#& the whole... setting an example thing (where even then she feels she failed) - certainly not as bad as him. but...

[datastate]

shin would apologize for his bed being a mess even if it’s overall fine, meanwhile keiji’s out here like “hey, let’s uh. keep this in the hallway alright? maybe find a nice, grassy spot to talk this out...” and then when he moves out of the doorway to close his apartment door you’re briefly face-to-face with the fact that he. needs severe help.

#he doesn't hoard things but what he does have just... isn't organized #he isn't the sort who deals with nasty food or what have you scattered around the place; it's more of a... why do you have a lightbulb on #the floor sir. -> ''oh. that. huh. must've been a ghost.'' (voice of someone who was having terrible hallucinations) #(in the midst of trying to replace a dull bulb and just gave up even though he knows he might get glass in his foot) #and then of course just. a corner for his pile of bedsheets & towels... papers strewn about his main living area. his dishwasher is always #full of shit and he never has the energy to put the clean dishes anywhere but the spare counterspace #which means he has to prepare his food on the main coffee table #and so you see like. spice and flour or emptied cans there #it's just... idk. i think a lot abt the characters' living spaces and his makes me especially sad #esp knowing his mother's probably in a. similar position w the lack of motivation to do upkeep w/o (young) keiji's health at stake #& the whole... setting an example thing (where even then she feels she failed) - certainly not as bad as him. but... #they're definitely predisposed to. depression lol. it's simply the poor man's life #jestersvaguely #yttdposting #god. what am i doing talking abt keiji fucking shinogi. rubs my face. i don't care much for this guy & i just meant to get up to draw #+ get pain medicine & then go back to bed...

[trcstme]

@forthewinn

Professionally, Sarah's life has never been better. The team has been on a string of successful missions. They've earned Beckman's favor more so than ever before. And Chuck actually seems to be adjusting to the whole spy thing. She feels like she doesn't have to watch him as much as she used to. He can hold his own, at least for long enough that she can do her job without having to worry about him at every turn.

But, in every other aspect of her life, Sarah's failing miserably. She reached out to the director of the FBI to try and set up a meeting. Because, really, there's no world where she wouldn't at least try to get Winn out of all of this. But they hadn't even answered. It was like they laughed in her face. She hadn't made it through the door. And, so, Winn had started training. And she hates absolutely everything about it.

But, well, she is fond of some aspects of this adjustment to Burbank life. If Winn was sticking around he was going to need a cover story. And, well, she'll admit she's amused with what Beckman had come up with. He's posing as Casey's nephew, and they got him a job at the Buy More. But not just any job. No, he's one of the loyal nerd herders now. It's actually the perfect cover given the nature of his skill set.

And she laughed out loud the first time she saw him behind that desk, donning the uniform that has become a familiar enough sight these days. He had looked absolutely miserable. And, in the most smug parts of her brain, she'd thought it was a little well deserved.

And, well, maybe she's deciding to twist the knife a little deeper. Because she certainly hasn't been helping. Honestly, she's aired on the side of the silent treatment. He wanted space and he wanted to be left alone. So she left him alone. She kept their communication to a minimum. But there are other ways to get to him. And she's been using them to her full advantage.

Like now, for example. As she walks into the Buy More, fresh off a shift at Wienerlicious, and is looking for Chuck. She's quick to find him. And lucky enough for her, he just so happens to be at the Nerd Herd desk, showing Winn the ropes. And, you know, it's all innocent. It's all well intentioned. She's just doing her job, furthering their cover.

And that's all that it is as she puts on her most dazzling smile and walks over to the desk. She leans across the counter, pushing up on her toes and giving Chuck a fairly prolonged kiss. One that walks the line between chaste and not necessarily appropriate for one's work place.

"Hi sweetheart.”

#forthewinn #there's just one who could make me stay all my days (verse 03; feat forthewinn)

[kaibutsushidousha]

https://media.discordapp.net/attachments/147063257436258305/1097535739035652136/rapidsave.com_the_grand_finale_of_all_my_maizono_antics-3y0resv18eua1.mp4

Thoughts on Sayaka Maizono?

Yes, Maizono has been one of my favorite characters for a whole decade now and almost certainly the one I spent the most time arguing with strangers online over and explaining to people who failed to understand her story. She's always been very dear to me and has been on my mind a lot this week specifically due to Tobyn's new video, Miss Crane coming to NA, and most of all due to the success of Oshi no Ko's anime.

I could talk about her in isolation but with the apropos timing of this ask, I'm far more inclined to talk about her in relation to Ai Hoshino. No one can deny the two are extremely similar. It's plain to see that they share a lot in appearance, profession, and on-stage personality, but the similarities go a bit deeper with their cunning approach to idol work and the driving loneliness that put them in the idol career in the first place. The two beautifully mix dream and disillusion, facing the ugliness of their roads with no sugarcoating and still holding the conviction that what lies ahead of it is worth it. Really, the only thing setting them apart is the teenage pregnancy and Maizono being smart while Ai is kinda dumb.

But beyond their personality and background, the two blue idols shine the most as golden examples of how to write a rich and complete character with minimal screentime. On this aspect, Ai is even more impressive because Maizono's writing resorts to portraying her as an extreme workaholic, so we feel we know all of her because we're shown the basket where she puts all of her eggs, while Ai goes beyond playing her part without such narrative tricks, she's straight up rejects the trick by showing Ai ambitiously distributing her time as both an idol and a mother.

Anyways, back on the Danganronpa track. As the first victim, Maizono has the immensely important role of setting the tone for the rest of the series. She gets this honest and natural charm when not backed against the wall, this tight backstory tied directly to her motive, this barely hidden cunningness playing into her comedy as much as it's played into her murder attempt, this complete agency even as a murder victim, and the sympathy the narrative offers even after the worst is exposed. Danganronpa takes every measure it can take to respect Maizono as a person and as a character, and it is because of that respect that the player could trust Danganronpa to be a narrative that doesn't treat its cast as a disposable row of suspects that don't need to be fleshed out. She is what makes you first realize that Danganronpa will be something special.

And from a final mystery perspective, that's the first key to suspect that there's something more about Junko's punishment that the player has yet to see.

Back to the Oshi no Ko side of things, you can see Ai play a similar role in building reader trust. Sure, her circumstances are different because Oshi no Ko wasn't planned as a revenge drama, but she's perfect as the avenged party in a revenge drama because we're made to know Ai very dearly. We connect to Aqua's relationship with Ai because we experienced the beginning, middle, and end of their bond. In hindsight, this kind of treatment feels almost mandatory for any self-respecting revenge story.

Anyways, both are fleshed out as a main character during their short run time, given a multifaceted narrative place and perspective, and never forgotten when they're gone. They never stop being a part of what makes the protagonist who they are. One thing that never fails to warm my heart is how all Danganronpa sequels make a point to show how Maizono was the most memorable part of the first game to Naegi.

Attachment 1: old "Why do you consider Sayaka sympathetic?" ask.

Attachment 2: my admin-imposed tag on an old Danganronpa-themed Telegram group.

#sayaka maizono #oshi no ko #ai hoshino

[hewhofightsbythesword]

scotch or irish? tommy shelby x reader

warning/s: underage drinking, swearing, violence, and slight smut

 inspired by disco pigs (2001) 

A/N: I was really high when I came up this idea. Even wrote it while I was high, but I couldn’t find it the next mirning. Wasn’t sure if I really wrote it or if it was a dream. Either way, it’s here lol After like two weeks. Sowwyy 

Tommy and y/n. y/n and Tommy. For as long as the pair can remember, that’s the way it has always been. Born only a few months apart, the two created an instant bond so strong that Aunt Polly said it would transcend through many lifetimes. And of course, Aunt Polly was never wrong in the matters of the heart. This was a friendship full of heart, romantic and platonic love for there was not one without the rest. Tommy’s mother would say to Polly, “That boy... it’s his cleverness that’ll kill him.” Martha found herself confiding in her more, so she continued, “As long as Tommy and y/n have each other... I am not worried.” And everyone knew. Everyone except Tommy and y/n.

The two had very similar minds. What one was thinking, the other was already mentally processing and vice versa. It would be almost adorable if it wasn’t so weird, as Arthur Sr. would call it. It was only weird because they were so smart. Against everybody else (even Polly at times, although she would never admit it), they were always two steps ahead.

From a young age the two understood their natural connection. For example, at the age of seven, Tommy and y/n planned to swear a vow of silence together that was planned to last a total of ten days. At first, y/n was met with slight worry from Tommy.

“We need code names! What should I call you if I need you?”

“You won’t have to need me, silly. That’s the whole point! I will already know, and so will you.” The logic was missing. They were both aware of this but none cared.

The goal was set for ten days. Not a single word was uttered between the kids or anyone else for that matter, aggravating the living hell out of those around them, especially Arthur who would’ve done anything to be a part of the joke. However, by day five, y/n broke the vow, rushing her feet as fast as they allowed a few houses down on Watery Lane.

That day she had heard a few of the older Lee boys, around Arthur’s age, speaking down on the Gypsy Shelby’s. y/n just had to tell Tommy or she was sure she would burst. It was also on day five Tommy came to two realizations: (1) He too would break their vow of silence. There was nothing worth doing if it meant he couldn’t do it with the person who understood him the most. (2) Tommy decided that same day that y/n, in her own right, was a Shelby too.

“Shelby,” he whispers to himself, only for him to hear.

At age 15, y/n was able to convince Tommy to steal a bottle of whiskey from the local pub. Her little hands shoved a piece of a paper with instructions in his direction. “Meet me here,” was all she told him with big eyes before he could even get a word in, running back to whatever held her short attention span. Unfolding the paper, Tommy could see a drawn out map of where to find the only girl who could keep young Tommy on his toes.

If anyone asked him, he would tell them all this was something he had to do. Many nights Arthur and Tommy had to go in all hours of the night looking for their father in pubs. One night in a drunken haze, Arthur Sr. takes his second born by the shoulders, causing him to be dragged onto the floor next to his father. He takes his boy by the face, shaking it a few times to show how serious he was trying to be.

“A man is meant to provide, always. Be a man, Thomas.”

y/n asked and Tommy planned to provide.

Seeing the large “X” marking the destination, it matched the location right before Tommy’s eyes. It was a beautiful far away, empty place from Watery Lane with lots of surrounding nature. It had just finished raining. y/n always did like the way the rain made the earth smell.

She notices her friend right away and runs up to him. y/n takes him by the hand. “I found my favorite tree here. Come on,” she says very nonchalantly.

Tommy shakes his head behind her. “Of course you did, Shelby. Of course you did.”

y/n often thought the world moved too slow for her liking. She always liked to be out and about. Always wild, never to be tamed. She figures that’s why she likes the Shelby’s so much. She was blessed to find a family early in her life that matched her soul. Except, she knows why she likes Tommy so much. He liked to be wild too. He moved just as fast as y/n, and he thought just as fast as her. So there was no doubt in her mind once she tasked her best friend with the alcohol that he'd deliver.

“I just took the first one I saw and ran like hell.” He presents y/n the bottle.

“Scotch whiskey,” y/n reads the label out loud before opening it. Tommy at this point began to see the trouble that she carried within her starting to stir. Confirming this intuitive feeling, y/n goes to make a quick toast like the kind she has seen her father make with Tommy’s. “To your Aunt Pol who would kill you if she ever knew, Thomas Shelby,” she groans out as she takes the first large swing with the most confidence. Even from when they were children, Tommy always wondered how so much confidence could fit in such a small body.

He takes the bottle from her to mimic her actions. “To my Aunt Polly who will find out by the week’s end.” They both laugh before Tommy takes his sip, but when he does, he takes it differently than y/n. “What the fuck, y/n. How can you even drink that shit?” He spits and coughs as he attempts to recover.

“What? I like it.” She shrugs while going for another.

At age 18, Tommy realized he loved y/n. By the time Tommy turned eighteen, it came to no surprise to anyone that he was already turning out to be a ladies man. Girls turning into young women were quick to notice his dark hair and hypnotic blue eyes. He was different than any of the factory worker boys that took after their fathers. He was ambitious. He wanted more to life than what dirty old Birmingham could offer, and the young women knew this so in some way, it even made it seem okay that his last name was Shelby. Almost as if Tommy was being pardoned for being a Shelby. And he hated that feeling.

y/n never made Tommy feel that way. She was always the first and the last one to defend her friend since birth. Crowned by Tommy all those years ago, she was Shelby. What else could have made her break her vow with Tommy all those years ago? Tommy didn’t realize exactly what he was realizing at the time. How could he? They were kids being kids. He couldn’t have known it was loyalty. If it wasn’t clear to Tommy then, it was now.

“You need to get out of here. Go get Arthur and John. This is no place for a woman,” Tommy warns y/n one night out, sensing trouble.

The two found themselves cornered by a group of boys around their age. The Peaky Blinders were gaining respect, notoriety, and fear from those around them. Things were changing for the Shelby’s, but not everyone agreed. Most certainly not the three boys looking for a fight. “Run!”

“No!” She hisses back. She tightens her fist and holds them up.

“There is no fucking way I’m letting you do this.”

“Either I leave to get the boys and we come back to your half-dead body, if we’re lucky or I stay and fight and we may actually win this.” Truth be told, y/n wished she could listen to Tommy and go get his brothers. But more than the fear she felt for herself, it was tenfold for Tommy.

“Damn you, Shelby.” he tells her as the fight breaks out.

No words were exchanged on the walk to The Garrison. It seemed like all of the day’s events were forcing Tommy to think about the vow they made when they were seven. Only this time, Tommy could see the logic she proposed. He did know what she was thinking because he was so sure she was thinking the same as him.

“Whiskey, Harry,” was all Tommy said, not bothering to spare the man a glance. y/n goes to sit at a table like they always do but was stopped by Tommy. He latches onto her hand, careful with the cuts and bruises that were beginning to form. “No,” he tells her, “We’ll be in the snug.” And no one protested. They may have wanted to but at the sight of blood on their clothes and on his razor blade, no one dared to speak out against the Blinder.

Not long after Harry delivers two glasses of whiskey through the snug’s window. “Give the toast, Shelby,” he gives the cup to y/n.

Her eyes never leave his. Even with exhaustion hijacking them, y/n could not name a more beautiful sight. “To you, Tommy. To the best and worst pal in the world.”

In his state of shock, Tommy failed to clink their glasses together, so y/n did it. The sound pulls him out of his own swirling thoughts, and they down their drink in an instant. Like the siamese twins they are, a look of disgust and twinge of horror overtake their faces.

“Scotch.”

“Irish.”

They both spit out like venom but were quick to laugh it off. “You gave me the wrong cup, Thomas!”

“Hey, come on now. I’m still Tommy. I’m just a bloody idiot for not knowing the difference.”

Only a few moments later, the laughing winds down a bit. The atmosphere still remains light only to be shattered. “Why don’t you love me?” He blurts out to y/n. “Like the way I love you?”

y/n’s content smile never falters. “I believe you have been too busy to notice me, Tommy. I’ve been right here. Because if you would have just asked, I would’ve said I loved you too. And I do... love you too.”

He smiles at her. “The best and worst pal in the world.”

y/n could feel her heart begin to hammer against her chest. She no longer felt like she was sitting down but floating. With the adrenaline from the fight gone, she should have been able to feel her wounds mark their place on her skin. But that’s not true. All she could feel was a warm, tight feeling in her chest. The boy she loved, loved her back. And no amount of irish whiskey could ever compare.

“Do you trust me?”

“With my whole heart.”

Tommy’s eyes searched y/n’s for any trace of hesitance or fraud but found none. All he could see were the eyes of the girl he loved the most. And most importantly, the girl loved him back.

He stands up to speak to Harry through the snug’s window and comes back shortly after. “Come here, Shelby.”

“Why?”

“Because I want to kiss the only girl in all of Small Heath that I love.” At that, y/n had no protests.

Their kiss was nothing less of what the two expected. It wasn't awkward. Nerve wracking, sure, but not awkward. Many nights y/n dreamt about this very moment. She dreamt how Tommy’s lips would feel against hers. She often wondered what kind of lover he was. And now she knows, leaving her with no more thoughts to wonder about.

She is the first one to pull away. “I have loved you since we were seven and you called me “Shelby” for the first time.” She places desperate kisses onto his lips, cheeks, and neck. Anywhere they would fall, really, leaving traces of pure love behind.

Tommy feels like he is starting to lose control once her pillow soft lips attack his neck. “Tell me again, y/n. Let me hear you.”

“I love you,” She reminds him in between her kisses.

“Shelby... if you keep doing that, I’m not sure how much gentleman will be left in me.”

She looks up from the spot on his neck she was loving on, having found his sweet spot. “This one? Right here?” She asks, feigning innocence as she lightly bites down. When she hears his soft moan, her tongue laps at the spot relieving it only to finish off with a few kisses.

Before the last one can even land, Tommy’s hand finds her neck to take control once more. He doesn’t squeeze nor does he have a rough hold. He merely wraps his fingers around the neck he will one day dress in the biggest jewels. Tommy guides y/n to the edge of the table and pushes her to lay on it.

“Here, Tommy?” She giggles watching her best friends crawl on top of her

He shushes her with more wet kisses. “No one will come in. It’s just me and you.” His hands caress, squeeze, and tease whatever he can.

“It’s yours, Tommy, my heart. It’s all yours.”

He wraps his hand under her hair that was sprawled over the table into a makeshift ponytail. “Mine,” he proves when he finally feels all of her. His eyes never hers, wanting to sear the memory of the exact moment she became his. Pain overtakes her face but her hands on his lower back right above his ass lets him know she was okay. After a while, y/n signals Tommy to start moving once more and pain starts to transform into a pleasure y/n never thought was possible.

All the sounds the two were making were sure to be drowned out by the ruckus made by the drunk men just outside the snug. Tommy was sure to tell Harry that no one else was allowed in under any circumstances. In his moment of euphoria, Tommy was ready to wet his razor blade for the second time that night should anyone dare barge in and take a look at what belonged to him.

This wasn’t Tommy’s first time but it was the first time he realized all what sex could be. All the men in his life were wrong. He was wrong. It didn’t have to be all what they said it should. All he ever needed was y/n. Now that he had her, he had no intention of ever letting go.

Basking in the momentary afterglow of his best orgasm, he says, “You know what, Shelby? I don’t think I mind scotch whiskey all that much anymore,” his thumb traces y/n lower lip, even getting it slightly moist, “Not when the taste comes from your lips. My lips.”

#peaky blinders #peaky blinders fanfic #peaky blinders fanfiction #peaky blinders imagine #thomas shelby #thomas shelby fanfic #thomas shelby x reader #thomas shelby fanfiction #thomas shelby imagine

[beccanoodles]

Spike and Faye Pairing Analysis

March 2021

Ah the hit or miss pairing of the century! If you don’t love it, you probably hate it lol. I’m a very analytical person so I love analyzing works of art and overall enjoy deep discussions about them too. I have SO much to say when it comes to Cowboy Bebop (and oh I plan to), but I have decided to start with my very own OTP. Here, I am not really going to discuss Spike and Faye’s feelings for each other, but rather why I think people are drawn to this pairing and why I think they're totally valid. Get ready for a long read!😁

⚠️SPOILER WARNING!!! [Major Cowboy Bebop and the movie Out of the Past spoilers]⚠️

First off, let’s clear something up. I am confident most of us can agree that Spike was in love with Julia. Some people assume Spike and Faye fans are deranged and disregard Spike and Julia’s romantic relationship to try and make something of Spike and Faye that never was. While some people may have their various theories and opinions on this, generally, I don’t think anyone denies Spike’s love for Julia. As we will see, this pairing is not really driven by who loves who...let’s first look on the surface.

I don’t know your experiences with the series, but in mine, every time I show this to people it never fails for someone to say something along the lines of,

“Wait, they don’t end up together?”

“Why didn’t he kiss her!?”

“He should have stayed with her...”

and so fourth. 

Naturally, this pairing catches many eyes. 

Think about it, you are given two really cool, really hot and really deep characters that are really fun to see together! There are so many parallels between the two and they are arguably the strongest characters of the bunch. Granted, you can agree with this and still not ship them, but these aspects are part of what opens up the door for many fans of the pairing.

However, there is certainly more to this pairing than them simply looking good together right? As the years pass and I’ve now seen the show multiple times, my understanding of it has evolved in many areas, Spike and Faye included. 

Spike and Faye really couldn’t have ended up together. Sure, it’s a nice thought, but It would have been an entirely different show if they had. I don’t feel that the show should have happened any other way and I don’t think many other fans would either. 

So, what am I saying here?

What’s the point of this paring if I don’t think they should have ended up together? 

It is what's so frustrating about them, yet keeps you coming back and what honestly validates this pairing in my opinion. Spike and Faye are not driven by what is, but rather, what could be.  

I personally feel the themes of classic film Noir are not discussed enough when it comes to Cowboy Bebop! This is one of the show's major influences, especially when it comes to the plot and characters.

One of the common tropes of a film noir is that of a protagonist who is drawn back into his past and ultimate doom, usually by the “seduction” of a femme fatale. In these movies, the women are either a femme fatale [devious, dangerous, mysterious, greedy, troubled, or unreliable] or a woman of virtue [reliable, dutiful, trustworthy, conventional and loving]. 

I am going to use the 1947 classic, Out of the Past to make my comparisons from here on out.

In Out of the Past, Jeff is a former detective who gets caught up in a love triangle between a gangster and his girlfriend Kathie, sound familiar? He attempts to run away with her, but is betrayed and runs off to start a new life in a new town. Here, he meets Ann and falls in love with her, but of course, his past catches up to him and he is drawn back into the world of criminals (largely by Kathie’s involvement). This ultimately results in his and Kathie’s deaths and Ann’s heartbreak. 

Even though Kathie is the femme fatale in this movie, I found myself comparing her more to Julia’s role in the show, than to Faye’s and I found that Faye actually fit best in Ann’s role (this is a bit unusual considering Faye is typically seen as the femme fatale of this show).

Does that mean I think Julia was as ill intentioned as Kathie or that Spike fell in love with Faye? Well, not exactly, let’s look at it a bit further.

“The kind of beautiful, dangerous ordinary that you just can’t leave alone...Like an angel from the underworld or a devil from paradise.”

Most of what we get about Julia is from Spike’s point of view. From this, we learn she is at the center of Vicious and Spike’s conflict, but aside from that she is basically depicted as “The Virtuous Woman” of a noir. The colors around her are warm and she is shown caring for Spike. There is an innocence and modestly about her as well.

Yet, when we finally do meet Julia, we get a different image. We know she is tied up with dangerous men, but is she herself a dangerous woman?

She is certainly capable of betrayal. 

Suddenly she is a bad-ass-gun-toting woman in leather and black, surrounded by hues of grey and dark blue. Intentional or not, Julia is a major part of what lures Spike back into the past and ultimately to his death. In this case, Julia is the femme fatale of Spike’s story and thus, their relationship is doomed from the start.

Faye, on the other hand, is portrayed in somewhat of a contrast. When we first meet her, she is the clear cut femme fatale, appearing cunning, strong willed and seductive. However, we soon find that she has quite a bit of kindness and naivety hidden behind her facade. She uses the former tactics as a way of emotional (and probably physical) protection. Gren points this out in his conversation with her. 

Gren, 

“You’re just afraid they’d abandon you so you abandoned them. You distanced yourself from the whole thing.”

As the show progresses, we start to see less of her “femme fatale nature” and something more genuine. Think about it, between Hard Luck Woman and RFB Part 2 we don’t see much of Faye as her typical conniving or unreliable self, aside from changing the course of the Bebop maybe. Sure she takes off, but it isn’t at all for the same reasons she did in Jupiter Jazz or Speak Like a Child, for example. 

I would argue we actually see her more trustworthy and caring than ever. Since I don’t want to spend too much time talking about Faye’s character development (not here at least) I’ll give one example of this. 

When she returns to the Bebop after her encounter with Julia in RFB Part 1, she gives Spike the message, even though the outcome might hurt her (i.e. he leaves and/or dies). While she does first say “It’s gonna cost you,” she doesn’t really mean it because she tells him without hesitation only moments later.

This isn’t to say Faye good, Julia bad. Both women have their layers and even though we know way more about Faye, I don’t get the impression that Julia is selfish and cunning like Kathie was. But I do get the feeling she was enclosed in a world of crime and betrayal the way Kathie was. We really only know the basics of Spike and Julia’s situation. Who knows the details like motive or how long it lasted etc. etc. We can only speculate...

There is a scene towards the end of Out Of The Past, where Kathie tells Jeff to go away with her. This time it is her asking him, just like Julia asks Spike. During this she mentions,

“I never told you I was anything but what I am, you just wanted to imagine I was. That’s why I left you.”

This got me thinking...did Spike imagine Julia as something she wasn’t? Or something he wanted her to be that she just couldn’t be? 

It could explain why we get such contrasted images of her.

There are themes of this “dreamlike” relationship between Jeff and Kathie, similar to Spike and Julia’s “It was all a dream.”

The two of them were going to “live and be free,” probably something neither of them knew how to do and most likely wouldn’t have been able to get away with.

When Jet asks Spike if he can just forget the past, this is his answer.

Spike,

“There was a woman. For the first time in my life I saw a woman that was truly alive. At least that’s what I thought. She was the part of me I had lost, that part that was missing, that I had been longing for.”

I always wondered about this, because Spike is clearly talking about Julia, but right after is when Faye shows up. To me, that spoke volumes...

Faye is a woman who is terribly human and terribly alive.

Going back to Faye and Ann, I find their similarities shine not so much in the “Virtuous Woman,” concept, but rather in Ann’s dedication to Jeff and her optimism for the future. She is also the last person to talk to Jeff before he leaves for the final time, as if he were being presented with one last alternative. Spike spends his last moments with Faye as well, in which she basically begs him not to go and keep him in the present that she has now discovered for herself. She may be stuck, but she is definitely someone that yearns for human connection, love, and life.

The problem is, Spike and Faye are both set in opposite directions. Her’s leads to a future and Spike knows this because he points it out early on (My Funny Valentine). He also knows, his most likely does not. He has already dug himself too deep into this hole, if you will, that there is really no turning back. 

But let’s say none of that was an issue? What could be?

I sat and watched this movie (Out of the Past) with my mom. She didn’t know anything about it and didn’t know why I was watching it. I wanted her genuine reaction. The whole time she was getting mad at Jeff until the very end. I asked her why and she said that she wanted him to be able to live happily with Ann. I explained to her why he had to do what he did. She understood this, but still couldn’t help but be sad at how things turned out for him, when they could have been good.

Even though Kathie and Jeff are the “lovers,” of this movie, you don’t really want them to end up together. Forget that Kathie has a devious nature, regardless, you know where it has to end and you don’t want to see your hero die.

Like Kathie, Julia symbolizes Spike’s inevitable doom and Like Ann, Faye symbolizes his possible future. 

“I’ll be with you till the end”

                           “You’re the one still tied to the past Spike!”

                                                               “Why do you have to go? Where are you going? What are you gonna do, just throw your life away like it was nothing?!”

It’s two sides of a sad coin...

We want Spike to have a future and because we love the characters of the show, it would be really great if he could have it with them, but that is where the tragedy is. It's only an idea we can think about, a possibility presented to us as it was to Jeff and Spike before their deaths.

The bottom line is, when it comes to Spike and Faye you are really only given a taste. You are not given what you expect to see, which is why I say this ship is driven by what could be. As it is with most of the character relationships in the show, no major breakthroughs are made until the very end, when it's too late. Then it just feels like such wasted potential, but sometimes in life, that's how it is. And thus, we have been given a very classic noir here ladies and gentlemen!

So no, I don’t think people miss the mark when they ship Spike and Faye, nor do I find they invalidate the show by any means. I kind of like that Watanabe switched it up and didn’t do the expected, but left us those subtle hints. He didn’t outright give Spike another lover, but he gave us someone that represents what he could have. Kind of does that with the crew as a whole too!

UGH. I love-hate this show and I love this pairing! Thank you for reading my thoughts and I know this may not be the case or reasoning for everyone, but just based on what I have seen around the community and where this show draws inspiration, this is what I have concluded. I didn’t get into Spike and Faye’s feelings for each other because it gets a little more theoretical there, but I would like to do a post on my thoughts on that as well sometime. I also didn’t touch too much on Spike’s reasoning for choosing to face Vicious in the end, just because I know that will only lead into a whole other analysis lol. But you know I have my thoughts on that and certainly plan to share them 😎 Also, I know I basically spoiled it, but Out of the Past is such a great movie!! I think if you’re a fan of this show it's definitely worth a watch! There are so many more parallels to Cowboy Bebop that I didn’t even mention. Anyways, thanks again and talk to you soon!

#Cowboy Bebop #Spike and Faye #spike x faye #analysis #cowboy bebop analysis #pairing analysis #pairing #my ship #out of the past #film noir #did i mention #I LOVE THIS SHOW #YES i've been working on this for two weeks like i was writing a midterm essay for school #DON'T JUDGE ME 🤓😂 #OOTP is really good watch it #last scene gives me chills😨 #spaye #faye x spike #faye and spike

[doppel-drop-distance]

Doppel Spotlight: Giovanna

Surprise~!

I know, I know, about time, right? The hypothetical Soul Gem has broken, and the Doppel Spotlights are back from the dead! Er…temporarily, anyway. I can’t say for certain how many more of these I’m up to doing just yet. It’s a bit too early for me to make any big estimates or guarantees. But! This Doppel analysis has sat here unfinished for quite some time now! And you all have shown such lovely support that I couldn’t help but be excited looking at all this old material again. So as a gift to you all, let’s finally analyze the Doppel of our main protagonist, Iroha Tamaki!

This analysis will contain spoilers for all of Magia Record’s first arc! This does include anime-specific content, as I will be discussing certain scenes from Episodes 5 and 7! You have been warned!

Let’s dive in, shall we?

GIOVANNA

Doppel of Silence

Feature: Cuckoo

“The master of this emotion is aware of how pitiful her Doppel is and refuses to look at it. This Doppel wordlessly wraps around and strangles anything it doesn't want to hear as it continues its search for something to fill the hole in its heart. While it should be calling for someone, it is cowardly and afraid of acknowledging the reality it has concealed, and so it remains, silently covering its ears.”

It's been a while, so how about we start things off with a little refresher?

Both Giovanna and Campanella’s names are direct references to Night on the Galactic Railroad, a Japanese novel written by Kenji Miyazawa. In the story, a shy boy named Giovanni travels on a star-bound train with his close friend, Campanella. To keep things brief, I’ll leave most of the general plot details out. However, if you’d like a lengthier summary, I suggest reading the summary I provided in the previous Doppel Spotlight, which is linked here.

I should also mention I actually located an English-translated copy of Night on the Galactic Railroad! As a result, I can quote the story directly, although I cannot guarantee the accuracy of the translations or my own interpretations. Please keep that in mind as you read!

The opening scene of the novel establishes early on that Giovanni is a reserved, self-conscious boy. In class, he is certain he knows the answer to the teacher’s question. However, when called on, he doubts himself and stays silent, bringing upon the jeers of his classmates. Campanella, who also raised his hand for the question, willingly chooses not to answer, despite also knowing, in order to show some sympathy for the flustered Giovanni.

This opening scene is likely what is referenced in Giovanna’s nature as the Doppel of silence. Giovanni stays silent out of self-doubt, and as a result believes himself to be pathetic. Iroha also silences herself in her own way, being very passive, self-conscious, and reserved at the beginning of her story. And, true to that comparison, her Doppel’s reflections of insecurity make her feel pitiful, to the point where she refuses to look at it.

Giovanni’s character can also be representative of Iroha’s inner loneliness. With his mother sickly and his father out of the house, Giovanni is too occupied with taking jobs and caring for his family to have time to talk. More often, he is bullied by his peers. The only exception is with Campanella, who doesn’t bully him, and even sympathizes with him. As Giovanni and Campanella travel on the Galactic Railroad, Giovanni’s loneliness is at its clearest. Campanella begins talking to Kaoru, another passenger on the train, and Giovanni becomes morose with jealousy. See this quote here:

“Is there really nobody who will stick with me to the edges of the universe and beyond? Campanella just sits there jabbering away with that little girl, and it hurts me more than anybody knows.”

Iroha is also incredibly lonely, deep down. She lives on her own, with parents away on business trips. The anime implies she doesn’t have a lot of friends either, with her classmates talking behind her back instead. Worst of all, her sister, who she values more than anyone else, is completely absent, Iroha being the only one that remembers that she exists. Such relationships sound awfully lonely, don’t they? It’s only through her bond with Yachiyo and the rest of Mikazuki Villa that Iroha grows into her own, letting her optimism, warmth, and confidence shine through.

Giovanna’s connections to Giovanni tie her quite close to Campanella, Yachiyo’s Doppel. And, well, Yachiyo is certainly not the kind and sympathetic Campanella at first meet. Her first encounter with Iroha is cold, brutally honest, and fully intent on keeping Iroha out at any cost. We learn later on that this attitude is a wall Yachiyo puts up to protect people – that she believes the people that get close to her die, and that she still struggles with the guilt of her past. Yet, it is Iroha who shows sympathy to Yachiyo, breaking down that wall between them. For example, let’s take a look at Chapter Six. After a trip to the Memory Museum Uwasa, Yachiyo has been reminded of the death in her life and is reflexively closing herself off again to keep Iroha safe. Iroha once shriveled up in response to Yachiyo’s intimidating rejection, but now, as her friend, she isn’t having it. She says this:

“You saying there’s nothing you can do to help Tsuruno and the others… It makes me feel sad…Lonely…We fought together all this time…But more than that, I’m angry. I’m angry with you, Yachiyo...”

“I’m your friend, Yachiyo. And as your friend, I’m going to take out that Uwasa, all on my own! I’m going to be the one to protect you. I’ll smash this made-up idea you have of me sacrificing myself for you!”

Just as Giovanni interprets his journey with Campanella as a sign to stay diligent in life, Iroha’s friendship with Yachiyo allows her to steady her own resolve and fight adamantly. Their namesake connection is a sign of their bond, and their newfound devotion to fight together and protect each other.

To wrap up this Galactic Railroad talk, have you noticed that in many of the anime’s early episodes, Iroha is riding on a train? In fact, it is on a train that Iroha is whisked away to Zenobia’s Barrier in Kamihama, where she meets Yachiyo for the first time. Perhaps a stretch, but a fun little detail regardless.

Anyway, there’s far more to Giovanna than story connections! Giovanna’s silent nature reflects a lot of Iroha’s character struggles: mainly, her feelings of denial, and her inclination towards self-sacrifice.

“This Doppel wordlessly wraps around and strangles anything it doesn't want to hear as it continues its search for something to fill the hole in its heart. While it should be calling for someone, it is cowardly and afraid of acknowledging the reality it has concealed, and so it remains, silently covering its ears.”

When you think of someone “strangling anything it doesn’t want to hear”, concealing their own reality and being afraid of acknowledging it...well, that sounds a lot like someone who doesn’t want to accept the truth.

Iroha shows quite a bit of denial in her search for Ui. The odds are stacked against her for a lot of Arc 1. She finds little to no clues wherever she searches, and the Ui she encounters from the Uwasa of the Commoner’s Horse is only a fake. Iroha is certain that Touka and Nemu, Ui’s closest friends, will remember Ui. But, they do not, and only ridicule Iroha for her seemingly impossible set of memories. Throughout Chapter Ten she is belittled for sticking to her goals. She’s ensured on all fronts that Touka and Nemu aren’t believing her, and that there’s nothing she can do to change their minds. But, no matter how many times Iroha is told by the world that she’s believing in a lie, she never lets her belief go.

“I’m still going. No matter what you say. I’m bringing Ui back with me…She’s the whole reason I came back to Kamihama.”

This stubborn determination, when twisted by the corrupt perception of a Witch, is far more like paranoid desire: an aching, fearful need to find whatever is missing in her heart and get rid of whatever threatens it.

Following this, let’s talk about Giovanna’s feature: a cuckoo. Cuckoos are solitary birds, shy and secretive, and best known for their calls. Yet, Giovanna’s beak is tied up with cloth. She cannot call for anyone. Her journey to find Ui is painted as one of futility: Giovanna searches and searches for the one she’s longed for, but in the end, is too afraid to call out to her.

Here’s a fun detail, by the way:

In Episode 5, when Iroha summons her Doppel for the first time, Giovanna actually does not have bandages around her beak (which is why she’s able to let out that high-pitched shriek):

In future appearances, however, Giovanna does have the bandages around her beak.

Come to think of it, Giovanna looks rather... different in her first appearance, doesn’t she? Not only is her beak not bandaged, but her colors are a lot redder and more decayed, her cloak is worn and full of holes, and the crown around her head is gone. This may just be a stylistic choice for Iroha’s first Doppel, but I can’t help but wonder if it’s a sign for something else. Maybe that Giovanna is angry with the Commoner’s Horse Uwasa for projecting an illusion of Ui? Giovanna does fight a lot more aggressively here than in any other appearance, after all - she wraps the Uwasa up and drills into it with her beak. Meanwhile, in her second appearance, she only attacks an Uwasa with her bandages.

Giovanna’s unwillingness to call for others actually brings up an interesting facet of Iroha’s character: her sacrificial devotion. The reason that Iroha unleashes her Doppel in Episode 5 is because she neglects her own needs in favor of others. She believes that she must be strong on her own to find Ui, a thought reflected by her own Doppel’s words in Episode 7:

“Stronger…If you don’t become strong, you won’t be able to find anything! Cover your ears! Shut those eyes! Silence determines fate!”

When Iroha fails to find Ui within the Uwasa of the Commoner’s Horse, she is filled with despair. Ui was right before her eyes, proving the beliefs that even she may have begun to doubt. Yet, in that same instant she recognizes the Ui she sees is nothing but an illusion the Uwasa projected for her. So close, and yet so far. When Iroha begins to succumb to her despair, she even mentions that it might’ve been from the shock of not seeing Ui.

With all of these feelings, all of this disappointment and despair, who does Iroha use her only Grief Seed on? Yachiyo, of course. At this point in the story, Iroha wants to be friends with Yachiyo, but they are not seen as equals. She is not comfortable enough to open up to Yachiyo about her feelings, and neither is Yachiyo with her own. Yet, Iroha still sacrifices herself to keep Yachiyo from falling to despair. And by staying silent about her own woes, Iroha falls to her despair for the first time, summoning her Doppel.

Let’s keep this topic in mind and focus on something I haven’t addressed before: the Magia Archive artbook! There are some production notes in here that provide insights on the meaning and symbolism behind a Doppel. Unfortunately, I don’t know Japanese, but I did find a translation of Giovanna’s section, courtesy of @greenyvertekins. Here is a small piece from it that I would like to highlight:

“The motif is a bird flute and a saint with a rabbit-like appearance.”

The theme of a “saint” struck me as a little odd, at first. I wasn’t sure where I was supposed to get that idea from her design. But, it did lead me to a unique little find, which is probably a stretch, but maybe kind of cool anyway?

(credit to Silvermoon424 on Reddit for the scan!)

It’s a bit harder to see in the official art, but that crown circling Giovanna’s head – to me, it sort of looks like a crown of thorns. A crown of thorns is a very striking sign of self-sacrifice.

And sure, this is the stretchiest stretch that ever stretched, but those drop-like patterns on Giovanna’s body are red, and kind of look like drops of blood, right? Beads of blood that have also been associated with the crown of thorns, r-right? Right…?

Phew…I’ve been going on for a while, haven’t I? Is this…is this longer than the first one? I don’t even know anymore…Let’s silently wrap this up with one more, fun little stretch on my part.

Both cuckoos and bunnies, which are elements of Giovanna’s design, are symbolically representative of spring. Spring is cherry blossom season in Japan, and the Eternal Sakura Uwasa lives near a cherry blossom tree only said to bloom when Touka, Nemu, Ui and Iroha are united again. At the end of the event Cherry Blossom Dreams, the Eternal Sakura even remarks that “spring can finally begin” because they are all together. So, if you squint really hard, maaaaybe the springtime connections here are representative of Iroha, Touka, Nemu, and Ui’s union under the cherry blossom tree. But probably not. I’m just having some fun.

And, that’s it! That’s all I’ve got for Giovanna! Wow! That sure was something!

I hope you all enjoyed my silly little analysis! I know some of these connections are a bit loose, but I like drawing whatever parallels I can with what understanding I have, haha. It was great to write one of these again and share it with you all!

If you have any of your own thoughts, additions, or corrections, do send them along! I would love to hear other interpretations!

#magia record #doppel spotlight #iroha tamaki #giovanna

[knickynoo]

Do you have any thoughts on Marty and his self esteem issues? In most of the trilogy, I feel like Marty ranges from experience a lot of insecurity at best, to like a considerable amount of self loathing at worst, (like pls Marty, Doc getting struck by lighting was not your fault? You’re not Thor?) . And there’s the whole chicken thing, so I was curious if you had any thoughts on where it stems from, how it’s affected him etc etc? Okay lmao that’s it, have a great day !!

Hello! Do I have thoughts?? Yes. I do.

So, one of the things I like so much about Marty as a character is that...he's kind of an enigma of sorts? Like. Here's this kid who skateboards, rocks that denim jacket and the cool sunglasses, plays guitar, has a pretty girlfriend, etc. You take all of that, and it should reflect a really confident, popular person. I mean, with all the stereotypical "cool guy" attributes considered, Marty should have Ferris Bueller-level confidence and charm. He should be strutting around, smooth-talking everyone, laughing in the face of danger, and possessing unshakeable self-esteem. But he does/has none of those things because, as we all know, Marty is A Mess (affectionate). And yeah, a lot of it seems to stem from self-esteem issues, which we do see sprinkled throughout the trilogy. Where's it all coming from? Well, a lot of places, most likely...

• FAMILY: Probably the biggest factor. Though I'm sure George and Lorraine were sincerely in love for a while at the beginning of their relationship/marriage, I think it's fair to assume that any real spark between them had pretty much fizzled out by the time Marty came along or when he was a young kid. Take a loveless relationship between a meek, subservient man and a woman who drinks away her feelings, factor in a 17-year-old boy who's probably never had any real semblance of parental stability in his house, and it's highly likely that kid is going to have some issues. It's really difficult to believe in yourself & feel secure when the norm is having parents who are wrapped up in their own worlds/rarely interact with each other, seeing your father get emotionally (& physically!) pushed around by his supervisor, and watching your mom cling to alcohol and sink into depression.

• Plus, there are the separate relationships George and Lorraine have with Marty. Granted, we don't see much of it, but what we see at dinner is probably a good example of a typical interaction. George is quick to steer Marty away from any situation where he may face rejection or hardship. And yeah, he may think he's protecting his son, but this strategy is actually pretty harmful. I can imagine that any time Marty is feeling nervous or let down, and goes to his father seeking encouragement, he's only left with the impression that it's better not to take any risks at all because he might fail anyway. Instead of being built up, any potential self-worth is being chipped away at by George.

And as far as Lorraine is concerned, I get the impression that she's (more often than not) critical and judgemental of Marty. She's not shy about airing her strong dislike for Jennifer, during which Marty stays completely silent and unresponsive. Perhaps Marty's general default around his mom is silence, due to him having learned a long while back that he's better off keeping his mouth shut. I can see Lorraine lecturing Marty often, picking apart every little flaw she may see in him (friends, grades, attitude, etc.), especially when she's had too many drinks and especially when you consider that Marty is probably her most "difficult" child. Sad as it may sound, I can't picture Marty walking away from very many interactions with his mother feeling good about himself.

• GENERAL ANXIETY/NEURODIVERGENCY: Marty is an easily flustered, anxious guy. And whether that stems from his home environment or genetics (I mean, look at George), I don't know. But he definitely seems to be a sort of nervous, hesitant kid, particularly in the first movie. I also, like most of the fandom, headcanon Marty as having ADHD. And like...if that's the case for him, it certainly isn't helping at all with the self-esteem stuff. He's written off as a slacker at school, told he'll never amount to anything, and probably struggles a lot to keep up in his classes and survive in an environment that almost definitely doesn't offer any form of support or accommodations. That would be a big blow to his self-worth as well.

People with ADHD also tend to be very critical of themselves, worry about what others think of them, and have a hard time with rejection. Hence, the one rejection at the audition followed by, I'm just a big, stupid failure and I'll never ever be good enough. My world is crumbling, I should just give up everything forever =(((

(What do you mean those weren't his exact words??)

• BONUS: Marty might also face a decent amount of social isolation/teasing due to his friendship with Doc, which would take a toll on confidence too. Also, I just...don't think that Marty has many friends??

When you take all the above factors, Marty's self-esteem issues make a lot of sense and, if not for Doc, would probably run a lot deeper than what we see in the trilogy. ALSO!

• Marty blaming himself for Doc getting hit by lightning in the DeLorean: I've seen a few people comment on this and how they think it's ridiculous that Marty felt guilty but...it's always made a lot of sense to me, actually. No, Marty didn't cause the lightning, but he did set off the chain of events that led to Doc being there at that moment. If he'd had the inner strength/self-control to walk away from Biff outside of the dance, he could have just joined Doc on the roof with the almanac and they'd have been on their merry way. And even if Biff had continued to challenge him, or even followed him, Marty likely could have created a diversion or gotten an adult at the dance to help and still made it up to the roof before the worst of the storm hit. But because he couldn't stand being called a chicken, he ended up taking a door to the face, had the book stolen back, and had to go on that little side adventure to retrieve it, which led to Doc needing to save him. So yeah, I'm actually team Marty on this one. His choice did lead to Doc being catapulted into the Old West, lol. I'd have been consumed with guilt too.

• The Chicken Thing: I'm not going to go into too much detail (HA!) because this is already ridiculously long, but I will say that I don't go by the more popular headcanon that says Marty's sudden inability to handle being challenged is due to the updated timeline taking effect and "altering" him. Essentially, that Marty growing up with a confident, successful father made him have higher expectations put on him, and so he was always striving to prove he could live up to them.

I actually don't think any ripples from the new timeline catch up to Marty yet during the course of the trilogy. (I tend to headcanon that as happening gradually in the coming weeks and months after he gets home). Instead, I think that Marty's inclination towards becoming feral at the words "chicken", "yellow", etc. is because of his life in his original timeline. Growing up with a jellyfish for a father, it makes sense that Marty would want to distance himself as much as possible from being associated with weakness. He'd want to prove himself that much more because everyone around him would probably think he's just like his cowardly old man.

And though I know it's not really possible (because they weren't planning on a 2nd or 3rd movie), I think a case can be made that there's a glimpse of the "chicken thing" in the first movie, in the scene of Marty and Lorraine in the car at the dance. I mean, he gets all upset and tells her not to drink, but then she calls him a square, uses the classic peer-pressure tactic of, everyone's doing it, and he caves instantly and takes a swig. Could be because he doesn't want to be thought of as a square, or could be because he's desperate to calm his nerves a bit. Either way, Marty doesn't seem to fare too well when challenged or put under pressure, so I lump this scene in as a "chicken" moment.

I...need to stop. I set out to write a quick response to this. Like, a paragraph or two. But this question activated Hyperfocus Mode, and I blinked and now it's 2 hours after I started and I have AN ESSAY.

Thanks for the ask! *goes to lie down*

#back to the future #bttf #marty mcfly #asks #nikki rambles #nikki be quiet challenge #🤐 #though...at this point you all know what you're getting into when you ask my thoughts or analysis #so I suppose you want responses like this?? #idk i'm always a little worried i'm going on too much and am annoying everybody #so i hid it under a cut so you can scroll past if you want lol

[starshine583]

New Girl on the Block (8)

(Thank you all so much for your love and support during this fic! I hope that you all enjoy this next chapter and be sure to check out the mini series connected to this called Journal Entries!)

Ch.1 / Ch.7 / Ch.9

Chapter 8: Lost and Found

Lost. 

Felix was utterly and hopelessly lost.

He stalked the aquarium aisles, looking this way and that for the rest of the group. How did this even happen? Allegra had had an iron grip on his wrist. He was certain of that. Yet somehow, he runs into one person- one person! -and just like that, everyone’s gone! 

Felix tisked, annoyance quickly rising in his mind as he turned down another aisle. Briefly separating wouldn’t have been that bad. In fact, he welcomed the moment of silence at first. Aside from the occasional person who bumped into him, no one was yanking on his wrist or dragging him along. The problem arose, however, in the realization that he’d been aimlessly searching for them for thirty minutes now. After losing sight of them for a second! Did they truly walk that fast or did they leave him on purpose? It wouldn’t be the first time it’s happened. 

His hands clenched into fists, and a scowl tugged at the corner of his lips. He was this close to climbing on top of heads- 

A light giggle caught his attention, faint but there, coming from the southern side of the room.

Felix whirled around, his eyes darting through the crowd. He recognized that laugh, but where was she?

His gaze landed on a pair of pigtails a moment later, and he nearly sighed with relief. Even with the dimmed lights of the aquarium, he could make out Marinette’s small figure standing in front of a smaller aquarium not far from him. He didn’t see anyone else with her, though. Where were the others? Did she get lost too or were the other people blocking them?

Felix moved forward to approach her. With the trio or not, he’d finally found someone from the group. That was his main concern. Besides, she didn’t seem worried about being alone, unless cooing at the glass and laughing was a sign of nervousness. (which, for her, it wasn’t.)

“You look like you’re enjoying yourself.” He commented as he stopped next to her.

Marinette jumped, as usual, and let out a squeak of surprise.

“Oh, Felix!” She gasped. “We were looking for you earlier.”

Felix hummed, glancing down at the octopus that was crawling along the rocks in front of them. “Yes, it would seem that ‘keeping up with the group’ wasn’t as easy as Allegra had claimed.”

A nervous chuckle tumbled from her lips, and she tucked a strand of hair behind her as she said, “Yeah.. we thought about texting you, but Claude said that you would catch up eventually.”

Felix scoffed. He should have known that Claude would be the one to prolong his suffering. Looking around for the brunette once more, he noticed that they were indeed alone. (Save for the large crowd swarming around them, that is.)

“How did you get separated?” He asked, merely curious. The group’s left him several times, but he doubted they would abandon Marinette so easily. Something else must have happened. 

“Well, I was originally trying to look for you,” she explained, “but then I ended up getting distracted..”

She snorted. “I swear I stopped to look at one turtle, and by the time I turned around, everyone was gone.”

Felix offered a nod. He knew all too well how that went.

“At least we found each other.” He pointed out. 

Marinette smiled up at him. “Yeah! And I found this adorable octopus!”

The way she said ‘adorable’ was similar to the babying tone of someone who was speaking to a dog, and she turned to the tank to wiggle her finger at the creature. Felix thought it to be somewhat.. endearing. 

“.. Did you know that an octopus has three hearts?” He asked, strangely wanting to encourage her enthusiasm. Normally, when Claude would start rambling or bouncing around about different subjects, it would annoy Felix. With Marinette, though, that.. simply didn’t happen. Perhaps it was because she was quieter about it?

Marinette gasped, her sparkling eyes shifting back to him. “Wait, are you serious?”

Felix nodded. “They also contain blue blood.”

Her jaw dropped open. “No way! How do you know that?”

“I’ve read a few encyclopedias.” He admitted with a half-shrug. “They’re a lot more interesting than people give them credit for.”

“That’s so cool!” Marinette nearly squealed. “Tell me another one.”

Felix stared at her for a moment. That might be the first time someone’s ever willingly asked for him to recite facts without a sarcastic tone. He didn’t think he would be this pleased about it.

“Well..” He began, mentally sifting through the pages of books that he’s read. “Their limbs are actually called ‘arms’, not ‘tentacles’. The term ‘tentacles’ is reserved for squid, cuttlefish, and nautilus.”

“What?” Marinette blanched. “No! My whole life is a lie!”

Felix smirked at her dramatic groan. It had been surprising for himself when he first read it too. 

“Tell me another one.” She said after rubbing her hands over her face.

Felix let out a small laugh. “Are you sure? You didn’t seem to like that last one.”

Marinette waved off the comment. “Yeah, yeah. I can take it. Tell me another one.”

“Alright, another fact..” Felix muttered, his gaze flicking upwards in thought. “Ah.  Each arm has a mind of its own. Some two-thirds of the octopus’ neurons reside in its arms, which allow the arms to react to stimuli and function at a fairly high level on their own. This fact applies even when one of the limbs is severed from the body.”

Marinette scrunched up her nose at the image of a severed, octopus limb still twisting about. 

“How do you remember all of this stuff?”

Felix clicked his tongue. “I think the information is interesting, and I enjoy being knowledgeable. So I make it a point to remember everything that I can while reading.”

Marinette nodded thoughtfully. “That makes sense.. Do you know facts about other animals here?”

Felix tilted his head back and forth, trying to recall the animals he’d passed while searching for the group. “Most likely. As I said before, I’ve read a handful of encyclopedias, along with a book or two on Marine Biology.”

She lit up with a grin at the reply and reached down to grab his wrist. “Great! That means you can come tell me more facts!”

Felix was pulled forward, and a part of him held his breath, waiting for the indignation and disgust to set in from being grabbed. It always happened. Allegra, Claude, and occasionally Allan would jerk him around, and resentment would kick in without fail. Of course, the irritation towards Marinette certainly wouldn’t last, since she’d simply gotten excited, but it would undoubtedly come. So he waited..

..And waited..

..And nothing came.

Felix looked down at her hand, which was still firmly on his wrist, and frowned. She was dragging him through the crowd, yet he felt.. nothing. It wasn’t necessarily good, but it wasn’t bad either. He was just.. normal. 

How odd.

“Which animal should we go to next?” Marinette inquired, eagerly looking around. “I’ve already seen the jellyfish, the octopus, and some of the bigger tanks with the multiple types of fish.. Maybe we can see the big tank again so you can tell the na-”

He didn’t look up at her until her ramble abruptly cut off. She was staring down at his wrist too, her eyes wide with surprise. She must not have thought about what she was doing when she grabbed him.

“O-Oh!” As soon as she registered what she’d done, Marinette ripped her hand away from him. “I-I’m so sorry! I- uhm -I was just so excited, a-and.. I’ll try not to grab you again.”

“No, it’s..” Felix rubbed the part of his wrist that Marinette had grabbed, almost not believing the next words he was about to say. “It’s fine. We should probably be holding onto each other anyway, unless we want to get separated again.”

“Oh..” Marinette said, sounding a bit dazed. “Oh yeah.. Um.. How do you want me to..”

She held her hand out towards him again, and Felix hesitated. If they were to hold onto each other, holding hands would be the obvious option, but that was out of the question on account of the strange feeling that twisted inside him at the thought of doing such a thing. The next option would be holding onto his sleeve, or grabbing his wrist again. Would that be peculiar for her, though? He’s unsure as to why it would be peculiar, but it felt peculiar. 

Before he could decide what to do, Marinette tentatively took hold of his bag strap.

“I-Is this okay?” She asked, searching his face for discomfort or disagreement.

Felix blinked. That was actually..

“This is perfect.” He said, grabbing the part of the bag strap that was just above her hand.

A relieved smile passed her lips. “Good. Let’s keep walking then. I wanna learn as many facts as possible before we leave.”

The two set off, weaving around people and going from tank to tank. At each new animal they passed, Marinette would request a series of facts, and Felix would oblige when he could. Then, when he couldn’t recall any facts, they would look up a few for the sake of fun. He had a decent time doing it, as he got to learn some new things about the animals and himself. For example, the electric discharge of an eel can be stronger than five hundred volts, sea turtles apparently think jellyfish are delicious, and when Felix’s hand finally slid onto Marinette’s on the bag strap, he didn’t mind at all. In fact, he didn’t even notice that his hand was on hers until she jumped ahead to look at the shark tank.

“Wow..” Marinette breathed, staring at the enormous whale shark that was gliding through the water in front of them. “Look at how big it is..”

Although slightly distracted by the fact that they’d been touching and he hadn’t noticed, Felix joined her at the tank and watched the shark as well. With its large body and narrow tale, its movements were slow and graceful, and seeing it brought a soothing sense of calm to him. 

He glanced down at Marinette, curious how she might react to the gigantic creature. 

Despite buzzing about while looking at the other animals, she stood entirely still as she stared upwards through the glass. One of her hands was delicately placed on the tank, and her lips were parted with awe. She appeared to be mesmerized by the sight. 

The mix of water and the lights above brought a bright, blue glow to the room, and it reflected on her perfectly. Accenting her round cheeks and wide eyes, bringing out the deep blue color of her hair that was often hidden.. the illumination made her seem utterly.. ethereal. 

Felix sucked in a small breath, shocked by the swirl of warmth and enchantment that swelled within him. Why was he feeling this way? He didn’t recall experiencing it before. Was it something about the aquarium? Or was it something about Marinette? Why would she make such a difference, though?

“I know you enjoy her company.”

His mother’s words hit him like a truck as they resurfaced in his mind. Enjoying her company.. Was that what this was? He didn’t think something like that would be ‘warm’ or ‘enchanting’, but he supposed he’s never fully enjoyed someone’s presence before to know. Claude and the others- even his parents on rare occasions -would annoy or pester or drain his energy. Marinette, somehow, never did that. Maybe it was because she always listened to him, or because she would offer a smile or clothes or croissants- whatever he might need without ever asking for anything in return. She was selfless and didn’t demand his attention like everyone else, and that, Felix realized, made all the difference. 

“Know any facts about this one?” Marinette said, shaking him from his thoughts.

“Hm?” Felix dragged his eyes back to the whale shark. “Oh, yes. If I remember correctly, they-”

“There you are!”

Claude’s declaration barely registered in Felix’s mind before he was suddenly tackled by the brunette. 

“We’ve been looking for you everywhere!”

Felix scowled as he wrestled Claude off of him. There’s the feeling of revulsion that he remembered so well. 

“Oh, and you found Marinette!” Allegra chimed in with a smile. 

Marinette pulled a sheepish expression. “Sorry for walking off.. I got distracted.”

Allan waved off the remark as he joined them. “Don’t sweat it. This trip was meant to be fun. As long as you had a good time, everything’s fine.”

Marinette smiled. “Thanks. I had a great time.”

“Aw~.” Claude jokingly sang. “That’s good to hear. What about you, Felix? Did you have a good time?”

Felix rolled his eyes at the babying tone, but a chuckle brought his gaze back to Marinette. She was shaking her head at Claude, her eyes bright with amusement and her smile warm.

“Actually..” He muttered. “I did.” 

~~~~~~

The icy cold of the evening brushed over Marinette as she walked outside, but she smiled anyway. The aquarium had been more amazing than she could have ever predicted, which was saying something considering she’d already expected it to be great. She got to see turtles and whale sharks and octopi and all sorts of animals! On top of that, she got to see all of those animals with Felix, who was able to tell her little facts about them! Although some of the facts were hard to swallow.. like, who calls octopus limbs ‘arms’ instead of ‘tentacles’? That’s crazy!

Marinette chuckled at the memory as she nuzzled her nose into her white scarf for warmth. Yes, some of the facts were definitely mind boggling, but there was no doubt that they were the best part of the trip. 

Well.. She thought, glancing over her shoulder. Maybe not the best part.

The rest of the group was exiting the aquarium behind her, Felix being amongst them. The best part of the day had honestly been when he said that he had a good time. With all the scowling and his getting lost, she’d been kicking herself about inviting him to the aquarium, especially when she knew that crowds weren’t his forte. But then they went on that impromptu tour together, and his hard expressions softened into small smiles and quiet laughs. 

It was the first time she saw him fully relax (in a crowded room, no less!). Just knowing that she’d been a part of that brought her more joy and fulfillment than the whale shark she’d originally wanted to see. 

Of course, now that the tour was over and the group was back together, the hard expressions had returned, and he was currently chewing out Claude for trying to hug him “in the name of warmth”. Marinette couldn’t help giggling at the sight, though. Even as Felix was clutching his coat around himself and shivering, he refused to be touched by anyone. She vaguely wondered if he was against the notion for a specific reason or simply had an aversion to touch. He didn’t seem to mind them touching in the aquarium, though, so there had to be a specific reason then, right?

“I don’t know about you guys,” Allegra spoke up, taking Marinette from her thoughts, “but I had a wonderful time today.”

“Are you kidding?” Claude asked, finally stepping away from Felix with a smile. “Today was awesome! And that mermaid show? Incredible.”

“And completely generic.” Felix added with an eye roll. “They didn’t even bother to make it look as though she were breathing underwater.”

“Well, yeah.” Allegra smirked. “They can’t get real mermaids. Those are too hard to catch.”

“That’s because they don’t exist.” Felix stated flatly. “Which is another reason why they shouldn’t hold that show. It will give people the wrong idea.”

“Hey, mermaids could exist!” Claude- because if anyone were to fight for this, it would be him -insisted. “The ocean is huge, and we haven’t seen it all yet. You have no idea whether mermaids actually exist or not.”

Felix scoffed. “Please. A creature with a human half and a fish half that also lived in the ocean would be scientifically impossible. At the very least, the human side would perish from the low temperatures and prolonged exposure to salt water. The only way it might survive is if the creature simply had a humanoid half rather than a human half, and in that case, the creature wouldn’t look anything like the actor they had inside.”

“Who said anything about science?” Claude argued. “What if it’s magic?”

Marinette had been watching the conversation with an amused smile until the topic of magic came up. She knew it wasn’t a direct mention to her alter ego, but it still caused her stiffen. Thankfully, no one noticed, since they were too busy watching Felix raise a brow.

“That’s preposterous.”

“How come?” Claude retorted. “If we can have Ladybug and Chat Noir running around with their magical weapons and abilities, why can’t we have mermaids?”

Marinette faltered in her steps, but quickly regained balance. Now that was a direct mention of her alter ego. Should she try to change the subject? It definitely felt like it was time to change the subject. 

“Chat Noir and Ladybug gain their powers from the miraculous specifically.” Felix stated. “What you are suggesting is an entire species that is born and raised with the same ‘power’ that doesn’t come from a miraculous. That’s what I’d call grasping at straws.”

“You guys know the show is supposed to be for kids, right?” Allan asked, gaining a snort from Allegra.

Claude placed his hands on his hips. “Yes, but I still think mermaids can exist somewhere.”

“No, they can’t.” Felix remarked.

“You don’t have any proof of that!”

“Neither do you!”

“Okay!” Allegra interjected, stepping between the two boys with a barely contained snicker. “You two kids need to behave or you’ll both be put in time out.”

Marinette laughed despite herself, even as Felix glared at the blonde. 

Allegra ignored the glare, turning back to the group as she asked, “So where do you guys want to eat for supper?”

“We’re eating supper together?” Marinette inquired.

“Only if you want to.” Allegra smiled. “I just figured, since it’s seven o’clock, that our parents have already eaten. So we might as well eat together, right?”

“Yeah!” Claude agreed, the mermaid discussion slipping from his mind before Marinette’s very eyes. “Let’s go to Dairy Queen. I haven’t been there in a while, and an ice cream sounds so good right now.”

“You want to get ice cream?” Felix blanched. “In this weather?”

“Sure.” Claude smiled. “Anytime’s ice cream time for me. Besides, it’s not that cold.”

“Not that cold??” Felix retorted, his eyebrows furrowing in disbelief. 

Marinette chuckled, silently agreeing with Felix. Ice cream was nice when you weren’t already covered in goosebumps due to the cold, but right now, she’d much rather a nice, steaming cup of hot chocolate.

A gasp brought her attention to Allegra, who pointed towards the sky with wide eyes.

“Guys, look!” She grinned. “It’s snowing!”

The group followed her gaze to the Eiffel Tower, which stood bright and tall in the blackness of the night. 

Sure enough, flakes of freshly fallen snow were passing the lights of the city and fluttering to the ground. It started out small, with a bit of snow here and there, but soon, a whole flurry began, quickly covering the sidewalks and roads.

“Aw, yeah!” Claude cheered, sticking out his tongue to catch some of the snowflakes. “Freshly fallen snow, man!”

Marinette giggled and stuck out her tongue as well, feeling a wave of euphoria as the snowflakes began hitting her tongue, nose, forehead and cheeks. It hasn’t snowed since last month, and she’d missed it dearly.

“C’mon, Fehix!” Allan urged, his words coming out in blabs because of his tongue sticking out. “Catch snowfakes wis us”

“Absolutely not.” Felix sharply declined. “Do you know how many pollutants are in the first wave of snow, especially with all of this wind? Sulfate, Nitrate, Formaldehyde, Mercury- you might as well drink a bucket of chemicals!”

Marinette paused, though she left her tongue sticking out. Were there really that many chemicals in snow? She’d known there were some, of course, but it couldn’t really be that dangerous, could it?

“Wow, Felix.” Allegra said with an amused smile. “I didn’t know snow could be so dangerous. Can you lighten up a little, please?”

Felix tisked. “I’m only stating facts.”

“Right, right.” Allegra replied. “You don’t have to stick out your tongue, but at least spare us on the ‘grim’ details, will you? It kind of dampers the whole ‘first snowfall of the year’ deal.”

Felix rolled his eyes, but didn’t say anything else. Instead, he tilted his head towards the sky and closed his eyes. Marinette imagined he was trying to gather some semblance of calm or composure, if his deep breaths were any indication. What really caught her attention, though, were the snowflakes. Or rather, the way the snowflakes landed on him. They were crisp and frozen, and it created specks of white all across his features as the snow nestled in Felix’s hair and eyelashes. If she had been any less disciplined, she might have been tempted to take a picture of him. (Only to use the snowflake patterns later as a design idea, of course.)

“Alright, let’s head for Dairy Queen!” Claude abruptly declared, breaking the brief silence that had settled amongst them. 

Felix’s eyes cracked open, incidentally meeting Marinette’s at the same time. She averted her gaze, a strange sense of deja vu washing over her. Here she was, staring at him again. How many times was she going to feel weird about staring- or being caught staring -until she remembered not to stare? Granted, it shouldn’t feel weird in the first place. Staring was staring, especially when it was a stare between friends. The most he should say about it is, “what are you looking at?”, and that wasn’t a problem. That was a completely logical response, actually. So why did her stupid brain think it was a problem?

“I call dibs on driving Marinette!” Claude added, wrapping his arm around Marinette’s shoulders.

“What!” Allegra nearly yelled from shock. “You can’t call dibs!”

“Okay, then I call turns!” Claude shot back. “You got to drive her on the way here, so I get to drive her on the way to Dairy Queen.”

“Guys, you know she’s a human being, right?” Allan commented.

Marinette laughed. “It’s alright. I’ll go with Claude to Dairy Queen, and Allegra can drive me home.”

“Aw, she gets to drive you home?” Claude whined.

Allegra, however, pulled a triumphant grin. “Ha-ha! I get a good night snack from Mme Sabine!”

“I’m glad you two only value Marinette for her pastries.” Felix remarked.

Marinette snorted, but Allegra and Claude immediately let out an offended gasp.

“How dare you claim such a thing!” Claude said, now wrapping both arms around Marinette’s shoulders. “Marinette is amazing and wonderful, and I would choose her over pastries a thousand times.”

Allegra hugged Marinette as well. “Yeah, we’re not that shallow. Mme Sabine’s cooking is phenomenal, but Marinette is the one we truly love.”

“I hear that.” Allan chuckled.

The beginnings of a blush curled around Marinette’s cheeks, and she hugged Allegra and Allan back. She knew that she was the one they loved, not the pastries, and that’s why she wouldn’t hesitate to give them all the pastries in the world if they asked.

Tag list:  @artbyknigit @athena452 @nickristus-dreamer @throneoffirebreathingbitchqueen @arsaem @abrx2002 @neakco @pawsitivelymiraculous @too0bsessedformyowngood @nathleigh @lusicing @officiallydarkgeek @all-mights-asscheeks @tbehartoo @woe-is-me0 @raeuberprinzessin @lazuli-11 @miss-chaos27 @trippingovermyfeet @sadpotatoondrugs @ladybug-182 @jaggedheart11 @marinahrasauce @i-need-blog-ideas @thewheezingbubbledragon @crazylittlemunchkin @unabashedbookworm @moonystars14 @sunflowers-and-mooncakes @2confused-2doanything  @magnificentcrapposts  @moonnette @nickristus-dreamer @vixen-uchiha @casual-darkness @luxmorningstarr @jjmjjktth​ @kaithehero​ @itsme1598

#felinette #Felix Culpa #Quantic Kids #New Girl on the Block #Rosemary AU #Marinette

[4ragon]

oh can we please hear the magatama essay??

Oh boy oh boy, let’s go

Ahem

How to Lie to the Magatama

An essay by JJsADragon

Unlocking Psyche-Locks with the Magatama is a really fun mechanic throughout the Ace Attorney series. It’s introduced in Justice for All when Pearl charges the Magatama Maya gifts to Phoenix with spiritual energy. She describes it thusly: “This is the power of the Magatama. Only you can see these "Psyche-Locks", Mr. Nick… The more someone wants to hide their secret, the more locks you will see. If it's only one, I think you can easily unlock it.” 

Basically: If someone has a secret they don’t want to share, you have to present in-game evidence and break the locks. Things get a little more complicated with the introduction of Black Psyche-Locks, but the general gist of it stays the same. Someone has a secret they don’t want to tell you, and you can unlock that secret with evidence.

This, I believe, is fundamentally wrong.

Why do I think that? Well, I always really like picking apart these mechanics, both as in-game mechanics and how they would work in the real world. In particular, I think the most interesting way to see how something works is to figure out its shortcomings. What does and doesn’t set off Apollo’s bracelet? Why doesn’t Athena notice The Phantom’s whole deal? And, more to the point, when does the Magatama straight up get things wrong?

There are several moments I want to focus on. We have seen the Magatama fail several times throughout the series. Or, to clarify, we have seen at least one time when locks should have appeared where they did not, and several times where the chains did appear and the answers uncovered were either incomplete or just straight-up incorrect.

So, let’s find out how and why the Magatama fails us. First up: 

The False Negative: Farewell, My Turnabout

Fortunately, I think this one is the easiest one to understand. The Magatama has one very clear false negative in Justice for All: Farewell, My Turnabout. Phoenix asks Matt Engarde if he murdered Juan Corrida, and he replies, “Just so we're clear, dude, I didn't kill anyone, and that includes Juan Corrida, OK?” And he’s correct. He didn’t kill anyone. He did not actively commit any murders. And on that technicality, the Magatama does not go off. He did not kill anyone, and he knows it. He believes it. He feels no residual guilt over it. His hands are clean. Hell, he seems kind of gleeful about the fact that he was ‘technically right’ when the truth comes out later.

So, why didn’t a Psyche-Lock appear? As I said, it was a technicality. He wasn’t trying to hide it from Phoenix, he just truly felt no responsibility for what happened. He felt no guilt about it. The Psyche-Locks don’t appear until Matt’s secrets come up. 

This, of course, lines up neatly with our understanding of the Magatama. This instance very clearly falls within what we know about Psyche-Locks. If you’re not trying to hide it, if you truly believe what you’re saying, it’s not a secret the Magatama will alert you to. So, what about these other instances? Do these line up as neatly in the rules of the Psyche-Locks?

The Half Truth: The Cosmic Turnabout

This one is a little strange so I’m just going to touch on this.

In day one of your investigations for The Cosmic Turnabout, you run into a conflicted Bobby Fulbright. When pressed, two Psyche-Locks appear, and unlocking them leads you to three conversations: 1) The bomb threat before the launch, 2) Why Simon Blackquill was given permission to prosecute, and 3) The mysterious Phantom.

So why do I call this a false positive? After all, he is technically hiding all these things. And yet, a lot of how this Psyche-Unlocking goes down doesn’t really make as much sense when you consider that Bobby Fulbright is The Phantom. It really doesn’t make much sense how much information he’s feeding them about the situation, unlocked Psyche-Locks or not. Especially the way he goes about the whole thing. 

We know in hindsight that The Phantom doesn’t actually care about Simon Blackquill or solving the crime that he committed. Every display of emotion is an act. So why does he make a big show of feeling conflicted? Why does the bomb threat that he made lead him to divulging all of these worries about Simon going after the Phantom? Was him revealing this information part of his game? Since we know he was trying to cover his tracks, was he feeding us half truths for a reason? Did he want to feed us this information?

If that’s the case, that leads us to a new problem. Since the question asked was “Why Are You Being Cooperative”, why wouldn’t the fact that he was the Phantom ping the Magatama? He was being cooperative so that he could feed you information, not because he cared about any of the things he was ‘troubled’ by. So why does the Magatama only pick up on half the truth? After all, the Phantom wasn’t knowingly tricking the Magatama.

(Also if you haven’t read this comic I thought it was a super interesting theory. Not sure I ascribe to it 100% but it was a really interesting take.)

I think it’s important to note in this example that, no matter how you interpret The Phantom’s actions, all signs point to him wanting to divulge this information for one reason or another. There was an intent about it. He may not have known a thing about the Psyche-Locks, but he very clearly was baiting the protagonists with an intent. And technically, without knowing it, he was also baiting the Magatama. 

This means that, in the end, the information he actually revealed to the protagonists was not a closely guarded secret of the heart. Yes, you still needed to present evidence and draw it out of him, but I think The Phantom wanted the characters to draw it out of him. It’s not a secret that a bumbling detective was having trouble hiding, it was information that a spy wanted planted. There was intent here, no matter how you look at it. And that leads us to our third example.

The False Positive: The Stolen Turnabout

Unlike the previous two cases, this is the first time that someone has straight up lied to the Magatama. Trials and Tribulations: The Stolen Turnabout. I always get so mixed up by this case. It took me three playthroughs to finally get the hang of who was doing what where and when. And do you know why that was? It was because of one lie that Luke Atmey told us early in the investigation.

Phoenix: Detective Atmey... You were knocked unconscious by the thief, weren't you!?

Atmey: Ha ha ha! Surely you must be joking... You think that I, Luke Atmey, could be knocked unconscious so easily!?

Phoenix: This sword proves it!

Atmey: ...! Th-That's...

Phoenix: Before the theft, this sword was in the hand of the statue of Ami Fey. Furthermore... at that time, it was not bent.

Atmey: Aaah... Err...

Phoenix: ...There's only one explanation. You were struck on the head and knocked unconscious by this sword! Well, Detective!? What about it!?

Atmey: ...I'm impressed. You truly are an "Ace Attorney"...

Unlock Successful

Unlike every other instance, this is just a straight-up lie. This is not a technicality, like with Matt Engarde. This is not pieces of the truth, like The Phantom. This is just factually incorrect. Luke Atmey was not knocked unconscious by Mask☆Demasque. In fact, this not only is a lie, it’s a calculated lie. Without knowing about the Magatama or its capabilities, Luke Atmey used it to convince us that he was knocked unconscious by Mask☆Demasque at the scene of the crime to disguise the fact that he was Mask☆Demasque, which is even wilder when you realize later that even that was a lie! He was covering up a lie with another lie with another lie. It was not just a ploy to fool you into thinking he was attacked my Mask☆Demasque, it was also a part of him convincing you that he was Mask☆Demasque when he wasn’t.

So why the FUCK does the Magatama go off?!

There’s of course a meta answer. The writers weren’t thinking that hard about it. They just wanted to use the Psyche-Locks to make the story more interesting. But that’s boring. I want to go deeper.

Luke Atmey, like The Phantom later on, wanted information planted. But he couldn’t simply tell everyone he was attacked by Mask☆Demasque. After all, he knew admitting to it would put his credentials under scrutiny. So he needed someone to organically draw it out of him. Again, he wanted this information out there. Otherwise, him agreeing to Phoenix’s conclusions, hell, him setting up this scenario with the Shichishito wouldn’t make any sense. Plus, it was only behind one Psyche-Lock and led to him revealing a photo of the crime, one that he was very meticulous about taking to create an alibi.

So. What does this all mean? How are people confusing the Magatama? How are people lying? I think that the element that Pearl got wrong in her initial explanation is that the Magatama reacts to secrets that, deep down, a person wants to divulge. After all, with enough evidence, you can eventually draw all sorts of information out of a person. Some are certainly more closely guarded secrets than others, but in the end, I think the Magatama reacts to secrets that a character wants to share but is not willing to do so without that prompting. It doesn’t have to be real, it just has to be something the person is keeping secret with the intent of finding a way to plant the information.

This can even apply to Black Psyche-Locks. Unconscious secrets that are hidden even from the person hiding them? Those are deep hurts that I think drive a lot about these characters’ personalities and motivations, and I think things like that are the kinds of stuff that a character wants to confront but is unable to do so out of fear, so they push it from their minds.

Let’s look at a few more examples. In Bridge to the Turnabout, Miles demands info from Larry, and he’s able to completely circumvent the Psyche-Locks by divulging something completely irrelevant about his crush on Iris. When Miles realizes his mistake, he discovers a completely new set of Psyche-Locks. Or when Phoenix confronts “Iris” about the presence of another Iris at the crime, “Iris” (cough Dahlia cough) uses that to start planting these ideas about Iris as the original betrayer, as the one who had wronged Dahlia in the first place. I feel these are both things that the characters did want to share, despite not wanting to do it unprompted.

Anyway, uh, that’s most of what I got. Perhaps there’s a stronger answer out there for why the Magatama may react in places it shouldn’t. Maybe there’s some other hidden rule they haven’t mentioned. Or maybe it is just as simple as “The writers didn’t think that hard about it.” But hey, I think I like this interpretation better.

#ace attorney #spoilers #ace attorney spoilers #meta #j

[tendercoretroglodyke]

... I’m interested in legitimately gay Reese (I assume one piece of evidence is “look at what they’re doing and tell me you’re not gay”)

okay this is like 2 days late but this is why reese malcolminthemiddle is legitimately gay:

(side note: did anyone need a queer media thesis paper or something... I am willing to share lmao)

so none of this is like... rock solid evidence or anything but I need to believe at least one main character of a show is gay and/or trans to maintain interest and reese is the most plausible gay character. also it’s early 2000′s so he just gets a lot of vaguely homophobic jokes lmao

first of all, yes, the biggest piece of evidence he’s gay is those lines from that episode I quoted the other day--thinking malcolm is gay, he tries to show his support by giving him a gay porno: “’Naught Pool Boys 3!’ I watched 10 or 12 of these, and this one seems to have the most stuff you guys like.” and when malcolm says he isn’t gay, reese responds “Malcolm. Check out what those guys are doing in that movie, and THEN tell me you’re not gay.”-- so, 1) reese sat down and watched like a dozen gay porn movies to ““find a good one for his gay brother”” and 2) he thinks malcolm would reconsider his heterosexuality if he watched what was in that movie, implying that HE reconsidered his sexuality after watching that movie, or at the very least found it hot

in the same episode, the character tricking malcolm into thinking reese is gay lists the following as evidence: he obsesses over his hair and his looks, loves his gourmet cooking, has a bunch of magazines covered in comically muscular men, and that he’s angry and acts like a jerk because he’s “dealing with something weird and confusing.” now obviously, the obsession with hair/looks can be chalked up to the fact that he’s a teenage boy, and there’s nothing inherently gay about enjoying cooking. the dozen magazines of muscle-bound men could certainly be taken as gay evidence, though, and it IS established in the show that his entire bully persona is his way of masking his inner feelings and insecurities. there’s literally a whole episode where he & malcolm realize they have no friends because they act like little shits to push people away because they’re afraid of rejection and/or abandonment from their peers. they ostracize themselves before they can be ostracized by the other students at school. I could probably write a whole other essay on reese’s psyche tbqh lmao there’s a shocking amount there!!

of the brothers who are actually old enough to be attracted to girls (reese, malcolm, and francis), he shows the least interest. now bear with me here. you might be thinking, “well, yeah, it’s malcolm’s show, we’re not gonna see things from other people’s perspective!” but that is actually surprisingly untrue, the show is very much equally shown from each family members’ perspectives. starting about s2, when malcolm is in early middle school, he starts getting crushes on girls and pursuing them. francis goes after a few women in the first couple seasons and then marries a woman we see a lot throughout the show. 

in the roughly... 130?? episodes I have watched so far, nearly all of reese’s “interest” in girls involve either: competition with malcolm, genuinely just liking her as a friend, or some completely ulterior motive. the only exception to this I can think of is in the early seasons where he has a crush on a cheerleader and tries to get on her good side by joining the cheerleading squad, which the writers clearly set up as a way to make gay jokes about reese. let me give you a few examples of his relationships with girls

the first relationship we see him in is with a “stupid girl” that malcolm tried (and failed) to date, and the main reason they get together is that they think on the same wavelength and genuinely seem to enjoy hanging out. they take breaks from their bro chats to make out every once in a while. eventually he gets her to break up with him because he doesn’t want to go to the school dance with her (he doesn’t want to go at all). years later, he’s dating some girl we meet for like 5 minutes, before he goes to confess to her that she’s the first girl he’s ever loved. she then breaks up with him. he’s sad, but taking it fairly well. he’s about to leave when he sees malcolm hiding under the bed, and learns that he stole his girlfriend. he then runs away to join the army. he was clearly MUCH more upset that his brother stole his girlfriend than he was that his girlfriend broke up with him. there are many more instances of him and malcolm competing for a girl’s affections, and he seems mostly motivated by the competition itself.

in addition to “stupid girl,” he also manufactures an “attraction” to his female army buddy in the last season. the premise of this episode is that his old army buddy (a girl he play-wrestles with and insults like he would his own brothers) comes to visit him, and malcolm convinces reese that she’s attracted to him, and that reese’s nervousness at learning that fact is proof he’s in love with her. there’s a misunderstanding where reese asks her if she has certain “feelings” and she says she does, but what she ACTUALLY means is that she has a crush on reese’s MOM. she’s a lesbian. reese later propositions her (saying he’s saved his virginity for this--he’s probably about 18 here), and when she says omg no im gay, he is HUGELY relieved they can go back to being friends. CLASSIC mlm/wlw friendship moment. 

there’s an episode where these cute girls pick up reese (& nerds) to kiss in front of their boyfriends to make them jealous. reese is all for it, and when malcolm argues that it’s not worth his dignity and the beating he’ll get from the girl’s boyfriend, reese counters that that’s WHY he wants to do this--he’s completely invisible at school, and thinks getting beaten up for kissing some guy’s girlfriend will at least make him known around school. at no point does he indicate he’s actually attracted to this girl, and when it comes time to kiss her, he finds the weakest excuse to run away at the last minute. 

im not gonna list all of these but there’s more lmao

the following is a random assortment of one-off gay jokes and out-of-context lines with gay reese implications, often homophobically bc its early 2000′s writing:

says “I’m gay” to a girl to give malcolm a better shot at her

(again in competition with malcolm) tries to flirt with a girl by spraying milk in her face as the punchline to a joke, which is. well. hm. self-sabotaging, to say the least!!

Reese: “Do you think it’s right to totally change who you are and turn your back on EVERYTHING you believe in, just to impress a hot guy??” [his dad gives a long, blank stare, before asking:] “...Burt Reynolds hot, or Sting hot?”

“YEAH I like clouds! I call them sky kittens :)” (I just think that one’s sweet!)

“Look, Christie, here’s the thing. When I first met you, I was just messing around. But we’ve gotten so close that, now... I really like you! I can’t keep this up anymore. I’m not the person you think I am. I’ve been pretending since the day I met you. It’s so hard having to constantly cover my tracks to keep my story straight... and I don’t WANT to anymore! I’m tired of living this lie! I’m done with it. I’m sorry.”

he catfishes some guy to blackmail him, but is implied to continue the flirtation even after the catfishing/blackmail is revealed

reese is, technically, married to a man. this particular plot point is played as a joke and manages to be both racist and homophobic, so I won’t go into it. but I believe he is still married to that man. technically.

reese takes care of a huge box full of caterpillars until they pupate and become beautiful butterflies. I feel like there’s some kind of gay coming out metaphor here somewhere.

I think there are a couple other times where he comments on a guy’s attractiveness but I couldn’t find specific instances.

In conclusion: Reese is a deeply repressed gay kid who was socialized SO thoroughly as an early 2000′s straight boy that, despite his attraction for men and his obvious compulsory heterosexuality, he still cannot admit to himself that he is gay even as he enters adulthood. Furthermore, his subconscious frustration about this fact is turned outward to form the “schoolyard bully” costume he uses to mask his insecurities and keep others from getting too close to him. 

Thank you for coming to my Ted Talk. I could be convinced to come back for another talk about how Dewey is trans or about how each and every member of that family is neurodivergent in entirely different ways. Assuming anyone has read this far in the first place!!

#sorry this was so long lmao I legit spent 2 hours on this #I have 2 modes: not doing the thing and overdoing the thing #hey anon if you actually see this I'd appreciate a quick message saying so lmao I'd hate to write all this only for you to miss it #I'll probably rb sometime tomorrow at least #also liz if you're reading this i was GONNA add a bit about francis' gay potential like you mentioned but I ran out of steam so remind me t #i think reese has the most gay potential tho #mitm #malcolm in the middle #anonymous #Anonymous

[fandom-monium]

Bonding

Summary: In which you suddenly transfer into the BAU, and Spencer is too socially awkward. (alternatively, the failed attempts Spencer makes trying to connect with you.) “You’ve been profiling me, Doc?”

Word count: 2.3k+

Tags/warnings: Spencer Reid x reader, another attempt at gender neutral reader so no pronouns, Fluff(??), kind of first meeting (?), Spencer Reid pining is everything (what an adorable loser), Spencer socially awkward is also everything, reader insert, mild social anxiety (??), no big warnings except a couple fucks and damns

A/N: TO MY TODOROKI FANS: YES, I’M STILL ALIVE. SOULMATE AU EP 5 IS STILL UNDERGOING EDITS. COMING SOOON~ THX FOR WAITING!

New beginnings are scary, Spencer Reid understands that more than anything. A fish out of water at school, thriving in all academics; it came naturally to him, but the rest... well being over six years younger than his classmates didn’t make things much easier. It winded him trying to connect with his peers. He gave up eventually, no one bothering to extend a line to him, and when they did, it wasn’t out of good intentions. He learned that new things are terrifying, be ready for the worst.

So when you stride into the bullpen without so much as a notice, no one’s prepared. Not even you, Spencer notices, your hands flexing at your sides. You shove them into your pockets as you politely smile.

“Everyone, this is SSA (First Name) (Last Name), our newest member of the team,” Hotch introduces.

They manage a welcome but introductions are cut short as a new case presents itself with severe urgency. 

Garcia whines, unprepared for your arrival. You later reassure her it’s fine, but Spencer figures you’re relieved by the way your shoulders relax.

Oddly enough, the way you ease into their team dynamic is almost instantaneous. Not like the way a puzzle piece fits because that would imply that the team is a set when in reality it’s changing; not often but it happens. 

No, your addition is similar to a LEGO brick.

You slip into the role of profiler with ease. You hesitate at first, but your voice doesn’t tremble in the slightest as you offer your own opinions and observations pertaining to the case. You provide them support much like the base of a LEGO model. 

Later on, when Spencer divulges this to you, you smack him hard enough he bruises. You equate him to a peach. But you grin, and the ache fades almost instantly.

Spencer would go as far as to say he respects you, despite not knowing anything about you at the moment. Your devotion shines through whatever hesitancy you had earlier, and though your debut to them was hurried, your dedication is not lost to the team, prompting them to give you the welcome you deserve.

As a result, they make an effort the next couple weeks. A “united force of camaraderie”, Garcia calls it.

Hotch and Rossi go to you, whether you’re at your desk or called to them. Usually, it’s for an extra opinion on a case because you’re fresh eyes. From his desk across from yours, as he inconspicuously watches you purse your lips, attempting not to smile at your seniors, Spencer realizes you do think differently than the rest of them. It’s slight but not too obvious. Maybe it’s because you’re new; you’ve only joined a week ago, or maybe it’s because the team has known each other for so long they’ve learned to predict what they’d say. He isn’t sure.

You do your best to answer them before returning to your assigned tasks.

While Morgan normally makes jokes and teases, he switches his methodology with you for reasons Spencer can’t infer. Instead, he manages to include you in whatever he is doing if you’re within the vicinity. You respond in kind before quickly moving on. 

Jokes and teasing come soon.

In an attempt to naturally get to know you, JJ and Prentiss question you, not like interrogating of course but⎼from what Spencer overhears (he just happens to be within earshot, totally not eavesdropping)⎼sometimes when they border on personal, he notes your swift change in body language. Like they hit a switch: open to closed. And when you answer them, you never give more information than asked for, quick to redirect the conversation. He’s certain they notice as well, but they don’t push. 

Your gratitude is evident in the soft quirk of your lips.

To his chagrin, Spencer isn’t as bold as his friends. When you interacted with each other, it was by extension of the team starting it or on the job so mainly professional. He isn’t even sure why he finds it so hard to talk to you because it’s not like you’re intimidating. 

Okay, maybe just a little. 

But he won’t let that hinder him. You deserve your spot on the team, and, just like the rest of his team, Spencer wants to do his part in making you feel welcomed.

Which means he has to talk to you, and not just about work for once.

Unlike the rest of his team, however, Spencer has to build up courage, frustrating him more than he’d like to admit because sometimes he misses his chance. For example, this morning: you stood at the coffee maker, burying your face in a book as you waited for it to finish brewing. He recognized the cover immediately but when he opened his mouth to rant to you, he choked.

Spencer Reid choked. He never chokes, not when it comes to books. But the words died in his throat, not even making it past his lips. Never had the doctor been so baffled with himself. He scoured his memories for signs, anything that would justify his stumble, yet there was nothing that rationalized this occurrence. He didn’t have this problem before. At least... not with other coworkers.

He cleared his throat to try again, but, to his dismay, you filled your mug and left.

On the other hand, Garcia is the most upfront with you, which leaves Spencer simmering because he would give anything to have that kind of confidence. Although, he can tell the tech analyst’s friendly demeanor almost… annoys you? No, that’s not right. You don’t outwardly dismiss Garcia when she catches you, and when he says catch, he means catch, as in he witnessed you on multiple occasions going out of your way to avoid the colorful hacker.

A month has passed since you joined the BAU. As he arrives early that morning, Spencer spots you down the corridor, and normally that wouldn’t pique his interest, but the way your eyes sweep the halls in every direction is too much. He snorts, nearly spitting out his coffee.

Curious, Spencer trails after you; he slows his pace, careful to maintain distance so that he would be at the end of the hallway and you at the other. You eventually come to a halt, making him freeze mid-step. His heart drops to his stomach. Oh god, did you notice him following you? Of course you did. You actually completed the FBI fitness exams.

But you don’t turn to him. Instead, you press your back against the wall, and as you peek over the edge, he wordlessly makes his way over. His curiosity overrides any nerves. He leans to peer over your shoulder at whatever you’re tailing and…

Ah, he gets it now.

At the end of the hallway by the elevators, Garcia stands a vibrant Sphinx among a sea of dark pantsuits and white-collared button downs, tapping her foot as she waits. Spotting the (your favorite color) paper bag in her hand, he thinks it’s safe to assume it’s another attempt to get you to warm up to her. The tech analyst purses her lips, pulling up her watch.

“Come on, come on…” You mutter, your eyes flicking down at your own.

Spencer glances at you, unsure of what you are waiting for. A minute passes.

Then Garcia looks at her watch again, letting out a frustrated huff. The elevator dings open behind her, allowing her to trudge into the crowded metal box, and the second the door closes over her disappointed pout, you sigh in relief.

The word tumbles out of Spencer’s mouth before he even processes what he’s doing. “Morning.”

You shriek, whirling to face Spencer only to smack into his chest. Though he prides himself in the growth spurt he hit as a teenager, Spencer isn’t at all sturdy and buff as Morgan, so, despite your close proximity, you nearly knock him and his precious coffee over. Luckily, your reflexes are faster than his and you clasp the front of his vest, tugging him into you. He fumbles with his free hand, catching your elbow. “I’m so sorry!”

It takes a moment for you both to compose yourselves. Before Spencer can fully register your hand steadying his wrist, you step back. Something inside him deflates.

"Don't scare me like that," You press your hand over your heart as you start towards the elevator. He follows next to you.

“Sorry, I didn’t mean to, but I couldn’t help but watch the whole,” Spencer gestures at you with his coffee cup.

You groan, smashing the elevator button, “Alright, go ahead.”

“Go ahead with what?” His brow furrows. The elevator doors open, allowing you to enter. He hits the button for the BAU floor, and the doors shut with only you two, standing side by side.

“Tell me I’m a bad person, tell me I’m mean or whatever for dodging someone as nice as Garcia. I know you want to,” You grumble, not looking him in the eye.

“I don’t think that.”

The skeptical look you throw him makes him blurt out the words before they could get stuck in his throat. "I mean, it’s clear you don’t dislike Garcia. You give her your full attention whenever she's talking to you, you gratefully accept her gifts despite your obvious discomfort, which seems to spur her on by the way. Actually, you display similar mannerisms with everyone in the team⎼”

Your brows climb your forehead as Spencer digs himself further into the profile hole he made of you. He spills the numerous observations he mentally filed away, and as he rambles he finally understands how his coworkers, probably every person he’s ever rambled to, feel because oh god, now even he wants himself to shut up! Shit, what is he doing? Why? How to stop?

It’s one of those moments in life where words are out of his mouth before he realizes this is not the time or place⎼it certainly isn’t his place⎼ for this, to be profiling you the way he is doing right now.

Yet here we are.

In his head, he’s screaming but it’s too late, and when he finishes seconds later, there’s a beat of silence. You gawk at him. His eyes widen as his chest heaves; his heart pounds like it’s about to break out and escape.  

Then you glare at him, a playful gleam in your eyes. “You've been profiling me, Doc?” 

Oh god, let this elevator break down and drop him. Wait, no, that would kill you too. Fuck.

Spencer swallows, his face growing hot. He tells himself it’s because he just embarrassingly gave a near complete profile of you, unwarranted, definitely not because of the way you say his title. He could apologize⎼he should⎼but his mind blanks and anything else he has to say dies as his throat closes on him. He tugs at his collar, turning to face his pink reflection in the elevator doors.

To his relief, you chuckle, “Don’t worry, I’m not mad. Should've expected nothing less from a genius.” 

“Thank you?”

The doors open and you exit. Before you reach the glass doors, Spencer, biting his lip and unwilling to let the first real conversation he has had with you to end, gathers the remains of his confidence to tap your shoulder. You face him, your expression curious as you halt in front of the BAU headquarters.

Clutching the strap of his bag, he stammers, “Do… Do you want me to talk to Garcia? I mean, I won’t tell her we talked of course. I’ll make a suggestion or something⎼make it seem like it’d be her idea⎼I guess. Might help her tone it down, you know? For you?” He cringes at the last bit, his voice octaves higher than normal. God, what is he, thirteen? How he regrets his boldness. 

If you notice, you don’t mention it. Rather, you give him a onceover, and he tries not to squirm as your sharp eyes scan his face, his body language. You’re sizing up his character, profiling him the way he did with you. The difference is he had a month; you have a few seconds. “You’d do that for me?” You question softly.

Terrified his voice will betray him again, Spencer nods. 

“I⎼” You lick your lips, searching for the right words. Then you smile, a genuine smile, not the shy ones you offered to the team before. It's not awkward or polite. This is way better; your eyes crinkle, there's teeth, and Spencer squints, unsure whether to stare or grab his sunglasses in his satchel because wow, too bright. 

Both. He can totally do both.

I’d do a lot of things for you... as long it’s legal, a tiny voice in the back of his head admits. Spencer can’t bring himself to argue.

“I appreciate that.” Oh right, conversing. He shrugs. “No, really. I know that I’m being stupid and irrational⎼” He opens his mouth to protest. Social anxiety⎼any thing that makes you uncomfortable⎼ is most definitely not stupid. But you shake your head at him. “⎼No, I know I am, and I should get over it as quickly as possible but…” You trail off, glancing to the side.

Spencer follows your apprehensive gaze through the glass doors into the BAU headquarters. It’s early morning, people dawdling around the office, calmly going about their morning routine. It lacks the usual organized bustle as people stand in the corners and chat by the coffee machine, while others take calls or type at their laptops with an air of serenity. A rare, mellow day.

Before you can complete your sentence, Morgan speeds past you, bee-lining for the doors. “Sorry to interrupt, but we got a case!”

Spencer sighs. Spoke too soon.

You both follow behind him without question, leaving your thoughts unfinished, but Spencer catches the impish grin Morgan throws him over his shoulder. He curses under his breath, promises of his friend’s destruction on his lips. 

Just when he was starting to have an actual conversation with you.

Needless to say, eyebrows raise when he drags himself to the round table a couple seconds after you.

Author’s note: You can’t tell me that Reid pre-prison did NOT love action figures, figurines, LEGO models. He is a total nerd, it’s genetic.

So, I just started watching CM since it’s on Netflix. I now love this pipe cleaner with eyes. Can’t tell if I want to caress his lovely jaw or watch him squirm though...

I am basing this one(?)shot on how I get overwhelmed by friendly people. Not to say I don’t like Garcia, bc I love her, she’s one of my fav characters. But at the same time, thanks, I have mild social anxiety. I remember in my COLL 01 class, this guy was making an effort to socialize with our project group mates with invites to hang out together. I could not even. It was like the first day of class, like, chill, my guy.

Also, I‘m sad that I can’t imagine Reid with anyone that isn’t not interesting?? Sad bc I’m such an average person so when I project myself, it feels more unrealistic than it already is and hurts just a bit. I favor the idea of him being with like wild ppl, opposites attract, dumbass and smartass, badass and geek dynamics, stuff like that???

So, the reader’s back story is gonna be hella mysterious and stuff... ;P

And, I’m really into the idea of a Spencer Reid x Hunter!Reader. May try my hand at a CM x SPN crossover in the future. Only problem is that I haven’t finished SPN...

I’m accepting suggestions and ideas!!

Connecting (Bonding Part 2) is in masterlist!

#spencer reid x reader #spencer reid imagine #spencer reid x y/n #spencer reid x you #spencer reid x oc #criminal minds #criminal minds x y/n #criminal minds x reader #criminal minds x oc #spencer reid fanfiction #spencer reid #mathew gray gubler #matthew gray gubler imagine #matthew gray gubler x reader

[kaizokuou-ni-naru]

The Voyage So Far: Alabasta (Part Two)

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

crocodile is one of my favorite villains in one piece for a number of reasons, and one of them is because he’s such a threat, the first real one faced in the grand line and one of the toughest in all of paradise. the villains from the arcs before this, like wapol or the agents from little garden, could barely even land a hit on luffy in actual combat. so crocodile is introduced here as an absolute force of nature, a complete contrast to recent villains and a very tangible threat. 

it’s an impression he very much lives up to later in the arc by crushing luffy not once but twice, which only makes luffy’s ultimate hard-won triumph feel all the better. luffy closes a huge gap over the course of alabasta in order to be able to beat crocodile, and giving us a sense of just how strong he is from the very start gives luffy clawing his way up to that level a lot more weight. 

the successive reveals of luffy’s family never fail to absolutely delight me, because in any other series they would almost certainly feel contrived, but knowing luffy, it is absolutely unsurprising he just never happened to mention his relatives. nobody asked! luffy’s unique brand of honesty is one of my favorite character quirks, because he’s very straightforward and in fact can’t lie for shit, but his priorities are so completely off the wall that he winds up omitting highly relevant information completely by accident. 

ace’s scene in alabasta really does impress me. oda’s said in an sbs that he knew ace’s fate from his introduction, which i find absolutely unsurprising given the intricacy of his story planning. that means he needed ace’s introduction to make him both likable and memorable enough in the space of just a couple chapters that the audience would be engaged when he became the focus of the story a couple hundred chapters on despite barely appearing at all in the intervening time, and he really succeeded. 

kohza is one of my favorite minor characters in the whole series, and i think he’s a big part of why alabasta’s civil war plotline works so well and feels so real. nobody on either side of the war actually wants to fight, but everyone has been driven to such desperation that they feel they have no other choice in order to save their country; and kohza exemplifies that. he's a good person who loves his country a lot, and who genuinely likes and cares about the royal family and vivi especially, and the only option he can see to save alabasta is terrible, but there’s nothing else he can do. 

it’s just fun for me to think about the fact that if crocodile was literally anything other than a very skilled logia, vivi would have ended the whole entire arc right here. 

i really like civil war storylines when they’re well-done, and i think alabasta is one of the best ones i’ve seen in media. most of it is down to what i mentioned earlier, about how nobody on either side actually wants to fight but feels like they have no choice but to. nobody here is actually in the wrong except for crocodile, and so until crocodile is defeated, nothing can be fixed- which is what luffy, of all people, is the one to realize. 

sanji’s mr. prince gambit is probably my single favorite part of alabasta, and i think one of the reasons i like it so much is because he basically beats crocodile at his own game. crocodile is terrifying in battle, but before anything else he’s a manipulator. he’s always working from the shadows, always deceiving people doing what he wants, and sanji manages to turn the tables on him and do the exact same back to him, twice. 

also sanji looks great in glasses

smoker and tashigi both get kind of unfortunately sidelined after this saga, but they’re both really great characters in alabasta. (tashigi especially; i’ll get to her later.) much like the rebel army, they’re good people trying to do the right thing in the tangled mess of tension and politics and resentment that is alabasta- and when that means working with pirates, they’ll buckle down and do it, despite how much it might contradict their worldviews. 

i love when events align in one piece so that people who don’t particularly like the strawhats wind up working with them for some common goal (as seen most prominently in impel down), and smoker and tashigi in alabasta are the first and still one of the best examples of that. 

the entirety of luffy versus crocodile round one is so well done. we’re a hundred and fifty chapters in, and although luffy has struggled in fights before now and then, we get the sense he hasn’t ever really been pushed to the brink, and he’s certainly never lost.

and then he does, completely and absolutely, without ever even landing a hit on his opponent, and it hits like a punch. 

oda seems to be a fan of characters just barely missing each other- the similar panel of robin and olvia running past each other from robin’s flashback comes to mind.

i’ve always liked that of all the strawhats, it’s usopp who gets the first “luffy is going to be king of the pirates” moment. they’ve all said it by the current chapters in wano (with the sole exception of robin, i believe), but usopp said it first, and that feels significant to me. he’s always been the one who feels the least secure in his place on the crew, but even so, he has so much faith in luffy. 

nami’s fight with miss doublefinger is pretty silly in places and i think it gets frequently (understandably, it must be said) overshadowed by zoro’s fight with mr. 1 directly afterwards, but i really like it nonetheless. it’s nami’s first real solo fight in the whole series, and once she finds her feet she kicks ass, and i really like that. it feels like a very satisfying development for her, to stand up and risk her life in direct combat for vivi’s sake. 

we’re now almost a thousand chapters in and its my firm belief that zoro versus mr. 1 is still one of the best fights in the entire series. i definitely think it’s probably zoro���s best fight- only his match with kaku compares. the narrative build over the course of the fight, from zoro struggling just to match mr. 1 (and getting shredded to pieces in the process) to cutting him down in one final stroke, is incredibly cool and satisfying to watch. it feels like a very tangible step forward for zoro in terms of ability, like a massive obstacle has been surmounted and, as he himself says, he’s now stronger for it. 

its also very cool that this is, i believe, the first appearance of what is probably observation haki, though it isn’t named or recognized as such. i’m always endlessly impressed by all the little moments of internal consistency that oda manages to sprinkle into his story. 

there’s barely any dialogue on these entire two pages, from crocodile dropping vivi to luffy and pell swooping in- the story is briefly told entirely through visuals- and i love that. it gives the impression of a single tense, frozen moment as vivi falls, which is then broken in spectacular fashion when luffy catches her. 

i really, really like the progression that runs through all three of luffy’s fights with crocodile. the gap between them goes from being impossible, with luffy unable to even land a hit and crocodile basically toying with him; to surmountable but still huge, with luffy able to land some hits but still outclassed; to finally putting them on basically even ground. and every inch of that growth on luffy’s part is hard-fought and hard-won and well-deserved. 

crocodile’s confidence in his abilities isn’t misplaced- he genuinely is that powerful. but if there’s anything we know about luffy by now, it’s that he doesn’t ever give up. it’s very fun to watch crocodile’s dismissiveness turn into disbelief turn into rage and frustration when luffy just won’t die. 

luffy is, additionally, pretty clearly a better brawler than crocodile (which makes sense, crocodile is clearly used to devastating long-range attacks with his powers while luffy grew up fighting giant wildlife with his bare hands), which means that by the time of their last fight, where they’re just whaling on each other in the catacombs and crocodile is starting to get sloppy and desperate and lose control, if anything it’s luffy who has the upper hand. 

zoro and sanji’s dynamic is always a favorite of mine, and one of the things i like best about them is how perfectly in sync they always manage to be when it comes to things that actually matter, despite fighting like cats and dogs pretty much every other time. i’ll never understand people who think they genuinely aren’t friends. 

tashigi is really good in alabasta, okay. she essentially has her own entire character growth arc. she goes from her stance in loguetown, where she isn’t even tolerant of (fully legal!) bounty hunters, to here, where she’s forced to confront that the world isn’t nearly as black and white as she’s always believed it to be, that sometimes pirates are good and allies of the government are bad, and ultimately makes the right choice to help the strawhats even though it clearly pains and frustrates her that she can’t do anything more herself. 

i’ll be forever mad that her only really significant appearance after this in punk hazard didn’t really live up to what her character deserved. 

i really like how the countdown sequence is done. the tension is ratcheting up and up and up as the clock ticks down in the final seconds, panels cutting all over the city to show all the different characters, everyone who’s caught up in this conflict and everyone who’ll die if the cannon fires-

and then the clock hits zero, and we get this panel that’s just... quiet, after all the madness, as we see how vivi stopped the detonation. i think oda is very good at setting up his pages so they have a flow to them, so no matter how quickly you actually read sometimes things feel like they’re going very fast and all happening at once and then it slows down and gives the reader a chance to breathe, if only to speed up again later. i think oda is really good at pacing in general, really, both on a micro level like this and on a larger scale. 

luffy’s greatest strength isn’t really his strength. he’s strong, absolutely, but that’s not really why he wins the fights he shouldn’t win. he wins because he just doesn’t fucking stay down. his fight with katakuri is probably the best example of this, because katakuri has him beat in pretty much every category except sheer endurance, and there as here, it’s that endurance that winds up getting luffy the win in the end. 

i do love that it’s the rain that ends the war. not the explosion and pell’s sacrifice, not vivi’s pleading, not even luffy kicking crocodile into the stratosphere, but the rain, the thing alabasta’s been missing for too long, the thing crocodile stole, the only thing all these people are fighting over. 

it’s crocodile’s symbolic defeat- at the same moment his power is broken by luffy, the stranglehold of dehydration he’s been using to foment war and rebellion is all at once gone, and he’s left with nothing at all, and alabasta can finally find peace and start to heal again. 

i always love the little moments that show, usually without words, just how much the strawhats love each other, and all of them unanimously waiting until vivi is out of sight to collapse so that she won’t worry, won’t see how ragged they ran themselves for their sake, is definitely one of them. 

i adore vivi’s sendoff, because while its sad she has to go, the certainty that someday they’ll meet again and that even if not they’ll always be crew manages to make this scene endlessly hopeful instead (which, i think, is also a good summary of one piece’s tone as a whole, at least in its more serious moments). luffy never says goodbye, after all, and nobody ever really leaves the strawhat pirates. 

i’m really looking forward to vivi’s re-entry to the story. i really, really want to see her reunion with the strawhats. 

hey look, it’s the panel my profile picture is from! 

the mystery surrounding robin and her past is built up in little ways long before enies lobby, from her harsh reaction when confronted with by tashigi to her aversion to being called by her given name to this flashback, of her talking to cobra about her dream. of them, the latter is my favorite, because i think it’s probably the most sincere she is until enies lobby- which makes sense, given she thinks she’s about to die. 

like many things about robin in alabasta, this gets cast in a new light by her backstory. if she dies here, so too does the entire legacy of ohara- but she’s so beaten down and hopeless that she really doesn’t see any light ahead to strive for. there’s no hope left, for her, and the whole world against her. 

and then there’s luffy, who creates hope everywhere he goes, who makes her live anyways. 

this is a hell of a spread to hook us very effectively right into the sky island saga. it’s a perfect reminder of just how much we still don’t know about all the endless mysteries of the grand line, and just how many adventures are still yet to be had.

#the voyage so far #arc: alabasta #one piece #opmeta #not japanese #long post

[k-s-morgan]

Hi! This isn’t an ask, but more of a rambling that I deemed too long for the comments, that stems from your post claiming Book of Circus as your favourite Black Butler episodes. and to that I say - YES. Book of Murder is a masterpiece. It houses one of my favourite scenes - the one where Sebastian says: "This wasn't a scenario decided by God or fate, but one decided on by my master, with timing decided by my master. I was killed by the criminal expected by my master, by the Hione who came to torment my master", which really captures the essence of whole 'Ciel vs God' dynamic that's woven into the duration of the show.

Throughout the plot, there are three major instances in which an offering is made to Ciel - offerings of redemption. The first is from Angela - a chance to purify himself and have an afterlife - which he so vehemently rejects in the knowledge that he quite literally *is* his darkness, and therefore refuses to rid himself of it.

The second is comes from Abberline in his death, where in his final words he tells Ciel he has a chance to take back his future. And Ciel has to watch him die with the knowledge that he has already made up his mind about his fate. I don't think he's so affected because he regrets selling his soul. I don't think he suddenly wants to live, or no longer wishes for revenge. But I believe the reason he is so affected by Abberline's death is because he holds a sentimentality for him that is not dissimilar to the one he feels for Elizabeth. Ciel is cruel, I don't think he regrets the steps he has taken to get to this point, nor the ones he knows he must take in the future. But though he is cruel, I believe he has a sort of fond curiosity for the untainted goodness that characterises those like Abberline and Elizabeth. Like you said before, he feels condescension towards the man perhaps due to the naivety his blind heroism implies, but I think his attachments to him come from an underlying curiosity to see if such goodness can exist in such a corrupted world - a silent hope to be proven wrong in his cynicism. When Abberline dies, that very hope he didn't even know he had gets shattered. It brings about a sort of forced perspective that makes Ciel question himself in ways we haven't seen before.

Abberline's death had been avoidable and it was certainly in vain. Abberline had died for someone who had already made up his mind - someone who had rejected God once before and would do it time and time again as proven in the anime. Ciel is such an interesting character because, although he is dark, he still values the light and makes some sort of effort to preserve it in spite of the contempt he feels for them. It is the thought of dying in vain that seems to bother him so greatly, not death itself. No, Abberline dying isn't enough for him to want to live again, or to even think about throwing away his revenge - that was never in question. But it is enough to extinguish the lingering flicker of hope he had for humanity (despite being so distanced from term himself).

This, combined with the disappointment he feels at Sebastian's actions, causes the existential haze of uncertainty that leads to the third and final offering. And the most surprising thing is that this offering comes from Sebastian himself. He senses the doubt in Ciel and, like every thought the boy experiences, fails to understand it. He mistakes it for him second-guessing his revenge and decides to discontinue their contract. But he isn't angry - that much is clear. Instead, he wishes him to "forget everything and have pleasant dreams", with a rather wistful expression on his face. What this line ends up reading as is a bittersweet  goodbye from the demon - an offering for Ciel to let go of his revenge and find happiness in the afterlife with his now soon approaching death.  There is almost a strong disappointment in him, but is not resentful of it - Ciel is human and he can't keep expecting him not to be. His offering almost acts as a thank you for the moments of excitement their contract had given his monotone life and I believe that is why he makes it.

He sticks around to see if Ciel accepts his offer, though already expecting him to, and is there to witness the very moment the boy rejects it. Gone is the uncertainty of Abberline's death and the Paris crisis, and Ciel, the Earl of Phantomhive, returns to him - sharper, colder, more ruthless than ever. Sebastian realises his misjudgement and returns to his side, ready for the final battle. Killing an angel. It's laughably symbolic.

The rejections of God, the evasion of the Hope Diamond's curse (where he even wore two rings as if to taunt the fates), the references in Book of Murder - they all depict this metaphorical sort of battle between Ciel and God. And the ending of Kuroshitsuji II is the depicts how he triumphs over fate, claiming his rightful place as an immortalised creature of Hell.

I know I've gone on a bit of a tangent here in your inbox, but that one quote from Book of Murder is so symbolic to me in the way it sets up the comparison between Ciel and God (in which 'God' represents power over fate).

Before I sign off, though, I just want to make light of the existence of the show's final offering, occurring in the last few minutes of the series. This last offering has nothing too do with God, nothing to do with any complex battle between the Phantomhive and fate, but is much simpler than that. In fact, the final offering of the show comes from Ciel, and he gives it to Sebastian - it's almost poetic, is it not?

"Are you sure you don't want to pull it any tighter?"

In this single, unassuming line, Ciel is asking Sebastian if he wants to kill him, and release himself from the eternal contract they've found themselves in. Such a noble and dignified soul as Ciel would always be sure to make through on his word and, despite the loophole that now extends their contract, he would still be willing to let Sebastian kill him should he wish to do so. The man may no longer be able to take his soul, but the boy can still give the order to kill him and free himself. Ciel's respect for Sebastian is complex and contradictory at times, but what never changes is his willingness to die by his hands and see through to his side of the contract.

“Is it over? The one who plunged me into bottomless darkness… I don’t even know why she did it.”

In the episode where Angela is crushed by the Church, Ciel offers his soul to Sebastian. Even when unsatisfied with the result, his unwavering nobility led him to make good on their deal and fulfil his end of the contract. The earl faced the demon, his expression calm, and with a steady voice said “A promise is a promise. Take it.”

This unwavering dignity and nobility he holds in himself I believe is the reason for this offering and Sebastian's turn to reject it is almost a 'love confession' (as you have brought me to see it) in itself.

As a final sort of note - I just wanted to let you know that, since reading your reply to my comment on TGSTLTH (from a while ago), I brought myself to rewatch Kuroshitsuji II with your interpretation in mind and ended up really enjoying it. You've singlehandedly made me do a complete 180 on a season I previously hated - looks like I had just watched it from the wrong perspective. So, for that, I thank you

Hey! Sorry for getting to your ask just now. I absolutely loved it :D And yes, Book of Murder is a masterpiece - I still remember watching it for the first time. It was late at night, I had to go to bed, everyone was sleeping, but I kept watching because stopping just wasn't an option, I had to know what happened next.

Ciel vs God is such an interesting topic. In some ways, Ciel and Sebastian exist in their own universe where there is no place for anyone else. There is a God aka Ciel and a demon aka Sebastian. And they are both allies and adversaries at the same time - they are tormenting each other and uniting to torment others.

I agree absolutely that Ciel holds a fondness for certain people, with Lizzy and Abberline being a good example. He has a degree of contempt and irritation for them, but they do mean something to him. Ciel's curiosity is a big and detached thing, and this places him on Sebastian's level in such an interesting way because sometimes it's almost like Ciel isn't human himself - humanity intrigues him as if he doesn't belong to it. His fascination with the light just underlines his affinity with the darkness.

I have many thoughts about Ciel's behavior during the days following Abberline's death, and you certainly introduced many excellent points! My general opinion on Ciel's motives is... complicated. I agree that he never felt like really giving up his revenge and trying to live a 'happy' life - he knew it's not for him at that stage already. However, I feel like Abberline's parting words affected him a lot, even if briefly. When Abberline tells him that he can start everything from the beginning, Ciel sounds absolutely heartbroken when he confesses, "I don't have a future." The way he acts later, telling Sebastian to stop and not kill the angel, hesitating, reinforces this idea to me. I think you described it best - Ciel is having an existential crisis. It's not like he suddenly regrets his decisions, but he's temporary unanchored and unsure what he wants and what he should do. Having a dream where Abberline urges him to give up his hatred also seems to affect Ciel, but it's so telling that he wakes up and immediately says, "Sebastian." It's a fascinating arc and I can't wait to explore it.

I love your words about three offerings - so true. And I'm so happy you liked S2 when watching it from a new perspective! I used to be so confused as to why people hated it: it's not perfect, but I thought it was amazing in many ways, especially its bittersweet ending.

#black butler #sebaciel #ciel phantomhive #sebastian michaelis #my fics

[iturbide]

What do you think could have been done to improve 3H? Given the budget/time, what changes would you have done? Also, what elements do you consider KEY to a good story?

fffffff I would have done so many things differently in 3H it requires a read more but to your second question: I feel that characters are a key element of a good story. Possibly the most crucial element, to me. You can have the most epic, incredible plot in the world -- but if the characters taking part in it aren't interesting or able to engage the reader, then the story loses a huge part of its impact. It's only by caring about the people taking part that a reader can get invested in the story and its outcome; if you don't care about what happens to someone (either in a good or a bad way) then you're at best apathetic to the events, at worst bored by them.

Frankly everything else in a story -- narrative structure, conflict, etc -- is so malleable that I can't consider it key. You can easily make stories that have no classic conflict if you have characters that people care about, because just watching them interact with the world and each other can be beautifully engaging. So at least to me, the key is in the characters: whether you love them and want them to succeed or love to hate them and want to see them get their just desserts, they're the ones that do the heavy lifting in a story, so making sure they're compelling is one of the most important things to me when writing.

As for 3H though I have a lot of changes I would make. Throughout the whole game.

Academy Phase

Giving each House their own unique set of missions. I feel that part of why the Azure Moon route is considered so strong is because it's the most character driven, something that starts in the Academy Phase: everything from Lonato's rebellion to Miklan's theft of the Gautier Relic are highly personal to the Blue Lions students, with Ashe being Lonato's adoptive son and Miklan being Sylvain's estranged older brother (and someone who's well-known to Dimitri, Felix, and Ingrid on top of it). While these are both important events, for the Black Eagles and the Golden Deer there's not the same level of personal engagement: it's just a thing that's happening rather than a devastating blow to the students we love. While there are certainly missions that can and should stay the same (the raid on Seiros' tomb, Flayn's kidnapping, the Remire incident, etc.) having select missions be personalized by House to give that same level of engagement would have made for a far stronger narrative, since it enhances the player's connection with the students of their chosen House.

Just as an example: for the Black Eagles, rather than putting down Lonato's rebellion, maybe have their mission be aiding a small sect of the Church in the Empire that's being plagued by monsters or bandits. It gives us the chance to learn more of the history between the Church of Seiros and the Adrestian Empire, how close they were and how it fell apart a century before the game; Rhea might explain that she wants to improve these failing relations by having Imperial students go to aid this disconnected branch, and in private Edelgard could hint at her distrust of the institution and of Rhea herself even if she is following orders. Not only that, we could hear on returning that the Blue Lions students accompanied the Knights of Seiros in dealing with Lonato's rebellion, so we still get the fallout from those events and have a reason to choose the Blue Lions in another run.

Another example: for the Golden Deer, rather than going after Miklan and witnessing his transformation, maybe a report arrives that someone stole Failnaught and task the Alliance students with retrieving it. It lets us learn more about the situation in the Alliance, giving more details about Duke Oswald's situation, Claude's appointment as the heir to the Riegan House...and while he would never do it personally, have there be subtle implications but no hard proof that Duke Gloucester is behind the theft, just as he was the death of Claude's Uncle; on top of that, we could still get a battle against a Black Beast when Failnaught transforms the bandit, giving Claude a very personal look at how dangerous these Relics can be (something he likely wouldn't have had deep insight into, given his Almyran roots). And again, on returning to the monastery we could see the Blue Lions dealing with the fallout from Miklan.

More interaction between the House Leaders in general. There are only a handful of scenes where all three of them interact together, and I can only think of one instance where they're even in each other's company at the monastery (Claude and Dimitri in one of the early chapters). Having more of these moments where they're apparently interacting on the grounds or where we can see them together in cutscenes, giving us more insight into the leaders of the other Houses we didn't pick, would give us a lot more investment in them as people and make the eventual revelations at the end of the Academy Phase hit a lot harder.

Especially with Claude's ambition being what it is, it would have been a far better show of his character to have him hanging out with different students every month -- not just from his own House like Hilda, but from other Houses. Have him be talking with Petra in the dining hall one month, or with Annette at the reception hall another; if you sided with the Black Eagles or the Blue Lions, it would be very easy to suspect that he's up to tricks and trying to figure out individual weaknesses...but if you picked the Golden Deer, you'd likely realize very quickly that he's got no ulterior motives because you've been seeing him in action and getting Supports with him.

More Supports period. We were robbed of some fascinating interactions, like Ashe and Dorothea or Dedue and Petra, and some really strong Support chains stop before they reach their full potential (several Sylvain supports, including Marianne and Bernadetta). I want to see so many more of these and I would add in a ton if given half an opportunity.

Giving Byleth more agency. This bleeds over into the War Phase, too, but one of my biggest complaints about the game is how limited the response options are, especially when it comes to Edelgard and her frightening rhetoric as early as chapter 3. Give us more options with real varied outcomes, rather than it changing one immediate line of dialogue; give us real dialogue trees rather than minutely altered responses so that we have an opportunity to affect change. This runs the risk of drastically altering Byleth's relationship with the various House Leaders, but that potential is undeniably fascinating in and of itself.

War Phase

Azure Moon: Make Dimitri's turn more gradual. Show him grappling with Rodrigue's words more, have more scenes where he and Byleth talk and he tries to work through his understandably complicated feelings. It doesn't even have to take that much longer, honestly: every week for the next month, give us an extra cutscene and let there be a small change in how you can interact with him. For example, maybe he still doesn't attend the round table in the first week, but you do have the option of assigning him to a task around the monastery; in the second week if you explore, you have the option to invite him to a meal; in the third week he finally attends the roundtable and you're able to work on his skills again; and in the fourth week his supports finally unlock.

Azure Moon: Make Claude recruitable. Don't have him leave Failnaught and go waltzing back to Almyra, have him actually head up the Alliance in this time of need and volunteer to join forces with the Kingdom forces. You can have the option of turning him down, if you really want, at which point he might leave Lorenz in charge and go back home, but give us the option of bringing him on board along with any other former Deer that fought with him at Derdriu -- and furthermore, let us have some supports with Dedue and Dimitri to go with it. Ideally those Support chains would be available in the Academy phase and maybe you'd have the recruitment option only if Dimitr's Support level with Claude is at least a B (since you can get to A during the Academy Phase but not unlock it until the War Phase as I experienced many times). But still: Claude recruitment. Yes.

Verdant Wind: Make Dimitri recruitable. Having him die offscreen after Gronder is absolutely terrible, especially since we know for a fact that at least two people from the Alliance army saw what was either going to happen or directly happening. At the end of the battle, give us an option of going after Dimitri: if you choose not to, he still dies, but if you do you have the opportunity to save him and recruit any other former Lions with him. As abve, Supports between Claude and Dimitri would be great, and you could even keep Dimitri's Supports locked for a while and include scenes of Byleth and/or Claude and Dimitri talking and working with him until he starts turning around the way he does in Azure Moon. Dimitri's death in Verdant Wind is a travesty and it needs to be changed.

Verdant Wind: More character stuff in general. One of the things that makes Azure Moon such a strong route is that it's so deeply character-driven. Verdant Wind is much more plot-driven, and while it's still strong, it could have been more impactful if the characters were more directly affected and/or we got to see more of their individual actions. For instance: after securing Myrddin, have weekly missions where you actually go along and meet with the Great Lords and discuss with them before the final round table. Have Byleth and Claude go with Lorenz to talk to Count Gloucester and try to get his buy-in, and give us more dialogue trees where Byleth can contribute (for better or for worse) so that in the end you either get his full agreement or only grudging consideration because Lorenz intervenes. Get us engaged, show us more of the situation in the Alliance, and let us have a role in moving from this uneasy state of neutrality to full agreement that it's time to take action.

Silver Snow: A unique story in general. Basically everything in the route is a weaker copy of the events in Verdant Wind, and regardless of which came first, Verdant Wind handles the events in a way that makes more logical and narrative sense than Silver Snow does. So even if things could be changed in Verdant Wind to make it stronger and more unique, Silver Snow needs the most work and ideally should have a new plot made just for them that gives the Knights of Seiros a chance to really shine.

Silver Snow: More for Seteth to do period. Despite the fact that he's ostensibly our Lord stand-in for the route (since he's the one who meets you after the timeskip, where it's either Claude, Dimitri, or Edelgard who does in the other routes), he barely has a chance to do anything and doesn't make much of an impact on the route overall. Silver Snow could -- and ostensibly should -- give him a chance to showcase his talents and stand as a unique and engaging character, since his role in the Academy Phase was so minor; relegating him to the same general role in Silver Snow does him a great injustice.

Crimson Flower: Have Edelgard suffer consequences. This is one of my biggest complaints with the game on the whole: that Crimson Flower goes out of is way to glorify imperialism and Edelgard gets a rosy perfect ending with nothing ever going wrong according to her endcards. Logically the way she achieved her goal would have led to massive dissent, unrest, and civil conflict in the territories she conquered and subjugated; her route needs to show that, and make it clear that there are in fact consequences for her actions, both within the original Adrestian territry and without in the newly conquered ones.

Crimson Flower: Deal with the damn Agarthans. Given that she knows about them in detail the way neither of her fellow House Lords did, it's an absolute travesty that we never saw her go after them in her route: all she did was show her hand too early and cause hundreds of senseless deaths when the Agarthans fired on Arianrhod. Her route should have ended with a conflict against the Agarthan menace -- and likely a very hard one, harder even than the battle against Rhea, because she left them for too long and gave them time to bolster their defenses before she arrived. And given that she's killed Rhea, the end of that conflict would likely be a massive loss of life when Thales bombs Shambhala -- further consequences for her actions.

All Routes: Give Byleth agency. This is especially pertinent in CF where canon reduced Byleth to Edelgard's enabler: give them a chance to fight her, push back against things that either don't make sense or are only going to hurt people, argue and maybe force her to change her mind or see another viewpoint rather than continuing to barrel down a path of bloodshed and loss because she selfishly decided that war was the only way. But giving Byleth that same agency in other routes would be equally powerful: let them talk candidly with Dimitri, let them encourage Claude to trust his companions and reveal his Almyran heritage, just...let them have a chance to be their own person, with complicated relationships and the ability to speak freely.

#answered #21stcenturyhero #fire emblem: three houses #look i enjoy 3h a lot #but it's also kind of a mess when you think about it #these are just the immediate changes that come to mind #there are probably more improvements that could be made #but these are a good start #and would have made a much stronger game #at least in my opinion

[omegas-spaghettios]

Loki Episode 3 Spoilers!

I wanna talk about Sylvie and her being the Enchantress.

I believe she is truly a Loki variant.

I want to make it clear that I'm not taking the stance she CAN'T be the Enchantress, that isn't my point. My point is I personally do not believe she is not a Loki Variant and I'm going to share evidence to support that.

Also to further clarify, I 100% see that they are drawing inspiration from Enchantress to make Sylvie's character and could see her calling herself the Enchantress, but I do 100% believe she is a Loki Variant.

What I think is the most important is respect. I have a friend who knows nothing about the comics and she got yelled at by another friend for not knowing the Enchantress from the comics and not believing it. Comic fans, cut this out. I know 95% of comic fans who read this won't ever do that, but please be kind to people who haven't read the comics. But regardless, if you are reading this and believe she is the Enchantress and NOT a Loki Variant at all, I'm not trying to disrespect you, please don't disrespect me.

So, all that out of the way, here are my points.

(If you agree with me or don't really care, this is also just a ton of infodumping and character analysis)

1. The MCU loosely follows the comics

This isn't specific evidence but it is worth mentioning, the MCU will change the comics all the time. Thanos is very different in the MCU than the comics, The Guardians are incredibly different, Quill's heritage of being a kid of Ego is an almost completely original story, Civil War's plot varies wildly, there are countless examples. It culminated in WandaVision, where a lot of comic fans got incredibly burned with our predictions, me included (my guess was about Fietro, but I'm mostly referencing Mephisto). Plenty characters also take from others. Nando V Movies has an entire series on it, a notable villain being "Hela isn't Hela." In that video and series he details how some MCU characters draw from many comic characters. So it is not outside the realm of possibility or probability the MCU is taking parts from Enchantress Sylvie and changing it heavily.

I am aware Sylvie is an Enchantress in the comics but her origins have already seemed to vary wildly, so I would assume we are taking her comic self with a grain of salt. I however am by no means an authority on comics Sylvie, I literally just read her wiki page.

2) Addressing things I attribute to being Genderqueer/Genderfluid

We don't know much about Sylvie's identity so as a blanket statement I will be referring to her as genderqueer. If I use this term incorrectly, let me know.

A large piece of evidence Enchantress fans use is Sylvie hates being called Loki. That COULD be an Enchantress piece of evidence, but it also can very clearly be a genderqueer thing. If she is just trans or largely prefers a feminine appearance/identity, it makes sense she wouldn't like her birth name. I'm Trans MTF and I HATE my birth name, it is very common.

Loki in the show still uses Loki and seems very attached to it, but Sylvie is clearly VERY different. Loki himself is confirmed as Genderfluid, and Sylvie obviously has a very different experience in life from him, so we can expect variance in identity as well. If a version of Loki can be like THIS:

An already Genderqueer character can be queer in a different way.

Also, her blonde hair being different from Loki's is not an indication she isn't a Loki, changing hair color is so easy it means almost nothing.

Also, isn't the joke that Genderqueer people dye their hair a lot?

3) Her different power set and background

The fact she calls it enchanting is a pretty big indicator, I'll give you that. But the fact her powers function differently than Loki's doesn't automatically means she is not a Loki.

This is discovered as they talk about their backgrounds, Loki grew up and was taught by Frigga while Sylvie was not. Now, we know their pasts vary anyway since Sylvie learned she was adopted much earlier, but this can be taken two ways in my mind and BOTH explain the difference in powersets.

The obvious is that if Sylvie was not taught by Frigga, she'd have different magic. But an interesting hypothesis is that Sylvie went through becoming a TVA agent and escaped, her memories tampered with, affecting her memories of her training and parents, explaining why she says her mother is a distant memory. That's a hypothesis, but it could explain her different powerset even if she was a standard Loki initially. That could also affect her identity but I would honestly rather it didn't, it feels weird and off, but it's a possibility.

4) Loki's Reaction to Her

Loki notes many times she isn't "acting like a Loki", but I find it much more probable he's just full of himself instead of her not being one.

Loki is interesting because he is incredibly perceptive yet presumptuous at once. He picked up on two Tony Stark's and deduced it was time travel, but he assumed they were trying a last ditch effort to stop him since he succeeded. He is very perceptive of what Sylvie is trying to accomplish, but he doesn't understand WHY she wants to (he's been told, but he can't fathom not wanting to rule).

The point is, Loki's narrative is not the factual narrative. He notices Sylvie doesn't act like him and that's true! But he speaks of it like she can't be a Loki because he OBVIOUSLY is the gold standard when tons of evidence already listed in earlier sections speak to this difference being due to different life experiences, and his failure to acknowledge this so far is because of his ego, at least in my mind.

Also, the two are also very similar in a lot of respects. Sylvie guesses his sexuality and he in turn says she must be the same, they also both have an affinity for bladed weapons.

I believe the scene where they both try to get into the woman's home illustrates their similarity VERY well. They try different ways of getting in, yes. But they both assume the other will fail, they both are incredibly confident, and both of their confidences get them shot.

5) If she isn't a Loki, why impersonate him?

That's a genuine question, if you have an answer let me know.

What is the benefit of impersonating a Loki? It offers no tactical advantage in my mind. Sure, she is the TVA's biggest threat, but she seems to not understand the general viewpoint of Loki. Mobius calls him pathetic and states Loki's have the highest variance rate, they must be fairly easy to catch.

You could argue that she impersonated a Loki BECAUSE the TVA expects so little of Loki, which is a fair point i can't counter. However, it did blow up in her face since Loki was able to track her (and him tracking her as fast as he did is more evidence that she is indeed a Loki).

So, in Conclusion,

She is certainly at least partially based on an Enchantress from the comics, but I believe there is more than enough evidence to show, both in the show Loki and the MCU as a whole, that she is truly a variant of Loki.

#loki #loki laufeyson #loki odinson #loki spoilers #episode 3 #mcu #sylvie odinsdottir #sylvie laufeydottir #sylvie lushton #TVA #Time variance authority #genderqueer #genderfluid

[mc-critical]

I was curious since you were just talking about Suleyman sisters. Which one is your favourite and what would you change in their storylines? (Me: I would Sah being in love with Ibrahim and her and Hürrem being enemies, because I truly someone from the imperial family liked Hürrem)

I honestly love all of them. Even though they all share a similar purpose in the narrative on the outset (that is, being antagonists to Hürrem), they have distinct motivations and personalities that always succeed to make them so interesting to analyze.

Despite of that, I have to say that my favourite is Hatice. She's the one who felt most fleshed out, with the widest arrays of personality and relationships and I sympathize with her in nearly every level. While I know that S03 Hatice could turn people off and I could understand why in theory (good flanderization is still flanderization after all and her "Heel Face Turn" could feel underwhelming after Hü's huge E63 victory and it lowkey makes for kind of a soft reset of the show's status-quo, but not only I haven't seen this actually being used in arguments against her, but this is solely a writing problem that didn't even originate from her and wasn't totally fixed until the end.), I felt this was the most logical step in her arc and her development made complete sense, no matter how flanderizing it was and how tragic it ended up being. [poor Hatice :(] I have analyzed her character and why I love her so much as well in more detail here.

The one thing I would change is, again, her spending more time with Osman and Huricihan. The need of having kids was set up as a very important part of her character from the beggining and Osman and Huricihan's birth could've felt as a new wave of hope after the devastating child losses. It felt like they were the start of an entirely new chapter of her life where she could enjoy the company of her kids the way she so wanted to, but the birth of Huricihan and Osman ended up being only the finale of Hatice's worries over her children, a satisfying end to these arcs of hers where she could finally find happiness at last and with this it was over. It wasn't built on at all and this whole angle of Hatice's character was seemingly dropped just like that. While I get that her storyline was very densely packed and they may not have had time, they could've given us a few scenes at the very least, especially in S03B where they would play part in empowering even more Hatice's tragic arc, being a reminder of Ibrahim. Not to mention that Huricihan would've been a much better character if that set-up existed.

I adore Şah Sultan, as well and I actually enjoy her dynamic with Hatice even more than her dynamic with Hürrem, because it tells us much more about who she is. It was so enjoyable to watch these two sisters confront each other on not so few instances, while still loving each other. I love how Şah's ambition contrasts so well with her genuine care for the people she loves (like Hatice and Esmahan) and how her pragmatism could actually get in the way of that care, while we could still see that the two coexist in her regardless. It makes her motivation so interesting to figure out in a way we haven't seen before or after with any other character. Her love for Ibrahim.. while yes, I get that it may seem a little weird, putting so much stuff in their past into another context that could draw the line between "this makes sense" and "how exactly did that happen?", it explains why Şah may have this deep seated resentment to Hatice, it is a nicely used plot-device to drive conflict between them (the conflict set-up in their past that is outside of their clash of ideals and philosophies in the present and near future) and her and Lütfi later. It makes her more interesting, too, because it shows her ability to let go of her feelings when she sees is necessary. Her approach is also very interesting and unique (at least at first) and while I find most of her scenes with Hürrem generic, she was a formidable and effective antagonist. I also find interesting that in rewatch, you do see that out of her and Hatice, it's Şah who is more elitist, interestingly enough. (because while Hatice mostly pulls rank out of ignorance or when she's challanged outright, Şah pulls rank not only in confrontation, but in casual conversations with people around her, as well - E87 is a perfect example of this. She also views the dynasty as something even more valuable that shouldn't ever be touched - her not wanting to fight Mihrimah in the end, even though I'm sure she could've outsmarted her if she truly wanted to, she wanted the most out of anyone in S03B for the dynasty members to have each other's backs and support each other no matter what and she was as ready as Hatice to stand behind what the dynasty represents, but not on a more personal level like Hatice, rather on standing behind its laws and traditions, like Ayşe Hafsa.)

What I would change with her, is that intrigue of hers that succeeded to have Hürrem be exiled for the third time. There's nothing wrong with the intrigue neither writing-wise, nor with Şah's character in it, and I kinda appreciate Hürrem's overspending there as a parallel to Mahidevran's overspending in S02, showing that they're not so different after all in a bunch of cases. But otherwise, the whole thing felt like pointless filler that only repeats some aspect of previous storylines. Yet another harem riot, though not as large in scale, and that almost contrived exile, which served nothing in the end (except for showing how Hürrem has gained a decent network of political allies, but that was shown before the exile, too). I would probably make it a far more complex, but still to the point intrigue, the outcome of which sure wouldn't be another exile for an episode. This also wouldn't have been the ending culmination of Şah's careful plans against Hürrem, either. (Ayaz Pasha's death afterwards was relatively quickly planned in comparison! Like.. c'mon..)

Fatma is my least favourite sister of the sisters, but she certainly has her moments. I love her debut and I love how fun loving she is, I sorta wish we saw even more of that. I actually don't recall a moment where Fatma ever pulled rank on someone in the way Hatice in E26 did and Şah so casually does and if there truly isn't any moment like that, then I love her even more for it. What is even more interesting is how her motivation is a promise made to Mustafa (even though this whole motivation is kinda strange writing-wise, since she's an entirely new character and the devotion to Mustafa could look like something the writers only came up with in the heat of the moment for S04A's bad use of flashbacks and to make yet another antagonist for Hürrem... Fatma could've been next to Mustafa when he was a child in Manisa and she liked him as a child, who knows? That coupled with Mahidevran probably reminding him of Fatma's existence, as well.) and how far she's going to go to fulfill it, even after his death. It all showed a side of hers that is willing to put the dynasty members in intrigue (the way she put Selim and Bayezid against one another and even when she played that game on Mihrimah), an interesting contrast with the other sisters, who would do anything but, at least not so consciously. (I'm referring to Şah's very first scheme against Hürrem, in E85-6) I love how she scolded Mihrimah in E121 and I love how they showed her sorrow for Mustafa's death. (that little scene where she said: "I failed.." was so touching, honestly... It shows how devoted she was to it all) Her relationship with Kara Ahmet is also pretty great.

What I would change with her, is her part in the menopause plot. The episode itself is such a weird and tonal mess, but Fatma there was at her worst and I don't agree with her making fun of Hürrem like this. I get the purpose of the episode and scene, but it still sits wrong with me and since that was our first episode with Fatma, it rendered her a little petty for me when I was first watching. I wouldn't have had Fatma tell it out loud for everyone to hear, I would've probably made her show Hürrem she knew in a confrontation similar to Hürrem and Mahidevran's (hey, a part of their formula could work for once!) between both of them during the entertainment. I would have also given her a little more balanced screentime. In some episodes it was very fine, but in others, it felt like she was more shoved into the background.

About Hürrem having at least one dynasty member to like Hürrem - I agree, it would be a breath of fresh air, to say the least, there should've been this kind of variety. If there is one I would make a friend of Hürrem's (at the most part), that would be Beyhan.

I would have given her more screentime, especially in S01-2, she could be there to advice and support her sisters even more and for them to calm down from the games and intrigues. She wouldn't play such a big role in the story, aside from an arc or two that would be different from working against Hürrem. Her and Hürrem would be usually on good terms, since her emotional maturity would let her understand at least a bit of her side of the story and wouldn't be so quick to accuse her. (as she wasn't when she learned of how Hatice learned about Nigar and Ibrahim) Beyhan can't be fully on board with her, of course, because moments where Hürrem tramples on Hatice's happiness directly or indirectly could put them at odds, but I feel Beyhan's personality and shtick would be the best suited for a friendship with Hürrem of sorts. Since she still wouldn't be part of the throne war, Hürrem would have no reasons to act against her personally, either. (now, S03B could be a problem, but then we could... have her return to her castle permanetly?) It would've been epic if Şah had only her dynamic with Hatice in the story, but I don't think that alone would be enough for the writers, because they sure were searching for someone to replace Ibrahim as a more prominent antagonist until S04's switch of focus and enrichment of storylines. 

#magnificent century #muhteşem yüzyıl #muhtesem yuzyil #hatice sultan #sah sultan #beyhan sultan #fatma sultan #ask #librarian-witchling