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#(still doesn't make it right but like. characters just like people are flawed and all that)
kisskissgotohell · 3 months
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i just wanna point out that, like. it's okay to disagree with the main character. just because they're the pov of the story doesn't mean they're infallible or that their word is law? you can like that character that tried to kill the mc. you can think the mc made the wrong choice. you can forgive things that the mc would never forgive, or choose not to forgive things that the mc does, because you're not the main character. you are the reader of the story, and just because you can't change it (and it's not the author's responsibility to capitulate to fans) doesn't mean you can't form your own opinions about it. it's fictional! that's the point! have fun with it!!
#sometimes.... main characters....... can be wrong#of course authors will generally try and make you like or agree with the mc (in some way at the very least) but like.#even the most perfect 'good guys' have flaws or else it's not usually a very well written story. and it's okay to acknowledge that!#it's not even really an issue of the whole 'protagonists can be bad guys/antagonists can be good guys' thing (ex. death note)#but like. even if you 100% root for the mc and think they're totally in the right you can still..... like the character that betrayed them?#nothing you say or think about them will make them NOT betray the mc in canon. so why does it matter if you like them despite it?#it's fiction - you can like multiple parts of the story simultaneously. it's okay. i give you permission.#on a similar note. it's okay for people to have different opinions about the same thing#to continue the analogy: maybe your friend doesn't forgive that guy for the betrayal but you do. that's great!#everyone can have an opinion about that guy and just bc someone disagrees with you doesn't mean you can harass them to change their mind.#while im down here#sorry about all this. im procrastinating on a project and ill do anything to stop thinking abt it so im thinking abt this instead#take death note. i do NOT agree with light but i also don't necessarily agree with L either. and i like both of them!#light HATES L and yet he's one of my favorite characters. i hate everything light does and yet i really enjoy reading from his pov.#its not black and white!#have opinions! change them after two days or think about the same blorbo for years! critical thinking and personal enjoyment can coexist!#anyways.
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bookdragonideas · 27 days
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Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.
But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.
And that's one of the many reasons I love Avatar the Last Airbender.
Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.
And I Love that.
I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.
(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)
Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.
Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.
And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.
Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.
And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.
Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.
She watches Zuko steal her ostrich horse and does nothing.
Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.
Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.
She kissed a boy she had just met because she thought he was cute.
Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.
But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.
"I AM a warrior, but I'm a girl too."
Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.
Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.
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ohnoitstbskyen · 7 months
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youtube
... y'all know Lae'zel is acting scared, right?
Video transcription: I've seen a lot of comments on my short about Lae'zel dismissing her entire character because she's mean and… I'm just checking in here… you guys know she's scared, right? She's terrified. She was kidnapped by the worst monster she knows, infected with the most horrifying death anyone in her culture can have, and then stranded on a hostile world, alone, with nothing to guide her except the dogmatic military cult indoctrination of a cruel lich demigod, telling her that her only hope of salvation is to follow Gith doctrine with total unyielding faith. And still she tries to save you. When she keeps insisting that you must get to the Githyanki crèche, it's our only hope, she's trying to guide you towards the only salvation she knows from the parasite, so she can share it with you. And Gith... aren't supposed to do that, saving an outsider is not part of the doctrine, she's breaking the rules trying to do right by you. None of that means she's not being an asshole, she's rude, dogmatic and unpleasant. But everything she does comes from a genuine, very misguided and abrasive, desire to do the right thing. It doesn't make her behaviour okay, but there is more to her character than just "being the mean one."
To expand on this a bit more than I can in a 60 second short, people acting from fear and from their damage is a major theme among the Baldur's Gate 3 companions.
Lae'zel is terrified and falling back on the only thing she believes will give her back some control over her situation, which is the dogma of the military cult she's in. Shadowheart is much the same, amnesiac and grasping on to the only solid thing she knows, which is her faith, which preaches deception, loss and duplicity as the only certain factors in life.
Gale is an inveterate people-pleaser desperately dependent on other people to help him feed his magic addiction, with his overtly affable exterior hiding a rolling boulder of guilt, ambition, greed, arrogance and legitimate hurt. Asterion is... well, no way to really lay out his deal without spoiling, but the boy has been through it and his self-destructive, hedonistic and selfish impulses are all coping mechanism and self-defense all the time.
None of that make their shitty behaviours okay, but in a fictional story, those kinds of flaws and toxic behaviours are what make for interesting stories and characters. I don't blame anyone for finding Lae'zel unpleasant and abrasive, but I do get a bit Old Man Yells At Cloud about people who casually brag about shoving her off a cliff-side, or murdering her because "she was a bitch" or whatever.
Like... being unable to face discomfort in your media is not a virtue, and lashing out reactively against fiction that doesn't validate your power fantasy isn't a flex.
Of course, I saw a lot of those reactions in YouTube comments and on social media, so my sample is biased by those algorithms, but still. A lot of people seem aggressively proud that they never engaged with her story because the terrified indoctrinated child-soldier wasn't immediately nice to them and I can't explain it but something about that reaction feels puritan to me.
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bloodbenderz · 1 month
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there was a lot of mistakes made in the live action but the worst one without reservation was that the creators did not understand patriarchy and they did not understand women's liberation outside of an american context ( or any context if we're being honest )
it's easy to see on a surface level how that fucked up katara's whole character how she wasn't allowed to have her character defining moments how she wasn't allowed to be angry or even excited or impulsive but i think it doesn't really become clear how deeply wrong the show's conception of gender & patriarchy is (and the implications for the political landscape of the show) until you get into how they destroyed sokka's character too
sokka's whole Complex is born of patriarchy. i'm not trying to do men's rights advocacy here but in my experience when a people is under constant threat, constant assault, constant violence (much of which is gendered) and the traditional "protectors" or "providers" of that people are men, the masculine role becomes protecting women and children. i am not saying this is a good thing or a bad thing but it is true the narrative of violent resistance is overwhelmingly about men. to be a man in a time & place like this means fighting to protect your women, & to die for them is honorable. that is where sokka gets this idea that he has to be a warrior & he has to fight & if necessary die for katara & the rest of the tribe. it's about duty. everyone has a part to play, a role to fill
everyone including women! which is the other half of this. the duty of women is to keep up the home, to maintain a country worth fighting & dying for, to raise children so that the community can have a future. it becomes especially obvious in the context of the show when you see how the nwt lives & in specific how yue lives and dies.
many women participate in patriarchy. many colonized women participate in patriarchy. most of my family comes from or still lives in a country completely devastated by colonialism & its aftereffects & many women in my family believe wholeheartedly in the idea that everyone in the house has a role to play. it's not because these women are stupid or they hate themselves. but when you grow up believing that men & women are fundamentally different, and seeing that women are in specific danger because of their gender, it actually makes a lot of sense to expect the men in your family to protect you, and to raise your sons that way.
in practice that means that men aren't really expected to do anything around the house, especially when there's no actual danger. my aunt literally 2 days ago told me this lol like she doesn't make her sons do anything bc she wants to let their lives be easy before they have to go out into the world & take care of their wives & children.
what does women's liberation look like when an entire community is under threat? colonized women have been dealing with this question as long as colonialism has existed. the writers of this show don't even pretend to understand the question, much less to formulate a thoughtful response to it. they just say oh, well, katara, yue, & suki are all the exact same type of liberated girlboss for whom patriarchy is no significant obstacle.
which brings us back to sokka lol. sokka, at the beginning of the show, has completely subscribed to patriarchy, has integrated it into his sense of self. he has a lot of flaws, but he also has a lot of really good traits. his bravery, sense of honor, loyalty, work ethic, selflessness, all of this came from him striving to be a good man. he would die to protect katara, because she's his sister. he also has her wash his socks & mend his clothes, because she's his sister. even after he meets suki, humbles himself, & expands his view of the role a woman can play, he doesn't completely disengage from patriarchy. at the end of the day he believes in his soul that a good man's duty is to fight & if necessary die for his people, & that's exactly his plan. this is a very real psychic burden. pre-aang, it's also largely fictional & completely ridiculous. we're SUPPOSED to think it's ridiculous. he's spending his time training babies & working on his little watchtower. the swt hasn't been attacked since their mother was killed because it has been completely stripped of all value or danger it once held for the fire nation, & everybody knows this. there is very little "men's work" left, aside from hunting & fishing, which is so damaging to sokka's self image he resorts to toddler bootcamp to feel useful. the contradiction here is comical. it's also completely devastating. that's supposed to be the fucking POINTTTT like colonialism & patriarchy convinces this young boy he needs to be a soldier & die for his family. & you know what he does? He acts like a young boy about it. they didn't just leave this unexplored in the remake they completely changed the circumstances to 1. make sokka incompetent for some reason 2. make his "preparations" seem less ridiculous. Which ruins the whole character. Possibly the whole show.
all this makes the writing of katara & the other women infinitely more offensive to me. katara is a good character because she believes in revolution. she wants to liberate her people from imperialism, & she wants to liberate women from colonial gendered violence, traditional patriarchy in her own culture, & the complicated ways those things interact. it is LITERALLY the first thing you're supposed to learn about her. she's the PERFECT vehicle to address the question of women's liberation under colonialism. one of the things i was most looking forward to seeing in this show was how labor is distributed in a place where almost everything that needs to get done is "women's work" & how it affects katara & sokka's day to day relationship when their lives weren't at risk constantly. what actually are her responsibilities every day, & how do they compare to sokka's? how does her grandmother enforce these traditions with katara & sokka, & how is that informed by her own experiences in the nwt? what does patriarchy look like in a tribe made up of mostly women & children? it's so important to who katara is & what she believes! but why bother exploring any of that when u could instead make her a shein model who has nothing in common with the source material except her hairstyle lol.
yue is actually even worse to me bc yue is supposed to be sokka's counterpart. she's supposed to show you how destructive it is for women specifically to internalize this gendered duty so completely. it sucks for sokka, but he is a man & thus his prescribed role gives him some agency. yue's role affords her no agency whatsoever, & this is the POINT. to make her someone who's allowed to break things off with her fiance if she likes, who sneaks off to do what she wants when she's feeling stressed, whose will is respected as a monarch, like what is even the point of yue anymore? in the original the whole reason she was even allowed to spend time with sokka was because her father knew she was with a trustworthy boy. her story completely loses all significance when the dimension of patriarchy is removed from it. the crux of her whole story is that she is not just a princess but the literal & spiritual representation of the motherland. that's what women are supposed to represent during wartime, at the cost of their own sense of self. in order to fulfill her duty to her people she gives her life to them in every single way that matters.
it's just so unbelievably frustrating (and WRONG) that the only types of characters for these writers are "soulless misogynistic fuck" and "liberated american-style feminist." there's no nuance at all! they don't bother exploring how real love manifests in patriarchal communities, & how patriarchy defines the limits of that love. or how for so many of these people their idea of goodness, morality, & honor is gendered. or how imperialism affects not just individuals but entire cultures & their conceptions of gender. but why do any actual work when you could completely change sokka & katara's general demeanors, their entire personalities, & their roles in the tribe so you can dodge any & all nuance
Anyways. in conclusion. it was bad
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yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶
i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)
have a good day!! sparkle on!!! ✨💖
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i heart mithan... i think that they can be so cute...
i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned
mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭
i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔
i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends
i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about
people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled
in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol
the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭
its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭
mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)
i get a lot a trouble for saying this, but mia is a selfish person.
its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!
she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!
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she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"
she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)
she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.
he got involved because she was involved. its honestly a series of really really unfortunate events.
THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.
she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7
but again, those are the consequences of HER actions
her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭
their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"
its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!
you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)
everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.
obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.
the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"
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she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!
just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.
im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!
im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.
i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!
i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process
talking about them is just a pain in the butt because talking about mia is a pain in the butt lol
i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭
its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.
all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.
i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.
also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!
thank u for the ask! sorry for the long response!
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queerfables · 5 months
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'Wilson' as an episode fucking slaps. I'm obsessed with Wilson's complete lack of boundaries and I'm obsessed with the way he acts out to express resentment while still being completely incapable of saying no. He gave a patient part of his liver!! The man is in no way hinged.
For all the emphasis that gets placed on Wilson's failed marriages and infidelity, we don't ever actually see it directly on screen. This is a narrative choice I love, for the record. We see Wilson's relationships through House's eyes and it allows us to understand Wilson as a deeply flawed person without ever making him unlikable, because Wilson's flaws and contradictions are what make him irresistible to House. It's so effective, the way these failed relationships say so much about Wilson's character while being constructed largely out of inference.
In this episode, though, we watch his inability to self advocate play out in real time, and I guarantee that this is what every one of his relationship meltdowns looked like from the inside. On some deep fundamental level, James Wilson doesn't believe "I don't want to" is a valid reason not to do something. You know the fantasy trope of an obedience curse, where the victim is inescapably compelled to obey other people's requests? Wilson casts that spell on his own damn self, and he'll hold true to it even to the point of violating his own bodily autonomy. When you lack boundaries like that, it becomes almost impossible to even know what you truly want, let alone to act on it. So Wilson says yes and yes and yes until it breaks him, and then he still can't say no.
When saying yes feels like surrendering to torture and saying no feels like committing murder, the only option left is escape. So Wilson goes out drinking to trash the liver he's going to donate. He gets dinner with the pretty nurse instead of going home to his wife. All of it is him scrabbling at the bars of his cage. And the irony is that the cage is unlocked, he just has to walk through the open door, and that's the last thing he could ever bring himself to do.
I'm pretty sure that when he went to Cuddy and told her his plan to donate, he wanted her to say no. She almost did! And I think she should have, because her first impulse was right, it is insane. Unfortunately this is the Insane Lack of Boundaries Hospital, and she can't actually be expected to guess when her employee's mouth is saying yes but his eyes are saying dear god no. By the rules of universe that House MD operates within, this doesn't even break a 7 on the "unhinged measures to save a patient" scale, and Wilson invoked the power of friendship. What was she supposed to do?
And through all of this, House is the person Wilson lashes out at. I love, love, love that House is the person Wilson lashes out at. Wilson can't even admit to himself that he's angry about the position he's in. How can he be angry when he's the reason the patient needs a new liver? But House sees right to the heart of everything going on with him, and he says all the things Wilson wants to be true and can't afford to believe. Because if he lets himself believe this wasn't his fault then he might not be able to say yes. And he's going to say yes. And he hates that he's going to say yes. And he hates that House knows he's going to say yes.
So he gets angry with House, because it's safe to get angry with House. He lashes out, because with House, he can. He tells House he's wrong about him, and demands House move out, and that's not at all what he really wants but he feels helpless and coerced and he desperately needs to exercise some kind of control over his own life. The fact that he can let go like this with House is in part about knowing House isn't ever going to leave him - the closeness of their relationship is always defined by what Wilson wants, House has never once pushed Wilson away and fights to reconcile when Wilson wants distance. But it's also about knowing that he can't hurt House by setting boundaries with him. Mostly this is because House will walk right over any boundaries he considers unacceptable, but in fairness, the fact that House is kind of a terrible person is part of his appeal. If Wilson had issues around other people violating his stated wishes, House would be the last person in the world that he should have anything to do with. But Wilson's issues lie in the fear that not being compulsively available and accommodating to everyone around him might permanently fuck up the life of someone he loves. House's fucked up life is never going to be Wilson's fault and even if it was House would still kind of deserve it, so Wilson's anxious people pleasing compulsion can chill the fuck out for five minutes at a time.
I don't want to idealise, there are times in their relationship when Wilson absolutely makes fucked up sacrifices for House. I don't think it's the case that he earnestly wanted to every time. But it's also true that House brings out authenticity in Wilson that few other people manage to. House knows him. House allows him to give in to his selfish impulses without guilt and consequences, and for all the people who love the best in him, House knows and loves his worst. While Wilson is caught up in trying to bend himself into whatever shape someone else needs him to be, what House wants more than anything is the truth. For Wilson, who is so out of touch with his own desires, being an object of fascination to someone obsessed with drives and motivations must be a rush. And if we accept the throughline of this episode, it might just be the case that House's boundary pushing and obsession is something Wilson needs.
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velarisvalkyrie · 3 months
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My problem is not Rhysand being upset with Nesta. Half of the time he has a right to be upset with her. My problem with Rhysand is he ends up either screaming in her face or threatening to kill her (even if he wouldn't actually do so it's still a very aggressive statement to make to someone who is attached to your family whether you like it or not) and if he isn't threatening to kill her then he's threatening her with some sort of physical consequence. It also doesn't sit well with me that he finds some satisfaction in her being afraid of him at times.
That is where Rhysand's toxic traits come out and that is where I have issue with him.
Nesta is not perfect - not even close - however Nesta is around 25 years old? She's still learning a lot about herself and how to heal and change for the better. She's still adjusting to life of the Fae just like Elain. Feyre is even still adjusting although her circumstances have made her somewhat quicker to adapt.
Rhysand has been alive for centuries. I will always respect his character for what he went through with Amarantha and what he did to protect his friends and Velaris. He is allowed to have traumas and make mistakes. However, I would expect more maturity in communication during disagreement and conflict, especially when the person you are having that conversation with is going to be within your family circle.
Nesta is Feyre's sister and Cassian's mate. Whether Rhysand likes it or not Nesta is most likely always going to be somewhere within his life. Feyre and Nesta have their own understanding that they are working on. Cassian is her mate and she has claimed him as such at this point.
Rhysand does not have to agree with Nesta or even like her but he needs to find ways to get his points across that still show her basic respect without relying on her being afraid for her physical safety or saying things to kick her down.
And before anyone jumps down my throat: Yes, I am fully aware Nesta has purposely said awful things to hurt others but the whole point of ACOSF is Nesta recognizing her flaws and wanting to try to change for the better. Everyone is all "People need room to grow." And can't even give a fictional character the opportunity to do so.
Anyway, that's just my opinion I needed to get out somewhere.
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i will not accept shane spouse room slander anymore im sick of it
I'm so mad at everyone who is mad at Shane's spouse room and i cant keep silent about it anymore
let me start by saying yes Shane was my first ever spouse in SDV and no i was not thinking i could fix him i was just impressed by his progress and self improvement so i had my character marry him
then i went online to see what are people saying about him and i was SHOCKED everyone was so mean to him and were absolutely wronggggggggggg about him
this man does improve himself he absolutely is better after marriage and everyone that's mischaracterizing that because of his spouse room is a coward sorry i don't make the rules
facts: Shane goes to therapy and starts getting his alcoholism under control by eliminating the source of his pain which is wasting his life away at joja and doing something he loves which is raise blue chickens THAT HE MADE MIGHT I ADD HE INVENTED A NEW BREED OF CHICKENS BTW. that last point alone pisses me of so hard because people so often over look it! he is just as smart as Maru just as creative as Eliot and just as ambitious as Sam, let me repeat myself HE INVENTED A NEW BREED OF CHICKEN WHILE HE WAS DEPRESSED AND SUFFERING OF ALCOHOLISM.... recognize his brilliance please
so that means people saying he falls back into his old habits because he has a six pack in his room is wrong, imo he stops being an alcoholic and goes back to having drinking be a hobby he does while gaming or hanging out with friends at the bar THAT'S THE POINT UR SUPPOSED TO GET FROM HIS HEART EVENTS
yes his room has mud tracks but consider this this man's WHOLE JOB is to RAISE CHICKENS IN A COOP !!!!! chickens who again he literally invented their breed who track mud shit and drop feed on the floor of the coop he is in all day!!! OF FUCKING COURSE HES GONNA HAVE MUD ON HIS SHOES!!
he works all day for his blue chickens and then just wants to come in and relax playing a video game and drinking a beer if he was a horrible dirty alcoholic like people claim he is he would track mud ALL OVER THE HOUSE AND DIRTY UP ALL THE HOUSE but no its just his tiny hobby room
you as a farmer also work all day on chores and after you are done you also just wanna do something fun to relax and guess what YOU HAVE THE ENTIRE HOUSE EVERY ROOM IN THE HOUSE TO MAKE INTO YOUR HOBBY ROOM some of you fill the house with kegs because you are making it your thing hell one of my farmers who was a witch had an entire room that's just crystals potions and a fucking cauldron , in my Shane save i had a room LINED with fish tanks that was my farmers Hobby, do you think Shane gets mad that i had 4 to 6 fish tanks running all day with puffer fishes and some legendary fishes stinking up the house?? NO because he gets his hobby room and the farmer gets their hobby room everyone keeps to their space period.
i think everyone needs to understand that having a messy hobby room is not a bad thing and that Shane and the other spouses have a right to their own room to look however they want and it doesn't have to match the house
everyone also needs to look at Shane in a better light please I'm begging you to let characters have small flaws and not be squeaky clean perfect
Shane sought help he is helping himself and trying to be better but that doesn't mean he doesn't get to indulge in some guilty pleasures he is human and is aloud to be one even while still in recovery! the difference now is that he HAS CONTROL OVER ALCOHOL AND GAMING CONSUMPTION AND IS NOT SPIRALING OUT OF CONTROL LIKE BEFORE he has job he loves a family he takes care of and he makes sure he doesn't dirty up his entire house but gives himself a break in his ONE room and doesn't stop himself form having fun doing the things he enjoys without over indulging or falling into bad habits.
Edit: i know in the end the drinks are non alcoholic as confirmed by him and i mentioned beer and drinks cause i know there is non alcoholic Versions of them som.. but as i said im adressing the MISSCHARACTERIZATION of shane by the shane haters who didn't go through his heart events hence me saying "you are supposed to learn all this from his heart events" cause they dont go through them :D
Anyway,
in conclusion SHANE IS GOOD SPOUSE, a good man and an inventor in his own right. yall just need to be gentle to him in your judgment cause man is he trying his earnest and that needs to be recognized. i mean look at him look at this healthy man <3
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kalak · 1 year
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Luke skywalker has so much rage inside him and I want people to recognize that. No he's not a shy baby boy, you know how much grit it takes to keep on doing and remain optimistic at the face of insurmountable evil? That boy is full of emotions. And yet he is kind. That's the key to his character - that he is full of rage but he doesn't let that stop him from hoping.
He definitely has a hair trigger temper - hell, his main character flaw in empire strikes back was his impulsiveness and recklessness - and he's so much like vader, he wants and loves so strongly and he despairs as strongly too. And what does he do with that temper? He fails, he loses, and he blows up and wrecks shit, but also that temper is the flip side of loving, and he embraces that too, he loves with all his heart. Point is, he's a very action and emotion oriented person, and that's what pushes him so close to the dark side; he's fatalistic, he's sometimes ridden with guilt, he's emotional.
But then he learns patience, he learns gentleness - learns to be a jedi. It's all learned; do or do not, yoda says, and he learns to do, to keep hoping. He isn't born as a sunshine boy, it's not his nature that makes him that way - he's naturally emotional, kinda whiny, full of rage; all the hallmarks of a darksider, but he learns to grow beyond that. That's how he can extend such an understanding hand towards sith and dark siders, his father - he knows the dark side. He understands it, he flirts with it, and yet he chooses to do better.
The meaning of luke skywalker in the star wars narrative is hope - hope isn't a magical deus ex machina that solves all your problems. It's not there all the time from the very start. It's something you cultivate, just like luke did throughout the trilogy.
Hope is continued existence. It's optimism that perseveres. You know that line of bravery being doing it in spite of the fear? Well, hope isn't the absence of giving up. Sometimes it's just screaming crying trying to kill your own father, but it's also making the right choice and trusting vader to make the right choice, too. If there's one good thing about the sequel trilogy, it's that - luke may have run away, he might have done some... uncharacteristic things, but that doesn't mean he's lost hope. He returned to fight again after all, didn't he?
Even if you fuck up, you return and fight - with a relentless optimism that being good will be enough, that the world is a better place for this choice. And Luke does that, again and again - still carrying all those emotions within him. He's a fire that burns strong and bright; he's sunshine and tempered death.
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i've been seeing a lot of falsettos posts recently deconstructing the fandoms beliefs and firstly
holy fuck thank you, i try to steer clear of fandom (and fandom-izing thereof) drama but this is getting a lot more visible recently so here's some little tidbits for you
whizzer brown is not an unflawed character!
okay so i haven't seen enough dissecting this but!!! in the chess game!
the whole point of marvin using that game to determine the ending of their relationship is because he suspects whizzer is constantly deceiving him and wants to prove it.
whizzer LITERALLY proves him right!
he asks marvin to help him along (yes i know he says he doesn't want help, hear me out, it's a little more complex than that) and takes advantage of the fact that marvin is- like- infatuated with him.
he draws him into a sense of false security then starts throwing accusations at him ("since you need a man!" "what?" "who's 'brainy'," "or witty, move.") until hes able to win, which he does with ease because he's been using marvin having this idea that he isn't smart against him.
of course, marvin's side of this isn't the best either but honestly, for once the fandom should focus on a different character when they think 'insane asshole'. typically we should also probably change our perspectives a little to be more unbiased cuz fr guys, this is getting really.. annoying.
i understand he's the most visibly flawed but that doesn't excuse constantly picking the worst parts of this musical (without other context, btw) to use against him.
and this post certainly isn't here to excuse anyone either i've just got a lot of opinions that i wanted to share while falsettos is.. trending? right?
2. marvin's (headcanoned but still somewhat researched) autism
this one isn't brought up as much but when i do see it around, it's kind of a skewed viewpoint.
while rewatching bits of the proshot i realized a lot of different neurodivergent traits that he shows-
he's helpless during I Never Wanted to Love You and is childish and regressive when he's upset (not every autistic person is like this either, i know this is a bit of a touchy subject so i just wanted to add that).
usually when people depict it i see it either toned down or joked about which is fine when all in good fun, and when its done respectfully.
not here to attack anyone, just here to point it out and say that yes :) he most likely is neurodivergent, but despite that his actions aren't condoned. he's still kinda a dick who needs to get his shit together
3. ..the lesbians also have shit going on?
just putting this out there- I DON'T SEE ENOUGH FOR THE LESBIANS! OR TRINA!
the girls in this musical are like thoroughly neglected and i think that's kind of shitty just assuming the fact that william finn put them in to demonstrate how gender roles put people in degrading positions (and he even makes it more prevalent by showing marvin as something like a misogynistic character who forces whizzer into more feminine roles to show the audience what woman have to/had to go through in society).
anyways, the lesbians aren't just there guys. they have a plotline too. in Something Bad is Happening, you derive a lot from charlotte singing about the outbreak of HIV/AIDS and realize how she operates on a daily basis (she's passionate about her work and takes every bad day as a hit to her life and career, explaining in a way that as a black, jewish, lesbian, FEMALE doctor in this time, everything that goes wrong is immediately brought down on her so much more than it would as any straight white male pharmacist-).
cordelia on the other hand has to handle the fact that her girlfriend is so adamant about her work ethic that she can't actually be super present in their relationship at times like that.
but either way she still sticks by her and is constantly trying to be supportive and endearing despite feeling like she's not amounting to her gf who's basically a hero in her eyes.
i kinda just wanted to bring that up because they mean a lot to me and they don't get enough love from the fanbase, thank you for listening to my TED talk <3
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prettyboykatsuki · 3 months
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wyll, in my opinion, gets the standard fare treatment for characters that are unequivocally good. i.e. people think he's boring and uninteresting. standard fare might be kind actually given the level of racism and unexplained slander (which is often just more thinly veiled racism). his reputation about being boring is not helped by the very blatant neglect of his storyline post his rewrite and release. as a wyll enjoyer i am hyperaware of the sorry state of his current story in all three acts
despite all of that and the glaring flaws - i still believe that wylls storyline is worth of being engaged with and explored.
one of the reasons (not the most major one, but one) i think wyll experiences so much neglect as a companion stems from a wider idea that "goodness" is always the uncomplicated, easy choice.
it's something i see a lot. wyll is boring because of his archetype as a princely and universally righteous guy. and this is interesting, because it always seems to functions under the assumption that wylls moral character is innate. that his heroic and righteous actions are in some capacity, uncomplicated.
uniquely among the male origin companions, through the course of wylls story - there is never a point in which he is at risk of making a truly 'bad' choice. both gale and astarions story have them at risk of making choices that are ultimately bad for them and others (especially tav when each character is romanced). gales godhood and astarions ascension are their in game moral failings. they are the result of having not broke the cycle and are 'bad' choices for the individual character.
wylls main choice is however his pact and the choice to break that pact. notably - wyll is never at risk of making a bad choice, only a selfish one.
from the critique i see of wyll - it seems like this is the element of him people find most egregious. he's too smooth, not rugged enough, not gritty enough. but i don't think wyll's character needs grit, necessarily.
if you take any time to dissect wyll at all, based on dialogue and character interaction, many of his choices put himself at the forefront of sacrifice. the game strips wyll of a lot of agency, but wyll also always abides by and sticks to his core belief. so often towards his own detriment.
not only does wyll bear the consequence of being turned into a devil (stripping him of the last remaining shred of identity he's ever had and one of the most important things in his life), he bore the burden of being banished when he made his pact, and was willing to do the same for the sake of his father when he is taken to moonrise.
and unlike gale (who i adore, to be clear) who's concept of self-sacrifice stems mostly from a low self-worth - the belief that dying is the best he can do - wyll truly views that it's better him than them.
wyll does not think twice about allowing himself to be the one to take the fall. he can play any part, take any role, even when these choices haunt him so obviously. wyll claims that he forgives his father, but opens up to you about fearing his feelings of missing him are one-sided. he believes that making his pact was the right choice, the one he would make again - but doesn't deny the obvious pain and solace that came along with being a wandering traveler and banished son.
wylls goodness is so deliberate. he is so staunch in upholding and acting on his beliefs that it is always narrative to his own detriment. when you view wyll like this , and view his choices with regards this character attribute, it is imo very hard to hate him.
wyll's goodness is his double edged sword. it makes him heroic, brave, fearless. and it makes him scared, uncertain and lonely. again, the story itself is bare bones and i understand that - but it is so very beautiful to me thinking of him and tav or just his general romance.
as wylls romance partner, encouraging wyll to break his pact is as tragic as it very beautiful. tav is wylls one selfish thing. one of the only reasons that would move him to not give himself up. one of the only reasons he is okay with forgoing his beliefs. he loves tav enough to break his own oaths, and make choices for himself and no one else. not as the blade, or as a ravengard - but just as wyll.
and that aspect of him is in my opinion, enforced, by the mindflayer tav ending. in which wylls monster-hunting and morals are made exceptions with / for tav. my enjoyment of hero corruption might be speaking for me, but i digress.
in every way though - i truly love wyll as a character. and while im well aware of the critical flaws in his in game story state, i think it's both unfortunate and unfair that people call him boring. to me he is anything but
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ratrrriot · 11 months
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How do you feel when people call Amy a stalker?
People can call her what they want, however…
Do i think it's fair to call Amy a stalker?
In some of the games? Yes, and even in some of the ones she wasn't a stalker per-se, she still showed possessive and obsessive tendencies. So i get where it comes from...
Generally? No. Her character originally wasn't supposed to be a harasser and she sure isn't one in the present. the franchise has been clearly trying to do better for her these past few years.
I think Amy's changing characterization is an interesting topic of discussion, so even though i technically already answered your question i'll take this chance and proceed to talk about my fave for way longer than i need to :).
Note: This is just my take on Amy and the way i understand her ENGLISH PORTRAYAL. I won't be talking about her japanese one which would deserve its own analysis.
Sorry for any writing mistakes in advance (english is hard) and feel free to correct me if i'm factually wrong about something (i wrote this thing mostly from memory so i imagine i must be.)
Amy has changed A LOT troughout the games and has been in the hands of many different writers across Sonic media ,so when talking about her is important to be specific about what game,series or comic we are talking about (and language),and while i know that some of you might not agree and i respect that, i think that -looking at the subtleties- Amy has had at least 6 different portrayals through the course of the games. That being said,i believe the idea that she is a stalker comes especifically from the characterization they started giving her around 2003
Originally,Amy was envisioned as a sweet 12-year-old kid who had a huge unreciprocated crush on her idol and a passion for fortune-reading ,but who wasn't exactly much of a heroine herself. In the classic era,her place in the narrative was just to serve as a damsel in distress and a cute,funny detail. Ofc,in comics and animated shorts for games like Origins, we have gotten more content of classic Amy being fully independent and capable of defending herself (even more with the upcoming playable mode for her in Origins Plus), but i think we can all see how such aspects of her character weren’t included at the time she was created (only exception being Sonic Fighters)
Especifically in the adventure era (AKA the birth of modern Amy) they gave Amy her iconic strong,compassionate,romantic personality and an interest/love for adventure (and her sassy attitude ofc). She's outspoken,stubborn,brave and honest. I also want to point out that in this first portrayal ,her love for Sonic feels more like innocent childish idolization than an obsession and that her character doesn't revolve exclusively around it (she will stand in his way if she doesn't think what he does is right). Tbh i think she's incredibly funny,cool and lovable,
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They slowly started planting the seeds for her character to stop being a "damsel in distress" by making her playable and defeat ZERO all on her own at the end of SA1,then also being playable in Sonic advance and helping Sonic get out of prison in SA2 (and tagging along for the rest of the adventure). In all these games,her character revolves around empathy,optimism and kindness. The way she protects the flicky since the moment she finds it,how she defends Gamma from Sonic and the iconic moment in SA2 where she convinces Shadow to help save earth are all great examples.
THEN, in Heroes , they decided to try something new with her taking her confidence and sassy attitude to a whole other level. Giving her the chance to be a fully-fleshed hero who didn't need rescuing anymore. She became independent and the leader of her own team of friends who she wanted to help. I love this Amy cause she feels really strong,determined and empowered without losing her peppiness,silliness,positivity and kindness. Her flaws are also especially endearing to me: How much of a wild kid she is,How even if she means well, she relies way too much in brute force, How she has trouble getting out of her own head, etc. She really feels just as confident and energic as Sonic,but just like him,you can tell she has a huge heart.
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HOWEVER, as much as i love how they made her strength and bravery shine in this game, Heroes was the game that gave birth to the idea that Amy is willing to chase and even fight Sonic just to insist that they should marry (in SA2 she did follow him to the prison but it was only to help him and tag along in the adventure).
Ofc this was supposed to be comedic and to be seen as childish,harmless behavior- I say this because the rest of the characters,including Sonic himself,don't seem to take it seriously- but what was supposed to be seen as an endearing flaw at the time, would rapidly mute into what's probably Amy's worst portrayal ,as the writers turned it into harassment for the next mainline games (Ignoring Shadow the hedgehog where she is the same as in heroes and only has a brief appearance.)
Before i go into Battle,i just want to say that the definition of stalker according to google is “a person who harasses or persecutes someone with unwanted and obsessive attention.” A definition that definitely did not apply to her before Heroes,but that i can't deny that does apply to Amy for the next few games:
In Battle, Amy is suddenly written as aggresive and self-centered. All her compassion and empathy from the adventure era is gone, intimidating people (even Cream) and demanding information from them from the get-go. Of course she does a few good things throughout the game too,like take care of Emerl and such,but she still mainly uses him for her benefit (calories counter and emerald radar). Right off the bat,at the start of her storyline she insists on searching for Sonic even when she herself assumes he is hiding from her -which implies she knows what she's doing is worth hiding for- and tries to justify her behavior by saying that Sonic actually loves her and that he is being “ just shy “ or that “ he got cold feet”- while others characters react in a way that implies that's obviously not the case and that her behavior is worrysome..
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I think it's important to mention that before Battle, we hadn’t gotten a single line of dialogue that implied that Amy tought that her behavior could be hurtful for Sonic, nor did she ever threaten anyone at all unless it was self defense. She knew he didn’t reciprocate her feelings and was actively trying to make him fall for her anyways,sure, but we gotta remember that while the canon ages might have been scrapped recently, at the time Modern Amy was created they were still very much canon and you can tell they had them in mind when writing these characters. Amy was supposed to be 12 ,so it makes sense that she didn't understand why Sonic wouldn’t accept her affection. She idolized him and misinterpreted the fact that he always was protecting her as possible romantic interest,but never actually imposed anything on him. The worst thing she ever did to him was wanting to hug him without consent,and again, the games implied that she clearly didn't realize such a thing wasn't ok. Sonic also didn't seem to want to hurt her feelings so while he did run away and expressed being annoyed by her he never explicitly told her to stop. I actually think that if he had sat her down and made it clear to her that what she was doing was truly bothering him, The Amy from the adventure era would have stopped, but i doubt he cared enough to do that honestly (after all ,in his recap screens it is implied that what truly bothers him about Amy being near him is not her crush,but that he thinks shes exposed to danger.)
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BUT in Battle and for the next three games,Amy doesn’t seem to be written as a 12-year-old who mistakes admiration for love anymore. This is where the writers started to portray her as someone who is clearly still young and definitely childish but not innocent. Her whole character revolves around harassing Sonic and using her strength to intimidate others, and don't get me wrong,I like that Amy gets angry easily!! i like that she isn't afraid of a fight,that she complains a lot, and that she isn't peaceful. After all,those are important parts of who she is. But Battle!Amy is on a whole other level: she gets mad at her friends just because they don't agree with everything she does or says. It's not about having a strong personality anymore,she's just generally aggressive. For the next few games she and Sonic can't have one normal conversation that isn't Amy imposing her own wishes over him and him trying to get away from her, so it's hard to believe she wouldn't realize that what's she's doing is wrong nor accidental as we were supposed to before. This time It just feels like she is deciding to ignore the signs.
This continued in advance 3 ,where she literally threatens him with her hammer just cause he shows signs of not being interested in spending time with her when they meet, Then in rush she becomes possesive and jealous the second he mentions Blaze and also seems to treathen him with the hammer in the credits scene because he is running from her hug.
They changed the direction of her characterization again after Rush. The best way i can describe the Amy that is present in Riders,06,etc is one that has two very polarized sides to her personality. On one side,she is a peppy,sweet,over enthusiastic and romantic girl, on the other she is a pretty intimidating one with an obsession with Sonic and very fiery temper. However,contrary to her last portrayal,she is more polite and actually asks Sonic if she can come with him various times,doesn't harass him and doesn't threaten people simply cause they don't agree with her anymore, but she still doesn't seem to have any sense of boundaries,still follows Sonic without permission sometimes and still clearly has no consideration for his personal space. Another thing about this Amy is how her flirting is really intense, and even if she isn't as aggressive as the Amy from Battle,if someone messes a bit with her she doesn't hesitate to resort to intimidation or take her hammer out.
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She still gets violent towards Sonic sometimes,but what's different from her last characterization is that instead of doing so merely because he doesn't show romantic interest in her ,its mostly because he doesn't follow on his promises (end of Black Knight) or shows up to save her “properly” (Referring to 1- that scene in Riders where he blows eggman -who had caught Amy- away with wind and she chases him with her hammer because “how could he not think that would hit her too “ and 2- the one in Zero Gravity where he arrives late to save her and she playfully throws him a few fists saying that “it took him long enough!”). I don't think she's necesarily right to do that but i don't consider it to be problematic either, since by that point the games had strongly implied that there was a non-spoken agreement between the two that he'll always show up to save her and the whole thing feels more playful than anything else. Mostly because Sonic seems to be fine with her being around again, as he never really denies her acussations or runs away when she gets mad,and even tries to explain himself to her.
So yeah,this Amy is one of the more famous -and infamous- ones,as her negative and positive qualities are more balanced than the one from Battle. However,i personally don't like her much as there's almost no focus on the empathetic/compassionate side of her character that was so prominent in the adventure era and ,even if i wouldn’t call this version of her a Stalker , she's still is way too obsessive and possesive for my liking. The writing for her character is still pretty much completely based on being attracted to Sonic, to the point that In 06 she tells Silver that, if she had to, she'd “choose Sonic over the world".
In Sonic Chronicles , Amy gets a lot of dialogue. She gets jealous in a scene but its not as bad as in Rush and she tries to make Sonic jealous by inventing a fake boyfriend (terrible trope) but her levels of aggressiveness are up to the player's treatment of her. I am ,however , mentioning this game because of a scene in specific near the final section in which Amy is scared they might die and aks Sonic if she can have a moment with him. She then tries to have a serious conversation and politely asks if he cares about her or if he likes her at all. if the player chooses to make Sonic say he does care for her she is legitimately surprised and thankful. Idk what happens If he rejects her cause i haven't been able to find any recordings of that and i never owned this game,but i'll assume that her reaction won't be too bad considering she is asking in the first place(?) feel free to tell me if you know…
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This portrayal of Amy is still present in Unleashed (2008) ,in which Amy is there to cheer/support Sonic on throughout the game and to serve as an important indicator that Sonic is quite self conscious of his looks when he's a werehog. She is generally very sweet towards him in this game (especially when she shows no rejection towards his werehog form,which is a detail i adore), even if she does get annoyed when he doesn't pay as much attention to her as he does to Chip or reciprocate her feelings.
A good example is how, before the last temple ,she asks him if he'd like to go on a date with her after everything is over. If you choose the positive dialogue option she is ,again, positively surprised and thankful. If you make him say no she complains about how he's being mean, but doesn't insist on it and just accepts it.
In Free Riders (2010) ,Amy just generally acts extremely out out of character (like,she doesn't even fit into Battle's portrayal). It really feels like someone who didn't know anything about the character wrote her, so for the sake of the pink hedgie let's ignore it and go back to talking about portrayal 4.
I already mentioned her brief apparition in Black Night and there's nothing worth mentioning about her in Generations so i'll skip them.
This portrayal ended in Lost World (2013),In which they toned down Amy as a character in general,leaving out all of her flaws and iconic traits out. She feels plain and her strong personality,confidence,sass,energy,etc all seem to be completely gone. She's just sweet and that's it . For some reason there's a scene where she literally tries to confess to Sonic and is cut off before she can finish,which is very funny considering it had never been treated as a secret before??? it really goes to show how hard they were trying to pull some kind of reboot on her. Fortunately,this characterization was only a two-game-thing (She is just as plain in Forces (2015)) so i'll put it in the same bag as the Free riders one and we'll leave it at that.
After Lost world came Boom (2014) ,and then we got the most recent change of Amy's personality,which we all know has had a mixed reception from the fandom. Originally people thought that this Amy would stay just in the Boom universe ,but this personality has been showing up in the mainline games for a while now,like in Team Sonic Racing (2019) and Frontiers (2021).
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This Amy feels older than any of the ones that came before her. She kept the sass,the love for romanticism,the positive attitude,the confidence and the strenght but her bad temper and over enthusiasm are gone,as she is generally more calm,less energetic and not childish at all. Most importantly,this Amy is extremely emotionally intelligent,as the rest of characters seem to look for her help and advice constantly ( to the point that she has been given the "therapist friend" title by the fandom and is even referred as "the nice one" by Eggman himself ). Another interesting thing about this Amy is that she doesn't flirt with Sonic anymore,In fact, she barely expresses her liking for him (She does so a bit more in Japanese chz the characterization varies) and Sonic seems completely comfortable with this version of her around.
A lot of people say that this version of her is out of character and I completely understand where that comes from, but i must disagree because this characterization of Amy is the first one since the adventure era that focuses on her compassion/empathy rather than on her crush on Sonic, which combined with her intelligence,makes her not out of character,just the most emotionally mature Amy to date instead. I actually think that if the og modern Amy had grown up,this is the kind of personality she would’ve developed while becoming an adult (although she isn't supposed to be one). A good argument to defend this point would be that one Egg-memo you can buy through the fishing minigame in Frontiers where Eggman talks about how Amy has "come a long way" and how it took her some time "to find herself" and get out of Sonic's shadow.
Only problem i have with this Amy is that i wish she was more flawed and bubbly,mostly cause she can come off as very plain from time to time and way too mature. She is a bit too perfect for my taste. I'd like her to mess up more,to not always be so smart,to be more impulsive,a little bit more clumsy,fiery and wild,just so she could have some more of the charm of the original,y'know?
Before i talk about her more recent Videogame portrayal (TMoSTH) i want talk about IDW Amy:
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in IDW, all of Amy's flaws and positive traits from past games are balanced pretty well: she is flawed and relatable and can mess up a bit sometimes because of her impulsivity,but she's emotionally and strategically inteligent, optimistic and incredibly kind. She is a great fighter and leader,but also a wonderful friend who offers emotional support. She has a strong personality, lots of sass and can be very aggressive and intimidating towards her enemies, but not any less of an empathetic and compassionate person because of that. Her strength and confidence are pillars for her character instead of nonsensical anger,but she still shows self doubt and fear from time to time. She is energic, idealistic and still a romantic,but not obsessive nor possesive. peppy but emotionally intelligent. She still loves Sonic, but her feelings for him feel authentic rather than childish idealization,and given that she now respects his space,she's written to be happy just with fighting by his side and jokingly flirt from time to time. (their bond also seems stronger,but that's a topic for another day.)
I believe this portrayal of her is one of the best we've gotten in the sense that she represents a good mix of most things that has made her positively memorable since the beginning and lacks every problematic aspect of her character that was added post her creation. And because of this good mix of characteristics, IDW Amy is constantly praised by the fandom. But something i hear a lot is people saying how they love IDW Amy and despise "Main Amy" -by which i'll assume they refer to videogame Amy just in general- and that way of summarizing all of Amy's game portrayals feels very odd to me, especially because IDW Amy is a culmination of every single good aspect that has been added to this character combined with most of what she was meant to be at the start. In other words,IDW Amy couldn't exist if it wasn't for all the game Amys before her.
It's true that in IDW we haven't seen her character be as impulsive and outspoken as in the Adventure era or Heroes, and i miss that as much as every other Amy fan. But I do think that ,because so much assertiveness wouldn’t coexist very well with things like careful thought, the reason for that change must be that IDW is writing an more mature version of the character and It’s hard for them to keep such aspects of her personality intact without her being seen as childish by the audience now that they are paired up with big responsabilities (ex: the restoration) Especially since that super impulsive nature of hers probably came naturally at the time because she was supposed to be a 12-year old and wether we like it or not, it was implied by the narrative that it was one of the main reasons she got caught by eggman both in SA1 and SA2. Aka,IDW Amy isn't allowed to make as many mistakes as the og.
After all ,Amy used to be written to be mostly seen as a comedic character and as an "extra addition" to the main team rather than as an important,needed member of it. ( even in Heroes,where she had formed her own team,she was still trying to catch up to Sonic and his team because she had been excluded of it.) If she made a mistake and got caught by eggman because of her stubborness,the writers would just make Sonix fix things. In IDW she doesn't just feel older,but she has also gotten to have important roles in the fight against Eggman and people rely on her with their lives,so it doesn't surprise me that the writers try to make her be more conscious and careful when it comes to her actions now that she has more responsibilities and can't allow herself to make as many mistakes as she did back when she was written to be more immature and impulsive because of that extreme assertiveness.
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Now,I personally believe that Amy in TMoSTH is the same as in IDW, just that she feels more like her OG self in TMOSTH because ,for the most part ,Bday Girl is on that train literally to just have fun and do as she pleases. She doesn't have any weight on her shoulders nor expectations,she is free of responsabilities all the way until the climax of the game and the game itself is very comedy-centric for the most part, so the writers pobably felt like they could set that impulsive,assertive side of her loose again, and i loved it!
In this game her character doesn't revolve around Sonic and she messes up a lot (The way she was so ashamed of how she broke her hammer when she tried to escape the closet with brute force that she lied, how she didn't realize Sonic was actually hurt because she was too excited about the game, how she was overconfident and impulsively tried to solve the case and completely failed ,how she and vector started beating a wall violently after realizing the train was alive,etc),but her positive qualities shine throughout the game as well ( How she took the time to organize a party that she'd think everyone would have fun at,How she is so thankful that everyone showed up and doesn't mind that Shad and Sonic didn't bring gifts, how she makes sweets remarks about others and cute jokes in distressing situations,how she has faith in Shadow's goodwill, The way she delivers the final blow at the end and says that despite everything,she loved the party because it was an adventure,etc ). Throughout the game,Sonic and the rest treat her in a way that really goes to show what a good friend and a lovely person she is ,and she expresses great appreciation for everyone's presence in her life.
It's honestly an amazing coincidence that this game takes place on her bday considering that it's the one that made this portrayal of her "game canon". As a fan of her, i celebrate it and hope we get more of it in the near future.
So yeah, i didn't talk about Sonic X Amy,Archie Amy nor all the comics,series and games that came out between the big videogame titles. There is much more about how Amy has been written that could be said, but i think i did a pretty decent summary of the most important changes her character has gone through the years mainline game-wise,at least good enough to defend my point that she wasn't a stalker originally and she definitely isn't one now. As i mentioned before,i agree that she was portrayed as possesive and obsessive for a long period of time and as an actual harasser for a shorter one , and that we should definitely recognize it and be critical of such things being portrayed as “quirky” and “funny” aspects when they are in reality, hurtful. BUT summarizing her whole character by calling her a stalker and an obsessive fangirl is defining her based on the worst examples of her characterization and ignoring her good ones completely.
Feel free to disagree with my character analysis,my opinions and the way i categorize her portrayals,but i strongly believe that Amy rose isn't meant to be a harasser,an obsessive fangirl or personal space invader.
My girl deserves better.
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Luke Skywalker is a hero for people with anxiety
(Contains spoilers from Episodes 4-6).
A lot of people relate to Luke Skywalker. He's down-to-earth, honest, and always strives for the light. Watching Star Wars again for the first time in a while, however, I realized something. When I looked it up on the internet, I was surprised that I couldn't find a lot of discussions about it. What do I mean? That Luke Skywalker suffers from anxiety.
The deleted scene from Tosche station, which I recently saw for the first time, sheds some light on this aspect of Luke's character. In the scene, we learn from Luke's friends that he panics easily. They're all chiding him for ‘again’ thinking that the Empire is coming. Even though he's just seen Princess Leia's ship fighting with Darth Vader's ship, his friends begin gaslighting him.
Someone online pointed out that this scene causes Luke's statement “there's nothing left for me here, now” to be more forceful. Upon finding out that his Aunt and Uncle are dead, Luke doesn't go to his friends for help. You wonder what his friends thought upon hearing that Luke's family had been killed by stormtroopers, right after he'd tried to warn them.
This aspect of Luke's character, and how he is treated by his friends, conditions him to not ask for help. In the ESB, as he's dying on Hoth, he never calls for anyone. If Obi-Wan hadn't shown up, Luke wouldn't have started calling out to him. If he hadn't started shouting, Han Solo wouldn't have seen him. 
This trend continues. Luke panics about things, but doesn't ask for help. Yoda tries to help him, getting him to relax and clear his mind. But, the vision of his friends worries him too much. He makes light of Obi-Wan’s warning that the Empire is after him for his talents. Luke is still holding onto what he told Biggs in the deleted scene from Tosche station–that the Empire will never draft him. 
During the fight on Cloud City, Vader acknowledges that Luke has learned to control his fear. Remember, Luke canonically gets so scared of the Sand People that he faints in the first movie. There's almost a parallel of that first moment, as Vader knocks Luke down and holds his lightsaber to Luke's throat just like the Sand People knocked him down before.
Luke has always gotten through things on his own. But, at this moment, he loses his hand. Losing his hand is symbolic of Luke losing the ability to do everything on his own. His father, who he always idolized and held onto, is evil. He's alone. He realizes that everyone was trying to protect him from this reality. Even his aunt and uncle let him think that his father was a hero, because it helped Luke to hold on. 
He finally reaches out to Leia. He finally forms a real connection with someone, which requires being vulnerable, and overcoming his fear of not being taken seriously. And, Leia rescues him. 
In the ROTJ, Luke tells Obi-Wan that he can't do this alone. He starts working with Han and Leia, and realizing that he is actually important to them. He trusts Leia enough to tell her that she is his sister, and that he has to save their father. 
But, still, Luke is trying to do everything on his own. He goes to face his father, and tries to be calm. He tries to avoid becoming angry. He tries to control the anxiety that got him ridiculed by his friends. The anxiety that led him to destroy Vader in his vision during his training on Degobah. The anxiety that he sees as his greatest flaw. 
But, he panics. He goes after Vader, and cuts off his hand. And, that's when he realizes it. 
All his life, Luke has wanted to be like his father. He praised himself for the positive qualities that are like his father. Being a good pilot. Being a Jedi (before he knew that his father was Vader). But at this moment, Luke looks at Vader's mechanical hand, and realizes that his father is just like him. His father is anxious. His father was scared, and overwhelmed once, just like him. His father didn't have anyone to turn to. 
Luke stands up to the Emperor, but that isn't what causes this scene to be so powerful. It's the fact that, as Luke is dying, he says the words his father once desperately wanted to say to someone.
“Help me.” 
“Please, help me.”
And Anakin, who wished someone would help him, who told Luke that it was too late for him, realizes that he can be that person for someone else. The pain he's gone through his whole life doesn't have to be passed on. He can save his son from the same fate. And he does. 
That's why Luke Skywalker is a hero for people who suffer from anxiety. Because he shows us the importance of accepting ourselves. Of self-compassion. Of reaching out to others. Of not being afraid to ask for help when we need it. And, if we do, we might just be that little spark of hope that someone else needs. 
May the Force be with you, always.
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thestargayzingheroine · 2 months
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Why A Better World is my favourite "Evil Superman" Story
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So in the last two decades or so, there's been a notable amount of dark and edgy stories around superheroes turning evil and whatnot and most of them really love to do their own expies of Superman. I've never been the biggest fans of these kinds of stories.
And then there's the actual stories of Superman and other heroes being outright villains or at least just massive assholes. In recent years, this has been largely thanks to the influence of media like the Injustice Games or the Synderverse DC movies. It's... honestly become a trope I am tired of.
Because you know the damnest thing? There is a story that does all these ideas really damn well and arguably better. It is the two-parter from the Justice League cartoon "A Better World".
Now, I am aware how most people favouring the DCAU has become a bit of toxic nostalgia at times and it's something I myself am trying to work through a bit. But in this case, I do think it's the best idea of doing an evil DC story, much better and more interesting than the Crime Syndicate, who if you ask me are not very interesting, though I do remember liking the Crisis On Two Earths movie a lot, which funny enough, was originally going to be this two parter before various things led to it being canned and then later repurposed as a direct to DVD movie.
Anyway, my main crux of why I love this story is simple... The entire Justice League turns evil... and the reasons are very much in-character for all of them. You look at the scene with Justice Lord Batman for example.
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As fucking evil as the Justice Lords are... Batman can't quite fully hate his alternate self for his reason for taking part in all this being basically one-step further than his own mission, that no child should ever go through what he did. Hell, I recall reading that the reason the writers had Batman drop his batarang at the end of this scene... was because he genuinely wouldn't be able to come up with an argument to that.
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Superman likewise kills Lex Luthor because yeah, Luthor literally exploited the flaws in Democracy and became president of the US, threatening to kinda basically start world war 3. It's obviously horrible... but Superman is a character whose main motivation is making the world a better place. And if people who abuse the systems of power of the world are hurting people, why shouldn't Superman put a stop to that?
And yeah, Superman should obviously never kill, he's the most paragon of paragons of the DC universe, a man committed to always being better than the villains he fights... but this is him pushed to his most logical extreme. Hell, the main Superman knows this and its why Lex used his knowledge of this alternate universe as part of his plan in the season after this, to goad our Superman into crossing the line because yeah, there's a part of him that could go this far.
But right as Superman is about to apparently finish him, the big guy says this.
"I'm not the man who killed President Luthor. I wish to heaven that I were but I'm not."
Because Superman like everyone else, obviously would have those same thoughts and same urges. He's human.
I've kinda gone off Injustice a bit because to be honest... the injustice games were kinda just this but a bit too edgelordy. Hell, in A Better World, Lois Lane still lives and the whole genesis of it doesn't revolve around her getting fridged.
So yeah, A Better World is probably one of my favourite mirror universe stories because of the fact that well... it really is like looking in a mirror and seeing just how easy the greatest heroes can become evil and how they wouldn't be massively out of character doing so. But also it reminds us that as much as this darkness can tempt some of our finest, the ones who don't go down this dark path are stronger in heart than anyone else. Because when the world becomes a dark and horrible place, it becomes very easy to be just as dark. But even though it can be hard to still try and be a good person even in dark times, it's ultimately worth it. Because good always triumphs over evil.
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tsukinoakume · 6 months
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RW&RB MovieAlex vrs BookAlex: A Rant
I'm late to the party on Red, White, and Royal Blue for a dumb reason and now I'm obsessed with it. OMG I WAS SO WRONG.
I love the book. I love the movie. I also love the difference between them that I find myself obsessing over: the lack of June.
I love June. I'm also not mad that they removed her from the movie, because I honestly don't think they had the time to do her justice. The important thing is that when they removed her, they split her personality and scenes between Nora and Alex. And the result is fascinating.
Combining June with Alex gives us a calmer, more emotionally mature, competent version of Alex. He is definitely not the hot mess that BookAlex is. (Don't get me wrong here: BookAlex is my favorite character.) But now it's implied that MovieAlex is better at keeping his temper, handles his shit without being micromanaged, advocates for himself more, and I'm pretty sure the speech he gives is his own. Probably with help, but still. Also not having divorced parents means MovieAlex doesn't have BookAlex's abandonment issues. It's never said that his parents' relationship is perfect, but it's implied that he's had a stable family background. MovieAlex still has flaws and he's not Nora Levels of Competency, but he's definitely a lot more balanced. And this actually changes his relationship with Henry, just a little.
Namely in reference to my two favorite scenes:
1) Storming the Castle.
BookAlex is a ball of rage in this scene, and it's GLORIOUS. Yelling at the windows, aggressively dripping everywhere trying to ruin the rugs, making rude comments about Henry's ancestors. He is defiant. He yells, Henry yells back. It ends in tears, but there's a lot of anger.
MovieAlex by contrast is quieter, more hurt. He hardly yells at all. (I rewatched this scene like 20 times for Repeat to be sure.) He's determined, and he doesn't back down, but you get to see that split second of fear in his eyes that Henry is asking him to leave. There's a lot more emotion and tears in this version. It's ... sweeter isn't the right word. Bittersweet, maybe.
Downside: The lack of transition in the morning from the book. I miss Alex expecting to be dumped, and Henry realizing he doesn't want Phillip's life before deliberately making the choice to be with Alex. Also the comment on Alex's hair, which made me giggle.
2) The Museum Scene
I know a lot of people are disappointed with this scene, and I feel the need to argue about why it's brilliant the way it is.
In the book, they go to the museum because Henry has made his choice, and now he's showing one of his favorite places to Alex. He's the one who brings up the music. He chooses to fulfill his fantasy with Alex there, and he chooses to play a song that embodies the romanticism of their situation, about being in love and not being able to let anyone else know. Your Song.
In the movie, they go to the museum when Henry's still trying to decide if this is something he can have, and he's sharing a part of himself with Alex when he talks about his fantasy. Alex is the one who chooses to fufill it, so of course he chooses a different song. For him, it's a song about how easy it is to love Henry. I Can't Help Falling In Love With You.
I also love that they changed Henry giving the ring to Alex to Alex giving Henry his key in return. I love the symbolism of Alex keeping Henry's ring safe for him, of their two homes side by side. But I also love the idea of exchanging parts of themselves. I love that they have those pieces of each other when they're separated and the emails are exposed.
The book tells the story better overall because it has the time to, and the bickering and friendship between the boys is everything. The movie makes me melt over the flirting and affection between them. I can't pick one over the other because both versions of this story are wonderful.
But emotionally mature MovieAlex and how soft he is with Henry, making sure Henry's taken care of? I am WEAK for that.
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gffa · 6 months
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One of the most interesting things about coming back to the High Republic books is keeping in mind that the intention of these books via author commentary is to show the Jedi Order at their height (at least in Disney continuity), to write them as unquestionably compassionate and caring people, but when you actually get into the books, they're often written as coming off as detached to non-Jedi, there's actually a ton of people who dislike them, there's unresolved criticisms of them. And, in a way, it actually has delivered me pretty much the perfect silver platter I could have asked for. Here's what I mean: There's a passage in Out of the Shadows where two characters are discussing the Jedi they've been traveling with and one of them says they come off as detached, that they're not connected to the real people, that they never question themselves and think they have all the answers:
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This is significant because the entire book is about Vernestra Rwoh feeling constantly unsure of herself and wondering what the right answer is. To the point that I don't even really have any snippets capped of it because I couldn't possibly choose from all the examples! And the rest of the commentary feels like it just kind of comes out of nowhere, to be honest. And this is about the High Republic Jedi. The golden, glowing, perfectly compassionate and kind Jedi these authors created to be the bestest era ever. Yet within their own pages, despite that we see this criticism doesn't really fit with who the Jedi are, this is how they come off--criticisms that are pretty much exactly the same as the ones leveled at the prequels Jedi. And then!! There's a conversation between Vernestra and Cohmac:
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Christ, that could have practically been ripped right from the pages of a novel set during the prequels era! I have read novels where Obi-Wan and Bail discuss basically the same situation--the Jedi are aware that politicians are not always their friends and that they're being used, but that ultimately standing with the Republic is the best way they can see to help because people are dying at the hands of the Separatists. It's the exact same situation, that the Jedi of the High Republic are being drawn into politicians' schemes and they know that, but the purpose behind standing with the Republic--to save lives that are dying at the hands of the Nihil--is the most important thing to them, that saving lives is how they serve the Force, just as the prequels Jedi stood with the Republic despite all the flaws, because it was how they best saw a way to save lives, which was serving the Force. Of course they're conflicted about being drawn into politics and how they're being manipulated, but ultimately they believe in that they have to actually work with others in order to help others, that they see it as still the best path forward. And if critiques like this are being put into High Republic books and we're never really meant to question whether the Jedi care or are good people doing their best despite that the people of the galaxy do not always understand them, that Jedi are allowed to have flaws without that making them bad people, that being less than perfect doesn't mean they fucked up, then I could not have asked for a better silver platter to say that the prequels Jedi are in the exact same situation and are misunderstood in exactly the same way! Like, some of these High Republic Jedi are so perfectly kind and compassionate that they have literally no other personality to them, other than that they're in touch with the Force and part of the Jedi Order, and they still get hit with the same criticisms? Aha, okay, I see, it's not actually about how the Jedi could have been ~more in touch~ with common people, it's that Jedi Are Just Weird Because They're Literal Psychic Space Wizards With The Energy Of The Galaxy In Their Heads and the GFFA is not always kind to those who are a little Off. I unironically enjoy this because I'm fine with unreliable speakers and propaganda within a narrative and Star Wars has always been really clear that this is a story where half of the narration is lies lies lies and you need to see through it yourself.
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