Can I please have meet cute/weird with mistaken villain! Danny (but really just a engineer and or chem student) and the one being put on investigation cause Danny is a day villain(not really)! Duke
Technically, Danny Fenton is innocent. Technically.
Duke wants to give him the benefit of the doubt, especially since he’s having so much trouble finding solid evidence that Danny is stealing from a wide variety of people, but he’s been burned before by trying to see people as better than they were. It doesn’t change the fact that Oracle’s cameras keep spotting Danny right before a building on the street is broken into and something stolen. He’s always just walking down the sidewalk; no one has spotted him entering or exiting a building, but he’s around far too often to be unconnected to these burglaries.
It doesn’t help that strange, petty crimes have been on the rise since Danny first arrived in Gotham.
So.
Danny Fenton is technically innocent.
Duke is trying to prove that he’s not.
Maybe I’m looking too closely, he thinks, going over Danny’s sparse file in the Hatch. Maybe Danny’s only one person in a bigger operation.
He could just be the lookout, the runner, the information gatherer who marks which buildings to hit. He may even be the scapegoat, the sacrificial lamb; Danny has no support in Gotham, no family, no job. There would be no one to help him if he got arrested or injured in a fight. He’s a freshman college student from Illinois who should be unprepared for life in Gotham but is somehow managing to survive like a native.
There’s a lot about Danny that doesn’t add up.
Duke has seen plenty of different people since he first went out as the Signal. He’s tried to be kind and give people the benefit of the doubt, but it leads to his loved ones being put in danger. Some people are truly evil, some working on a malicious agenda, some are misguided in their beliefs, and some are desperate people who see no other way to move forward.
He’s not sure yet which on Danny is, but he’s hoping Danny is just desperate and needs a little help to get out of a life of crime.
Which leads to the next problem: Duke has no idea what Danny is steal, or why. He hits both rich and poor folks, civilians and members of the mob, and once, notably, stole something right out of Cobblepot’s office. Allegedly, at least, since no one saw him enter or exit the office, not even the security cameras.
But added to the whispers going around about a new group in Gotham snatching people up from the streets, and some strange green substances found in warehouses often raided by police for the frequent drug labs that pop up in them…
It doesn’t look good for Danny. Especially when a few of the items he stole were found where people either vanished or where that green substance has been found.
A week of analysis in the Batcave and they still don’t know what it is.
Both Damian and Jason suspected Lazarus water, but the composition was completely different. By the look of the molecular structure, it shouldn’t have been in a liquid form at all.
All these findings lead back to one person who may have answers: Danny Fenton.
According to Tim, who’s already broken into Danny’s dorm room and checked over all the labs he has classes in, Danny has some concerning items in his possession. Various inventions and little metal knick-knacks put together by a practiced hand. He was also the one to find all the information that went into Danny’s file when it was first being made: social media posts, school report cards, news articles about his parents… everything.
And then he had an emergency mission to take with the Titans that swept him out of Gotham leaving Duke to tackle this investigation on his own.
He doesn’t have Tim’s natural skill in stalking and invading privacy. He hates breaking into people’s spaces and following them around, but needs must and he has to force himself to work through the discomfort.
It’s a good thing he did, too. Danny’s leaving his dorm after his last afternoon class, hood up to hide his face and something held in the front pocket of his hoodie. He ducks around people on the sidewalk easily, almost as if he’s gliding through the crowd instead of walking.
Duke follows from above, bending the light around him to hide him from sight.
He walks for some time, weaving through alleys and streets as if he’s been in Gotham his whole life, leaving behind the university campus to head towards Otisberg. There’s something strange about the way Danny walks, as if he’s moving around people who aren’t there, guided by something Duke can’t hear. Even using his meta abilities doesn’t do much beyond show him where Danny’s going to be in the next few seconds.
He continues to follow Danny on the rooftops, walking along the edge to keep him in sight.
Then Danny stops behind an apartment building and tilts his head back to look up at it. He tilts his head to the side, then nods and looks around the empty alley. Duke crouches down, keeping his eyes on Danny in the hopes of catching him in the act—
Danny disappears.
Duke curses under his breath and jumps down from the roof, putting more strength into his abilities as soon as his feet touch the ground.
The space where Danny was has a faint outline, oddly enough. He’s never seen that before. From it is a semi-transparent trail, smoke-like and a pale green leading into the building. It goes straight into a wall, as if Danny walked through it.
He can’t go in and search the entire apartment, but he can grapple up and take a look into the hallways to see where Danny’s heading. If he was looking up, then that’s where he should be heading.
It doesn’t take any effort to scale the building. There are ledges and windowsills and plenty of handholds for him to propel himself off of, and paired with his powers, Duke is able to find the correct floor in just under two minutes.
The green smoke slowly dances through the air of the ninth floor, on the east side of the building. If he’s been counting the rooms correctly, then the target of tonight’s burglary has to be apartment 924.
The curtains are drawn on the window he makes his way over to, and his abilities don’t show him anything helpful for the immediate future. He hates going in blind, especially to a civilian’s home, but capturing Danny takes priority. Duke picks the lock and slides the window up slowly, making sure it stays quiet, then slips into an empty bedroom.
He makes his way out into the hallway on silent feet, keeping a wary eye on the thin smoke strands of green, curling along the walls. The rest of the apartment is empty as well, pale sunlight slanting across the floor through the blinds.
Everything is still and silent. Danny’s nowhere to be found.
Did he miss Danny leaving, somehow? Was this a misdirect to get him out of the way while Danny stole from another location? Did he know Duke was following him?
But no, his ears pick up on the faint sound of clothes rustling.
Cautiously, Duke turns towards the front door, where the door to the coat closet is open. He focuses on what’s going to happen in the next twenty seconds and sees Danny panic, then disappear from sight again, but a transparent outline of his body is visible just enough to show him where he runs to. Best not to spook him; Duke pulls at the light around him and bends it to hide him from sight.
Then he moves along the wall, getting around the open door without bumping into anyone or anything.
A figure in front of the coats, shoving them to the side roughly, flickers in and out of view, almost like a reflection in water, distorted by ripples on the surface.
Danny pops back into visibility suddenly, scowling at the coats. “Are you sure it’s in here?” he asks the empty air.
There is no answer, but Danny acts like there is. He rolls his eyes and says, “It’s a favor. That I’m doing for you. I can literally stop right now and you wouldn’t be able to stop me.” He shoves aside another heavy winter coat, then sighs. “Why don’t you look for it, and then tell me where it is.”
He steps back and bumps into Duke.
Danny whirls around, eyes wide, and blast of green light has Duke crashing back into the wall, trying to blink spots out of his eyes.
“Wait!” he yells, grabbing for Danny before he can run off. “I just wanna talk!”
“Standing right behind me like a serial killer does not make you look like someone who wants to talk!” Danny yells back, slipping through his hands like mist.
“I just have a few questions!”
“Well, I have a question: why?!”
“Will you hold still, we’re being too loud!”
Danny escapes to the other side of the apartment, next to a window looking fully prepared to fling himself out of it. But he does stop yelling, so Duke is counting it as a success.
“Why is the Signal coming after me?” Danny asks, glaring at him suspiciously.
“Dude,” Duke says, “You’ve been seen outside of every single building that’s had a burglary since you first arrived in Gotham. All the Bats are after you, they just sent me because I’m the only one active during the day.”
“All the Bats?” Danny repeats, losing what little color he had in his face.
He looks legitimately scared, pale enough to be concerning, and Duke drops his guard and tries to relax the tension in the apartment. “I’m not gonna turn you into the cops or anything. I just had questions and you seem like the most likely person to have answers. That’s it.”
Danny still looks wary, ready to run at a moment’s notice, but he doesn’t leave when Duke approached casually, leaning his weight against the couch.
“So,” he begins, “What’s the deal with all the thievery? It’s rarely something super rare or expensive.”
There’s a long few minutes where Danny doesn’t answer, looking anywhere but at Duke. Then he twitches a bit and glares off to the side, and says, “I taking items that are contaminated with ectoplasm to help ghosts move through the veil and leave Gotham.”
That tells him nothing! That just gives Duke more questions! But at least it’s an answer, the first one any of them have got.
“I think you’re gonna have to explain a little more.”
“Ghosts are real, alright?”
“Yes.”
Danny stops. Squints at him. “What do you mean, ‘yes’?”
“Ghosts are real,” Duke repeats, “There are a few who help heroes or are heroes themselves, but that’s more on the magic side of things so I’m not super familiar with it.”
“Magic,” Danny says slowly. “Sure, alright. Um. Yes, ghosts are real. And there are a ton in Gotham who need help moving on, but they’re too weak to get past the veil. Something about Gotham has made the veil super strong, so they need a little boost to get through. Additional ectoplasm bonded helps with that.”
“And that’s why you’re stealing random things?”
“The ghosts I help can kind of sense ectoplasm-infused things, but they need me to grab them since they can’t hold anything without a physical body.”
Duke nods slowly. “Okay, that’s starting to answer some things. We have found those objects in the last places missing people were seen. Any idea what’s going on with that?”
“Yeah, those people were already dead.”
The way Danny says the most concerning answers as if they’re nothing is really throwing Duke off his game. He was expecting to be calm and serious to keep Danny from freaking out too much and look like a legitimate hero. But as soon as Danny started talking, all his nerves fell away and Duke is left grasping for composure.
“They were…”
“They were ghosts, yeah. And they needed to get through the veil. But they were also able to possess their own bodies and didn’t realize they were dead until I had to break the news to them, which is why it looks like living people just up and disappeared.”
“Okay… What about the green stuff we’ve been finding?”
“Ectoplasm.” Danny holds up a hand and a neon green light surrounds it. Except it looks more solid than light, as if it can be touched, and it moves on its own like fire around Danny’s fingers. “It’s what ghosts are made of.”
Oh. If Danny has ectoplasm, does that mean…
“Are you dead?” Duke asks, heart dropping.
Instead of looking upset about the question, or even disturbed by it, Danny just shrugs and waves his hand back and forth. “A little.”
“Okay, so let me get this straight,” Duke says, trying to resist the urge to rub his temples. It’s a habit he didn’t mean to pick up from Batman, and it would just look silly with his helmet in the way. “You’re just doing all this to help ghosts?”
“Yeah. Basically. They asked for help man, of course I was going to help them.”
Danny’s a good person. He’s just a good person to ghosts. But this is good news either way, and he can let the others know that Danny isn’t the next Catwoman and is entirely unconnected from any drug production. Everything that made him look like a criminal is just the fault of ghosts.
“Speaking of,” Danny continues, “Looks like they found what they need, so I’m going to grab that real quick.” He pushes off of the wall and heads for the closet again, moving past Duke without any fear. Duke follows, keeping a few feet of distance between them so Danny doesn’t feel trapped, and watches as he shoves aside the coats again and pulls a shoebox out of the depths of the closet. From it, he takes a single intricate lace headband and holds it up.
It looks normal, if a little old, but when Danny sends ectoplasm through it, the lace lights up and holds the glow.
He pulls some strange contraption out of his pocket and holds it up to the headband. It makes a few beeps, then Danny mutters, “7.4 millisieverts. That’s enough to get you through the veil.”
Another concern Duke can let go of: Danny’s not creating weapons like his parents have, he’s just measuring ectoplasm through his own inventions.
Maybe he could talk to Bruce or Tim about getting Danny an internship at the R&D lab in Wayne Enterprises? That way they could keep a closer eye on him while seeing what he can create in some of the best laboratories in the country.
Well, it might take having them meet Danny before they trust him enough for that, but Duke is sure he can make it happen.
“I better go see this through, then,” Danny says, shoving the contraption back into his hoodie pocket. He gives Duke a small awkward wave, then pops out of visibility. “I’ll see you around, I guess?” he disembodied voice hedges, and Duke smiles.
“I’m sure I’ll be able to find you again.”
“Cool. I gonna go now!”
He doesn’t see any sign that Danny’s left, but he gets a feeling that he’s alone now, the apartment suddenly emptier than it was before.
As strange and concerning as Danny and all his bizarre actions were, Duke is glad he was able to finally talk to him and get some answers. Knowing how Gotham pulls people him in, it’s only a matter of time before the other Bats are exposed to Danny’s kind of strange. He’s already looking forward to it.
For now, though, he has a file to update in the Hatch; POTENTIAL THREAT will be removed and replaced with GHOST HELPER.
If anyone goes snooping into his files and gets confused, then that’s their problem. Duke’s explained enough. And Danny can take care of the rest, once they go through the effort of tracking him down. Duke's done his part, he's ready for the rest of them to step up to his level.
He can’t wait to see what other kind of trouble Danny can get it into.
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The sexualisation of Mikoto, stalking, and how the fandom is repeating this.
CW: Stalking, sexual harassment, fanservice, murder
I’ve been thinking a lot about Double’s thumbnail, and especially the stalking theory. And if you think about it a lot basically everything fits up and that his victim was likely his stalker. Although a lot about what happened I never really have seen discussion on the why or how it’s been happening, so I just want to give my thoughts and theories on this all before Double.
The fanservice in MeMe:
The fanservice in MeMe has always felt really off to me. Milgram never has any fanservice-y stuff, minus Yuno in Tear Drop, but it’s only just her revealing outfit and nothing to do with strange camera angles or whatnot, and it’s very important to her character. For me and what I’ve think the consensus in the fandom has been, is it’s nothing more than that. That the fanservice is only there to appeal to thirsty fans or whatever. But I’ve been thinking a lot, and with the music videos extracted from prisoners minds, everything has a meaning in one way or the other. So for the creators to just throw a bunch of fanservice scenes in MeMe with no meaning apart from just plain fanservice feels really counter intuitive to the whole point of the MVs. And especially how this has never happened before makes it really strange to me. And with this idea in mind and going back to the stalking theory I mentioned earlier, I think it’s disgustingly clear what has happened to Mikoto.
Mikoto being watched:
I think what’s going on is that Mikoto was stalked for sexual reasons. The constant scenes of him in embarrassing moments (taking of his shirt, having a shower, having a bath) is what the stalker has been seeing and this subconsciously put itself into MeMe from Mikoto’s POV. Camera imagery in MeMe is very prevalent, from at the beginning him grabbing the camera and at the end him picking it up and punching it. I think this is supposed to represent him realising he’s being stalked and trying to hunt down who’s been doing it, and the destruction of the camera at the end to represent him killing the person.
Also around the middle of the song, we see security cam footage of him entering his apartment and crying on his couch, with Mikoto hyperventilating and gasping in the background. I feel like with everything I’ve said before this scene makes it extremely clear, that someone put up a bunch of camera around his house to catch him in those moments, if we’re taking that scene literally.
Then it cuts to him laughing at the screen in darkness, and the aforementioned fanservice scene right after this sequence of events really makes things scary to what was happening in his house. And also like I said before about the hyperventilating during this scene. I could mean multiple things such as him having a panic attack, being actually attacked or worse.
And the imagery of being watched doesn’t stop at just the camera stuff. At the beginning of MeMe in the scene at the train station, the camera moves around from behind a wall to reveal Mikoto sitting there holding a bat, like someone is watching him directly. To further back this up there’s a vignette around the edge of the camera and wee see it blink, like from a POV shot. And after the blink Mikoto disappears, and then we see him outside swinging a bat at the POV (just want to note this is outside and is probably in a different place than the train station, but I don’t know what to make of that right now, and how also the vignette I pointed out before isn’t present here). Then it cuts back to the scene in the train station, now with Mikoto holding a bat and walking towards someone on the ground, attacking them. Noticeably the vignette is still here in this scene, so the person Mikoto was attacking likely wasn’t his stalker, perhaps he just thought they were.
Wait I suddenly just got a theory from this. I just mentioned how the vignette in the scene I just mentioned likely means that Mikoto attacked someone else and the stalker was watching on. Me and basically everyone else has assumed that guy was his victim, but then what about the stalker? I’ve always strongly believed that Mikoto only killed one person but now I’m just starting to doubt that. If MeMe is to be taken in chronological order in this part, he probably killed that guy then realised that he was continuing being stalked. And as I said at the beginning of my analysis I mentioned that Mikoto punching the camera at the end could be representative of him killing the stalker and ending it (also to mention he gets the death card right before hand). And I didn’t think of it when I wrote that but what if he did actually kill multiple people in an attempt to kill his stalker. Hmm.
And going back to what I was talking about before, he probably entered his apartment afterwards and switched to Bluekoto after it was assumed everything was safe now. (Just saying I’m using Mikoto interchangeably to refer to all of the alters as it’s not clear who’s doing what, but this takes the theory of that blue was the murderer and not the other/s into account, because there’s a part of me that feels it wasn’t him attacking those people as red/green has a strong desire to protect blue and hide him from the traumatic events taking place).
I feel like I’ve gone way off track with what I’ve been saying here because while writing this I just keep noticing more and more stuff to write down and I just thought of someone thing again.
Every time it appears that Mikoto killed someone (the train scene, the garbage scene although the bag doesn’t look like a human body just saying), it cuts to a fanservice-y scene right after, maybe implying that the person he killed wasn’t the stalker, and he’s still being watched afterwards. Although this makes the bath scene kinda out of place as it doesn’t take place after a murder I think, and someone mentioned it was before the shower scene which kinda debunks this but I just wanted to mention this because why not.
Mikoto’s mindscape in MeMe:
Another thing I’ve been thinking about a lot is every character’s “mindscapes” as I call them. Yuno has an empty pink void with a tower, Fuuta has a fantasy land, Mahiru has a room inside a birdcage ect. And all of these places represent an aspect of their characters. Yuno’s representing her feelings of emptiness, Fuuta feeling that everything he’s doing is for justice and that he’s a cool hero, Mahiru being trapped and sheltered in an ideal concept of love and stuff like that. I’m going to make a theory on this in the future as it’s very interesting to me but Mikoto’s mindscape is always something that’s confused me.
Mikoto’s mindscape is a parallel of his apartment. Down to the couches, tables and everything, but lacking the bookcase and tv being buried in the water for whatever reason.
(Also I just noticed but there’s a blue thing behind the couch that Mikoto laid his head down on before which could be a bed or whatever. But in the mindscape and this other shot we don’t see it???)
(Actually maybe we do if we squint, oh well)
Okay, okay back to what I was actually going to say. The furniture from the apartment appearing in the mindscape makes sense, but what about everything else? The broken, tiled walls, the mirror, how everything is covered in a thin layer of water, the clear blue sky. There’s a bunch of this stuff I could analyse in my future post about mindscapes but I’ll just say the stuff that relates to what I was talking about earlier. But to say it right now, I think all that other stuff is supposed to be the bathroom we see him in.
Notice here the tiles are exactly the same, and we even see the same mirror he looks at himself in, in real life then Mikoto in the mindscape.
Also to point out how the Mikoto we see looking into the mirror here is wearing a sleeve and likely in the mindscape and as someone mentioned, since the ahoge is backwards it’s likely a reflection. Although it’s strange that it has the same green filter both ways.
After this we see bluekoto (presumably) fall backwards into the water. And another strange thing I noticed is that this mirror is behind the couch, but when he falls down the couch is tipped over.
Don’t know what it make of this but again I’m just constantly pointing stuff out I notice as writing this.
So basically I think the mindscape is a mix of the living room and the bathroom. The furniture from the living room and the water, mirror and tiles from the bathroom. But this makes things confusing, why the bathroom? Why would Mikoto project imagery of his bathroom into his own mindscape? This brings me to what I was saying before. The walls in the mindscape are completely collapsed, providing no closure or privacy to this “room”. The sky is also out, so his mindscape feels very exposed. And what I said earlier about my staking theory. It’s likely that someone placed cameras up in/around his bathroom to record him naked, a complete breach of privacy and that’s why this mindscape is so exposed and has elements from there. Even in this world that he created, he still doesn’t feel safe at all.
The audience and the repeating of Mikoto’s trauma:
Basically to sum it up from what I’ve said. Mikoto was being stalked and sexualised by someone. Cameras were placed up around his house to record him in embarrassing situations and he figured out, and attempted to kill the stalker.
But here’s one thing, that story we likely see in MeMe is happening again. But with the audience.
When MeMe came out everyone went ballistic. Lots of people were very surprised in how violent it was, how compared to the calm preview we saw it instantly started off with death metal and destroyed every idea we had about him, and kept switching between being calm and violent. But what I want to walk about right now is the reaction to the fanservice.
As we all know, when MeMe released a horde of thirsty tiktokers came over and started absolutely obsessing over Mikoto and all the fanservice scenes we see. Things got so out of control that people tried to vote him innocent just because he was hot and even jackalope bought this up. But thinking about this, it’s getting dangerously close to what I think happened in his story. Being filmed in embarrassing moments without consent, and having people obsess and sexualise you for that. The music videos are representative of the prisoner’s minds, and in no way would have Mikoto known how he was shown naked and shirtless for a huge chunk of MeMe. Same as him being stalked and recorded in his story if I’m right.
The fandom here is doing exactly what his perpetrator did to him down to a T. It’s almost like what happened with Amane when people tried to reverse her brainwashing by showing her tough love by not forgiving her, exactly like what the cult did to her to try and make her obey them more. This thing is happening to Mikoto as well as Amane and repeating their traumas. And also to mention how Mikoto has DID which is a result of repeated childhood abuse so it’s likely this has been happening to him alot and just can’t escape from this reality. And for the alters to take in all the trauma and leave the host blissfully unaware of everything’s that’s happening.
This brings into account how the guilty prisoners can hear the voices of the audience judging them. Fuuta completely broke down as he was constantly harassed with strange voices judging him and denying his actions. And he’s mentioned a lot of times how he can’t stand this feeling of being watched and this manifests through the eyes in Backdraft. And with Mikoto from everything I’ve been saying before it’s very likely he has trauma from this. And now feeling like he’s being watched and hearing the voices of the audience, who we know constantly sexualises him. It’s likely he’ll have to relive his trauma once again that he thought he finally escaped…
Conclusion / TL;DR
To sum this whole theory up I believe that fanservice in MeMe actually has importance besides just fanservice. And it’s likely Mikoto was being stalked by someone and recorded in those situations, and he ended up hunting the person down and killing them. And now because of the audience’s constant thirsting over him and how the guilty prisoners can hear everything we say about them, Mikoto will have to relive his suffering again.
Other things I’d like to briefly mention but didn’t have any space to put in, Is how since Mikoto rides a bike instead of a train to work as he said but we see lots of train imagery. And I think what happened is that he was probably being harassed on the train and switched to going to work alone. And the thumbnail in Double we see him looking depressed, on a train surrounded by destroyed mannequins.
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