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#you have to think about what medium you're putting the character in and how that will affect the design
fox-guardian · 2 months
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comics aren't fun because you get to put your blorbos in situations, comics are fun because you get to give them silly expression after silly expression and get used to drawing them 10000 times
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"Defying the Default"- Skin Tones and the Presence of Black Characters
Okay, this one is going to be half lesson and half a thought experiment- it may get a bit frustrating, as conversations like this often do- but remember, discomfort is not always a bad thing! So I ask that you walk with me for this one.
It’s also interesting, because I’m going to direct this towards everyone (readers included!), but specifically towards my fanfic writers of media with no visual medium, as I’ve noticed this pattern there, and it makes up a good amount of creators on this site. Okay? Okay.
Behold! Many shades of brown!
I had to wade through a lot of colorism for this, and even this link is subtly racist in its introduction- the idea that brown is ‘unexciting’ 🙄.
Anyway, you know where I’m going with this:
"Chocolate and Coffee"
Even the link above pulled this! Writers who use this... they’re not ‘wrong’ per se but… often uninspired. It feels... Lazy. When you can tell an author has put no thought into the brown of choice, it makes Black readers feel like you believe these are the only shades of brown- that that’s all we look like. Even chocolate is more diverse (white, milk, dark, marbled, cookies and cream?) Coffee can come in numerous shades as well (light, medium, dark roast? Type of bean?)
My first direction to help with this: make it a point to know what shade that character is (whether canonically, or if you're the original creator, look at a reference and write it down) and find a name! Be consistent! Find similar browns to one another. If the canon Black character's skin color is done poorly, find something similar and use that! (I'll get more into this in the next lesson!)
Our skin colors may modify as we age, it changes over the seasons/presence in the sun, and some people even have vitiligo! But we're not gonna be “dark roast coffee” one morning and “light milk chocolate” suddenly. We're not chameleons lmao.
And you know what? That shade you choose might very well be 'coffee'! But it's not going to be because you didn't look and assumed we're all some random brown! That’s the intent showing! If we can find endless ways to describe the beauty of white/pale skin, we absolutely can for brown! Be willing to unpack why you may not believe brown to be capable of beauty, and work through unlearning that- it will show in your writing! One way is by pausing with yourself, and recognizing when you had a biased thought. Even by this, you’re learning!
Here’s where I want us to get into the thought experiment:
I want you to think about the description of characters in stories (as a whole). Challenge yourself- in the fics and stories you read, how often is anyone blatantly labeled 'White'? Read a story or fic; how long can you imagine them as not-White before it's ever clarified? Because not even 'pale' automatically implies a White person!
You know how I’ve mentioned before that 'Black people are not a monolith'? I can find you at least some examples of Black people fitting some of the common descriptions of white characters.
"Brunette with brown eyes"
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(Fun fact: I actually learned back in my Masters program that genetically no one has ‘black’ hair- our eyes are processing it as black, but it’s really just dark brown due to eumelanin. Regardless, if you stand us in the direct sunlight, you will see that our hair is usually just dark brown!)
"Red hair with pale skin"
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“‘tanned’ skin with hazel/green eyes”
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“blond hair" (period!)
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Now, I’m not saying that blond haired Black people or Black folk with albinism are overly representative of my people. What I AM saying is that it needs to not be taken for granted that a reader is automatically assuming a character is White in your piece of fiction- I can assume your character looks like anything if it's not stated! Especially if the OG source is a book or a podcast! We’re just used to assigning these features- and characters- as white until ‘proven not’! The default!
I am guilty of this too! Even still, I reread many of my works and go ‘ah, I didn’t clarify.’ And I have to work on doing better at it. This is having intent for your Black characters, but really, it’s having intent for all of them!
(This doesn't mean going “the Black man said,” the way sometimes people say “the Chinese said” (which…. Tbh we should all stop doing that anyway, it's weird and racist))
My Next Challenge:
Some people may disagree, but- Ahem:
Say BLACK!
Breathe lmao! Take the time to recognize that it's OKAY to introduce a character as Black, to say Black, it's fine! Obviously be sensitive about it, don't shove it in there to “win your diversity points”, but like… People are Black. It's not a bad word. What matters is the context in which you used it!
You don't even have to say it every single time. Really just the first, introductory sentence will do. For example:
“[Character A], a bright, young, Black girl with knotless braids to her mid back, glittering hair clips matching her bright green t-shirt, and a brilliant smile that shined against her bistre skin.”
I recognize that some might argue that by saying “bistre”, you don't need to say Black. But 1) you don't have to be Black to be brown or dark skinned, and 2) There's a social stigma behind even saying Black- of discussing race in general, because it leads to discomfort. Race (as a sociological construct) exists. When we say nothing about it, allowing Whiteness to be the default, we're still emphasizing race, however silently! If you're already doing it... Why not mention it? 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️
(here's a good clip of Ijeoma Oluo discussing the difficulty of discussing race; while I highly recommend the whole thing, the relevant clip is 4:25-5:39)
Maybe they're in the Black student organization in a lead position, maybe they're in a Black main cast of a play- it's okay to have those things in the story to help develop the idea that your Black character is actively Black! Just do your research to make sure you’re not leaning into stereotypes!
“There’s no races in my fantasy/future world!”
That’s fair! But I want to give you an example of how people will still project these identities onto your characters anyway:
No one has an explicitly stated 'race' in Avatar: The Last Airbender (afaik); they’re all divided by element culture. YET, many people were offended that a mixed-Korean actress was cast in her role in the live action- they ‘just didn’t see it’, because subconsciously they'd imagined her ‘face claims’ as WHITE, despite it never once being mentioned in the canon! (there’s also a firm sexualization and east Asian fetishization argument to be made about it, but that’s not within the scope of this particular conversation.)
Point is, if you are including humanoid characters in your fantasy stories, fine. You don't need to say ‘Black’ outright. But, that just means that you’re going to have to be even more detailed in your description. Because if I were watching a TV show and a Black actor shows up as an elf… I know what features I’m seeing! Entire protests have occurred over the casting of Black actors in a role ‘meant for a white person’; so... everyone sees it!
Conclusion
This is another reason why intention in character design and writing is important! Context clues and socialization help me understand who your character is. If it works like this for white characters, it can work like that for everyone else! You just have to know enough about me to write it in (and that's where the social and societal bias lie, because how much do you really know about me?)
A way to better understand this is reading books by Black authors (for fantasy, I would highly recommend Raybearer by Jordan Ifueko and Children of Blood and Bone by Tomi Adeyemi) as well as Black literary classics! Finding and reading Black fic authors in fandoms with Black characters! By learning how we describe ourselves and our skin colors, you’ll learn and practice how to appropriately describe us!
Now I can't make you do any of this! But I do want you all- writers especially- to start noticing our bias, how we may default to the experience of whiteness- and how that affects the way we write. When we have Black characters, and really any character of color, we need to start paying attention to how often their features, culture, and activities are emphasized, even for what we may consider to be 'background' details. That’s how we normalize creation and understanding, and become better at writing!
It’s just something to practice; remember, it’s the thought that counts, but the action that delivers!
In addition, if you are interested in a simple read into why approaching race is so uncomfortable as a whole, I've attached Robin DiAngelo's book here! Thank you to the PDF guru @toiletpotato for the link!
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alexa-fika · 4 months
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Hi again first you're a teacher?? Me too soon 😂
Anyway I thought of another weird idea
A child that can see dead people 🏃‍♀️ and he sees corazon when he's with law
Or any other character
I will write a lot of ideas sorry if it's annoying 😅
🐼💕~
A/N:I am a teacher! Im a preschool teacher, that is why writing this in that aspect is really easy because I see their behaviors and shenanigans everyday. What grade will you be teaching??
Also, absolutely not! I love your ideas they are incredible, it will never be annoying trust me, receiving these makes me giggle and kick my feet like a little girl
Dividers by @/saradika
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Clumsy Ghostly Guardians ( Law x gn!child!reader x Corazon)
“Dad, Dad!” The child could be seen once again running through the hallways of the submarine, their screams bouncing off the walls as they ran towards their father
Law looks up from his reading as the familiar sound of his child's footsteps approaches him. He sighs, returning his attention back to the medical journal in his hands.
“What is it?”
“Dad, who is the tall ghost who always follows you around?”
“Tall ghost who always follows me around?”
Law puts down his book to give his child his full attention
“What do they look like?”
He watches as the child changes their focus from him to next to him, attentively staring at something
“He’s really tall, he has funny lips, he has a big coat, and he falls a lot too.”
Law's brows furrow as he is genuinely confused by his child's words. However, Law gets a strange feeling in his gut that what they are seeing is none other than Corazon
“…Did they tell you their name?”
“He said his name was Rosinante, but he said you call him Corazon.”
Law's jaw hangs open as he stares at his child. Law never told his child about Corazón, and the fact that reader knows his real name and even his alias...
When the child had eaten the yuta-yuta fruit, the possibility was always at the back of his mind, but he had always brushed it off, thinking that Corazon was either following Doflamingo or Sengoku.
“...how long have you seen him?”
“Since I ate yuta-yuta”
“Since you ate the....”
Law's face goes pale with shock. He has a look of disbelief on his face
“...did he talk to you?”
“Mmhm, he said dad was the cutest when small, said you still have a gloomy expression now.”
Law's expression softens, and he sits down next to his child, trying to process everything that has occurred. He puts a hand on their head, ruffling their hair
“...what else did he say?”
“He said he’s glad you’re safe, what does that mean dad?”
Law shakes his head, trying to keep his emotions under control. He did not expect to encounter such profound news today. Law turns his attention back to his child and gives them a tight smile.
“...he means that he is happy we are safe. Did he say anything else?”
Law strokes their hair with his thumb
“He said that he is proud of you
Law's cheeks blush as tears stream down his face.
“Ah! Dad, why are you crying? Corazon, do something! You made Dad cry, meanie!”
Law covers his face with his sleeve; he struggles to regain his composure. Eventually, his heart starts to slow, and the tears stop
“Don’t worry about it; I’m just happy, Reader-ya.”
“Ah, Corazon fell again”
“Seriusly?!” He groans
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So I did made this gender neutral but in Japan a Yuta is a female spirit medium and I couldn’t find a word for medium that would fall within that 4 or 3 alliteration format that the fruits have other than with yuta, and even that was stretching it but yeah, just wanted to let you guys know 😂.
Taglist:
@imaginarydreams
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doobea · 9 months
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Hi, I saw your requests were open! If it hasn’t been asked already, could I please request hcs for how Rin, Shidou, and Sae (and any other characters you want to add!) flirt/get someone to like them? Thank you!
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synopsis: how they would go about flirting with you
content: sfw, fluff, gn!reader, assuming reader has medium/long hair characters: rin, shidou, sae, oliver a/n: omg yes of course hehe i love coming up with these types of headcanons, i added oliver bc i love him sm...
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Rin
You have to be great at picking up subtle cues just because he won't be verbally saying anything to indicate his true feelings towards you. Some small signs that he'll give away might be his prolonged stares or soft smiles whenever you walk into the room.
A tender gesture that he finds himself doing is tucking your hair back if it obstructs your face when you're focusing on something. In crowded areas, he'll walk behind you with a firm hand on your back as he guides you through.
He'll start paying super close attention to small details you like. If he happens to pick you up from somewhere, he'll make sure to put on music that you like (maybe already has a curated playlist on hand). He'll offer to buy you food from time to time, remembering the order details and adjustments by heart.
Anything regarding verbal flirting from him comes off as super awkward? Rin will think compliments will suffice as flirting so if you're really good at a hobby he'll just be like "nice" followed by his best attempt to smile. Occasionally, when he's feeling bold, he'll say something along the lines of "that looks good on you" or "you look nice today". Bonus but he probably practices saying those lines in the mirror and then cringing hard right after.
If you were to flirt with him back, honestly he wouldn't really know what to do because in his mind he didn't imagine it would get this far. Probably would try and keep his responses curt and stoic but his red ears will give it away.
Sae
Like his brother, he won't be too vocal about it but will definitely be a lot more physical in a teasing manner. In public, he'll purposefully brush his hands against yours when walking or reaching for the same object. If you're standing in front of him, he'll lean over and will make sure that he's up against your ear if he needs to ask you a simple question.
His socials are pretty much filled with professional photos from recent games or sponsorships, but he keeps it personal on his stories. As sort of a "soft launch" of his crush, he'll make sure to take photos with him in the center but you're always in the background. His followers will bombard him with questions but Sae responds back with "?" every time.
He'll start calling you by a nickname one day and just stick with it. It'll be super casual too, you could be working on something and Sae will walk by with the usual "morning" but then say a shortened version of your name.
Drops off souvenirs or small trinkets from his international matches. In the beginning, he'll lie and say that management gave him two of the same magnet but, eventually, he'll go out of his way to grab a cute keychain or two for you.
He doesn't really consider himself to be a subtle person, especially when it comes to flirting, he likes to indulge himself with little nuances and enjoys seeing your reactions out of it. If you were to ask him straight up about his intentions, Sae would probably come clean.
Shidou
Very direct and super playful in a chaotic way. It'll probably pop up mid-conversation where he'll drop the bomb and then talk about the next upcoming games. If you ask him to repeat himself, he'll say it louder for people to hear.
Shidou will do out-of-pocket things to try and elicit a reaction out of you. His signature move is playfully cornering you against the wall with his hand up, inching his face closer to yours only to pull back last minute. Another thing he'll do is undo his laces on his cleats and ask you to tie them up. He finds it absolutely hilarious to see you fumbling over your words and actions, and he will let you know.
He would never flirt without any meaning or intention behind it and he will definitely not just throw out any generic banter for the fun of it. So if he tells you that he finds you funny or attractive, he means every word he says.
Makes sure to follow you back home every single time and not in a weird creepy way. He likes to offer to walk you back home whenever you guys are out, especially when it's late out at night. He claims that if you have him around it's the same as having "scary dog privilege". Definitely boosts his ego when you take up on his offer multiple times.
Goes out of his way to say something to you every morning. Whether it be a generic question or saying hi, he'll always make sure that he talks to you first before anyone else.
Oliver
If he really likes someone, he'll try and show them that he's genuinely interested in them. That would mean him doing more acts of service rather than solely relying on playful banter. But that doesn't mean he'll give up on teasing you relentlessly. He won't have any issues calling you "cute" every time he sees you.
Extremely touchy to a fault but will only use it when necessary. If you're walking slower than he is, he'll have no problem hoisting you over his shoulders or carrying you bridal style, saying that he's not planning to wait on you. If you guys are riding on a subway or in the backseat of a car, he'll make sure to lean his body against yours and say "whoops too crowded in here".
Loves to show off on the field, especially when he was captain of the U-20 team. Makes sure that you can hear his voice from the stands and will put extra effort into his trick shots and goals. His fangirls will be crowding him after the matches but he'll ignore them to meet up with you.
Will be visibly pouty if he sees anyone else flirting with you. After eavesdropping on the conversation, he'll walk over to you and complain about how cheesy and lame the other person was. "Stay away from perverts" is something he'll always warn.
Some smaller things that Oliver will find himself doing is wholeheartedly giving away his hoodies or shirts to you if you're cold or need something quick to wear. If you're ever sore from working hard or coming back from the gym, he'll offer to give a massage (it's actually pretty good and not sexual surprisingly). This one is a shocker, but he'll soon find himself in the kitchen cooking things that you like.
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nozunhinged · 5 months
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I finally managed to put my overall thoughts about Playboyy into words and hoooooo boy do I have a lot to say.
I watched the mdl ratings go down, the blatant hate towards the plot, the actors, the scenes, the sex. There was nothing that wasn't torn apart about this series and yet I wasn't phased for a second and I kept wondering why because usually get very passionate about defending the things I love.
And then I realized that this series is the cinematic embodiment of a very lonely path that I've been walking for decades and I am already very, very used to the shame around it.
Sex is not just my special interest, I also had the privilege to grow up with excellent sex education (thanks parents) and on top of that I never struggled with my (pan)sexual identity. Sex plays a significant role in my life. But I learned VERY quickly that I should keep this to myself if I don't want to be ostracized or bullied.
"You're autistic AND you like sex? You like porn? What the fuck is wrong with you??? That's impossible."
And all the comments I read about playboyy are exactly the same just in different fonts. Ew sex. Ew kink. Ew porn. Ew sex work. Sex can't have storytelling, plot, it's just for shock value. We all read it.
And sadly it's a very accurate representation of the role sex plays in our society. Which - ironically - playboyy exactly is about.
Playboyy is a visual collection of all the experiences of lives and people in which sex plays a significant role - even the lack thereof (looking at you zouey and all you lovely aces).
It's a collection of very important social commentary, with all the characters, sets, plots and visuals as a medium. Because this way, the points they make come across even stronger and draw out all the emotions they want us to feel - which is in the rarest cases, pure arousal. Because this is, in fact, storytelling. Even if many don't want to hear it.
Telling stories about sex is so stigmatized and shunned, it only has the tiniest place to exist freely. Just like sex itself. Every sex worker, sex educator, sex therapist, everyone who has a profession that deals with sex will tell you about it. The shame. The misunderstanding. Look at the state of sex work and porn in the world. It tells you everything you need to know.
And it's happening in the middle of the "modern" western society - Yes I'm talking about you, UK and I can't not plug this here:
*btw I am not a sex worker I'm just very passionate about letting people not just live their lives but giving them a CHOICE to do what they want or don't want to do
I existed in this tiny place for decades now and I got really comfortable in my tiny lil corner, but to see a show like this go "mainstream" talking about all the topics that tickle all the knowledge I collected over the years feels so amazing. And I can tell you, all you lil smartass purists, everyone involved in this show doesn't care an inch what you think, just like me. We're used to it, believe me.
I could go on for ages about how carefully all these topics of the show are treated but what I actually want to say is that I find it incredibly ironic that a show that depicts the struggles and stigmas about sex, exactly draws out the reactions and treatments it criticises.
If you don't want to join in on the fun, that's totally fine. I get that it's not for everyone (just like sex, he). But treating it as a piece of trash just because it's a thing you personally find icky is exactly the reason the issues Playboyy talks about exist in the first place. Hence you can thank your stuck-up ass yourself that debauched individuals like me get a gem like this to enjoy.
And the fact that it didn't just find a crew, but also the funding and the mainstream distribution proves that I'm not alone in this.
It's not my lonely little corner anymore and I'm absolutely thriving on that. Cry about it.
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tangibletechnomancy · 4 months
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The (Personal) Is (Political)
~7 hours, Dall-E 3 via Bing Image Creator, generated under the Code of Ethics of Are We Art Yet?
Or, Dear Microsoft and OpenAI: Your Filters Can't Stop Me From Saying Things: An interactive exercise in why all art is political and game of Spot The Symbols
A rare piece I consider Fully Finished simply as a jpeg, though I may do something physical with it regardless. "Director commentary" below, but I strongly encourage you to go over this and analyze it yourself before clicking through, then see how much your reading aligns with my intent.
Elements I told the model to add and a brief (...or at least inexhaustive) overview of why:
Anime style and character figures - Frequently associated with commercial "low" art and consumer culture, in East Asia and the English-speaking world alike, albeit in different ways - justly or otherwise. There is frequently an element of racism to the denigration of anime styles in the west; nearly any American artist who has taken formal illustration classes can tell you a story of being told that anime style will only hinder them, that no one will hire them if they see anime, or even being graded more harshly and scrutinized for potential anime-esque elements if they like anime or imply that they may like anime - including just by being Asian and young. On the other hand, it is true that there is a commercial strategy of "slap an anime girl on it and it will sell". The passion fans feel for these characters is genuine - and it is very, very exploitable. In fact, this commercialization puts anime styles in particular in a very contentious position when it comes to AI discussions!
Dark-skinned boy with platinum and pink [and blue] hair - Racism and colorism! They're a thing, no matter how much the worst people in the world want you to think they're long over and "critical race theory" is the work of evil anti-American terrorists! I chose his appearance because I knew that unless I was incredibly lucky, I would have to fight with this model for multiple hours to get satisfactory results on this point in particular - and indeed I did. It was an interesting experience - what didn't surprise me was how much work it took me to get a skin color darker than medium-dark tan; what did surprise me was that the hair color was very difficult to get right. In anime art, for dark skin to be matched with light hair and eyes is common enough to be...pretty problematic. Bing Image Creator/Dall-E, on the other hand, swings completely in the opposite direction and struggles with the concept of giving dark-skinned characters any hair color OTHER than black, demanding pretty specific phrasing to get it right even 70% of the time. (I might cynically call this yet another illustration against the pervasive copy-paste myth...) There is also much to say about the hair texture and facial features - while I was pleased to see that more results than I expected gave me textured hair and/or box braids without me asking for it, those were still very much in the minority, and I never saw any deviation from the typical anime facial structures meant to illustrate Asian and white characters. Not even once!
Pink and blue color palette - Our subject is transgender. Bias self-check time: did you make that association as quickly as you would with a light-skinned character, or even Sylveon?
Long hair, cute clothes, lots of accessories - Styling while transmasc is a damned-if-you-do, damned-if-you-don't situation, doubly so if you're not white. In many locations, the medical establishment and mainstream attitude demands total conformity to the dominant culture's standard conventional masculinity, or else "revoking your man card" isn't just a joke meant to uphold the idea that men are "better" than women, but a very real threat. In many queer communities, especially online, transmascs are expected to always be cute femboys who love pink (while transfems are frequently degraded and seen as threats for being butch), and being Just Some Guy is viewed as inherently a sign of assimilationism at best and abusiveness at worst. It is an eternal tug-of-war where "cuteness" and ornamentation are both demanded and banned at the same time. Black and brown people are often hypermasculinized and denied the opportunity to even be "cute" in the first place, regardless of gender. Long hair and how gender is read into it is extremely culture-dependent; no matter what it means to you, if anything, the dominant culture wherever you are will read it as it likes.
Trophies and medals - For one, the trans sports Disk Horse has set feminism back by nearly 50 years; I'm barely a Real History-Remembering Adult and yet I clearly remember a time when the feminist claim about gender in sports was predominantly "hey, it's pretty fucked up that sports are segregated by sex rather than weight class or similar measures, especially when women's sports are usually paid much less and given weirdly oversexualized uniforms," but then a few loud living embodiments of turds in the punch bowl realized that might mean treating trans people fairly and now it's super common for self-proclaimed feminists - mostly white ones - to claim that the strongest woman will still never measure up to the weakest man and this is totally a feminist statement because they totally want to PROTECT women (with invasive medical screenings on girls as young as 12 to prove they're Really Women if they perform too well, of course). For two, Black and brown people are stereotyped as being innately more sporty, physically strong, and, again, Masculine(TM) than others, which frequently intersects with item 1...and if you think it only affects trans women, I am sorry my friend but it is so much worse and more extensive than you think.
Hearts - They mean many things. Love. Happiness. Cuteness. Social media engagement?
TikTok - A platform widely known and hated around these parts for its arcane and deeply regressive algorithm; I felt it deserved to be name/layout/logodropped for reasons that, if they're not clear already, should become so in the final paragraph.
Computers, cameras and cell phones - My initial specification was that one of the phones should be on Instagram and another on TikTok, which the model instead chose to interpret as putting a TikTok sticker on the laptop, but sure, okay. They're ubiquitous in the modern day, for better and for worse. For all the debate over whether phones and social media are Good For Us or Bad For Us, the fact of the matter is, they seem to be a net positive-to-neutral, whose impacts depend on the person - but they do still have major drawbacks. The internet is a platform for conspiracy theories and pseudoscience and dangerous hoaxes to spread farther than ever before. Social media culture leaves many people feeling like we're always being watched and every waking moment of our lives must be Perfect - and in some senses, we are always being watched these days. Digital privacy is eroding by the day, already being used to enforce all the most unjust laws on the books, which leads to-
Pigs - I wrote the prompt with the intention that it would just be a sticker on the laptop, but instead it chose to put them everywhere, and given that I wanted to make a somewhat stealthy statement about surveillance, especially of the marginalized...thanks for that, Dall-E! ;)
Alligators - A counter to the pigs; a short-lived antifascist symbol after...this.
Details I did not intend but love anyway:
The blue in the hair - I only prompted for platinum and pink in the hair, but the overall color palette description "bled" over here anyway, completing the trans flag, making it even more blatant, and thus even more effective as a bias self-check.
The Macbook - I only specified a laptop. Hilariously ironic, to me, that a service provided through Bing interpreted "laptop" as "Macbook" nearly every time. In my recent history, 22 out of 24 attempts show, specifically, a Macbook. Microsoft v. OpenAI divorce arc when? ;) But also, let us not forget Apple's role in the ever-worsening sanitization of the internet. A Macbook with a TikTok sticker (or, well, a Tiikok sticker - recognizable enough) - I can think of little more emblematic of one of the main things I was complaining about, and it was a happy accident. Or perhaps an unhappy one, considering what it may imply about Apple's grip on culture and communications.
Which brings me to my process:
Generated over ~7 hours with Dall-E 3 through Bing Image Creator - The most powerful free tool out there for txt2img these days, as well as a nightmare of filters and what may be the most disgustingly, cloyingly impersonal toxic positivity I've ever witnessed from a tool. It wants to be Art(TM), yet it wants to ban Politics(TM); two things which are very much incompatible - and so, I wanted to make A Controversial Statement using only the most unflaggable, innocuous elements imaginable, no matter how long it took.
All art is political. All life is political. All our "defaults" are cultural, and therefore political. Anything whatsoever can be a symbol.
If you want all art to be a substance-free "look at the pretty picture :)" - it doesn't matter how much you filter, buddy, you've got a big storm coming.
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helloiamadrawer · 2 months
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Mixed DBS character NSFW Imagines
Warnings: smut, degradation, mirror sex, oral fixation (for gamma 2), voice kink, dirty talk !!MINORS DNI!!
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Boyfriend! Gamma 2, who has a oral fixation for you and you only, his mouth attached to your pussy each chance he gets, his tongue flicking at your clit making jolts of pleasure course through your body. Keeps edging you until he's chooses to make you cum. After that he'll make sure to clean you up with his grey smooth tongue.
"B-but Two~i want..moreee," you whined longingly. The androids' eyes shoot back up at you in thee process of putting his shirt on, a cocky smirk taking form on his face, you bite your lower lip, regretting a slight bit of what you just said but he was already pouncing on top of you again throwing your legs on his broad shoulders. "Oh yeah? Is that right baby~then i'll just have to fuck all the precious energy out of your pretty little body cause baby, I can go all day if i have to." Keeps edging you until you reach your nth high, slurping up up your sweet juices when you're overstimulating all over his face, his yellow chrome eyes taking in the view of your flushed frame trembling for only him alone.
Boyfriend Goku Black LOVES mirror sex, he adores the mage of your pathetic mortal body being the perfect godly threshold for his cock, forcing you to look at how he takes you so well, making your face burn like fire. "Look at you, such a dumb little slut for your master, if you dare take your eyes off this beautiful imagery of me for a second I won't hesitate to slow down once more." Big orgasm denial boi as well, constantly wanting to assault your guts. Bonus points if you turn into a incoherent mess for him Kami have mercy 😫 Boyfriend Goku being a little too noisy in the bed, thrusting into you in a medium pace and hitting that small bundle of nerves that drives you crazy, causing you to moan his name over and over again. "ah~you sound so good baby~keep squeezing me like that..'m gonna come so hard." He moaned. HIs pace starts to escalate quickly making you gasp out,"G-Goku~you sound -so good~". He chuckles darkly, "Really now?-hah~my moans turn you on huh?" the saiyan leans over to your ear and begins to moan lewdly. You have never been so blessed to hear him that close because after that first one, your vision clouded white by your climax as a choked,"Fuck!~" rushed out of you. Boyfriend Dyspo, the cocky bastard could not go a day without fucking the mess out of you, has pushed against the mattress slamming his dick between your gummy walls while he pulls your hair to face him from behind. "ah~all dumbed out senseless from me and can't even speak, huh?...That's what i thought." he smirks. Your tits bouncing from his malicious thrusts making a delightful sight to behold for the ego-filled rabbit. You could feel his labored, hot breath against your ear only fueling your arousal more, pussy clenching onto him. YOu couldn't even make a comeback at all it just felt so good and that's all you could think about was getting fucking railed ever since he got home from a mission. "Always so fuckin' tight for me aren't ya babe?". Literally will drag the tip of his dick across your soaked folds just to watch you squirm in pleasure. But it's all worth it in the end, he just likes making it last.
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Note
Can you do the bachelor/ettes with an s/o that is an artist?
-🌙anon
Bachelor/ettes x Artist Farmer
Hi 🌙! Glad to have another emoji anon here! How are things going? Anyways, cute request! Thank you for asking! I think I might have done this before? Maybe. I don't know. Oh well! This mainly focuses on drawing sorry.
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Bachelors:
Sam
Sam loves your art! He always looks over your shoulder when he sees you drawing, so you'll definitely have to take it upon yourself to tell him not to do that if it makes you uncomfortable. He's also going to beg you to design an album cover for him and his band.
Elliott
Elliott would also like to use your artistic skills, this time for his newest book. He can't pay you all too much (unless his previous book becomes a bestseller), but he will shout you whatever you want at the saloon whenever you want. He really appreciates your skill, it reminds him of Leah!
Sebastian
I'm pretty sure his job involves making models, so he'd ask you for some references to copy off of. Really likes to admire your work; spends a lot of time just looking through the pages if he can. If you won't let him he'll respect your boundaries, but will still ask every once in a while.
Harvey
He's not really an artist, so he's really amazed at what you can do! He'd ask you to draw his model airplanes for him (if you want to, of course). Despite his lack of drawing/painting skills, he does appreciate good art, and will set aside some money to go to an art show.
Shane
Shane's drawing skills equate to that of a five-year-old's potato head self-portrait. I mean, art is art, so it's not necessarily bad, but he's not getting recognised for it anytime soon. So when he finds out you're and artist, he gets secretly excited and makes note to try and find out what you've made.
Alex
When he was a kid, he'd get the hose and paint a smiley face on the fence with the water, but that's about all he's done. Actually, he did try to impress a girl with his drawing skills once, but she ended up rejecting him, so he stopped. He asks you to teach him how to do some spaghetti sort of art sometime because he looks at you (no matter what art medium you do) and immediately assumes you'd be a master at pasta art. You're welcome, I guess?
Bachelorettes:
Penny
Please tell me you read the same books as her and please tell me you've made art of the characters; she will fall in love. Since she's a teacher (basically), she does have some skills in art related mediums, but nothing beyond what she needs to teach. She likes sketching characters the most, so she sheepishly shows of her work to you and asks for advice.
Leah
Artist duo, baby! Leah loves your art! She's into sculpting and a bit of painting herself, but recognises any art is art and is totally down to do some with you! You have some fun competitions on trying to draw the other worse and worse each time but still have it look like them. That, or you just set up a vase and chill trying to copy it.
Abigail
Abigail's a decent artist. Again, she only really uses pencil or pen on paper, but has dabbled in digital art through the use of an old game console she had as a kid. You two do that competition thing like Leah, except you purposely try to make each other look worse and worse without any semblance of the original subject. Fun times!
Maru
Maru is a great artist, I think. She does a lot of detailed planning for her inventions and puts a lot of effort into the artwork. You know that car show where the guy draws the finished product in coloured pencil before actually making it? Yeah, like that. Except she doesn't use colour. Anyways, she gets what art's all about and can feel with you when you get that art block.
Emily
She can draw clothes, paint abstract art, and make towers out of dry spaghetti sticks. When she finds out you're an artist, she immediately asks to see what you've done. Emily's very much a believer in 'any art is art as long as you put your soul into it', so she'll always say she loves whatever you make. Not the best for constructive criticism, but great for a pick-me-up when you're feeling low.
Haley
Unlike her sister, Haley has no idea what she's doing. I suppose photography is related to other mediums of art, but the most she's done is draw some hearts on some photos and hung them up on the wall. During her mean phase she pretends not to care, but once she comes out of her shell she really takes an interest in it! She tries to copy your art but doesn't do so well.
-~-~-
Hello. Long time no see. I make a second account since I was tired of this one being my main aha. Anyways, I'll be back (hopefully) for a little while now. Bye-bye!
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magnoliabutters · 1 year
Text
• THOUGHT YOU DIDN'T CARE •
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pairing: joel miller x (18+, she/her) reader
summary: joel and ellie are tasked to move a package from jackson to san diego. little did they know you were the "cargo..."
warnings: 18+ content, mdni, adult language, cordycep apocalypse related violence & weapons, canon divergence, tlou part 1 & 2 spoilers; angst, medium to slow burn, pet names, voyuerism, sub!joel and dom!reader, age gap in pairing, masturbation, etc.
word count: ~6.3k
support your writer: reblogs for daddy joel ✨🌿
request: by @yourmomsmilfmistress; katrina babes, i have another idea!!! i was thinking something along the lines of (whatever male character you want/ im not picky) is OBSESSED with reader and one day after a torturous hangout he starts to 🍆💦 ( ya know) after she leaves and for some reason it's not working and it's like he's just edging himself but (of course) reader comes and walks in on it and it's like sub!male and dom!reader smut!!!
note: um… most definitely. the way i thought of joel freaking miller instantly. sub male? common now 😈 we are set in a post-tlou part 2 world where no one died, abby who?, and ellie lives happily on the farm (aka 20+ age). also, loosely following the plot of part 1. for visuals of characters, i am moving forward with what we’ve seen so far of hbo’s part one and game’s part two casting. although as it’s older ellie, i went with video game looks. hopefully that makes sense. enjoy my fellow hoes ⚡️
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Don't tell them your name. Just tell them you're there to see Maria.
His words keep running through your head as you gallop atop your trusted steed, Horse. He told you, repeatedly, that they will find you - not the other way around. All you needed to do was get to the vicinity of Jackson County. Well, you are about a mile into said county and you haven't come across a single person. Let alone, a single runner.
The two things cannot co-exist this far from the cities. If there are no runners or clickers, then there must be people. If there are infected, there are no people. But emptiness? That is something unheard of. It puts you on edge. You swear you want to just yell, yell to draw something out. But that would be stupid. You don't know how many are out here ... people or infected.
You hop over a razor wired fence in the middle of the road. Its height hits a the top of your knee. Perfect stop runners. Your first sign that people have been in this neck of the woods. The deeper you get into Jackson County, you wonder why all you need to say is "I'm here to see Maria." Would these people attack you and saying those words would be the only thing to stop them? Or are they dumb enough to bring just about anyone back into their town? You have absolutely no clue what he has signed you up for.
Fear stands your hairs on end. It fuels your adrenaline and heart as Horse guides you into an opened field. On the main road, you read a sign that displays "surface may be icy." You're thankful you were assigned this job in the middle of July. In front of you, you note green ivory glued to the brick walls of an old music store. The roads were shit, as usual. Cracks and bumps from overgrowth and lack of maintenance. You hope they are not too rough on Horse's shoes. She had them switched out in Colorado, back when you saw your people last.
Horse abruptly stops. Harsh enough for your full body to push up against her back. "Fuck," you grumble with a hand to your head. "What the hell?" You slowly open your eyes to note the clicker before you. With widening eyes, you swiftly reach to unhook your knife from the saddle. As quiet as a mouse, you hop off of the pillion and carefully land your feet on the grass below. You side step as you make your way closer. its clicks grow louder as it uses its echolocation in the opposite direction.
Your eyes are constantly moving, wondering if there are any other infected around. There is luckily no movement. Just one single clicker. The fungi sporadically growing throughout its body. The cordyceps on full display on its face - if you can even call it a face. In your last two steps, you rush up to it. You hook your arm over its chest. Your fingers curve over its shoulder as you grip tightly against the rough flesh. With your other hand, you stab your knife into the crook of its neck. It quickly became limp in your arms. You let slide off your body and ultimately onto the road.
"Drop the knife," you hear behind you. The voice is rough and booming. You gradually put your hands up. You drop the knife, careful to have it fall upon its hilt and not its blade. "On your knees," it bellows. You laugh, tilting your head to the side. "No can do," you scoff. "I only get on my knees when I want to." The man behind you laughs as he slowly walks up to you. His boots crunching against the dirt and gravel.
"On your knees," another voice appears. Despite its higher tone, it is just as rough. A smile grows upon your face as you carefully drop to your knees. "Oh for you, of course," you mutter to the woman. She quickly grabs hold of your wrist and places it behind your back. Her grip harsh and tight. You release a laugh as you lean back into your captor. "I'm here for Maria," you mutter.
Abruptly, the movements behind you stop. The grasp remains tight. "Maria?" the exasperated man's voice pushes through the air. His boots' steps become faster as he rushes behind you. "Why?" the woman asks. You feel the cool head of a gun at the back of your neck. "Hey, hey, hey," you furiously mumble. "I-I'm a smuggler. I'm with a group of people who told me Maria owes them one. I just got sent here for her to pay the debt."
The gun is pressed harder against your neck. "What debt?" the man's voice asks. You move your head to the side, attempting to pull yourself away from the gun's focused point. The gun holder makes sure it stays against your skin despite your movements. "I don't even know, man. I was just sent here. They told me to say 'I'm here for Maria' and that she would know what to do," you spit out.
You hear the man pace behind you. He sighs heavily. His voice hushed as he speaks towards the woman. "I don't feel good about this, El," he whispers. "Does she have any people in her past?" the woman asks. "Not that I know of," he says as those steps draw closer once more. You are suddenly pushed to the ground. You cut up your chin as you couldn't catch yourself in time. "Fuck," you mutter into the ground. "Your name," he mumbles. "I don't have time for games." You yell as your palms lay flat against the surface. "Rita," you quickly lie.
"Alright, Rita," the man's voice bustles behind you. "Let's go." Next thing you knew, a bag was pulled over your head. Your head was then banged against the hard rubber bedding of a truck.
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They grip against the bag over your head so hard that it pulls on some of your hair as it uncovers your face. Your eyes slowly blink to adjust to the light. "Shit," you grumble as you relax your arms, only to realize that you were tied to a chair. Rope. Fuck, you think. Rope hurts the most.
"Now, Rita, I'm not going to ask again. Why are you here for Maria?" The familiar voice asks. You squint to look in his direction. A latino man with slicked black hair crouches before you. You look behind him to recognize that you were in a stable - a wooden stable. There is hay all over the floor, but no horses. What kind of stable doesn't have horses? As your eyes trail back towards your feet, you note red splotches staining the wooden floor below you. "Damn it," you whisper the elongated swear under your breath. You know exactly what kind of place this is.
"I told you already, man," you whine. "My people didn't tell me shit. Just that I was assigned a job and Maria owed a ride." You look into the brown eyes staring holes into your face. "I'm here to collect on that ride," you whisper. "To where?" the man asks. "I'll tell Maria ... once I get my ride," you answer with a smirk. The man raises his fist as his upper lip tenses. You wince at the sight.
“Tommy!” You recognize the woman’s voice as he holds back his fist. She walks out from the darkness of one of the stables. You smile at the sight. She looks younger than you. Her reddish brown hair gave you goosebumps. Her eyes a greenish blueish grey. Something you would have envied as a child. She some how looks sweet, but also has clearly endured so much in her short time.
“So, we have Tommy,” you share as you nod towards the man. “And El,” you murmur as you look up to her. You smile - a smile that El winces at. “I’m not here to cause trouble,” you sigh as you attempt to shrug against the chair. “I don’t want to give anyone grief. I just need to talk to-” Suddenly, a remarkable woman bursts through the doors. Another man at her side. Her eyes serious and hellbent. Her skin a deep and beautiful brown. She is undeniably gorgeous, and surprisingly pregnant. She definitely had the glow, complete with her large firmed bump. “Tommy, what the hell is this?” she asks sternly.
Maria, you think. They never gave you a picture, but you knew from the second she commanded that room. The second both Tommy and El backed away from you. Their hands either up or open at their sides. She was in charge. And she was headed right for you. “Maria,” you say with a sing songy voice. Her head shoots your way. “I need a ride.”
Maria stares down at your smile. Her upper lip pulls, just like Tommy’s. “Where?” she asks calmly. “San Diego,” you answer. “San Diego?” she scoffs. “I don’t owe them that much.” You tilt your head, smiling to yourself. “Well, someone thinks you do,” you smirk. Tommy grunts as he steps towards you. Maria quickly puts out an arm across his chest.
With a sigh, she returns her gaze to you. Her arm still across his chest. You are curious about those two. “I obviously can’t take you myself,” she mutters. “Obviously,” you affirm as you nod towards her stomach. “I’ll find you someone. You’ll leave in the morning,” she says carelessly. She turns around and speaks to her people. “Untie her,” she says under her breath.
The man who walked in with her quickly follows through with her demand. You rub your wrists and forearms where the rope’s red rings pressed into your skin. You stand with the devil’s smile across your face. El is the first to walk up to you, while Tommy’s eyes are still daggers. “Hey, sorry,” she says as she rubs the back of her neck. “Things didn’t go so well the last time a new person asked about one of our people.” You hum as you nod. “Make sense,” you say under your breath as you return your gaze to Tommy.
“Maria’s his wife,” El adds as she follows your eyes. “He’s been extra sensitive, given the baby and all.” You smile at her words. She pulls your attention. “It’s also Ellie by the way,” she mumbles. She gestures goodbye and walks out. “Rita?” the man asks. You look at him with confusion. “My name’s Jesse. Come on, follow me.” With hesitation, you follow the tall man out into the dark night.
Your eyes quickly fall upon the string lights crossing from building to building. It is so beautiful your mouth gapes open. “We have a small bed and breakfast for travelers,” he shares as he points to a building at the end of the street. “Shit - a bed and breakfast?” you scoff under your breath. As you walk, you note the happy and clean people randomly walking about. They are loud - comfortably loud. It must be nice.
“Where you from?” Jesse asks. His gaze stuck on you. “I don’t do small talk,” you say with a weak smile. “I don’t mean to be rude.” He laughs, raising his hands. “No, I get it. Just trying to make conversation,” he answers. “Oh, well if we’re making conversation, tell me what your favorite color is,” you teasingly laugh. He chuckles, shooting you a sweet smile. “Orange,” he scoffs. “You?” You nod, smiling as you step onto the front deck of this apparent bed and breakfast. “Green.”
With quick goodbyes, you go inside and easily secure your room. The room is on the first floor. Inside the small space, you have a worn down desk, chair, and bed. Your pack is already resting against the foot of the bed frame. You grab the back of the chair and hook it underneath the door’s knob. You turn the lock and deadbolt the door. When you finally lay back to rest, you reflect on your day. It didn’t go as well as you had hoped - as you had been told. But at least you are alive. At least you are on your way to San Diego.
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After the best sleep of your life, Jesse led you to a building across the way. Maria, Tommy, Ellie, Jesse, another woman and a man sit alongside a long dinner table. The woman appears sweet. She sits closely to Ellie. The man is something else. His demeanor laid back, like he had no care in the world. His face kind, but also worn thin after years of this shit world. You can immediately see through the facade and know he is good. But damn does he give off such a strong guard dog vibe. He has random patches of grey amongst his black hair and beard. His eyes dark, but youthful. You struggle to keep your eyes off of him. He watches you, though. He sized you up as soon as you walked through the door.
“Rita,” Maria calls out. You are too busy attempting to watch him through your eye lashes. “Rita,” she says louder. You quickly turn your attention to her. Only now remembering that Rita was the name you gave them. “Yes,” you answer with high energy. “These are my best people,” she shares. “I want Joel and Ellie on this.” Ellie sits up straight, shocked as she exchanges looks with the girl beside her. The two begin to discuss in hushed tones. The man abruptly turns towards Maria, disingenuously laughing under his breath. “No, Maria,” he scoffs. “That ain’t happening.” The man stands, his hands firm against the table. He must be Joel. Rarely have you met someone who’s name perfectly fits them. It makes you smile.
Maria sighs as though she saw this coming. “I would go myself-” she starts. “So let me go,” Tommy interjects. Joel and Maria quickly respond “no” in unison. Maria takes a breath as she slowly looks to her partner. “I’m about to pop. You can’t go,” she whispers. “I need you.” Tommy solemnly nods as he looks back towards the rest of the group. Maria turns back to Ellie with patient eyes. “Ellie, Dina - are y’all okay with this?” she asks. Dina nods, looking at Ellie. "J.J. will be fine. You should go," she whispers. Ellie then turns to Maria and nods.
Joel's scoff could be heard from two buildings down. "This is bullshit, Maria and you know it," he yells as he slams his hand against the table. Tommy stands, pointing towards him. "Watch it, Joel," he warns through gritted teeth. Maria takes a breath as she looks between Ellie and Joel. "You two have gone across state lines more times than any of us. This should be easy as pie," she says softly. He rolls his eyes as a deep, unenthused chuckle falls from his lips. "What's the cargo?" he asks with furrowed brows as he looks off in the distance.
Maria turns towards you. She rakes over you with slight confusion and hesitation. Within a second, there was a moment where her face smoothed out. She took a breath and returned to Joel. "She is," she states with finality. Your face remains looking down the table, but your eyes travel to Joel's seat. He gradually turns to look at the group. With a guttural growl, he says, "Absolutely not." Maria throws her hands up. "Joel, they will come to collect. I will not put anyone else's life in danger," she yells.
"If they come to collect, they can take her dead body," Joel booms as he pulls a gun from his holster and points it towards your head. You remain still. Your breathing intensified as the remainder of the group stands to their feet. "Joel," Maria says softly. "We need her - whether you like it or not. We need her in San Diego." Joel exhales through his flared nostrils. His mouth tight as he looks down at you through the sights of his pistol.
"What's so important about her?" he asks as he lowers the gun. Maria sighs in relief. "I don't know," she shakes her head. "All I know is these people helped us in a pinch back when me and dad started up. They said they'd come to collect and all they needed was a team to get something to San Diego." Tommy watches her intently. It must have been the first time she shared this with him. "I've seen what these people have done when groups don't pay up, Joel," she mutters. "We will not win that fight without losing everything."
Joel sucks his tongue against the back of his teeth. He holsters his gun and walks towards the front door. He hooks a backpack over his shoulder and turns back towards the group. "Ellie?" he asks as he slowly opens the door. You turn to watch Ellie kiss Dina. She presses her head against hers and whispers things you cannot make out. They separate with a strong embrace. Ellie walks towards Joel. "You coming, Rita?" she calls out behind her. You stand immediately. Your shocked eyes fall upon Maria and Tommy as you attempt to process everything that has happened in the past few minutes. You grab your pack and walk out to meet the pair in the street.
Ellie watches Joel with trust and a hint of distaste. You wonder about their story. As you walk up, the two stop talking and turn to look at you. "Hello," you greet awkwardly. "While we're out there, you do exactly what I say - when I say. Understand?" Joel says sternly as he points a finger in your face. How could those sweet eyes simultaneously look so threatening? "Understood," you whisper under your breath as you exchange looks with Ellie.
Joel quickly turns and heads straight to what looks like a mechanic's garage. "Does he always have a stick up his ass?" you ask as you skip to catch up with Ellie. She smiles, nervously biting her lip. "At first," she mutters under her breath as her eyes remain on him. "The Chevy," he asks a man standing behind the desk. He promptly hands him keys without question. You nod, noting how nice it must be to live in Jackson.
"Chevy, huh?" you say, attempting to start a conversation with the man. Joel completely ignores you as he slides the keys into the door handle. "Nice try, but he's not going to crack for a while," Ellie whispers in your ear as she walks to the other side of the truck. You laugh as you open the side door and hop into the backseat. "Seatbelt," he says softly as he points Ellie's way. "Oh," she mutters as she slides it over her body and clips it at her side.
The three of you sat in silence for the first hour of the trip. It was unbearably boring. Wyoming's sights were not as incredible outside of Jackson county. You wish you could sleep, but did not trust the two enough to even try. "Joel," Ellie starts but continues to laugh. "Remember when we cleared this hotel. Remember the tomatoes?" She laughs so hard that she holds her stomach. She leans fully against the passenger seat as she kicks her feet up. You swear you watch Joel crack a smile as he watches the girl burst into a laughing fit. You wish you got a better look.
"What happened with the tomatoes?" you curiously ask Ellie. She turns, struggling to speak between laughs. As she starts, Joel quickly interrupts her. "Don't tell her anything. She's cargo, nothing more," he instructs. Ellie sinks into her chair. Her expression perplexed as she seemed excited to share. "Just cargo, huh?" you taunt. His face remains still as he eyes focus on the road. "Wow, you Jackson people are the sweetest I've ever met," you say sarcastically. "Maybe I should just dip out on this trip. I can probably make it on my own."
Joel quickly slams against the breaks. Your shoulder digs into the back of his seat as you let out a stunned groan. "What the hell?!" you yell. "We are taking you to San Diego, or we are taking your body," he turns to say with stern eyes. You place distance between you two. A sudden rush of alertness and danger bursting through your body. "Let me be clear. I don't care if you're dead or alive by the end of this trip. We are paying off Maria's debt," he seethes. "I'd recommend shutting up if you plan to get there alive."
You suck your tongue against your cheek as you laugh under your breath. You lean back harshly against the back of your seat. "Eyes on the road, asshole," you say as you nonchalantly gesture towards the street. He rolls his eyes as he faces forward behind the wheel. He presses on the gas gradually. Ellie sits in awkward silent with a tight lip. She finds comfort in looking out the window.
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Less than a week has gone by and you are barely crossing the border into Utah. In each passing day, you learn something new about Ellie. She loves to draw. She met her partner, Dina, on the first day she got to Jackson. Her son is named after Jesse and Joel. She calls him her "potato" - an incredible nickname you find endearing. The days are starting to blend together, but Ellie remains a highlight of each.
Joel, on the other hand, has remained annoyingly silent. He solely speaks to Ellie. If he does choose to talk to you, it is usually some demand where he forgot how to say "please." He is abundantly cold. It is infuriating. Here and there, you catch him staring your way. His glimpses seem familiar, as opposed to his usual and intentional looks of anger.
He never looks at your eyes, but his gaze tends to fall on your lips and hair. Any time you caught his eye line, he would immediately look away. The way his gaze lingered on you always left you in a ball of confusion. You thought you would have been on edge, being stared at for hours on end. Yet, you loved it. It made you feel seen. It made you feel beautiful. If he wasn't so vocal about his disapproval, you would think he had a "thing" for you. For now, you just enjoy his looks - hoping they are filled with adoration and not hatred.
Luckily for the three of you, communication was not needed as much when taking out the infected. The trio even came across a group of clickers a day ago. Without saying a word, the three put on their gas masks and stepped into the spores. They could all hear the clicking echoing through the old and damaged walls. With only nods and looks, the three separated and silently took down each clicker.
You turned to look at them with excitement. “That was awesome!” you said joyously. “Very SWAT-team.” Ellie was kind enough to crack a smile as she cleaned her blade on the side of her jeans. You turned to Joel, waiting for any reaction. He gave you absolutely nothing. He shook off the blood on his machete and gracefully placed it back onto his backpack. He then immediately moved toward the cabinets in front of him to search for supplies. God, did he really not have a sense of humor?
Tonight, you find yourself resting beside Ellie in a closed off room. The day was once again filled with ambiguous look exchanges with Joel. Your body aches from taking out runners. You wonder if you'll be in pain for the entire trip. The room rests at the end of a long hallway with no other entrances or exits. The only doorway to the outside was located at the end of the hallway and was guarded by the one, Joel Miller. You continued to wrestle with sleep as you lay uncomfortably in your sleeping bag. You have now spent hours staring at the plant infested ceiling. Ellie, luckily, rests peacefully at your side. She felt safe enough to put earbuds in to help her sleep. Another thing of hers to be jealous of.
After a few hours, you decide that it will most likely be impossible for you to sleep tonight. You quietly stand and put your pajama shorts over your undies. You open the door into the hallway. It's long corridor was scarier at night. You pull your flashlight from your pocket. Clicking it on, you remind yourself that the only door is at the very front. You would undeniably see if anyone entered the dark hallway with you.
As you reach the end of the hall, you begin to hear quiet moans coming from the other side of the door. Your mind quickly rushes to the thought of a runner making their way inside. But once you hear slight heavy breathing and groans, you immediately recognize that the sounds were coming from Joel. Excitement bursts through your chest as you press your ear against the door. You could not have imagined a better sound escaping his lips. His groans sound so sweet, so supple. You wish you could be the reason they fall from his lips.
You nervously turn back to see that the door at the other end of the lengthy hallway remained close. There was no way anyone would be able to hear at the other end. Not unless they were right where you were standing. With a smile, you hear his breathing louden. You wish you could see him. See his brows pulling together as his mouth hangs open. You wish you could watch him stroking himself. You would bet on your life that his cock was large and girthy. You have been stealing glances of it beneath his tight jeans.
Your mouth starts to water as you hear his moans grow louder. It takes all your strength and will not to burst through the doorway and beg him to let you help. God, would you absolutely beg for that man - without question. You wonder who's on his mind. Who could possibly be the lucky person whom he is wanking off to? Your legs feel weak. You actually contemplate sitting down and playing with yourself alongside his intoxicating moans.
“Oh, Rita,” you hear fall from his mumbling lips. Your entire body lights up with pleasure. He is thinking about you… Your legs buckle beneath you as you struggle to stay standing. “Fuck, fuck, fuck,” you hear escape his lips. He must be close. You swear you can hear the slapping against his skin. All your blood rushes towards your clit. You want him - bad.
Out of no where, Joel stops. You hear a sound of frustration but remain curious. Was he edging himself? Shit. Why is that even hotter? you think to yourself. His moans slowly start again. Your mouth hangs open as you tighten your knees together. The friction feels good but it’s definitely not enough. You wish you could touch him. You wish he would be muttering your name as your hand strokes his dick. You wish his big hands could hold your head down as you take all of him in your mouth.
Almost as though you two were connected, Joel’s moans started to repeat more and more. His breathing heavies as your knees tighten harsher and harsher against themselves. Your clit now pulsating, desperate for stimulation. You cover your mouth, hoping your own gasping breaths were not loud enough to hear in the other room.
His voice strains as he gets closer and closer. He mumbles again, “Yes, Rita.” Shit, why aren’t you already in there? Your entire body is on fire but, oh, so nervous. You hear his skin slapping against each other. His moans growing louder. You hear a bump against the wall. His voice begins to break. God, he’s so fucking close.
“Oh baby just like that,” Joel whines. “Cum for me,” you whisper on repeat. Then silence fills the air. You worry if he might have heard you. You’re sure that him catching you listening in is so much worse than you catching him jacking off. “Damn it,” he yells softly with a grunt. That’s when you realize he isn’t edging on purpose. It seems like he can’t get past that final push. To release all that pent up energy.
You could help him. You know you want to. It’s the right thing to do. He must be in so much pain - all swollen down there, thinking about you. You would be helping him. You are so selfless. With a deep breath for courage, you quickly knock and open the door.
You spot Joel in his jean shirt. His legs are spread wide while he sits, bare, on the couch. His pants wrapped around his ankles as he holds his lengthy cock in one hand. His head rests back onto his other. As he hears the door creak open, he nervously grabs hold of a pillow and covers himself. You have never once seen shock and worry on the man’s face until now.
“Shit,” he yells as he scrambles to cover himself. You play dumb, covering your gaping mouth with your hand. “I’m so sorry Joel,” you whisper. “I-I thought I heard my name so I came out here,” you slyly taunt as you end with a smirk. Joel’s usual annoyed face returns as he realizes you know the truth. “Why didn’t you just come get me?” you ask innocently as you sit on the arm rest of his couch.
Joel watches you in confusion as he recognizes your advances. “I shouldn’t have done this, I’m-” he starts. You swiftly interrupt, “No need for apologies. I’m just confused is all.” You gracefully fall beside him. Your bare thigh touching his. The tips of your fingers dance atop his thigh. His grip onto the pillow covering his unit grows tighter by the second. “I thought you didn’t care about me,” you whisper as you lean closer to his face. You are now still, a few inches from his face.
"We don't have to do this," Joel mutters. His teeth locked as he watches you. He must think he's in danger. No, its quite the opposite. "Do what, Joel?" you ask as you pull away from him. You note a chair across from him. His backpack is sprawled over it. You carefully carry the backpack and place it closer to him. To show him that you are not something to be scared of. You then turn to sit in the chair. Your legs spread open as you bite your lip. Your eyes rake over the vulnerable man in front of you.
Joel watches you. He takes in shaky breaths. It is almost as though he is more nervous, now that he understands your intent. "Don't stop on my accord," you say as you gesture towards him. You slowly cross your leg over the other, batting him off with your eye lashes. You gently laugh as you watch him sit still, uncomfortable. "Oh, I get it," you murmur with a nod. "You need help." You watch your shoulder as you slowly push your spaghetti strap off it. You do the same with the other side. When you look back at him, a smirk is shown across your face.
His eyes are darker than normal. He still holds the pillow firmly against the skin between his legs. "Don't stop, Miller," you whisper as you slowly pull your shirt up. You expose your breasts to the cool air. Your nipples immediately harden. He involuntarily bites his lip as his eyes grow full of wonder. With that, he gradually pulls the cover off and shows his enormous cock. You start salivating. Fuck, you knew it would be big.
Joel's thumb starts to move slowly up and down his shaft. His eyes now fully on you. No pulling away this time. Pleasure fills your chest as you raise your chin and open your mouth. You lick your lips, hell-bent on tasting him. He starts to smile between soft moans. His rubbing becoming quicker as your hands calmly travel up your stomach and to your tits.
His breathing shakes harder as your fingers circle your nipples. Your tongue resting gently against your bottom lip. He loves it. His moans become louder as he watches you. "Oh baby," escapes his lips as he watches your sensual movements. "The name's y/n," you whisper. You smile at the shock spreading across his face. "I want to make sure you're moaning the right girl's name this time."
"Your name's y/n," Joel mutters under his breath. His movements stop as he watches you gradually open your legs. Your shorts clearly expose your inner thighs. It shows enough to give him the slightest sneak peek. "And your name is Joel," you coo. “Does that change anything?” He scoffs. A smile spreads across his face. First time you’ve seen it and shit is it beautiful. “Not a single thing,” he mutters. “Then rub one out for me, daddy,” you whisper as your hand travels down your stomach and atop your shorts.
Joel presses his tongue against his cheek as his smile grows larger. His hand starts to rub against his hardened cock. His fingers wrapped around his girth. You bite your lip. You wish it was your hand, but you are not giving up control. “Yeah, start slow,” you murmur as you adjust in your seat. His eyes track you. His eye line at your lips, waiting for the words to just flow out.
His breathing intensifies as he drops his jaw in excitement. “Ooo, just like that,” you whisper as you try to maintain deep breaths. Your clit begins to pulsate. Begging you to jump atop of him. “What next, y/n?” he asks with a gaping mouth. He fully enunciates your name with a smirk at the end. You laugh as your brows bounce. “Hm,” you think aloud. Your finger tapping against your chin. “Have your other hand play with your balls.”
Joel’s brow raises as he’s slightly taken aback. “Don’t make me say it twice,” you playfully seethe through your teeth. He sighs with a smile as his other hand moves from atop his thigh. He cups his balls slowly. A thumb rubbing between them. You suck in a deep breath as you adjust again in your sit. You can’t get comfortable. Your body screams that the only seat you want is on his lap.
His lower jaw keeps moving as deep breaths fall from his lips. “Shit,” he breathes. His eyes close ever so slightly. “Mmm’such a good boy,” you whisper. “Let me hear you.” He gasps as the muscles in his legs begin to tighten. He lets out a low moan. One so deep your entire body shakes. You let out a hesitant breath as your hand covers your mouth. You are trying so hard to keep in control, to be the dominant one - but shit did you want him to wreck your pussy so badly.
“I know you can moan louder than that,” you murmur with a grin. Joel softly laughs and quickens his movements. His breath is fast. His eyes closed. He sits up straighter. His hand slaps against his skin. You spot precum falling from his tip. “Shit,” you mumble under your breath. His head starts to fall back. It rests against the wall. He moves faster and faster. You squeeze your thighs together, holding your breath.
“Fuck, baby,” he whines. You could just about faint. “God, you’re going to make me cum, y/n.” You dig your nails into your thighs. You want nothing more than to see this gorgeous man cum all over himself. “Cum for me, Joel,” you whisper in excitement. Your entire body feels on fire. Goosebumps travel throughout your skin. “I want your big cock deep inside me, Joel. Please cum for me,” you gripe in an innocent voice.
“Oh, fuck,” Joel moans as his brows pull together. He squeezes his eyes shut tighter than before. You hear his voice raise in pitch. Higher and higher as his body moves faster and faster. You note him thrusting into his own hand. He looks so strong. He would feel so good thrusting inside of you. Finally, his breathing fastens and he starts to moan louder than before.
“I’m cumming. I’m cumming, y/n,” he whisper yells as his body tenses up. You immediately rush in front of him. You sit on your knees as you watch the show, up close and personal. Beads of cum stream down his elongated cock as he strokes firmly. You place much effort in keeping your hands to your sides. You watch as his breaths begin to slow.
“Fuck, Joel,” you say breathless. His eyes start to open. He lets out a gentle laugh through his smiling face. You crawl between his legs. His smile quickly falling as he curiously watches you. There you sit, his softened unit before you. “Your turn to help me, Miller,” you say as you bite your lips. His smile re-emerges as his hand pushes your shoulder back towards the ground. His body slides over you until his face hovers above yours. “Yes, ma’am,” Joel whispers as he plants a kiss on your lips so hard, yet so soft, that you completely fall head over heels for the man.
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note: whatcha think? joel screams sub and fuck do i love it. also episode 3?? can someone just cry with me about that real quick? shall there be a part two? 🤫
*edit: there shall be & here it is
taglist: @fan-fiction-floozy, @dirtydianaahah
reblogs are much appreciated! feel free to comment or message if you’d like to join a tag list! 🌿✨🌿
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• nav • no-no plagiarism • one shot • requests open •
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Fun and secret tip for when your friend is having a bad day and they're generally someone who does creative things:
Go find something they've made and write them a few words of praise on it.
Reblog their entire art tag with all the enthusiasm you have in you (even if it is very little, or you don't have the mental energy to leave positive tags, reblog their art. All they're proud of, in a row).
Write them essays on their AO3 fic no matter how long ago they posted it, or tell them how awesome their fic is and embed a gif in the comments with this <img src="IMAGEURLGOESHERE" />
Listen to their music and tell them your favourite parts, the emotions they invoke. Pull out the markers and draw them a visual representation of their music.
Watch their AMVs and tell them how well they matched the visuals up with the lyrics, how often you've rewatched it, and if you've discovered new music through them
Tell them how often you think about the piece(s), or which parts you find impressive, and analyse the symbolism they used. Talk about what the colours remind you of, how you imagine the textures feel. Tell them you want to eat it <- highest compliment I've got. Ask about parts of their process you're interested in. What do they start with? Do they plan it in advance or let it form as they go? What's their favourite medium, instrument, character, or moment?
Recommend their works to your friends and followers in a post. Write a public review linking to their work. Encourage others to send positive messages as well. Creative types put a lot of themselves into their work, and recognizing that even in small ways can be a powerful way of uplifting them.
Here's a cheatsheet, feel free to add
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iamyoubutcuter · 1 year
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patience // Kylian Mbappe
warning: english is not my first language :)
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Kylian often argues with everyone because he thinks he is right. He always does what he wants to do. Kylian once said that if he hadn’t listened to himself, he wouldn’t have become who he is.
Previously, Mbappe never listened to you and considered you more of an accessory, but after a while he became softer towards you. He began to appreciate and trust you more, and talking about his feelings. You understand that if you become a star at an early age, it presses from all sides and it’s hard for a person not to consider himself the best and the smartest. But he still think that someday you couldn’t stand it and go where it was easier. When he sees you next to another man his blood immediately boils. For example, at the beginning of a relationship, you had a fight with him because he was jealous of your old friend whom you accidentally met in a restaurant.
Kylian looked like he didn't care about you during the whole evening, but you decided to make it a joke.
"Ky, are you jealous?" — you smiled and narrowed your eyes.
"No way," — he grinned. It broke you, you didn’t talk to him after these words.
He apparently had already cooled down by that time and thought about what he said to you because he apologized on the way home, but you still have a residue.
Kylian has a very difficult character that not everyone can handle, so you tried to approach him. After some time, Kylian began to treat you more carefully.
——
Kyky’s birthday is coming soon. And at the general training session of the team, you sat on the bench waiting for him. You see Achraf coming up to you. 
"Is everything alright?"  — you were supposed to prepare a surprise party with Hakimi.
"Of course, just don’t tell him even at gunpoint," – you said, smiling at the guy. He extends his hand to you to shake yours.
"If I get killed, it's your fault" — you both laugh. You glanced at the field and saw Kylian. He looks at you, frowning.
"Okay, we'll talk later," — you said and picked up the phone because you received a notification.
"Good, in touch," — he shows the call with his hand.
Kylian came up to you, you didn’t even have time to say hello to him, as he kissed your lips. Immediately asks to let the tongue in.
In the morning, you lay next to Kylian while he slept. You left your phone on the bedside table so you can wash up. But before that, you went up to Kylian and kissed him on the cheek. You hear the voice of your boyfriend, who was very angry as if he was arguing with someone, when you were brushing your teeth.
You see your phone in his hand. Kylian stands in the middle of the room heavily breathing.
"I woke up from notifications on your phone. Why is he texting you in the morning?" — you don't want to spoil the surprise, so you decided to keep quiet. You took your phone from him. "Don't ignore me, I'm not up to it," — you move to your table with a mirror. You just don't know how to explain it all to him at all and not tell him about the surprise party.
"He has a wife and two kids, what are you thinking about?" — you look at him in the reflection of the mirror.
"Everything is possible nowadays," — he chuckled and folded his arms across his chest. You turned to him and gasped. Of course, you were angry at him for thinking like that. You're trying not to say too much. On the one hand, you understand that he wants to be the best and the first in everything, but on the other hand, he needs to control his thoughts and emotions. You just went to your closet, took out a medium-sized bag, and silently put a couple of basic things into it. Kylian takes your wrist, stopping you. 
"What are you doing?" — you hold back your tears as you look into his eyes. For a moment, you see regret in them. "Are you going to your other boyfriend?" — but apparently you did. You pull your hand out of his and gently push him away from you. You fold your clothes again, occasionally wiping tears from your eyes. Kylian left the room loudly slamming the door.
Of course, you know that he only said all this because he is hot-tempered person and it is difficult for him to control his emotions. And in the end, he will come back to you with apologies. But these words were too rude and you were not going to endure all this just by closing your eyes. At that moment you realized you were tired of such an attitude towards yourself.
You changed clothes, got ready and already were putting on your shoes, when you see Kylian, who didn’t even look at you and walked back into your room. You sighed and walked out the door.
——
It's been a week since your fight with Kylian. You returned home to your parents, lying to them that Kylian diligently preparing for the upcoming matches and it was hard for you to be at home alone. You feel empty inside and wait for a call or a message from him. For the first time you didn't talk to him for so long, usually he cooled down after two hours, a day at most, but this time everything is completely different. But you still text Achraf about Kylian's birthday. You didn't want to ruin your loved one's day and you also didn't want anyone to know about your fights.
All these days, Kylian fought the urge to call you, but he was still mad at you. He knows that this is some kind of absurdity. What's wrong with you being friends with his friend who has his own family. But he remembers how you talk sweetly to him, then he sees how he writes messages to you and can no longer find an explanation. When he woke up today and didn’t find you around again, he was afraid that you would never be there again. Kylian feels guilty about what he said to you, but this time it's hard for him to apologize. 
Today he has a training on the street and he has been ignoring his friend all this week too, and in general he didn’t communicate with anyone much, only for some reason. Now they are running around the stadium and Kylian feels a hand on his shoulder. He turns his head to the side and sees Hakimi, who smiles faintly and starts running next to Kylian.
"You haven't been very talkative lately, are you okay?" — Achraf said. Kylian grins, looking straight ahead.
"I'm fine," — he looked at Hakimi and continued.  "Just tired of seeing you and Y/N talking and texting nicely all the time when you're both in a relationship," — he fake smiled for a second.
Achraf stops Kylian, turning him by the shoulder.
"Do you know why we were so close all this time?" — Hakimi said, frowning. 
"No, to be honest, I’m not even interested. I haven't seen her for a week," — Kylian grinned and was about to run on.
"We only talked about your birthday. She wanted to surprise you and asked me to help," — Kylian frowned. "And yesterday we also talked, despite that you and her are in a quarrel apparently because of this. It was stupid to think about it like that. I still don't understand how she is still with you," — Achraf patted Kylian on the shoulder.
"Sorry, I really was stupid. I need to apologize to her too, it wasn’t right. I miss her so bad," — Kylian covered his eyes with his hands.
——
In the evening you were at your parents's house in your room and heard the doorbell ring. You thought it was probably the pizza delivery man, but he came early. When you leave the room, you see your mother at the door. 
"Mum, this is to me," — and then Kylian, who was standing at the threshold. Your pulse began to quicken.
"Okay, I’m going," — you nodded to her and went out to Kylian and closed the door behind you. You stand in front of him with your arms crossed over your chest. 
"I’m so sorry, babe. I know what I did was stupid. I miss you so much, I feel like a piece of me has been taken away," — Kylian looked into your eyes and then down. He is madly worried, because he didn’t know for sure whether you would forgive him this time. "I don't want to share you with anyone, but I can't keep you in a cage either," — he takes your hands in his.
"Kylian, when you play football is an investment in your future, and when you try to talk to me, solve our problems and spend time with me it is an investment in our future," — you took his face in your hands, lifting his head to look into his eyes. Silence hung between you, and you pull him closer to gave him a kiss.
"I don't wanna lose you, please don't go. You're changing me for the better," — he leaned over a little and held you close, hugging you tightly.
"I won't surprise you again," — you both laughed and he kissed your lips again.
note: requests are open!
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ordinaryschmuck · 13 days
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*Sighs*...Okay, yeah, Wish really IS bad
And I didn't want to go in thinking that. I went in with the most optimistic view possible. Because with EVERYONE treating this movie as the worst thing possible, a POX upon the house of mouse itself, I went in thinking that there's no WAY it's THAT bad. So when I finally watched, I decided...I was right. It's NOT that bad. But...Well...Let's get into it.
This is the part where I'd say "Positives First," to show off what worked before picking apart what didn't. Except that, aside from a few little moments and easter eggs that made me go, "Aw, that's cute," I'm coming up EMPTY. Every single thing--And I do mean EVERY SINGLE THING in this movie, from the animation, songs, characters, story, themes, ideas, and even EXECUTIONS...is ALMOST good. Every single aspect of this film ALMOST worked. The pieces are there and I can see just how this film could have been the masterpiece that was a CENTURY in the making. The problem is that there's ONE THING holding it back: Not enough time. And I don't just mean that the movie should have been longer. No, I mean that this movie needed another YEAR of production to tighten up EVERYTHING. Why's that? Well, let's go in order of the things I mentioned.
The animation is clearly trying to go for this mixed-medium style that movies like Puss in Boots: The Last Wish or Spider-Verse popularized. Those movies mixed hand-drawn animation with 3D models, making storybook illustrations or comic book art feel ALIVE. That's sort of Wish is going for. I hear people say that Disney's 100 year celebration should have been completely hand drawn to call back to their early years, but I tend to disagree. I think Disney making a movie that's mixed-medium is a better way to honor its one hundred years, taking the animation that made Disney huge and mixing it with modern CGI as a way to make it feel like a celebration of the old AND new. EXCEPT that it doesn't really look good, aside from certain screenshots. There are SOME still images where if you paused the movie at the right time you can get something that looks like a 2D image with CG touch-ups. For the rest of the movie, it looks like a modern CGI Disney film with a storybook filter slapped on it. It doesn't look TOO BAD when your eyes get used to it, but it doesn't stop the movie from feeling like it ALMOST hit the right mark. The only times it REALLY works is with Star.
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Wha--No. No, not that one. That's the wrong Disney character named Star.
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There he is. There's my little guy.
But look at him. He's a 3D character with hand-drawn touch-ups that really makes him feel like a 2D character brought to life. If the whole movie looked like HIM, then it would have been a revolutionary achievement for Disney. But it doesn't. Instead, it feels like a missed opportunity that would have worked better if they had more time to animate this film instead of leaving their animators scattered to the winds to make half-assed sequels or forcing out one to two projects every year.
There should have also been more attention given to the songs because...Oh my gosh, they're bad. They SOUND nice, I love the instrumentals and the POWER these people put into the vocals. "This Wish" and its reprise successfully gives me chills through how well they're sang and how epic the instruments make them. But the LYRICS...are messy. When you sit down and actually LISTEN to what's sung, it all just...BLEH. That's the best way I can describe it, I'm sorry! It's BLEH!
Why would a king in a fairytale kingdom in the distant past sing, "You're sure you're not the prob?"
"Throwing caution into every warning sign" doesn't come across as a person freeing herself from her insane king's vague warnings but ADHERING to them.
The way that Asha and King Magnifico sing about protecting wishes makes it sound like they're singing to EACH OTHER.
And "You're A Star." OH BOY! The song that's meant to explain how these animals can magically talk is just filled with allegories and allusions that think they explain EVERYTHING only to explain NOTHING. It's just vague nonsense that, again, SOUNDS nice, but offers no real substance. On its own, I guess I can get into it, but to tell a story, it falls apart. Because that's the difference when it comes to writing a regular song and writing a musical: You're not just making a good song, you're telling a story through MUSIC. Wish's soundtrack is one that's filled with catchy songs, but not ones that properly move the story forward. Not to mention how they're so jarringly out of character in cases like "This is the Thanks I Get." When Disney released the soundtrack, that was my favorite song because I felt like it perfectly fit this smug, egotistical prick who thought he was the best person alive. Turns out that's not what Wish was going for...Not entirely.
Magnifico feels like he's meant to be a mix between Gaston and Maleficent. A character that has a huge ego and loves himself more than anything, but has an incredible amount of power to make himself a threat. If done right, a villain like that could stand up to be with some of Disney's best. And, yeah, like everything else in this movie, he ALMOST works. When he's finally a villain, he's campy and over the top, making him entertaining...But notice how I said "When he's finally a villain." That's because Magnifico doesn't really become what he's meant to be until halfway through the movie. He starts off as a King with good intentions but paranoid ideals that doesn't make him evil, it makes him feel like a guy who needed evidence to prove that other magic isn't a threat. By the time he finally acts more like a Disney villain, it was such a jarring left turn that his sudden switch-up made me feel like it was somehow a nightmare sequence from Asha. He's NOTHING like the guy he starts out as, and it's not a natural change that flows well throughout the film. That's mainly because the story has a pacing problem worse than any movie I've seen. If King Magnifico's path to the dark side was slow and gradual, showing signs of his worst qualities first and make them more apparent as the film goes on, he would have worked INCREDIBLY. Instead, it comes across as his villainy was activated like someone flipped a switch in his brain that says, "Be evil now." It's the absolute REVERSE of a bad redemption story, mixed with a lazy explanation that it was dark magic that made him more corrupt when he should have been evil since minute one. And you want to know the worst part? He's probably the best character in this.
Asha...isn't bad. She's your standard quirky nice girl protagonist that Disney just LOVES to use, especially lately. It's just that Asha doesn't have that "Gets stuff done" attitude like Moana or Mulan, nor does she have the infectious charm like Maribel or Anna. Asha, instead, is a lot like her breakout song: Nice and enjoyably, but doesn't stand out from the biggest hits. As for her animal sidekick Valentino...He's not annoying, but he's not funny either. Honestly, his comedy peaked when it was revealed that this cute baby goat sounded like Clayface from that Harley Quinn cartoon. A joke, by the way, that got spoiled by the trailers, so it's not really AS funny in the movie. Honestly, Asha's SEVEN FRIENDS are funnier at times. Speaking of, those characters are very clearly meant to be the Seven Dwarfs. And it is VERY distracting because not only does it feel like only two or three of them are necessary to the plot, but they're the ONLY major reference that the movie shines a light on when it comes to Disney's history.
Would I have wanted this entire movie to be nothing but references of past Disney movies? Of course not. That's not how movies work. But Wish seems to have this problem where it doesn't really COMMIT to honoring Disney's legacy. The most it does is give the Seven Dwarfs human OCs, make them supporting characters, and throws in tiny little easter eggs here and there. Again, some of them are cute, but it's not enough. The same goes for when Wish tries to honor some of the tropes and cliches that Disney popularized. It's an animated musical with talking animals, a campy villain, an objectively pretty protagonist, and goofy sidekicks. But it takes more than ADDING that stuff to your movie in order to honor them. You need to look at what made those tropes and cliches work in the first place and make something that calls back to those classic films while still having something new to say. And Wish almost--ALMOST--has something new to say.
With everything surrounding King Magnifico and how he got more power with people's wishes, I almost thought Wish was going to be a film that called out modern Disney. At least, modern CORPORATE Disney, a company that takes ideas and thoughts created by dozens of talented people, twists them into something unrecognizable, and refuses to give those ideas back when choosing to do NOTHING with this great idea leaves them free of competition. And to stop something evil like that, you must make something of your own and work hard to make your idea yours instead of letting someone more powerful take it from you. I thought that would have been a GREAT message...But of course DISNEY wouldn't want a movie calling them OUT for their one hundred year victory lap. So, instead, we have a message that tries to get the same idea across, but in a simplified way where the wishes are taken LITERALLY and that the only way to get what you want is to wish hard enough for it. That is...NOT the message I want kids to learn from this as it often leads to bad expectations. If this movie tried an ironically anti-Disney message in ANY OTHER year, it would have a better chance of getting away with it. But for a hundred year celebration, there was no chance in hell.
Wish is NOT Disney's worst movie, but it's nowhere near the best. I love SO MANY of the ideas and what it TRIES to do, but there's a difference between good ideas and good executions. It was ALMOST good, but Wish was not the movie anybody was really wishing for...
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jccatstudios · 5 months
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I have been following your soc comic adaptation and it just so good!!! I love how you draw them!
I have just one question: Why did you not include Inej's opening musings about Kaz on the first page? (Kaz Brekker didn't need a reason etc) I actually really like how there is not text on the first two pages, it's really atmospheric and moody so this really is not a criticism, I don't want to insult you. I guess I was just wondering what the thought process behind that was?
Oh, I've been wanting to talk about this for a while! Buckle up, this is gonna be one of my long comic rants. (Also, no offense taken at all! Anyone's welcome to question my artistic choices and I'm always happy to take critique, even though that isn't your intention.)
So, the thing is I actually planned on including that first paragraph into the comic! Here's when I first shared the thumbnails on here. Just for the sake of this post, I'll insert them here too.
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The boxes are meant to be where excerpts of that introduction would go. When I was creating the thumbnails, I was thinking about how iconic these lines were and how well they introduce the world and characters. I even finished the pages with the intention to include those lines. This is from my original csp file.
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When I lettered it all out, I felt like something wasn't right...? Hard to explain. I wanted silence for the opening and the narration took that away. I then thought about the reader who'd go into this without reading the novel first, wondering if they'd be thinking, Who's this Kaz Brekker guy? Is it this character on the page? It's clearer in the book, but I didn't think it paired well with what I drew. I didn't want any confusion. It's also Inej's chapter, and while Kaz's parts take up most of it, I still wanted it to feel like her POV and her story. We can hold off officially meeting Kaz until page four.
But the main reason I took it out comes down to my philosophy when it comes to comic adaptations. I believe that an adaptation should use the original story in the best way for the secondary medium. A comic adaptation should play to the strength of comics, not the original source material.
Time and time again, I see a lot of comic adaptations of books try to use a book's strength instead of a comic's. When that happens, you get pages upon pages of narration boxes and exposition that could've easily been told in a single panel's image. If you want to read excerpts from the original novel, go do that! They're beautiful and well-crafted and you should be reading the original anyway! If you're making a comic adaptation, make a comic, not an illustrated version of the novel (that's a whole field of its own).
This whole thing really ties well into what I'm doing for Chapter 3. Kaz is such an internal character, his chapters have a lot more exposition that isn't setting description or character actions. I've had to do a lot more of my own writing for this chapter than the last just to turn that exposition into his own voice as an internal monologue. Sometimes, it's just a change from "he" to "I," but there are other times I've had to write new dialogue and find ways to naturally flow between thoughts. If I didn't do the work to adapt the expository text and instead just put in narration boxes of text from the book, there would be a greater disconnect between the reader and Kaz. Third-person limited works great in books and doesn't separate the readers from the story, but in comics, first-person internal dialogue keeps the readers inside the scene better.
If I were to redo Chapter 2, I think I would try to find a way to incorporate the information from the chapter intro better. I think by losing the intro I initially planned to include, I didn't establish certain ideas very well. Ketterdam and Kerch are established later on pages 4 and 5, but I don't think I ever go back and mention The Barrel. Also, the idea that Kaz is deliberate, even if his reputation says otherwise, is important too. I've made sure to fix this kind of issue in Chapter 3 and keep record of what kind of information I'm losing as I adapt it.
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shadale-s-safe-space · 6 months
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I don't know much about you as a person, but from what I can gather you've had a long journey with art, but still have the motivation to continue even when its rough. I'm sure you didn't start out making masterpieces, so if its not too much trouble, do you have any advice for a 16 year old artist losing motivation? i feel like im stagnating right now and its awful
Idk man, all I can say is, draw watchu want without the care who's gonna see it or what they gonna say , commit to new ideas and care less about pleasing everyone, because I know that way too well, I started learning by drawing animals, flowers and nature, "you should draw something else", switches to furries " No you must do human portraits", draws humans *no one fuckin cares*, and I felt miserable drawing what I didn't want all the damn time just trying to please everyone and be liked, hell, I still do that sometimes cuz I'm a dumbass. When in reality, when you do your own thing is when you're the happiest, this internet bullshit? Yeah don't trust the likes and favs, people like what they find relatable, no one really knows how much time you've spent on your drawing or how much you love it, when a 5 min doodle you did could do more than a painting that took 2 whole days to complete just to be scrapped in a new speedy record, paint what you love for yourself and you only.
Don't be shy to learn new things, I have tons of stuff I don't post here cuz I know people wouldn't care about it, but here for this post, have this that I practiced when I felt too depressed to think of anything good and wanted to step back from the MD artstyle
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You'll see, you'll thrive when you draw what you want, and get yourself a drawing buddy! That way you'll stop focusing on the internet and more on each other, and each other's improvement. Tbh I struggled with that one. Since everyone I had were not into art irl, I somehow managed to find someone after 10 years of drawing alone. I honestly wanted more people to join in and make an improvement circle, but unfortunately that never happened.
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I found myself twice as productive now than ever, even though I'm not active here as much I am still drawing and making things, ofc giving you more comics! And other fun things in the future I hope.
If you're struggling to draw something just do it, man commit, i was uncomfortable drawing men and male characters for years, I've wasted so many years being "too uncomfortable" and draw a naked person like yeesh who fucking cares, it's for studying.
And ofc if you feel like you're not improving at all please, please experiment with your artstyle and try something new, please refresh your mind, I was stuck for years doing the same thing over and over, same colors, same 2px brush, drawing like a machine same shit over and over, I felt so stuck and lost, but also afraid to do something new, idk why, I guess I never felt good enough or deserving of it. I also didn't go to art school, I am NOT a professional, nor will i ever be in my opinion. Hell, me feeling like I'll never be good enough left me afraid to try and apply for art school, they were asking for sculptures, different mediums all that scary stuff and I was like, I don't.. know.. how to do those things... I can't build a portfolio in less than 3 months?!?! I don't even know how to use half of what they're asking for!!
In reality at the end of the day, art is what you make of it and no one can stop you, search for inspirations and don't be afraid to try, yes you'll fail fist 2 or 10 or hell even 100 times, but you'll come back with more knowledge than ever.
For ending I give you the most confusing drawing to ever exist [dw he's just sleeping on top of her and she's just ghasping for air but awe romance or sum lol] is it weird? Yeah but I had a fun time making it hahaha
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Idk I'm bad at putting my thoughts together, but hopefully some of this helps.
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done-with-the-shit · 11 months
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A challenge for dandelion wine
Game: Genshin Impact
Characters: Venti, Kaeya, Diluc
Note: GN!Reader
You were working in the tavern since Diluc has some business to do and couldn't leave the tavern with no bartender. Venti enters the tavern, silly and joyful as always. "Oh, I didn't think you'd be the bartender, Y/N! How have you been?" "Fine as always." you replied, "How are you? Anything you'd like to drink?" you questioned the bard. "Well, I am a bard and I may sing and play music all the time, but I was a little bored. So I came here to maybe tease Diluc while having some of my favorite wine!"
"Bored you say?" You smirked while cleaning the wine cup. "Why not a little challenge then?" You sit next to Venti with three bottles of wine.
"What's this, windblume?" "Each of these bottles of wine will give you a different reward. For this small ordinary bottle of wine, each sip you take, I will kiss you. For the medium sized bottle of wine, each sip you take, I'll kiss your neck. And for your very favorite Dandelion wine.." you got closer in his face, almost closing the distance between one another. "Each sip you take I'll grind on you~" Venti's face was pretty red after hearing that "Shall we begin?" you gave him the first bottle.
Venti takes five sips for the start. You pull his face by the chin and shut his lips with yours. He whined in your mouth when you suddenly slip your tongue in his mouth. You pull away as he tried to chase for your lips again, but you put your finger on his lips. "Ahahah! More sips, more kisses." "Well, this is pretty small. So it shouldn't be a problem to drink the whole bottle. I might aswell do that." he did as he said, gulping the wine and letting a small trail of wine go down his chin.
When he put the wine bottle down, you cuped his face and kissed him immediately. The kiss was more passionate as he kissed back with hunger, wanting more then just sweet kisses. You tasted the wine when he wrapped his tongue around yours. As the kiss got more heated, Venti grabbed your thighs and lift you up, placing you on his lap. You both broke the kiss after a few minutes. A trail of saliva come out as you both were breathing heavily while looking at each other deep in the eyes. Round two, Venti grabbed the second wine bottle and took ten sips. You lowered your head down his neck and started kissing it like you said.
Small groans came from his mouth as he grabbed the bottle again and continued drinking. You lost count since you couldn't pay attention, due to kissing his neck, but you continued anyway. "Ngh... Windblume." he groaned. Getting greedy for more, he finished the bottle and let you claim him. His arms wrapped around your waist and pulled you tighter, trying his best to endure the kissing without making much noise. You moved away from his neck noticing the red mark you made. "Don't worry. The collar of my shirt should be able to cover it." he said.
Round three, Final round. Venti took seven big gulps from the dandelion wine. It wasn't to long for his moans to get louder as you started grinding on him. "Y-You're lucky that Diluc isn't here." he stammered, trying his absolute best to not let his moans take over. "Even if he was, you're not that loud, and we're on the second floor. There's nothing to worry about!" you stopped and looked at him in the eyes. He smiled before drinking again. Taking a risk he took twenty gulps from the wine bottle. "Mm~aah~Windblume.." he moaned. You continued no matter what he said as he dig his nails onto your shirt.
You stopped and asked, "You'll be able to continue, right?" He chuckled, "I'll be able to continue on for a while. All of these wine bottles are not even close to my limit. Want me to risk it?" You smirked, "If your ready, go on ahead." He kisses you before downing the whole bottle.
"Aah~ngh...Oh god." You were slowly grinding on him, yet it effected him quite alot. He looked at your lips and couldn't help it. His tongue slipped in your mouth again as he sighs and holds your face. "Windblume." he said between the kisses. You untied his cap and started kissing his collar bone. He held the back of your head while biting his lip to avoid making loud noises. Venti threw his head back and whined loudly. "Windblume, I think I'm...-"
The tavern door opened realizing Kaeya. He closed the door so no one else outside the tavern will see. "My, my. What a scene to witness. Are you claiming your bard instead of working? You don't want to get in trouble, do you?" "Kaeya...I'm sorry you had to see this." Venti weakly looked at him. "It's no problem, Venti. Well, maybe not what you're doing, but maybe as if what I had happen to see. Diluc isn't here, so I might as well grab a bottle." As he went to grab a bottle, you both face each other. "Um... Maybe later?" You give him a long kiss. "Later."
>>MORE OF MY WORKS<<
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petricorah · 2 months
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i wanna start making comics but like. i dont really know how??? are there any tips that you could give me perhaps?
hi!
i've been working on trying to compile a list of resources for people (@aangsfrogs--i didn't forget!) who want to make comics for a long time. It would consist of some of my personal tips and a lot of links to other people's PDFs and youtubes. But that's...a hefty project, so if you had any specific questions for the meantime, my askbox is open!
But, for just beginning, here would be my tips:
Read comics. Read manga and webcomics and cartoons and medical comics. There is so much out there, and reading is such a big way to learn. If you see something you like, take a moment to think about why you like it. Are the expressions or colors appealing? Did it make you feel a certain emotion? Analyze what the artist may have done to get across what they did. (Is it the camera angle? the style they chose to draw in? the paneling? the pacing? the color? etc.) Doing this over time will help you recognize the tools available for telling stories through this medium, and you'll be able to put them in your own work.
Try to think about what you want to make comics about. What moves you? What topics interest you? What ideas or tropes do you love in media or think about often? What do you hate and wish was done better? What characters are you drawn to, or what characters do you want to create? (What about them compels you?) I find it's hard to create an idea out of thin air, but if you start writing down random ideas you have, you'll start thinking about them, and over time, you'll have a bank of things to pull from when you want to create.
Lastly, anatomical skill or knowledge of color does not a comic make! You don't have to know much to begin, and there aren't rules. Just start drawing what is meaningful to you!
This is just cursory and doesn't get into super specifics like paneling or scripts or plotting or colors or thumbnailing or....etc, but I'll try to expand my list of resources and get that out! And, hmu if you have any specific questions on topics!
happy drawing~
Book list under readmore:
Scott McCloud's Understanding Comics and his Making Comics. These books are taught in like, every comic class ever. While not my complete favorite, they do a good job of showing some history and fundamentals, and how easy it is to make comics even if you don't have a lot of drawing experience.
99 Ways to Tell a Story: Exercises in Style by Matt Madden: Really good if you don't know how to start analyzing comics. (Also it's just a fun visual exercise.) It shows the same short story done in 99 different styles with different emphasis on different moods and points of view.
The PreHistory of The Far Side: A 10th Anniversary Exhibit by Gary Larson and The Calvin and Hobbes: Tenth Anniversary Book by Bill Watterson: Two great books with work from my two favorite cartoonists. They both have writings from the author about getting ideas, developing stories, and being a comic artist.
Uncanny Bodies: Superhero Comics and Disability, edited by Scott T. Smith and José Alaniz and Black Comics: Politics of Race and Representation, edited by Sheena C. Howard and Ronald L. Jackson II: These two aren't really about making comics, but they are great collections of analysis about old and new comics alike.
By no means a complete list, but some good ones that I can think of off the top of my head.
There's also the book Webtoon School: Everything you need to know about webtoon creation and story writing. To be honest, I didn't read this completely through because it was a bit more fundamental than I was expecting, but it gives a good cursory look of how to write comics if you're just starting out! It covers some history, how to write stories and arcs, etc.
Also, look to your favorite writers! A lot of webtoon/webcomic artists do tutorials or youtube videos. for instance, velnxi has this great tutorial up I really suggest looking at here.
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