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#we're all here together
jaarijani · 3 months
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you can tell i should really be asleep when the only people active on my dash are the north americans
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why are people still racist
that's stupid
we're all just people tryna vibe
this is now the vibe zone, if you come after somebody because they don't look like you you'll be thrown out of the vibe zone and banned forever
no racists. racism bad
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hairmetal666 · 5 months
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Steve knows he falls in love too easily. Nancy told him, Robin too.
But falling in love with Eddie Munson is hard.
They're supposed to be friends after Vecna. They're supposed to be friends, but Steve can't get past what Eddie did in the Upside Down; how he put himself in a position to nearly die, how Dustin got hurt. It's not fair. He knows it's not, but it doesn't make the anger go away.
Eddie's part of the group now, though, and Steve won't leave him out, no matter how angry. They're all at movie nights, at pool parties, at Hellfire, at Corroded Coffin gigs. It's just that Steve and Eddie don't speak. And Steve is okay with it. If it's what it takes to make sure that they're all hanging out together, not talking to Eddie is a small thing. He's pretty sure Eddie doesn't mind. At least, he seems as uninterested in hanging out with Steve as Steve is with him.
It doesn't need to be anything more than that, and it isn't, not until Steve goes upstairs to get more sunscreen during one of the pool parties, and walks back downstairs to find Munson waiting for him in his kitchen.
"You need something?" He asks, unable to fully hide the way he jolts with surprise.
Eddie twists the rings on his fingers, something Steve's noticed he does whenever he's nervous. "You have a problem with me, Harrington?
"No, of course not," he answers too fast.
"C'mon, man. You can barely stand to be in the same room with me."
"That's not true! We're in one together right now."
Eddie rolls his eyes so hard that it has to hurt. "Don't do that. Don't pretend like you don't know what I mean. You can't stand to be alone with me for more than thirty seconds."
Steve splutters, searching for a plausible reason.
"Is it cause--" Eddie swallows, hand going back to cup his neck. "Is it cause you heard me tell Robin that I'm gay? Back at the hospital. Is it because--" he cuts himself off.
Something in Steve's chest clenches hard, warmth swooping dangerously in his stomach. "No," Steve says, means it. "I didn't hear. I didn't-- it has nothing to do with that. It's--that's cool. Thanks for--yeah, that's cool."
Eddie's smile is a brittle little thing. "Then, what else?" Eddie pulls a chunk of hair over his mouth. "I can't think of any other reason you'd hate me so much."
"I don't." And Steve hopes it's coming off as genuine. "I promise."
He can't help remember the camaraderie, the understanding, that started to grow between them in the Upside Down. The "don't cha, big boy?" of it all. They could be friends. They should be.
They shouldn't get into it. Not right here, not right now when the kids' splashes and excited screams filter through the sliding door.
"You're a shit liar, Harrington."
"Ed--I'm not--"
"You know what? Don't bother. I'll just--" He jolts in the direction of the front door.
"Don't be stupid, Munson."
"God, I can't believe I didn't see it before. You just fucking loathe me."
"I do not. Grow up."
"Oh, yeah? Then what's your problem?"
"There isn't--"
"Stop lying!"
"You didn't fucking think!" He shouts. Loud enough that the noise outside cuts off. "You pulled that shit in the Upside Down and you almost died! Dustin got hurt!"
Eddie blinks his big brown eyes in stunned surprise.
"I told you, I said, 'dont try to be cute or be a hero or something.' And you know what you said? Do you?"
Eddie won't look at him now. "I had to make a choice, Steve."
"It was the wrong one!"
"I would do it all again. No matter what you say. I would do it to draw the bats away. To protect Dustin."
"But you didn't."
"There was no other way to stop them, Steve! They would've gotten through, into Hawkins."
"It doesn't matter."
"You weren't there! You can't tell me--"
"Yes, I can! I know."
"You don't! You think--"
"I almost lost you!" He screams. "You nearly died in my arms, Eddie. And for what?"
Falling in love with Eddie wasn't easy. It was blood and near death; it was weeks in a cold hospital room while Eddie existed in a drug-induced twilight state; it was agonizing convalescence and physical therapy and changing bandages; it was Eddie leading dnd sessions with bright eyes and contagious enthusiasm, herding the kids to the arcade and video store, theatrically serving snacks at movie night; it was festering, senseless anger at the near loss of something.
Eddie's lips tremble. "Steve, I--"
"It doesn't matter." He turns away to slide a hand down his face in an effort to wipe away the emotion. "You're fine and we're--it doesn't matter."
"I'm sorry," he whispers. "Steve, I'm sorry. I wanted--I thought it would help. I thought--"
And Steve has to admit, he does, the whole terrible contradiction of it all. "I know," he whispers back. "I would've--I know."
"I thought I was protecting Dustin. I thought I was buying you guys time with Vecna." Eddie's voice breaks. "I didn't--I--" He squeezes his eyes shut.
In the quiet of the kitchen, they gravitate to one another, foreheads resting together.
"I should have been there, Ed. I shouldn't have left you two alone. You almost died, and I--"
"Sweetheart, I'm right here. We're right here."
They don't kiss, but they're close enough that their mouths brush with each breath they take.
"Don't do that, again." Steve clenches his fists into Eddie's cutoff t-shirt. "Promise you won't ever--"
"I promise, Stevie. I promise. I'll be by your side until the very end, whatever it is."
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for anyone who doesn't have the Return YouTube Dislike Plugin, here's how Watcher Entertainment's "Goodbye Youtube" video is doing right now
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yeah... gonna throw out a yikes on that one
i suspect this number will only keep growing in the coming days/weeks, especially the longer and longer we go without any sort of response.
EDIT: its only been three hours and the number has already jumped to 206K dislikes.
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majorbaby · 5 months
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cinamun · 4 months
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Sometimes the task before you seems impossible....
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bakudekublogblog · 13 days
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kacchan there is actually a way you and izuku can be together forever i have this crazy inventive solution for you it's called a marriage license
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daisyswift3 · 1 month
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A Summary of the 🎃 Messages--The Overarching Story
So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).
1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.
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The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"
2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).
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Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).
The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]
The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']
3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"
"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.
Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']
Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]
loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']
Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]
Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"
The Bolter: "But it always ends up with a town car speeding" [getaway car]
Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]
How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]
I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']
Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']
5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.
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The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.
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The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.
To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."
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Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.
So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]
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7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.
Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]
The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']
I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]
But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]
8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.
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The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.
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The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']
loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']
I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]
The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"
9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).
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I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.
The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']
The Bolter: "But she's got the best stories"
10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).
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The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']
11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.
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Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]
The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"
imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"
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mikodrawnnarratives · 11 months
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DAYCARE ATTENDANT FANDOM
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ANYONE GOT A BINGO
Any black outs?
Actually NEVERMIND!!! That would be concerning. One of them is child sir
ANY MOSTLY BLACKOUTS?
Well maybe any aus where y/n grew up alongside mermay or non robot sun and moon could get blackouts....
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I found some trends in y/n characters so I put them together in a bingo sheet.
It is compiled of a lot of xreader stuff but I tried to include some platonic and chaotic ones too, separate from JUST romantic
I know I missed some so maybe I'll do another
Do not animatronic dca au's count? I'm not sure...
lets say yes for now in places like "Kissing robots instead of THERAPY" and "who is KISSING the ROBOTS???" where it'll be whatever au insert "Kissing ___ instead of THERAPY"
There were certainly some y/n's I was thinking of for some tho kdskjds
...*cough cough* @paper-lilypie *cough* @naffeclipse *cough* @madame-mongoose @sycopomp *COUGH COUGH* @bamsara *COUGH*
AND others *cough* I won't specify/spoil more
Sorry for my coughing. I don't know what came over me
cough no longer looks like a word
OH I also have another version of the sheet that has some more color but I felt like it was too much
What do you think?
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khruschevshoe · 3 months
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Listen. Listen. RTD. My dude. You are back. You have the power. You are running the show. *pulls him in close and whispers through gritted teeth* Who needs UNIT when you can have the world's messiest bisexual polycule back from the dead?
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justplaggin · 2 months
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chuuya this, gogol that. consider: both. one is crime. one is punishment. what could possibly be better than one fyodor in bsd? TWO
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jennilah · 1 month
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when the drawing skill fluctuations bring u to tears lmao am i right folks
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saintfaulkners · 10 months
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I'm just reading a hannigram fic and they're cutting off one of bedelia's legs together and it's somehow very romantic and erotic and suddenly the thought just hit me that like 90% of the people I know irl at LEAST would probably run away from me screaming if they knew this is what I do to unwind
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onceuponapuffin · 2 months
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Fanatic Intervention Part 3!!
Okay, this thing needs a name. Please suggest ideas in the comments :) I know this part is tedious, but the thing with self-insert is you have Establishing to do before any Real Action happens. We'll get there, just hang on.
//Edited to include title.
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The shaking must have been more visible than you thought, because Muriel is at your side before you can speak. They touch your shoulder gently.
“Um, excuse me,” they say, “Sorry, but you’re shaking an awful lot. Maybe you should sit down.” You nod, and it takes concentration, but with Muriel’s help you make it to the sofa. Apparently caffeine and adrenaline aren’t the best mix. Your breathing speeds up, despite your best efforts, and the rest of the room feels fuzzy. Shit, you do not need this right now. There’s talking and movement, but listening to the words feels too sharp, and the best you can do to convey that you are not okay is to shake your head over and over and over. You reach out a hand next to you, and are surprised to find the sleeve of Aziraphale’s shirt. It’s not ideal, but it’s something, and he doesn’t pull away. You focus on the feel of the cotton, the button on the cuff, the pattern of the stitching in the seams. Slowly, you’re able to tune back in. You focus on your breathing, you look around and count five things that start with B – button, books, brown, bow tie, black. Crowley hands you a mug of cocoa, and you accept it, running your thumb along the porcelain wings and letting your hands feel the heat of the drink. You take a sip and take stock.
Multiverse travel (?), mouthing off to the literal Voice of God (lol), brush with death (or...eternal saltiness?), confronting your very limited mortality (at least it’s 5 lives and not 3), panic attack. WELP. This is going well so far. Just peachy. You take another sip, and notice that everyone’s waiting. Oh, right. You clear your throat.
“Thanks,” You say, “Sorry about that. Um...I’m gonna guess that you all have some questions.”
“That would be accurate, yes,” Aziraphale says next to you. Now that you are better, he stands, straightens his waistcoat, and moves to stand nearer the chair (and Crowley), and watches you with his hands folded in front of him. “The first of which is, who exactly are you?”
“Buckle in, folks,” You say to them, “You’re in for a ride.”
And so you begin your info dump. You notice Muriel taking dedicated notes. Good, they’ll probably need those later. You tell them that you’re not sure exactly where you’re from, but it’s not here. You explain the tv show, the radio show, you even mention the musical, and of course, when you get to the book, you ask Crowley to find it on the shelf behind him. It’s right where you remember Jim leaving it. Crowley opens it, and you begin on instinct:
“’It was a nice day. All the days had been nice. There had been rather seven of them thus far, and rain hadn’t been invented yet.’ Now skip a couple lines Crowley. ‘I said that one went down like a lead balloon.’ Sound familiar? There’s more.” You stop quoting there, because Crowley has started flipping through the pages quicker. Aziraphale holds out his hand, and after a while, Crowley hands it to him, then goes to a corner where you notice him taking a few deep breaths. You lean to the side to see that he’s not smoking, exactly, but definitely smoldering. You look at Aziraphale next, and see him turn white as a sheet, before handing the book to Muriel’s eager hands. The scrivener is the only one who looks delighted as they flip through. Aziraphale cleares this throat and composes himself.
“Uhm...now I believe you told Metatron that...The Almighty sent you here. Is...is that actually the case?”
“Honestly,” You say, “I have no idea. I just needed to get him out of your shop and away from you.”
“Away from...me?”
“Yeah...um...” You notice that Crowley has come back to the conversation now, although his sunglasses are slightly askew. You glance at Muriel, who has noticed the shift in your tone, has closed the book, and is now watching you. They put the novel on the nearest surface and reach for their notebook again.
And so, you explain the most solid fan theories that you know. That their joint miracle from the other day made them a threat for Apocalypse 2.0, and that Metatron was here to separate them, by offering Aziraphale the job of Supreme Archangel. This news is met with...surprise.
“Well that’s just stupid,” Crowley says, “He says no, in your tv show, clearly.”
“Yes, I rather can’t imagine I’d be so keen to return to Heaven after everything.”
“Weeeeelllll…...”
The room goes silent, except for Muriel’s writing. They stop after a moment, unaware of the silence.
“So then, you were trying to keep them from being separated because the power of an angel and a demon is most powerful together.”
“Yeah, or the power of love maybe. I’m not sure. Neil’s been kind of vague on that point.” You intentionally keep your gaze on Muriel once you realize what you implied. You will get there. Making those two talk about their feelings is on your list. Patience, patience.
“Oh, the author – Neil Gaiman?” Muriel points at the book with their pencil.
“Yeah, him. He answers questions sometimes.”
Muriel makes a note. You realize something.
“Wait a minute, Muriel,” You say, “Are you...on board with this?”
Muriel stops writing and considers your question for a minute.
“Well, see, the thing is,” They begin, “I’ve seen an awful lot that I never thought I would see? Just in the last week. Like a demon being nice –“
“HEY! Not nice!”
“And the Archangel Gabriel being in love with a demon and running away with them. And then you fell out of nowhere, and honestly what you said to the Metatron may have been a lie, and therefore, you know, bad, but it makes sense. If God didn’t want you here, you wouldn’t be here. So if I help you, I’m helping the Will of God, right?”
Crowley is the one to break the silence that follows.
“Honestly I would have thought it’d take longer for you to take after me. I have to say, I am impressed.”
“Take what after you?”
“Nevermind.”
“Well,” says Aziraphale, “Is there anything else that we need to know about?”
You think about the kiss. You think about everything that came after. You think about ‘and I would like to spend -’ But no, none of that is relevant now. Why do you feel like you’re forgetting something?
The bell at the door rings. You turn around to see Maggie and Nina. UGH. Right.
“I’ve got it, ladies, no worries! Come back later!” You call, desperately.
“Excuse me! No, we need to speak to these two now if you don’t mind!” Maggie says. Clearly she doesn’t care who you are or what you’re doing here.
You roll your eyes. Honestly, you don’t have beef with Maggie and Nina. You agree with them telling off Crowley and Aziraphale, it’s just that you can’t help but feel that the clock is ticking. But, well, there’s no helping it is there? With a sigh, you stand.
“Come on, Muriel,” You say, “Let’s go to the kitchen and get some more cocoa while these four talk.”
Muriel follows you into the kitchen. You don’t listen, you don’t need to. All you need to do is refill your drink while Maggie and Nina tell them off. While you’re at it, you try to convince Muriel to have one. Despite your best effort, you’re unsuccessful. Oh well, all in good time. When you hear the bell chime again, you go back into the shop to find Aziraphale and Crowley looking very pink in the cheeks. You can’t help but smirk.
“All right, chaps?” You say in your best-terrible-British-accent. Aziraphale nods. Well good. Because you all have work to do.
❤️ ❤️ ❤️ ❤️ 🖤
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everybody stay with me im shifting back into speculation & analyzing mode, this time about everybody's favorite pair of besties. ill put this under the cut for everyone's sakes
and please, take all of this with a Hefty grain of salt.
so ive been... thinking about a thing. a maybe-possibility. which if this has some merit, the part of me that loves characters having a good time and feeling good feels is screaming in fear. but the louder part of me that loves angst and hurting characters is rubbing its little fly hands together.
short version: i think Barnaby is going to emotionally distance from Wally, if not outright grow to resent him. maybe temporarily, maybe not.
full version: *cracks knuckles* strap in folks. so.
first of all, an entire chunk of Barnaby's bio is dedicated to his character relation to Wally. everyone else only has one-off lines dedicated to their relationships to other neighbors - even Frank & Julie just have single sentences about each other (note that they're described as "partnered with" and "depicted with" respectively. more on that soon). even Wally's bio has his Barnaby mention tacked onto the end of his first paragraph instead of being its own dedicated section
and then there's their character designs - their bios explicitly point out that they share characteristics; color schemes, hearts on their soles, similar outfits.
they were made to be best friends. literally. this quote is what made me start turning this theory over in my mind (sourced from @ /theneighborhoodwatch's collected & absolutely fascinating livestream trivia)
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it appears that Barnaby literally did not have a say in whether or not he and Wally are friends. their bios even say "illustrated pages note that they were best friends multiple times." they have to be best friends.
which brings us back to Frank & Julie. they briefly reference each other in their bios, but they aren't described as best friends. it's incredibly likely that they were meant to be a romantic couple - i briefly covered that theory in this post (dont read the first one i was going insane) but they managed to avoid that. Frank and Julie defied the script and chose to be best friends instead.
and then in the trivia document a few more character relationships are briefly touched on, like how Howdy considers Barnaby a close friend, and Sally considers either Barnaby or Poppy as her closest friend, etc.
everyone else seems to be choosing who they're close with. they're forming their own opinions and dynamics and relationships. & its interesting that Barnaby is stated for both of these - as if implying that he may return the friendship feelings, or at the very least he's developed enough of a relationship with them to earn their affection
Barnaby and Wally... i doubt they ever got that. they were best friends from the start, no development, no choice. it's written into them.
and then there's how their relationship has been portrayed so far. i believe i saw an ask where Clown stated that Barnaby is very polite to Wally, which struck me as odd. have you ever had a polite relationship to your best friend? have you ever seen best friends be polite? i'd be surprised!
best friends mess with each other! they tease and rib and roast! what is a best friend for if not mutual tomfuckery?! jesting around? playfully pushing boundaries? a Polite best friendship... that's a straight up oxymoron. no such thing. that sounds boring and exhausting.
not only that, but the fact that Barnaby is often used for Wally's painting segments, and is the go-to guy for teaching Wally something new, is kind of concerning. it gives me the vibe that a big part of Barnaby's literal reason for existing is to be Wally's friend & guide.
which would make the fact of him being described as polite to Wally make sense. of course he's not going to push their relationship or try to deepen it - he's forming his own dynamics with the other neighbors. with Wally... it's already established. that is how they are with each other. that is what they are to each other.
and it's not like Wally can be the one to introduce nuances. i don't mean that as a slight or anything - he's just the way he's been described and the things stated about him that make me think that he wouldn't really... know how to? it just wouldn't occur to him. he probably thinks his and Barnaby's relationship is what a best friendship is and is how it should be.
but they have to hang out. they have to refer to each other as best friends. and while i believe that Wally does wholeheartedly think that they're best friends, close as can be... i doubt Barnaby feels the same. like - yes, he probably does care about Wally. everybody likes Wally.
but it's gotta be frustrating for Barnaby, especially as time goes on and he becomes more himself as a person over just being a character playing a part. it probably stunts his relationship growth with others, since his ~best friend spot~ is already taken and who would want to encroach on that? especially since its taken by Wally mcfuckin Darling?
their friendship might become less of a role and more of a responsibility. Barnaby might grow to feel obligated to stick with Wally as his "best friend". someone invites Barnaby to hang out and/or help with something? sorry, he has to pose for Wally's painting. Barnaby is trying to do his own thing? sorry, Wally is knocking on the door and asking for help with something.
i wonder if Barnaby ever hopes that Wally will go to someone else, or feels relief when he does. and then does he feel irritation/guilt over that denied hope or that granted relief? then does he get angry at himself for those emotions?
how would this effect how he treats Wally and acts around him? this confusing muddle of emotions and this strange growing resentment for his painfully earnest friend who only ever means well, if he means at all.
it makes me curious whether or not this theory has merit. and how this could come to a head. what would Barnaby, in this situation, do if/when he discovers that they're puppets on a set, and he's literally written to be Wally's bestie while everyone else changed their scripts and chose their own relationships.
personally, i don't think he'd be happy, and i doubt he'd handle it well.
#holy Shit this was tough to translate from my brain#i literally wrote it all out in my head while in the shower#and then i went to get it down on 'paper' and it was Tangled To Hell And Back#*taking a break from art*#brain: soooooo we're bored now. lets overthink and share these thinkings#welcome home theory#welcome home speculation#SERIOUSLY THOUGH IM SCARED FOR BARNABY AND WALLY#mainly for wally bc Ouch it would hurt him to have their relationship sour#barnaby getting resentful and wally not understanding why his best friend is acting differently towards him#and PLEASE keep in mind that im mostly talking outta my ass here#but like.... ugh#barnaby looking at wally walking over one day and feeling the urge to turn away or groan in irritation/exasperation#him posing for a painting and wishing he were anywhere else.#him wanting to be closer with other puppets but unable to bring himself to try bc of the Guilt#everywhere he turns hes called 'wallys best friend' and asked 'wheres wally? hes usually with you' when hes alone#and hearing 'if you want to find wally/barnaby go look for barnaby/wally. if you see one the other isnt far away'#that has GOT to get on his nerves over time#this constant stagnation of their relationship while everyone else is evolving and growing. hes Stuck.#even julie & frank who were written to be together find a way to circumvent that and add so much depth and uniqueness to their relationship#if you want a happy side of this. it could lead to barnaby & wally being really truly besties#barnaby could have an arc about thinking 'holy shit it was all fabricated. Fuck that and Fuck you[wally]'#and then going 'holy shit i Do actually love and care about him[wally] and i want us to develop a real meaningful friendship'#BUT WHO KNOWS who knows not me!#also it must be tiring to constantly have to explain his jokes and so many other things#bc wally Is a curious guy! he wants to learn!#but maybe barnaby just wants to have an uninterrupted conversation but he Cant bc wallys just built different#not said as a bad thing At All.#just... people are complicated. sometimes we have mean thoughts/emotions that conflict with what we really think/feel and our morals#we're only human. everyone is mean sometimes if only in our heads.& yeah theyre technically Puppets but lets not get caught up on semantics
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keefechambers · 1 year
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KELVIN GEMSTONE & KEEFE CHAMBERS in THE RIGHTEOUS GEMSTONES SEASON 2
"You didn't have to make it weird." "Yes, he did."
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