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lostloveletters · 4 months

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A Long, Lonely Time (David Webster x Reader)

Summary: You don’t know what you’ve got until it’s gone, but when Webster returns to Easy Company, you find it difficult to reckon with the very real possibility of losing him again, maybe even for good.

Note: Gender neutral reader, and no descriptors are used. The draft script of episode 3 provides more background on Webster transferring into Easy Company, which isn’t explained in the show for some reason (a shame because they cut out some pretty great scenes), but I included a handful of the details here. This is based on the fictional portrayals in the HBO miniseries and not the real individuals. Do not interact if you’re under 18, terf or radfem, or post thinspo/ED content.

Word count: 2.5k

Warnings: Hurt/angst with comfort. Mentions of Eugene Jackson’s death. Playing with the timeline of episode 8 a little bit. Probably some other historical inaccuracies. Do not interact if you’re under 18.

Two days. David Webster had only been back for two days, and you kissed him.

Your crush on him had hibernated in his absence, frozen in a forest with the rest of you. It thawed as soon as you saw him for the first time in months.

The other members of Easy weren’t so quick to warm up to him again. No matter, it just gave you more time to spend with him. You appreciated how from the moment the two of you first bonded over your shared love of literature, he was genuinely interested in your thoughts and opinions, assuaging your fears that you’d be a lackluster companion to the Ivy Leaguer.

He could’ve taken the easy route as others with a privileged background like his had done and allowed his social status to get himself a cushy position. However, he, like Caption Nixon, inexplicably chose the rest of you. Unlike Nixon and yet just as inexplicable, he rejected any promotions. Odd, yet admirable, like when he’d approached Winters in Aldbourne after D-Day, requesting to transfer from Fox to Easy to put his skills as an assistant machine gunner to better use.

None of that mattered to your comrades anymore, but as a medic, you appreciated that he took recovering from being wounded seriously. You told him such, and he smiled, confessing that he had used his stint in the hospital for one selfish indulgence. Later, when the two of you were alone; he pulled a brown paper package from his pack, privately presenting you with a gift he got his hands on for you. Ripping back the wrapping, you beamed when you saw the cover of a brand new ASE copy of The Postman Always Rings Twice.

Your worn copy of Jane Eyre had been waterlogged from the snow and rendered illegible. New books were low priority in the Bois Jacques, so you were left without reading material for longer than you would’ve liked.

The book was the first time in what felt like years you’d received a gift. You had almost forgotten how nice it was, especially something so thoughtful. So you kissed him, impulsively, passionately, threading your fingers through his hair to pull him closer, your other hand gripping the book tightly.

He kissed you back with a tenderness that had long since become foreign to you and felt almost too overwhelming as a result. His lips were soft and warm compared to yours, chapped from weeks of unrelenting cold, but he was undeterred. His hands held your waist, his fingers gently pressing against the skin that’d been exposed as your untucked shirt had ridden up. You shuddered against him, feeling goosebumps rise on your skin–either the cold air, or his touch. Probably both.

Hearing the clamoring of nearby voices, you reluctantly broke the kiss.

“I don’t have anything to give you,” you lamented breathlessly.

His blue eyes seemed to sparkle when he smiled. “I think we’re even.”

“You know,” you began, turning the book over to glance at the synopsis, “all I ever heard when this came out was that it was dirty. Are you trying to tell me something?”

“Books aren’t dirty. It’s embarrassing that Boston even bans them the way they do.”

“Have you read it?”

“I haven’t, but that’s not the point. They’d ban Shakespeare if he were publishing today.”

“I don’t disagree with you,” you said, suppressing an amused smile, “but I only asked because I thought we could read it together, if you don’t mind the company.”

His expression softened. “I’d love that.”

Smiling, you leaned in for another kiss when the door opened, and the two of you jumped away from each other like the other was on fire.

You relaxed when you saw Roe standing in the doorway. He gave you an almost exasperated look, but that was all. For the moment.

“Webster,” Gene said, giving him a nod of acknowledgement before shifting his attention to you. “Will you sort through those supplies Luz got earlier? I gotta check on Lipton.”

“Sure,” you said with a nod. “Thanks again, Web–David, the book’s great.”

He smiled. “Of course.”

You followed Gene out of the room, walking side-by-side down the hallway until you were a decent distance from Webster and out of earshot from anyone who might otherwise eavesdrop. When your best friend stopped in his tracks, you mirrored him, flattering a bit beneath the weight of his disapproving glare.

“Are you crazy?” Gene scolded.

“He gave me a book. It’s not–don’t look at me like that.”

“However wounded he gets, it’s gonna be a lot worse for you.”

“I know.”

“No, you don’t know. This ain’t the time or place.”

“There might not be another time or place,” you argued.

He sighed, either conceding to your argument or not finding it worth wasting any more breath over. For how long you’d known him, he could be impossibly difficult to read. “Just be careful, alright?”

Gene brought you to the recently delivered boxes of medical supplies, desperately needed weeks ago. Better late than never. You rifled through bandages and morphine, hands shaking a bit as you tried not to think about who might have still been there if it’d come in sooner. But Webster came back, even though you’d long been convinced you’d never see him again. At least if the worst happened, you wouldn’t have to wonder if your feelings for him were reciprocated.

The worst. You weren’t sure what, out of everything you’d seen the past few months, could have been considered the worst. Slow deaths, blown off limbs, or men whose bodies and psyche were trapped in that place between life and death. But you couldn’t let yourself spiral, not when so many people were relying on you. Hope seemed increasingly hard to find, and if indulging in whatever you had with David gave you the slightest bit more, you’d take it.

As if materializing from your thoughts of him, he walked into the room, silent concern etched in his face.

“There’s a patrol tonight,” he said. “We’re going across the river to bring back prisoners.”

“Who all’s going?” You figured if he was breaking the news to you, he’d be included. A sinking feeling dropped in your stomach when he answered, nevertheless.

“Most of 2nd platoon, except Liebgott and Malarkey.”

“It’s always 2nd platoon,” you muttered. “So you’re going as translator, then?”

He nodded. “The Krauts won’t expect us, at least that’s what they say.”

“I’m still gonna worry,” you said softly. “Just got you back.”

“Comes with the territory, doesn’t it?”

“Yeah, it does.”

“I’ll find you as soon as we’re done,” he promised.

“Can I give you a kiss for good luck?”

“I’ll never say no to that.”

You pressed your lips to his, craving the tenderness he’d given you earlier like it was missing from your veins. You hadn’t realized how much you needed it, soft words and tender touches that made you finally feel something other than numb and tired. Desire that would long remain unfulfilled had settled deep inside of you, and you desperately wished you and David were somewhere, anywhere else.

Holding onto him just as tightly as you were trying to keep your restraint, you went as far as he led you, open-mouthed kisses burning into your skin until a moan escaped your lips, nearly giving the two of you away.

“You’re the most incredible person I’ve ever met,” he said, giving you a quick kiss that felt achingly insufficient for what you wanted from him.

“Wait ‘til you get me in bed,” you joked.

He laughed, caressing your cheek. “I mean it. I’ve never known anyone like you.”

“Shame we had to meet this way, huh? But then we probably would’ve gone the rest of our lives not knowing each other at all.”

“That’d be a real tragedy.”

“You’re telling me.”

Far too soon for your liking, though you weren’t sure how much time had passed in all honesty, he made his leave as the sound of approaching footsteps grew louder and darkness began to fall.

You tried to keep your mind off of the patrol, assure yourself that you were worrying for nothing. Sitting on an empty couch, you finally got a better look at the book he presented you with, not having a chance to before. He’d written on the blank cover page, filled the whole thing and then some.

Beneath your name, carefully written in pencil, an inscription, detailing the longing he felt from your absence, his heart growing fonder of you with each passing day but struggling to assuage the loneliness and doubt that began to coil around it. The sound of your voice, your laughter, so vivid in his dreams that he’d wake up looking for you. He’d taken your friendship for granted, he claimed, but though the two of you met during less than ideal circumstances, getting shot was worth meeting you. Your vision began to blur with tears by the time you reached the end of his confession, ‘I missed you before we ever met, and now that we have, I miss you even more.’

You slammed the book shut, choking out a sob. It wasn’t fair. You’d just gotten him back, and in the blink of an eye you could lose him again, possibly for good. In that moment you understood better than ever why medics were supposed to keep their emotional distance, but the pain in your chest, the salty tears that stung your eyes were all worth it for the brief comfort you had found with him. You’d been so lonely otherwise, constantly surrounded by people but still feeling something missing until he returned.

Your name sounded muffled to the ringing in your ears, until Gene sat next to you, putting his arm around your shoulder.

“Don’t get too stuck in your head. Won’t be able to help no one like that,” Gene said, holding you in the hug. “Don’t think about it.”

“How can I not? It’s all around us–I can’t–”

“Yes, you can. You wouldn’t be here if you couldn’t.”

You let out a shaky breath. “I don’t feel like it sometimes. I feel like I’m just–”

“Just one person and it’s never gonna be enough.”

Something had happened in Bastogne, the last time he went back to the town. He never spoke of it, even when you offered to be an unjudging ear to spill his thoughts to, but you could tell it affected him deeply, even still. Knowing he was speaking from experience was an almost painful comfort.

“Why don’t you get some rest? I’ll be up,” he said.

“You sure?”

He nodded.

When he left, you set the book aside, silently promising yourself that you wouldn’t read it without Webster. If he didn’t return, it’d stay with you, unread until you met your own demise. An unnecessarily dramatic gesture to only yourself, you hoped it wouldn’t come to that.

The following hours found you in and out of sleep, almost unable to discern your erratic dreams with troubling reality. Footsteps and voices muddled together into unintelligible ramblings that you couldn’t help interpret as the worst in your near fugue state. Your worry was laced with frustration at letting the situation cause you so much distress. You were a medic, after all. You were supposed to be prepared for this.

Still, you couldn’t help but feel a momentary wave of relief crash over you when Webster walked into the room.

“Thank god,” you whispered, throwing your arms around him and kissing his cheek.

His embrace was stiff, awkward, and the far away expression on his face gave you pause.

“David, what happened?”

“Jackson’s dead. It was his own grenade. He didn’t wait long enough. It just…”

“Oh my god.”

“He didn’t die right away.”

“Why didn’t someone get me? Maybe I could’ve–”

“By the time Sergeant Martin got Doc Roe it was already too late. There was nothing Doc could do—nothing you could’ve done,” he said quietly, before adding, “I’m glad you didn’t see it.”

“I’ve seen worse by now.”

“Why add onto it?”

“I’m sorry.”

“Me too. That I didn’t write to you, that I didn’t tell you sooner how I felt about you, but it’s no use dwelling on all of that now,” he said. “It can’t change anything, and no matter how sorry we are, it won’t bring Jackson back, or anyone else, for that matter.”

It was settling in, that same bitterness that’d made its home in the bones of your comrades. A taste in your mouth that could be mistaken for blood by anyone else, but you knew it all too well. Your heart ached at seeing it finally get to Webster, too.

“Do you wanna just sit for a while?” you asked.

He nodded. The two of you settled onto the couch, his head in your lap as you ran your fingers through his hair, gently tracing the soft lines that ran across his forehead, betraying that despite his closed eyes, his mind was still racing.

“This isn’t exactly how I wanted to spend the rest of the night with you,” he mumbled after a while, his eyes fluttering open.

“David, it’s alright,” you said, your thumb brushing back and forth across his cheekbone, trying to pull his mind out of the depths you knew too well. “I’m glad just to do this. I’m kind of crazy about you.”

“Kind of?”

“Yeah, just a little bit.”

“What would I have to do to make you a fully-fledged lunatic?”

“Horrible, indecent things that would get me sent home in shame.”

He laughed. “But crazy about me?”

“Absolutely wild.”

He took your hand from his face, kissing your palm before holding it in his.

You weren’t sure when you’d fallen asleep, but you awoke the next morning with an unforgiving crick in your neck, and the thought of the recently delivered aspirin tempted you for a split second before you realized you’d woken up by yourself.

He probably slipped out at some point, returning to his bunk so neither of you would get into any trouble. It didn’t stop you from asking around for him until you finally caught him alone.

“Hey, where’d you run off to?” you asked.

“Sink wants another patrol,” Webster told you, watching cautiously as your hands balled into fists at your side.

You fought back tears of frustration. “Then I wanna go too. I’ll make sure nothing like what happened last night happens again. Where’s Captain Winters? I’ll–”

“Winters is going to tell him a phony story about how we went back but couldn’t get any more prisoners.”

You paused, your brain taking a moment to process the information before you let out a weak laugh in disbelief, the tears that’d welled up in your eyes rolling down your cheeks regardless. Maybe you were delirious. Or sleep deprived. And your neck still hurt. “That man is a fucking saint.”

Webster smiled, putting his arm around you and pressing a kiss to your temple. “He is. Especially since that leaves me free the rest of the night.”

“You know, this handsome guy just gave me a brand new copy of The Postman Always Rings Twice.”

“Sounds like he has good taste.”

You smiled. “Yeah, I’d say so.”

#david webster x reader #band of brothers x reader #band of brothers #band of brothers fanfic #david webster #band of brothers imagine #anyway read the postman always rings twice! or watch the movie the one with lana turner not the other one #do you ever think about how a book with a dysfunctional and murderous semi sadomasochistic relationship was given out by the us government #webster and the reader sure will!

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subwaytostardew · 2 months

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▽ Subway to Stardew - Emmet 8-Heart Event ▽

This plays after getting at least 8 hearts with Emmet and entering the Railroad between 9AM - 4PM on a Thursday after viewing his 7 heart event.

You recieve this letter when you reach 8 hearts with Emmet!

Commentary and progress under the readmore.

▷ Station Steward Thylak

I DID NOT REALIZE THAT THIS EVENT WOULD BE THAT LONG... I could have sworn it was around 14 minutes max! I was worried that the battle stuff went by too quickly! It's almost 30 minutes long! And that's with me clicking away faster! Emmet really meant it when he said he wanted to spend all the livelong day together...

I thought it was going to be roughly 18 minutes. NOPE. WOOPS. This what happens when you write possibly too much.

We are bad at making short events. Vanilla events are around 1-3 minutes long. A day in Stardew lasts 14 minutes and 10 seconds. I would not recommend trying to play this mod spoiler free on multiplayer because time does not freeze and you will die if you don't skip the events. I wouldn't want to shorten the events either... Cutting down their infodumps would just be wrong.

We had a few requests to have a battle event which made me 😅 because I personally couldn't imagine that going well (truth over ideals...). This event was partially made to shut that idea down. The whole tunnel scene is mostly me trying to write an in-story reason as to why there won't be a battle with the farmer against Ingo... Emmet is competitive! This is not just limited to battles but extends to being your best friend! Behind the scenes... I'm just too tired to write out more battles. I actually really dislike single battle format. I'm not making an Ingo battle event. You already have three games to battle him in. I refuse to make more battle events for the time being.

I say that but there's another half-finished double battle event between submas that I switched tracks from to work on Emmet's 8 heart event... I'll finish that eventually.

Anyways... the creation process did not go by quickly at all either. I sure do have a lot to say on that matter. I do all my coding in google docs (terrible, I know) and so far we have had to make 3 seperate documents becuase things start to break at around 40 pages. The document before Emmet's 8 heart event made it to 64 pages before I abandoned it for a new document.

The longest document we have is around 80 pages along. Which usually contain the draft scripts of multiple events. code documents however take up a lot more since it's basically a giant wall of text. So when Emmet's 8 heart event started to slow down the current code document (the third iteration). We had to give the event its own space.

Emmet's 8 heart event ended up being 36 pages long alone! Also if you didn't know, Stardew's event format doesn't allow for line breaks so I have been staring at a 36 page wall of text for weeks. I plan to upload a video compiling all the different options later because I feel like all of the "good" options for battle... don't quite make sense in the context of the rest of the story. The farmer is supposed to not be good at battle and lose because they got overwhelmed with information. As the one writing out all the battle options though, I can't bring myself to act like I'm bad at battling. The winning options are extra silly just to justify a loss and because I couldn't bring myself to lie about Wild Charge not being a guaranteed OHKO on Archeops either. Especially since Emmet brings out damage calculations in a few of the options.

On that topic, all of the battle options play out accurately in a real double battle! I tested. Every. Single. Path. In Pokemon Showdown between the halves of Emmet's team.

I had nightmares of reliving this same battle over and over because that's all I did when I was awake. Make it stopppppp 😭

The lines about them practicing were references to me actually simulating everything in Showdown! Emmet's frustration is also based on how making this event took over my brain so now I struggle to comprehend how someone who doesn't know what to do in this battle would feel... Thank you Kade for helping me with that part ^^;;;

Your welcome =3

I actually enjoyed the Pokémon Showdown part - when it comes to Pokémon Battles, I have dabbled a little bit into the competitive side of things. Or at least the massive game of 4D Chess... trying to predict your opponent etc. Bait them into making a mistake, etc. There was a good time where we did nothing but Pokémon Battles for a night. And it was fun.

I am in no way good at competitive side of things - (I lose lot but that's okay.) especially in the double battle format. Single Battles I could do. (Though once again, I'm average at best) However I think the most memorable battle I ever had was back in Pokémon X and Y, where I managed to chip away and stall a Mega Aggron with a Umbreon.. And I think Umbreon was my last Pokémon but I kept using Moonlight to keep my health up. My kid self was super surprised and ecstatic that I beaten the odds... but whenever I do Pokémon Showdown I'm either testing battle stuff or making teams. I'm addicted to team compositions and doing a combination of different Pokémon even if it's not the competitive Meta....

I have the choices sorted into good/bad routes in my mind so in most of the routes, Emmet criticizes the player's decisions based on type advantage, STAB, and target. I was torn between the best and worst options for this recording but thanks to Kade's input, you get to see Durant ramming into Emmet instead of him getting mad at you for conducting Shadow Claw on Galvantula.

Battling Emmet as a first time trainer is not going to go well! Not only is he too competitive and he refuses to let you win (unlike Ingo), he pretty much sets you up for failiure. I'm sorry Emmet but Galvantula's stats are not intended for making her a physical attacker (emphasis on the Egg Move at what cost...).

Not to mention... Emmet is a Battle Facility Head. And you don't get to battle the Subway Bosses in the mainline games unless you have a somewhat decent team halfway through the game. Even still! They can both wipe the floor with you if you're not aware that they are using battle items...

Though I interpret Emmet not going easy on someone as him challenging them to push themselves and exceed expectations. Both Ingo and Emmet as characters encourage others in their own way, Ingo through words and Emmet I believe through his actions. Though he also can say some encouraging things.

Not the most encouraging if you compare their quotes pages... Customer service and communication isn't exactly his forte... But Emmet wants you to do your best and win against him! He likes seeing serious battlers like him! He just won't let you win unless if you push yourself to do your best. You'll have to. He doesn't really have the most beginner-friendly approach...

Considering you the Farmer, have no idea what a Pokémon even is. (You're practically learning everything from Ingo, Emmet, Elesa etc.) The fact you get challenged to a Battle because Emmet wants to share his interests with you - to have you better understand Pokémon.

He just struggles with the fact that, he is essentially challenging someone with no real battle experience and it's a Double Battle at that. Controlling two Pokémon at once?! Think about the effort it takes to command one Pokémon. We all seen the Anime and how trainers struggle to connect with their partners because they're new. They're just starting. They aren't going to be Battle Facility levels of skill.

Not to mention that Emmet is a little deprived in the valley and hasn't really battled any other new passengers in quite some time. At most, he battled Iris once when she came to visit, Ingo (who's Pokemon are optimized for countering/pissing him off), and himself (I had the mental image of him sitting in the field practicing for this event like an old man playing chess against himself in a park). He's a little too far gone to fully understand what a beginner would think in this situation other than mayyyybe it would take a moment to catch them up to speed. (I would know... I swear those option paths rewired my brain...)

After inputting all of their data into Showdown, I had actually forgotten that Galvantula and Durant are Emmet's Doubles Line team while Eelektross and Archeops are the Super Doubles Line team when deciding the matchups. (Been a while since they were in the Battle Subway huh...) Story-wise, I was thinking that Emmet should be with his ace and that he wouldn't really trust anyone else with Archeops since... he has higher support needs (depression bird 💔). Eelektross and Archeops are paired up because of Gastro Acid and Defeatist. I was thinking that Galvantula and Durant are a bit more beginner-friendly; they can take a loss a bit more easilly (a little less so in Galvantula's case... she's a hater). The farmer had already met Durant earlier in the 4-heart event so he'd volunteer to return the favor of fighting for you. Once you win his trust, he's more than happy to help. As for Galvantula... She's testing to see if she can trust her clingy child with you.

I'm excited to dive into the Pokémon NPC stories... Durant and Excadrill especially.

Durant was originally going to have Choice Scarf instead of Quick Claw to help narrow down the options. It was a pain reorganizing my notes and options all over again to lump not only move choices but turn order in mind. My notes were a mess.

Durant and Galvantula are a very luck-based combination so it was ultimately easier to write the different option paths with that in mind since Stardew's event format is verrrrrrrrrrrry linear. All of the options need to merge back into the same event (well... besides the option to refuse his friendship/battle which ends the event in the tunnel). Durant has lowered accuracy while Galvantula has higher critical hit ratios, I could write the battles based on their luck which is great because I wanted to force a loss.

I thought it would be a little too... reductive (it sure would reduce the amount of content >.>) and unrealistic for the player to impress Emmet with a victory on their first battle. Emmet sees this battle as a test on if you can follow his train of thought and be a good match for him because he's a little bit dependent on you for emotional regulation. He kind of expects you as his favorite passenger to have twin telepathy like Ingo since that's his standard operating procedure. You won't. Because you're not Ingo. You're just some weird farmer he got attached to. With the setup of a battle, I wanted this event to develop the farmer and Emmet's relationship to show that they aren't exactly perfect for each other (and Will say things that can be wrongly misinterpreted) but ultimately they will put in the effort to communicate and make things work. They won't have the best communication! But it's there.

While Ingo has a proper library confession, this event doubles as Emmet's "confession" of sorts. Emmet is already pretty openly affectionate by this point and I wanted to make it somewhat ambiguous as to whether or not his attachment to you is romantic or strictly platonic. To him, it doesn't really matter, but he does want you all to himself. He's not fond of sharing!

But... While Emmet's event may be more platonic in intent, you can still reject him. It's a lot harsher than Ingo's because refusing to even let him try to be a better friend for you is pretty harsh in itself. Ingo's is mostly the choice of whether or not you want to send him back to 6 hearts for more dialogue variety (it's really easy to miss dialogue when you try to max out their hearts as soon as possible! We're making lines for every day, season, and heart level.) Rejecting Emmet sends you back to 2 hearts and overrides his daily dialogue for the day with him asking if you're still friends, apologizing, and then getting too upset to say anything more.

Anyways!

From the start, I wanted Emmet to be like Nemona; awkward in their attachment, somewhat intimidating in their obsession/competitiveness, and thinks of the player as their savior from loneliness. He wants to be the best friend you have because you're the best friend he has. It's only fair. Best rival for life, favorite passenger, same thing.

The mountain pass events were actually made because Emmet's original schedule included him waiting around near the bushes there like Nemona stalking the player on their gym journey. NPCs actually can't path there so when he did, he was just deleted from the save!

I also stumbled across a bug back when I made the very first introduction event where a question loops unless if you pick a certain option. I kept that with Emmet forcing you to keep battling with him in mind as a slight reference to how Nemona doesn't let you say no to being her "best rival for life". This question also makes SMAPI hate you!

Gotta love Pokémon's false sense of 'Sure you have a choice. Your choice is always YES.'

There's probably a more fitting flower for Emmet outside of poppies. I just looked up every flower in Stardew (some of them aren't real...) and their meanings in flower language to come to the conclusion of poppies. The meanings in Emmet's event refer to the white poppy in particular. White. Rest. Oblivion. It fits. Good enough. It was a bit difficult to find more on the flower language of poppies in English (particularly the "Oblivion" part) so I resorted to Japanese sites for more information.

In English, the meaning of "Rest" seems to precede every other meaning. Poppies are used in death memorials. Emmet and the farmer did accidentally develop a shared theme of dying (overwork exhaustion, slimes, the mines, etc... Emmet can't get a break. I'm sorry.) but I wasn't sure if Kade was okay with the theme of death being emphasized. With that in mind, I was stunned when I that saw that her first battle map draft included a graveyard. The implication that Emmet picked flowers from a memorial site...

In my mind - the area is an old train stop in between the desert area and the forest/mountains that lead into Pelican Town. Also figured there would be an abandon farm - considering how Pelican Town is struggling it makes sense that potentially other places are not in best of shape either.

The graveyard is possibly dead relatives of whatever family or farmer made their life near the rails. Of course a lot of time has passed... So much so that nature has taken back what was theirs in the first place.

I always make up stories when having a location in mind and this area parallels with the tunnel Ingo takes you through to stargaze around 10 hearts. That area being an abandon coal mining operation.... Coal, Wood, etc. was used to powered steam trains so makes sense for there to be a source for it. I'm not the best when it comes to filling up Tiled Maps with decor - but I at least put down enough for Thylak to come in and make it more fitting for Stardew

The battlefield underwent quite a few revisions, one was having the battle area be more centered, and changing the old warehouse/worker area to be more like a train repair station with a water stop. I wanted it to feel like a place where Emmet goes to keep himself busy when he's told to take a break from working on the station.

Here's the final map! The battle area had to be shrunken down to fit in an event. More grass was added because I kept losing track of Joltik in the dirt. There's more flowers for Emmet to observe the quality of and pick tge best ones as gifts that he's too nervous to give the farmer until they wilt and dry. Poppies by the gravestones, of course!

I also did attempt to make a proper scrapbook sprite for when I eventually have Emmet give you his gift, but I never got around to implementing it properly since... I'm not familliar with adding custom items and its implementation changes in the 1.6 update.

Despite having access to the modding alpha, I've been procrastinating on migrating to 1.6 since HD Portraits isn't supported yet (I know... 1.6 releases in 3 weeks...).

WOO 1.6 WE ARE NO WHERE NEAR READY FOR ALL THE STUFF THAT POSSIBLY GOING TO BREAK. LOL.

Until next time! Thank you for reading!

#subway to stardew #submas #pokemon #stardew valley #sdv mods #Emmet #Kudari #subway to stardew terminal station #events

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liketwoswansinbalance · 23 days

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MASTERPOST for The One True School Master of Vault 41

This is a continually updating table of contents to help with navigating my posts about TOTSMOV41, my WIP longfic.

The fic's premise: Sophie joins forces with a resurrected, former lover in the midst of trying to get Tedros back onto Camelot's throne, but that's not even half the uphill battle: rogue psyches and distrust abound and threaten to shatter the present state of the Woods as everyone knows it.

In which Rafal is resurrected during the events of One True King and things go horribly, disproportionately wrong!

Also, the fic will not be published for a very long time, so don't expect to see it anytime soon. I'm still on draft zero/the outline/script.

⸻

—Table of Contents—

Title reveal and associated music

Round I of Excerpts

Apparently, the tag "otk" is banned from tumblr.

The misleading trope hint

Round II Excerpt

Visual ref. 1

Facts about the fic

Reblog #1

Aesthetic for one of the first scenes (and flower trivia in the comments)

A Peek at My Outline Process

Reblog #2, dialogue, and reference to suicide

Round III of Excerpts

Sketch - Rafal got punched in the face.

Screenshots of my Pinterest board for the fic

Update, more facts about the fic, and its references to philosophic concepts

Round IV Excerpt

Cover Reveal

Reblog #3

Reblog #4

Reblog #5

Hypothetical Non-Excerpt

The Recurring Japeth Punchline

Reblog #6

Reblog #7

Three "Fun" (Incongruous) Facts

Thanatos drive reference mentioned

Reblog #8

Reblog #9

Reblog #10

Ask containing minor fic trivia

Update and Round V of Excerpts

Which wizard is this? (a.k.a. The Tedros Insanity Poll)

Reblog #11

Reblog #12

Reblog #13 and Fic Tags

Round VI Excerpt

The Suffering Scale

Word Ask Game

Word Ask #1

Word Ask #2

Word Ask #3

Results of the Tedros Poll

Round VII of Excerpts

Guess the Last Verb/Noun

Minor Spoilers

Reblog #14

Reblog #15

Reblog #16

Visual ref. 2

Reblog #17

Slightly Cursed Thought?

Aesthetic

—The Story— [Links TBA after publication.]

Part I: Of Solipsism, Sophistry, and Storians.

Part II: Great Mistake II, Great Mistake III, and Verisimilitude

Part III: Phantoms, Prescience, and the Pen

Deleted Scene

Meta post

Fic Analysis, Commentary & Trivia

Propaganda

⸻

Need-to-Knows (a.k.a How I'm meddling with canon):

This fic will involve Rafal being resurrected, and lead up to an alternate continuity of plot events, all set during One True King. Thus, its title will be: The One True School Master of Vault 41. However, the title may or may not be a bit of a misnomer, so I might just end up subverting your expectations after all.

There will be a form of "psyche travel," or an approximation of time travel, using Dovey's crystal ball like in ACOT, the arson of a certain Wizard Tree to look forward to, and some offbeat, unprecedented action taken by the Storian. Of course, Agatha and Rafal will bicker a lot while Sophie plays the role of mediator. And, oh, Rafal will be tortured, slightly…

Additionally, there's a couple things to note about the premise and the changes I've made to canon, for context:

1. The fic will disregard Fall as canon, yet will acknowledge Rise.

2. There are several canon elements I'm not using. The Rafal is the fic is him from Rise, and also from TLEA. I decided to only acknowledge Rise but not Fall because I didn't want to work with the identity-swap twist. So Rafal is Rafal is Rafal in this case. I will draw from both his Rise characterization and his TLEA characterization.

3. Later in the fic, Rise Rhian only has minor appearances, and is present in Rafal's psyche, but he will not actually be a character until I write a possible sequel, if I ever do reach that point. So, you can assume Rhian was moderately Good to grey on the morality scale, and that Rafal was the one who ultimately committed the fratricide for the purposes of this fic.

4. I've decided not to acknowledge the OTK parentage twist. To clarify, Rafal will have no relation to Japeth, simply because it felt out of character for him to have children with a woman he seemed to loathe, even if it may have been less out of character for the canon Rhian falsely disguised as "Rafal." I personally thought it contradicted Rafal's characterization, so Japeth's placeholder father, who probably won't even be mentioned in the story, will be the Green Knight, to explain his magical prowess as the Snake.

Otherwise, for the most part, this fic is alternate continuity "canon," and diverges at some point during OTK.

I've tried to set the stage, eradicate confusion, and mediate potential disappointment as best as I could above, but if anyone would like me to demystify anything about the fic, my writing process, or ask anything else at all, feel free to send questions to me! Yet, I might not be able to answer everything, for various reasons, including limiting excessive spoilers, so please keep that in mind.

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spnscripthunt · 7 months

Text

For every $10 you donate to RIP Medical Debt, you will 1) be erasing about $1,000 in medical debt and 2) be entered in a raffle to win one of the items listed below. The more total donations we receive, the more scripts will be made available as prizes.

DONATE HERE

ENTER RAFFLE HERE

When donations reach $1000 total, we'll add:

3.06 'Red Sky at Morning' - Production Draft signed by Rob Benedict at Creation Tour: Minneapolis 2023. Includes 3.05 'Bedtime Stories' - 2nd Unit Call Sheet & Sides.

Set: 4.11 'Family Remains' - Yellow Collated (REPRO); The X-Files 4.03 'Home' - Blue-Pages and Pink-Pages. Set inspired by an old interview where Kripke said of 'Family Remains,' "You know, we want an episode like X-Files 'Home.' Like let's make an episode that the network will air once and people will complain so much they'll never air it again."

11.07 'Plush' - 8 Days of Call Sheets and Script Sides (complete script). Day 4 call sheet signed by Nate Torrence at Salute to Supernatural: Washington, D.C. 2022; Day 2 call sheet signed by Jared Padalecki at Creation Tour: Washington, D.C. 2023.

12.03 'The Foundry' - Blue Draft signed by Mark Sheppard at Salute to Supernatural: Vancouver 2023; Misha Collins at Jus in Bello 11 (Rome).

15.05 'Proverbs 17:3' - Production Draft signed by director Richard Speight Jr. at Creation Tour: Dallas 2023.

Set: Walker - 'Pilot' - Network Draft (REPRO) signed by Jake Abel, Keegan Allen, Jared Padalecki, Jeff Pierre, and Mitch Pileggi at Creation Tour: Chicago 2023, Richard Speight Jr. at Creation Tour: Washington, D.C. 2023; Walker: Independence - 'Pilot' - Revised Network Draft (REPRO) signed by Philemon Chambers at Creation Tour: Washington, D.C. 2023.

Gotham Knights - 'Pilot' - Pre-Production Draft (REPRO) signed by Misha Collins at Creation Tour: Washington, D.C. 2023.

FULL LIST OF PRIZES AND FINE PRINT HERE

Raffle closes November 5, 2023 at 11:59pm (EST)

#one last fundraiser #rip medical debt #let's kick it in the ass #admin: lets-steal-an-archive #supernatural #the x files #cw walker #walker independence #misha collins #mark sheppard #jared padalecki #mitch pileggi #richard speight jr #rob benedict #jake abel #jeff pierre #keegan allen #philemon chambers #nate torrence

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seenthisepisode · 1 year

Note

hi! I saw your post about the why episode title change why 11 scenes cut why lamp etc etc and I know some of it but not all, and I was hoping you could elaborate on spngate— if it’s not too much trouble— or point me in a direction where I can join you in the spn gate?

I feel ashamed for HOW LONG i let this ask just rot in my askbox (it's from january, apparently, now it's april. i thought maybe two weeks passed but NO. it was months. ANON I AM SO SO SO SO SORRY. I LOVE YOU WITH ALL MY HEART) but now with the power of this url and the wine i am currently sipping, let me give you the best, most thought-out answer that i possibly can.

I don't know how long you've been following/watching spn, so I won't get into real deep iceberg theories that go back to season 8 and jeremy carver, for the purpose of this essay answer I'll just stick to the year anno domini 2020, and will try to do my best to tell you what happened.

Okay, maybe 2019. So, in june 2019, when the first scripts and drafts for s15 are presented, these things happen: 1. apparently, according to Berens, the confession scene is the first thing that was written for season 15. 2. Jensen Ackles is sat down and asked if he would be okay with this. (question is asked: why would they ask jensen if all he does in this scene is look at cas, he doesn't say anything, he does not confess, it changes nothing about his character, etc.; if you put the real tjlc tinfoil hat on you'd ask hey , maybe they asked him if precisely that is okay, if he is okay with the fact dean is practically silenced here but that's Deep) 3. Jensen apparently is okay with that, because it happens.

also this thing happens around the same time: 1. they write the ending for the brothers, and no matter what version of the finale we're talking about, Dean dies 2. Jensen Ackles is Not Okay with this. he calls Kripke who then, in a call and/or email assures him it's a good ending (Jensen says that) and also very quickly after that Jensen is announced to play Soldier Boy in Kripke's The Boys. make of that what you want

They film, blah blah, march 2020, covid happens, they stop production right after they film the confession. Last episode to air is 15x13, last episode they film is 15x18, they almost have a plane crush when flying to vegas con, and then, a loooong break until august 2020. Now, from what we know, there were two versions of the finale - the pre-covid finale they were supposed to film if the filming schedule wasn't interrupted, and the finale that happened.

What was supposed to be in the Original Finale/Pre-Covid Finale, we still don't know exactly, but from what the cast said, there was supposed to be a big cast reunion, Harvelle's Roadhouse in Heaven, Kansas Band (why are they dead?) playing there after Dean gets there and so on.

Anyway. July 2020. Misha does a livestream with Michael Sheen (the SuperGood campaign) where he says he is going back to filming the last two episodes in a few weeks. he said it LIVE. it's on youtube. people analyze the background from Misha's livestreams and photos and conclude he is in Vacouver, where spn is filmed. He also says that he is going back filming in a few interviews. Also here.

August 2020. They go back to filming in august 2020 to film 15x19 and 15x20.

August 20th, 2020, Misha's birthday.

I wasn't on set TODAY. so casual. of all days i wasn't there today.

August 24th, 2020, day 6/8 of filming 15x19, Angel with a Shotgun is hash tag Song of The Day while filming scenes of 15x19 (scene 28, 31).

September 4th, 2020. ALL THEY FILM, for the whole DAY, is one scene. They usually film a few. They film one. Song of the day? The Night We Met.

Somewhere before the episodes starts to air again, Dabb says only 30% of the audience will like the finale. Anyway, everyone concludes, Misha is filming, destiel is more or less going canon, but everyone including bibros is sure Misha is filming and will be there for the finale.

Originally, "Despair" was called "The Truth".

Finale airs.

It feels shorter (apparently it's not) but it does have an additional ad break. For Walker. But it feels shorter because of the "carry on my wayward son" cover montage that lasts too long and later it's discovered thanks to scripts that dropped that there are ELEVEN scenes that were filmed,, but didn't make it to the episode. The script that drops is also very telling, where scenes are just [OMMITTED]. It was explained that they wanted to have actor there but they didn't want actors to quarantine for two weeks to film one or two scenes BUT then that's exactly what they did with Jim Beaver lmao.

So yeah. I also remember Misha at a con (DarkLight?) where, after asked about the original ending, he answers that the original ending was something that would be better explored in fanfiction anyway. Theory rises he filmed and was cut off the episode without his or Jensen's knowledge because Misha sat down his kids to watch the spn finale (which was the first episode they were supposed to watch ever, why would he do that if he's not there?) and then, CW SPN twitter posts a goodbye video that has everyone from the cast and their mother BUT MISHA AND JENSEN ARE NOT THERE. Jensens sexy silence starts.

THEN THE WILDEST THING HAPPENS.

November 25th, the Spanish Dub. 15x18 drops in Brazil and Dean says "and i you" to Cas, after he confesses. No "don't do this cas" but "and i you". Tumblr stops working for two hours, people on discords are screaming, no one knows whats happening, someone claims Jensen was called in September 2020 to record some adlibs? To record the muffled sobs Dean does while on the floor. Theory is supported by the fact that in the Bazil version? When Dean sits on the floor? The sound that plays are birds. Chirping birds. Sounds don't match, what was Dean saying while crying on the floor, question arises.

Everyone decides there was a Rogue Translator who managed to hide from The CW Sniper (who is the reason actors just dont tell us everything) and translated some kind of Original Script. Voice Actors are invited to a podcast where they debunk this saying that it was added because the translator felt this was the right response or something like that. Anyway they debunk the fact that there existed, at any time, a version of a script, that maybe was send to them, where Dean says I love you too. This was a wild night, no one slept.

And like. I could make this post longer, but I am planning to, one day, make a huge masterpost with real sources about that because honestly you could write a book about it.

But tl;dr spngate is a theory that misha did film for the last 2 episodes and the changes they made were truly last minute (september 2020), they were going for a canon destiel, possibly human!cas engame, dabb was always on our side, and it's based on stuff like jensen actively hating the ending to the point he made his prequel after 2 years of radio silence, 11 scenes just cut from the finale, misha saying he is going back filming, and people like mark pellegrino saying the last scene he filmed was with alex and misha. also the onion field. why lamp is the theory that cas is represented and symbolized by lamps throughout the show and when dean dances with a Lamp in a drug induced dream instead of, say, some kind of a lady he is actually thinking about cas.

also there are little things like when jensen at an online con before the finale says that oh yes i am wearing a grey flannel but tomorrow? who know it could be blue and green. and we all collectively lost our shit. like when he said he is most excited to "tackle" with cas in season 15. or that "dean has no taste, clearly". WHY WAS YOUR PERMISSION NEEDED JENSEN

there are a lot of things i didn't mention here because i simply can't unflod this whole thing just like that but

but if you understand this picture you might be entitled to financial compensation

#ask #anon #it took me 2 hours to write this #spngate

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silvereyedowl · 5 months

Text

What We Know About Series 15

This post will be updated with more information.

It will be coming in 2025, preceded by a Christmas special in 2024.

CAST

Ncuti Gatwa as the Doctor. Millie Gibson as Ruby Sunday. Russell T Davies described her as "crucial" to the season. Varada Sethu as TBA – her as-yet-unnamed companion will join the Doctor and Ruby in the TARDIS. (Sethu's casting was leaked weeks prior to the April 12 announcement as she was seen at location filming.)

Nicola Coughlan will be appearing in the Christmas special. Here's a video check-in from her.

Episode 2 is set to feature a guest actor who previously played a different character in the past.

EPISODES

Like Series 14, there will be 8 episodes and a preceding Christmas special. As of the publication of DWM 596, five scripts had been fully written.

RTD said that, besides himself, there will be four guest writers for the season.

Davies was working on the script for the 2024 Christmas special around Christmas 2022.

He also promised no further gap years, and hinted that the eight-episode length which Series 14 will hold to may change in the future.

When Davies wrote his "Letter from the Showrunner" column for Doctor Who Magazine 591, the Script and Legal departments were investigating whether the show was allowed to use a certain title for episode 6.

One episode contains the words garden, firmament, and diploma.

Another episode contains the words radiation, moth, and skiffle.

An Entertainment Weekly set visit saw an episode involving "space stations, holograms, and the Doctor using his brain to thwart an interstellar foe". They also had exclusive looks at two of the Doctor's costumes for the season.

PRODUCTION

Formal preparations for series 15 began in late July 2023.

Filming began on October 23, 2023.

RTD, writing about the final days of filming for series 14, said "Yasmin Finney wrapped a few days ago, big hugs, see you soon", raising a possibility that her character Rose Noble will appear in the season as well.

Block 1 will be directed by Alex Pillai, and block 2 will be directed by Peter Hoar, who previously directed "A Good Man Goes to War". Amanda Brotchie and Makalla McPherson will also be directing episodes. McPherson teased a maze sequence appearing in one of her episodes, through which the Doctor is fleeing enemies.

In DWM 600, Davies gave a production update for the season: the Christmas special was almost picture-locked before FX. Episode 1 had just one more scene to shoot, episodes 2 and 3 were to start filming soon, episode 4 had finished shooting, episode 5 was on its fifth draft, episode 6 was on its ninth draft, episode 7 sat waiting, and episode 8 would be written soon.

In DWM 601, Davies mentioned that the sets for the UNIT Ops Room and the Sundays' flat were about to "spring back into life", and also mentioned sets for a hospital, a set "so real, we could rent it out as its actual self", and another described as an "absolute labyrinth".

On a further note, Davies has indicated that series 16 is already planned out, and that a fourth season is being planned as well, for which he joked that he might write a dialogueless episode.

CREATOR RAMBLINGS

Davies said in an interview that he expects the season to air at least partially in May.

In DWM 597, Davies mentioned that sets for a hotel, a hospital, and a "chamber" were being built.

Davies said that the season will not include an anniversary celebration for the new series, due to possible "anniversary overload" after the centenary special and the 60th.

He also stated that a scene filmed on March 8, 2024 would "live forever in the show's history".

SPOILERS below the cut!

All leaks and otherwise unofficial news will be here.

Rumours

Steven Moffat was briefly credited as the writer of the 2024 Christmas special on producer Alison Sterling's online CV, but it has since been removed. RTD previously said he was writing that special, so it's not clear yet what's going on.

Location Filming Reports

Filming for the 2024 Christmas special showing both a WWII setting and contemporary NYC.

More Christmas special filming with Joel Fry.

Filming for episode 4 (directed by Peter Hoar) with Millie Gibson, Jonah Hauer-King (whose character appears to be romantically involved with Ruby), Blake Patrick Anderson, and extras playing protestors and UNIT soldiers.

Lewis Comay was spotted in location filming, alongside the Doctor and Varada Sethu's character, in what appears to be 1950s Miami.

Filming in Cardiff Central on April 21, including the Doctor, Ruby, and Shirley Anne Bingham. Propaganda posters of Hauer-King's character, a crown logo, and strange changes in circumstances for several characters.

#doctor who #dw #series 15 #doctor who series 15 #information roundup #doctor who spoilers #spoilers #dw spoilers #russell t davies #ncuti gatwa #fifteenth doctor #millie gibson #varada sethu #nicola coughlan

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katarinas-redemption · 19 days

Text

Liz: And how should I look at this? Red: Like a criminal. May come easier than you think. Shall I show you? The Blacklist.

PART ONE

🕵️‍♂️

This line makes a parental connection between Liz and Red.

Episode 4.22

The second crucial line in the pilot that showrunners confirm was an Imposter clue is the “Everything about me is a lie” line.

Parental connection via the criminal parallel +

Red is not her father but an imposter of her father. =

Red is The Mother.

Wild ass speculation:

The mother died of WEAKNESS AND SHAME as per what Red told Liz in the pilot. Interestingly, that line about weakness and shame was different on the draft pilot script dated 2012 that somehow made it online and fans have decided to dissect it carefully. LOL.

In the original draft, her mother worked two jobs to keep Liz in school and out of juvenile court. Some anti-Redarina fans say this is evidence that Red was originally not supposed to be the mom as the mom would have raised Liz until she was 14. That same draft has Liz's age as 36 later changed to 29/30. Liz: There was a fire. I was fourteen. Mr. Kaplan: You tell people you got it when you were 14. Why is that? Liz: To hide the truth?

I disagree that any of this disproves Redarina. It is possible that her mother still could have disappeared and re-emerged as the imposter.

Liz's age was changed to 4 because maybe they realized that if Liz was 14, she could've remembered Red or saw something in him like his eyes. Changing her age to four years old IMHO, would've made it less likely for Liz to remember details, like Red's eyes. In the Luther Braxton Conclusion episode, it seemed Liz recognized that Red was at the fire by his EYES. She saw her mother in Red's eyes in the season 8 finale so. Add in the fact that Red had her memories erased.

And anyway, if they had kept it that the mom worked two jobs, etc, etc.. She still went somewhere and was out of the picture> Liz told Cooper she raised herself so both parents were out of the picture. Liz: Like most kids who raised themselves, I can display narcissistic behavior. I can be withdrawn, disconnected.

THINK LIKE A CRIMINAL. The showrunners talk about Liz’s darkness and how she's becoming more like Red.

SEASON 3 - THE AU REVIEW

(When Liz and Red went on the run)

John Eisendrath: In terms of where Liz is heading, I think she’s struggling with this notion that there’s a piece within her that is criminal. Red told her in the very first episode of the show ‘think like a criminal, it may come easier to you than you may expect’ and I think that sort of haunts her, and now, even though she has whispers of a criminal past that we’ve alluded to, now that she’s being confronted with actually being a criminal, she’s had to rely on these instincts that she wants to ignore and pretend like they’re not there – and now she needs them.” So, not only is Liz forced to embrace a darker side that might be within her, we’re also getting to go out and travel with Red and to see him take the reigns and see how he operates and where he goes and stays in ways that we haven’t really seen before. Liz is going to take the audience by the hand and go into Red’s world a little bit more and learn about how he moves and operates which is going to be a lot of fun.

SEASON 5 TV GUIDE - SEASON 5

Daddy issues. If you thought the discovery that Red is her father would put an end to Liz's identity crisis once and for all, think again. "Her father is essentially the devil," Bokenkamp says. "She's confronting some frightening questions about who she is and what's in her DNA and that fight between good and evil. ... Liz is going to be combating that instinct to perhaps break the rules and fighting a darker side of herself that she knows is probably right under the surface." But in some twisted way, embracing her true nature may make Liz even better at her job. "Is she like Reddington?" Bokenkamp wonders. "He told her early, 'Think like a criminal. It may come easier than you think.'"

SEASON 5 ENTERTAINMENT WEEKLY

How is Liz dealing with the truth that Red is her father?

Jon Bokenkamp: It’s going to be interesting to watch it play out, because I think she’s secretly terrified, or maybe not so secretly terrified, that the devil is her father and that she may have some of those instincts. He told her in the pilot, “Think like a criminal. It may come easier to you than you think,” and we’ve seen aspects of that. She murdered the Attorney General and has been on the run in the past. And so, I think she’s going to plant her flag early on that she’s a cop first and that is probably going to be a season-long struggle for her.

Elizabeth Keen No. 1 on The Blacklist.

SEASON 8 ENTERTAINMENT WEEKLY

Megan Boone: I was definitely hoping it would be Liz at No. 1, but I didn't want to presume," Boone says. "I have to say… it's an honor.

SEASON 8 ENTERTAINMENT WEEKLY

John Eisendrath: From the second Reddington walked into her life, a dark path was always a possibility for Liz. "One of the dramatic questions from the beginning is how this master criminal's desire to connect with this innocent FBI agent would change her life," Eisendrath explains. To find Blacklisters, Reddington has encouraged Liz to understand the mindset and think like a criminal. "She's learned at the feet of a master," he adds. The FBI agent's key moments, including learning she has the Warrior gene in her DNA and covering up a murder she committed, coupled with what Reddington has been teaching her, have been leading her to this place. Now, she's been pulled far enough into the dark side to be at the top of Red's list.

Red told Cooper that what Liz did by betraying them in this episode and kidnapping Dom was her “destiny.” What does that mean?

SEASON 8 THE WRAP

Bokenkamp:

I think what Red was talking about goes to the core of who Liz is. Is she fundamentally good? Is she fundamentally bad? Has she reached a tipping point that she can’t return from, or was this meant to be because it’s in her DNA? We’ve seen Liz dip her toes in the dark waters over the years — she’s certainly not that innocent, young FBI agent that we met in the pilot — and this season is going to explore her darker side. I think the real question lies in seeing how she navigates these dark waters and, if she does survive this, how she looks when she comes out the other side.

Eisendrath:

This has been a question since the pilot. First when she thought Red was her father; later when she realized Katarina Rostova was her mother — how much of a parent’s behavior is a child destined to repeat? In Liz’s case, how much bad behavior?

The murder of Attorney General Tom Connolly (Reed Birney) was more about Liz than it was about her executing him. "It reflected to the audience about how far Liz is willing to go," Bokenkamp says. "That murder is very telling of who she was, and perhaps even who she was in the process of becoming." It got at the core of a debate the writers had for years, which was whether she's destined to embrace her darkness or it was free will that she chose to do these things. Liz's desperate action was not just a considerable character turn, but it sent her on the road with Reddington. Spending time with him meant seeing that she was more like him than she wanted to admit. - Entertainment Weekly

The Warrior Gene - Dr.Linus Creel Episode 2.04

The episode did not confirm that Liz had the warrior gene though it was implied. In later interviews, the showrunners confirm that Liz DID possess it.

Samar: I received everything Creel had on file at the hospital patient records, test results Including yours. We logged everything else into evidence, but I thought perhaps you would want that. It’s probably meaningless, right? Do you think Reddington could have known, when he gave you this case, that you’d find out?

Part two

#the blacklist #elizabeth keen #redarina #raymond reddington #nbc the blacklist #raymond reddington gifs #elizabeth keen gifs #liz keen gifs #megan boone #james spader

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starrysharks · 26 days

Note

Now now, I know you have the Main 3 Projects you have + In-Dev Projects right now but aside from these, will you be able to focus on Metallic Miracle one day? /genq

This might be a suggestion probs. but, I don't know if you have any characters in there or not-

hopefully! i'm personally proud of myself for the concept, and i do write for it from time to time, so maybe one day i'll be able to write a proper script and release it one day. right now i've got a few characters done, and a general plot:

the story takes place in a futuristic earth - the protagonist, M1-RA, is an 8 year old former child soldier who fought in a war against these aliens that were specifically weak to prepubescents. all the other soldiers were put into a "synthetic coma" and controlled by trained adults, M1-RA somehow escaped the coma and was left to fight and evade the aliens to the best of her ability. why did she escape the coma you might wonder? it's because of her mother, who was one of the scientists who helped to design the robot parts that would be surgically added to the children's bodies - she and M1-RA attempted to escape and live off the grid, but were eventually caught, and M1-RA's mother was killed and M1-RA herself was left to be drafted a few years after every other child (so she was only in the war for a little under a year.)

that little bunny robot with her is rabbot - which is an AI robot that helps her out, and was originally built by her mother as a multi-functional device (think GPS + flashlight + various other things).

anyway, after the war (which lasted roughly 5 years) only around 10,000 survivors were left of the millions who fought. those survivors were also stuck in a child's body forever as the cyborg-ification was permanent and stoped their bones from developing further (i know it makes no sense lol). those survivors were sent to orbit the earth in small shuttles as they couldn't be taken out of their comas, and most died. however, after around 50 years it was discovered that M1-RA and 2 other survivors still had a heartbeat, and were therefore returned to earth. M1-RA was sent to a large city (still unamed) and now lives with this group of city defenders (kind of like firefighters but for mid-level alien threats) and the story revolves around her, her trauma, and character battles, as well as trying to find the other survivors.

for the defense group, i have a few characters, but haven't drawn them in digital yet. i'll sketch them out -

firstly thoma, who isn't the leader but likes to act like she is. she's a 30 year old basically fitness influencer type, and is also a super genius who created these aids to help her in battle (the pigtail arms). M1-RA (or mira as she's known as by the defense team) lives in her home, and she's kind of rude and snobby but she means well.

secondly nonon, the explosives specialist. he's kind of a hyperactive weirdo who's obsessed with blowing stuff up, and is pretty silly and unserious when it comes to his job. he tries to help mira take risks and venture out more.

and the last character i've properly developed for the defense team is lovelox. she's the mechanic and is super sweet and kind, but treats mira like glass. she's a good friend/rival of thoma and helped make her robot arms.

so yea they all go on adventures and what not, its kind of fuzzy right now but i hope you don't mind me springing all of this on you lol. thank you for the ask, i don't really talk about metallic miracle so getting to dump so much info in one go is good fun ^^

#ask zeno #zeno's art #ocs #nonon exothermann #thoma tendonne #lillian loveloxx #M1-RA #metallic miracle

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byeonibby · 2 months

Text

how to start your shifting journey pt 1

what to start with (in order)

hi my name is byeoni and if ur just starting your shifting journey (like me) here’s a list or bullet points to correctly introduce yourself to shifting. ill go over each point and why it’s helpful after I put them down.

list

1. better cr

2. pinterest board

3. waiting room

4. profile creating

5. background creating

6. boundary list

7. document your journey in any way

8. affirmation list and shifting things that you go by

9. list of what your excited for when you first shift

10. task lisk

11. final draft of dr script

12. study ur script and shifting

13. disassociate and mentally prepare yourself to shift.

14. find your method.

15. create ur lifa or dr rules.

16. set a timespan (take it slow)

17. introduce yourself to the feeling of shifting.

18. shift.

explanation

okay so 1. we have better cr, this is so you can get used to shifting and the ups and downs and rules, creating a better cr is a small task and arguably one of the easier scripts you’ll create your modifying and tweaking, you can change anything. It shows how limitless shifting can be without giving u to much and overwhelming u, when there’s to much to do u might just give up so this is a better idea.

2. Pinterest to help give some organization!! This may excite u a little so that’s cool but it key that u have a base for what you want to do

3-5. ur ability to create, it helps sharpen it a little the waiting room is really ethereal and a version of your mind so make it lovely u can copy people and background and boundaries to ur final dr

7. you don’t have to, it’s just so u can again keep ur mind clean and fresh!!

8-10. all so u can be organized, motivated, firm

and knowledgeable.

12. u need to clear your mind of any doubts or questions studying, adjusting and changing ur script will answer questions and so will studying shifting.

13. sorry, I know a lot of people will hate this, but you can’t have your consciousness be extremely grounded in this reality and once u say a couple affirmations expect it to float up to the next, you need to be dissociated to shift, how are u gonna move consciousness when ur stuck to one.

14-15. This is all about finding out what u personally want and need, stay firm.

16. u shouldn’t stay disassociated all the time and you shouldn’t be trying to shift all the time. Okay so u set for two weeks in a month to try and shift, you didnt. don’t stay disassociated that is SO bad for you, and constantly failing is also bad, shifting should be special and not draining or overused. so instead of trying again the next day, wait a week reset your body for half eat well make sure that ur body is taken care of then get it ready to shifti

17. u can do this by smelling the smell I’ll smell when u get into ur dr making urself dizzy, be ready for all ur symptoms and don’t run away from them

Happy shifting!!

- byeoni

#SoundCloud #reality shifter #kpop aesthetic #kpop shifting #shift #shifttok #reality shift #kpop #kpopshifting #shifting

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notasapleasure · 6 months

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I had this draft for the 8 shows to get to know me meme that no one tagged me in, but then @batri-jopa tagged me for this other meme, so I'm doiing them as a mash-up.

10 comfort shows -

- that tell you more than you wanted to know about me. reasons below the cut, but the tl;dr is:

The Terror

Garrow's Law

Ripper Street

The X Files

Utopia

Interview with the Vampire

(BBC) Ghosts

Futurama

Avatar: the Last Airbender

Detectorists

Honourable mentions: Andor (will probably make the list once season 2 is out, but my trust of Disney Star Wars is *so* thin, I can't commit until then, no matter how excellent season 1 is); The Great (it's so good. The script is still one of the most astonishing works of art I have ever encountered. But comfort TV? hell no.); see also, Bojack Horseman (objectively great. Not comfort TV); Grease Monkeys (I've got to get hold of season 2, but I'm really fond of its coarseness, wish-fulfilment and sureallism).

Tagging 10 people if they wanna join in, but others feel free to say I tagged you! @stripedroseandsketchpads, @notfromcold, @notabuddhist, @donnaimmaculata, @erinaceina, @boogerwookiesugarcookie, @elwenyere, @kheldara, @bellaroles, @jimtheviking

List 10 comfort shows and then tag 10 people

The Terror: Like Ripper Street below, I feel this show deep in my bones and think I must be actually insane when I try to explain to people what I like about it (watching it literally made my husband's depression worse so I'm not allowed to talk about it. Jk. Sort of. About the last bit anyway). The sheer ridiculousness of that era of exploration has been a firm fave for years and I love how the show weaves horror and hubris together, how it's not a straightforward 'natives get vengeance on colonisers' story, but the colonisers ruin it for everyone, poison life for Silna, too (all without any threat of sexual violence towards her CAN YOU BELIEVE IT). I love all the attempts to impose 'civilisation' on the life the men try to live as they come to realise how doomed they are, how key the trappings of their life become - objects as tethers and talismans. I love how utterly futile it all is. How much they all care, and the audience cares despite that. Self-destruction and salvation all jumbled up together. Two full crews go into the ice and die. The end. They do everything they can not to die and it happens anyway, it's the ultimate 'the love was there and it didn't change anything'. And no one learns anything. Perfect TV.

Garrow's Law: Sometimes I do want my historical drama to be wish fulfillment actually, and this is the actual og fave. No, most of the cases weren't actually Garrow's, yes, it's a fluffy liberal take on things that played out in a more complex way, but the cast is so good, and Garrow is such a likeable guy, but then you see his flaws emerge in such a gentle way through the four series, and it really does case-of-the-week with characterisation so well, and it's got that amazing British TV character actor cast where there's always someone in the background you know, and the building romance between Garrow and Sarah, and the real repercussions of it for her are handled so sensitively, augh the culmination of the series with their own personal legal cases is so good.

Ripper Street: in my head this show was so much more than the sum of its parts. Season 1 was on the surface a fun BBC historical romp. Season 2 I had to watch through gritted teeth because Susan's situation quicked me out too much, among other reasons. Season 3 leaned into the more sinister side of the protagonist and came through as something weirder and darker, a vein which ran through Seasons 4 and 5, which I thoroughly enjoyed. I live for my alternative reading of the migration stories and nightmarish flipsides of people that we get running through the background of seasons [3/]4/5, but uh. the show's tumblr fandom is not a place for me. Reid is actually monstrous, and I like him despite/because of that. Oh man, I have so many feelings about this show, and I'd love to do a rewatch and blog about all my crazy theories but I'd probably have to go into witness protection afterwards. But rest assured, it isn't a show about the Ripper, and it's all the better for that. It does class and trauma so well, it also captures all the optimistic curiosity and the utter hypocrisy and hubris of the Victorian era so well.

The X Files: I mean, it's a formative influence, innit. Seasons 1 and 3 are the best, a lot of the 'classic' favourites are episodes I actually really disliked, even though the early seasons are the best a lot of my favourite episodes are from later...the beauty of TXF is that there's so much of it you can hold contradictory opinions about what makes it good, though, and my theory is that it's at its best when it's early and still being allowed to take its course, where even the mytharc hasn't tied itself in knots yet so every episode is of a higher standard, and then later, when the actors have wrested control of their characters from CC enough to play them like they want, but the good episodes are really just MotW ones because the mytharc has vanished up it's own fundament and I've lost track of whose turn it is to have a near-death season arc. Not technically the TV series, but still, Fight the Future is just so much of its time, watching it is like having a warm bubble bath in childhood nostalgia. Even the later series have things to recommend them - I always enjoy Doggett much more than I'm expecting to, and it's about bloody time Scully got a decent female friend in the form of Reyes...I haven't watched seasons 10 onwards though, I don't feel I'm missing much. Five fave episodes: 1.13 Beyond the Sea, 3.4 Clyde Bruckman's Final Repose, 5.4 Detour, 7.17 all things, 6.19 The Unnatural.

Utopia: Tragically incomplete at 2 seasons, but what a pair of seasons they are. Brutal and uncompromising, horrible and compelling, but also frequently hilarious and full of the warmest, most fascinating characters who are all on a journey to Getting Much Worse. It's not something I've been able to watch since the pandemic *weak laugh* but I know when I do go back to it it will remain painfully prescient and uncomfortable. The longing for a 'balancing' and a righting of a historic wrong that drives it, and the desperate failures between people who are really just searching for love and don't know how to give/receive it...ugh so good.

Interview with the Vampire: Just rewatched season 1 and I'm just. No notes, five stars. The way Louis think he's a narrator in control, the way Daniel knows such a thing isn't possible, the way Louis does let himself get drawn on things, the way Armand sees the danger in this but it's not in his control any longer. Memory is a monster. The Odyssey of recollection. Fucking won my heart with those lines alone.

(BBC) Ghosts: Ok, I will say that I think the last season was actually a bit weak. They were in a hurry to finish, and they got away with wringing the feels from the important bits (The Captain's death was perfect and I will say this over and over again), but it felt like it was in a rush to come up with scenarios that would force admissions like The Captain's, whereas the show is at its best meandering around in a buffonish way that suddenly results in a Big Oof moment. Robin's arc in season 4 was a great example of this, as was Mary's. But basically it's still simply perfect comfort TV: silly but not malicious, unfair but kind to its characters. I'm going to miss them all so much, but I'm also going to rewatch so much.

Futurama: bit basic maybe, but I have watched it so often and I can watch any episode (ok, except for Jurassic Bark) again and again and again. I don't think I've binged any TV show so often with so many different people. Not sure how I feel about the immanent revival, but this has always been my favourite Matt Groening product, so fingers crossed.

Avatar: the Last Airbender: without getting into like...fandom discourse, man, this is a really perfect show. No need to say 'ooh it gets good after--!', it's just good from the beginning. A really well fleshed-out world, great characters who grow through the series, enough self awareness that the 'clip-show' episode Ember Island Players actually builds on the characterisation and addresses ambiguities in its own plots. A show that sticks to its principles and doesn't fudge the ending and also consistently looks gorgeous.

Detectorists: I had to put it on because no other show has literally made me fall off my chair laughing. Are the main characters useless? Yes. Is it often perplexing that the women in their lives spend any time with them? Yes. But that's forgiveable, because it's ultimately so kind to its beleagured characters and things work out despite their stupid decisions. Also it just captures rural English eccentricity so well. They're all such freaks (affectionate).

#comfort tv #look of course about half of these are bbc shows #of course that's comfort tv!#*ok not bbc but uk terrestrial tv anyway #memes #tv #ughhh i wanna rewatch so many of these but not until the house move...

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kosmicdream · 3 months

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What does your planning process look like? You mentioned not usually doing a full script, do you do something like page 57) knives get stabbed page 58) knives stabs the other guy page 59) intense backstory reveal or is it structured in a different way?

(replying to old ask, hope you dont mind!)The way I structure my scripts is in a very different way. For starters, I’ve never broken down it by panels/pages, as that comes when I am finally sketching them to give me more flexibility with pacing. It also just doesn’t make sense for me to, as I haven’t drawn them yet. The way I have constructed my scripts has changed a lot over the many years or making comics, but that hasn’t ever been part of the process. My scripts are written scene by scene, and broken down by character action/dialogue, sometimes including both and are written in script style. Sometimes I include notes for lore or something to keep in mind for myself, that might be a visual detail or something about an expression I want to remember. I don’t always write dialogue but I usually keep a rough draft of the dialogue exchange or purpose of what might say so i understand the goals intended, or include jokes I want to remember. The dialogue usually changes the most even if the end result functions more or less the same, just because of how the panels end up being drawn in the end usually changes up the flow and I will have to accommodate that. I break down the comic script scene by scene, then section by section, and usually end up with about 8-10 parts to a comic script and each of those parts can vary in page number of script. Its not exact, but usually 25 pages of script is about 250-300 pages of comics. FFAK comic scripts have been, when I write them, over 50 pages. But I chapter 16 is going to hopefully be the last of these, as its 47 pages long and I have made the other chapter scripts in arc2 around 20-30 pages long instead. Most NRD scripts barely reach 20 pages, but those sometimes have been even shorter as I tend to prioritize slow paced scenes, which don’t really require me to write a lot in script format. They read more or less like a script for a screenplay for a movie but a lot rougher since I don’t need to polish these more than what i need. When I finish a scene I will grey out the text to make it easier to find where i left off. When the scene is done, I mark a date when it finished so i can see my progress at a glance. I slowly transitioned into writing scripts around chapter 10-12 but only fully was writing them by 13. I also only had a rough outline for NRD before I started to full scripts, although I can’t remember when that process also happened. It was probably chapter 2 or 3 though. Now, all of NRD/FFAK are written out this way until the end, but I still make edits along the way (mostly for FFAK, as its so long) to change up the pace of chapters and make things more compact.

(example of the top of the script to track progress, this ones for chapter 16! i have hidden the titles for parts 10-12 lol)

#ffak #feast for a king #nasty red dogs #webcomics

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callipraxia · 6 months

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Things I Learned This Morning:

1) Using print instead of script, which would be faster but less tidy, I may hand-write not far under 1300 words per hour when things are going well. (The exact number was 1267 words)

2) My brain harbors an irrational hatred for the number 4 apparently? (I kept almost skipping it and having to go back and erase the little number above fourth words because I wrote 4 as 5, for instance, going straight from 223 to 225 before I caught myself.)

3) Taking a pencil and individually numbering every word you wrote takes a really long time.

4) Apparently my brain also cannot handle writing a series of numbers that consistently go above two digits. I transpose digits, forget the first digit, write 8 instead of 3, write 5 instead of 8, write 2 instead of 9….I made it through the first 1000 but counted the remainder in blocks of 1-100 in the interests of staying tolerably sane.

5) My print is indeed much more legible than my script, but also, oww, my elbow feels like it’s about to crack right now and my hand feels all twisted up inside, ow ow ow.

(Backstory: I’ve been stuck in a rut for a while, so I decided to say “what the heck” and try to force myself to write a rough draft of one of my fanfic ideas for NaNoWriMo. I’m printing because I am currently Resolved to write a complete rough draft and then revise it, all before posting anything. Then, in theory, I’ll post it by chapter on an actual *posting schedule*. However, since I have never managed to muster the kind of discipline needed to keep working on a project nobody has seen and praised some part of for that long in my entire life…we’ll see. Plus, it might be easy enough to make it to the word count minimum today, but I only just finished the setup phase of the first scene, getting Pacifica from “the alarm clock rang” and through “Pacifica reflects on what mornings in Northwest Manor were like compared to her new life” to the point of “Pacifica has gotten out of bed.” That kind of writing is super-easy for me, but the kinds where things actually happen can be…much slower going. Which means I’ll have to apply even *more* discipline to make quotas on some days. So basically I, a deeply scattered and undisciplined person, am basically attempting to overhaul my personality for at least a month, lol. Wish me luck, folks….

For my GF peeps, I hope that you’ll enjoy the results if this project does amount to anything, even though it is a bit of a departure from my ‘usual’ material. You see, I have a lifelong, deep-seated love for books set in schools/based around school years, and I have decided to combine that with my desire to write some post-canon material. We’re picking up very shortly after the finale, with the first day of school in Gravity Falls - the Pineses should have some involvement, here and there, but mostly via phone and Internet. I’m sufficiently addicted to the “greater scope” that I don’t think I‘ll end up with something that is purely YA or a “girls’ book,” but it will involve focusing on more girls and therefore “girl stuff” than canon/anything I have written previously - Pacifica, Wendy, and Candy are all projected to be narrators, with Grenda also at least being an important character and possibly a fourth narrator. Compare to FWJB, where the narrators consisted of ten dudes, Bill, and Mabel…and although I put him in his own category, Bill does seem to use he/him pronouns when interacting with English-speaking mortals, and so one could very reasonably argue that the narrators consisted of eleven dudes plus Mabel. Soos may well get some narrator time, but this one also seems on course to primarily focus on the kid characters. Gulp. We’ll see how it goes….)

#writing #writing life #writer problems #nanowrimo #nano 2023 #gravity falls fic #gravity falls fanfiction #gravity falls fanfic #fanfic #fanfic problems #fanfic writing #wish me luck I’m gonna need it

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