at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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@xoxo-lahh
So in this verse, Tsunade never ends up teaching Sakura- as that role is fulfilled by Chiyo. (But she DOES return to Konoha eventually).
And Chiyo's first rule (for everything lol) is: Nothing is Free.
Chiyo always demanded something in return for healing, and unlike Tsunade, she considered medical jutsu a part of her arsenal. If it could kill, then it was always an option.
So Sakura learned from that mindset, trading her services and using her rare skillet as a powerful negotiating tactic, especially during Tea Country's civil war. Her healing effectively kept her, Enji, and Saeko in relative safety and provided her a card to play when she needed.
And, while Sakura is nowhere near as jaded as Chiyo is, and often enough of a bleeding heart to help people for damn near free, (a place to stay, food for the night, a new holster for her kunai), she is also VERY pragmatic about her skillset. The civil war taught her that sometimes, letting someone die is better. This puts her at odds with Tsunade, who has a very different mindset (and was, historically, bitter enemies with Chiyo).
Another issue that arises with Tsunade, is that the Godaime is a doctor- while Chiyo is more of a healer. Their understanding of the human body comes from a different place.
Tsunade can name every bone and muscle and perform open-heart surgeries. Sakura can heal bone and stitch back together muscles and flesh on a very basic level, but she's never going to be able to open up a human body and revolutionize medical history like she does in canon. (In canon, Sakura creates a Jutsu that allows her to do a four-man surgery alone; she can't do that here.)
However, she can do some stuff that Tsunade claims is impossible—like reconstructing/altering someone's chakra network, unblocking tenketsu, sometimes turning off someone's dojutsu from a distance, and lite-healing remotely (Tsunade is very upset about this one specifically). A lot of it comes from her mastery of Genjutsu.
Genjutsu, as I reworked in my comic, requires a complete understanding of someone's chakra network to control ALL their senses. Sakura's understanding and control are so prodigious that she can almost autonomously control people's bodily functions (a skillset that is GREATLY aided by training with Chiyo's puppet mastery).
She uses Genjutsu as a tool to understand the body and employs it as both support (helping an ally maintain a sense of gravity as they're pulled underground or flung in the air, etc) and offense.
And that's it for the wall of text! Once again, thank you SO much for the amazingly kind words and all the interest in this AU! <3
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(Sarah McLachlan’s In the Arms of an Angel playing~)
Some phans are tired of the irresponsible fridge-ing of their beloved Drs Fenton, and rightfully so!
The phanmarket is understandably saturated with tags of neglectful!parents, abusive!parents, and more notably- dead!parents. This of course, stems from the tones a lot of phans picked up from the source material, and which thus bred abundantly on fanfic.net as a convenient shift out of the status quo of the show and into that good ol angst fic goodness.
Phandom nowadays has had much time to steep in the primordial angst goo of which it was birthed, and upon reflection offers a softer hand to our dear Drs.
Now, we- The Drs Fenton Rehabilitation Program or DFRP recommend several ways of coxing your jacks and maddies out of your fic, without resorting to drastic measures!
See more: @maniacwatchestheworld ‘s post
Or yknow. ol reliable.
Whatever idk just,
Somethign something euthanasia.
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