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#the highlight of the show !
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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memorys-skyscraper · 6 months
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its wild to me that for as much as people rave about the voice acting in FFXIV (and rightfully so), i've literally never seen anyone talk about the performances for nidhogg and hraesvelgr???
like those VAs were having to deal with a conlang that looks like this:
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and still managed to give really great performances with emotion befitting the content of each line
anyway this is an appreciation post for simon greenall (nidhogg) and steven hartley (hraesvelgr), absolute legends
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david-talks-sw · 8 months
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Dooku didn't leave because of the Jedi.
At least, if you're going by George Lucas' word.
In deleted scenes of Attack of the Clones, when we learn about Dooku's departure and his values, there's no mention of the Jedi or "the Jedi Order as an institution".
And every time Lucas refers to Dooku's disenchantment and reason for falling, he doesn't mention the Jedi.
"When you realize that Dooku is Darth Tyranus, it explains what Darth Sidious did after Darth Maul was killed: he seduced a Jedi who had become disenchanted with the Republic. He preyed on that disenchantment and converted him to the dark side, which is also a setup for what happens with Anakin." - Mythmaking: Behind the Scenes of Attack of the Clones, 2002
"[Dooku is] one of the few Jedi who became disenchanted with the Republic and left the order and he is leading a separatist movement." - Vanity Fair, 2002
"I wanted a more sophisticated kind of villain. Dooku’s disenchantment with the corruption in the Empire is actually valid. It’s all valid.  So, Chris plays it as, 'Is he really a villain or is he just someone who is disenchanted and trying to make things right?'" - Starlog Magazine #300, 2002
He probably meant the Republic/Senate in that last one, but you get the point. And you're seeing the pattern, right?
Dooku's problem isn't the Jedi, it's the Republic.
He's become disenchanted with a system that - according to Lucas' prologue in the 2004 book Shatterpoint - worked for 1,000 years...
"For a thousand years, the Old Republic prospered and grew under the wise rule of the Senate and the protection of the venerable Jedi Knights."
... but has been rendered ineffective because of 1) senators becoming corrupt and 2) corporations gaining political power.
"But as often happens when wealth and power grow beyond all reasonable proportion, an evil fueled by greed arose. The massive organs of commerce mushroomed in power, the Senate became corrupt, and an ambitious named Palpatine was voted Supreme Chancellor."
That's the message Dooku runs on, when he rallies the systems to form the Separatist Alliance.
"By promising an alternative to the corruption and greed that was rotting the Republic from within, Dooku was able to persuade thousands of star systems to secede from the Republic."
The Jedi aren't really a factor in his decision to leave.
Why would they be? Their political status isn't very high, they're virtually powerless, as illustrated by the film's narrative and stated repeatedly by Lucas.
On the contrary, as we already established in this post, Lucas full-on confirmed that Dooku actually carries the sympathies of most of the Jedi. Again:
Most Jedi agree with Dooku, ideologically.
As far as the Jedi are concerned, the politicians are effing up the Republic, and it sucks because the Jedi see this but aren't allowed to interfere in the political process. They have to resort to looking for loopholes in their mandates to actually get stuff done.
That's what that whole "she's a politician" scene is meant to hint at. In the commentary of Attack of the Clones, Lucas uses a similar turn of phrase as he does with Dooku.
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"[This scene gives us] a chance to talk a little bit about politics and the Jedi’s disenchantment with the political process, due to the corruption and the ineffectiveness of the Senate." - Attack of the Clones, Director’s Commentary, 2002
Considering all this, it becomes clear that the intended narrative surrounding Dooku's decision to leave the Order is not:
"The Jedi are dogmatic and asleep at the wheel except for Dooku, who is ahead of the curb and sees the system is flawed, so he left."
It's actually:
"ALL Jedi see the system is flawed, Dooku's the only Jedi who decided to take it a step further and leave the Order so he can try to get into politics himself and change things."
That's why they hesitate to accuse him of murder.
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That's why in an earlier draft of the Attack of the Clones script, by the end of the second act, Mace STILL has his doubts that Dooku would sign a treaty with the Trade Federation to attack the Republic.
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As far as the Jedi are concerned, Dooku is out there fighting the good fight, making noise because whenever they try to protest it falls on deaf ears... until his betrayal on Geonosis.
After all, let's not get it twisted: the Dooku we're introduced to in the films and The Clone Wars, isn't really just Dooku anymore.
He's Darth Tyranus.
A point Lucas makes sure to highlight in his Shatterpoint prologue:
"Unbeknownst to most of his followers, Dooku was himself a Dark Lord of the Sith, acting in collusion with his master, Darth Sidious, who, over the years, had struck an unholy alliance with the greater forces of commerce and their private droid armies."
It's not about doing the selfless thing for Dooku, anymore. He's knowingly part of the problem.
He's all about ambition, now. His personal goals are things like overthrowing Sidious and becoming the most powerful Jedi.
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"[Anakin's] ambition and his dialogue here is the same as Dooku’s. He says “I will become more powerful than every Jedi.” And you’ll hear later on Dooku will say “I have become more powerful than any Jedi.” [...] It is possible for a Jedi to want to become more powerful, and control things." - Attack of the Clones, Director’s Commentary, 2002
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"If you put two Sith together, they try to get others to join them to get rid of the other Sith. [When revealing the truth to Obi-Wan], Dooku's ambition is really to get rid of Darth Sidious. He's trying to get Obi-Wan's assistance in that and help in that, so that he and Obi-Wan could overthrow Sidious and take over." - Attack of the Clones, Commentary Track 2, 2002
Y'know? Selfish things.
Dooku - like all other Sith, and like the very corporations and Senators he had sworn to destroy - is consumed by his own greed.
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kwillow · 4 months
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As an eligible young noble of no small fame, Ambroys had a number of arranged courtships and suitresses in his youth, but any nascent marriages always fell through.
It's not that he didn't try; he certainly knew how to court a lady (perhaps too well, according to many fathers and husbands), and when he lacked knowledge on the affairs of womens' hearts, he sought counsel from a young woman who was a dear friend of his (perhaps too much counsel, according to his own father). Nonetheless, all he garnered for his efforts was separation after separation.
Ah, well. Maybe it was for the best.
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purblzart · 2 months
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Thing I’ve been working on for the past month or so!!
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larabar · 4 months
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some last guys before armageddon ✌️ (prime s3)
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tyrannuspitch · 2 years
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big fan of stories that are like fate is just the propaganda that allows the powerful to maintain control of the oppressed but also fate is just your childhood trauma driving you to recreate the same dysfunctional cycles over and over again but also fate is not an illusion fate is a real force that you live with every day and there are real consequences for defying it but also fate is just your father trying to tell you he knows you better than you know yourself. and he's wrong
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cjay321-0 · 4 months
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DamiAnya my beloved~
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cupidskissx · 5 months
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A Lestappen love story told through their feet, part ♾️:
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📸 James Moy
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brotherconstant · 8 months
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FOUNDATION | Creation Myths (2.10) “Poor Ben Daniels actually broke a rib while filming this fight – but he championed on.”
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mobius-m-mobius · 6 months
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Lokius in Loki 2x04 - “Heart of the TVA”
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quasar-kaiser · 7 months
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My take on BMs new design!
It took me a while to get used to it but fanart helped a lot
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bonetrousledbones · 1 year
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redrew this old thing to be more faithful to the original art and ngl i’m obsessed with it now
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Alhaitham referring to kaveh in ways which acknowledge his skill, and kaveh perceiving it as sarcasm, even though alhaitham refers to kaveh in the same ways when kaveh isn’t present is driving me a little bit insane - especially what this prompts the player to question!!
When we first meet kaveh in the archon quest the relationship between him and alhaitham is presented to us as “terrible” (courtesy of npc geoff who introduces kaveh’s return to sumeru city), and the cutscene in the house of daena demonstrates what this entails, being that the two cannot see eye to eye, and, seemingly don’t hold each other in high regard.
Alhaitham seemingly refers to kaveh’s genius in a sarcastic light and kaveh claims to despise talking to alhaitham because of his arrogance.
Looking to kaveh’s hangout, however, when the player has a one-on-one with alhaitham, the player gets a glimpse into alhaitham’s personal understanding of kaveh, and with this, his own views on kaveh.
Within this exchange between him and the player, Alhaitham uses Kaveh’s title without sarcasm, sincerely praising him and his skills, elevating him over ‘less skilled’ architects and asserting that Kaveh should have more confidence in his work.
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The reason that Alhaitham does not openly praise Kaveh is stated here, being that “admonitions” will serve no purpose due to people being prone to fall into “similar pitfalls”, and that people should have the right to lead their own life, rather than have it interfered upon by others
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The reading here is that even if Alhaitham did openly praise Kaveh, no difference would be made in Kaveh’s thinking. Yet, by refraining from praise, and instead goading, by this logic, this also makes no difference. Therefore, the question is raised, ‘why can Alhaitham praise Kaveh to the player, and not to Kaveh himself?’
When Alhaitham praises Kaveh’s work within Kaveh’s hangout it is through there being no record of issues in the reconstruction of port ormos, which is something kaveh states first - in this context, alhaitham notes the work as an “impressive achievement”, which kaveh assents to, as there is no standing in which this can be debated. Kaveh cannot resent a compliment steeped in fact, even from alhaitham
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The problem, then, is rooted in alhaitham’s delivery, which relates to their core issue of miscommunication. Referring back to their exchange in the House of Daena, it is observed that Alhaitham uses similar descriptors of Kaveh to Kaveh, similar to the descriptors he uses to the Traveler in Kaveh’s hangout, however, Kaveh perceives these words as sarcasm.
This highlights the miscommunication between them and can aid in answering the question why Alhaitham cannot be open with Kaveh, as he will be misconstrued.
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​Through Alhaitham’s repeated elusions to Kaveh when he is not present and his open esteem of Kaveh and his work to the Traveler, Kaveh’s assertion that Alhaitham holds him in a negative light is proved incorrect. This serves to highlight the miscommunication between the two, causing the player to question why they hold such contrasting views of the other.
Clearly, there is a reason why Alhaitham cannot openly express his regard of Kaveh to Kaveh, but this reason is obscure to both kaveh and the player.
In terms of queer subtext it’s pretty interesting that alhaitham’s high regard for kaveh is shown within the surface text and yet the reason for this secrecy is never made explicit within the story’s surface and is only to be inferred from alhaitham’s and kaveh’s character stories.
In terms of the two functioning as mirrors, the fact that the knowledge that alhaitham cannot outright compliment kaveh 1) is not only due to their past argument and lost friendship and 2) is also due to his awareness that kaveh cannot accept goodwill, is only obtainable by reading both kaveh and alhaitham’s character stories shows how intertwined they are as characters - you cannot fully understand one without the other
(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
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booasaur · 4 months
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Monarch: Legacy of Monsters - 1x07
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nostalgic-teddyy · 2 months
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