#the first episode ALWAYS shocks me

[normcore-tertiary-character]

Just restarted Merlin and, like, these folks are a little homogay

#the first episode ALWAYS shocks me #walk on your knees for me. will you walk on your knees yet. I'll take you apart with one blow. ill take you apart with less. #but like. by episode 2 its CRITICAL to Merlin that Arthur trusts him and doesnt fire him #seriously he starts working for Arthur like “ew I don't want to be a servant” and within a week is like “😭 Sire dont fire me I need this” #no you dont Merlin you just need to be near Arthur #Then episode 3 is soaring romantic music over Merlin and Gwen having no chemistry and over Arthur and Morgana being siblings #and episode 4 is Arthur offering to drink a poison goblet for Merlin and then goes on a dangerous quest to save him #Boy is down so bad #and Uther - who forced this situation to be a thing like 2-3 weeks ago - is already like “Youre acting crazy for a servant what the fuck” #~he's my destiny~ is the right answer for why arthur is like that and is also a gay ass answer #merlin rewatch

[katierosefun]

oh there's something particularly painful about my mister in that dong hoon tells ji an that as long as no one knows, it's no big deal, and there's something particularly painful about how ji an tells dong hoon that sometimes, i want [my secret] to play out on big screens for everyone to see, and there's something particularly painful about how the second dong hoon meets the loan shark tormenting ji an, he starts screaming and yelling about how she's just a kid, how could you do that to a kid, and there's something particularly painful about how dong hoon doesn't even let ji an know he did that, but ji an knows. she knows because she was listening in the entire time and she just starts crying because someone actually knows this ugly, sad part of her and still took her side, and something particularly painful about how my mister started with as long as no one knows, it's no big deal but really concludes with there is so much risk in having someone know who you are but there's also so much comfort and peace to be found in that, too and maybe you shouldn't isolate yourself and maybe you should reach for that kind of comfort in being known and loved anyways

#caroline talks #my mister #if this is incoherent. it should be #rewatched the first 2.5 episodes of my mister last night #felt like crying my eyes out the entire time tbh!! #every time i watch this show there's just something about it that hurts me more and more and there's something that makes the messages #in this show feel more and more relevant #idk. thinking a lot about when ji an talks about how sometimes she wishes. sometimes she wishes #that everyone knew what she'd done and what had been done to her. #something about how ji an can't ever bring herself to connect truly with another person because of how much she hates #the feeling of people realizing what her past looks like #and not wanting to withstand the pity and also horror. like. okay. #something about ji an sobbing by the bridge when she listens to dong hoon pummeling that loan shark guy #and how i used to always cry at that scene but now i tear up just thinking about it #because you know! there's that shock (that firstly: someone knows your miserable secret. and secondly: they're still on your side) #and then absolute heartache because you don't know what to do with that information. you didn't expect it. #you're sobbing at a bridge because someone knows who you are and someone knows the scars of your past and still gets angry and sad for you. #and you still feel like you don't deserve it because you know deep down you are not a very good person (or so you tell yourself). #and. oughough. lee ji an holds such a place in my miserable little heart

[absolutely-not-my-main-blog]

I think there’s a point when watching Always Sunny for the first time where all of a sudden, what they’re doing with the show and trying to do with the show just clicks, you know, the satire becomes clear but so does the psychological complexity of the characters, and it’s like crossing this threshold in your brain after the first shock of it subsides because it very much is shocking, but it’s also like walking on a bed of hot coals and if you’re one of the ones who doesn’t immediately run away at the first bite of the flame and you choose to endure/survive the shock of those metaphorical hot coals and think about everything just a minute or so longer, you get to experience enlightenment.

#iasip #it’s always sunny in philadelphia #You also get to experience the shock scrambling your neurons to think a little too much about Macdennis #and make you feel inexplicably glirsty #For some this happens in the first episode #for others it takes longer but if they choose to continue then they see #others are just standing next to the coals not willing to walk across it but complaining about the little steam #this metaphor analogy simile whatever is getting away from me #anmmbposts #always Sunny #this show makes me unwell #I remember the image of oh it’s a joke she says as she casually tossed aside a large rock vividly entering my mind at one point in s1 #and then my mind was freed #to think of all the rest of the depth they layered in there #it’s such a psychologically fascinating show I’m out of my mind with thoughts #watching iasip like frank in mfhp in just an I get it now moment of profound clarity #it did happen in s1 for me but I have no idea how to convey this 3rd layer of enlightened reality to others who look at me funny #when I talk of the depth #and the level of satire that’s so sharp that half the people don’t even understand it’s satire #it’s unlike anything I usually watch at all

[universalsatan]

sometimes i forget how distinctly american my mother is, and how we are generally a product of our surroundings

#personal #just found out she’s pro-military!!! and she was accusing me of being anti-military because of watching x files. like girl i am 10 episodes #into this show. i have had these views for a Long time (VERY specifically about the us military). and im just like. damn. like yeah of COURS #it’s not plastered everywhere. ‘give me some peer reviewed articles’ i would but i just cant bring myself to get the energy to get stuck in #this exhausting npd abuse loop again (sounds exaggerated but im basically falling for exacerbating the situation. which is why it’s always #hit me the hardest i guess. because she Will just straight up either not mention it ever again or just simply deny it. and i’m not exactly #educated enough on the subject to remember specific points. my memory has been destroyed BECAUSE of this kinda shit and i cant recall decent #argument points anymore. not that i even particularly want to!!! read up on all this shit!!!! oh and even realizing that she was Definitely #seeing me as an Extreme. like girl what. i forgot that npd does that #reminds me of how. she’s very liberal. she was the one who got me out of the closet in the first place (bc i wouldnt do so myself) #and yet the other day. i swear she said something that was almost terf rhetoric #FUCK i HATE that my memory has already scrambled it. fuuuuuck and here i thought my memory was coming back #but it was something along the lines of implying that men Would try to get into women’s shelters etc in a skirt or smth and i #i just stopped talking i was so shocked #god. sorry didnt mean to vent lmao but im. hhh im just Tired yknow? #mandont

[penrose-quinn]

My boy you deserve better :')

#pen rambles #did i reread the chapter after the episode? yes and this chapter still fucks me up :') #what always gets me is how hakkai is shocked of mitsuya's kindness #what makes this better is how he acknowledges the difference in their circumstances and grows to admire mitsuya #what i find endearing is the small comment abt 'the soup being so salty' after he admitted he didn't know why he cried #and i'm here sobbing everytime i come back to this scene bc it really hurts (but there's hope too :') ) #i blame the episode for not doing well so i had to be annoying and reread this chapter #it's heavy and it hits the same like the first time and i love it so much #tw: abuse

[mediacircuspod]

This scene was absolutely beautiful BUT it’s also the crux of the issue. You guys this is where the problems start. Because—because Crowley’s already cast out, he finds COMFORT in the idea that they are lonely together. “As far as he can” becoming “as far as they can” is an END to his complete “otherness” and something to appreciate, to covet, and to find solace in. He’s finally not alone.

But—and this is important.

Aziraphale does NOT feel that. He can’t.

This moment is completely and utterly devastating for Zira. He finds out he’s not damned and sure, he’s relieved. But he’s no longer “an Angel” in the way that he’s learned is right. He’s now unchangeably and forever; less holy—a concept that is dearly important to his identity. “[Going] along with heaven as far as he can” is a FAILING on his part. Not heaven’s(at least to him). There is no solace or comfort—he finds existence like that—just the two of them—achingly LONELY. And that’s just how his perspective demands to be taken. It’s the only perspective he is capable of in that moment AND after it, too.

Take into account Crowley has went from having no one AT ALL to having SOMEONE. And he puts EVERYTHING he has into it. This is not good. It’s unfair to Aziraphale. And it’s unfair to himself. On the opposite side, you have Aziraphale. Who has just went from having the ENTIRE HEAVENLY HOST, to having this SINGLE demon— who, one minute ago, Aziraphale thought would be dragging him off to hell.

And the part that aches is that this perspective hasn’t changed. Aziraphale feels like his existence is lacking because he wants so badly to be GOOD. And good is Holy. Good is heavenly. He’s the problem for having morals that are misaligned.

Spoilers for the last episode:

Aziraphale has just been given the validation that he is not only GOOD but the most HEAVENLY Angel there is, the Supreme Archangel, even. And if heavens morals are now HIS morals, then that’s EVERY PROBLEM SOLVED. With a bow even, because Crowley’s basically on heavens side anyway, he’s GOOD, isn’t he? He’s been good this whole time, so why wouldn’t heaven want him back? Reinstating him as Angel would fix everything. They can be together, and they can be good, and they can be HOLY. All Aziraphale’s conflicting emotions about loving Crowley can be packed away because Crowley will be perfect again—and surely Crowley wants to be perfect—wants to be forgiven.(sorry everyone, that hurt me too, oof) Aziraphale is SHOCKED by Crowley’s refusal. He’s devastated that his version of perfect is treated as something naive and distasteful.

Crowley’s devastated too. He’s just lost “their side”. A concept that for 5000+ years has been THE ONLY THING he puts love into besides his car and perhaps his plants(And humanity, but he’ll never admit to that—I’m looking at the “No more dying” scene). Crowley is constantly being devastated by Aziraphale. He’s “too fast”, he’s too evil, he’s too good sometimes. Crowley has always been TOO MUCH. But this is different because for four years, he’s had “them”(on their own side) without the hiding, and without the denial and without Aziraphale constantly putting former jobs between them. PLUS he has a mountain of trauma centered around the concept of “forgiveness”, so that’s not great considering Aziraphale’s last words to him(THAT HE HASNT SAID ALL SEASON EVEN WHEN HE MADE CROWLEY APOLOGIZE IN THE FIRST EPISODE, AHHHHH). He’s losing everything and he’s desperate: Why isn’t he enough, hasn’t he been enough these last 4 years? Hasn’t HE been enough the last 6000?

Aziraphale has always been enough for Crowley. But being enough for Crowley doesn’t fix how Aziraphale has never been enough for himself, not since Job. He looks at this offer as a chance for HIM to be enough, and for Crowley to be FORGIVEN. Crowley looks at it as a betrayal because it’s Aziraphale saying Crowley ISNT enough, and he NEVER has been.

But that’s not what Aziraphale is saying. He’s saying, “Let me fix it for you”. Crowley is hearing, “Let me fix you for it.” Two completely different and completely horrifying concepts.

And then Crowley needs to say HIS piece(oh my gosh, btw, this was heartbreaking).

“Let’s be together on our terms” is basically what I’ve distilled it down to. But Aziraphale hears, “Let’s run away from our problems”

Aziraphale doesn’t want to run away, and Crowley doesn’t want to change who he is.

They both want to be together so badly but they don’t understand why they each want it so differently. And Aziraphale can’t compromise because he’s brainwashed and LOATHES himself. And Crowley can’t compromise because he’s traumatized and LOVES Aziraphale just as he is. Crowley doesn’t want to be good on heavens terms. He can see Heaven for what it is; “toxic”. He hates heaven not only for what the Host did to him, but for HOW THEY TREATED Aziraphale.

They both don’t understand each other because for all the pleading and presenting and monologuing, they never once in that whole conversation, actually talked.

#good omens #good omens 2 #good omens spoilers #go season 2 #go2 spoilers #aziraphale #crowley #crowley and aziraphale #ineffable husbands #aziracrow

[witchywitchy]

I wanted to share something personal because I don't think a lot of you understand the influence of the West and its atrocities on an Arab child's upbringing. English is not my first language; I learnt it initially due to my interest in the language and Western cultures. However, seeing the true face of the West motivated me to continue learning the language to dismantle the false image of Arabs and Muslims which was portrayed by the West. I also talk about how this impacted my standing with the Palestinian cause. Bear with me as this post is long and a little messy, but I need to try and give everyone a clear and full image as much as I can.

I grew up consuming Western media due to my fascination with the English language. However I noticed the lack of Muslim and Arab representation.

When I started seeing representation later on, it was mostly Arabs and Muslims being depicted as 'terrorists' and 'barbarics'.

When a Muslim woman is depicted, she is depicted as 'oppressed' and in need of 'saving'.

I was on social media starting from a very young age. Seeing people online describe my people as 'terrorists' was not only scary, but also confusing. Why am I as an Arab Muslim child -who's living a normal childhood as everyone else- being labelled as a 'terrorist' by the West? Why are people claiming all Arab and Muslim children are trained to use guns by ISIS or/and Hamas? I remember asking my parents as a kid "Is this a real gun with the police officer?" Because I only saw weapons in movies.

I asked questions such as "Why do they think Arabs = Muslims?" The lack of acknowledgment of Christian and Jewish Arabs and non-Arab Muslims confused me.

Why were Muslim women always 'oppressed' in these movies and TV shows I saw? This is not as common as they make it seem. Why are they using the struggle of some Muslim women to demonize an entire religion? Why are they pretending to be saviours when they're actually contributing to further oppression of Muslim women? Why are they weaponizing the awful struggle of some Muslim women against the vast majority of Muslim women? (White feminism is not saving us. It's actually a form of oppression of Muslim women)

Misrepresentation bothered me and made me angry and disappointed. I couldn't finish watching a movie or an episode of a TV show if I saw any mentions of Muslims or/and Arabs, because I knew what would happen next.

When it comes to the Palestinian cause, every Arab grew up watching endless footage of Palestinians being brutally murdered LIVE. Everything and all the footage all of you are surprised to see during this genocide, were a part of our upbringing.

When I was a kid I stumbled upon a newspaper in the house with a headline about a Palestinian father who returned to his house and found all his children shot. And I remember the image very well. The father was holding a prayer mat with people holding him as he broke down on his knees. His dead children were on the floor next to each other. Seeing this image of children my age murdered by the Israeli occupation shocked me. I remember my parents having to hide the newspaper from me because of the impact this image had on me.

I had to start reading into politics at a young age, and I realized that everything that Western media was trying to portray about the West being 'civilized' was a lie. How can you be civilized if you're a murderer or/and contribute to the murder of the innocent?

When I learnt about the history of imperialism, colonialism, slavery,...etc. growing up, I recognized the pattern that colonialists use and I saw that the colonizers of yesterday, are the same as today, except Western media is doing a great job covering for them nowadays, and a lot of people only started noticing that recently.

The West seemed fascinating to me as a child, but after seeing the horrendous false images that're being portrayed of my people in the West, all of my fascination turned into anger and motivation to fight against it.

The real terrorists in the world are not the brown and bearded men, veiled women, or the innocent children. The real terrorists are the ones who set the stage for the murder of innocent people, the exploitation of their resources, using propaganda and painting an image of the innocent that cannot be more false and racist, and the fascists that put on a 'civilized' mask.

I will forever stand with my Palestinian brothers and sisters. I will forever defend my Arab and Muslim brothers and sisters, and I won't give room to any misrepresentation. Enough is enough.

Edit: I wanted to add that growing up, I was scared of telling people about where I'm from, my religion, and what language I speak due to the microaggression and discrimination I was subjected to. Not to mention the amount of times I saw on the news Arabs or/and Muslims getting killed in Western countries (aka hate crimes).

#free palestine #palestine #gaza #from the river to the sea palestine will be free #signal boost #social justice #palestine resources #colonialism #imperialism #jerusalem #the west bank #Arabs #Arabian #Muslim #Islam #tel aviv #yemen #hamas #us politics #apartheid

[star-girl69]

In A Good Way

Clarisse La Rue x Fem!AphroditeCabin!Reader

—-

sypnosis: basically episode two but if clarisse had a gf (so what should have been canon pretty much)

a/n: sorry dior is so fine i had to get the thoughts out this is kinda shitty also but anyways i hope you all enjoy!!

In A Good Way - Faye Webster

warnings: some violence, swearing, soft and ooc clarisse but only bc i wholeheartedly believe she is soft only for her gf and i love soft clarisse, also protective!clarisse my weakness, i’m insane, cringe, tell me if i missed anything!!

—-

You watch Clarisse bump into the poor boy.

You’re sitting with your siblings, Tyla and Jackie, but your eyes were drawn to her even across the courtyard. Your eyes are always drawn to her.

She shoulders him hard, then immediately turns around and pushes him straight to the ground. Tyla gasps next to you as he crashes sharply into the dirt.

“Your girlfriend is a literal menace, Y/N,” Jackie scoffs.

“How do you think I feel having to deal with her?”

You really do feel bad for the boy, Percy, you think. Regardless of whether or not he really killed the Minotaur (Clar spent the entire night talking your ear off about how it simply can’t be true) it’s his first day at camp. He’s helpless, to say the least.

Feeling less than your whole life and then finally coming to a place where everyone else is like you, finally getting answers- it’s a shock.

You always feel bad for every new camper. Especially the young and tiny ones like him. Besides, you like his cute blonde hair.

“Oh, haha,” Jackie rolls her eyes. “You love her.”

You start to get up, faking a dramatic sigh, “I do.”

Tyla giggles as you walk away and come into earshot.

“Hey. Knock it off, Clarisse. It’s like his first day, come on.” Luke seems as unimpressed as he always does, slightly apathetic, as another Hermes cabin member tugs Percy up.

“Wait, so, this is the kid who killed the Minotaur. Is that right?” she takes a step forward, a misleading smile on her face.

“Yeah,” Percy says, awkwardly looking around.

“I’ll bet,” she smiles, her eyes lighting up in prospect of someone new to torture. “Look, you want attention around here, dummy? You better be ready for it when it comes.”

Her eyes meet yours.

“Clarisse!” you say in a sing-song voice, walking up to her and placing your hand on her shoulder. “He’s, like, twelve.”

“Oh, but he’s strong enough to kill a Minotaur?”

Your eyes lock, her hand brushes your hip, and you get those same cliche butterflies in your stomach you always do when you look at her.

You smile.

You see her eyes soften.

She turns back to Percy after a moment, faking forward, and he flinches so hard he almost falls back.

Her and her Ares siblings laugh, you roll your eyes, and push her away. She walks away, her siblings in tow, and you turn back to Luke.

On Luke, Thalia, and Annabeth’s last stretch to camp, they came across you. Your satyr protector had been killed by a monster protecting you, and Luke had held your hand and promised that all of you were going to make it to camp.

You’ll always have that bond with Luke, even though Clar hates his guts and his best swordsman in camp title.

You place your arm on his shoulder, he slings a loose arm around your waist.

Luke is pretty much the only person who can get away with touching you like this, or else they’ll receive a nice message from Clarisse in the form of a dagger barely missing their face.

“Ares kids,” Luke explains to Percy. “They come by it honestly. You got lucky today. If Y/N hadn’t come around, you probably would have gotten knocked over again.”

“Hi,” you say, sticking out your hand. “I’m Y/N.” Percy shakes your hand, smiling awkwardly.

“She’s Clarisse’s girlfriend and the only thing that stands between the camp and total destruction.”

“Oh,” Percy says, not quite able to hide his surprise and slight disgust. “She seems… nice.”

“Well, if you look like me, she’ll love you. But… I don’t think that’ll happen.”

Percy chuckles a bit.

“Why don’t they bother you?” he asks Luke.

“Ah, they know better,” he says, squeezing you closer to him.

“Yeah, Luke’s the best swordsman in camp,” one of Luke’s siblings says. You can see something in Percy’s eyes, a light that reminds you a bit of Clar.

“So, they stay away from you because, glory? So, if I get glory, Clarisse wouldn’t mess with me either?”

“Exactly,” Luke affirms. You look at him out of the corner of your eye. What the Hades is he teaching him?

“And people think I’m a big deal?”

“Well, sorta-”

“And my dad’s got no choice but to claim me.”

Oh. Your heart squeezes for him.

“You… you can’t force the Gods to do anything,” Luke says, trying not to hurt Percy too much.

“Well, yeah, but… it would make it a lot harder for him to pretend I don’t exist, right?”

“Maybe,” Luke concedes.

“Great. Where do we start?”

You laugh. “Ooh, I like the way you think.” You slip away from Luke, smiling at Percy. “Come find me if you wanna try your hand at some Aphrodite skills.”

—-

You find Clarisse sitting outside her cabin at a picnic table, polishing her spear, her favorite activity.

You sit down next to her.

“Hey, baby,” she murmurs, a bit too entranced with the gift from her father.

“I only have a few minutes before I go to archery, but… I think you’ll enjoy this.” She looks over at you for a second, then right back to the spear. “Don’t make me charmspeak you, La Rue.”

“Okay. Okay, sorry, what?” she sets the spear down in her lap, staring up at you with a smile as if she hadn’t been ignoring you a second ago.

“Percy Jackson wants to find glory so you’ll stop bothering him,” she snorts, “and so his father will have to claim him.”

She hums.

“Well, I like him. I think he’s cute.”

She shoots you a bored look.

“Don’t say horrible things like that.”

You play with a curl hanging over her shoulder. “We both know I’ll say whatever I want.”

“Oh, I know.”

—-

“What happened to you?”

You turn to look at Clarisse’s smirking face.

“What?”

She rolls her eyes. “C’mere,”

You lean forward, across the space between the Aphrodite cabin and the Ares cabin tables. Clarisse puts her hand to your face, thumb tracing along your cheekbone. She pulls back, and you stare at her dirt covered thumb.

“You’re covered in dirt, gorgeous.”

You hurriedly raise your hand up to your face, groaning when your palm does in fact come away covered in dirt.

“Percy is definitely not a child of Apollo,” you mutter.

“What d’you mean?” Clarisse asks, handing you a few extra napkins as you begin to wipe off your face, a spot on your shirt you had noticed.

“Luke’s taking him around, trying to figure out what he’s got a talent for. It was funny, actually, he shot the arrow over all of us on the side and we all went crashing into the ground.”

She doesn’t seem to find it as funny as you do.

“It was an accident, Clar!” you say, all sing-song again.

“Oh, I’m sure it was. Exactly why I don’t believe he killed that Minotaur.”

“Adrenaline makes even mortals do crazy things.”

“You don’t kill a Minotaur with adrenaline,” she hisses.

—-

Capture the Flag is held the next day. Clarisse and two of her siblings have been particularly pissed off all morning, and no matter how much you bug her, she only says “you’ll see” in this horribly nerve-wracking tone.

You have the same job you do every game. Sit in front of the flag, and charmspeak anyone who tries to come near it.

You’re decent with a bow, okay with a sword, but this is one area where you really shine, where you can really help.

After the first game, the blue team has learned to wear ear plugs when they come near you. But you’re like a siren, you come around and take out their ear plugs anyways. They’re scared to touch you, because one of the Ares kids will run right off to Clarisse, and she tells you all the time that she’d rather lose dessert privileges for a month then see you with one scratch.

Chiron stands imposingly on the large rock at the start of the small river that divides the two halves of the woods.

“The first team to retrieve the opposing flag and return it across the river shall be the victor.”

You know these rules by heart.

Ever since your first Game, the day you met Clarisse, you’ve loved them. You’re not the most violent person, nothing near Clar and her insatiable thirst for competition, but there’s just something about the game.

She walks forward through the sea of red-marked armor, digging her spear into the ground and glaring at what you can only assume to be Percy Jackson.

“Any magical items you may possess are permitted as well. Every camper who is not injured has to play. Prisoners may be disarmed, but may not be bound or gagged.”

You suppress a laugh at that rule. That one was only implemented a few games ago, right after the one where you had been taken prisoner and tied with vines to a tree. When Clar had heard, she actually almost murdered a few kids and maimed some more.

Although it made keeping prisoners a little awkward, Chiron had proclaimed it was in everyone’s best interests.

“Let the games begin!” he shouts, the conch blows, and the entire team screams in a terrifying war cry.

The blue team bangs their shields and weapons together, and now you have 20 minutes before game on.

Clarisse is the captain of your team, of course. She marches around barking orders to everyone, as if their positions aren’t already drilled into their heads.

“Hey Clar,” you say. You’re surrounded by a few Ares kids, a few other good fighters, ready to protect the flag and by extension you- with their lives.

Capture the flag games are taken seriously.

She looks at the red flag in your hands, smiling in that smug way she always does. She doesn’t smile this way when it’s just you and her, but you can still see the softness in her eyes even now. With Clarisse, her emotions are all about the eyes.

“You all know what you’re doing?” she asks. All the kids behind you nod. “Good,” she smirks, starting to walk away.

“Are you hunting in your usual woods today?” you ask, heading in the same direction as her.

She smiles, a full toothy grin.

“Oh, baby, I have something even better planned.”

Clarisse is not one to change the strategy.

You can’t get it out of your head what she’s been saying about Percy.

“If you kill someone, I’m killing you.”

She just smiles.

—-

One of the kids holds the flag from up on a rock, acting like a lookout. You lean against that rock, your armor digging into your thighs at the awkward angle, waiting for someone to come. Everyone else surrounds you in the flag, in battle stances.

The conch blew about 20 minutes ago, and you should be seeing someone soon.

“I think Luke’s coming,” Corey, the Apollo kid lookout says.

“Of course he is,” you mutter. He’s always in charge of getting the flag, because he’s not afraid to touch you. Clarisse knows he’s just your friend, or else he probably would have been dead by now. They emerge from the woods, not bothering to try for stealth, all in defensive positions.

Everyone lets you take the lead. You understand why Clarisse loves power. It’s addicting, it’s like lightening in your veins.

“Hi, Luke,” you smile.

He can’t hear you, but he returns the smile.

“You’re all going to turn around and walk 300 feet in the other direction.”

Luke sighs as one of the kids actually turns and walks away, heeding your command. Everyone else has their earplugs in tight, but it always gets one or two of them.

You roll your eyes. “You always make this so difficult, Luke.”

You walk towards him, maybe you can surprise him and rip the ear plugs out of your ear, but he suddenly springs his leg out so you trip, slamming into the ground and getting a face full of dirt.

“Bitch,” you mumble, ready to get up. Suddenly, a Hermes girl throws herself on top of you, slapping a hand over your mouth.

As soon as you hit the ground, the fight erupts around you.

“You can’t do this, Luke, it’s against the rules!” you screech, but it’s muffled through the girls thick leather gloves.

Matty, one of Clar’s siblings sighs heavily. “Fuckin’ hate this dude,” he mumbles. “Marjorie, go get Clarisse.”

The girl runs off, and Matty adjusts his helmet.

“Don’t know why you do this to yourself, man.”

Luke kneels down in front of you while you scream obscenities next to his name. He makes a big show of taking out his earplugs before ruffling your hair.

“Thanks, Y/N.”

He whips around and his sword immediately clashes with Matty’s, and they’re locked in a flurry of metal clashing and glinting in the sunlight. Matty is really good, probably bested only by Clarisse, but Luke is still the best swordsman in camp.

He puts up a valiant fight, but Luke disarms him.

Your back is really, really starting to hurt like this.

It’s whirlwind, but there were more blue team then red team, and sometimes sheer number beats out even the best of the Ares cabin.

They grab the flag and run for the beach.

The girl waits for another moment until one of the Ares kids points his sword at her.

“You’re really gonna want to let her go,” Matty says. She stands up and books it, following her team.

“Eat dirt!” you scream as she runs away, but she still has her earplugs in.

Matty helps you up.

“Clarisse’s gonna kill us all.”

“I hate Luke Castellan. I hate him, I hate him, I wish him nothing but pain and suffering.”

Matty claps your shoulder.

“Hey, at least we all get to watch Clarisse beat up the Hermes cabin at sword practice tomorrow.”

And you do like seeing Clar fight, the way she’s so focused and truly in her element, sweat making her skin glisten in the sunlight…

“That will be fun,” you concede. Matty laughs, and you all make your way down to the beach.

—-

The scream scares you.

All the kids around you jump up with their swords, thinking a monster had somehow made its way near camp, but you recognize that voice.

“Clarisse,” you mumble, feeling frozen.

“What?” Matty asks, his eyes scanning the forest. “What’d you say?”

“Clarisse,” you repeat, breaking off into a run towards the sound of it, towards the beach.

“Clar- wait, Y/N!”

But you’re already long gone.

—-

You make it to the beach a minute after the conch sounded, the blue team having won, making it just in time to see the blue trident appear over Percy’s head. You can barely even register the fact that he’s a forbidden child, your eyes immediately finding Clar’s siblings, the ones she was supposed to be hunting with today.

“Hey, hey,” you breathe out, almost slamming into one of them. “W-where’s Clarisse? I heard her scream-”

You love her so much it’s like your heart will break if you even think about her being hurt. It always seems like Clar is the one who loves you more, only because of her proud and overprotective nature, but really you love her just as much.

You just never have the opportunity to threaten to kill someone like she does for you. She does that all on her own.

“Oh, uh, she went that way,” he points in the direction of a barely there path, heading into the woods and back to camp.

“Great, thanks!” you shout, already running after her.

You catch up with her after a minute, your gaze landing on her practically stomping through the woods. She’s angry. She’s angry, why?

“Clar!” you shout, and she whips around, standing still while you sprint over to her. “Clarisse, Clarisse, are you hurt? I-I heard you scream-”

You run your hands up and down her arms, and after a tense second of her staring at the ground, she puts her hands on your hips.

“I’m not hurt, I’m fine.”

She looks like she’s about to cry. But you know she won’t ever let herself cry, won’t ever let herself be perceived as weak.

You wrap your arms and let her put her face in your neck. She’s almost shaking with how angry she is, her fingers digging into your hips, and she stops herself and lets go before she can hurt you.

“Oh, baby,” you murmur. You’re not sure what happened. But she screamed like that, not like she was scared, but like she had just lost something. “Do you want to talk about it?”

“No.” She says into your neck, simple, and you respect it.

“Okay, well, let’s go back to your cabin. You’re not gonna believe the day I had. Will it make you happy to know I give you permission to beat up Luke?”

She looks up at you with skeptical eyes. You both ignore the tears staining her cheeks. “Really?” she asks, slightly hopeful, even through all her anger and sadness.

“Come on,” you smile, letting go of her and sliding you hand into hers. She meets your pace and wraps her arm around your waist. She doesn’t tell you she loves you, but you know.

—-

You flop down onto Clar’s bed. As the head counselor, she gets the best bunk. On the second floor loft, where there’s only enough space for single beds, meaning she doesn’t have to deal with bunk beds, all the way in the corner for a little privacy.

She stands in front of you, slipping off her shoes, and your reach forward to work at the knots of her breastplate.

She stares at you until the armor is lose around her, and she lifts it up over her head and leaves it haphazardly on the ground.

You lay flat, stretching your aching back, and Clar leans over you to help you take off your armor. You probably don’t even need armor, but Clarisse is overprotective by nature, by blood. It makes her feel better, and it really doesn’t bother you much. She lifts it over your head, letting the metal crash into the floor before laying down next to you.

“Sorry,” you mumble. “I’m supposed to be here for you but I’m so tired, and my back hurts so bad…”

She laughs. You smile, and it falls into comfortable silence.

“Can I really beat up Luke?” she says after a second.

You open your eyes and she’s laying on her side, propped up her arm and staring at you.

“Oh, you can.”

“Why?” she asks, still not quite believing you.

“Okay, so, Luke comes over, right. And you know, I try to charmspeak them but only one of them goes. I walk over to Luke and he fucking trips me! It was so embarrassing, baby, I literally ate shit.”

She smiles and puts her arm around your waist, tugging you closer to her.

“Then, some girl tackles me before I can get up, and puts her hand over my mouth so I can’t do anything. Which first of all, is completely against the rules, and second of all, it really hurt my back! Then, then, Luke has the audacity to say ‘Oh, thanks Y/N!’ and ruffles my hair, like? I swear to Gods, I just want him to… well, I don’t know. Suffer.”

“Don’t worry, gorgeous,” she mutters into the top of your head. “I’ll make sure he’s unrecognizable.”

You smile. “I don’t know what I would do without you, Clarisse. Who would defend my honor and fight my battles?”

She seems sort of placid, tired, like she’s just a still lake reacting to your body wading in deeper. It’s almost like she’s gonna fall asleep, and she’s always tired after capture the flag, so it’s not unusual.

“I’d be there,” she mutters, her eyes closed.

You’re both silent for a few more minutes, just the two of you together, her strong arm around you, the way it’s always meant to be.

“He’s a son of Poseidon. Did you see?”

“Yes,” you whisper. “I saw.”

“It’s not fair,” she says, like the child she never got to be. “I spend so much time, so much time trying to make him proud- it took months for him to claim me and he gets claimed on, what, his third day?”

Her head lands on your chest, your hands smoothing down her hair.

She touches the necklace she gave you months ago, bringing it out from under your shirt, the simple chain with the pretty charm that looks like a spear. More so an arrow, but it’s supposed to be her spear.

“He broke it,” she whispers.

“Broke what?”

She sits up a little higher, her hands reaching behind you and undoing the clasp on your necklace. You haven’t even taken it off since she put it on you, so of course she would be the one to take it off.

“He broke my spear.”

“Oh, Clarisse…” she stares at the necklace before folding it up tightly in her palm. She breathes out as she lays back down on your chest, her legs entwining with yours, your hand back in her curls.

“The Hephaestus kids can fix it, but it won’t be electrical anymore.”

You don’t say anything. Most people would say “it’s better than nothing” but you’re demigods with absent divine parents.

Clarisse didn’t tell you it was better than nothing to at least be claimed by Aphrodite when one of your siblings got a magic item from her. She didn’t try and tell you “maybe someday” when you cried in her arms.

Because more often then not, you’ll die before your godly parent even claims you. More kids die on their way to Camp Half-Blood then Chiron would like to admit.

And what would the Gods do? Nothing. They would do nothing about it, because they don’t care.

Clarisse doesn’t cry, but you know she wants to, and you let her know that she can cry if she wants to. She can, if she has to. You’d never turn her away.

If she hasn’t realized already, you’re in this for the long run.

—-

Clarisse fell asleep in your arms, then pulled you back when you tried to go back to your own cabin, and you figured Chiron wouldn’t mind this once.

She finally let you go after you screamed that she couldn’t kiss you before you brushed your teeth, mumbling about how you’re depriving her.

When you meet up with her again, she has her sword in hand and her armor strapped tight to her body.

It was just a great big coincidence that the Hermes, Aphrodite, Ares and Demeter cabins all had sword practice at the same times. Clarisse looked all too happy at being able to get out some anger from yesterday, because sparring is the only way Clar has to work out the intense feelings she inherited from her father.

“So, who should I metaphorically kill?”

“Ooh, big word,” you tease. She grabs your chin, making you look at her, but she’s smiling too much for it to be a threat.

“C’mon, baby, who?”

“Luke. And…” you point, “That’s the girl who tackled me. Oh, and that’s the boy who fought Corey and got the flag. I don’t know his name.”

“‘Cause he’s irrelevant,” she says. You hum. “You just wait right here, gorgeous, enjoy the show.” She winks before sauntering off in the girls direction, smiling in that misleading way, asking her if she wants to spar.

You beckon Jackie and Tyla over to you, who both seem unimpressed.

“Please don’t tell me you put Clarisse up to attacking the Hermes cabin,” Tyla sighs.

“I didn’t put her up to anything. She did it all on her own.”

“Oh, sure she did,” Jackie rolls her eyes.

“Don’t act like you all aren’t gonna enjoy it.”

Tyla meets your eyes, then Jackie’s.

“Sorry, Jacks, it’s, like, really entertaining!”

You all laugh as Clar leads the girl into the circle, laughing even harder when she disarms her after a minute. The boy who took the flag barely lasts 45 seconds.

When Luke walks up to her, she throws her sword down and tackles him. You give her a minute before you pull her off.

—-

clarisse, about to beat up percy

y/n: oh no no no no you don’t

clarisse: ok i won’t kill him rn 😍😍😍😍

—-

y/n: yeah like idk what i would do without you who would protect me and fight my battles

clarisse “i would be there” la rue: bitch our love transcends the laws of physics I WOULD BE THERE

—-

y/n giggling and kicking her feet watching clarisse beat up luke

—-

#clarisse la rue #clarisse la rue x reader #clarisse la rue x y/n #clarisse la rue x you #pjo tv show #pjo x reader #pjo x you

[workingwhileidream]

Okay Burrow's End had me thinking some thoughts... So here are my favorite Dimension 20 moments that rotate like a rotisserie chicken in my brain (in no particular order other than the order I thought if them).

- Riz goes into the butthole of the Corn Ooze Monster (Fantasy High). The first absolutely insane shenanigans move anyone makes on D20, setting the tone the show will have forever.

- Raphaniel kills Queen Pamelia (Ravening War). I think I saw Brennan's soul leave his body briefly when he got that How Do You Want To Do This from Matt. Time was an absolute flat circle that day.

- Hank convinces Brennan to let him role savvy instead of sneak (Mentopolis). Hank is one of the most famous content creators, having him on the show was phenomenal to begin with. Then right out of the gate, he pulls this move in his first episode. And it just works. Hilarious, instantly iconic.

- Jet Dies (A Crown of Candy). When Lapin dies, it is shocking but I wasn't attached to him as a character. Lapin was a bit antagonistic and his death happens early in the season. On the other hand, Jet is instantly likeable. Emily and Siobhan are amazing as siblings, their performances this campaign are some of my favorites. I have siblings and I am very close to them, so this hit me like a ton of bricks.

- The entire epilogue of Burrow's End. "Are you pitching and Air Bud ending?" is one of the instant hall of fame quotes from this show. I started crying I was laughing so hard.

- Ylfa's bottleneck and the TPK (Neverafter). There are so many close calls for total party kills in Dimension 20 history, but this is where it finally happens and it's only 3 episodes in. I was on edge, expecting another TPK at any turn, for the rest of the campaign.

- 3 nat one initiative rolls for the battle that literally opens the season (A Starstruck Odyssey). The beginning of a new season is always full of excitement. This season was extra special, having everyone back in the dome after the pandemic and the season being based off Brennan's Mom's comics. The zoom energy is still in the air and I still think about this season opener a lot.

- Mother Timothy Goose breaks Snow White's concentration with a cantrip (Neverafter). Only Ally Beardsley could and we all damn well know it. Still didn't stop me from being so far in disbelief that all I could do is laugh.

- Hob's "You will never know another lonely day" speech to Rue (A Court of Fey and Flowers). I will still cry about this if I think about it for too long. Rue and Hob's romance is the heart of this season to me. I won't be over it ever.

- Gertrude convinces Nyruth to give the Questing Queens very powerful boons after the Queens tried to rob them only a few hours earlier (Dungeons and Drag Queens). The fact that this season exists drives a level of serotonin into my brain that is unimaginable. This is the definition of a big swing and when Bob rolls well, Brennan has no other choice than to honor it. This is one of the moments I have made a meme of. I cannot wait for season 2.

- Wuuvy shows up to the duel and she did not come to play (A Court of Fey and Flowers). Aabria has talked about how Wuuvy is one of her favorite NPCs and I feel the same. Wuuvy and Rue's relationship has such a great arc and this moment is so pivotal.

- Fabian's no good very bad day (Fantasy High Sophomore Year). An iconic moment in D20 history that was truly wild to watch live. For everything to go so fantastically bad for Fabian and Lou was unprecedented. There is a reason why people still talk about this moment to this day.

- Amathar survives being pushed off the castle (A Crown of Candy). Brennan tried to kill Lou so many times in this campaign. I really thought Brennan had gotten him with this one, my stomach sunk. But Lou pulls it out and Amathar lives once again.

- Pib plays "Smoke on the Water" (Neverafter). "I stepped out to play 'Smoke on the Water' " is also a hall of fame quote to me. This list could be all Pib moments if I'm being honest, he's my favorite Zac character. And the fact that Zac doesn't roll well makes this moment funnier to me.

- Buddy Bear gets planted with the All Blossom (Dungeons and Drag Queens). Jujubee and Brennan owe me a therapy session for this one. I sobbed. My cat is my baby and I will be ruined the day she leaves me, so I get it. I really do.

- "Eat your dice, Brennan" (Fantasy High Sophomore Year). A great bit made physically possible by Siobhan. I hope Siobhan gives him gummy dice or something like that so that Brennan can continue to eat his dice for Junior Year.

- Orange Top Hat Fairy (Neverafter). It's a horror season and the cast is doing bits about how hot a mini is the entire finale and the Adventuring Party that followed. I felt the stress and off the walls energy through the screen. The Smooth Criminal pin was the first piece of Dimension 20 merch I bought.

- Viola's epic takedown of Phoebe (Burrow's End). Watching Rashawn absolutely crush it her first time in the dome was amazing. I loved Viola from the jump, her arc was so satisfying and fun to watch. Also the idea of a tiny stoat kicking a gun just the right way to get it to fire is hilarious. No notes other than please have Rashawn come back on every season she possibly can.

- Evan Kelmp warns the Rosemont student not to duel him (Misfits and Magic). Brennan's deadpan warning matched with the reactions of the other players and Aabria really make this scene. An underrated Brennan moment for sure.

- Stacey Fakename turns out to be real (Mentopolis). This was such a good reoccurring bit, so to have Stacey be real at the end of the story was too funny. In a season of bits, tropes, and puns - this one has the most payoff to me and is definitely my favorite.

#dimension 20 #d20 #dimension 20 spoilers #d20 spoilers #dungeons and drag queens #fantasy high #fantasy high sophomore year #the ravening war #mentopolis #misfits and magic #a crown of candy #burrow's end #neverafter #a starstruck odyssey #a court of fey and flowers

[luvring]

FAN FAVOURITE MOMENTS

gn!reader | timeskip kenma, hinata, sakusa, suna

KENMA’s chat has never moved faster than now as you sit together and watch edits that fans have made of him, and the two of you. you jokingly coo and hug him when you find an edit about “how he looks at you.” “ken! oh my god, you’re so—” “shut up, scroll away already.” “no, i’m sending this to myself, stop—give me the phone!” kenma turns away, forcing you to wrap yourself around him in a desperate attempt to grab the phone while it’s still on the video. the both of you are laughing when you yell, “chat, chat, somebody send that edit to me!” “chat, don’t listen to them. we aren’t even dating. this relationship was fake the whole time.” “shut the fuck up, kenma.” you say in mock annoyance—a grin still on your face—and hit his arm. he snickers as you stop to rest your head on his shoulder and frown. "please?" a beat passes before he huffs. “fine. i’ll send it to you after.” it was an inevitable outcome, but you still cheer and turn back to the stream to see everyone’s reaction, not catching the loving gaze he has on his face watching you again.

HINATA, despite his usual energy, finds his eyes drooping as he watches the live chat scroll past him. it was late, and he decided to talk to fans before going to bed—about upcoming games, a new restaurant he visited that he thinks might become a favourite, how he’s been looking for new shoes. it’s been maybe an hour when his responses are filled with more hums than sentences, and he decides to rest his head. by the time you find him, he’s been asleep for 10 minutes. “hi guys, i’m gonna end the live and get this guy to bed now,” you whisper with an amused smile. shoyo shuffles at the sound of your voice, and his comes out muffled against the pillow. “babe?” “sorry, sho, did i wake you?” “mm, ‘s okay. are you coming t’bed soon?” “yeah, just ending your live.” “...oh. goodnight everybody,” he murmurs and raises his fingers in what’s supposed to be a wave. his fans watch as he reaches for you, eyes still closed, and make sure to take screenshots of the sleepy, lovesick smile on his face after you kiss his forehead before the live ends.

SAKUSA’s always been teased about how little he posts on his social media outside of things related to his career. it’s not a shock that your relationship isn’t something he posts casually. after an interviewer jokes about how fans might think he’s single, or that you’ve broken up by this point, kiyoomi decides to make a photo dump encompassing the last few months with you. it has a photo of you tucked in bed and sleeping the first night at the new apartment, a video of you singing where he can be heard softly laughing in the background, a photo of you smiling at the birthday gifts and dinner you enjoyed together, a blurry selfie with the two of you kissing, and one where kiyoomi, known for his stoic face and attitude, is a little tipsy and smiling as you wrap your arms around his neck from behind. fans pour out words of support and excitement below his caption of “i love you. happy anniversary, and thank you for letting me be yours.”

SUNA and you are chatting with some fans when one asks if you’ve been watching anything lately. you both say the name of the drama you’re watching together without hesitation, the most recent episode still on your mind. “the way he like, turned her to face him and they were so close before finally kissing—” you cut yourself off with a grin, flustered at the thought as everyone excitedly agrees. “has suna ever done something like that?” someone asks. rintarou turns to you the same time you look at him, cocking his head to the side with a teasing smile. “yeah, have i ever done anything like that?” “no,” you lie, staring right at him. his fans team up, “ooooh”’s thrown his way. you’re not sure what anyone was expecting, but it wasn’t for him to take it as a challenge and step closer. the crowd is suddenly quiet as he leans in, eyes flickering from looking into yours down to your lips. “are you sure?” he murmurs. your breath hitches as he moves in even closer, lips barely an inch from yours. before you realize it, your eyes are fluttering closed as his hand comes to cup your face and lips meet yours. it’s barely a few days later until a video of you kissing goes viral, and rintarou is saving it to his gallery.

@devilgirlcrybabiey @lordbugs @smiithys @xfangirl-trashx @passionateuchiha @scaramouchesfootstool @fifteenshadesofpinkk @lotus-sukimono @chloee0x0 @kenmaslov3r @bakugosgrenade @semifilms @sakusasdirtyragdoll @dai-tsukki-desu @Thathoneybee3 @momoewn @aintgeluh @dazaisfavgf @simpforerenn @crystal-lilac @vhenis @omiigad @kur0-kawa @semispilledcoffee @ksyhmm @idontlikeyourjob @sparrowb3nscloset @awkwardaardvarkforever @rory-cakes @prblmtic @kuroaka @sunaslay @the-midnightskies @h0n3ysgh0st @lackey-laufeyson @bontensbabygirl @dira333 @Kamukayakmonyet @danyisapingu @isentsworld @lilithlunas @anime-ships-gay @todorokiskitten @kellesvt @scill-a @curiouslilbeast @fiona782 @cvhenia @mitskiologist

#haikyuu x reader #kenma x reader #hinata x reader #sakusa x reader #suna x reader #haikyuu fluff #x reader

[yumeka-sxf]

In addition to Yor's epiphany scene, this scene was the other one I was most looking forward to in season 2 - a scene that, in my opinion, is one of the most Twiyor-ish scenes in the series so far 💖

Why is it so significant? Because there was no reason for Twilight to put on any Loid Forger acting in that moment. He wasn't conversing with nor being scrutinized by anyone. So why would he give that soft smile followed by such affectionate, comforting words as "お疲れ様/otsukaresama"? (this can be translated in many ways, but generally it's something you say to thank someone for their hard work).

The answer is because it's something he truly felt...he understood the sacrifice Yor made for Anya's happiness and genuinely appreciated it (if only he knew the sacrifice she made on the larger scale, lol). While he's a bit perturbed at first since some onlookers were snickering at him, it didn't take long for him to soften and then graciously carry his queen and princess the girls back to the ship 😭

But Twilight overall was really soft in this episode and I loved it~ From his blush upon seeing Yor to the several times he gave that same soft smile when talking with/looking at her...I think Anya was right when she called him out on the ship about missing his wife 😅

I liked how the anime conveyed his shock when noticing her bruised face...what must have been his thought at that moment? 👀

The scenes of the family activities translated better in animated form in my opinion. While they were each only a single panel in the manga, they lasted a few seconds each in the anime, plus the addition of the insert song helped the with the comfy, wholesome vibe~ Also the part where Yor inadvertently chucks Anya across the ocean is still hilarious.

Loid's dorky skip at the beginning of the episode translated very well in animated form too 😅

The ending of this chapter in the manga always felt a bit rushed to me...it quickly jumps from the aforementioned scene of them returning to the ship, to suddenly being home, reuniting with Bond and Franky, having a meal together, then Twilight meeting Sylvia, all within a few panels. Even though I wish the anime added more than just some additional scenes of the ship leaving the island, I felt it flowed much better in the anime since, just like the family activities, each scene in the ending lasted a second or two instead of being a single illustration.

But I love how this chapter/episode ends, with Yor, Anya, and Bond napping while Anya draws about her family vacation. This seems to take place the next day or maybe later the same day they got home, so makes sense they'd still be tired from the trip!

By the way, the manga has this additional scene showing that Olka and company are safe. Weird that the anime didn't stick it in at some point.

Also, the anime team didn't have to go so hard with this episode's key visual but they did...and I love it 😍 Might actually be my favorite of the key visuals so far!

I was very happy to see the "surrounded by liars" panel finally animated! This is such a funny scene and a great way to fully wrap up the cruise arc.

I also burst out laughing at Yuri's locker 🤣

Damian is surprisingly laid back in this episode. I think the reason is because Anya's antics aren't directly involving him. He tends to go total tsundere only when she's actually talking to him, lol.

The new scene of Yor getting the keychains for her coworkers was a nice addition! Guess it's canon that Yor and Anya didn't sleep for the entire trip back, lol. Glad they got to spend family time on the ship too! (though I wish we could have seen Yor's reaction waking up in Loid's bottom bunk bed, haha. He must have brought her to his room since he wouldn't know where her room is. Unless she woke up before he even put her in a bed, in which case she would have been super embarrassed knowing he was carrying her around in public 😆)

Looks like next week the anime will be changing the order of things a bit and giving us the Becky home-wrecking and Fiona chapters (the latter of which seems to have some anime original content?) The Becky chapter is one of my favorite stand-alone chapters...I'm already dying of laugher thinking about it 😂

#spy family #spy x family #sxf #spyxfamily #loid forger #yor forger #anya forger #twiyor #sxf anime #becky blackbell #yuri briar

[caseys-breanna]

My favourite Parker episode has always been The Inside Job, y'know why? It's not just what Parker does, but rather what the others do FOR Parker.

Parker has 4 safe houses in the city, but Nate and Sophie know her well enough to know where she actually stays when she's away from the team

Parker's security code. Do you understand the level of trust someone like Parker will have to have to use their name as her security code? To the place that's her own personal sanctuary? Sophie EARNED that level of trust.

'The Sterenko can't be cracked-' 'Can you do it?' 'Nate, it can't be-' 'For Parker. Can you do it for Parker?'

This. Just this.

'I made her. I trained her, and I released her into the world.' 'She was broken! She needed you!'

This stood out so loud to me, because it's not Hardison or Sophie (the more emotionally intelligent ones of the team) saying it. Because it's NATE. It's Nate, the man who couldn't say I Love You to Sophie for so long. The man who got so caught up in his son's death that every job involving kids or medical malpractice he nearly went out of line. NATE, who pushes and pushes and is ruthless and so cold at times.

It's Nate protesting for Parker, standing up FOR Parker, and y'know why? Because Parker doesn't know what she got deprived of. Parker doesn't feel that loss because you can't grieve something you aren't even aware you could've had. But Nate does. Nate saw her injustice and loss of childhood and spoke up, KNOWING she'll never know about him defending her.

'Hardison I screwed up.' 'We're already here mama.'

Do you understand the level of trust and vulnerability it requires for her to say those words? She's never gotten anyone's help after a screwup, she's had to take care of herself on her own. And there's Hardison, right there, not upset, not angry, not disappointed. A right straight - I'm here and we'll get you out.

'Let's get our girl home.'

Do I even need to say anything.

'It's not what we do, we don't get involved!' 'No, that's what YOU do!'

Parker is not Archie Leach's protege anymore. She's Parker. She's the greatest thief in the world. She's the one person to get the entire Leverage Inc breathing down your neck to save her. She has a family who got her back. She has a life and friends and people who may not understand her always but will always support her and be there for her, no matter what, without changing any aspect of her or forcing her to change either. And she saves people, because that's what they do.

'It's your play Parker.'

The explicit trust Nate displays in her. For someone like Nate with control issues and need to be the guy calling the shots, this is practically an all out notice saying 'she's my people, she's my family, I trust her with my life, more than that I trust her with my family and our jobs.'

'No.' 'What do you mean no? This isn't time for crazy, Parker! Come on!' 'No! I need to go back. I need to put the vial back.'

Do you understand what it feels to have someone like Parker, who is practically a ghost and the prospect of getting stuck somewhere is unthinkable, to refuse an escape route? And that too because she wants to help people and not be used to hurt them? In the face of someone who brought her up to only steal? Now that's growth.

Now this is a callback, but when Sophie and Nate first enter her safehouse, Sophie says something that foreshadows the ending. She says 'Look at this. It's methodical. This could be one of your plans, Nate.'

This is a personal choice, but god it's so good when authors and writers and creators give you hints and foreshadow and reward your intuition at the end, rather than changing endings for shock value. Because Hardison isn't ruthless, Eliot isn't striving for control, and Sophie is dramatic, not clinical. None of it would have been worth it unless it went to Parker, which it did.

Man, this fucking show I swear.

#leverage #parker leverage #sophie devereaux #alec hardison #nate ford #eliot spencer #jace.txt #i fucking love this show #the inside job #archie leach

[attapullman]

Bob From Stats | Robert "Bob" Floyd

Summary: College is a wild time, but absolutely nothing could prepare you for the quiet guy from Stats riding around campus as a cowboy. Or what a good kisser he is.

Word Count: 4.9k

Warnings: f!reader, smut, 18+ ONLY as always, dry humping, alcohol, drunken party games, mentions of studying because that gives me PTSD, semi-exaggerated Greek life for theatrical reasons

A Note From Mo: Somehow my frat!Bob, drunk Bob is Rhett, and 7 minutes in heaven ideas all rolled into one fic - wild! Massive shoutout to everyone who listened to me talk about Stats Bob (who is now officially my #2 Bob, I love him) and for supporting this here lil blog. May you find a hobby-horse-wielding future WSO to sweep you off your feet too!

“I hate this. I’m going to quit school and become a stripper.”

Anna gives you a wry look. “That joke was only funny the first time you said it.”

“So you admit I’m funny!”

The two of you have been spread out in the library the majority of the evening. Textbooks, snacks, and highlighters littering the glossy dark wood. You’re on hour five of assignments and your brain is pounding against the front of your skull. Your other classes aren’t too bad, a bit time consuming, but Statistics is a foreign language. Thinking in probable numbers? It was one thing when the nice guy who sat behind you helped explain concepts, but Anna does not have quite the same analytical mind.

The sky outside is an inky black and the library is quiet except for your frustrated huffs. It’s Saturday night. The rest of campus is indulging in cheap beers at Barney’s, slinking along Greek Row, or enjoying tonight’s episode of Saturday Night Live. It’s time to get out of here and crawl into your soft bed. Torturing yourself with Stats homework will be just as painful on Sunday.

“If I buy us a pint of chocolate chip cookie dough, can we blow this off and hang out back at the dorms?” Anna is nodding before you’ve even finished. Stuffing notebooks into backpacks and capping pens low on ink, you’re strolling down the library stairs not even five minutes later.

As the balmy evening campus air hits your face, you already feel fresher. Campus is quiet, late enough that most people are settled into their Saturday night plans. As the two of you near Greek Row, there’s a comfortable silence as you appreciate the breeze through the trees and the warm glow of campus housing windows.

That is, until a low whoop rings out. An undercurrent of boisterous cheering and what sounds like stomping feet. You exchange eyes with your roommate. What is that?

As if summoned, a group comes galloping through the neatly trimmed cypress trees around the corner. They’re stomping their feet in a rhythm, hands held mid-air to imitate holding reigns. Drunken laughs ring out between cries of “Whoa!” and “Steady there, Lucky!” To round it off, the leader of their horse play (literally) is full-on cosplaying as a cowboy, his jeans tucked into boots and a Stetson perched atop his head. 

Wait, is he holding a hobby horse? It’s been decades since you’ve seen those horse heads stuck on a stick. The stuffed felt Appaloosa head is reigned in the cowboy’s hands, where he pretends to spur it back into action. 

Just when you think you’ve seen it all.

The group continues its way toward you and you’re equally secondhand embarrassed and amused. As they grow closer you recognize a few guys from the Pi Kapp house and wave. But it’s Anna who makes the most shocking discovery when Mr. Cowboy tilts his brim up.

"Is that Bob from Stats?" 

It takes a second to look past the brown felt hat and the hobby horse he's taking for a spin, but that's definitely the same pink-cheeked Bob Floyd who has lent you a pencil all semester. 

“Howdy, ladies.” He tips his hat to you, all toothy grin and droopy drunk eyes. "Can I offer you a ride?"

You stare open-mouthed. Shocked. That slow rancher drawl is new. The unbridled confidence is new. Actually, the entire getup is new. For nine weeks you’ve seen him in the same trucker hat and sweatshirt combo while going over homework answers together. What is going on?

He’s clearly in the middle of his house party crawl, bright blue eyes half open behind his metal frames. Just as gorgeous as ever as a tendril of sandy hair curls against his forehead. Normally your reaction to him is tender, a puppy dog crush. But this wild, inebriated version of him? You’re hot under the collar.

“You think there’s room on your horse?” Ever since that first Stats class he’s made your brain feel like it’s on RedBull. The way he noticed you missing a writing utensil and offering you his extra. His kind smile when you get a homework answer completely wrong. Anna hasn’t noticed your crush, but it feels obvious with the way you can barely keep eye contact with him yet are unable to look away. Especially with that stupid cowboy hat on.

He bites his lip, considering your response, and his buddies all razz him as he drawls out, “There will be if we squeeze in.”

The wink makes your mouth dry.

Someone from the back of the group complains of the cold and the group prepares their steeds to head back to Pi Kapp. Anna explains you’re headed back to the dorms, tone deaf to the sexual tension, and Bob nods with his brow furrowed. 

“Another time then.” His white tshirt practically glows in the moonlight. “Have a good night, chickadees. Get home safe!”

With another tip of his Stetson to you, Bob Floyd gallops away toward another keg. 

You’re sprinting across campus, cursing how late your meeting with your advisor went. There was ten minutes to get across campus and he had spent four of those questioning whether you really needed another semester of French. You make it into the lecture hall with a minute to spare, finding your preferred spot in the lower rows where you can actually see the board. Right in front of Bob.

“What? No cowboy hat for class?” His cheeks flame red, the hope you’ve forgotten about his Saturday antics lost. He looks like himself today, his signature trucker cap keeping the hair off his face. Those friendly ultramarine eyes shyly focusing on his notebook because god forbid he makes eye contact after you’ve seen him gallop across campus on a fake horse. 

He rubs the back of his neck over his soft-looking crewneck, an awkward smile playing on his lips. “It’s at the cleaners.”

You give him an amused grin before settling yourself into one of the classically uncomfortable lecture seats. Anna waves to you from where she’s rushing in, historically always late. The professor is shuffling notes at the podium as she collapses into the seat next to you, nodding her head in greeting to you and to Bob. She raises her eyebrows to you, a “remember when Bob was dressed as a cowboy” gesture, and your lips twist happily. 

“Alright, class, who’s ready to talk probability?” The collective groans and hollers mark the start of lecture. You flip open your notebook and start digging around for a writing instrument in your bag. Like usual, you seem to be missing a pen or pencil when you need one most.

A tap on your shoulder. You turn and lock eyes with the frat boy-turned-cowboy with the shy smile. He holds out a pencil to you. Taking it sheepishly, you mouth a thank you and turn back to lecture. After nine weeks it shouldn’t be this embarrassing, but every week he’s given you a pencil since you whispered shoot! a little too loud on Week 1.

Risking a quick glance back at him, engrossed in the Empirical Law of Averages while he twirls his pencil, you’re not sure you can survive the rest of the semester.

By the end of the Stats lecture on Thursday, you have one brain cell to your name and seven pages of notes. What a brutal class. Midterms were quickly approaching and not a single professor had any mercy. As you pack up your stuff - including the borrowed pencil that would promptly disappear before next class - you make a study plan with Anna for that evening. She brings the chips, you’ll supply the vodka.

“Are you two not hitting the houses tonight?” He looks uncomfortable having interrupted the two of you.

Bob shifts his backpack to his other shoulder, adjusting the collar of his navy blue sweatshirt. Other than when he’s kindly exchanged homework answers before class - or been drunkenly galloping across campus - the two of you don’t speak much. The odd quip here and there, but overall the two of you exist in pencil-sharing quiet. “Everyone’s having pre-midterm parties before buckling down to study.”

“Oh, that sounds fun!” You look at Anna encouragingly. As needed as a vodka-infused study session was, one night out couldn’t hurt. And it was Thursday. No classes tomorrow meant you had three days to buckle down and attempt to understand anything you’ve learned this semester. 

She eyes you warily, but agrees that Greek Row sounds like a better option than highlighting textbooks. Bob flashes you his timid smile beneath the brim of his cap. “It’ll be a fun night. Maybe I’ll see you? If not, have a good weekend!” 

As he starts to walk out, a feeling takes over you. “Bob?” You watch him slow down and turn, wide blue eyes watching you from behind those unconventionally cute glasses. “You’ll be at the Pi Kapp house, yeah?” He nods. “Cool. See you around!”

Despite standing next to it the entire conversation, neither of you notice the pencil sitting on the desk, left behind as you head out for your respective weekends.

“What did you say?” You’re practically yelling to be heard over the EDM that Sigma Chi is blaring. They’ve turned their house into a rave with glow sticks, body paint, and music so loud your eardrums must be burst. The beer is warm, your arm has supernaturally purple paint smeared across it, and Anna has been unsuccessfully telling you a story for ten minutes.

Huffing, she grabs your arm and drags you toward the entrance, tossing your cups onto a random hallway table where a heated makeout session is taking place. They move out of the way just enough so the two of you can slip out of the old colonial house and out into the cool night. The ringing in your ears subsides slowly as you lean against the columns of the front porch. 

“House number three? Also sucked. Three strikes and you’re out? Can we go home?” Anna grabs your wrist and pouts. She wanted movie night with vodka and a pizza from Pietro’s. You wanted to blow off steam.

But Alpha Sig had mostly been freshman and Phi Delt, while not a terrible party, had the most smarmy men on campus. The bleeding eardrums of Sigma Chi was preferable to pushing off men in polos just to grab another drink. You just wanted a semi-decently flavored alcoholic beverage - maybe three - while chatting with some friends. You weren’t asking for much.

Allowing Anna to drag you in the direction of the dorms, ready to admit defeat, you slow to a stop seeing the bricked entrance to Pi Kappa Phi. Bob’s fraternity. A few minutes wouldn’t hurt, right?

It takes a little convincing, but soon you’re in the warmly lit foyer of the Pi Kapp house. The vibe is more relaxed than Sigma Chi, with a keg in the corner, an array of liquor bottles in the kitchen, and hip-hop softly filling the house. You’re impressed they’ve even gone the extra mile with multi-colored string lights across every surface to brighten up the otherwise dark house. 

“Yooooo, how’s it going?” A drunken loaf of snapback and Deep Eddy envelopes you in a hug. It’s Tyler, one of your freshman seminar PK friends. Exchanging pleasantries - the best you can with someone that far gone - he drags you further into the house. Miscellaneous groups of Greek and geed litter the hallways. Anna sees her friends from Delta Gamma and ditches you, promising to get home safe. Tyler continues on his mission to god knows where.

At least he’s considerate enough to stop in the kitchen so you can grab a whiskey lemonade to sip.

Eventually you’re spat into a sitting room of sorts, groups crowding the ring of sofas while drunkenly jeering at the game. You set yourself on the arm of one, trying to make sense of the theatrics. The latest victim laughs out a “Truth!” before everyone giggles wickedly. Are they playing truth or dare? 

Your eyes gloss over the group, trying to figure out who else you know. A few PK’s you recognize, a girl who smiles but looks unfamiliar, and…a cowboy hat that is a dead giveaway.

Standing up and walking around the group, you tap him on the shoulder. The biggest blue eyes meet yours, a surprised smile splitting his face. 

“You made it!” That deep drawl is back and that tingle reappears on your spine. Bob jumps up from the couch, beer bottle dwarfed in his hand, and comes to stand with you. “You having a good night?”

Ironically, your night is much better now that you’ve found him. He’s back in his cowboy gear, a worn denim shirt tucked into his jeans and those same cowboy boots scuff against the hardwood. You’re tempted to steal the felt hat from his head just so he looks a little bit more like Bob from Stats. 

Squeezing your eyes shut, letting the alcohol be an excuse, you succumb to the obvious question. “I need to know - what’s with the…cowboy?” You gesture up and down, drawing a chuckle from him.

He blushes under the felt brim. “You know I have a slight accent, yeah?” You attempt to stifle your laugh as he incidentally talks in a thicker accent. “When I was a pledge they started calling me cowboy. Saw the hat while I was in town one week, ended up leaning into the joke.”

“And the hobby horse?”

He beckons you closer, bringing his lips to your ear. “Stolen from my little sister over summer break.”

There’s that wink again making your knees weak. He pushes his glasses back up his nose and takes another sip from his beer. Despite the party raging around you, nothing else seems to exist past him asking about your night and if you want another drink. You’re wrapped in the warmth of his words, itching to snuggle into his broad chest. 

The spell is broken when “Cowboy Bob!” rings out from the crowd. The entire room is turned to you two. “Truth or dare, man?”

In the background of your intimate conversation with Bob, the truths and dares have reached full raunchiness. People have been stripped of clothes and dirty secrets. A bead of sweat gathers at Bob’s collar, aware that neither option is safe. 

His worried gaze flits to you, as if you hold the correct answer, before tipping his hat back and exhaling, “Dare?” 

It’s gutsy, but if there’s one thing you’re learning about the quiet guy from Stats, he’s full of surprises. The crowd bubbles with excitement, anticipating what dare will be dealt out. Next to you, the wannabe cowboy looks more annoyed than anything. He was enjoying talking to you not in a classroom and with a little liquid courage.

An evil smile crosses the dare-dealer’s face. He knows Bob and isn’t blind to what’s going on. He’s gonna help his buddy out on this one.

His arm stretches out and he points (with the red plastic cup in his hand) to the coat closet at the end of the hall. “Hmmmmm, I dare you to, hmm, play Seven Minutes in Heaven with…” It’s no surprise when the cup-turned-pointer lands on you.

Ice water down your back wouldn’t be as panic inducing. It’s hard to tell who swallows harder, you or Cowboy Bob. Every instinct is telling you to run, but that little voice in the back of your head wins out. As Bob starts to tell you it’s okay, they’re joking, you don’t have to, you grab his thick wrist and give him a nervous smile. You don’t even care what the punishment is for not completing a dare, this stupid drunken game has given you an opportunity.

The dealer of the dare follows the two of you down the hallway, leading the whoops and wolf whistles. Bob’s cheeks flame scarlet in the low light. You keep your chin high and eyes forward. He can definitely feel the way you’re trembling around his wrist.

Whether in anxiety or excitement it’s hard to tell.

The inside of the closet is dark, the faint light under the door casting only the faintest of shadows. Your heart is pounding, blood pulsing through your ears. Bob rubs his lips together nervously. It’s all you can do to not run your tongue along them. 

“We don’t have to do anything, we can just talk.” The way he prioritizes your comfort makes heat pool between your legs. The brim of his hat is as far back as it can go, his eyes tracing the lines of your face as he gauges your emotions. He’s welcome to figure them out, you’re unsure of them yourself. 

His large, warm hand rubs your forearm comfortingly, your skin too cold without his touch. You’re suffocating under his sweat-and-bergamot scent, citrusy and warm.

You bite the bullet. “What if I want to?”

His breath stops. Fingers find yours in the dark, interlocking on either side of your hips. Eyes you know are the deepest blue lock onto your gaze, a million emotions passing behind his irises. Face descending upon the space between you, tentatively showing his intentions. You meet him in the middle, caution out the window.

The kiss is gentle, puzzle pieces slotting together for the first time. He tastes like malt sugar and peppermint. Mouth warm and soft, enveloping you fully in his comfort. It’s even better than what you’ve imagined for the past nine weeks.

Bob begins to pull away, ever the gentleman. Your hand finds his collar, holding him in place. “Not yet, we still have, like, five and a half minutes.”

Despite the low light, his smile lights up the closet.

His lips return to yours in a rush, swallowing your mouth in a passionate heat. The press of his body to yours is delicious. Hands previously at your side meet your hips, lightly squeezing as you moan into his mouth. You reach up and hold the back of his neck, bringing him even closer as your lips toy with the tiniest bit of stubble along his jaw.

“You know,” he starts, holding the moan in the back of his throat. “I’ve wanted to kiss you since September.”

You pull back momentarily, a crinkle upon your brow. “Bob, we didn’t start Stats until January.”

He kisses the confusion from your face, his hands wrapping further around your body. “And you looked very pretty in that green dress at the homecoming barbecue.”

Bless your love of school spirit and free food. “Why didn’t you? Kiss me?”

“I don’t normally make a habit of kissing girls I don’t know. And clearly it takes an entire fraternity for me to get you alone.” The way his chuckle bounces against your skin has you squirming. Your schoolgirl crush on him wasn’t one-sided, and suddenly you’re hot for teacher. 

You capture him in another kiss, tongue searching the seam of his lips for entrance. He obliges immediately, groaning as you explore his taste. Four hands roam skin, finding purchase in anything and everything. Your body has a mind of its own as you press against him, chest heaving with your passion. The right shift of fabric on fabric reveals that he’s equally as affected by the chemistry.

Reluctantly, he pulls away once more, threading his fingers across the back of your neck. Takes a moment to capture his breath as he sees the lust in your eyes. A deep breath. “As much as I like you, I don’t want to do anything if you’re drunk.”

Soft fingers follow the line of his arm to where it wraps around your waist. How is he this impossibly sweet? Thoughtful, respectful, and looking hot as sin with swollen lips. It’s unfair.

“I promise I’m not.” You stroke the back of his hand. “Please kiss me?”

His large hands unwrap from your waist and travel down, shifting behind your legs and pulling you up, resting your back against the wall. You tangle your legs around his waist as best you can in the small space, relishing his firm body pressed deliciously close, warm and solid. Kisses smeared across lips and jaws as noises crescendo. You’re panting as you trail down to his impossibly long neck, desperate to cover it in affection.

You’ve barely explored the expanse of skin when the door flies open, the boisterous party sounds flooding in. Reality strikes like a slap across the face. The truth-or-dare ringleader takes you in - legs wrapped around Bob and hands creeping toward your ass - and whoops in delight. Who knew Cowboy Bob had it in him!

“Time’s up, lovebirds!” He crows and reaches forward to slug Bob lightly on the shoulder. 

Not skipping a beat, Bob shoves his friend back and throws up his middle finger. “Fuck off, Milburn.” 

The closet door slams shut, blanketing you again in the intimacy of the moment. You’re looking at him with unsure eyes and he’s praying the moment hasn’t been ruined. He’s waited seven calendar months for this opportunity and his fingers are so close to enjoying the plump squeeze of your ass.

“We can go back to the party if you want?” Your voice is so small, nervous outside of those bold seven minutes. Tentative breaths exist between you. 

In lieu of an answer, he bows his head to give you a searing yet gentle kiss.

That cramped coat closet suddenly is an inferno, his tongue slipping inside your mouth and groaning at the burning sweetness of your taste. Your hands grip his shoulders as you fight for dominance, fingers tangling in denim. Hips brushing together, still clinging to the idea of this being innocent. 

An innocence immediately lost when Bob strikes up the courage and palms your ass. Soft and pliable and perfect to squeeze in his palms. He remembers the exact day you came to class in the tightest jeans known to man (laundry day) and the way he had dug his pencil in his palm to avoid a semi as your curved ass met the lecture seat. Something unavoidable now as you squirm against him, moaning your pleasure against the pulse in his neck.

Nothing has ever felt as good as rubbing against Bob Floyd’s clothed bulge. One glance down and you’re dizzy with arousal. Rutting yourself against him as best you can with your limited mobility, sloppy kisses exchanged as the two of you can barely keep your mouths closed. It feels so good, too good. 

Lost in the moment, one hand slips below the hem of your skirt, warm skin on skin. Any noise from outside the closet dims to a hum. Two hearts beating rapidly as desire fully consumes, directing lips to too hot exposed skin. You murmur your need in his ear. You don’t care where you are, you need him.

Bob tucks a finger under your thong, feeling the slick coating your folds. The whine that leaves him is desperate and gruff. He groans against your throat. “Shit, I don’t have a condom.”

Undeterred, your lip catches between your teeth, core muscles contracting as you grind your hips forward. “Doesn’t mean I can’t go for a ride.”

He’s immediately on board, teasing you briefly before extricating his hand to support you better against the wall. His hands practically swallow your ass, flooding you with lust. You thrust your chest against him, desperate to touch every spot on his handsome body as your hips begin to grind. 

His hands are sweltering as they trail down, effortlessly clutching the back of your thighs to give you leverage. Your clit finds friction against his jeans and your mouth hangs open as you buck frantically into him.

“Look at you move, cowgirl,” he breathes out, infatuated. The nickname spurrs you on, whimpering against his lips.

One hand clutching his bicep, holding on for desperate life, while the other snakes its way atop the damned cowboy hat that’s stayed on the entire encounter. Gripping the top of it and holding fast as you ride his clothed bulge with everything you’ve got. Denim and lace against your clit, rubbing deliciously as your brain fuzzes. His hot mouth focused at the hinge of your jaw, sucking soft bruises into the skin; moaning when you brush him just right. 

“I’m close,” you whisper against his cheek. Time has stood still, but it’s embarrassing how close he’s gotten you to orgasm with just his clothed cock and strong hands. 

He ruts his hips forward, meeting your thrusts in heavenly synchronization. You’re panting as the pressure on your clit catapults you, so close to the ultimate prize. Whispers of you can do it, cowgirl, cum for me, doing so good riding me, just a bit more, cowgirl fizzle your senses. 

“O-oh!”

It’s intense, the blinding pleasure coursing through your body. Prolonged by the thick bulge still rutting against you, ready to burst itself. Lips tickling your ear as he praises you. You want to live in this perfect moment of bliss. A moment only perfected when Bob’s fingers grip too hard and his hips stutter up into yours. His all-consuming orgasm only muffled by the skin of your shoulder as he rides it out. 

The rhythmic slowing of your breaths is all you can focus on. You breathe in, he breathes out. Small smiles and a blush barely visible in the low light. 

Delicately, like he knows you might break, he releases you back to the ground; taking his time to smooth down your skirt and straight out your top. Your own hands reach up to his chest, fixing the fabric that had bunched up in your passion. Adjusting his fogged glasses to look into his beautiful eyes.

It doesn’t matter how much you clean up, one look at you two and anyone would comment you’ve been ridden hard and put away wet.

With one final kiss to your lips, you feel something land on your head. The brown cowboy hat with the rip along the edge. Cowboy Bob showing off his cowgirl.

You tentatively open the closet door, eyes adjusting to the normal light. Painfully aware of the wet splotch on the obvious front of his jeans, Bob holds your body against him as a human shield. The party is still going strong - your antics have not interrupted anything - and you slip toward the front door without notice. Well…mostly, as a few wolf whistles reach your ears.

“It’s not that late, you want to go back to mine? I’m just off Thornton. It’s quiet since everyone is here.” His eyes are so hopeful in the dark night. So desperate for you to say yes. For you to be his cowgirl beyond tonight.

You wrap your arms around him and pull him close, careful to avoid the spot where your bodily fluids have drenched his jeans. “I’m in.” Your smile is blinding. “We have about nine weeks of Stats to make up.”

The brick is uncomfortable behind your back, but it’s hard to care when his lips feel so good. Broad shoulders shielding you from the hallway, trucker hat turned around and glasses in his pocket so there’s not an inch between your faces. Agreeing to meet outside before lecture was such a good idea.

Despite spending most of the time between Thursday night and Tuesday afternoon in Bob’s apartment trying every position in the book (with teasing hollers from his Pi Kapp roommates adding to the soundtrack) you can’t help but steal these five minutes. He looks so cute, to not kiss him would be a crime.

Bob squeezes your hips, lips trailing down your jaw. “What’s on your mind, cowgirl?”

“I’m trying very hard to convince myself that we pay a lot of money to attend this school and should go learn about statistics. Even though I really only want to head back to my dorm and see how sturdy that loft bed is.”

From where his nose traces your ear, a guttural whine leaves him. “You can’t say something like that and expect me to go to class.”

You pull back to look at him, fingers tickling the close cropped hair at his neck. God, he makes it so hard to want to be responsible.

“Let’s make a deal, okay? We’ll go to class, learn, and tonight you come over and for every study guide question you get right I’ll take off a piece of clothing. Sound good?” He’s practically panting as he smothers your mouth in another kiss. He’s really good at Stats. A steady stream of students files past Bob’s back, a sign that class is about to start.

You press another kiss to his lips. “Let’s go or we’ll miss out on seats. Plus I need to dig through my bag for a pencil.”

“Do you think you actually have one today?” He smirks, amused. The eighteen pencils he’s lent you say otherwise.

Your cheeks are hot under where he kisses them. “Uh…if I don’t can I borrow one? If you have one, that is.”

He lets out a soft chuckle and holds you closer, rubbing your noses softly.

“You do realize I’ve been buying pencils all semester just to give to you, right?”

Turning his cap around - insides fully melted - you know you’re in this rodeo for the long run.

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[fuckyeahdindjarin]

Voicemail

A Seams oneshot, but can be read independently of the series

{ Series Masterlist | Main Masterlist }

Rating: T

Summary: You find Joel's old Nokia at the back of a drawer.

Warnings: Angst, description of a panic attack, grief, comfort, no use of Y/N, reader has a nickname related to her job, reader has no physical description, definitely incorrect description of how mobile phones work, very lightly edited.

As always, Seams oneshots are set on a relaxed timeline. Voicemail can be considered to take place at an unspecified time after Part IV.

Word count: 1.8k

Notes: I don't know if anyone has written anything similar, but I've always wanted to write something about Joel's Nokia (the idea for Butter actually came from the phone scene in episode 1 - can't you tell? lol). This idea took me by surprise one night and didn't let me go.

Important note: I know voicemails don't work this way, but let's pretend that they are saved onto the mobile phone itself and can be accessed decades later, and that a Nokia can indeed survive the apocalypse.

After the outbreak, after Sarah, after missing his shot - he doesn’t remember much of those early, blurry days. Tommy barely managed to drag his catatonic ass to an abandoned house somewhere on the outskirts of town, where he had to punch him in the face to snap him out of it. 

It being a cocktail of shock, grief, pain and numbness that should’ve killed him, could’ve killed any man. And for the longest time he wished that it did.

It was in the aftershock of that punch, left cheek snapped to his shoulder and his eyes downcast, that Joel saw his Nokia was still clipped to his belt, by some miracle unscathed when everything else had fallen apart.

And he keeps it all these years.

He hadn’t meant to take it with him when he packed up his meagre life to leave Boston behind. But the grubby afternoon light glanced off the screen when he was grabbing maps and hammers from under the dusty floorboards, and with a fuck it, he shrugged and shoved it into the bottom of his backpack. 

If he was being honest with himself, it didn’t feel right leaving it behind.

And so the phone made it to Jackson, and survived the detour to Salt Lake City, largely forgotten. Joel was almost surprised by the sight of it when he finally unpacked his bag in the house that was now his and Ellie’s. 

With a wry smile, he tossed it into a nondescript drawer in the garage, never to see the light of day again.

Until one weekend, Joel asks you to help him find some obscure screwdriver in his garage, not able to get up from where he’s on his back, stemming the flow of the perpetually leaky sink in Ellie’s bathroom.

The space is cool, the shutters down and the air dank from the lack of sun. Under the flickering fluorescent light, you go through a frankly ridiculous number of toolboxes without sighting the elusive screwdriver. With a sigh, you try the middle drawer in the workbench, which is clogged with what looks like everything under the sun. 

Your lips twitch - Joel Miller is a messy man.

Digging around the random clutter, you startle when your fingers brush the long-forgotten, yet instantly familiar plastic case of the Nokia.

Wrapping your hand around the rectangular frame, you smile, in disbelief that you’re holding a mobile phone. You had a similar one that got lost in the confusion of the first days of the outbreak, and you haven’t seen one in the years since. At least not one in such good condition.

Joel’s faraway voice jolts you out of your thoughts. ‘Found it, sweetheart?’

‘Just a second!’ you call back.

Tucking the phone back where it came from, you grab the nearest screwdriver and hope for the best. 

It takes you a few days of asking around town, poking around dusty storerooms and untangling twenty year-old electric cords, but you eventually find what you’re looking for, and there’s a spring in your step as you cook dinner that evening. 

Joel seems to pick up on your energy, and he grins, amused, when he brings in the empty dishes after you eat.

‘You’re buzzin’ out of your skin, sweetheart,’ he teases, grabbing you by the waist. ‘What’s up with you?’

You cock your head to the side. ‘Well, I have a surprise for you.’

‘Is that so?’ he hums, then lets his voice drop an octave in playful insinuation. ‘What kind of surprise, hmm?’

‘Not that kind of surprise,’ you huff with a smile. ‘It’s - it’s hard to explain.’

‘Try me.’

Twisting out of his grip, you open a cabinet and pull out something that fits neatly in your palm. Joel frowns, confused by what looks like - a charger.

When you speak, it’s slow, as if you don’t want to startle him. ‘There’s a whole warehouse of wires and things down by the canteen. A patrol stumbled across an electronics shop in a nearby town a few years ago.’

He gives you a crooked smile. ‘And what am I s’pposed to do with it, sweetheart?’

You take a moment, making sure that his eyes are on you before the words come out. ‘I found the Nokia in your garage the other day, when I was looking for the screwdriver.’

You watch as Joel processes your words, and he goes still, stiller than you’ve ever seen him. 

Then he blinks and shuffles his feet, glancing down at the charger. ‘I - I didn’t expect this.’

You let out a breath you didn’t know you were holding. ‘I know. And you don’t have to do anything with it, really, but I just wanted you to have it.’

He nods, slowly. ‘Ok.’

Hesitating, you stutter, ‘So, um, do you - want to take it -?’

Joel holds his hand out, calloused palm quietly upturned. You half expect him to jump at the contact, but he doesn’t move a muscle when the black wire lands in his grasp, and his thick fingers curl around them.

‘I got the dishes, if you want to go first,’ you prompt softly.

Joel swallows, then nods. ‘Yeah, I think I’ll do that. If y’ don’t mind, sweetheart.’

‘Of course,’ you smile, pressing a kiss to his lips.

It’s cold outside, but he doesn’t feel it, not when the charger seems to be burning a hole in his hand. When he gets back to his house - empty, Ellie is at Lucy’s for dinner - he heads straight to the garage, and tugs open the drawer.

The Nokia stares back at him, screen blank.

Flinging the charger into the drawer without seeing where it lands, he shoves the drawer close with a snap.

Weeks pass. It hangs in the back of his mind like a spector, even though you don’t bring it up again, and he doesn’t either. 

He’s not sure if he’s afraid of it, or dreading it, or worst of all - hopeful of what he would find on it.

It’s been twenty years. Electronics don’t last that long. It’s gotta be wiped clean.

One Wednesday night, Ellie is upstairs, music blaring, doing ‘homework’ or whatever she does on a weeknight (he doesn’t believe in helicopter parenting), and Joel finds his thoughts drifting to that damn drawer.

Feeling reckless, he reaches for the top shelf in the kitchen, pours himself two fingers of whiskey, and charges into the garage.

Hopping onto a workstool, he takes a big gulp of liquid courage and sets the tumbler on the work surface. Before his resolve slips completely out of touch, he yanks on the handle, and he winces when the drawer yawns open with a screech.

The Nokia feels foreign to the touch, like he’s forgotten how to hold a phone. It was, of course, glued to his ear almost all hours of the day and night once upon a time. He turns the plastic case over and the other way around again, smoothing the pad of his thumb over the buttons.

There’s no putting it off forever.

In goes the plug into the electric socket, and he looks down, phone in the left hand, the end of the charger in the other.

He thinks he’s seeing double until he realises that his hands are fucking shaking.

In one determined motion, he slots the charger into the bottom of the phone and drops it like it’s acid.

Then he downs the rest of his whiskey.

He’s not sure how long he stares, the very air around him as unmoving as himself, and he feels the alcohol spread its warm fingers through his veins. 

Just when he’s about to look away, it happens.

The battery sign appears on the screen.

Joel almost chokes on a chuckle. He can’t fucking believe it. You really can’t kill a Nokia if you tried.

It doesn’t take long for the familiar home screen to pop up, the time on the top right corner, the battery in the bottom right. The bright green glare casts a cool glow in the dim. Joel picks up the phone, only to be nearly knocked backwards off the chair when the words flash across the screen.

1 NEW VOICEMAIL.

He’s sure his heart has stopped, it definitely feels like it, a deadweight in his chest sinking into his stomach. But he hears it, the relentless beat of it, pounding violently in his ears. Too fast. Gripping the edge of the work surface, he tries to breathe, mouth open, but air isn’t getting in.

It could be nothing. Could be a voicemail he missed from a client that night, or a junk call.

He’s not sure if he’s afraid of it, or dreading it, or worst of all -

He’s trembling so badly that he needs both hands to hold the phone steady, just so that his thumb presses the selection key.

He doesn’t hear the pre-recorded message, his brain skips it entirely. Then there’s five seconds of silence, and his life flashes before his eyes at the familiar beep -

Dad, are you on your way home? Please tell me you remembered the cake. Uncle Tommy bet me ten dollars that you won’t and I kinda need that lunch money tomorrow. See you soon, love you dad -

And everything goes white.

When Joel comes around, he’s on his knees, the empty tumbler in crystalline pieces around him. The phone is no longer attached to the charger, clutched so tightly in his hands that he feels the imprint of every button in his palm.

He won’t know that his face is wet with tears until you thumb the streaks off his cheeks on your doorstep minutes later, no memory of how he got there. You draw him into you, but your embrace barely contains his broad frame.

You can’t get him far in his state, whiskey on his breath and shivering all over. You drag him across the living room and onto the couch, where you curl up against him, warming him up with your body heat, cradling his head on your chest. The candlelight bounces off the phone screen, which glows green in his grasp.

It will take him weeks to get his head around what you have given him. And when he does, he will ask if you want to hear Sarah’s voice - shyly - as if you would ever say no. 

Watching him watch you, Sarah’s warm, fun-loving voice in your ear, the seams of your lashes sting with tears as your heart clenches, swells, breaks for him - and then put together again by his hand finding you, fingers filling the gaps between yours.

But for now, he lies prostrate, his weight pinning you to the couch, as you comb soothing fingers through his hair, anchoring him to you.

‘I got you, Joel,’ you whisper in his ear, and his eyelids droop and his breathing evens out, as if he’s run a thousand miles. ‘I got you.’

As he drifts off to sleep - his baby girl's love you dad echoing between his ears - he knows that you do.

More notes: I don't lean too hard into angst in my fics as a rule, so this took me places I haven't been for a while, but it's ok cos Pin's got our man 🥺 Thank you for reading, as always! ❤️

#fuckyeahseams #joel miller fanfiction #joel miller x you #joel miller x f!reader #joel miller x fem!reader #joel miller x reader #joel miller angst #joel miller oneshot #joel miller imagine #the last of us fanfiction

[demonpiratehuntress]

baby (name)! (Mihawk, Buggy, Shanks, Brook, Chopper)

featuring - Dracule Mihawk x F!Reader, Buggy x F!Reader, Shanks x F!Reader, Brook x F!Reader, Chopper x F!Reader

summary - you somehow get turned into a baby and they have to spend 24 hours babysitting you

warnings - my first time writing for ALL of these characters, so i'm sorry if i get their characters wrong! im only 416 episodes into the anime. i tried my best!

a/n - this was requested by @faioula16, i hope you like it!

MIHAWK

This could honestly go either way. This guy is unpredictable and even you never know what his next move will be. But you're his faithful and loving girlfriend, so there are some exceptions when it comes to you. Like when some deranged devil fruit user turns you into a baby, and Mihawk could have had someone else take care of you, but he wanted to do it himself. He was curious, now that it was you who was an infant.

But that may also be because a witness to the scene had expressed fear for infant you, saying that Mihawk was too cold and ruthless to take care of a baby. He didn't need to prove otherwise, and he didn't want to, but something just gnawed at him. Protectiveness, maybe. You were in such a vulnerable state right now, only he could protect you and care for you.

It had absolutely nothing to do at all with the fact that you looked so adorable staring at him with your big (eye colour) eyes, reaching out to tap his because the strange colour fascinated you. No, it had nothing to do with how cute your excited squeal was every time he picked you up or looked at you. He was absolutely not entranced by your cute little smile or how you clung to him with little hands that could barely hold his one finger. Absolutely not.

Mihawk is actually a pretty good babysitter. But only for you. He will sit and read to you with you on his lap, trying not to smile when you giggle and smack the book, always catching you when you lunged forward excitedly and almost fell off his lap. He will never finish the story, but he reads to you anyway because you seem to like it...for a little while.

"(Name), no!"

He almost had a heart attack when he set you down for one second to put the book away, and you almost fell off the table because you were trying to crawl to him. Your eyes filled with tears when he yelled, even if he hadn't meant to sound angry. His gaze softened, and he picked up and cradled you against his chest, pressing a gentle kiss to your temple.

"It's alright, I won't hurt you. You're fine, little one."

And then you really are fine, your little body comforted by his actions and words. They lull you into sleep, and soon you rest on his shoulder and fall into a deep sleep, gripping his shirt collar tightly in your tiny fist.

"Sleep well, (Name)."

When you awake, in your usual adult form, you're too nervous to suggest it, but thankfully Mihawk is thinking the same thing.

"I think I'd like a little you or me to keep me company."

BUGGY

Buggy is horrible with children. I mean he's not great with people, but he is absolutely, terrifyingly not good with kids at all. So when you were somehow turned into a tiny human being who could barely stand on two legs, he was shocked. And slightly scared, though he would never admit it. You were the only person he genuinely liked, so he tried not to be too...rough, with your little form. Picking you up was as far as he got, but even then he held you out awkwardly like a football.

And then you squealed and happily reached for his nose, the bright red circular appendage attracting your attention instantly. Now, Buggy was sensitive about his nose, but he let you touch it. A testament to how much he liked you. And, if he were being honest, you were actually kind of cute squeezing his nose like that until he couldn't breath-

Exhale out the mouth.

When he remembered he could use his mouth to breathe, he smiled a little at how much you were enjoying yourself playing with his nose. You even touched his makeup and all his markings, out of curiosity. Your eyes were bright with confusion but also fascination, and it did something weird to Buggy. Made him feel...warm inside?

Then he decided to, experimentally, see what your reaction to his devil fruit would be in this tiny form. He set you down on the floor again, and then detached his hand. Your eyes went wide and you instantly covered your eyes with your small hands, your bottom lip trembling. He panicked, tripping over himself and falling into a tangled heap in front of you. You peeked between your fingers to see this, then burst out into cute laughter. Buggy almost glared at you, but then remembered you were just a baby and instead picked himself up and smiled - or rather tried his best not to smile like a maniac - at you.

Then you saw his floating hand, and grabbed it.

"No no, (Name), that's not-"

You stuck his fingers in your mouth, and he groaned. You just giggled innocently, and only then did he realise his devil fruit could be a source of entertainment for you. He detached multiple limbs and floated them around, watching as you squealed in glee and crawled around trying to catch them.

Were you actually having fun because of him?

When he finally put his body back together again, you pouted but crawled up to his leg and hugged it, gurgling happily as if to thank him. He was stunned. He slowly picked you up and you offered him a toothless smile, before yawning. Still unsure, he laid you on his shoulder and awkwardly patted your back, but that seemed to work because you slowly fell asleep.

When you woke up again, finally an adult, you grinned at him, "Shall we make you a father?"

SHANKS

It was his fault, really. He picked the fight, contrary to his usual behaviour. But that guy had said something about you, and he couldn't ignore it, so of course he acted. And now here you were, a tiny baby fisting his shirt in your tiny hand and looking up at him with big, curious (eye colour) eyes. He had experience with children, of course, having spent some time with Luffy. But you were so small, so delicate.

"Captain, what-"

He ignored the confused questions from his crew as he brought you back on board the ship, immediately taking you to his quarters. It shouldn't last long, he reminded himself, but he still felt guilty. Though that quickly disappeared when you giggled and crawled around his quarters, knocking things over and hiding with a loud giggle when he caught you.

"Oi, (Name)!" He tried to sound stern, he really did, but his laugh have his mood away. You stuck your head out from under his bed and stuck your tiny tongue out at him, and he burst out laughing. "Oh, you're cute, sweetheart."

He lifted you up again and you squealed excitedly and reached for his hair, the bright colour attracting your attention. He grinned and put you on his head, keeping his hands on your small waist, and soon felt you tug on his red strands. You were giggling and pulling and kicking your legs happily, so he endured the pain just for your sake. It was very cute how you thought his hair was a toy, and by the time you got tired of it, it was a mess. Strands were everywhere, out of place, sticking out...but it didn't matter to him.

Because now you were looking at him with your big, innocent eyes and suckling on your hand as he cradled you against his chest. He gently rubbed your back and pressed a soft kiss to your tiny tuft of (hair colour) hair.

"You're so pretty even as a baby, (Name)."

You rewarded him with a sloppy kiss on his cheek, making him laugh. He sat on his bed with you still in his arms, watching as you grew tired and offered him the cutest sight - the tiniest of yawns.

"Sleep, little one."

He gently rocked you to sleep, reassuringly and soothingly patting your small back as you drifted off on his shoulder. He felt warm inside, as if a small fire had been lit inside him. He knew what it was.

And when you woke up in adult form, he grinned at you, "Let me give you a baby, sweetheart."

BROOK

Brook has experience with babies. Maybe not human babies, but babies nonetheless. He knows a human baby is very different to a whale baby, but he figures that there can be similarities too. Such as entertainment, which is his area of expertise. So when he looks down at his feet to see baby you tugging on his pants, he is somewhat prepared. He has no idea how you were turned into a baby, of course, but he's not complaining because you are so, so adorable.

"What happened to (Name)?" Franky asked the skeleton, raising an eyebrow.

"Nothing important!" Was Brook's gleeful reply, followed by a laugh when you somehow crawled on top of his afro and knocked his hat off so you could take its place.

"Nothing imp-" Franky sighed. "Do you even know how to look after a baby?" Franky's eyes worriedly drifted to where you sat upon the skeleton's head, tugging on his afro and squealing with delight. You wobbled precariously.

"No, but it can't be any different to a baby whale!"

Franky would have commented on that, if you hadn't slipped off Brook's head. The cyborg easily caught you, before holding you out to Brook, "Don't let her sit on your head."

"Noted."

For the rest of the day, Brook occupied you by sitting you down on his bed and playing music for you, telling you stories about Laboon and his crew, and about his experiences in the Grand Line before you guys found him. He sang all sorts of songs, played all sorts of melodies, while you giggled and clapped your hands excitedly, bouncing up and down. Brook smiled, the sight warming heart - oh, but he doesn't have a heart. He hardly ever got tired, but you prompted him to play for hours on end, until he really was exhausted. So he picked you up, settled on his bed, and lay you on his lap before humming a tune. You slowly drifted off to sleep, and Brook smiled.

He hoped he could play for one of the crew's babies one day.

CHOPPER

Another island, another mishap, another adventure. No trip is ever boring with the Straw Hats, and this was again proven when an unfortunate encounter with a devil fruit user who could change people's ages led to you being turned into an infant. And that's how you found yourself cradled in Sanji's arms, with Chopper trying to get a good look at you all throughout the walk back to the Sunny.

"Chopper, she's fine," the cook tried to assure the doctor, but Chopper was having none of it.

He was so worried, because no one was equipped to take care of a baby, and he cared about you so much that now you were a baby, he was becoming overprotective. As soon as Sanji set you down somewhere safe for Chopper to examine you, he was grabbing his bag and bringing out all his different tools. He checked all your vitals and made sure you were first and foremost healthy, before he could consider anything else.

Then you touched his blue nose and widened your eyes in fascination, gurgling softly, and Chopper blushed brightly. He smiled and poked your nose back, and you let out the cutest giggle that melted the reindeer's little heart. He shifted to his humanoid form and gently lifted you up into his arms, cradling you as he gazed down at you with the utmost love, adoration and fascination he could manage. You were so tiny, even more so than him, and so so cute. Then you sneezed, looking stunned for a moment before giggling loudly. And Chopper thought there was nothing more joy-inducing than holding and watching baby you.

"Chopper, where's-oh." Nami stopped when she saw Chopper standing there just holding you, one of his fingers in your tiny hand as he cooed at you and made you giggle. She smiled softly and left the room, deciding you were in safe hands.

"You're the cutest baby in the world, (Name)," Chopper told you. You just smiled brightly, exposing your gums cause you had no teeth, and waved your small arms around happily.

Chopper was really good with you. He monitored you throughout the 24 hours, making sure you ate properly, got enough sleep and were bathed properly. He is probably the best caretaker out of all the men on this list, not only because he's doctor but he's naturally caring and nurturing. It comes like second nature to him. Besides, you were such a calm and quiet baby - except for the giggling - that you made it easy for him. He was almost sad when you fell asleep, knowing you'd be grown up again when you woke up.

But maybe one day the crew would be able to fawn over a baby everyday. Maybe one day.

#one piece #op #one piece x reader #one piece x you #dracule mihawk #dracule mihawk x reader #dracule mihawk x you #mihawk x reader #mihawk x you #buggy the clown #buggy x reader #buggy x you #shanks x reader #shanks x you #brook x reader #brook x you #chopper x reader #chopper x you

[cy-cyborg]

The Untrustworthy Fake: Disability Tropes

[ID: A screenshot of Willy Wonka from Charlie and the Chocolate Factory as he limps towards a crowd using a cane. In the picture, he has a brown top hat in his hand, and he's wearing a suit with a purple jacket, multicoloured bow tie and cream coloured pants. Beside him is text that reads: "Disability Tropes, The untrustworthy Fake" /End ID]

Tell me if this sounds familiar: A new character is introduced into a story with some kind of disability - usually visible but not always. Maybe they're a seemingly harmless person in a wheelchair, maybe they're a one-legged beggar on the street, or maybe they're an elderly person with a cane and a slow, heavy limp. But at some point, it's revealed it's all a ruse! The old man with a cane "falls" forward and does a flawless summersault before energetically springing back up to his feet, the wheelchair user gets to their feet as soon as they think the other character's backs are turned, the one legged beggar's crutch is knocked out of his hand, only to have his other leg pop out of his loose-fitting tunic to catch him.

All of these are real examples. Maya and The Three introduces one of it's main protagonists, Ricco, by having him pretend to be missing a leg in order to con people (something that works on the protagonist, at least at first), Buffy The Vampire Slayer had the character Spike, pretend to be in a wheelchair, until the other characters leave and he gets up, revealing it's all a ruse and Charlie and the Chocolate Factory introduces Wonka by having him slowly limp out into the courtyard of the factory, only for his cane to get stuck, causing him to "fall" and jump back up, revealing that he's actually perfectly fine. Virtually every single major crime show in the past few decades has used this trope too, from CSI to The Mentalist, Castle, Law and Order and Monk all having at least one episode featuring it in some way. Even the kids media I grew up with isn't free from it; The Suite Life of Zack & Cody sees Zach faking being dyslexic after meeting someone who actually has the condition in the episode Smarter and Smarter and the SpongeBob SquarePants episode Krabs vs Plankton has Plankton fake needing a wheelchair (among other injuries) after falling in the Krusty Krab as a ploy to sue Mr Krabs and trick the court into giving him the Kraby Patty Formula.

No matter the genre or target audience though, one thing is consistent: this trope is used as a way to show someone is dishonest and not to be trusted. When the trope is used later in the story, it's often meant to be a big reveal, to shock the audience and make them mad that they've been duped, to show the characters and us what this person (usually a villain) is willing to stoop to. Revealing the ruse early on though is very often used to establish how sleazy or even how dangerous a character is and to tell the audience that they shouldn't trust them from the get go. Gene Wilde (The actor who first played Willy Wonka) even said in several interviews that this was his intent for Wonka's character. He even went so far as to tell the director of Charlie and the Chocolate Factory that he wouldn't do the film without that scene because of how strongly he felt this trope was needed to lay the foundations for Wonka's questionable intentions and motivations. His exact words are: "...but I wouldn't have done the film if they didn't let me come out walking as a cripple and then getting my cane stuck into a cobble stone, doing a forward somersault and then bouncing up... the director said, well what do you want to do that for? and I said because from that point on, no one will know whether I'm telling the truth or lying."

There's... a lot of problems with this trope, but that quote encapsulates one of the biggest ones. whether intentionally or not, this trope ends up framing a lot of actual disabled people as deceitful, dishonest liars. Now I can already hear you all typing, What?! Cy that's ridiculous! No one is saying real disabled people are untrustworthy or lying about their disabilities, just people who are faking!

but the thing is, the things often used in this trope as "evidence" of someone faking a disability are things real disabled people do. A person standing up from their wheelchair or having scuff-marks on their shoes, like in the episode Miss Red  from The Mentalist isn't a sign they're faking, a lot of wheelchair users can stand and even walk! They're called ambulatory wheelchair users, and they might use a wheelchair because they can't walk far, they might not feel safe walking on all terrains, they might have unstable joints that makes standing for too long risky, they might have a heart condition like POTS that has a bigger impact when they stand up or any number of other reasons. Also even non-ambulatory wheelchair users will still have scuff marks from things like transferring and bumping into things (rather hilariously, even TV Tropes calls this episode out as being "BS" in it's listing for this trope, which it refers to as Obfuscating Disability). A blind beggar flinching or getting scared when you pull a gun on them isn't a sign they're faking their blindness like it is in Red Dead Redemption 2. Plenty of blind people can still see a little bit, it might only be a general sense of light and darkness, it might be exceptionally blurry or just the fuzzy outlines of shapes, or they might only be able to see something directly in front of them, all of which might still be enough to cue the person into what's happening in a situation like that. Even if it's not, the sound of you pulling your gun out or other people nearby freaking out and making noise probably would tip them off. A person needing a cane or similar mobility aid sometimes, but being able to go without briefly or do even "big movements" like Wonka's rolling somersault, doesn't mean they don't need it at all. Just like with wheelchairs, there's a lot of disabilities that require canes and similar aids some days, and not others. Some disabilities even allow people those big, often straining movements on occasion, or allow them to move without the aid for short periods of time, but not for long. Some people's disability's might even require a mobility aid like a cane as a backup, just in case something goes wrong, but that still means you need to carry it around with you, and unless it can fold down, it's easier to just use it.

Disability is a spectrum, and a lot of disabilities vary in severity and what is required of the people who have them day to day. This trope, however, helps to perpetuate the idea that someone who does any of these things (and many others) is faking, which can actively make the lives of disabled people harder and can even put them in very real danger, physically, mentally and even financially.

Just ask any ambulatory wheelchair user about how many times they've been yelled at for using accommodations they need, like disabled toilets or parking spaces. How many times they've been accused of faking and even filmed without their consent because they stood up in public, even if it was to do something like get their wheelchair unstuck or as simple as them standing to briefly reach something on a high shelf. I've caught multiple people filming me before, so have my friends and family, and it's honestly scary not knowing where those images have ended up. This doesn't just impact the person either, a friend of mine was filmed while standing up to get his daughter (who was about 4 at the time) out of the car. He was lucky to have stumbled across the video a few days later on facebook and contacted the group admins where it was posted to get it taken down, but had he not stumbled across it by chance, pictures with his home address and his car's number plate, his child's face and his face all visible would have just been floating around, all because a woman saw him stand briefly to pick up his daughter.

Many people don't stop at just saying a nasty comment or taking a photo though, a lot of people, when they suspect people are faking, will get violent. I have many friends who have been pushed, slapped in the face, spat on or had their mobility devices kicked out from under them. I've even been in a few situations myself where, had I not had people with me, I think the situation would have turned violent.

There's even been cases where those photos and videos I've mentioned before have been used against real disabled people and they've been reported to their country's welfare system as committing disability fraud. While cases like this are usually resolved *relatively* quickly, in many parts of the world, their payment will be halted while the investigation is in process, meaning they may be without any income at all because of someone else's ignorance. If you're already struggling to make ends meet (which, if you're only living off one of those payments, you probably will be), a few weeks without pay can mean the difference between having a home and being on the streets.

Not to mention that when there's so many stories about people faking a disability in the media, especially when the character is doing it to get some kind of "advantage", such as getting accommodations or some kind of disability benefit, it perpetuates the idea that people are rorting the systems put in place to help disabled people. If this idea becomes prevalent enough, the people in charge start making it harder for the people who need them to access those systems, which more often than not results in disabled people not even being able to access the very systems that are supposed to be helping them. A very, very common example of this is in education where accommodations for things like learning disabilities require you to jump through a ridiculous number of hoops, especially at higher levels, only to have some teachers and professors refuse to adhere to the adaptations anyway because they're convinced the student (and usually disabled students as a whole) is faking.

Yes, the "untrustworthy faker" is a fictional trope, and yes, it does occasionally happen in real life, but not as often as media (including things like news outlets) would have you believe. However, when the media we consume is priming people to look for signs that a disabled person is faking, it has a real impact on real disabled people's lives. "Fake-claiming" is a massive problem for people in pretty much all parts of the disabled community, and it ranges from being just annoying (e.g. such as people spamming and fake-claiming blind people online with "if you were really blind, how do you see the screen" comments) to the more serious cases I mentioned above. It's for this reason a lot of folks in the disabled community ask that people leave this trope out of their works.

#Writing disability with Cy Cyborg #Long Post #Disability #Disabled #Disability Representation #Writing Disability #Writing #Writeblr #Authors #Creators #Writing Advice #Disabled Characters #On Writing #Disability in Media #Tropes #Disability Tropes #faking disability trope