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#through touch
reversatility1 · 1 year
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Warrior Nun: They embraced so much, to comfort and protect, in sorrow and in joy
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dirtytransmasc · 6 months
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the men and boys are innocent too.
we cry "the innocent women and children" to appeal to the masses, to try and force their sympathy, but the men and boys are innocent too.
I have seen sons crying out for their mothers, their fathers, their siblings. I have seen them break down at the loss of their families. I have seen them cling to their dead and grieve.
I have seen fathers cradle their dead children, seen them kiss their faces and hold their little hands. I have seen them faint with grief when asked to identify the dead. I have seen them carry their sons and daughters. I have seen them fasting to provide what little they can for their families.
I have seen men and boys digging through the rubble with just their bare hands, I have seen them comforting strangers, playing with children, rocking them, hushing them, even if the face of such imminent danger. I have seen them cry, seen them grieve, seen them break down into each other's arms, seen them be selfless, beyond selfless, becoming something I don't have a word for.
I have seen the men who are doctors refuse to leave their patients, even when they have no medicine or supplies to give them, even when they're threatened with bombings. I have seen fathers who have lost all their children pick orphans up into their arms and proclaim them their child so they are not alone. I have seen men and boys digging pets out of the rubble.
the men are innocent too. the men and boys are being hurt and killed too. the men and boys are grieving too. the men and boys are scared too. the men and boys are fighting to save their people too. the men and boys deserve to be fought for too.
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et-in-arkadia · 8 months
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this is such incredible advice for creating any kind of art i have to put it over here to remind myself
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loriache · 29 days
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Thoughts of a newly resurrected girl
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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velnna · 1 month
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dingledraw · 7 days
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South Downs cottage fluff based on the Dolly Parton song “Berrypie” 🩷
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brother-emperors · 9 months
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
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Perseus, Daniel Ogden
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Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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dykealloy · 5 months
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minkkinii · 10 months
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He would like to plead an oopsie daisy
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aerequets · 5 months
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trying to erase the trace of...
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s0fter-sin · 1 month
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something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line
“you’re compromised johnny; you know what that means?”
“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"
but ghost has never been afraid of venom; spat or dripped straight from bared fangs.
he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.
his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.
ghost doesn't let him.
"it means you give your body to me because your head ain't fucking attached to it anymore."
soap stills, body trembling beneath his hand as he sucks in shaking breaths.
he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."
the ice in soap's eyes fractures.
ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.
“so i can keep you safe ‘til it’s done and i can bring you back.”
#in my head its bc graves abducts his sister and is using her as hostage to draw him out knowing ghost will always follow him#but the intensity and intimacy of saying ‘you cant trust your mind not to betray you so let me be in charge of your body until you can’#after what happened to tommy he could never deny johnny his right to save his sister#but its bc of what happened to tommy that he knows he cant let him do it alone with only his rage to guide him#hes more likely to get himself killed and ghost wont live through that#so he has to balance it#and the only way he knows how is to completely shut down soap’s mind until hes no more than instinct and muscle memory#if he cant think practically then dont let him think at all#reduce him to a place where he can only follow orders#and when its finally over and his sister is safe and graves is dead#only then will he drag johnny back up to the surface#he’ll do it even if it means dragging him kicking and screaming back to humanity#instead of letting him sink in the depths where nothing hurts. theres no fear down there. no pain. only order#and thats the risk ghost took sending johnny to that place but he only did it bc he would stop at nothing to bring him back#and help him through the after#the breakdown. the rush of panic and rage and relief and anguish johnnys been supressing on his order#it was his word that turned johnny into a ghost#and its his touch that brings him back to the man#coming out of my cage and ive been doing just fine.txt#we’re a team. ghost team#cod#soapghost#ghostsoap#ghost x soap#ghoap#simon ghost riley#ghost cod#john soap mactavish#soap cod
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ahhrenata · 10 months
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I’m having an ‘oh’ moment while you bandage my hand, man
MY THOUGHTS FOR THIS ONE ARE IN THE TAGS :)
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lazylittledragon · 29 days
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completely true confession, the reason i haven't drawn bg3 in a few weeks is because i'm almost at the end of my dorian run and i'm not ready for it to be over so i'm pretending it doesn't exist
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westwing19 · 3 months
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Was looking through some of your old stuff, and every time I see this drawing I squeal with joy
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I just imagine the moment Galaxia is back with Meta Knight she immediately tells him "Either you adopt that child, or I will."
Ahhh it makes me really happy to hear that! 💖 I remember sort of throwing that into the corner on a whim so I'm really glad it got noticed and you enjoyed it ^_^
And yes I love that idea, she would absolutely take things into her own figurative hands if it got down to it.
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haunted-xander · 7 months
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Do you ever think about how Alisaie's biggest fear is losing the people she cares about? How the very first conversation you have with her alone, a deeply personal one, is about her confiding in you about those fears? Telling you that she hated the state of the world Louisoix died for because, to her, it wasn't worth the sacrifice? She tells you about all the allies she made and lost, who she watched die and could do nothing to save them.
Do you ever think about how Alisaie was consistently one of the first to act, to recklessly throw herself at danger throughout stb? She didn't care (as much) about herself getting hurt, but she'd be damned if she let her friends suffer without doing anything. She has to be fast and proactive, because if she can't protect them even when striking first, how would she be able to when acting after the fact?
Do you ever think about how every time her loved ones are in peril/are in risk of being in peril her heart just breaks? How whenever someone's safety is unsure she panics and immediately tries to contact them/rush to their aid? When Castrum Abania's cannon shot the tower that, for all she knew, Alphinaud was still in, she immediately stops what she's doing and runs to it in panic because her brother was in there and he might be dead.
Do you ever think about how when the Scions start getting their souls yanked to the First, Alisaie reacts the strongest? How, when Urianger and Y'shtola got taken, she fell to her knees shaking Uriangers body, screaming for him to wake up? And when Gaius appears with Alphinaud in the Burn, she immediately goes to fight him (before being stopped by Hien) because this man, who has been her enemy, is holding her brother's lifeless body. She doesn't care that she can't possibily beat him, he has her brother and she's already lost so much in such a short amount of time. She's lost Thancred, Y'shtola and Urianger already, she can't lose Alphinaud too.
Do you ever think about how you are the only one she can fully rely on at that time, but who is also at risk of being taken away? Of how she's so desperate for you to stay, to not be taken away, that Alisaie, who, for all her bluntness, prefers to rely on herself first and foremost, begs you not to leave her? She begs you. Alisaie does not beg. She yells at you to not do something, and she'll scold you to hell and back if you do it anyway, but she does not beg. But this time she did.
And then she ends up being taken away right in front of you. She cries out for help and uses her very last energy to reach out for you. And then she falls limp.
Do you ever think about how, when Alphinaud turns to tell her his plans at the end of Ultima Thule, she immediately rejects it without even letting him say it? She's lost so much and experienced so much grief, not only overall but also just in Ultima Thule. And she loathes to bring that grief onto another. Especially to one who has already lost so much, like you. She hates it. She ends up doing it, yes, but she hates it still.
DO YOU EVER THINK ABOUT-
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