almost chocking the man. [Name] didn’t move. She stood there, eyes locked with Valentine’s.

“[Name], don’t do anything stupid.” he said, holding his hand out, “Give me the wand.” She shook her head, taking a step away from him. An annoyed sigh slipped his lips. “You know I am doing this for you. I’m trying to give you your happily ever after.”

There was a moment of silence as [Name] glared at him, her grip not faltering as she held the wand. “I already had my happily ever after, Valentine. You tried to take that from me.”

Before Valentine could react, a bolt of magic shot from the wand and struck him; the magic flowing through his body and destroying his cells, crumbling them away into nothing but ash. [Name] blinked, dropping the wand and falling to her knees, the weight of the situation crashing against her. Gyro felt Diego’s grip loosen, using that moment to escape the dinosaur’s grasp and run to his wife’s side, pulling her into an embrace.

“Gyro, please tell me that’s really you.” He smiled, lifting her head so she was looking at him,

“It’s me, baby. I promise.” That voice. That tone. That look in his eyes. That smile. It was all him. This was her husband. Her arms wrapped around him tightly, pulling him close in fear of losing him again. “I thought I lost you then.” he whispered, savouring the feeling of her in his arms.

“I love you, Gyro.” she said, burying her face into his chest.

“I love you too, [Name].”

#gyro #gyro zeppeli #jojo bizarre adventure #gyro x reader #gyro zeppeli x reader #jojo bizzare adventure x reader #jojo #jojo x reader #steel ball run x reader #steel ball run #gyro steel ball run #au #fairy tale au #female reader #reader insert

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artificialqueens · 4 years

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Green-Eyed Monsters and Other Demons (Branjie) -- athena2

A/N: This is a continuation of my vampire verse, based on a prompt from @gradtones, who requested a fic with a jealous ex of Brooke’s. I was so happy to write in this verse again, even if it took me a while to get back into it. (Part 1 Here and Part 2 Here). With that said, three thousand thank you’s to Writ. This fic was a bit of a trainwreck when it started, but you helped me see how to fix it. I don’t think I could’ve finished this without your help.

Please leave some feedback if you’d like, I really appreciate it!

*This does have some minor injury and mentions/descriptions of an unhealthy past relationship*

—

Brooke never thought she’d have one date with a vampire, let alone three whole months of them. But then again, most things with Vanessa are different from what she thought they’d be like.

She never thought she’d be able to tolerate the sheer chaos of Vanessa’s apartment, not even batting an eyelash when one of her roommates runs through the kitchen carrying a frog wearing a plastic crown. She never thought she’d have someone to laugh at movies with, someone to share a bed with. And she never thought she’d be in a thrift shop helping Vanessa find the single strangest item in the store to win a game with her roommates.

“How about these?” Brooke holds up a pair of Shrek slippers.

Vanessa snatches the slippers and holds them to her chest. “These ain’t weird, Brooke, these are a treasure. I’m wearing these in bed tonight.”

“Christ.”

They continue to browse through the store, Vanessa rambling about her day. Even when Brooke can’t see Vanessa, she knows she’s there, not just because of her loud volume but also because of the presence she has, calming Brooke all the while.

Vanessa squeals across the store, and Brooke goes running.

“We got it, Brooke! Let’s see Yvie and her mug of Captain Hook and Peter Pan making out beat this.”

Brooke has to blink several times just to take in the hand-sewn sweater vest with grainy tigers all over the fabric.

“Okay, that’s gotta win. I wish I could burn my eyes out after seeing that,” Brooke says.

Vanessa buys the vest and the slippers Brooke regrets showing her. Brooke’s heart nearly stops when she sees the woman walking in.

Shit. Shit. She needs to hide, she needs to—

“Brooke?”

“Yeah. Hi.”

Brooke forces herself to look at the black hair and cold eyes of the woman she used to let kiss her. Brooke wishes she could scrub those touches off her skin, wipe every memory from her mind.

“How are you?” Brooke is sure she’s not asking because she cares, but because she wants to see if Brooke is suffering without her.

“Fine.”

“Is that your girlfriend?”

Shit.

Though the sheer fact of having Vanessa as her girlfriend makes Brooke want to explode with happiness, she doesn’t want the two of them seeing each other. Vanessa is kind and warm and happy and brings impossible joy to Brooke’s life. Brooke doesn’t want Vanessa seeing the woman who had been a storm cloud over Brooke for months, who sucked all the joy out of her. She doesn’t want Amy poisoning Vanessa too. Brooke doesn’t need the woman she loves more than anything meeting them woman who had never loved her in the first place.

There’s also the issue of keeping Vanessa safe. Amy can recognize the signs of a vampire just as well as Brooke, and she can’t let anything happen to Vanessa.

“She is.”

“Brooke, let’s go, we gotta go home and have our Marvel marathon,” Vanessa says, bounding over to Brooke’s side.

“You still watch those baby movies?” Amy sneers.

Brooke stiffens, heat running up her neck, those words carrying an old embarrassment with them. Brooke knows there’s nothing wrong with the movies she likes, but it had always been like this with Amy, and it brings back doubts Brooke has pushed out the past two years, doubts making her question everything she likes, everything she does. It could be that cocky grin Amy has, the mocking tone always aimed at Brooke. Or maybe somehow, somewhere inside, Brooke still cares what Amy thinks, still wants to prove her wrong, that every mean thing she ever said to Brooke was wrong.

She feels Vanessa’s body tense, her hand closing around Brooke’s wrist in comfort. Brooke’s not sure which one of them she’s comforting, and it’s another reason she didn’t want Vanessa to meet Amy. She doesn’t want Vanessa to see how upset Amy makes her, doesn’t want to dig up old wounds. She knows she’s not, but she doesn’t want to seem weak in front of Vanessa, sweating just because of her ex-girlfriend.

“Who exactly are you?” Vanessa demands. Her usual charm and humor have gone out the window, replaced with a frigid bite in her words, stance defensive. “Besides someone with a bad perm that shoulda been left in the 70’s with those bootcut pants.”

“Let’s say Brooke and I used to be intimately acquainted.” She glares daggers at both of them.

Brooke finds herself shrinking under that glare, just like she used to. She remembers that glare when Amy would criticize her clothes, when she told her to stop worrying already, that she needed to get over things. How she acted so superior when Brooke got excited over superhero movies, said she needed to grow up or things were over. No. Brooke’s not doing this anymore. She stands tall, drawing back to her full height, delighting in being taller than Amy.

Brooke won’t feel bad for liking the movies she likes, for wanting to wear plain black clothes. She’s not letting Amy have that power over her anymore, not going to put on clothes that made her uncomfortable or try to act cool and uncaring like Amy, when Brooke just wanted to be excited and passionate.

She can sense Vanessa getting ready to launch herself across the store, legs bouncing with anger. As much as she’d like to let Vanessa loose, it’s better if they can just get out of here, let the whole thing fade, like it never happened.

“We need to go,” Brooke says quickly, almost pulling Vanessa out of the store, hoping she did it before Amy figures out what Vanessa is, before Vanessa gets suspicious of things.

She gets behind the wheel and finds that she hasn’t taken a complete breath since she saw Amy, air flooding for lungs as she erases Amy’s pointing fingers and mean smirks from her mind.

“Who was that?” Vanessa asks, and Brooke’s heart tenses. She hadn’t been quick enough, hadn’t hidden how upset she was, and now Vanessa knows something is up. She can read the tension in Brooke, her muscles tightening in familiar response to Amy’s voice.

“I don’t want to talk about it.”

“Brooke—”

“I don’t want to talk about it!” It comes out harsher than she means it to, and she wishes she could take it back at Vanessa’s sad face, the pain in her eyes. She’s no better than Amy, making Vanessa feel like this, and it’s not something she wants anyone to experience.

“Okay, okay.”

Vanessa is quiet for the rest of the ride, and the silence is more painful than screaming.

When Brooke doesn’t sleep that night, she blames it on the Shrek slippers rubbing against her, but she knows that isn’t true.

—

It’s a quiet breakfast the next morning. Vanessa is never quiet, and it makes Brooke’s already-sore muscles clench even further.

“Are you okay?” Brooke asks, shifting in her chair. She gives up on eating, her appetite suddenly ruined.

“Me? I’m fine.” Vanessa stabs at her egg, eating without another word.

Brooke knows deep down it’s because of yesterday. She still regrets the way she snapped at Vanessa, the way she was distracted all night, unable to bring herself to cheer and laugh along with Vanessa during Captain Marvel. She wonders what Vanessa is thinking, if she’s still hurt from how Brooke had yelled, if she already has her own ideas on who Amy is and why she made Brooke act like that.

Brooke wonders if she should just tell Vanessa about her ex-girlfriend, about why the meeting in the thrift store made Brooke shut down and had ruined the whole night. But she doesn’t want to make a big deal out of it, doesn’t want to make anything of it, really. Brooke has been trying to forget her ex for two years now, and she doesn’t want to get back into it. It’s easier if she can let it stay buried, forget how Amy would embarrass her in front of their friends, how she made Brooke feel like nothing.

She just hopes things with Vanessa are okay. But judging from the vicious way she slurps her orange juice, they might need to talk soon.

Brooke’s mind is on another planet when she hunts that night, clutching her stake for dear life as she almost loses a few fights. She’s dropped down to hunting just three nights a week now, and it’s more of a stakeout, making sure no humans are in danger. Being with Vanessa has changed some of her views on vampires, but there are still bad ones out there, and Brooke has to keep people safe from them. She’s usually laser-focused, but she calls it quits early tonight.

Two vampires got away, and she winds up with a cut on her arm and more bruises than usual. She’s lucky it isn’t worse, considering how unfocused she is, how she can’t concentrate on anything other than her ex.

“Want me to do that?” Vanessa asks, appearing in the bathroom. She must have woken when Brooke knocked over the first aid kit in her struggle to bandage her right arm with her left hand.

“I got it.” Brooke has never asked for help. But it had never been offered to her, either. She’s always just dealt with injuries herself. She even knew how to give herself stitches. It’s her own fault she got hurt anyway, that’s what Amy always said.

“Let me do it,” Vanessa insists, taking the gauze out of Brooke’s hand. She’s calm and gentle, her coldness from the morning gone. “You lucky you got this antiseptic cream stuff. Back in my day, people just poured whiskey on it. Stung like a bitch. Come to think of it, they used whiskey for everything. Infection? Whiskey. Cold and flu? Whiskey.”

Brooke snorts as Vanessa spreads the cream on her arm. “You sound like a boomer.”

Vanessa swats her shoulder. “Hell, I remember when they started doing flu shots. Before that, you drank whiskey or you were shit outta luck.”

“Okay, boomer.” Brooke smiles as Vanessa wraps her arm up, and all she can think is that it’s 1am and Vanessa is up taking care of her, acting like it’s nothing, even after their tense breakfast. No one has ever done this for her, ever cared this much, Brooke often bandaging herself and popping a painkiller to numb her aching body before collapsing into bed alone. It’s a nice feeling, to be cared for, and maybe Brooke can get used to it. Maybe it’s okay to ask for help, to let someone else share the burden.

“Thank you,” Brooke says, placing her hand on Vanessa’s arm in the hopes it shows how much this means to Brooke.

“Yeah, of course,” Vanessa says nonchalantly. “You need anything else?”

Brooke shakes her head. “Just sleep.”

Vanessa’s hands make their way to Brooke’s shoulders after Brooke sinks into the mattress with a groan. Her cool hands rub away the tension Brooke has been carrying since she was 18, worsened now with the words she can’t say to Vanessa, words that make her burn with anger.

“You sure you’re okay, baby?” Vanessa asks in worry. “Your muscles are really tight.”

“M’fine,” Brooke mumbles, Vanessa’s touch bringing on a calm sense of peace that inches Brooke towards sleep.

Vanessa presses a soft kiss to her neck. “Sleep. You need it.”

Brooke is asleep before Vanessa’s lips leave her skin.

—

A few weeks pass, and Vanessa doesn’t bring up that day in the thrift store again, so Brooke leaves it alone. There’s definitely something unspoken between them, some sort of chill or pointed stare whenever they look at the vest Vanessa bought. Vanessa cancels on two dates at the last minute, and her touches seem hesitant, kisses reluctant. But they’re managing.

Brooke is hoping things are fine, despite the unease she’s felt, the way she’s been doubting whether she’s good enough every time she looks in the mirror. But she’s managing. She hasn’t seen her ex in two years, and maybe it was just a one-time thing. Nothing to worry about.

Until Brooke’s hunt–though it’s more of a patrol now, really, watching from the trees to make sure no vampires attack a group of teenagers having a party in the woods.

Her body has been grateful for the lessened nights and decreased fighting. She even gets more sleep now with Vanessa in her bed, sometimes nine whole hours on her off nights. Vanessa makes the bed cozier with her presence, even when she kicks Brooke half the night, and even though she can’t sprawl out with her long limbs everywhere anymore, she loves getting to see Vanessa first thing in the morning.

This is her last patrol of the week, and she’s about to pack up when a flicker of movement in the woods draws her attention. Brooke inches toward the trees, crossbow ready.

“How the hell could you leave me for one of those monsters?” A person demands as they come out of the woods, and Brooke’s heart sinks as Amy appears.

“They have more of a heart than you do,” Brooke says quietly.

“Funny,” she snarls. “Brooke Lynn Hytes, Little Miss Rule-Follower, going out with a vampire? Do you know the trouble I could get you in?”

Brooke’s hand tightens on her bow, palms sweaty at the thought of any trouble not only for her, but for Vanessa as well. She’s never had another person to worry about, never had someone she would do anything to protect. Her heart clenches in fear, but it’s also comforting–powerful, even–to know she has someone she cares that much about.

“You can’t do anything,” Brooke says. “Or did you forget that the Guild kicked you out after–”

“Oh, fuck them. I can still hunt even without them backing me. And you know, I bet they’d take me back if I bring in the last of the Mateo clan.” She spits. “I’ll be on the lookout for Miss Mateo. She’s hard to miss, with that mouth.”

All Brooke can see is Vanessa being hurt, her smooth skin covered in blood, her loud laugh silenced. She thinks of Vanessa no longer curling around her in their bed, no longer taping up memes in her kitchen, no longer taking in stray dogs and helping them get homes or helping people get medical care. She thinks of the person she tried so long to get over, to forget, taking away the person who makes her life better, who gives Brooke the real love she is deserving of, and the anger explodes in her. Vanessa is too kind, too pure, and she doesn’t deserve even an ounce of pain.

Brooke slams Amy into a tree, rage blocking all out her senses. “If you even touch her, I swear–”

“Swear what?” she mocks. “You don’t harm humans, B.”

“I’ll make an exception,” she says fiercely. Her blood boils beneath her skin, body pulsing with the urge to tear apart whoever she needs to in order to keep Vanessa safe. “Stay away from her.” She shoves Amy on the ground, delighting in her wince.

“We’ll see,” she says before disappearing into the woods.

She has to warn Vanessa. Brooke’s heart is still pounding, mind racing with all the terrible things that could happen to Vanessa.

Brooke tears through the city to Vanessa’s apartment. Even through her fear, she smiles at the memory of Vanessa making fun of her slow driving on their first date and wonders what she would say now.

Brooke opens the door and immediately senses something wrong. There’s always some kind of noise in the house—Silky trying to sing, Yvie watching conspiracy videos on YouTube, A’keria and Vanessa blasting music. But it’s silent as a tomb, the air thick with disappointment, making the usually cheerful kitchen, with its bright memes and newly-added disco ball centerpiece on the table, seem eerie and wrong.

“Vanessa?” she calls, stepping inside with her hand tight around her stake, heart speeding back up just after she got it to calm down.

“You were with that woman again,” Vanessa says, and Brooke can hear the pain in her voice.

“Vanessa, please let me explain,” Brooke begins, heart breaking when Vanessa steps back from her.

“The game was tonight,” Vanessa says. “You never showed up, never answered your phone. And I can smell her on you.”

The thrift store game? That wasn’t tonight, Brooke knows it’s tomorrow, she had worked her hunting around it…no, it isSaturday, she realizes. She’s been mixing up days lately, even forgot one of her weapons hunting last week, her entire mind shaken like a snow globe since that day she saw Amy.

“I’m sorry, Ness, just please let me explain. Please,” she begs. She can’t lose Vanessa, she doesn’t want to see those tears in her eyes or that heartbroken look on her face. She doesn’t want Vanessa to be hurt, ever, and the fact that she’s the one hurting her almost brings tears to Brooke’s eyes.

“Do it,” Vanessa says, crossing her arms.

Brooke takes a deep breath, wondering where to start. “The woman you saw is my ex-girlfriend. She–”

“Are you still in love with her or something?” Vanessa demands, hands jabbing angrily. “Is that why you keep meeting her?”

“No. No. It’s nothing like that. Please,” she says, putting her stake back in its holster and raising her hands in surrender to Vanessa. “Please let me keep explaining.”

Vanessa nods.

“She’s my ex, but she…I don’t really know where to start. We were together for two months. I didn’t love her or anything. To tell you the truth, I don’t even know if I really liked her. We never talked about personal stuff, or feelings or anything. I just…I never thought anyone would love me, so I went out with her.” Brooke looks down in shame at how she had been so desperate to have someone that she went out with an asshole who didn’t even like her. “I thought she cared about me, but she didn’t. I was the top hunter, and she wanted my status.”

Vanessa’s eyes widen, her expression softening.

Brooke bites her lip. “It was small stuff that tipped me off about how she felt. That tore us apart. She made fun of the movies I wanted to watch. She’d leave messes because she knew it bothered me. She’d say mean things about me in front of people, and I just pretended they were funny, but they weren’t.” She pauses, all the things she had moved past and forgotten coming back and hitting her in the face, her body burning with anger. Brooke can remember how small she felt, like she wasn’t worth anything, when Amy would tease her. “We always had to do what she wanted, and she wanted us both to be the top hunters. She was always pushing us to hunt more. We’d go every night, and I was exhausted and miserable, but I wanted to keep people safe. I thought that’s what she wanted too.”

“You don’t have to keep going,” Vanessa says, a soothing hand on her shoulder, any previous anger gone.

Brooke shakes her head. “I want to.” She takes another breath. “So, one night, we found this group of vampires in an old barn. Amy wanted to burn the place down to kill them, so we could get the glory. But I told her it was too risky, in case humans were inside. She said she didn’t care about them.”

Vanessa gasps, and Brooke nods grimly.

“She lit the place up even though I said not to, and the fire got out of control. But there was a kid inside. I could hear her screaming and I knew it was a human. So I went inside to get her. The barn collapsed, part of it fell on me, but I got the kid out okay.” Vanessa squeezes her shoulder. “I broke three ribs and had some lung damage. I was in the hospital for a week. I ended things with Amy, and she was kicked out of the Guild,” Brooke finishes.

Brooke can still recall that week, the scratchy hospital blanket, how each breath set her lungs on fire and made her wince, and the satisfaction when her shaking voice told Amy it was over. Then Amy walked out of the hospital room after trying to suck up some glory for herself, and Brooke realized she was relieved to be free of it all, relieved not to have to put up with Amy anymore and pretend things were fine in front of other people.

“Holy shit, Brooke,” Vanessa mutters. “You’re like a damn superhero.” She pulls Brooke into a hug, Brooke safe and secure in her arms. “I’m sorry she did that to you. And I’m sorry I doubted you.”

“It’s okay.” Brooke buries her face in the top of Vanessa’s head, breathing in her coconut shampoo. “I should’ve been honest with you from the start.”

“I just got really jealous when I saw you with her. But I get why you didn’t want to talk about it. And I love you, and I know you love me.”

“I love you too,” Brooke whispers. It’s their first I love you, and it’s just three words, but they warm Brooke’s whole body and cement Vanessa’s love in her, let her know she has someone who really does love her now. That she never has to live the way she used to again.

Vanessa stretches up and kisses her, soft and tender and real, nothing like the showy kisses with Amy.

Brooke pulls back with a gasp, remembering what she came here for. She can’t let Vanessa get hurt, she can’t. “Vanessa, you have to be careful. She’s mad at me for getting her kicked out, and she knows who you are, and–”

“Shh,” Vanessa soothes. “I’ll be fine. We’re both gonna be fine. Besides, I lived through polio and shit and two Bushes being President. I can survive anything.”

Brooke laughs, and she carries Vanessa to the bedroom, her mind finally clear at last, thoughts full of Vanessa.

—

Brooke can’t sleep that night, despite Vanessa’s reassurance that she ‘ain’t afraid of nobody with can-I-speak-to-the-manager-hair’. She keeps tossing and turning, shivering a little because Vanessa is a blanket hog. Every time she closes her eyes, she sees something horrible happening to Vanessa; a stake in her heart or arrow in her chest.

Brooke doesn’t want to risk having a nightmare. Sometimes she thrashes around when she has them, and she doesn’t want to wake Vanessa. Brooke had woken up, gasping and sweating, after nightmares about her parents once or twice with Amy. She had always been pissed, banishing Brooke to the couch so her sleep wouldn’t be interrupted.

Brooke shuffles to the living room instead, some sickly-sweet cotton candy scent almost burning a hole in her nose. She’s only been on the couch for 10 minutes when Vanessa comes in after her.

“Brooke? Why are you on the couch?”

She considers lying but knows Vanessa will see through her. “Couldn’t sleep. I was afraid I was gonna have a nightmare and I didn’t want to keep you up,” Brooke says, lowering her head in embarrassment.

But Vanessa just looks at her with a deep kindness that makes Brooke melt.

“Nightmares can suck. Believe me, I know. But you come back to bed right now, okay? I don’t care if you start fucking yodeling in your sleep, I ain’t letting you stay on the couch. ‘Specially after Silky over-sprayed her perfume in here yesterday. It’ll fuck up your sinuses.”

Brooke snorts and gratefully accepts. She knows Vanessa would never make her feel bad for something like that, would never get mad at Brooke for waking her up.

Vanessa’s arms hold her extra tight that night, holding Brooke together as she drifts off.

—

She and Vanessa sinks back into their rhythm of movie nights and another round of the thrift store game with her roommates, A’keria taking top prize for a figure of Jesus riding a dinosaur. Brooke is happy things are normal again, but she can’t quite relax, can’t stop looking over her shoulder every time they go out.

When she suggests staying instead of going out for the third night in a row, Vanessa puts her foot down.

“Baby, we can’t live in fear forever,” she says.

“I know, I just…I don’t want anything to happen to you. I can’t…” she trails off, her mind filling with images of Vanessa hurt again, while Brooke stands there, unable to help.

“Brooke,” Vanessa begins hesitantly, “I have an idea. It’ll keep us safe and get rid of your ex, but you’re not gonna like it.”

—

“This has to be the dumbest idea ever,” Brooke mutters, sitting down a bumpy log.

“That’s ‘cause you weren’t there when A’keria and Silky tried to ride down the stairs in a laundry basket,“ Vanessa retorts. “Yvie put little cardboard flames on the sides and everything.”

“The most shocking part of that statement is that the four of you actually own a laundry basket.”

Vanessa cackles loud enough to rustle the leaves.

“Quiet!” Brooke hisses. “Do you want someone to hear us?”

“That’s exactly what we want, baby, remember?”

Brooke sighs. “I still think this is too risky.”

“I know, but this is the best option–fuck!”

Brooke hears the arrow whiz past them both, swiping Vanessa’s arm and releasing a slow trickle of blood down her sleeve.

Brooke snaps up and throws herself in front of Vanessa, crossbow raised. An arrow lands in her thigh, Brooke hissing in pain, but she can’t feel it with her senses heightened, each thought only to protect Vanessa, stop anyone from hurting her.

Amy comes out of the shadows. “You must be losing your touch, B. Out in the open like this with that loudmouth.”

Brooke can feel Vanessa place a protective, calming hand on her back. “Don’t call me nicknames,” Brooke says, her finger on the bow-trigger. “You don’t get to call me anything after what you did.”

“After I set that barn on fire? Please. You’re the one that had to go save that dumb girl. It was your own fault.”

“I almost died!”

“Still your fault. Just leave them like I did. I’d still be in the Guild if you didn’t have to be a stupid hero.”

“You don’t deserve to be in the Guild,” Brooke says, trying to hide her nerves, waiting for Amy to take the bait dangling there.

“Neither do you, with the company you keep! I’ll show them. I’m gonna kill that vampire bitch of yours, and then I’ll be back in. And I can keep this dangling over your head, B, and I can do anything I want with you. Now, move, and let me kill your little girlfriend.”

Brooke steps back, Vanessa moving in unison with her. Amy follows, and Brooke holds her breath as she steps into place—

“What the hell?” The net swoops up from a tree and hoists her into the air.

“It worked,” Brooke mumbles. “It really worked.”

“I told you it would! You can’t doubt A’keria’s rope skills. I mean, she doesn’t usually use them for this–”

“We get it.” Brooke grins in relief, approaching the net to deliver the final blow.

“We have this on tape. You confessing to the fire, threatening me, threatening Vanessa, and blackmailing me,” Brooke begins. “Now you can leave and never come back. Or we release the records, and I let Vanessa get some revenge. She really wants it, as you can imagine.”

“I sure do.” Vanessa bares her fangs menacingly. “So you better leave and never bother me or Brooke again.”

Brooke grins as Amy realizes she’s caught, no way out of it. “Fine. But mark my words, B, you’ll get caught eventually. Even if it’s not by me.”

Vanessa slaps her across the face. “Girl, shut the fuck up. Your voice like nails on a chalkboard.”

They’re safe. They’re safe, and the enormous relief washes over Brooke, wiping out some of her adrenaline, and she groans as the throbbing pain in her thigh worsens.

“Let’s get you home, baby,” Vanessa says with worry. “Have fun gettin’ out of that net, bitch! It’s made of A’keria’s favorite sex knots.”

Brooke snorts, checking to make sure Vanessa is okay. Her wound has already stopped bleeding and Brooke breathes a little easier despite the arrow still stuck in her thigh. She eases into the passenger seat, taking a breath as Vanessa enters race car driving mode.

But she holds Vanessa’s hand over the console, quickly adjusting to the nauseating speed, and Brooke feels safe. Completely and utterly safe with someone she loves.

“I love you, Brooke,” Vanessa says.

“I love you too.”

Vanessa winks. “After we get your leg fixed up, if you’re up for it, maybe I’ll try out some of A’keria’s knots.”

Brooke’s heart skips a beat. “Oh, I’ll be up for it.”

#rpdr fanfiction #brooke lynn hytes #vanessa vanjie mateo #branjie #lesbian au #vampire au #hurt/comfort #fluff #angst #athena2 #tw mild injury #tw unhealthy relationship #concrit welcome #submission

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