Decide how formally they speak - this is also based on who they were raised around and what their timeline is, their race and culture, etc.
Know their overall volume of speech - maybe they speak loudly because in their past that’s the only way their voice was heard
There’s a hundred ways to say a sentence - sometimes this changes up in a person, but everyone has the way they word their sentences. Example: “what are you doing?” Can be “whatcha doing” “how goes it” “whaddya doing” “what are you up to” “what is chu doing” etc.
Self representation matters - if a person isn’t confident then they aren’t going to sound confident. But it’s not just about voicing confidence or not, there are details to every trait. If you’re character’s not confident then then they might question their choices a lot. They probably won’t judge other people except in high regards. Every personality trait has finer details
History also matters - maybe trauma makes it so your character gives extremely detailed answers to avoid confusion (anxiety). Maybe some kind of accident makes them speak less
There’s a difference in how much people speak - somewhat a follow up to the last point. But it’s not just personality that determines this but also illnesses. For instance my adhd makes me talk a lot nonstop, so much so that I might trip over words, or if I’m “narrating” then I go very out of order. People who don’t care much (depression) might only give vague or indecisive answers. Some people have long answers, some give one word answers.
People know different things - such as when your character is comparing something to their past. Even something simple, not all of your characters might know something like “this specific type of tree” but one character might because maybe it was a tree in their backyard. Characters knowledge determines their understand and ability to explain.
now, i’m not only talking about speech and dialogue. body language, physical traits, actions, mood, goals, thoughts and personality—these all contribute to the defining factors of who your characters are and how they appear on the page. there’s a lot that goes into character creation, and we’re going to peel back some of the layers in this post!
first impressions
a character’s voice will tell the reader a lot about them. readers will pick up on subtle clues that help them judge who the character is. this can also hint to them the character’s arc, mental state, personality, opinions, and much more.
you want your characters to be as realistic as possible so that readers can truly picture them as real people. you need their voice to be consistent and genuine (even if your character isn’t being genuine).
as writers, we often have the habit of letting our own style and behaviours leak into our writing. while there’s nothing wrong with having your own writing style, you have to make sure that you don’t take away from the characters’ own voices and spotlight. knowing your characters down to the most minute detail will help with avoiding this.
shaping a voice
a lot of things go into making a character, and it’s important to know everything about them. like real people, they should have quirks, opinions, hopes, history, culture—and that’s only a few. here’s three key points to keep in mind when character outlining:
— actions: how they speak and act in certain situations and come to decisions.
— thoughts: how they view themselves and others, as well as they’re inner monologue and how they process challenges and emotions.
— descriptions: how they see and experience things, their appearance and physical traits.
a good way to start off would be to create character profiles. these will help immensely when it comes to understanding your characters. list things like their name(s), appearance, personality, backstory, religion / culture, flaws, goal(s), and any other important information you can think of.
when it comes to arcs
over the course of the story, your character (and their voice) should undergo some kind of change and/or development. people tend to change over time and grow, especially during great moments of distress or conflict, like the plot.
because of this, you’ll need to consider a character’s personal arc when discerning their unique voice. one strategy is to think in stages, for example what is the character’s mental state at the beginning of the story compared to the middle and then the end? this will give you a better idea of how they evolve from start to finish and let you apply that knowledge to your writing.
final word
knowing how your characters will react to plot points and come up with solutions will significantly aid the process of creating your character’s unique voice. just because we put them through hell and back doesn’t mean they’re any less than true people who feel pain and happiness and remorse. i mean, they aren’t real exactly but close enough to it imo. anyways, love y’all royals queenie out <3
This poem is dedicated to my favourite playback singer Dhee (Dheekshitha Venkadeshan), an Australian citizen of Srilankan Tamil origin; who is the stepdaughter of renown music composer Santhosh Narayanan – who is also one of my favourites. Here goes the content:
Listened have I, to loads of songs
Tamil, Hindi, English
And even Telugu, Malayalam and Kannada
There ain’t no shortage
When it…
Hi smalletho nation i needed a warmup before digging into more hunger au so i decided to write a little snippet specifically intended to make @bad12amcomic want to beat me with hammers<3 its not much but i hope yall will accept this humble offering that has literally zero context whatsoever /silly
"You suck, Etho, never come near me again," Joel snaps. Then, with the edge of a sneer: "Sorry, I didn't mean that— except I did, you loser— bet you didn't see that one coming, did you, you stupid— blimmin'— good at everything...." His voice trails off, curdling and sour as it drips to the ground.
Etho's response is slightly more measured. "I dunno, Joel... seems like you kinda want my attention over here." One white eyebrow ticks up into a perfect arch, the glint of a sly smile teasing the corners of his eyes. The bare edges of a laugh tickle each syllable as he leans in close, both in mock and in challenge. "Maybe I don't suck as much as you think."
"I wish you did," Joel blurts, then flushes all the way to the roots of his hair, entire face flaming. "I-I mean, uh— oh, wow, nevermind, that came out weird. Look at the time— goodbye Etho, I hope Gem kills you really... stupidly. So I can laugh at you. Because I'm cool, and way cooler than you. Obviously."
We cannot live in a world that is interpreted for us by others. An interpreted world is not a home. Part of the terror is to take back our own listening. To use our own voice. To see our own light.
— Hildegard von Bingen, from ‘Selected Writings’ (Penguin Classics; November 1, 2001) (via Alive on All Channels)
one of th actresses on this shoot jst told me she rly likes my voice and that its ‘deep’ which is xtremely gender affirming but i cnt tell if she thinks im a woman w a deep voice cuz i swear my voice aint deep for a man lol
I was recently reminded of the first time I read ADwD, with it being the only book in the series that I listened to via audio book, and I chose to do so during my shifts working food-service. Anyway, don't do that, friends!
(The artist, c. 2021, retraumatizing herself every three chapters over shortbread cookies:)
watched the little mermaid last night and it’s everything i imagined it to be and more. im cheesing smiling kicking my feet up beaming with joy. halle is ARIEL and jonah is PRINCE ERIC aassddffgghgkllllll what a perfect cast. HALLE’s VOICE IS PERFECTION. eric’s love-gaze-pinning eyes got me weak af. my man was in LOVE LOVE with ariel. CHEMISTRY WAS CHEMISTRY-ING. and grimsby was me tbh… he made it his full mission to get eric and ariel together and i love him for that.
look at them! just two beautiful nerds in love. yeah, im going back to the cinema tonight to watch it again idc if i just get three hours of sleep it will be time well-spent 😭🧡