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#which is mostly RTs fault
hyperfi · 7 months
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Just pointing out here that at the time Kikyo was resurrected, Kagome and Inuyasha were not an official "thing." Yes, they clearly care for one another, but each of them is still playing at not being interested.
Just to fuckin clarify, that's not his girlfriend and he really doesn't have an obligation to her at that point.
So shut the fuck up about two timing or whatever nonsense.
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yeppeudau · 2 years
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Spike that! Profiles‣ [hyuka's "wingmen"]
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➤. prev / masterlist / next
#Synopsis➤ There is a reason your team doesn't let Lena spike, its for everyone's safety really. Too bad she doesn't listen and too bad that rule wasn't enough to stop her from accidentally hitting an unsuspecting Huening Kai in the head. But hey, at least it lead to his crush finally noticing him, aka you.
🌐User coconutKAMALled: Has been desperately crushing on Y/N since he met her at orientation, which was more of a run in but thats getting technical. Has never actually talked to Y/N. Shows up to EVERY game/practice he can (mostly in hopes to be noticed by Y/N).
🌐User jjuniezz: Its Kai and Beomgyu's fault everyone calls him 'noona', also knows everyone much like Yoon. Thinks hueningkai is hopeless since he has no game but its funny to watch him try, Is his roomate.
🌐User choibeom: Lives to tease Kai about his crush. Has literature with Y/N so he's talked to her a couple times (which he also teases Kai about). Thinks Y/N is a little out of his league.
🌐User jaypkpark: Volleyball was not his first choice but he thought the girls manager was pretty. Will not leave Isa alone, someone please help her. Started the 'Jakes furry' rumors for 'shits and giggles'.
🌐User sheeshseung: Boys volleyball manager, literally cannot control them, as evident from Jake and Jay. Feels SO sorry for Isa. Someone give these two a break please.
🌐User odilover1000: Loves odi and only odi. Has no faith in Huening Kai or him telling Y/N how he feels. Everyone wonders whose tweets he's posting (they are Huening Kai's).
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#a/n: last profiles!! hope these were helpful to give a feel for everyone! likes & rts appreciated I also have another smau here
➤. taglist[open]: @luvsoobs @zeesondiary @iichaeyj @nomniki @josuyay @jaxavance @laylasbunbunny @tyunmylove @rjclouds @breadyuni @lunaavity @galaxyhalloes @millksea @tvun @peachbly @notdrunkbutdazed @curiousgworge @sophhloaff @fairy0fshamp0o @diestheticu
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friedesgreatscythe · 1 year
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i don’t really write blog entries on here anymore. i sometimes use twitter for that, but mostly i use it to shitpost, talk about writing (briefly), RT art i like, and just chat with my indie writer buddies.
i feel a little bad; in the past people would message me saying how helpful my longer entries were for them, how it resonated with them, how they understood how i felt because they felt something similar themselves. not writing entries like that anymore makes me feel a bit guilty, i suppose. are those people okay? did they find a way to express those thoughts? are they doing better now? do they no longer resonate so strongly with how it feels to be traumatized and suffering? i wish them well. i wish them health. i hope they’re doing better.
in a way, i guess that means im doing better? it’s hard to look at myself like that; i’m too close to the source of it all to be able to make an objective statement. my doctor has said, more than once, that he thinks i’ve changed considerably. he always makes sure to pose the question back to me: do i think so? do i see myself as that?
in some ways yeah, i can “see” it. it’s easier for me to enjoy the things i enjoy without feeling guilty. it’s easier for me to avoid the mire of judgment and criticism that my thoughts can fall into, and if i do fall into it, i find it easier to start clawing my way out. even if i can’t get clear of it completely, i still feel like my head’s above water (even if just barely). i get along better with my mother because i’m healthier, and even though she and i have a toxic relationship, that doesn’t mean it’s my fault, or that i can’t control how it effects me, or how i take part in it; it doesn’t mean i can’t sympathize with her, or show compassion to her, or help her when she needs one or all of the above.
but when it comes to “seeing” myself, that feels like someone is speaking a language ive never heard before. what do you mean i have to take a step back and look at myself? what do you mean i have to at least have a general idea of who “i” am? i see myself in pieces: krist the writer, krist the survivor, krist the reader, krist the sister, krist the new yorker, krist the cat owner, krist the enby bi, krist the millennial, etc. etc. there’s parts of my identity that are so divided, so distinct, that they feel like the main “me” at any given time, if im feeling strongly about one of them.
but i also see myself as two larger, distinct entities: the me in my head, with thoughts and feelings and goals and fears and passions, and the me that is literal, physical, tangible, visceral. and i really hate that second one. i hate looking at her. i hate touching her. i hate taking care of her. personal hygiene aside (because like HELL would i ever forgo that) i neglect her as much as i can, until it hurts too much. and i’m ok with that. i don’t mind it. i like it. and i don’t want to stop that habit.
which, of course, means that’s exactly what we’re going to work on, and destroy, and reshape, and set aside, or find a way to replace in therapy. merging the me in my head with the me in my skin, the me that is skin, the me that is a heartbeat and breath and blood and piss and hunger. and i hate the thought of it. i hate it dearly. all my life things can and did and would happen to my body that i couldn’t stop, but the one thing that couldn’t be touched was my mind, the me in there. i don’t want to be both. i don’t want to be one. i want to be piloting this stupid body like a meatsuit mech and go about my days happy with that division.
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cinemacentral666 · 9 months
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Earthquake Bird (2019)
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Movie #1,077 • TWO FOR TUESDAY
It's BIRD day here on TWO FOR TUESDAY. (The other 2019 "Bird" themed film deserves a standalone post, as you'll see.)
I think the movie poster perfectly encapsulates the quality of this movie: perhaps not bad but definitely not good. I was surprised that this stock Netflix-core thriller has 48% on RT. Feels like at least a 63%-er to me. Surely it's not worse than half of the other films of this ilk (again: see the movie poster, you know what I'm talking about).
Based on a 2001 novel set in the late 80s, Earthquake Bird struggles mostly with its pacing. You know the twist (or, twists in this case) are coming and in the translation from paper to screen, this becomes the only aspect one thinks about. The first reveal (which turns out to be a fake-out) felt abrupt and the second felt wholly unearned. And a tacked-on Good Will Hunting ass "It's not your fault" denouement meant to alleviate some of our protagonist's (Alicia Vikander) mountain of guilt really rubbed me the wrong way.
Still, the backdrop of Japan is nice and the movie looks pretty good and is well-acted overall. It's part of a canon of inoffensive psychological thrillers that they've been making forever. With streaming, however, they feel more like a dime a dozen than ever.
SCORE: ⭐️⭐️⭐️⭐️⭐️¾
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crosspiner · 2 years
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Fp64 precision nvidia
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#FP64 PRECISION NVIDIA SOFTWARE#
#FP64 PRECISION NVIDIA PROFESSIONAL#
Networks: ShufeNet-v2 (224x224), MobileNet-v2 (224x224) Pipeline represents end-to-end performance with video capture and decode. But if money is truly no object, we couldn’t fault you for chasing that extra 5%. NVIDIA T4 ShufeNet v2 NVIDIA A2 SystemConguration: Supermicro SYS-1029GQ-TRT, 2S Xeon Gold 6240 ’2.6GHz, 512GB DDR4, 1x NVIDIA A2 OR 1x NVIDIA T4 Measured performance with Deepstream 5.1. The Gigabyte Aorus GeForce RTX 2080 Ti Xtreme 11G we tested offered more than 95% of Titan V’s average frame rate. FP64 (double-precision) and FP16 (half-precision) arithmetic units. Affluent gamers are better off with an overclocked GeForce RTX 2080 Ti from one of Nvidia’s board partners. Last but not least, those interested in double-precision capabilities (FP64) of consumer Ampere need to know there are two dedicated FP64 cores per SM, or exactly 1/64th of FP32. Recent developments in the GPU sector have opened up new avenues for boosting performance.
#FP64 PRECISION NVIDIA PROFESSIONAL#
In the meantime, a complete TU102 processor is an absolute monster for professional applications able to utilize its improved Tensor cores or massive 24GB of GDDR6 memory, including deep learning and professional visualization workloads. Pascal is the codename for a GPU microarchitecture developed by Nvidia, as the successor to the Maxwell architecture. For example, on a GTX 780 Ti, the FP64 performance is 1/24 FP32. So vendors like NVIDIA and AMD do not cram FP64 compute cores in their GPUs. This is because they are targeted towards gamers and game developers, who do not really care about high precision compute. It’ll be interesting to see how Nvidia enables Turing’s highest-profile fixed-function feature. GPUs, at least consumer grade, are not built for high performance FP64.
#FP64 PRECISION NVIDIA SOFTWARE#
Nevertheless, Nvidia says it’s working with rendering software partners to exploit ray tracing acceleration through Microsoft DXR and OptiX, citing pre-release versions of Chaos Group’s Project Lavina, OTOY’s OctaneRender, and Autodesk’s Arnold GPU renderer. That latter synthetic shows Titan RTX about 6% ahead of GeForce RTX 2080 Ti, with both Turing-based cards way ahead of Titan V. Through enhancements in NVIDIA CUDA-X math. Mostly, there isn’t anything to test outside of Battlefield V and 3DMark's Port Royal. The third generation of Tensor Cores in A100 enables matrix operations in full, IEEE-compliant, FP64 precision. Iterative refinement for dense systems, Ax b, can work in a manner simlar to the pseudocode snippet below. Up to 5.2 TFLOPS FP64 double-precision floating-point performance (10. We didn’t even touch on Titan RTX’s RT cores, which accelerate BVH traversal and ray casting functions. The approach is very simple: use lower precision to compute the expensive flops and then iteratively refine the solution in order to achieve the FP64 solution.
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actually i think the one thing i really do wanna say about michael and jack’s comments today other than how well handled i thought they were is that i’m honestly pleasantly surprised at the company’s commitment to go back to edit and delete rh-centric content. like they said, he’s been working there for almost a DECADE, and that entire time they’ve been putting out multiple videos a week, many of which had him in there. this is especially true of the early days stuff where there were fewer members to rotate out in content. this man is deeply embedded in roosterteeth and especially achievement hunter, and has definitely been a part of most of their most popular videos, and they’re taking the time to remove him as fully as possible, views and popularity be damned. 
honestly i didn’t expect that just because of the sheer volume of videos they’re going to have to sort through to do that. i don’t even think i would’ve been mad if they’d said that they were keeping the content up and just moving forward. actually i think one of my millions of vent posts about this mentioned that at some point, that there would be no way for them to do exactly this. but they are, at great personal and likely financial cost, and i respect the hell out of them for it.
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shinidamachu · 3 years
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I knew Sess was the hogosha the moment Sess' Japanese VA said he voiced him like he was Rin's teacher, back when RT listened to VA's opinions. In Japan it's normal for a student to have one homeroom teacher for all 3 yrs of middle school, then one homeroom teacher for all 3 yrs of high school. In anime you see students have deep conversations with their teacher because they're also your counselor who's there watching you grow up hitting milestones, that's why they're called your "school parent"
I knew Sesshomaru was the hogosha the moment that... well:
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You see, the beauty of Inuyasha was that yes, while it certainly lacked a more in-depth world building, leaving mostly for the fandom to fill in the gaps, it never actually needed voice actors, producers or interviews to explain outside of the story key points to the plot, such as the reason behind its characters actions, the nature of the characters relationships with one another and so on.
In fact, it was pretty consistent:
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The audience don't need an outside voice to understand what's right on their faces. And they shouldn't have to. That's the thing. I could have spent my whole life not knowing what Sesshomaru's voice actor said (because the audience is under no obligation to keep up with what is said beind the scenes) and it wouldn't matter, because what I really needed to know, the story itself already showed me.
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What he said, in the end of the day, was just a fun little trivia. Sure, it might have affected the nuances of his voice and tone, but regardless, he still had a script to follow and his character still had to act the way he was written to act. If he had told, instead: "I voiced Sesshomaru like he was Rin's future husband", it would still not change the fact Sesshomaru's words and actions towards Rin were still those of a guardian, because that's what he was (and therefore the scene would have come out awkward and cringe).
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It's fairly different than having to address on interviews why your character is acting OOC and explain to a considerable smaller part of your audience a key point that should have been brought up in the story, a.k.a "Sesshomaru is acting that way because demons only care about their strongest children, like lions do. Hands the rite of courage and cowardice, which you never heard about in the entirety of the Inuyasha manga or in our own anime adaptation. It's a thing now. Even though the original content actually contradicts it." Not a direct quote, but it might as well have been.
What I'm trying to say is: Sesshomaru was a guardian/father/authority figure to Rin and denying that is downplaying and misunderstanding their bond to a fault. Wanting Rin to grow up and marry the guy she worships since she was a child is denying her of any agency and self discovery. Wanting Sesshomaru to wait around for her to come of age is concerning at best, since he watched her grow up.
There is really no explanation for it other than self insertion, but does it even matter anymore? People can claim Rin was Sesshomaru's fucking tamagotchi, for all I care. I know the truth. And so do they. Because if the idea of Rin and Sesshomaru being father and daughter (or whatever other platonic familial label you want to put on it) was so absurd, they wouldn't have been so pressed over it.
Anyway... I stole these pictures to better illustrate my thoughts, so the credit actually goes to @thequestioning-maiden. Thank you, Lelian, for putting them together. And thank you, anon, for passing by and teaching me cool stuff about Japan. I really appreciate that. Don't forget to read Lelian's (incredible) post I linked above, if you haven't yet.
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dragynkeep · 3 years
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Thoughts on Nora as a character? I feel like she’s handled...poorly.
I’ve been waiting for RT to crash and burn for a while. Sorry if it’s mean, but you can only make junk for so long.
Is it bad if my rwby reviewers are mangakamen or celticphoenix?
nora definitely suffers in the earlier volumes from a lack of screen time devoted to her as a character, much like ren & especially in contrast to pyrrha or jaune. she’s very easily defined as the loud girl to ren’s quiet boy, & everything about her ties back to ren. it’s one of my biggest issues with her in the show that everything about this strong, wilful, dynamic characters ties back to another person in her life & vice versa. they were never allowed to evolve outside of each other while still in beacon.
however she did show one of the most amounts of emotional maturity out of the main eight, giving pyrrha advice on her relationship woes, being able to be that shoulder to lean on & acknowleding her own emotions without pushing them onto others. v1 to 3 nora is easily typecast & not given any screen time, but the seeds are there.
then we get to v4 & both she & ren flourish. they’re still very much tied to each other but we get insight to their backstory, we get a more in depth look to their relationship with each other & nora’s emotional maturity really shines through here. she’s the calm, needed grounding force to centre ren in his emotional breakdown, she’s the pillar for rnjr & it was super refreshing to see her outside of the loud girl personality that reigned for her in the beacon era.
v5 & 6 were mostly understated for nora, with her taking a backseat yet again. i have major issues in her scene with yang where yang’s prosthetic flies off, but that’s more with yang’s treatment as a disabled character than with nora as a character or how mk used her for comedy.
v7 ... was where i began to really dislike not only nora, but her flagship too. we went from the amazing emotional maturity that both had showcased in v4, to nora now being unable to understand ren’s personality & neither of them being able to talk. which would then lead to nora forcing the issue, intruding in ren’s space, ignoring his need for it & then forcing a kiss onto him. this does not fit either of their characters, their relationship or nora’s development in her emotional maturity. she knows ren, she knows who he is & that forcing the issue has never been a good thing because they tried this in kuroyuri & failed. so why was she now suddenly acting strange & demanding ren change his entire personality to encompass her now suddenly “ new ” romantic feelings for him?
at this point, people already thought renora were a thing. actually making them a thing at the end of v4, like we thought, would’ve been much more organic & fitting than this manufactured drama in their relationship before a big, damn kiss which only ended up furthering the divide in them. though, not because she forced it on him, but because it distracted him & got people killed.
volume 8 was a major low point for nora. when really, it should’ve been a great point for her! she was beginning to get solo focus outside of her relationship, she was interacting outside of her team, nora was beginning to become a fleshed out character ... only it shit all over the characterization she previously had. everything now became about how she was never a person outside of her relationship with ren & she needed to figure out who she was which ... sounds like the writers addressing an issue fans have had for years with all the subtlety of a brick to the face.
we know nora is barely anything outside of her relationship with ren. but that isn’t something she should reflect on, eight years into the show & two years in show time, with barely any event to prompt this. this would’ve been a good arc after the fall of beacon, with the pair changing partners & figuring out who they are without each other that then culminates in them coming together stronger to fight against a demon of their past. instead what we get is nora taking ren’s arc from v7 yet still making it his fault & then throwing in a one liner about her shitty parent, because of course she has one. seems like everyone in rwby does nowadays & we needed to make nora even sadder, the poor baby.
i didn’t go into other issues with the character because they felt like nitpicks / personal issues & this is already long as hell but overall, nora had a shaky base that got solidified into something good in v4 & then demolished into rubble in v7 & 8.
as a response to your other question, i don’t know them but if they make content you like, there’s nothing wrong with enjoying that content.
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sineala · 3 years
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Hello Sine, I read your post few days back on Howard. I didn’t know the MCU had an influence on the comics. I’m really surprised. My question is; were comic Tony or Steve subjected to some changes? Were they influenced by the MCU like Howard or is it mostly for unknown/side characters with no solid foundation? Thank you
Oh, yeah, comics have changed a lot in response to the MCU.
They have a habit of coming out with new events to run at the same time as MCU canon that are theoretically supposed to draw in new readers, I assume, but in practice really have nothing to do with whatever MCU thing is coming out and are generally very confusing. When CACW came out they ran Civil War II, which was a fight between Tony and Carol (who did not, at the time, exist in the MCU) about an Inhuman who I am pretty sure does not exist in the MCU. When Infinity War came out they ran Infinity Wars, which also featured a bunch of people who did not exist in the MCU and was about running a weird bodysharing AU inside the Soul Stone.
They also like to reprint older issues to coincide with MCU events, which is nice of them, but, like, God help you if you watch Age of Ultron and then decide to read Age of Ultron. There are collections of Sam’s complete Cap tenure coming out now, which is very nice, but if you are here from the MCU you may be confused about the part where Sam becomes Cap because Steve is unexpectedly 95 years old (okay, so maybe that part is easy to get now that Endgame has happened) and then also Steve is young again but secretly Hydra and simultaneously Captain America. (They are not reprinting the Steve run that was going on at the same time, as far as I can tell.) And then they push other series into prominence because people like the MCU versions -- and, I mean, I am enjoying the hell out of the current Guardians run, but its major characters include Moondragon, Phyla-Vell, and Rich Rider, so good luck, MCU fans.
Fandom is pretty sure that they stopped FF for a few years because they didn’t have the movie rights and also that they went around retconning a bunch of characters to not be mutants back when they also didn’t have the movie rights to the X-Men; the two most famous are Wanda and Pietro, but, I mean, there was also a Squirrel Girl issue devoted to explaining that she definitely was not a mutant now. They probably also pushed a lot of Inhuman characters and tried to position Inhumans as sort of the next mutants, narratively, because they had movie rights to those.
The main Avengers team is now pretty much mostly made up of characters they want to push in the MCU as well as characters people will know from the MCU. You can tell they also tried to do this at the beginning of Hickman’s Avengers run because he started with the MCU team from the Avengers movie before shoving like twenty additional people onto the team, and then they came out with Avengers Assemble which was very continuity-light and featured a lot of MCU dynamics (like, Bruce being anyone the Avengers regularly hang out with, which was definitely not the case before the MCU). They added Coulson to the comics, too. And Nadia is definitely not the same as Hope, but, uh, her name means “hope” in Russian which is, as we say now, very sus.
Also the Infinity Stones are now Gems and their colors, I think, match the MCU.
In terms of specific changes to Tony and Steve’s comics:
The RT node was obviously clearly introduced because of the arc reactor, and I would bet that Zeke Stane was created because suddenly people cared about Obadiah Stane a lot more. (Am sort of surprised they didn’t decide to resurrect him, actually.) The comments from Marvel editorial in the letters column during Bendis’ IM run were explicitly clear about the fact that they were trying to make 616 Tony sound more like RDJ in terms of quippiness and general personality. There is at least one armor that is a straight-up port of MCU armor.
Coates’ current Cap run has brought Peggy Carter back to life -- she died several years ago -- made her young, and also not made her a blonde anymore. You know, so she looks more like MCU Peggy. (The hair color thing is particularly weird in light of the fact that Steve originally noticed Sharon specifically because she looked so much like Peggy.) You get a lot more comics putting Steve’s origin in Brooklyn (although this is not 100% consistent and never was) and also I read an entire miniseries that seemed to be under the impression that in 616 it was the Red Skull’s fault Steve got iced. (It was Baron Zemo.)
There are probably more but that’s all I can think of right now.
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mylordshesacactus · 3 years
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Remnant Kennel Club: Team RWBY
Back on my bullshit again, y’all. This one was HARD. Ruby and Blake especially always really hard! But I think we’ve got it.
Ruby: Black-and-tan Rat Terrier. Just because they’re small, don’t think they won’t challenge a dragon to single combat the moment you turn your back for five goddamn seconds. They’ll probably win, too. Rat terriers are fearless, and are one of the terriers whose official breed standard explicitly states that “honorable scars” and broken teeth from battles with vermin are not faults and should never be penalized in the ring. Like any terrier, they’re incredibly smart, driven, focused dogs. They have crystal-clear focus--much to the chagrin of anyone trying to tell them what to do--and, while they bond closely with their families and were bred as well-rounded multi-purpose farm dogs that need to be trainable, a rat terrier knows its job. If you want it to do something other than its job, you’re going to have to give it a reason first. Alternatively, just pick it up and carry it away. It’s Ruby, she’s fucking tiny.
Weiss: American Spitz. Unfortunate name aside with my apologies, the breed itself is a perfect match for her. Non-sporting dogs mostly bred for companionship, they’re an American offshoot of German spitz dogs given their name during WWI due to owners wanting to avoid German associations. They have no relation to any sled or working dogs--rather, their breed history is of sturdy, weatherproof farm guardians. So, the American Spitz is aloof, wary, even occasionally openly distrustful of strangers--but they’re absurdly smart, deeply loyal, and their breed standard describes them as “practically inventing the phrase ‘eager to please’.” So, they’re a pretty, pure-white dog actively trying to distance themselves from a shameful name, not bred for work but with the brains and drive to learn any job they set their minds to...and at their core, they want nothing more than to love and be loved.
Blake: Belgian Sheepdog. Guys, Blake was so fucking hard, and I’m still not 100% sold on this one. (The fundamental problem here is that Blake is a cat, so finding her a canine equivalent is a doomed prospect.) The requirements were as follows: I needed an intelligent, stable, highly-driven black dog, selective with its friends but fiercely, unshakably loyal once that friendship has been secured. Bonuses if the breed has a natural protective instinct, leadership associations, and/or is a highly prized breed in a specific region/group but unknown or dismissed elsewhere. And...well, Belgians tick all those boxes. Plus, come on--they’re gorgeous, and you can see a little bit of Blake in there.
Yang: Particolor Standard Poodle. End of sentence. Poodles are extremely intelligent, hardy, adaptable dogs with a very stable temperament; but people take one look at them and go “dumb stuck-up bimbo dog” due to stereotypes. This isn’t helped by the poodle’s famous sense of humor; if you’ve already decided your dog is stupid, you’ll see foolishness rather than playfulness. Like any smart dog, they can get destructive when they’re bored, which also tends to lead to an unfair negative perception. As an additional sidenote, despite how common the pattern is, “parti” poodles are not accepted under the AKC breed standard (other breed clubs are much less weird about this, but RT is, after all, based out of Texas.) So, you won’t get a pedigreed poodle from a conformation bloodline who’s particolor. Sorry, Yang, but you were an oops-litter puppy!
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marmarparadoxa · 4 years
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Concerning the Warriors - Reiner, Annie, Bertholdt
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“You were still ignorant children...and all of that was beaten into you by ignorant adults. You were just a child. What could you have done to fight that? Your environment. Your history.”
Nowadays, we’re assisting at the global mass-genocide that is exterminating every living being on the planet. This genocide has been determined and chosen by Eren, a single man, out of his personal, adamant convinction that that is the only practicable path.
However, this is not the first time that we’re assisted at something like that. Right from the very start, the Colossus and the Armor Titan, opening a breach in the most external ring of walls in Paradis, led Pure Titans to enters the walls, which resulted in the slaughtering of tons of people living in Wall Maria area. After that, Paradis people faced a severe food crisis, resulting in a further thinning of their population. In other words, what Reiner, Bertolt and Annie have committed, in their mission to retaking the Founder Titan, could easily be described as a partial genocide of Paradis inhabitants. 
However, they were just children (precisely, they were about 11-12 y.o.). Even after discovering the truth about their identity, I don’t truly realized it until their mission was showed from Reiner pov, showing us Marcel’s death, and how they managed to reach the walls from the coast where they have been left by Marley’s army. 
Right from their childhood, they were raised in an oppressive environment, taught about the crimes of the past Eldian empire, led to hate the devils of the island, told that they were nothing like them.
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They were trained to be perfect warriors, capable of perpetuating mass murder actions, not only against the devils of Paradis, but also against any other nations with whom Marley had the pleasure of going to war. And they did everything that they were asked to do. They attacked other nations, subdued their populations, increasing the power of Marley empire.
They were still ignorant children, raised and educated by ignorant adults. How could they have done otherwise, in such environmental conditions, given their history? And anyway, they were raised in such conditions, which would have prevented a full understanding of the meaning of their actions, of the cruelty of all the death they brought, right? How could they fight that?
The environment that surrounds you in your life, the “nurture” would affect who you’ll be. No one can escape that, we’re all subjected to this kind of influences, this is just the normalcy for every person. Moreover, that kind of influences is even stronger in your infancy, years when the environmental stimuli have a major impact of human subjects, both in cognitive, both in emotional terms. However, I think that speaking about a deterministic impact, one that would affect you leaving no room for personal thoughts, feelings and resistance, is grossly simplistic. And if we’re speaking about killing people, all in the name of your motherland, there’s no way one can simply cut things like that.
How could the warriors, even if still that young, agree to slaughter mass of people without giving it a thought, just because someone has told them that they’re devils, or that they are their enemies of war? How could someone do something like that without even try to oppose to that, or worse, thinking that all of that is right?
By choosing to become Warriors, and then managing to become one of them, they were allowed to lead a privileged life in Marley’s nation, they were able to improve their own social position and that of their families. We don’t know much about Bertoldt, but Reiner’s case shows us fully the self-serving range of the motivations that he had to do what he did. He never thought about improving the social standing of Eldian people to the eyes of the rest of the world, he has never had great aims in mind. He just wanted to bring happiness to his lonely mother, to live in an happy family. Mostly, he wanted to “save the world”, to be a hero, because he just wanted people to respect him.
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And his mother did nothing but encouraged him in pursuing his mission, the mission that Marley has assigned to him. She always encouraged him to become a warrior, strongly believing in Marley’s ideology, and she cried with emotion and pride seeing his sons finally parading on the carriage with the other warriors, ready to go on a mission of genocide of their own contrymen devils on the other side of the sea. What a touching family scene.
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And a similar thing has happened to Annie. Her adoptive father raised her forcing her to undergo a rigorous combat training, because he wanted for her to become a warrior, to improve their life conditions. However, he eventually changed his mind. Differently from Reiner’s mother, he recognized that he just wanted from his daughter to return back, and that nor being a warrior and the honors that ensued that, none of it mattered, but Annie coming back alive.
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Hence, contrary to Reiner, she doesn’t disguised her motivation under the appearance of noble aspirations, like “becoming a hero” and “saving the world” from the devils.
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“They’re all liars, every one of them!! They only ever think about themselves!! And I’m the same!! I need to get back alive!”
She didn’t give a shit about that stuff, she simply admitted the selfishness of her motives. When faced with their mission, she just did all of what was necessary in order to stay alive. She simply went with the flow, without trying to oppose herself against external forces.
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Speaking to Marlowe, she also affirms that acting in that way is just what regular people do.
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Therefore, she asks Marlowe to think of her just as human.
And then Bertholdt. He has never been the leader of the group, he has never taken the initiative. He has never given the impression of being convinced of the rightfulness of what they were doing, nevertheless, he still opened a breach in the wall, not only once, but twice, in Wall Maria and in Wall Rose. 
However, in RtS arc, these were his last thoughts before turning himself again into the Colossus titan:
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“No one’s at fault here...Nothing could have made a difference. Not in a world that is this cruel.” 
So, they could have done nothing to avoid what they have done. They were forced to do all of that, by a so cruel world. There was no way to things to have been different, so no there’s no one to blame.
So, is that true? Is it reasonable to say that Reiner, Bertoldt and Annie acted just as regular people? They didn’t have the possibility to make a difference? Was it only environment and history, and their compelling forces, that obliged them to do what they did?
Of course, there’s no definitive, simple answer. They were actually just children, abandoned on an unknown island, just three kids with an incredible mission. They were raised in an envirnoment which led them to believe that the inhabitants of Paradis were devils, and no one ever contradicted this statement. However, they came to know that island, to know their inhabitants, still, they continued in their mission. In order to rule his sense of guilt, Reiner developed a dissociative disorder, splitting his personality and his memories. In that way, he manages to persevere in their mission, while still continuing to behave like a soldier.  Bertholdt and Annie, on the other hand, had to endure their sense of guilt, and somehow they continued to carry out their duty as warrior. They suffered as well. They had to go against their feelings, causing Marco’s death, in order to keep their secret.
Could they have done otherwise? Wasn’t it just environment and history in play?
I don’t think so. They chose every action that they did. They chose to kill Marco in order to preserve their lives, they chose to open a breach in the walls, causing the death of so many people, and they chose to betray their friends.  Whatever effect does your environment exerts on you, whatever flow tries to drag you, humans have still the possibility to choose (at least, this is what everyone who believes in free will thinks. Otherwise, we’re not more than deterministic machines). This is what defines the human nature, the possibility to choose according to your own judgement, and the responsibility that ensue. Hence, certainly the history, the environment determined the circumstances, but eventually it was just them, and their choices, along with their awful consequences.
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Now, they’re fighting together with the Alliance. They have chosen to oppose to Eren, to the mass genocide that he’s perpetuating. It seems that there’s no possibility to fight him, that there’s no possibility to overcome such overwhelming power (according to Eren, the power of a predetermined history). But they have still chosen the most difficult path, the one of opposing to him, and they’re doing that by joining their forces with their prior enemies. They’re not forgetting their precedent sins, and there’s no way to atone for all of what they did. But now they are choosing what to fight for on their own. Now they’re going against history and environment.
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An Ending Pt.2 : A Beginning
part 1
Draco blinked back the tears pressing against his eyes as he walked up the few steps to Harry's front door. He used one of the posts on the porch to support himself and he tried to swallow the lump in his throat.
"Then leave. You may return once you've decided to act like a Malfoy again, as of right now, you are not my son."
His father's words seemed to echo in his head over and over and over again. It had been mere hours since his father had...since Draco'd told him he loved Harry.
After leaving the manor in an almost trance like state, Draco had spent time wandering around a muggle park Harry took him to for one of their first dates.
He'd spent the better part of the day feeling empty and lifeless. No tears had made an appearance and he hadn't crumpled to the floor sobbing just yet, but he hadn't planned on feeling so worthless after telling his father everything either. Draco had mostly felt numb.
"Merlin."
Draco shut his eyes firmly, a few tears rolling down his face. The numbness had faded the second Harry's house came into view and his sadness came crashing down on him in waves. All he wanted to do was break down right there on the porch and fall apart.
But he had to stop. If Draco didn't stop now he knew he might never be able to put all the pieces back together. He needed to be strong because if he lost it now it meant his father won. And he couldn't let him win.
One shaky breath later and Draco found the courage to knock on the door. He could do this. It was fine.
Draco was instantly greeted with Mrs. Potter's glittering smile which only seemed to grow once her eyes landed on him.
"Draco, dear, how lovely to see you! I-"
He couldn't do this.
It wasn't fine.
A gut wrenching sob left his mouth and he would have collapsed if it hadn't been for Mrs. Potter. She wrapped an arm around him and pulled him inside the house.
"Oh my-Draco, sweetheart. What's the matter? What's happened?" Mrs. Potter cooed rubbing his back and tucking Draco's head under her chin.
Draco let out another earth shattering sob and wrapped his arms around her. He loved Harry's mother almost as much as he loved his own. And he really needed the physical comforts his family lacked. Everything hurt.
"It's alright, Draco. It's okay." She said stroking his hair and his back comfortingly. He felts like a child.
"James! Harry! Get in here!" She hollered and Draco wanted the floor to open up and devour him whole. He didn't want Harry to see this. Then he'd have to tell him what happened and Draco didn't want Harry to blame himself for this. And he knew he would. Harry was like that. Too good to be true.
Draco could hear the pounding feet of Mr. Potter and Harry coming down the stairs and the urge to hide himself into Mrs. Potters arms intensified. Harry didn't need to see him like this.
"What's- Draco? Bloody hell! Love, you okay? What's wrong? What happened? Merlin, please tell me he didn't hurt you."
Draco felt Harry pull him off of his mother, who released him and went to whisper about Draco to her husband. Despite not wanting Harry to worry or see him like this he didn't make a move to resist him.
Draco knew he probably looked like a disaster, eyes red and puffy, tears streaming down his face covered in pink splotches no doubt, but Harry looked at him like he was priceless, even now.
"Awe, love. It'll be alright, tell me what happened. Please?" Harry said holding Draco's face with soft hands. He sniffed a little and buried his face into Harry's neck. And he felt Harry's arms wrap around his waist holding him close.
"Just," Draco huffed angrily at the new wave of tears that streamed down his face, "Just hold me for a minute, Harry, please?"
He felt Harry's grip on him tighten as he brought Draco over towards the couch, not releasing him once. "Okay, alright. I've got you, love." Harry hummed sitting down with Draco pressed against his broad chest as he stroked his hair gently.
----
"You were right." Draco said tapping his fingers on the cup of tea Mrs. Potter had made him. Harry's parents had given them the living room to talk, but not before his mother managed to drown Draco in sweets, tea, and fuzzy blankets. That woman was heaven-sent.
Currently the pair was sat on the couch, Draco bundled in at least three blankets, his back leaning against the arm of the sofa with his legs in Harry's lap who sat directly across, facing him.
Harry sighed and ran a hand through his already messy hair. Draco usually loved it when he did that, but right now it just reminded him of the situation he was in.
"I didn't want to be right, love. I'm sorry."
Another silence passed over them as Draco stared off in a daze and Harry stroked his legs absentmindedly.
"You know, I didn't-I never thought he'd-"
Draco stopped again and sipped some of his tea. He hadn't been able to get more than a couple of words out before he felt choked up again. This was horrible.
"Do you remember fifth year?" Draco mumbled looking down at his lap. He could feel Harry's eyes on him as he tapped on his glass. Merlin, he never thought he'd tell anyone this.
"You don't have to-"
Draco looked up and caught Harry's eyes, stopping him short with his intense gaze.
"But I do. I never explained why I was such a prick for that entire year." He said taking a deep breath as he looked up at the ceiling. He could feel the tears pressing against his eyes already. He just wanted this to end!
"My father he- I was seeing Goldstein at the time and then I went away for a few weeks for 'family reasons'. Do you remember that?"
Harry nodded and gave his leg a reassuring squeeze which prompted Draco to continue despite his racing heart. He felt like he might throw up. He hadn't thought about Anthony Goldstein or that hell-forsaken month in a while.
"We weren't careful enough, Goldstein and I, and my father found out through one of his coworker's children. The bugger sent my father a photo of us snogging in the library." Draco let out a stilted laugh and shook his head. He sucked in a deep breath and set his cup down as Harry studied his face, which he pointedly ignored.
"It was ludicrous, really. Of course Goldstein's parents were informed, which didn't really amount to much considering they are in fact not bigots. But my father, being the awful man he is, took me out of school for a month because he thought I was confused, having a nervous break down, sick even." He said finally meeting Harry's eyes again. His green eyes snapped Draco back to reality and grounded him to the present. The words no longer held the flashes of memories they had before and Harry's face dulled the pang of pain a little.
"He thought he could fix me. Like I was broken Harry, or I'd caught some sort of disease! He spent a month drilling into my head exactly what was expected of me, an heir, a perfect little pure-blood bride for a wife." Draco said bitterly he face twisting in disgust. He still couldn't believe, after all of this, he still wanted his fathers love.
"You know what's worse is I genuinely thought he meant well by it all. By all the threats, the screaming, the hexes and curses, even the poor french girls he tried to throw at me." He snorted at just how wrong he'd been.
"Now look, the bloody bastards disowned me and I still love him," An abrupt sob escaped him as he twisted his hands into the pale blue blanket he had around him, "f-uck, Har-ry!"
Draco's body shook from the crying as he tried to suppress it all. He wished the numbness would come back. He felt stupid for crying. It was his own fault after all.
"Love," Harry murmured sadly as he reached out and gathered Draco into his lap. "I'm sorry, baby."
"Everyth-thing hur-rts." Draco cried as Harry held him with strong arms and rubbed his back. He didn't deserve this boy at all. Certainly not while he was such a blubbering mess.
"I know love, 's alright. I've got you, it's okay. You can cry, Draco, you're allowed to. I'm here." Harry said pressing a few kisses to his hair.
"You can stay here, and we'll figure it out, you know my parents love you. And he's your father and you are allowed to love him even if he is a complete wanker. Don't worry, love, we'll figure it out, I promise." Harry whispered and Draco curled his body into Harry's. He let the tears run down his face quietly and closed his eyes.
They stayed like that for a while. Draco's hands gripping onto Harry's shirt as he rocked the pair of them slowly, whispering sweet words to the blonde. The sweetness of it all made Draco want to cry more. He didn't know what he would do without Harry.
"I love you, Harry." He mumbled half asleep from all the exhausting emotions he'd gone through today.
"And I love you more, Draco."
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blacksunisvalid · 4 years
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Analysis: Did the Death of Pyrhha raise the stakes?
I want to start this by saying that people who were smarter and more qualified than me have talked about other problems with the character of Pyrhha and the writing behind her, and also with other things like the Arkos dynamic. But this has been something I've been thinking about for a long time, and I wanted to ask the question in the title: Did Pyrhha dying really raise the stakes of the series? The answer after I've come to about this is no, it didn't, but we as an audience believed they had been. Let me sort of explain what I mean by this, and use some other series as an example.
When Pyrhha died, we knew very little about her. We knew she was an arena fighter and was one of the best of the best. We knew that this had left her to be mostly friendless, and wanted to be viewed as normal, based on her interactions with Jaune, we can tell she felt good that someone was seeing her as a person and not The Invincible Girl. And we know that Pyrhha is socially awkward, with her habit of apologizing for things that aren't her fault, and the sort of awkward way she would say ' Hello again.' But beyond that, anything for Pyrhha is a head-canon or a bit of a deeper reading of what's present. We didn't know if she had a family at the time, what her goals were at Beacon, and for the rest of her life. We know the above things, and that she liked Jaune. An important thing to note is for the most, we are told these things. We are told she doesn't really have friends, and we are told people put her on a pedestal. But we aren't shown this. This is less effective as we have no context for this.
I think a lot of people will agree that when characters die in fiction one of the saddest things is the fallout other characters go through as a result of their death emotionally. When I think of some of the saddest deaths in fiction, it's usually not the death itself, but the way people around them react. One of the best examples of this for several shows ( spoilers for all will be here, hence the spoiler tag) is the death of Maes Hughes from FMA and FMAB. Maes Hughes was a supporting character, but we knew a lot about him. He was Mustang's best friend, supportive of the Elric brothers, and a loving husband and father. We also know he was very supportive of Mustang's plan to advance and change the world once he had more power. Importantly, for the most part, these things are shown to us. We see Hughes on the phone gushing about his wife, we see Hughes showing tons of photos of his family. They didn't have to tell us ' Hughes cares about his daughter' because we knew that. And so when he died, it was devastating to the audience because we had to see how everyone reacted, and these were characters we knew also. Everything from Mustang crying and saying ' It's a terrible day for rain' to Hughes's daughter crying and asking ' Why they're putting dirt on daddy' at the funeral. These are characters who we cared about, and so seeing them in pain was awful to experience.
But with Pyrhha, we don't really have that. I forget the exact volume, 6 or 7 but even when seeing a redheaded woman talk to Jaune at Pyrhha's statue when they leave flowers, we don't know who that is. We don't know if that was her mother, her sister, an aunt, or just someone who had known Pyrhha. Everything about that ( unless RT has revealed on social media) is speculation, and while a good scene, it doesn't really solve the problem I mentioned above, we don't really know people like a family who would be the most affected by the death of Pyrrha.
Jaune and Ruby were both affected by the death of Pyrhha, with Jaune reforging his armor to be a tribute to her. But the problem is, at least to me that it doesn't feel deep enough. Using a different example, the death of Peter Parker in Infinity War. Some of the first words Tony says in Endgame are ' I lost the kid.' At first, Tony is not willing to risk his wife and child on the chance of bringing back everyone else, because he got incredibly lucky. We've seen the arc of Tony, and this, while maybe selfish is understandable, he's always made the sacrifice play, and so seeing him saying for once he won't is satisfying. But then he sees a picture he has with Peter. Trying to play it off as curiosity, he sees if he could actually invent time travel, and then he does. It's subtle, and it's not tossed in our face, but it's there that the death of Peter really affected Tony and played into his survivor's guilt.
One could say that Jaune wants to kill Cinder for what happened to Pyrhha, and that is a fair example of growth. Volume 1 Jaune probably couldn't fathom taking a life, and by Volume 5 he was trying to murder Cinder in the battle of Haven. But Ruby saw her die. And other than activating her silver eyes ( Another issue others have talked about is how she doesn't really wonder what the silver eyes are) I can't remember really her ever commenting on it. Contrast this with the death of Penny, which is some of the best voice acting the series has for Ruby.
Really small scenes could have helped a lot with this. Some of the examples of things I think could have helped-
When Jaune is calling out team attacks, he accidentally calls out Arkos or a move which relied on Pyrhha, only to realize she wasn't there, and there's a brief moment of silence as it sinks in all over again. ( Example: Shotaro from Kamen Rider W calling for Phillip in the last episode but Phillip wasn't there)
Jaune or someone else does a move in combat that Pyrhha had taught to them. Some of the others see it happening, and they briefly see Pyrhha with them. ( Example: Kakashi seeing Minato in front of him when Naruto performs the Rasenshuriken)
Let the characters talk fondly about Pyrhha with a sense of wistfulness. An example of this would be a difficult battle, and then after the battle, they say something like " If Pyrhha had been there with us, well that would have been easier." Tense silence, and then someone, maybe Jaune chuckles and agrees. It's okay to talk fondly about those who are no longer with us. ( Example: The Justice League cartoon when in an alternate world, Flash is dead and Green Lantern and Hawkgirl talk about him with playful annoyance.)
No one really talks about what her death means for them or how outclassed they seemingly are. An example of what I mean is in Kamen Rider Ex-Aid when a character named Kiriya, or Kamen Rider Lazer dies. The characters are told he died because he 'knew too much' and so a lot of time is spent in uncovering what it was he knew. It became a meme of sorts in the fandom about ' the real reason Kiriya died.' On top of that, the characters lament on how it's concerning that their enemy has a Level 10 form while the highest they can reach is Level 5 as an example.
Pyrrha's death and the fallout from it ultimately remind me of the Justice League movie. We're told the world misses Superman and is a worse place without him. But the DCU hadn't spent enough time building up a Superman the world at large would mourn for, or a Superman who did so much for the world that in his absence, things fell apart. I felt the same way with Pyrhha's death, we were told that it mattered more so than anything.
Now that I talked about what I feel is the emotional failure of the death of Pyrhha, I want to move into the other side of it, raising the stakes. Yes, killing a character is a great way to raise the stakes. It's the most lethal version of The Worf Effect (TVTropes some it up very well, basically a character we know to be strong losing to a new character to establish the new character is strong, IE Thanos beating the Hulk as Infinity War opens). But I feel that Pyrhha was not the right character to do for this for the following reasons
We don't really know strong she is. We are told she was a prodigy, but we are never really shown what that means. The only fights we see her in are CRDL, students at Beacon, and while she does beat them all, this is also the only extended fight we have for them, so we don't exactly know how difficult it would be to beat them. Mercury, but he threw the fight purposefully to get information on her, so we have no idea how they would have stacked up if they fought. ( I think she would win but still) Penny, which even if the fight ended in tragedy is the best possible matchup for her since her Semblance lets her control metal, and the fight which ultimately cost her life in Cinder. We knew Cinder had the power of half a Maiden and got the other from killing Pyrhha, but we don't really know what 'half a Maiden' amounts too because we don't know how strong Cinder was before becoming a Maiden, so it's impossible to say what the amp was. I'm not an expert power-scaler, but killing a character to show someone is strong works if we have a much better sense of how strong they were. The example of this is the death of Jiraiya against Pain in Naruto. We know how strong Jiraiya is as a member of the Three Sanin, which by the narrative would roughly put him on par with Tsunade, the head of the village at the time, and Orochimaru who had trained Sasuke. Jiraiya dying shows the audience that Pain is stronger than the current Hokage and protector of the village, and most of the cast. We never got to see Pyrhha sparring with RWBY or other members of JN_R to show how much stronger than them she is. If we had seen this, and then Cinder killed her anyways, it would have been much more d effective and plant a question in our mind: " How can the main cast hope to defeat Cinder?"
Killing Pyrhha wasn't really an objective for the villains, and it was more so good luck that happened along the way. Sure, Mercury gathers data on Pyrhha, but it seems like Cinder wanted to destroy Beacon more than get Pyrhha out of the way. Even the set up of Emerald making Pyrhha kill Penny amounts to nothing, as in the same volume, Pyrhha dies before the consequences of this can be addressed. Pyrrha was in the way of what Cinder wanted, and Cinder killed her which can be an effective set-up, but in my opinion, it's more effective if the villains have been planning specific things, like toppling a public figure like Pyrrha. In BNHA, people try to take out All-Might, and for good reason, he's seen as the Symbol of Peace. Small scenes could have built this up for Pyrhha also. After Mercury gets information on her, just have the villains make small statements about how she's in the way, and that they have to do something.
Pyrrha being chosen to be the Fall Maiden doesn't really make the most sense. From a set-up perspective, it does, the villain killing the hero before they can achieve a powerup, and said power-up is the hero's best hope. ( Examples of this being the Muteki form in Kamen Rider Ex-Aid) But we're not shown why Pyrhha was chosen. As I said above, because we don't really know how strong she is, it could have been Weiss, or Yang, or Blake, or Nora because we don't know what qualities she was chosen for. On top of that, both Glynda and Winter were there, and arguably more powerful than Pyrhha, and would have been better choices. The set-up for me just doesn't work, and so by extension to me, Pyrhha's death felt like they wanted her out of the way, and needed a reason.
This was an incredibly long-winded post, but I hope I was able to get my points across. What do you think?
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paircatsup01-blog · 4 years
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According to a March 2020 Seat study, 76% of Americans said they had never ever become aware of the QAnon motion. One in 5 people had actually heard "a little about it" while 3% said they heard "a lot." The conspiracy theory's targeting of George Soros and the Rothschild household has actually led Jewish-American in addition to to implicate it of including "striking anti-Semitic components" and "garden-variety rubbish with racist and anti-Semitic undertones".
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Q Wwg1wga: Who is Q Anon? Great ...
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The Anti-Defamation League reported that while "the huge majority of QAnon-inspired conspiracy theories have absolutely nothing to do with anti-Semitism", "an impressionistic review" of QAnon tweets about Israel, Jews, Zionists, Rothschilds, and George Soros, "revealed some unpleasant examples" of antisemitism. Specialists have actually classified the appeal of QAnon as comparable to that of spiritual cults.
In the Web age, QAnon virtual neighborhoods have little "real life" connection with each other, however online, they can number in the 10s of thousands. Rachel Bernstein, a specialist on cults who concentrates on healing therapy, states that "What a motion such as QAnon has going for it, and why it will capture on like wildfire, is that it makes individuals feel linked to something crucial that other individuals don't yet understand about . - wwg1wga twitter..
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The cultish quality of QAnon has actually led some to identify it as a possible emerging spiritual motion. Travis View, a researcher who studies QAnon, states of it that it is as addicting as a computer game, and uses the "gamer" the enticing possibility of being included in something of world-historical significance.
QAnon, states View, competes not in the market of ideas, however in the market of truths. However, some QAnon believers have actually eventually begun to understand that they have actually been separated from family and enjoyed ones, and suffer isolation due to the fact that of it. wwg1wga pl. For some, this is a pathway to gradually beginning the procedure of divesting themselves of their cultish beliefs, while for others, the isolation enhances the benefits they obtain from belonging to the cult.
Though they usually discuss how Q frayed their relationships on private Facebook groups. But they believe these problems are short-lived and mostly the fault of others. They frequently comfort themselves by envisioning that there will be a moment of vindication at some point in the near future which will show their beliefs right.
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Q Wwg1wga: Who is Q Anon? Great ...
Some Q fans break away when they acknowledge the material of the theories is not self-consistent, or they see that some of the content is directly targeted at getting contributions from a specific audience, such as evangelical or conservative Christians. This then "breaks the spell" the conspiracies had more than them.
Disillusionment can also come from the failure of the theories' predictions. Q had forecasted Republican success in the 2018 US midterm elections, and claimed that Attorney General Jeff Sessions was included in secret work for Trump, with evident tensions between them a cover - wwg1wga pl. When Democrats made considerable gains and Trump fired Sessions, there was disillusionment among numerous in the Q neighborhood.
For some these failures began the process of separation from the QAnon cult, while others urged direct action in the type of an insurrection versus the federal government - wwg1wga twitter . Such an action to a stopped working prophecy is not unusual: apocalyptic cults such as Paradise's Gate, the People's Temple, the Manson Family, and Aum Shinrikyo resorted to mass suicide or mass murder when their expectations for revelations or the satisfaction of their prophecies did not happen.
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This phenomenon is being seen amongst some QAnon believers. Travis View echoes the concern that disillusioned QAnon believers might take matters into their own hands, as Pizzagate believer Edgar Maddison Welch performed in 2016, Matthew Phillip Wright did at Hoover Dam in 2018, and Anthony Comello performed in 2019 when he murdered Mafia manager Frank Cali, thinking himself to be under the protection of President Trump.
Kennedy Jr. fabricated his death and is now Q, stated in February 2019 that she was losing persistence in Trump to detain the expected members of the kid sex ring, recommending that the time was approaching for "vigilante justice." Other QAnon fans have embraced the Kennedy theory, asserting that a Pittsburgh man named Vincent Fusca is Kennedy in camouflage and would be Trump's 2020 running mate.
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On November 26, 2017, President Donald Trump retweeted a tweet from Twitter account @MAGAPILL, a self-styled "main President Donald Trump accomplishment list" and a significant supporter of the conspiracy theory, less than a month after QAnon first began posting. On December 28, the Russian government- moneyed tv network RT aired a section discussing "QAnon revelations", describing the confidential poster as a "secret intelligence operative inside the Trump administration understood by QAnon".
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leapingtitan · 5 years
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Attack on Titan Season 3 Part 2 has been a production mess so far
I am here to vent for a bit about S3. (disclaimer: this is an opinion. If you’re going to get butthurt and defend anything without proper reasoning, feel free to move along.) 
First of all, most of these ���complaints” come from the fact that I am a manga reader and the only new things I get to experience is animation, music and potentially anime-exclusive additions (eg. Levi vs. Kenny Round 2 in the cave).
In terms of how Season 3 Part 2 feels so far, I have to say it’s partially my own fault for having ridiculously high expectations for what is my favorite arc of the story. However, unless Wit works their ass off to fix what they’ve done in the Blu-Ray releases, this season feels extremely half-assed so far.
The thing that the snk anime has always done in comparison with the manga was amplify the emotional impact and delivery. Of course, the manga is static images, so by animating scenes and adding music, you expand on their impact. Season 1 is a prime example of this where it’s practically better than the manga counterpart in that part of the story in every way. Season 2 further continues this where it was basically next to flawless in terms of improvement, for instance the Colossal/Armored reveal which is still one of the greatest scenes in anything I’ve ever seen. The CGI Colossal Titan in Season 2 is a mixed bag but for the most part I didn’t really mind it.
Season 3 Part 1 did an interesting thing where, following Isayama’s direction, Araki and Koizuka adjusted the Uprising arc’s pacing so that it flows better as an animated story arc, and it worked well. The animation was also on-point and Rod’s Titan CGi was actually incredibly well done, and there were other scenes like the MP fight, Levi chase sequence and Historia vs Rod which had great dynamics and overall improved over the manga a lot.
Starting Season 3 Part 2, you begin to smell the fire coming from Wit Studio’s office filled with overworked animators. Episode 13/S3 Part 2 E1 was good and that’s it. Starting Episode 2, you immediately begin to see a decline in the storyboarding effort. What I mean by this is that they are literally just rushing to take a manga panel, give it the most minimal attention and proceed, without doing anything interesting with it.
And there are a lot of scenes where even static shots of the characters just sitting around and looking in a specific direction look off, as if animation style and art randomly decides to change mid-episode.
One of the things I can think of right away is the Eren vs Reiner fight. The whole choreography and storyboarding looks extremely half-assed and was clearly done by someone who has never worked on SnK before. The motions look awkward and the Titan faces look like they were drawn by 10 different people every other cut, without any of them trying to maintain consistency.
The Bertolt explosion thing was alright for the most part. As for the CGI Colossal I have no idea what they are going here. In one shot it looks good and in the next one it looks like someone slapped a DIY 3D model on top of it and forgot to do the lighting according to the scene. It was.. mostly okay in the latest episode, though. Also... Zeke’s design on the wall top scene changes every other shot he is in and I have no clue why. Kyoji Asano’s design? The animators? Like, the facial proportions legit shift in every shot and it looks weird as fuck.
Speaking of which, the latest episode was okay. I don’t have the complaints I have with the 2nd and 3rd episode but for the most part, it was alright. The shot with Levi flying towards Zeke and the soldiers in the background was weird, though.
On the plus side, Arifumi Imai is back on the 5th episode which is gonna be Levi vs Zeke and the thing I have been most hyped to see animated this entire time. Hopefully that is a redeeming factor.
Once again, it is probably my fault for having the highest of expectations for the RtS arc being animated, but it just feels like a dissapointment compared to the other arcs in the anime so far if you compare them to their manga counterparts.
Also, I have seen the supposed confirmation that Season 4 won’t be done by Wit, and I am honestly fine with it if it means we won’t get half-assed adaptations.
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calliecat93 · 4 years
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Top 5 Things I Liked About RWBY Volume 4
(Top 5 Dislikes)
This is going out later than I was hoping, but hey better now that never. Anyways, I honestly think that V4 is a pretty underrated Volume. There’s a lot that I really enjoy about it and after the insanity of V3, I’m glad that we got a more lowkey season that let everyone begin to heal. I’m hoping that RvB18 will follow that path tbh, but that’s not important here. There’s a lot to like, so let’s talk about the Top 5 Things I Liked About RWBY Volume 4!
#5. The Switch to Maya/Improved Animation
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For Volumes 1-3, animaiton was primarily done in a program called Poser. This was mainly because it was what Monty liked to use, especially for fight animation. Poer isn’t an animation program, it is a modeling program that Monty was able to work for what he needed, but again it is not a proper animation program. V3 looks amazing, but I think that it was clear that they had reached their limit on how much they could push it. Add that with now having a larger animation staff, and it was time for a change. As such, they shifted to Maya, a common animaiton program in the field, and I am going to say it… it was 100% the right choice.
The animaiton in the Poser Era wasn’t bad, but… there were plenty of times where it felt like expressions and casual movements were very stiff. V4 changed that massively. There is so much more facial expression, but not just that. Take Blake’s cat ears for example. They are SO expressive in every scene that she’s in. Sure it might be because she threw out the bow, but still! I really don’t think that they could have done that in Poser. Animaiton models improved, like Sun’s abs no longer being glued to him for example and his little necklace sometimes daggling about. Environments look more vibrant. Environments have improved. Things like shading look better. And while the fight scenes aren’t Monty-like anymore, they are still really good! Seriously, Qrow vs Tyrian is still awesome~
I know that the shift wasn’t something liked by everyone, though I think that the vast majority have come around since V4. The animaiton has only kept improving after this, and it’s crazy going back to V1 and seeing the difference. But they sold me the second that they released the Ruby Trailer in the lead-up to the volume. Maya has allowed for a lot of improvement and new opportunities, and I believe that RT made the right choice in transitioning over to it. V4 looked so good, especially with how many new locations that it introduced us to, and I freakin’ love it~
#4. Expansion On The World
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Volume 4, above all, is a world-building volume. We spent all of our time in the first three volumes primarily in Beacon and the city fo Vale. The only locations that we got a substantial amount of time in otherwise were Mountain Glenn and the Amity Arena for the Vytal Festival. Otherwise, we’ve been stuck in one place despite knowing that there is a much larger world out there. Thankfully though, this volume takes us outside the Kingdom of Vale and finally allowed us to explore the rest of Remnant… well, parts of it. Still, more than the other volumes had.
This was an advantage of using the multiple plotlines.. We got a really good amount of new locations. RNJR was in Anima, which had a lot of Asian-inspired scenery and naming. Yeah, we mostly spend the time on trails and villages, but you can still see the difference between the villages and Vale. Which we got to see what it’s like outside of Vale. Some villages like Higanbana are nice, while others like Shion or Kuroyuri… well… it emphasizes just how bleak the world truly is. Vale was an overall safe place, and even that wasn’t safe. If you don’t live within a kingdom though? Hope that luck is on your side.
We also get to see Menagerie for the first time. Sadly we don’t get to see as much here or in V5, but we do get to see how cramped it is and it overall looks nice. You can see that, as Blake said, they tried to make it a welcoming place for Faunus. We get to see Weiss’ home, which is as empty and cold as you would have imagined it being. It looks grand, but it’s just… empty and quiet with Weiss, more or less, alone aside from Klein. Patch is nice, you can certainly see why Tai would raise his kids there and in contrast to Weiss’ home, it’s small but the peaceful and comforting environment that Yang needed. Salem’s realm is eerie. Oscar’s farm is… a farm. And Mistral? Amazing.
What I’m getting at here is that we learn so much more about the world. Even outside exploring new locations, we learn about the Relics and the God Brothers. We start to get an understanding of the war between Oz and Salem, though of course, we learn the true scale in V6. The volume does a lot to make Remnant feel more like an actual world full of stories, problems, and history. It took us out of the hub that we were used to with Volumes 1-3, and I think that they did so very well. Very much appreciate it~
#3. Yang Plotline
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While Yang got the least amount of focus, I… don’t view that as a bad thing. A story can’t be dictated by screentime alone. You have to look at how well they executed what they needed to do in the amount of time that they had. For example, they didn’t do very well with Ruby in V5 with the time that they had, but we’ll save that for the V5 posts. For V4, as I said, Oscar didn’t get the proper development and they didn’t utilize the amount fo time that they had for him well. But Yang though? I thought that they did her very well here.
Yang’s plot is, of course, recovering after losing her arm and getting back into fighting condition so that she can go after Ruby. We see that she has PTSD, having flashbacks and nightmares and her emotional state is… not in the bright place that we’re used to. Chapter 4, the chapter mainly focused on her, shows how concerned she is about taking the first steps of recovery, though we do see her start to laugh and joke around again. With Tai’s encouragement and support, Yang ut son the new arm, trains again and Tai helps her see the disadvantages of her fighting style/Semblance reliance, and opens up to her about Raven. In the end, Yang’s ready to go after her sister. She’s not 100% healed, but she’s got her drive back and is ready to move ahead.
Now again, Yang gets the least amount of focus. She only gets one chapter dedicated to her, and otherwise, her’s appears the least out of the four RWBY girls. But they utilized that time very well. They don’t drag it out or rush through it. They set up Yang’s mental state, show us signs of her PTSD, have Tai give her the proper encouragement, and have her start to get back on her feet. I’m glad that they were just straightforward with it, there was no need to drag it out especially since V5 and 6 show that there are still things that she has to work through. The point for this volume though was to get Yang well enough mentally for her to get back out onto the field, and they did that very well. She was in a positive environment as well, and that probably helped her.
So yeah, when I look back at the Yang plot, I have no issues with it. I think that it was given the amount of attention that it needed. It wasn’t rushed, but it wasn’t dragged out either. Yang didn’t fully recover, but she got well enough to move forward. That was the ultimate goal for everyone’s plotline, and they achieved it here. But I’m gonna leave it at 3 since it is a bit of a bummer that she got limited screentime. But for what it’s worth, they used that time properly and I am happy with the final result.
#2. Weiss Plotline
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Out of all the plots, Weiss’ is my favorite and imo, the best one done. This is because this is the conclusion to her three volumes worth of character development. As I said n the V3 Likes post, her plot had her decide to finally cut herself away from her father for good and move ahead with the life that she wanted. Sadly, due to the Fall, Jaques had the perfect excuse to got o Vale and force her to return to Atlas with him. So just as quickly a she was able to embrace her freedom and the choice to never turn back, fate dealt her a bad hand and she was her father’s prisoner once more. Which she literally becomes a prisoner after her outburst at the charity event and gets stripped of her title. It’s just… horrible to watch that scene. Really, any scene with her and Jaques is uncomfortable, especially when he slaps her.
This is when we truly get to see Jaques abuse first hand, and it is as horrible as the previous hints indicated. He’s condescending and passive-aggressive to Weiss. He treats her like she’s a child and an employee more than as a parent. Compare it to Tai or Ghira with Yang and Blake, where they are nothing but caring and supportive to their daughters. Ghira especially welcomed Blake back with open arms despite how she called them cowards in the past and was just glad that she found her way again and was safe. Jaques only cares about Weiss for his image and to use her when it suits his needs, whether Weiss is willing to do it or not. He makes her sing rather than ask her. He refuses to let her out fo his sight during the charity gala. He talks down to her. He tries to gaslight her into everything being her fault and like her outburst was wrong.
Weiss did NOTHING wrong. She, and maybe Ironwood, were the only ones at that charity who gave a damn about Vale. Seeing her in that environment, where people were snobby, argumentative, and only cared about their own petty problems makes you really, really appreciate how much she had grown. She had broken out of that mindset after V1 and when the Trophy Wife claims that Vale deserved what it got, she rightfully calls her and everyone else out on their bullshit and refuses to let Jaques shut her up. Yeah, it ends badly with Weiss losing her title and Whitley rubbing it in. Weiss had no one aside form Klein, who is an actual good person who showed Weiss kindness and care moreso than her own family ever did. When Weiss breaks down, ti just… hurts. But luckily, at her lowest point, Weiss decides that enough is enough. She gets back out Myrtenaster, perfects her Summoning Glyph, and decides to break free once and for all. Klein helps her escape, and she manages to get onto a plane heading for Mistral. Which leads to… more problems, but that’s for the next volume.
Weiss’ plotline was very well done. It gets you to see how far that she’s come since Volume 1. She wanted to break free and become better, and she did. Jaques tries to lock her away again, but he failed. Weiss had gotten a taste of freedom, and she was going to reclaim it. She was going to redeem her family name her way by being a Huntress and no one was going to stop her. As This Life is Mine stated, “I won’t be possessed/burdened by your royal test/I will not surrender, this life is mine.” Yes Weiss, it is indeed.
Weiss was great, but there is one character whose focus I appreciated not just because it was good, but because it saved that character in my eyes.
#1. Ren Becoming a Character
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I haven’t talked much about Ren and Nora, and that was because up until now… there wasn’t much to talk about. While I liked them fine enough, in V1-3 they’re just… there. It felt like they existed just because Jaune and Pyrrha had to be part of a four-man team because they’re nothing more than supporting characters there. Nora at least was funny and bubbly so she was at least fun, but Ren? He was just… quiet and the straight-man to Nora’s antics. That was it. He didn’t feel like a character, he just felt like a necessity needed to fill in a spot. My biggest hope with V4 was, now with JNR traveling with RWBYt hey would do something, anything to flesh out Ren and Nora. At least for one of them.
Fortunately, I got my wish.
To be fair, RWBY Chibi had gotten me to warm up to Ren since they got a lot out of him in several of the skits. More than I thought that they could. But I also like Chibi!Neo FAR more than I like Canon!Neo, so that wasn’t saying much. But fortunately, Volume 4 came around! Ren was really great in this volume! He’s still the quiet one, though he gets more here than any other volume. Which is something to note real quick. Neath has done a fantastic job as Ren. I can’t imagine how it had to have felt since he was taking over Monty’s spot. His brother’s spot. But he has done a perfect job since Day One, and I can’t imagine anyone else int he role at this point. He especially shows his range in this volume, and for a guy who had never voice acted until he started doing Ren, he pulls it off perfectly. I love Neath.
Ren is from Anima, but outside Mistral, so he’s of course the most knowledgeable of the area. We get to see more of his tracking and fighting skills, which is as fun to see as it was in Volume 1 which was the last time he got to showcase his fighting style. We get to see him interact with not only Nora, which was really nice especially with Jaune. But most of all, we get to see how Ren’s past affected him. His reaction to the destruction fo Shion perfectly fits due to what happened to Kuroyuri. His refusal to go back there makes sense since… well, no one likes to revisit the source of their trauma. He tells us about Oniyuri, and through him we see just how difficult it is to live outside the Kingdoms. We saw that with what happened to Shion, but Ren is a character that we’ve known for years and we get to see and hear about it through him. Which makes it hit us harder because it affects a character that we’ve known for so long. And when we get to the flashback and see how happy Ren’s life was and how it all went to Hell in just one night? It breaks your heart. We also finally learn his Semblance, which fits him perfectly so that was also appreciated.
But most of all, we get to Kuroyuri, and it’s the first time that we see Ren lose it. He’s always been a very calm, very tranquil person but when the Nucklavee attacks, he is understandably terrified… and then just lose it. We’ve NEVER seen him get angry before, but seeing the monster that ruined his life, killed his family, and destroyed his home? Yeah, that’ll make anyone snap. But thankfully, Nora snaps him out of it and this is when we see just how strong their relationship is. When Ren lost everything, he found Nora who had absolutely no one, and befriended her. They fought together. They survived together. They went through everything together, both good and bad. So fo course Nora could see that Ren was losing it, and she was the only one who could pull him back and stop him before he lost himself I’d still like them to be more clear on if Renora is canon or not cause I still really don’t know. But at least we get to see that their dynamic isn’t just the ‘hyper girl, calm guy’ dynamic. There is a true bond there, and it’s just beautiful.
It ends with Ren suing his father’s knife, the only thing of his family that he still has, to kill the Nuclavee. For his parents. For all the lives stolen. And, of course, for himself. This was him confronting his trauma, and finally putting it to rest and moving forward. That’s the biggest theme of this volume honestly, taking what brought you down, and moving forward. Yang began to stand up again after her trauma. Blake decided to quit running and to rise up against the White Fang once and for all. Weiss broke free of her father despite him trying to pull her back. Ruby saw just how bad the world truly was along with the Fall of Beacon still haunting her, but took ti and strengthened her resolve to be a Huntress and make things better as much as possible. And Ren? He chose to go back to Kurroyuri to save his friends and destroyed the monster that made so many suffer but without giving in to his sorrow. 
The volume just made me love Ren and see him more as a character than I had before. He’s one of my absolute favorites no. I’m hoping that V7 is going to do the same with Nora since at this point, I feel that she’s the most under-developed of the main cast. But we’ll just have to wait and see. Regardless, V4 changed my opinion of Ren completely and his story was done very well. As such, it my favorite thing about RWBY Volume 4.
And another volume done! So… next we get to Volume 5. Ho boy, I haven’t revisited it since it ended and not for the reasons that you think. But we’ll talk more on those posts. For now, thanks for reading everyone~!
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