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#Agency Success Tips
mahbubulalam-799 · 1 month
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“Seven Figure Road Map Review : Blueprint for Success”
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akashgh522 · 7 months
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New Business Marketing Tips and Tricks for Success
Starting a new business can be an exhilarating adventure, but it also comes with its fair share of challenges, especially in the competitive landscape of today's marketplace. To stand out and thrive, effective marketing is crucial. Here are four essential marketing tips and tricks to help your new business succeed:
Define Your Target Audience and Create Customer Personas:
One of the first steps in crafting a successful marketing strategy for your new business is to identify and understand your target audience. Who are your ideal customers, and what are their needs, preferences, and pain points? Creating customer personas can help you visualize and humanize your audience, making it easier to tailor your marketing efforts effectively.
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Start by conducting market research to gather data about your potential customers. Analyze demographics, psychographics, and behavior patterns to create detailed customer personas. These personas should include information like age, gender, income, interests, and pain points.
Once you have a clear understanding of your target audience, customize your marketing messages and strategies to resonate with them. Craft compelling content, advertisements, and promotions that address their specific needs and desires. By speaking directly to your ideal customers, you'll increase the chances of building meaningful connections and driving conversions.
Leverage the Power of Digital Marketing:
In the digital age, online presence and digital marketing are indispensable for any new business. Here are some essential digital marketing strategies to consider:
a. Build a User-Friendly Website: Your website is often the first point of contact for potential customers. Ensure that it is well-designed, easy to navigate, and mobile-responsive. Optimize it for search engines (SEO) to improve your visibility in search results.
b. Content Marketing: Create valuable and relevant content that educates, entertains, or solves problems for your target audience. Blog posts, videos, infographics, and social media updates can all be part of your content marketing strategy.
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c. Social Media Marketing: Identify the social media platforms where your audience is most active and engage with them there. Develop a content calendar and use a mix of organic and paid content to reach a wider audience.
d. Email Marketing: Build and nurture an email list to stay in touch with your customers. Send personalized and relevant content, offers, and updates to keep them engaged and informed.
e. Pay-Per-Click Advertising (PPC): Consider running targeted PPC campaigns on platforms like Google Ads and Facebook Ads to reach potential customers actively searching for your products or services.
Emphasize Customer Relationships and Engagement:
In a competitive market, building and maintaining strong customer relationships is vital. Consider these strategies to enhance customer engagement:
a. Provide Exceptional Customer Service: Respond promptly to inquiries and address customer concerns with care. Happy customers are more likely to become loyal advocates for your brand.
b. Personalization: Use customer data and segmentation to personalize your marketing messages and offers. People appreciate tailored experiences that cater to their unique preferences.
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c. Encourage User-Generated Content: Encourage customers to share their experiences with your products or services on social media or review platforms. User-generated content can build trust and credibility.
d. Loyalty Programs: Reward repeat customers with loyalty programs, discounts, or exclusive access to new products or services. Loyalty programs can foster long-term relationships and increase customer retention.
Monitor, Analyze, and Adapt:
Marketing is not a one-size-fits-all endeavor. To continually improve your strategies, track key performance indicators (KPIs) and adapt based on the data:
a. Use Analytics Tools: Employ tools like Google Analytics, social media insights, and email marketing metrics to monitor the performance of your marketing efforts.
b. A/B Testing: Experiment with different marketing approaches and compare their results through A/B testing. This allows you to refine your strategies over time.
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c. Stay Informed: Keep up with industry trends, competitors, and evolving customer preferences. Stay open to adjusting your marketing plan as needed.
In conclusion, successful marketing for a new business involves understanding your audience, utilizing digital strategies, fostering customer relationships, and staying adaptable. By implementing these tips and tricks, your new business can navigate the competitive landscape and carve out its own path to success.
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ideadeco · 11 months
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What is the Difference Between Copywriting and Content Writing?
Have you ever wondered about the distinctions between copywriting and content writing? Look no further! Here's a detailed breakdown to satisfy your curiosity. #CopywritingTips #ContentWritingTips #ContentCreators #CreatorEconomy
Copywriting and content writing are two distinct forms of writing, often employed for different purposes. While they share similarities, they have unique characteristics and objectives. While there is some overlap between copywriting and content writing, understanding their differences can help determine which approach is most suitable for the intended purpose and audience. Let’s dive into the…
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kickengage · 1 year
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🍔🍟Hungry for success?👀📈 Serve up your restaurant's best dishes with Local SEO!🍴🔍🌟 Discover how to attract more customers with our latest article!👨‍🍳👩‍🍳👉 #LocalSEO #RestaurantMarketing #HungryCustomers #FoodiesUnite #DigitalMarketing #BusinessSuccess 🚀👊🏼
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levyconindia001 · 28 days
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What is SEO and How It Works for Small Businesses
SEO, or search engine optimization, is a crucial digital marketing strategy for small businesses looking to increase their online visibility and attract more customers. By optimizing their website and content for search engines like Google, small businesses can improve their rankings in search results, driving more organic traffic to their site.
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beebigdigital · 8 months
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https://beebigdigital.com/blogs
Digital Marketing Blogs: Your Source for Online Marketing Insights digital marketing blogs to stay updated on the latest trends, strategies, and tips for online success. digital marketing company, digital marketing agency, digital marketing services, digital marketing agency, digital marketing company in Mumbai, digital marketing agency in mumbai, Search Engine Optimization Company, SEO Company, Social Media Marketing Company, Social Media Marketing Agency, Google Adword Company, Facebook Advertisment Company, Advertisment Company, Advertisment Agency, Digital Marketing Blogs
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cdmginc · 2 years
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Creative Direct Marketing Group can help you every step of the way, from writing and designing websites and landing pages that convert to driving high-quality traffic to your site. Identifying and targeting your best audience is critical to getting a response. OUR AUDIENCE-TARGETING STRATEGY INCLUDES : Custom List Integration, Lookalike Audiences and Data Modeling.
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kitchenisking · 23 days
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Day 2
Leave Before You Love Me by Sam_Haine - (Rating: Mature, Words: 1,935, sterek)
Derek gets a dose of reality the morning after he and Stiles do the devil's tango and tries to leave before he wakes up.
Mistaken Connections by abrasive91 - (Rating: Mature, Words: 7,062, sterek)
Everybody in Beacon Hills knows the tragedy of Derek Hale and his dead soulmate, Paige Krasikeva. 
Which is why Stiles is extremely confused by the letter from the Department of Soul Connections and Maintenance telling him that Derek is his soulmate.
The Jeep by CelestialVoid  - (Rating: G, Words: 1,140, sterek)
Eli’s sixteen and Stiles wants to give him the Jeep, Derek might need some persuading.
It's Been A Long Time by voidnogitsune - (Rating: Explicit, Words: 3,524, sterek)
It’s just after his eighteenth birthday when Stiles comes to him, hot and hard and practically begging. His hands are white-knuckled, gripping the steering wheel too tight and Derek doesn’t have to be a werewolf to know what this is about.
Stiles stumbles out of the jeep, wiping his palms on his jeans and catching Derek’s eye in the moonlight. He flails backwards, like he hadn’t known Derek would be there the entire drive up, and Derek just smirks back at him, watches the way his pale skin catches in the light, watches the way he bites his lips until they are dark-pink.
“D-Derek. Fancy seeing you out here tonight.”
Your Burning Sun by elisera - (Rating: Explicit, Words: 2,904, sterek)
“We gotta stop meeting like this,” Stiles says, wrapping his arms around Derek’s shoulders and tipping his hips up and forward until they meet Derek’s. A pleased sound escapes Derek; they’re both already half-hard, the scent of Stiles’ arousal filling the night air, thankfully drowning out the smell of the dumpster next to them.
it was always you (can't believe I could not see it all this time) by EvanesDust, S3anchaidh - (Rating: T, Words: 2,569, sterek)
ob·liv·i·ous /əˈblivēəs/ adjective
lacking active conscious knowledge or awareness.
…or the one where the pack helps Derek realize that he’s in love with Stiles.
Derek Didn't Know What To Do But Maybe Stiles Did by tiedtogetherwithadagger - (Rating: T, Words: 13,027, sterek)
He let his head fall onto Stiles’ shoulder with a sigh of relief. He wasn't losing his pack, at least not tonight. Erica would be okay.
“Thank you,” Derek exhaled into Stiles’ hoodie.
“Always,” Stiles said.
A Little Sugar by exclamation - (Rating: Mature, Words: 4,987, sterek)
The first time they had sex, it was after Derek paid Stiles' rent. The second time was after Derek bought Stiles' groceries. It wasn't hard to work out the pattern. Derek hates himself for taking advantage of Stiles and tries to convince him that any form of payment is unnecessary, but he can't seem to break the cycle.
Settle Down by wearing_tearing, whatthehale - (Rating: Explicit, Words: 153,180, sterek)
Stiles is a struggling author barely making ends meet.
Derek is a successful architect whose biological clock is ticking.
Enter a surrogacy agency, two packs, and a particularly sticky and toe curling heat week and you get a match made in heaven.
Not just a house, but a home by alikatastic - (Rating: Not Rated, Words: 2,178, sterek)
The alpha pack was gone, Erica and Boyd were safe, and Isaac was no longer enthralled with Scott. They had needed a place to stay, especially with Peter and Cora sticking around. So, they rebuilt the Hale house, and it was beautiful. Stiles needed it to feel like home, so Stiles made it his goal to make sure the house felt like a place that could be home, so the pack would stay. 
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nasa · 1 year
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The Artemis I Mission: To the Moon and Back
The Artemis I mission was the first integrated test of the Orion spacecraft, the Space Launch System (SLS) rocket, and Exploration Ground Systems at NASA’s Kennedy Space Center in Florida. We’ll use these deep space exploration systems on future Artemis missions to send astronauts to the Moon and prepare for our next giant leap: sending the first humans to Mars.
Take a visual journey through the mission, starting from launch, to lunar orbit, to splashdown.
Liftoff
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The SLS rocket carrying the Orion spacecraft launched on Nov. 16, 2022, from Launch Complex 39B at NASA’s Kennedy Space Center in Florida. The world’s most powerful rocket performed with precision, meeting or exceeding all expectations during its debut launch on Artemis I.
"This is Your Moment"
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Following the successful launch of Artemis I, Launch Director Charlie Blackwell-Thompson congratulates the launch team.
“The harder the climb, the better the view,” she said. “We showed the space coast tonight what a beautiful view it is.”
That's Us
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On Orion’s first day of flight, a camera on the tip of one of Orion’s solar arrays captured this image of Earth.
Inside Orion
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On the third day of the mission, Artemis I engineers activated the Callisto payload, a technology demonstration developed by Lockheed Martin, Amazon, and Cisco that tested a digital voice assistant and video conferencing capabilities in a deep space environment. In the image, Commander Moonikin Campos occupies the commander’s seat inside the spacecraft. The Moonikin is wearing an Orion Crew Survival System suit, the same spacesuit that Artemis astronauts will use during launch, entry, and other dynamic phases of their missions. Campos is also equipped with sensors that recorded acceleration and vibration data throughout the mission that will help NASA protect astronauts during Artemis II. The Moonikin was one of three “passengers” that flew aboard Orion. Two female-bodied model human torsos, called phantoms, were aboard. Zohar and Helga, named by the Israel Space Agency (ISA) and the German Aerospace Center (DLR) respectively, supported the Matroshka AstroRad Radiation Experiment (MARE), an experiment to provide data on radiation levels during lunar missions. Snoopy, wearing a mock orange spacesuit, also can be seen floating in the background. The character served as the zero-gravity indicator during the mission, providing a visual signifier that Orion is in space.
Far Side of the Moon
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A portion of the far side of the Moon looms large in this image taken by a camera on the tip of one of Orion’s solar arrays on the sixth day of the mission.
First Close Approach
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The Orion spacecraft captured some of the closest photos of the Moon from a spacecraft built for humans since the Apollo era — about 80 miles (128 km) above the lunar surface. This photo was taken using Orion’s optical navigational system, which captures black-and-white images of the Earth and Moon in different phases and distances.
Distant Retrograde Orbit
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Orion entered a distant retrograde orbit around the Moon almost two weeks into the mission. The orbit is “distant” in the sense that it’s at a high altitude approximately 50,000 miles (80,467 km) from the surface of the Moon. Orion broke the record for farthest distance of a spacecraft designed to carry humans to deep space and safely return them to Earth, reaching a maximum distance of 268,563 miles (432,210 km).
Second Close Approach
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On the 20th day of the mission, the spacecraft made its second and final close approach to the Moon flying 79.2 miles (127.5 km) above the lunar surface to harness the Moon’s gravity and accelerate for the journey back to Earth.
Cameras mounted on the crew module of the Orion spacecraft captured these views of the Moon’s surface before its return powered flyby burn.
Heading Home
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After passing behind the far side of the Moon on Flight Day 20, Orion powered a flyby burn that lasted approximately 3 minutes and 27 seconds to head home. Shortly after the burn was complete, the Orion spacecraft captured these views of the Moon and Earth, which appears as a distant crescent.
Parachutes Deployed
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Prior to entering the Earth’s atmosphere, Orion’s crew module separated from its service module, which is the propulsive powerhouse provided by ESA (European Space Agency). During re-entry, Orion endured temperatures about half as hot as the surface of the Sun at about 5,000 degrees Fahrenheit (2,760 degrees Celsius). Within about 20 minutes, Orion slowed from nearly 25,000 mph (40,236 kph) to about 20 mph (32 kph) for its parachute-assisted splashdown.
Splashdown
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On Dec. 11, the Orion spacecraft splashed down in the Pacific Ocean off the coast of California after traveling 1.4 million miles (2.3 million km) over a total of 25.5 days in space. Teams are in the process of returning Orion to Kennedy Space Center in Florida. Once at Kennedy, teams will open the hatch and unload several payloads, including Commander Moonikin Campos, the space biology experiments, Snoopy, and the official flight kit. Next, the capsule and its heat shield will undergo testing and analysis over the course of several months.
Make sure to follow us on Tumblr for your regular dose of space!
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the-broken-pen · 6 months
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“Do you know,” the vampire hummed in their ear, “how young you look right now?”
The protagonist choked on their gag, eyes glaring up at the vampire.
“Like a lamb to the slaughter,” they continued, trailing a finger through the protagonist’s sweat soaked hair. “Did they tell you what you were getting into?”
No, the protagonist thought, they hadn’t. The agency had needed someone to distract— someone new to the battlefield that the vampire wouldn’t recognize, with their memory as sharp as knives and their penchant for removing displeasing individuals from amongst the living.
And so of course, that meant the protagonist, fresh out of training, newly recruited, the littlest sibling of a sacrificial hero long since revered.
Big shoes to fill.
A solemn and silent grave to impress.
If the protagonist could have, they would have cursed the vampire out, but they supposed that would only make things worse.
Still, being in the room with the murderer of their big brother, the person who had left the hero of the city bleeding out in a place so hidden that by the time the protagonist found them—
Well.
They had a grave to impress.
The vampire caught their chin, tilting their head up.
“Little lamb, you look quite like my favorite enemy. Truly, the resemblance is uncanny,” their hand tightened on the protagonists jaw. “Say, our blessed hero didn’t happen to have a mini me, did they?”
The protagonist’s teeth clenched and they snarled through the gag.
The vampire grinned, delighted.
“Oh, how wonderful. It’s a pleasure to meet you, lamb.”
The protagonist simply blinked. The vampire clicked their tongue, as if disappointed. A moment later, the tip of their finger slid across the protagonist’s gag and it disintegrated.
The protagonist spit dust onto the floor, mouth dry with leftover cloth, before baring their teeth at the vampire.
“You piece of undying shit—“
The vampire slide an amused smile their way.
“The mouth on you. Yes, you really do look like them, don’t you? The resemblance is startling.”
“I’ll show you just how startling I can be if you untie these bonds.”
Behind their back, the protagonists fingers were numb. If they tried to punch, they doubted it would be successful. No need for the vampire to know that.
“Such rage for such a young individual. Tell me, little lamb, why do you want me dead?”
The protagonist closed their mouth that had been prepared to spit more venomous words, and swallowed thickly.
“I don’t want you dead—“
“Oh darling,” the vampire waved a hand. “Of course you do. It’s quite villainous of you, but I’m not one to judge morality.”
The protagonist bit the inside of their cheek, examining the edges of the concrete room, if only to avoid meeting the vampires all seeing gaze.
“Is this about your brother?” The vampire guessed casually, like hearing the vampire reference them didn’t stop the protagonist’s heart.
Their stomach clenched.
The vampire’s eyebrows eased in understanding.
“Ah. Well, then. I suppose I understand the sentiment. Nothing I can do about it, however. Bygones, they say.”
The protagonist lurched forward in their chair.
“He isn’t a bygone, he was my brother, and you murdered him—“
The vampire tutted, hand sliding over the protagonists mouth with impossible speed.
“Now, then, don’t say such atrocious things.”
The protagonist bit the inside of the vampires palm, and they raised an eyebrow. Their too cool palm didn’t move, smooth skin resting above the protagonists jaw.
“I did not murder your brother,” the vampire said after a tense moment. The protagonist glared at them.
Of course they had. The protagonist wasn’t stupid, they had seen the injuries on their brother. They had held him, in his final moments, terrified and shaking as their hands tried to cover too many wounds at once.
And then their brother had been dead and their hands had been covered in blood and all the protagonist could think was “It was the vampire.”
The vampire nodded as if they could read the protagonist’s face.
“Some things you are not meant to know,” the vampire murmured. “But I will tell you this—I did not kill your brother.”
They protested against the vampire’s palm, and the hand gripped tighter. For a moment, the protagonist remembered the terrifying strength hidden under that lovely face.
“I understand you are grieving. But I am not responsible for what happened. I am only responsible for what came next.”
They turned confused eyes on the vampire, and the vampire released them, studying the protagonist for a second before striding to the door.
The paused with a hand on the door knob.
“By the way, little lamb. Your brother isn’t alive,” the vampire’s voice rang into the room. “But he is living.”
The door slammed shut.
And the protagonist was left with the horrible realization that maybe when their brother had died, the vampire had done far worse than kill him—maybe the vampire had brought him back.
The protagonist started screaming for the vampire to come back.
Hours later, when they were rescued, the agency asked them what they had learned.
Stonily, faithfully, they looked their supervisor dead in the eye.
And said nothing.
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lewkwoodnco · 7 months
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"Slut!" - Lockwood x Reader
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A/N: been having a lottt of thoughts about this song. it wasn't what I expected like for a lot of ppl but this is immediately my favourite?? like idk man those hints of her rep era beginning mixed with the emotional vulnerability of being in love mannn im going to be annoying abt this for a wholeee month. Reader is a Fittes agent, wc 5.4k!!
Ch 1 | Ch 2 | Ch 3 | Ch 3.5 | Ch 4 | Ch 5
On paper, her employers had always commended her for her drive for excellence. What was usually glossed over was how it arose from an unhealthy obsession with perfection, not that it mattered. And yet, glowing articles about successful cases were rare and far between. She had led as many successful cases as some of her male colleagues, but those headlines were seemingly too dull for her sex. After all, who wanted to read about a woman showing up the men in her field? So the tabloids started to play dirty, spinning convoluted rumoured love stories from any and every photo of her in the vicinity of a man.
She remembered how devastating the first article was. Instead of publishing one of the many photos of her standing with her team, there was a shadowed, grainy photograph of her talking to their supervisor. She tried to tell anyone who asked her that no, they weren't kissing, not that it would have mattered if it did, but no one seemed much interested in listening. The shame burnt into the side of her face like a scarlet letter. A slut.
Eventually, she decided to just keep everyone at arm's length. Maybe if she kept her head down long enough they'd run out of knives to throw at her. And for a good two years, it somewhat worked, or at least helped. But then she met Lockwood.
She didn't think much of him at first - if anything, she resented his suave, silver tongue and how the press went nuts for his charismatic smiles. He tried to dazzle her with one when they first met, and she nearly scoffed.
"Anthony Lockwood, Lockwood and Co. And you are...?"
"Disgusted."
She tried talking to Barnes, throwing in some less-than-complimentary opinions on Lockwood, but he just waved her off. Eventually, she came around, but only because he was undeniably skilled, and it would have been unprofessional to freeze him out forever.
She remembered the first time he made her smile. Their supervisor was having them sign their case report, so she wasn't even looking at him. He whispered some inane remark which caught her completely off-guard, but it was enough to make her damage the tip of the fountain pen as she choked on a laugh. Her supervisor looked unimpressed, grumbling about the pen, but Lockwood's face had taken on an animated spark.
"Oh, good. I was beginning to wonder if you knew how to smile."
The smile is a foreign feeling on her face. Lockwood gently takes the report from her and starts talking in smooth tones that flow right over her head. She shakes herself and tries to pull herself together, trying to soothe the nervous flutter of her heart. She can only bear catching glimpses of his words and she struggles to string together coherent responses.
But then she hears the vans pulling up. Vans filled with news agencies and their bulky cameras. She's paralysed by a flash of fear and she jumps apart from Lockwood as if burnt, tripping over her words as she forces out some lame excuse of needing to check on her team. Lockwood looks mildly concerned, but she pushes it to the back of her mind.
They meet again a week or two later. She's sitting outside a conference room, waiting for Barnes to finish a meeting, and she realises with a start that the man in the room she's facing is Lockwood. To be fair, she hadn't seen him in an indoor setting before, and he seemed nearly unrecognisable with his typically crisp shirt dusty and wrinkled, with his sleeves rolled up his forearms. She watches him laugh over something with one of his associates as they leave the room, and she drinks in the sight like a man starved. There is something so desperately appealing about the vitality in his face and jaunty movements.
As the smile fades, she recognises the exhaustion on his face; the kind that made her want to do nothing more than stumble home and crawl under the covers. But then he sees her, and he gives her a teasing smile that stokes her spirits. His associate gives her a tired wave and walks out.
"Waiting for me?"
She rolls her eyes and nods towards the conference room. "Waiting for Barnes. Going home?"
He jerks his head noncommittally before sitting down next to her. He looks oddly bare without his coat, and it feels almost too intimate to have him sitting this close to her. She sits up, alarmed.
"What, you need to see him too?"
"You look like you could use some company."
"Lockwood, it could be hours before he's done. Besides, you look like death. Go home, get some rest."
"Joke's on you, I always look like death."
She shakes her head but smiles despite herself. "You're incorrigible."
"Thank you."
They sit in silence for a while, long enough until her breathing evens out. She wonders if he's aware of the way his fingers drum restlessly on his thigh, or the ash coating the side of his face, or how both of those things make him utterly irresistible.
"How do you do it? Stay so young, I mean."
He considers his answer carefully. She takes in the sight of a Lockwood without a ready quip at the tip of his tongue. "I suppose it helps that I'm not singly obsessed with the dead, though it does get close sometimes. Who do you live with?"
"Oh, my family lives outside of London." Thank god. She couldn't imagine the looks on their faces if they heard half of what London's tabloids had to say about her.
"You live alone?"
"Yeah. But it's not so bad. There's a cat that wanders in the street below my flat at night." He doesn't look completely convinced, but he lets it slide.
"Really, I owe it all to my friends - oh, you'd love them. You should come over sometime."
"That's sweet of you."
"Our weekends are generally empty."
"Oh...I couldn't. I don't know where you live."
"35 Portland Row."
"Lockwood," she admonishes. "Don't you think this is something you should run by your friends first?"
"I've done worse."
"I'm practically a stranger."
"Then how else are we supposed to get to know you?"
Her mind tears her away from Lockwood's silhouette, to troubling piles of tabloids dragging her to filth. After months of them, she isn't sure where she ends and where the fabrication begins. She barely manages a whisper.
"I think you'd regret getting to know me."
She doesn't realise how tightly her fist is clenched until he brushes her wrist, and the tension flows out of her. His eyes are liquid and his touch is golden and she's paralysed with dizziness. In that moment, it was enough to be young and in love.
"Only one way to find out."
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She takes him up on his invitation sooner than either of them expected. They had just finished a job at a house just a street over from Portland Row, and her team was walking with Lockwood & Co. on their way to the main street. She pauses as George fiddles with the frozen door while the rest of her team walk on, tiredly waving them good night. But just as she turns to leave, she slips on a patch of ice, falling into a pile of snow while Lockwood lunges for her.
"Dear god, you must be freezing. Come in and warm up."
"It's alright, I can catch a cab home-"
"Y/N, I am not above pushing you back into the snow."
Her laugh morphs into a violent shiver, just as Lucy walks over concernedly.
"Everything okay? Lockwood's not bullying you, is he?" She cracks a small smile, but Lockwood just impatiently ignores Lucy.
"Stay for breakfast. Spend the day. Lucy would love the company. Luce, tell her."
"It would be nice."
"I'm soaked through. I need a change of clothes."
"Lucy can get you a change of clothes. Luce, tell her."
"I can get you a change of clothes."
"I wouldn't want to be an imposition."
Lockwood inhales and turns to Lucy, who smacks the breath right out of him.
"I'm right here, Lockwood. Don't be ridiculous, Y/N, we'd love to have you over." Lucy exchanges a look with Lockwood, but it's so brief she wonders if she's imagined it, but it's just then that George forces the door open, and she gets jostled into their warm and dry home. Lucy helps her dry off and tosses her some clothes, including a spare oversized jumper, before bundling her and setting her down in front of the fire in the library.
It feels wonderfully cosy at first, and she only realises she's dozed off when she wakes up with a crick in her neck and beads of sweat on her forehead and neck. She pushes the blankets off her, sighing in relief as she starts to cool down. She hears the rustle of a page behind her and turns.
Lockwood is sitting in an armchair behind her, tie loosened and sleeves rolled up, a magazine on his lap. He smiles weakly at her, wincing as he rotates his neck. She was beginning to feel convinced that he ate, slept and worked in the same set of clothes. Her voice is gravelly with sleep.
"Still up?"
"Someone had to make sure you didn't roll into the fire. Besides, it hasn't been long."
She squints at the clock hung near the door. Unless the shadows were playing tricks on her, it was only a few hours from dawn. The glance he shared with Lucy earlier flashes in her mind, and she presses him about it.
"Say, you haven't told Lucy anything particularly saddening about me, have you?"
He waffles a bit. "I haven't said anything that isn't true."
"Lockwood."
"Fine...I might have mentioned how you live alone, and that you've only got a cold, dark home waiting for you. Alone."
"I didn't say that."
"So you're saying it's not true?"
She hesitates, and he quirks the corner of his mouth triumphantly. "It's no bother, Y/N. Lucy feels as bad about it as I do - George too. Just let us fuss over you for a while, I promise it'll soothe us."
She relents, but she's not happy about it. She watches him lazily flip through the pages with a becoming interest and decides that it's a nice change from the frantic energy running through him on cases. His eyes stay mostly fixed on the pages, but after a while the way he glances up occasionally makes her think his interest is waning. He looks at her strangely, and she unpleasantly realises that the jumper is likely his. She tugs at the hem, itching to take it off, but she isn't wearing a shirt underneath, so she settles for continuing to profusely apologise.
"I'm so sorry for burdening all of you-"
"Y/N, relax. As long as you're warm."
"Well...I'm awake now. And I won't stay too close to the fire. Aren't you going to sleep?"
"I'm a bit wired after the case. Might take a nap later in the day." He jerks his head towards the door. "My room's just down the hallway if you'd like to get some proper rest."
She flushes; talking about his bedroom while wearing his jumper feels too intimate to bear. "It's okay. I'd rather stay here with...you." She chews the inside of her cheek as soon as she says it, holding her breath as she gauges his reaction.
"That's a relief. I'd rather you be here anyway."
She doesn't understand how he says it so casually when she feels that she might run out of air. She tries to calm herself down, taking deep, long breaths. She could be normal if she tried hard enough. They spend the rest of the night like that, somehow never running out of topics to discuss. He tells her about Jessica. She tells her about her family. It's only as he gets up to get ready for breakfast that she asks him about the magazine in his lap. "What were you reading?"
Now it's his turn to look embarrassed. "Oh, er, I like to keep up with what's happening around town -"
"Is that...a tabloid?" She pulls out one of the magazines sticking out of the pile set to the side and blanches at the headline with a dramatically edited photograph of her. Shame burns the side of her face, and she wishes the floor would just open up and swallow her whole. She had stupidly assumed he hadn't heard of her before meeting her, but why shouldn't he have? The magazines beat her to making a first impression, just like they always have. Just like they always will.
"I can explain."
"No, no, it's fine." Was something wrong with her ears, or did her voice sound a bit too distant? "Lots of people read tabloids. It doesn't mean anything. Anyway, we should get ready for breakfast."
"Y/-"
"Lockwood. I mean it. Drop it." The cut-up look in his eyes is bad enough without an apology. What was he apologising for? For her being such For her being a laughingstock? He bows his head and shuffles out of the library. She stays there, frozen, sitting on the floor, until she hears George rattling about in the kitchen. She walks in, slightly disconcerted by the casual t-shirt Lockwood had changed into. So many of his hard edges and shadows in the the library seemed to soften into a more vulnerable outline that makes her regret snapping at him. She mumbles a greeting and George takes a long look at her. If he notices their matching eye bags, he doesn't comment on it, but while she's making tea, she hears a scuffle behind her and turns to see George standing next to Lockwood with the frying pan alarmingly close to his head.
"Eggs, Y/N?"
Lucy arrives soon after, and begins to spread jam on her toast despite George's aggrieved protests.
"Oh, Y/N, I hope you didn't spend all night on the hard floor. I didn't hear you come up to the attic."
"The attic?"
"Yeah, where the extra bed is." She brandishes her jelly-covered knife vaguely threateningly. "Lockwood told you about it, didn't he?"
The boy in question seems a bit too busy buttering his bread to look up. She mumbles an affirmative, but notices his reluctance to meet her eye for majority of breakfast. Still, she couldn't stay mad at him for long, and it didn't seem awfully polite to, either, not after he opened his home to her.
After breakfast, Lockwood left to scope out a potential client and George headed to the Archives for a bit of light reading, so she and Lucy spend the morning playing board games and watching crappy television while painting their nails. She hadn't felt so alive in months. After a few hours, Lucy suddenly remembers some paperwork she had to complete so while she's busy with that, she wanders around the stairs and hallways, reading every newspaper clipping and looking at every picture, eventually working her way down to the kitchen.
She hears a creak coming from the inside and looks in. Lockwood's returned from his excursion and he shrugs off his jacket, placing it on one of the kitchen chairs as she timidly steps in. He seems just as much at a loss for words as her. She tries to break the ice and, surprisingly, it works.
"Seems a bit full of yourself to litter the halls with your achievements." He gives her a small smile and she revels in the glimmer of success.
"Can't help that I'm especially gifted."
Emboldened, she takes a seat at the table as he pulls out an apple from the fruit bowl and a chopping board.
"Nasty business with the press, isn't it?"
She moodily fiddles with the thinking cloth. "Yeah, well. God forbid a woman be happy."
He looks at her like he's trying to figure her out. The attention makes her fidget nervously. They watch him slice the apple into halves, and then quarters, in silence. "Is that why you're so...highly strung on cases?"
"George tell you to talk to me?"
"Er, yes, but he didn't need to. I'm sorry about earlier, by the way. I have an uncanny ability of putting my foot in it."
"I'd never have guessed." She isn't even being sarcastic. She talks to the apple rather than him. "I hate it. They say all these...awful things about me. Not that I have to tell you." She blinks humourlessly. He sets down the knife.
"Y/N, if you think I believe a word those gossip rags have to say about you, I might be seriously overestimating your intelligence."
She swallows the lump in her throat. It's the nicest thing anyone has said to her in a long while. She never fully acknowledged it because that would mean admitting she cared, that she was weak. But she couldn't help it. She lived life forever looking over her shoulder, so wrapped up in what ifs that she could barely stomach what was, forever worrying that anyone would think it was true. Maybe it was true. Her self-perception contorts and convulses, until she feels strangely formless. But that was the beauty of the moment: hidden away in the dim light of the kitchen, with only Lockwood and God as her witness, she could be anything and everything.
Her hand trembles with repressed emotion. He steadies her by carefully covering it with his own.
And for one beautiful, transcendent moment, she thought she might love him.
She walks home in a pleasant haze, her senses enjoying the reprieve from their constant assault. She ambles by a florist, and she sees a rose. It reminds her of Lockwood. She buys the rose and takes it home, even though she knows she doesn't have a vase for it. Even after a day filled with the most fun she'd had in a while, a restlessness troubles her, making her feel feverish with some invisible affliction. She plucks the translucent petals one by one, holding them up to the setting sun streaming through her windows. She wonders what they would look like in his hair. She winces when one of the thorns break the skin of her thumb. She rubs the smear of blood onto her bottom lip. Looking up at the ceiling, her hair a mess, tangled with the rose petals strewn all over her wrinkled sheets, she realises what it means to be hopelessly and cluelessly lovesick.
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She remembers the first time she cries in front of him. They were on a case at some billionaire's acres-large manor. She ducks under the tape cordoning off the area and freezes, seeing reporters unobtrusively yet steadily setting up their cameras. There had to be some sort of mistake, they're never here this early. Certainly not before they've even started the job. She feels her senses heighten and a faint buzzing teases her ears. She sees Lockwood glance at her and start walking towards her, and she all but flees in the other direction.
She stays a safe distance away from him until the rest of the agents arrive for their briefing. The billionaire's assistant hadn't arrived yet, so they were standing around one of the outdoor picnic tables in the front garden...right in front of the gathering sea of reporters. She tries her best to pay attention but there's a muffled quality to the discussion as she listens for shutter sounds, real or imagined. Her hands grow clammy and her breathing grows jagged as the ominous feeling in her stomach grows. Something very bad was going to happen and it was going to happen soon, she was sure of it.
As if in slow motion, she watches Lockwood reach across to pick up a file from the table beside her on the table, and she feels her panic reach a crescendo as she senses the ripple of excitement in the press. She flinches so badly before he completes the movement that he gets startled, backing away. The question dies on his lips as she walks away, clumsily adjusting her rapier to give her hands something to do. To stop herself from sobbing over the lenses in her peripheral vision.
The press are just as ruthless as they were the last time she made the mistake of not leaving the scene as soon as she had the chance. And still from the chorus of overlapping voices, one made her heart stop dead.
"Y/N L/N, what do you have to say for seducing London's most eligible bachelor?"
She looks around desperately, struggling against waves of despair that threatened to drag her down into the abyss. No one was safe, not even charismatic Lockwood, and it was all her fault for dragging him into her messy life. It wasn’t fair that news agencies chose her life to screw with. She loved him silly with bruised eyes and an aching liver, but she couldn't even look at him properly. She couldn't scrub the image of Lockwood's face from her mind. Hot shame spread from her spine up her neck, an unpleasant prickling sensation. She felt flayed and grotesque, a hundred different kinds of twisted and messed up. Promiscuous on paper, manic in reality, enraptured by what she could never have.
Lockwood finds her sitting on the patchy grass of the backyard, head resting against the wall with suspiciously red eyes. He thinks for a moment before sitting down next to her.
“Hey.”
She’s too busy holding back tears to respond. She despairs internally when she first hears his voice, wishing he didn't care enough about her to follow her. God, they were going to make her pay for this tomorrow. He speaks in a low, soothing voice, but there's an underlying disquiet that comforts her. She'd never have imagined him to feel rattled by the press like she did.
"It all happened so quick, even George didn't realise."
"Doesn't matter. They got what they wanted."
"We'll talk to the assistant as soon as she gets here. We'll refuse to work until they clear out."
She feels an overwhelming amount of relief, not just for his help, but just for him. Sitting here solidly, away from prying eyes, rumours and lies, he felt like a precious secret she wanted to keep. The relief doesn't last long until it gets poisoned into grief. She rasps out an apology.
"I'm sorry."
"What for?"
"Everything." She feels herself shutting down, unravelling at the seams. But then there's this warmth next to her and a solid, reassuring weight across her shoulders. She shakes with mostly silent sobs, not realising that she's crumpled his shirt from clenching it until later. She sniffles into his shirt like a child, and clings to him with the desperation of a drowning man.
He insists that she sits out for the case, and for once, she listens.
The next time they meet is a little bittersweet. She tells him she's being posted outside of London for a month. It's sobering news, even for him.
"A whole month. Well, it'll go by faster than you realise."
"I hope so."
"How're you feeling?"
"Nervous, I suppose." She was dreading it. She didn't know how she ever worked on a case before Lockwood. At first, she thought it was simply because he took attention from the press off her hands. But there was just something about his presence that made the tension coiled in her body unwind. She tries to keep her tone light, but something must have shown on her face because he sighs and throws an arm over her shoulder, steering her away from the crowd of agents, medics and reporters.
"Don't fret. You'll be fine, trust me. You'll have your teammates with you, Barnes is supervising and you know he can't stand the press, and I've yet to read a headline vicious enough to knock you down for good. You're stronger than you realise, you know." She nods glumly, dragging her feet along. She looks up when he pulls away slightly, frowning at her face. He rubs at the furrow in her brow and she feels her face heat up.
"I said to not fret. You have everything you need." That earns him a weak smile, and though he doesn't look entirely happy with it, he can see George looking around for him. She watches him walk back as he mouths 'one month' to her, trying to smile encouragingly. The sun has started to rise, and the dusk casts a soft purple glow on his hair. She mumbles her response to the wind.
"What if...all I need is you?"
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The month drags by painfully, but it finally ends. She packs her bags and takes the first train to London, just in time to join Lockwood for a case after a bit of begging at Barnes' feet. The job is at another mansion, but somehow even more extravagant and sprawling than the last one. It's bathed in a soft bubblegum pink glow, spilling out into its lawns and hedges and fountains.
She watches him explaining something to one of her colleagues, making some light sketches on the report. He looks exactly the same if a little haggard, yet older somehow, and it tugs at her heart. She had heard that this was supposed to be the last of a particularly tedious string of connected cases, and it had clearly taken a toll on him. Her heart skips a beat at the boyish glow that washes over his features when he sees her.
"...and for the Limbless George was sa- you weren't supposed to be back till Sunday!"
She flushes, beaming excitedly. Part of her wants to hug him, but another part is too scared to, so she contends with her smile.
"We finished early, and I wore Barnes down eventually. Now, what's this about a Limbless?"
The case goes more than smoothly with the extra help of her and her team, and they end up finishing comfortably before midnight, though not without a few minor mishaps. She finds Lockwood with his sleeves and trousers rolled up, dangling his legs in the pool, scrubbing at his hands.
"Wet cement," he grunts as a greeting, looking peevishly at the not-so-clearly cordoned off patch of wet cement. "Ought to have told us. Someone could have gotten properly injured."
"Oh, who'd be silly enough to fall into that?"
"Let me rephrase that: Quill Kipps could have gotten properly injured."
She laughs, turning to add her own handprint next to his in the cement. She smiles coyly as she tenderly scrapes the residue of her palm. He leans in, then stops, sniffing curiously.
"Is that...smoke?"
"Had a bit of an incident with a salt bomb. Someone threw it in the wrong direction."
"Ah."
They're interrupted by a loud whoop from the other end of the pool. A couple of Fittes boys had broken into the liquor cabinet and were now the proud owners of three preciously high-end bottles of champagne. She tried to look at them reprovingly, but couldn't find it in her.
"Oh well. We'll put that down under property damage."
One of her teammates scurried over to clarify a discrepancy in her paperwork, and she leaves to sort it out. By the time she's back, Lockwood's tie is loosened and he's swaying along to some invisible music.
"Y/N! You've got to try some of this stuff, it's grrrreat!"
She shakes her head bemusedly. "Lockwood. How many glasses have you had?"
"Oh, just one." He blinks at the glass in his hand. "One and a half." He drags her in briefly, whispering into her ear. "Besides, what happened to being young?"
Her heart hammers as soon as she feels the tug on her wrist; she's never even touched him in public before. She scans the scene reflexively, but no one seems to have noticed. She supposed getting drunk and making ill-thought-out decisions was the youngest she could be, so she decided to have a little sip.
"Clink?"
"I don't think you're supposed to say it."
He makes a face, clearly more tipsy than he was letting on. "Whatever. I'm saying it."
Still, she humours him, and he looks at her with shameless adoration. Even while well on the way to getting drunk, there was an endearing tilt to his swagger and rosy cheeks that made his youth a delectable luxury. She takes a sip, then another, and then tries to drown herself in champagne, anything to distract her from the way he stole her breath, the fizz electric under her thrumming skin.
They return to where they were sitting earlier, watching some of the more boisterous agents splash into the pool. Someone manages to switch off the harsh floodlights overlooking the pool, washing everyone's outlines with a tangerine glow from the orange neon lights. They talk about their month apart, then catch the eye of the other in a way that makes them both look away, and the cycle repeats.
"I've missed you."
She can't tell which of them says it first, only that the yearning in her voice mirrored his. The look in his eyes scares her yet appeals to her daring all at once. He doesn't say anything, but he doesn't have to.
"We...I...couldn't. It'd go horribly wrong, and you'd hate me, or they'd double down and it'd blow up in your pretty face."
"I'll take my chances." He says it so casually that it stings.
"This isn't exactly bearable for me either, you know."
The background noise fades away, and suddenly speaking at normal volume is too loud. She whispers, as if he might not hear if she's soft enough. "You give me your bed and twist your neck dozing in an armchair. You stick up for me when I'm too weak to stick up for myself. You pull me in when I'm breaking down and hold my fractured pieces together. I can't help but love you." He follows her line of vision to the camera lens peeking through the wall of foliage, not as sneaky as it was trying to be.
"And if I didn't know any better, I'd say you were in love with me."
He inhales roughly, and she recognises his unsteady breathing.
"Are you...?" Lockwood's voice makes her tear her eyes away from the lens, and focus on his soft brown tired eyes.
"...Might as well. Right?" She tries to hide how badly she needs his acknowledgement. He searches for something in her eyes she's not sure exists. Her heart is in her mouth as he tenderly covers her hand, and suddenly she's sitting at the kitchen table at Portland Row again; unsure and raw and hoping against hope for a love like his. He strokes the back of her hand with him thumb, deep in thought, as if soothing her, or maybe telling her to stop, breathe and think about this horrible decision.
"They'll publish the most horrible things tomorrow."
"I thought that didn't matter."
"Not to me. But it does for you."
"It's worth it. You're worth it."
He closes his eyes, and she watches his eyes shift restlessly behind his eyelids, as if fighting a losing battle. "They'll give you hell for it."
She whispers into his mouth. "Damned if I do, damned if I don't. They're watching either way."
His lips twitch. Her eyes flutter close. She inhales the space between them, their noses softly bumping against each other as they tilt their heads.
Slut.
She leans into him and her lips part as he deepens the kiss. She feels the tangerine neon light burn into the expanse of her exposed skin from her neck to her shoulder.
Slut.
She feels a hand on her lower back as she wraps an arm around his neck, craning her neck upwards. The kiss is equally delicious and bruising, and she feels herself getting drunk on his touch.
Slut.
The pressure on her lips fade and he pulls away, giving her the choice to back out. In the span of a second he shifts from a hazy sunset to the deep aquamarine pool in front of them, and then she's leaning in and devouring him like they could never be close enough.
Slut.
Her mind holds the whisper like a promise.
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septembercfawkes · 4 months
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Why the Protagonist Must Be a Problem-solver
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In some ways, this post's topic sounds obvious, in others . . . not so much. On the surface, the tip seems simple, and yet, it is easily and often overlooked.
Your protagonist must be a problem-solver.
Yup. 
A problem-solver.
I don't care if she's the laziest, most passive, most dimwitted person on the planet, within the context of the plot, she must be a problem-solver (even if a reluctant one).
Otherwise, she'll feel like a weak character.
Otherwise, the plot will feel weak.
Of course, I'm sure you can find rare exceptions to this.
But 99% of the time, your protagonist needs to be a problem-solver.
So let's talk about why.
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Why it's Important for The Character
Imagine a protagonist who doesn't problem-solve. She encounters the antagonist, reacts emotionally, but doesn't do anything to try to win the conflict, or at least gain the upper hand of the conflict. She won't be interesting for very long. It's hard to care about what happens to her, when she's putting no effort in to resolve it, when she doesn't care enough to try to fix it herself. It may start to feel like she's stuck in a loop--just circling the same internal responses over and over again, never really progressing, never really moving on.
Sometimes writers mistakenly think this makes her more sympathetic, but in reality, as counterintuitive as it may sound, the opposite is true. Audiences lose interest or become annoyed.
We've all met people who talk, and whine, and fume about their problems but don't do anything to better their situation. We may feel sorry for them at first, but eventually, we want them to take action to improve their predicament. Often we may even find ourselves giving advice (or in some cases, doing the problem-solving work for them).
We feel the same way about characters.
Your protagonist doesn't need to be the next Sherlock Holmes or Violet Baudelaire to be a "problem-solver."
At the most basic level, what this means is that when she encounters an antagonistic force (a problem), she's coming up with--or perhaps shifting--goals and plans (however big or small, or grand or modest), and taking action to try to make those a reality.
If she's not doing that, she's probably too passive in the plot and not exercising enough agency. The story is happening to her, but she's not doing anything to make the story happen. She's not influencing the direction of the story.
When the protagonist is the one coming up with goals and plans, and implementing them, the audience becomes more invested in her. They want to stick around to see if she's successful. She also now holds some accountability over what happens--the consequences--and that actually makes her more interesting and more sympathetic. What happens, good or bad, is on her. She holds responsibility. 
If your protagonist isn't problem-solving, it may be a sign that her wants aren't strong enough. Solid stories will showcase the protagonist's deepest desires (however big or small, or grand or modest), what she would sacrifice almost anything to obtain, avoid, or maintain. If the right desire is in jeopardy, the protagonist should naturally be driven to problem-solve. Characters with strong wants are more compelling. And in reality, we all have powerful wants we house deep within our hearts. 
Great stories will test and challenge the deep desires of the protagonist's heart. And if that's not happening, you likely haven't figured out your protagonist's deepest desires or you need to alter the character so that she desires what she desires more deeply. Don't settle on something she kinda wants. Find what she'd be tempted to sacrifice her life for--literally or figuratively (meaning her current lifestyle). What does she want to obtain, avoid, or maintain bad enough, that she'd consider doing things she wouldn't ordinarily do? That's the kind of want you should showcase--whether it be obtaining recognition as employee of the month, avoiding responsibility by taking on a new identity, or maintaining control by offing all rebels.
It's usually helpful to focus on an abstract want--obtain recognition, avoid responsibility, maintain control--that can then manifest into various concrete goals. Most people aren't going to give their "lives" to become "employee of the month," but many have gone to such lengths to obtain recognition; becoming employee of the month is just one way to obtain that. So even if the goal seems modest on the surface, tie it to a deep abstract want. (A bit of a tangent, but it's useful, so I left it in here 😉)
When the protagonist is problem-solving, it conveys to the audience what she cares about. If the rebels are increasing in power, and she doesn't do anything about it, then obviously she doesn't really care about being in control very much. That's not a deep desire of her heart. So we need the protagonist to problem-solve to help convey character.
And finally, if she's not struggling to overcome (problem-solving), she's probably not growing through a character arc. She's stagnant. She's not changing her worldview as she strives for success, nor is she wielding her beliefs, growing in resolve. This can make any attempt at an internal plotline feel repetitive or nonexistent, because the character isn't progressing on an internal journey. She's just stuck in the same spot.
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Why It's Important for the Plot
Solid stories will showcase the protagonist's deepest desires, and even if those desires are abstract (obtain recognition, avoid responsibility, maintain control), if the character wants them bad enough, they will manifest into concrete goals (employee of the month, new identity, off the rebels) that have specific plans (show up on time to work, move to a new city, locate the rebels' base).
So the protagonist has a goal. The antagonist opposes the goal.
And since there should be an antagonist for nearly every scene, this means there are problems in nearly every scene.
If the protagonist isn't trying to solve those problems, by adjusting his goals and plans, then it's likely the plot isn't properly progressing. Like I mentioned with the internal journey above, the external journey probably feels repetitive, or in some ways nonexistent. It's just circling the same situation over and over, in the toilet bowl.
If you find yourself arguing against this, then it's likely because another character is the one doing most of the problem-solving, in which case, it's also highly likely that character is the true protagonist, and your "protagonist" is really more of a viewpoint character spectating the external plotline.
The plot needs conflict in order to progress properly. If the antagonist shows up, and the protagonist allows himself to just get beaten, it's not strong conflict. Sure, stuff is happening, but if the antagonist is hammering him to the ground without his resistance, it's not much of a conflict. It's passive victimization. And while that might work in a scene or two, it's not going to hold for a whole story, or even a whole act.
A passive victim isn't a problem-solving protagonist. Obviously.
So, suffice it to say, your protagonist needs to be a problem-solver.
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Villaintine's Day 2024 - Crash Meeting
Prompt: Evil Scheme 03 @black-rose-events
Detective who has to investigate a string of crimes and ends up discovering more about Villain than they ever thought they would (could be an identity reveal or a bigger plot or a “the Villain is actually the good guy and X is actually the antagonist)
(tw car crash mention)
It did not go according to plan.
Detective twitched a little, their fingers fidgeting. There was an unconscious part of their mind that was annoyed at not being able to clasp their hands in front of them, as they were zip-tied behind their back. It helped them think, and in that moment they needed that. To be honest, they were in a slight state of shock. Being caught hadn’t much to do with it.
A couple of weeks ago, there had been a robbery in their neighborhood. It’d happened in a garage. During the night, the cars in repair had been all gone. Detective liked the people that worked there. They were a regular, and the staff never sighed or rolled their eyes every time they presented a very bumpy car that had its windows broken too many times to count, flat tires at least every month, and once had a very long knife stuck in the hood. This kind of petty thievery really made their gears grind, especially from those of one overpowered over-the-top Villains. Of course it was a villain, you didn’t need to be Sherlock Holmes to know that. Could you actually believe that someone chose to do that with their abilities? Couldn’t they get a job or something? Detective had no special power, expect perhaps an innate gift to find themself in trouble, but it didn’t matter one bit. Villain had hurt someone they knew, they had to be stopped. Simple as that. Of course the hero agency had been contacted, but the Heroes were much too busy with crimes that “actually mattered” (yes, it was what they’d said on the phone.) Being unchecked, Villain hadn’t stopped there. Their people had broken into private properties just to steal cars, and only cars. It was like the beginning of a bad joke. This was getting really worrying, but the Hero agency didn’t care. As long as it didn’t hurt their sponsors, Detective supposed everything was fine and dandy. Well, not in their book.
It could have gone well. It could have gone very well. Success had been on the tip of their fingers, honestly. They’d gone undercover and had succeeded to find Villain’s headquarters, as well as all the codes to the doors. They’d sent all these findings to the Hero’s agency, just in case, and then they’d met Villain themself. Detective had scoffed at first at – well, everything. The costume, the theatrics, the melodrama. And then, they’d laid down their eyes...and they had frozen. They’d been quiet and still while the henchmen had dragged them away. Even now it was hard to snap out of it. They had no idea how long they’d been stuck in here.
Villain opened the door. The prisoner jumped on their feet. The day before, they would have tried a good old-fashioned headbutt, but not now. Not after what they’d seen. They stared as Villain put their fingertips together in reflection.
“Do you know who am I?” Detective asked abruptly.
Villain smirked:
“Are you going to try that on me? You’re in no position to bluff. You’re a nobody living in a bad neighborhood. That you have ties with the hero agency changes nothing. I doubt that they’ll come to your rescue.”
“No, I mean- Do you not remember me at all? Or are you just pretending?”
That made Villain pause. They examined their prisoner, but something about Detective’s attitude made gloating strangely difficult. Intrigued, even slightly amused, they tilted their head:
“Why should I?”
Detective closed their eyes:
“Okay. Hmm- okay. Do you remember a car crash from fifteen years ago?”
“There are a lot of car crashes in the world, Detective.”
“Not like that one. A blue old-fashioned car pushed another car off the road, and it crashed. It wasn’t an accident. There were four victims: the father, the mother, and two kids. One of them was a dumb twelve year-old. It was me. I got away with a few broken bones.”
“All of this is fascinating, but-”
“I don’t have a lot of memories of this day. I just have pictures, flashes. I saw the other car - how fast it was, how deliberately it bumped into us – the scream of my parents - the hand of my sibling emerging out of the rubble-”
“Are you accusing me?”
“-But I remember the next day very clearly. The grown-ups told me everyone else had died.”
“See, you’ve got this the wrong way. I am the one who is supposed to tell you my tragic origin story.”
“I think I am telling yours. You have a birth mark on your left hand that looks like a pentagram. My sibling had the same.”
There was a silence.
“Don’t you remember?" asked Detective with something akin to desperation. "Don’t you remember at all?”
Villain staggered on their feet. Unable to catch them up, Detective knelt next to them when they grabbed the wall, their knees buckling under them.
“The car,” Villain finally whispered. “Did it look – Was it a sedan?”
“I think so.”
“I see it. I see it all the time in my dreams.”
They wiped their forehead with a shaking hand:
“I-I thought you were an imaginary friend. No one told me I had a real sibling.”
“What happened to you?”
Villain avoided their gaze:
“Bad things.”
They lapsed into silence again, until Detective cleared their throat:
“Can you, uh-”
Villain pulled out a knife and cut the zip-ties that bound Detective’s hands. They stayed like this for a few tense seconds, barely glancing at each other, until Villain held out a tentative hand. Detective took a step closer and reeled them into their arms. Villain’s spine went rigid at first, but Detective awkwardly patted their back until they slowly relaxed.
“Am I the older sibling?” asked Villain.
“You wish. You’re two years younger. Why are you stealing cars?”
“Oh, it was going to be a very sophisticated scheme. Everyone thinks so anyway. But I think- I’m really looking for that blue car. I can’t think of something else. I keep getting back to it.”
“Do you want to look together?”
“I-Maybe?”
“Good.” Detective pressed them tighter. “Because I’m not going to let anything happen to you again. And I really, really want to know why everyone lied to us.”
*
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coopigeoncoo · 10 months
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Pairing: Todoroki Shouto x Gender Neutral Reader
Rating: Teen+
Tags: Reader-Insert, Stalking, Kidnapping, Attempted Kidnapping, Attempted Rape/Non-Con, Psychological Torture (There is a plot for a character to get kidnapped and assaulted, but it doesn't actually happen), Sex Toys, Happy Ending
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A late night meal delivery to Pro Hero Shouto goes terribly wrong, leaving you trapped in a room together with no obvious means of escape. You find yourself holding out hope not just for a rescue, but also for Shouto to somehow stay oblivious to the massive crush you've had on him for months now.
With the outlook for you future growing increasingly hazy, one thing becomes pointedly clear:
You can't keep things bottled up forever.
---
"It's true we don't know what might happen to us," Shouto admitted, his mismatched eyes locked onto yours; intense and mesmerizing. "But we'll face it together, okay?"
"Okay," you swallowed thickly. "But I think you definitely pulled the short straw as far as teammates go."
"Really?" Shouto asked, his eyes shining as he stared at you. "I don't think I could have chosen anyone better if I tried."
---
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Society is built on a series of white lies, little untruths we tell ourselves to make life seem more bearable. Things like how good will always prevail over evil, that hard work equates to success, and that your Quirk didn't dictate the direction your life took.
You had some increasingly strong suspicions about those first two platitudes, but the fact that you had a teleportation Quirk and had only ever been hired for courier work left you feeling very certain that the last one was absolute bullshit.  
Last month your boss had commemorated your third year of employment at Über Munch, a meal delivery service for Heroes, with a mesh bag half-full of dollar store candy and a keychain with the company logo on it in lieu of something you would actually appreciate.  
Like a raise. Or a day off once and a while.  
So you were feeling pretty unenthusiastic about work these days now that you knew how little your effort was actually valued by the suits down at the corporate office. You had never been this tempted to quit before and knew it would likely be a smart move to start sending out resumes and have something else lined up for when you eventually snapped, but it was hard to actually put forth the effort when you didn't totally hate your job most days.  
Your Quirk, Revisit, allows you to instantaneously travel to anywhere you've walked before. It made some aspects of your job easier, like quickly delivering meals directly to Hero agencies in the major metropolitan area; but it didn't make it effortless. Some orders were just more difficult to fulfill than others.  
A call from Fat Gum always requires multiple trips from a handful of different restaurants to fulfill, a task that left you winded and lightheaded from both the quantity of food you had to carry and overusing your Quirk. But he always tipped generously, which was more than you could say for other Heroes. Accepting an order from Vine would guarantee that you would end up dumped on the edge of some overgrown forest with a bag of vegetable samosas in one hand and a compass in the other, rewarded for all your trouble with an evangelical comic tract once you'd actually managed to track her down. 
But then there were the clients you didn't mind getting calls from. Mt. Lady never ordered meals, she just wanted someone to drop off a bottle of her favorite bargain brand rosé on her days off so she could focus on relaxing. She'd answer the door in an old pair of sweatpants with a clay mask pasted thickly across her face, a rom-com blaring in the background as she accepted her delivery. It was a charmingly domestic view of a woman most often seen splashed across the covers of beauty magazines.  
And then there was your favorite client of all, Todoroki Shouto. Every Tuesday and Thursday the same request would ping across the screen of your work phone: cold soba with extra ginger to be delivered to his agency precisely at eight thirty, which was when he took a break from his nightly paperwork. You'd started to become friendly over the course of your routine interactions, sharing courteous greetings and anecdotes from your respective work weeks. Shouto's stories were always more engaging than yours, but he was polite enough to laugh and offer commiseration at the appropriate points as he unpacked his dinner.
You tried to appreciate Shoto's companionship without interpreting his gentle smiles and welcoming demeanor as anything other than what they were; a show of kindness from a good man. But every time Shouto gifted you with a glimpse of his pearly whites you couldn't stop the sudden hitching of your breath, mind racing with snippets of impossible dreams you couldn't help but crave.  
It was easy to let yourself imagine being with him; waking up in a tangle of limbs as early morning light streamed across your bedspread from between the too-wide gaps in your blinds. Knowing your breath was sour from sleeping but kissing him anyway, too needy for his attention to wait until after you'd brushed your teeth.   
But you know life isn't like it is in the fairy tales. Princes don't marry peasants and pedigree Heroes don't end up with minimum wage service workers. You'd keep on delivering Shouto's noodles twice a week until inevitably, a year or two down the road, the tabloids would be saturated with news of his engagement to some super model or socialite. That was what was expected; what he deserved.  
But you could, and would, fantasize about what could have been if things were just a little bit different. If you were richer or more successful. If you hadn't been too scared to take the entrance exams for placement at a Hero School. If you existed in the same social stratosphere as each other.  
They were nice, those little flights of fancy you allowed yourself; the small sprinkles of sweetness that made the bitter taste of reality more palatable. You made time for one more brief daydream; a vision of gentle sighs and entwined fingers, before you dug your phone out of your pocket. Thumb swiping across the screen, you bring up your work app and see a new notification light up your screen: a request for cold soba with extra ginger.  
With a weary sigh, you clutched your phone to your chest, screwed your eyes shut, and disappeared in a shower of sparks. 
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You'd become a regular feature around Shouto's agency, recognized on sight by the security guards and night cleaning crew. So the sudden appearance of a new receptionist next to the doors to Shouto's office was a jarring change in an otherwise predictable delivery routine. A sharp looking woman had replaced his usual assistant, the round-faced and rounder-bellied Mrs. Yamori; a devastatingly friendly and heavily pregnant woman with a heteromorphic gecko Quirk. 
Customer service smile firmly in place, you approached the desk, checking the gleaming name plaque set in front of her.  
"Hello, Ms. Yokubou!" You greeted cheerily, startling the receptionist who had been focused on sorting through a small pile of mail. "Did Mrs. Yamori go on maternity leave already?" 
"How am I supposed to know?" The woman snapped, carefully placing a small box at the top of the stack. "I'm here to help Shouto, not spread office gossip."
"Right," you coughed nervously in the face of her hostility. "Well, I have his dinner. So I'll just go ahead and knock."
"Dinner?" She hissed, swiveling her chair to face the monitor on the left side of the desk. "There isn't any mention of dinner on his schedule and I certainly didn't call you."
"I don't know what to tell you. I deliver Mr. Todoroki's dinner every Tuesday and Thursday at this time," you sighed, pleasant demeanor slipping as this conversation eroded what little was left of your patience after a long day.  
"Well, not today you don't," Yokubou sniffed, waving you away with a dismissive hand. "Shouto is simply too busy this evening. You may go."
"Listen, even if I wanted to go, Über Munch guarantees delivery to Heroes. That's sort of their entire business plan."
"I told you that your services won't be necessary!" Yokubou screeched, reaching her hand towards the receiver on her desk. "Don't make me call security!"
"Would you, actually? They know me down there and it seems like getting a third party involved might help speed things up a bit."
Yokubou's brow twisted as she pulled the desk phone up to her ear, but whatever sort of retort she had poised on the tip of her tongue evaporated the moment Shouto's office door opened and he stuck his head out curiously.  
"Shouto!" She crooned, rolling her shoulders back to push her chest further out, the top buttons on her fitted blouse struggling under the added pressure. "I'm so sorry to have disturbed you! But I have everything under control and-"
"There you are," Shouto sighed in relief as his gaze landed on you, pointedly ignoring the antics of his receptionist. "I was starting to get worried."
"Sorry I'm late," you said, holding the bag out for him to take. "This is normally the part where I would apologize for your food getting cold, but it was already cold to start with, so I'm just going to skip that bit."
Shouto accepted his dinner with an amused huff, fingers brushing yours as the bag changed hands.  
"Would you like to come in?" Shouto asked, pushing the door to his office open wider. "I need some help on today's crossword puzzle. There's a lot of pop culture questions that I don't know the answers to."
"You can't, Shouto! Not tonight! You're far too busy!" His receptionist said, shooting to a standing position and grabbing the pile of mail into her arms. "There's something important here that needs your immediate attention."
"Is there, now?" Shouto hummed thoughtfully, shifting the bag with his soba into the crook of his arm so he could accept the towering stack of mail.  
"And I'm sure you need privacy to open classified mail," Yokubou insisted, squeezing herself into the space between you and Shouto.  
"It'll be fine," Shouto assured her with a tight smile. "I'll just save all the top secret letters until I'm alone."
"But-!"
"That will be all for today, Ms. Yokubou," Shouto dismissed, reaching around her to place a palm between your shoulder blades and guide you into his office. 
"No! You don't understand!" Yokubou wailed, clawing at the stack of mail Shouto held securely to his chest, trying to pry the missives away from him.
"I understand that it has been a very long day and you must be exhausted. Go home and rest and we'll talk about your lack of professionalism first thing in the morning," Shouto said sternly, shutting the door quickly behind him and engaging the lock with one swift motion. He ignored the pounding knocks that shook the door in its frame and the repeated frantic cries of 'Shouto!' as he made his way across the room, depositing the contents of his arms down onto his desk before collapsing into his office chair with a bone weary sigh.  
"Well she sure is…something," you offer diplomatically.  
"Fired is what she is," Shouto laughed dryly, scrubbing his hands furiously across his face. "That woman has been an absolute menace since day one. I tried to give her a chance to settle in, but it's beyond obvious that this job isn't a good fit for her."
"She only started on what? Friday?"
"Saturday," Shouto corrected, prying the lid off of his dinner and happily sniffing the ginger-covered noodles. "And since then she's thrown away all my fanmail, canceled a joint interview I had with Creati, and she keeps finding excuses to barge into my office. I've had to start locking my door."  
"Yikes," you said, wincing in sympathy and a fair amount of second hand embarrassment. "How long is Mrs. Yamori supposed to be gone?"
"Too long," Shouto groaned, pulling out a set of disposable chopsticks and snapping them neatly in half. "Do you think I could convince her to come back to work early if I hire her baby too?"
"I'm fairly certain that's illegal. Child labor and all that," you laughed, pulling one of the guest chairs up to the front of Shouto's desk and spinning the abandoned crossword around to glance at the clue columns. "Plus, babies cry a lot. It would probably be pretty disruptive."
"It couldn't be worse than my current situation," Shouto grumbled, the faint sounds of Yokubou's wailing still audible in the background.  
"I suppose the dental coverage for a baby would be pretty cheap," you muse, penciling in the answer for number thirty-two down. "They don't have any teeth."
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"I wonder what's in that mail pile that had Ms. Yokubou so wound up," you pondered, tapping the pencil eraser against your cheek thoughtfully. 
"Good question," Shouto said, using the cheap paper napkin to dab primly at his lips even though you were fairly certain he didn't get a single particle of food on his face with how carefully he ate. "I thought she had slipped a confession letter into the stack, but all that's here is official mail and a couple of packages."
"Maybe one of those then?"
"Maybe," Shouto mused, separating out the parcels in question. "But I am expecting some deliveries. My Mother's birthday is coming up and I'm having her gifts shipped here so she doesn't stumble upon them when she visits my apartment."
"I guess the only way to know for sure is to open them," you say, tossing your pencil down in defeat and refocusing your attention onto Shouto as he picked up an envelope mailer and ripped open the tab. Reaching into the envelope, Shouto pulled out a small paperback novel.  
"It's the next volume in her favorite book series," he explained, setting the book aside with a smile. "I pulled some strings and got her an advanced copy."
"The ladies in her book club are going to be so jealous!"
"I know," Shouto grinned fiendishly in delight, the mischievous glint in his eye making your stomach muscles clench wickedly.
"And uh, what's in the last box?" You ask, trying to focus on anything other than your misplaced desire for the man in front of you.  
"Let's see, shall we?" Shouto said, slicing open the packing tape with a large set of shears from his desk drawer. Carefully reaching in through the layers of tissue paper, Shouto pulls out a long glass bottle. It's overly ornate, with pink tinted glass and gilded edges, the sort of thing your grandmother would have proudly displayed on her vanity while smacking your small hand away for trying to touch it without permission.  
"It's lovely," you say, only half-lying as you watched the golden tassel tied around the middle sway back and forth. "What's it for?"
"Perfume, I think?" Shouto guessed, face scrunched up as he examined the bottle closely. "I ordered the type Fuyumi told me to, but I don't remember it looking like this on the webpage?"
"Maybe it's a limited edition?" You suggest. "Or they noticed who was ordering and upgraded you to the deluxe version with like, extra ambergris or something?"
"I hope not. That would throw the fragrance completely off balance," Shouto winced, viscerally imagining the perfume you described. "Better check and make sure this isn't the deluxe edition."
And with those words, Shouto grasped the stopper on the bottle and pulled; a plume of thick yellow smoke billowing out from the mouth of the bottle. Gasping in surprise, you accidentally inhaled the spreading vapor; skin prickling painfully as you lost control of your limbs and tumbled to the floor. The last thing you saw before your vision blurred and unconsciousness claimed you was Shouto reaching out across the floor towards your prone body; shirt pulled over his nose and mouth in an effort to filter out the unknown gas.  
Untold minutes passed before the smoke finally dissipated. And when it did, there was no trace of you or Shouto left. Just a shiny pink bottle with it's stopper wedged firmly in place, glimmering cheerily in the warm light of Shouto's office.  
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You woke up suddenly, contorted into an uncomfortable position on the floor with your clothes clinging to your clammy skin. Head pounding and stomach churning, you take in a deep breath and then promptly regret it as you inhale a lung-full of incredibly potent incense smoke.  
"Ugh," you coughed, nose twitching as you got hit by another low-hanging cloud of patchouli. With one last sputter you shifted your focus to examine the room around you. The walls were an eye watering bright pink and every horizontal surface, from the tables to the numerous book shelves mounted to the walls, were stuffed full of flickering candles and arrangements of waxy-petaled lilies. 
"Are you okay?" Shouto asked, voice calling out from behind the other side of the circular bed frame you were laying next to. 
"I dunno'," you mumble, pausing to let out a tiny belch that seemed to help settle your stomach. "I think so?"
"Good," Shouto stated, voice still commanding despite its breathy quality. "Can you walk?"
"Let me try," you said as you went to roll over onto your side, only to discover that your body wasn't responding the way it should; your limbs dragging and heavy. Panic flooded your body, blood thrumming hotly in your ears as you once again tried, and failed, to roll. Exerting more concentrated effort than you ever had before in your life, you managed to slowly rock over onto your shoulder; body now facing towards the bed.
Whatever gratification you felt from your accomplishment was quickly forgotten as you realized that your heaving gasps of exhaustion were slowly pushing you off balance, sending you toppling face first into the shiny wooden bedframe. Your forehead landed with a dull thunk; the shock of the impact intensified by the headache throbbing sharply behind your eyes. 
"Ouch," you hissed through your teeth, sucking up the pain as best you could. "Moving appears to be beyond me at the moment."
"That's okay," Shouto said, his voice dropping a decibel or two into a more comforting timbre. "Wait there. I'll come to you."
The one good thing about your fall was that it positioned your head closer to the foot of the bed, so you could watch as Shouto grasped handfuls of the carpet in his fists, pulling himself slowly into view with great heaving breaths. His strength finally gave out an arms length away from you, his fingers creeping along the floor until they collided with yours.  
Tears prickled in the corners of your eyes, the embarrassing result of too many big feelings fighting against each other to be felt first- sadness and frustration and fear and utter relief when Shouto's fingers curled around your own. 
"You don't need to cry," Shouto soothed, his thumb rubbing small circles into the back of your hand.  
"I don't think I can stop," you sobbed, sucking in huge lungfuls of the incense-spiked air.
"That's okay, too."
"Yeah?"
"Mmhmm," Shouto hummed. "I'm told that crying can be very therapeutic. Do you feel any better?"
"No," you snorted, trying to downplay the telltale blubber of mucus collecting in the back of your throat.  
"Do you need to cry some more then?"
You nodded as emphatically as you could with the feeble muscles in your neck, and then opened your mouth and let out a piercing wail; tears streaming down your face and soaking quickly into the plush carpet fibers.
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"Can you use your Quirk?" You sniffed, tears dried and tacky on your skin. You'd tried to wipe them away but only managed to poke yourself in the eye instead. "Because mine isn't working."
"No," Shouto growled in frustration, eyes narrowed at his hands as though they had personally betrayed him. "I'm hoping we'll regain control of them once our bodies recover."
"If we recover," you mutter dismally, shifting your gaze reluctantly towards Shouto when you felt him squeeze your hand tightly to gain your attention. 
"It's true we don't know what might happen to us," Shouto admitted, his mismatched eyes locked onto yours; intense and mesmerizing. "But we'll face it together, okay?"
"Okay," you swallowed thickly. "But I think you definitely pulled the short straw as far as teammates go."
"Really?" Shouto asked, his eyes shining as he stared at you. "I don't think I could have chosen anyone better if I tried."
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At Shouto's insistence, you began doing little exercises in an attempt to kick start your muscles back into working order. You started small, with toe curls and rotating your arms in little circles. Everything was slightly numb and hard to control, a little like how your cheeks felt after you had a cavity filled at the dentist.  
"I'm scared, Shouto," you whispered as you lifted your forearm a paltry couple inches off of the floor. Shouto had already graduated to doing floppy bicep curls, but that was the difference in athletic ability between a Pro Hero and someone who's preferred marathon experience involved popcorn and a handful of movies. "Where do you think we are?"
"I don't know," he grunted from exertion, sweat beading at his temples. "But I have a couple of theories about how we got here."
"What're you thinking?"
"It's obviously some sort of Quirk at work," he gasped. "You're a Teleporter, right? Could it be something like that, do you think?"
"No. It's not teleportation," you groaned, arms collapsing limply onto the floor as you burned through the last of your energy. "I'm in an online chat group with a bunch of other Teleporters and we all have the same basic experience. And this is not it."
"Really?" Shouto said, pausing in his exercises to join your brief respite. "That's fascinating."
"Yeah. I guess rearranging all your atoms is a complex enough process there's just one way it works correctly."
Shouto huffed, staring up at your reflections in the large mirror that covered the entire ceiling. "What's it like? Teleporting, I mean?"
"I- it's sort of hard to explain," you say, wrinkling up your nose in thought. "So, like, imagine if people were made entirely out of sand."
"That sounds awful," Shouto grimaced. "Can you imagine what it would feel like if your tongue was made out of sand? Everything would taste gritty."
"It isn't literal," you huff. "You can imagine anything small. Rocks, sugar-"
"Rice," Shouto interrupted, nodding resolutely.  
"Yeah, sure. Rice. Imagine people are made out of rice. Teleporting is like, if every single one of those grains just scattered," you try to wave your hand around for emphasis but only succeed in making it flop on the ground like a dying fish. "But they aren't lost. I know where every single last one is, no matter how far away it wandered. And I can just pull them all back together again, wherever I choose."
"And it doesn't make you feel like all your muscles have atrophied?"
"No, not at all," you say, letting your head loll from side to side in an exaggerated shake. "I'm just- letting myself fall apart. I'm like ice when it starts to melt; shifting and warm."
"Oh," Shouto said, a sudden ring of clarity in his tone. "That's a nice feeling."
"Yeah, it is."
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Eventually, you and Shouto progressed to being able to move around on the carpet. Shouto had worked himself up into a crawling position while you had adopted the much less elegant solution of wiggling around like a worm. You could tell by his puffed up cheeks and pointedly averted stare that he was barely holding back laughing at your expense. 
"Don't you dare laugh at me," you warned him, butt stuck up in the air as you wiggled your shoulders from side to side to achieve forward momentum.
"I'm- I'm not," Shouto lied, wheezing with every inch he crawled towards a distant dresser.
"Please," you scoffed. "I went to middle school. I know what it looks like to be laughed at. You could at least have the decency to do it to my face."
"Right, sorry," Shouto apologized, turning his head to look at you and promptly losing all composure; crashing to the ground as his laughter wracked his body and threw him off balance. He landed hard on his shoulder, still too uncoordinated to break his fall well.
"Ow!" He snorted out between guffaws, body shaking as he rubbed at his shoulder with limp fingers. "That- that hurt."
"Serves you right," you mutter peevishly, pushing your derriere further into the air to power your next creep forward. "I'm going to beat you to the dresser. That'll teach you to laugh at me."
"No," Shouto gasped, stumbling back onto his hands and feet. "I'm gonna- gonna get there first."
"Oh yeah?" You countered, summoning up your go-to school yard taunt like the paragon of maturity you were.
"Yeah," he shot back, the call of competition doing a lot to sober his demeanor as he rocked on his hands and took a shaky shuffle forward.
"Hey, Shouto!" You called, waiting until he was looking at you before you wiggled your butt from side-to-side as much as you could without toppling over. Shouto, not anticipating your underhanded maneuver, collapsed face first into the shag rug, the long fibers muffling his delirious cackling.  
"Cheater!" He cried out.
"Winner!" You laughed, sliding forward onto your belly and making a good headway towards the dresser, steadfastly ignoring Shouto's calls for a do-over.  
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Shouto had predictably rallied and beaten you to the dresser like the finely tuned muscle machine he was, but you were proud to say you had given him a run for his money. The two of you now sat propped up against the dresser, bodies slumped against each other for an additional layer of support. You'd passed a fair bit of time by guessing how many flowers were crammed into each vase and then counting to see who came the closest.  
"Aaaaaand that's another round to me!" You proclaimed, nudging Shouto sharply. with your elbow when you heard him grumble discontentedly.
Todoroki Shouto, it turned out, was a very sore loser.
"One more time," he pouted, looking around the room for another cluster of lilies to tabulate. "Best fourteen out of twenty-seven."
"Yeah, I can agree to that. Because I've already won fourteen times," you reminded him smugly.  
"This game is silly," Shouto grumbled, managing to cross his arms across his chest petulantly on the second try. "I don't want to play anymore."
"Fine by me," you yawned, only slapping yourself in the face a little as you tried to cover your mouth. "I'm getting tired anyway."
"Go ahead and sleep," Shouto said, nudging your shoulder with his own until your head slid down into the cradle of his neck. It was wildly uncomfortable and far too intimate for your level of acquaintance, but you'd sooner eat your shirt than complain about it. "I'll take first watch."
"Watch for what?" You grumble, already well on your way to being unconscious. "There aren't even any doors."
"Or windows," Shouto added with a frustrated sigh as he dropped his head down onto yours, smushing your cheek into the hard edge of his clavicle.  
"Righ'," you mumble as your eyelids droop shut. "No win'ows."
"And I suppose if anyone was going to come in and kill us, they would have done that while we were lying defenseless on the floor."
Your eyes shoot open, all traces of exhaustion banished as you pry yourself away from Shouto and scramble into a more upright position.
"What's wrong?" He asked with genuine concern. "I thought you were tired?"
"I was, until someone started talking about us being killed," you laughed dryly, eyes darting around the room suspiciously, cataloging all the places a person could be laying in wait. There weren't a lot, but the privacy screen next to the chaise lounge was looking a little too sinister for your liking.  
"No, I specifically said that we likely wouldn't be murdered."
"Yeah, but you still mentioned the killing part! And now I can't stop thinking about it!" You babbled anxiously, trying to calm your rabbit-fast heartbeat with a couple of deep breaths. "This is probably the closest I've ever been to being murdered before, so a little bit of panic feels justified!"
"There is a strong correlation between kidnapping and murder," Shouto nodded.
"Do you- do you think that's comforting?" You screech, hysteria ratcheting up another few notches.  
"I- no?" Shouto said, voice pitching high in uncertainty. "But it is statistically significant!"
With a pitiful whine, you drop your head down into your mostly stable hands, doing your best to hold back another round of water works. Shouto, at a loss about what to say, drops his hand onto your back.
"There, there," he says, rubbing his palm slowly down your spine
"Now this- this is comforting," you sigh, arching your spine against his trailing hand.
"I'm glad," Shouto smiled. "This is how I pet stray cats, too. It's good to finally get some feedback on my technique."
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"Now that we're back on our feet-," Shouto began, watching anxiously as you stumbled and were forced to grab onto a floor lamp for support. "-mostly, anyway. I think it would be a good idea for us to look around the room more thoroughly."
"Sounds good," you say, glancing at the lamp cord and wondering how far you explore while keeping your makeshift crutch plugged in. "Is there anything in particular we're looking for?"
"I'm not sure," Shouto said, setting his sights on the dresser drawers. "We know so little about our current situation that any information at all would be helpful."
"Right," you said, still unsure about what exactly to do, but not wanting to hinder Shouto's progress any further. You decided to inspect behind the privacy screen that had made you uneasy earlier. It was a tall thing that stretched far over your head, white wicker edges nearly scraping the mirrored ceiling. 
"Finding anything interesting," you panted over your shoulder as you took another baby step towards the screen, dragging your support lamp along with you.
"No!" Shouto yelped, slamming the top drawer he'd been staring into shut. "I mean, yes. There are things. But they aren't important. They're uh-," he paused to cough uneasily into a loose fist. "They're- intimacy supplies."
"Ah, sex toys," you nod, turning back to face your destination and give Shouto what little privacy you could to work through his embarrassment. "Say no more."
"I- yes. Thank you."
"But that opens up an entirely new realm of possible explanations," you grunt, tired but excited by your continued progress across the room. "Like, did we get knocked out by the gas from that bottle and dropped into a love hotel or something? As a joke?"
"A love hotel?" Shouto screeched.
"Yeah. They're normally all schmaltzy and themed like this," you explain, gesturing vaguely to the abundance of bright pink decor. "Normally that theme isn't Barbie Escape Room, but I'm not here to kink shame."
"I think you maybe should have taken on the dresser inspection. I'm completely out of my element here," Shouto lamented, holding up a large paddle for you to see. "I can't even begin to imagine why there's a cutting board in here."
"Oh, that's not-"
"Actually," Shouto interrupted, holding up a hand to halt your explanation. "I don't think I want to know."
Shouto continues to rifle through the drawers, utterly befuddled and horrified in equal turns when you finally reach your destination.  
"Alright," you said, mustering up the courage to peer behind the screen. "Let's see what's going on behind here."
You push the right side of the screen back slowly with your still weak arms, panels buckling at the hinges as it folded itself up like an accordion.  
"Any murderers tucked away back there," Shouto teases, weighing a comically large steel buttplug in his hand.
"Not a murderer, no," your voice trembling with mounting horror as you step out of the way, allowing Shouto to see around you for the first time. The wall behind the screen was full of pictures of Shouto, hundreds of them pieced together into a collage of obsession. Magazine covers, promo pictures, and selfies from Shouto's official social media accounts were all present in the mashup; but far more distressing were the inclusions of what had to be candid shots of the Hero.  
Blurry and over processed snapshots of Shouto shirtless that had been taken through his apartment window, spoon hanging from his mouth as he ate a cup of yogurt.
A far away street shot with him and a friend- you couldn't tell who it was exactly because they had been scribbled over with a pen so many times they had worn a hole in the paper; the bright pink of the walls visible through the missing space where a person should be.  
Classified photographs detailing the injuries sustained in the line of duty that had been copied from official Commission files; terrible, gruesome things of Shouto bruised and bloodied and at his most vulnerable.  
"You have a stalker, Shouto," you whispered.
"Oh," Shouto said numbly, the butt plug falling from between his fingers and hitting the top of the dresser with a loud thud. "Then this isn't a love hotel then," he paused and swallowed thickly, eyes glazed with an emotion you couldn't recognize as he stared at the wall behind you. "This is supposed to be my prison."
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Things had only gotten worse from there. Now that you realized the purpose of the room, you were unable to unearth all sorts of hidden features that made your skin crawl. Hooks carved into the delicate filigree on the bed frame that were obviously made for handcuffs, a box of truffles with tiny syringe marks poked into the bottom, and a set of menacingly sharp sewing scissors tucked away in the bedside table drawer.  
Your stomach was churning painfully, but you couldn't tell if it was from hunger or fear.  
Not really knowing what else to do, you fumbled over towards the bed and collapsed onto it, nearly sliding off the slick satin duvet cover. A frantic scramble had kept you from dropping onto the floor, but it was a near thing. You watched as Shouto slid down onto the ground, a blank look on his face as he positioned his hands by his ears and began doing crunches.
"Are you- are you okay?" You ask from your sprawled out position on the bed. You'd tried to make eye contact with him through the mirror ceiling, but his gaze remained stubbornly averted to a blank spot on the wall you couldn't understand his interest in.
"I'm fine," he grunted through clenched teeth, forcing his shoulders up off the floor.
"You don't have to be."
"Yes I do!" Shouto bellowed, startling you as he threw himself down onto the floor, hands fisting in his hair in frustration. "You're trapped in here because of me!  It's my responsibility to get you out safely and I can't do it if I'm like this!" He said, waving a hand down at his sluggish body.  
"None of this is your fault," you assure Shouto, sliding to the edge of the bed and peering down towards him. "You're just as much a victim here as I am."
"You shouldn't even be a victim in the first place."
"Yeah, me being here obviously wasn't what your stalker had planned," you said, suppressing a shudder as you stared briefly at the collage of photos before reaching down and taking Shouto's hand into your own. "But I'm glad. I'm glad that it's me here with you, instead of- instead of them."
"I'm glad it's you, too," Shouto whispered, squeezing your hand tightly. "And not just because you don't have any plans to torture me."
"Being trapped in a room with me is torture enough," you joke, lazily swinging your interlocked hands back and forth in the air.  "There's no need to overdo it."
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There are faint memories of some long ago humanities class echoing in the back of your brain; something about needing to have your basic needs met before you're able to consider any other, arguably more important, matters. So while you understood that you were likely waist-deep in mortal peril and should be very worried about your long term health and wellbeing, you were far more concerned about the fact that you really had to pee.
Like, right now.
"Hey, Shouto?" You clear your throat nervously, not entirely sure how to broach the subject of bodily fluids with the top-ranked Hero laying on the bed next to you. "I, uh- have something I need to say. But it's sort of embarrassing?"
"Oh?" Shouto asked curiously, turning his head to face you, your noses nearly brushing. "What is it?"
"Well, I just- I know that a lot is happening right now, and I don't want to burden you anymore than I already am, but I just don't think I can hold it in any longer."
"Tell me," Shouto whispered breathlessly, his eyes wide as he watched you nibble on your lower lip nervously.
"I-"
"Yes?" He said imploringly, face inching closer to yours.
"I really need to pee!" You cry out loudly, sending Shouto reeling back from the force of your sudden screech.
"Oh- uh," he stammers. "That's, hmm."
"God," you whine, covering your face with your hands. "This is so embarrassing!"
"There's no need to be embarrassed," Shouto rushed to assure you, grasping your wrists gently to pull them away from your face. "I'm sorry, I should have reacted better."
"It's fine," you mutter sheepishly as you peer up at him from under your lashes. "It's gross and uncomfortable and I shouldn't have just blurted it out like that."
"No, it's not that- I was just caught a bit off guard. I thought you were going to say something different," Shouto admits with a wistful sigh.
"Like what? That I need to poop?"
"No," he snorts, pushing himself to the edge of the bed and standing with relative ease. "Don't worry about it right now. Let's just focus on finding a place for you to relieve yourself."
"I'd suggest just picking a corner like animals do, but that doesn't seem like a viable option in a round room."
"We'll just have to get creative then, won't we?" Shouto smiled, lifting up one of the largest vases of lilies and flipping it upside down; water and flowers spilling onto the floor at his feet in a soggy clump.  
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Shouto had originally set up your makeshift chamber pot behind the creepy stalker screen to give you some semblance of privacy, which was incredibly thoughtful of him. But the idea of peeing in front of one Shouto was hard enough, there was no way you could ever possibly bring yourself to pee in front of hundreds of little Shoutos pasted onto the wall. So the two of you combined your minimal strength together and managed to pull one side of the tall dresser away from the wall, creating a triangular little hidey-hole you hurriedly wedged yourself into.
"Don't look!" You called out over your shoulder, already pulling your zipper down before he could spin around fully.
"I won't," Shouto promised, staring dutifully across the room. With nothing more engaging to stare at, you join him in spectating the wall you were squeezed against. The pink paint had some sort of iridescent sparkles mixed into it that caught every flickering candle flame and created a hazy sort of glow that did nothing to help alleviate the headache you'd been nursing since you first woke up. The effect wasn't any less assaulting up close, so you were in the process of averting your eyes when the light behind you suddenly shifted; Shouto's dark shadow passing over you and catching on some strange divots on the otherwise smooth surface of the wall.  
Hesitantly, you raise your hand and run your fingers across the wall, watching the route your fingertips take as they follow the nearly invisible grooves.  
"Letters!" You gasp in excitement. "Shouto! There are letters on the wall!"
"Where?" Shouto demands, appearing over your shoulder in a flash, heedless of the fact that you were still mid-piss.  
"Ahhh! No peeking! NO PEEKING!"
"Sorry! I'm so sorry!"
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After you had emerged from your commode and dunked your hands into a bowl full of lily water to cleanse them, you and Shouto set about moving the dresser further from the wall to accommodate both your bodies as you squinted thoughtfully at the letters.  
"They're really hard to make out through the shimmery paint," you grumble, waving a candle around to see if a different light position would make it any easier to read.
It didn't. 
"I think that's the point," Shouto hummed thoughtfully. "They used paint and a dresser to hide the message, so they really didn't want us to discover what's written here."
You both stared at the shimmery wall for a moment longer before inspiration suddenly struck. 
"I have an idea," you said, wobbling away to the other side of the room on stiff legs and returning moments later, the box of drugged chocolates tucked underneath your arm.
"Take one," you instructed Shouto as you pulled the lid off the box; selecting a dark chocolate truffle for yourself.  
"I know things seem bad, but poisoning ourselves isn't the answer. Yet," Shouto added grimly, staring down into the box with a deep frown.  
"I'm not gonna- ugh! Just watch!" You huff, placing your truffle onto the wall and smearing it over the letters with firm strokes. The chocolate transferred easily onto the wall, leaving brown streaks across the pink paint but skipping over the recessed grooves of the letters.  
"Clever," Shouto smirked proudly, a sight that you stared at for longer than was strictly appropriate; permanently etching every last detail of this moment into your memory.
Chocolates in hand, you and Shouto began scribbling across the wall like two poorly supervised toddlers, the message slowly coming into focus as the number of truffles in the box quickly dwindled. The message was much larger than you had originally anticipated and you were a bit worried that you were going to run out of chocolates before the message was fully revealed. But in the end you were left with half a truffle and a bit of doggerel poetry outlined in cocoa:  
A love confession you must tell, 
If you wish to break the bottle's spell.
Sweet nothings alone just will not do,
You're trapped until your words are true.
"Well, I don't know what I was expecting but it certainly wasn't rhyming couplets," you admit, rubbing your sticky hands onto a nearby tufted throw pillow.  
"The bottle," Shouto stated confidently, following your lead and wiping his hands on a decorative curtain. "The one I opened in my office earlier. The poem leads me to believe that we're inside of it."
"I- I suppose that makes sense," you admit, thinking back on the bottle you'd briefly seen. "You opening that bottle is the last thing I remember before waking up here."
"Removing the stopper must have been the trigger for the Quirk that trapped us to activate."
"That's why Ms. Yokubou was so insistent about getting into your office! She knew about the bottle!" You gasped, spinning to face Shouto. He didn't look too surprised by the revelation.
"She knew what the bottle did and likely intended to be here in your place," he nodded somberly. "Ms. Yokubou is definitely the most likely suspect."
"Really?" You scoff incredulously. "'The most likely suspect?' It's blatantly obvious that she's the one behind all of this."
"I took an oath to uphold the presumption of innocence. Ms. Yokubou isn't guilty unless she's proven so in a court of law," Shouto insisted with a sour look on his face, his morals at war with what he knew was true.  
"Well, I didn't take an oath," you informed him proudly, puffing out your chest and resting your hands on your hips. "So I'm free to say that she's a creepy, rotten, low-down, guilty, bitch."
"Yes, you certainly can say that," Shouto grinned brilliantly. You tried to return a smile with similar intensity, but considering how rough you looked in the ceiling mirror after a full day of work and captivity you're positive it's no match for Shouto's natural radiance. But from the small sparkle you saw appear in the corner of his eye, it seemed that Shouto appreciated your efforts just the same.  
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"Are your hands starting to tingle?" You ask worriedly, staring down at the sharply prickling skin on your fingers.
"We need to wash the remaining chocolate off.  Now," Shouto ordered, shoving the vase you had rinsed your hands off earlier into your lap; dunking his hands into the water after yours.  
"I wonder what was in those truffles," you mutter in concern as Shouto's fingers worked defly over your skin, doing his best to scrub the chocolate residue off with firm strokes. You tried to return the favor, poking at the back of his hand with your clumsy digits, but it was growing increasingly difficult to will your fingers to bend.  
"Likely just a tranquilizer," Shouto assured you, pulling one of your hands out of the water to check on how clean it was before lowering it back into the vase with a frown. "Whoever put me in here-"
"Ms. Yokubou," you filled in.
"-seems to have wanted me docile, not dead."
You tried to focus on the muted feeling of Shouto's hand on yours instead of the red hot anger roiling in your belly. It was a testament to the strength of your ire that you barely registered Shouto's gentle caresses.  
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Shouto had taken it upon himself to push the dresser out of the way so you could more clearly see the poem on the wall from a more comfortable position on the bed. The dresser had tipped in the process, drawers falling open and spilling their contents out across the ground; shiny new dental tools and lacy-edged corsets mixing together in a heap on the carpet. You had thought it had been an accident at first, Shouto simply underestimating his returning strength, but then you had seen the malicious glee spread thickly across his face and understood it had been a calculated act of wanton destruction. He dropped down onto the bed beside you, glaring at the mess he had made on the floor.
"Oops," he said unapologetically, kicking the pile of lingerie with a sneer. In a show of solidarity, you swept your arm across one of the bedside tables, sending an oil diffuser and a copy of the Kama Sutra crashing to the floor.
"Oh nooo," you said flatly, swiping at a teetering wine glass that escaped your first attack. "Clumsy me!"
Shouto's smile was a forced thing, too-fast and insincere compared to his normal grins. You watched as his shoulders slumped, head hanging down towards his chest as he ran his hands through his hair in frustration.  
"I hate it here," he admits after a long moment of quiet. "I can't stop thinking about what could- what would have been happening to me. And I- I just-"
His foot jostled one of the hooked dental probes laying on the carpet, both your and Shouto's eyes locked onto it as it skittered across the floor and hit the baseboard with a tinny clang.
"We need to get out of here," you swallow thickly, hand blindly reaching out for Shouto's across the bed. He squeezed your fingers too tightly, your joints aching in protest; but you didn't tell him to stop.  
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"So, if we're interpreting this poem correctly then Ms. Yokubou-"
"The unconfirmed suspect," Shouto corrected.
"-the suspect intended keep you trapped in here and torture you until you were convinced you loved them."
"That seems to be the case, yes."
"That's so fucking awful, Shouto." 
He didn't respond, staring thoughtfully at the words on the wall with a furrowed brow instead.  
"Ms. Yoku- I mean, whoever did this obviously has some sort of feelings for you, but not really? They want you, but not the actual you," you ranted, the bubble of rage you had kept pushed down inside had finally built up enough pressure that it was spilling out against your will as you stomped around the room. You took a special sort of pleasure in grinding the discarded lilies down into mush with every lap you took.  
"They don't care about what you think or- or feel, they just care that they get what they want, even if it destroys you. I just- I don't understand? How can they believe that they love you when they're so willing to hurt you?" you whispered brokenly, furious and devastated on Shouto's behalf.  
"And I know that is an emotionally charged situation for you, but could you please say something?" You beg, sagging down onto the bed beside him, exhausted from your outburst. "If you don't, I'm pretty sure I'm just going to keep talking until I drive us both crazy. Which, admittedly, doesn't seem like it would be a very long trip at this point-"
"It can't be that simple," Shouto suddenly blurts out, putting an end to your rambling.
"What's not simple? Driving you crazy? Because I have some high school teachers with stories you wouldn't believe."
"No, not that," Shouto said, waving a hand dismissively. "I'm talking about the poem."
"What about it?" you asked, squinting at the rhyme inquisitively.
"It says that only a true love confession will break the bottle's spell and, presumably, set us free."
"Yeah, and that's sort of a huge issue? A forced love confession is just coercion," you explain. "You can't create genuine affection like that."
"Exactly," Shouto agreed, "And that would be a problem if the kidnapper was the one stuck in here with me. But instead, by some incredible stroke of luck or karma or kismet; I'm in here with you."
Between your persistent headache, bone-deep exhaustion, and the thick fog of panic blanketing your mind there was no possible way that you were interpreting Shouto's words correctly. 
"What do you mean?" you said, swallowing thickly as you braced your heart for the let down you knew was coming; the walking back of his words, the incredulous laughter once he realized what he was mistakenly insinuating.  
"I had a plan for this," Shouto sighed, a melancholy sort of sound. "There was supposed to be dinner. And music. And flowers. Not lilies, though," he rushed to assure you.  
"Thank goodness. I don't think I ever want to see another lily again for as long as I live."
"Same here," he laughed dryly. "But we would have had a good evening together. Better than this one, at least. And at the end of the night I would take your hand in mine, just like this," Shouto said, cradling your hand between both of his. "And I'd finally tell you what I've been too scared to tell you for weeks now."
"Which is what?" you whisper breathlessly, precariously hanging on his every word by your fingertips; moments away from slipping and plummeting down into something- some feeling that couldn't possibly be real. You weren't that lucky. You weren't that anything, really.  
"I'd tell you the truth," Shouto promised, his eyes shining with a soft sincerity that made your chest ache with longing. "That I am totally, irrevocably, head-over-heels in love with you."
You opened your mouth to respond- how exactly, you weren't entirely sure. Cheer, maybe? Cry? Ask him if he was serious? But the actual sound that came out was a prolonged scream as every muscle in your body twisted and burned.  
And then, all you saw was darkness.
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You woke up suddenly, contorted into an uncomfortable position on the floor again. But there was one immediately noticeable difference between waking up in the bottle and now, and that was the fact that your limbs were hopelessly tangled up with Shouto's; the two of you twisted together like a fleshy pretzel.  
"We have to stop meeting like this," Shouto smiles down at where your head is pillowed on his chest, his heart thumping quickly beneath your ear.
"Nope, not allowed," you mumble in complaint, trying to push yourself off of his chest. You weren't able to make much protest with how loudly your muscles were protesting, so you just settled back down and tried to ignore how your heart skipped a beat when you felt his arm squeeze you tightly into his side. "I'm the funny one here. You're not allowed to have better one-liners than me."
"Apologies," Shouto said, your body rocking gently along with the quiet laughter that shook his chest. "I did have a bit of time to think of it though. It's taken you a little while to come around."
"You didn't move me?"
"No? Why would I?" Shouto asked, tilting his head to the side easily; obviously less inhibited by the soreness of his muscles than you were.  
"Well, we're out of the bottle now so I thought…" you trailed off uneasily, unsure of what words you could put together to push this conversation along. It wasn't like you really wanted to talk about what happened; to pop the bubble of happiness that was filled to almost bursting inside of your chest. But you knew that the longer you drew it out the harder it would be to face reality; to acknowledge that Shouto discovered a loophole, a convenient lie he could believe just enough to free you both from that bottle.  
Maybe he just loved you like a friend? Or worse, like a sister? Maybe that kind of affection was enough to have met the nebulous requirements for the Quirk to deactivate? The poem didn't have any footnotes that you could see, so maybe it wasn't quite as strict as you and Shouto had theorized. Maybe you could have gotten away with professing your love of Rock and Roll or sleeping in on the weekend?  
You wish you would have experimented a bit more inside of the bottle and maybe saved yourself the devastating experience you were currently thrust into: staring literal heartbreak in the face as you gazed helplessly up at Todoroki Shouto.  
"Thought what?" Shouto asked, the edges of his sweet grin slowly dipping down into the start of a frown.
"Well, we're out of the bottle now. So I don't expect- I won't hold you to anything you said. I know it was to just get us out. So, uh- thank you for that. But you don't have to keep pretending. It's okay," you assure him with a watery smile. You'd never been particularly skilled at lying and were even worse at it when you were emotional, and right now you were feeling very emotional.
But instead of looking relieved like you had expected him to be, Shouto looked positively exasperated; his face creased into a deep scowl.  
"You don't believe that I have feelings for you?"
"Well, I mean, not like you said- not romantically," you explain, panicking internally as his expression grew even more displeased. "Just- like a friend?"
"I see," Shouto huffed. You could practically feel yourself withering under the intensity of his disappointed stare. "Is that how you see me? As just a friend?"
"I mean, we are friends, right?" You laugh nervously, growing increasingly concerned that this conversation might just torpedo your entire relationship into smithereens.  
"Yes, of course. Very good ones I think," Shouto said, his hand coming up to cradle the side of your jaw gently to keep your attention firmly on him. "But is that all we are?"
"I wasn't aware there was any other option," you whisper honestly, your gaze jumping between each of his eyes, trying to see if one color was less intimidating than the other. But both gray and green burned with a deep intensity you couldn't fully comprehend.
"Really?" Shouto deadpanned. "I've been inviting you to stay with me in my office alone, after hours, for months now, and you didn't take that as a hint that I was interested in you?"
"I just thought you wanted some company while you ate," you admit quietly, still staring at Shouto much like a deer caught in a set of headlights. "And that you were like, really bad at crossword puzzles."
Shouto groaned miserably, closing his eyes and letting his head fall back onto the floor with a loud thunk.
"I didn't want just anyone's company," he sighed. "I wanted yours, specifically."
"Oh," you replied, stunned. "Then why didn't you, you know? Ask me out? Let me know that you were interested?"
"I thought about taking a more direct approach," Shouto says, staring up at the ceiling despondently. "But my friends told me it was inappropriate to ask someone out while they're working."
"That's true," you conceded. "So what was your plan then, exactly?" 
"I was trying to make you relaxed enough in my presence where you would feel comfortable asking me out," 
Shouto said, shifting uncomfortably at your incredulous expression.  
"You could have waited one thousand years and I still wouldn't have been able to muster up enough courage to ask you out," you laugh dryly. "But even if your plan had worked, I still signed an employee code of conduct when I started working at Über Munch. I'm not allowed to flirt with customers."
Shouto hummed thoughtfully, tightening his arm around you once more. "I guess maybe it's a good thing we got stuck in that bottle together then, huh?"
"Too soon," you chastised him immediately, eyes wide as you shook your head quickly from side-to-side.
"Right. Of course. Sorry."
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Once you were able to move without crying in pain, you and Shouto had reluctantly pried your bodies apart and started acting like responsible adults. Shouto did his official Hero thing and reported your bungled kidnapping attempt to the police while you called in to work.
You'd ended up needing to use one of the Personal Victim Leave days you'd been accruing, which was fine. This was the exact sort of scenario you were supposed to use them for, but you still felt a little bitter because you had been hoping to cash all of them out at the end of the year to pay for holiday gifts for your family.  
The next few hours were a blur of commotion as you were interrogated by so many detectives you were pretty sure they had to be bussing them in from the surrounding precincts just to have the opportunity to interview Shouto. But the attempted kidnapping of a high-profile hero was likely a large enough case to elevate someone's career into the big leagues, so you couldn't fault them for their efforts; as self serving as they likely were.  
Eventually, you and Shouto had been escorted out of his office so they could start photographing the crime scene; officers delivering you down to a line of ambulances waiting to take you to the hospital for an After Quirk Exposure check-up. All you really wanted to do was go home and sleep for a week, but everyone had a story about some second cousin's friend who skipped the routine examinations and ended up turning inside out or something hours later.
Most of those stories were probably urban legends or some sort of Hero Commission propaganda, but either way they made you just wary enough to agree to climb onto the gurney and accept a juice box and pack of cookies from the paramedic without raising a fuss.   
You and Shouto were separated at the hospital, the attending physicians swiveling your gurneys off into separate wings. Shouto was whisked away to the private Hero section of the hospital while you were shuffled into the ER with the rest of the civilians, shoved into a curtained off nook and left to your own devices with a small cup of ice water and a dwindling phone battery.  
It was a testament to your exhaustion that you were able to fall asleep even with the cacophony of sounds from the ER filtering in behind your privacy curtain, waking only when the nurses arrived to wheel you around the hospital for one screening or another.  
You were on your way back from your third exam, some sort of organ scanning thing you had never bothered to learn the name of, when you noticed that the nurse had pushed you past the corridor that led back to your shrouded nook in the emergency department and towards the elevators.
"Am I going for another test?" You asked in confusion, watching as she swiped her key card across a scanner mounted next to the elevator control panel, selecting one of the numerous unmarked buttons after the scanner accepted her ID with a high-pitched beep.
"No, you're all done for now. We're just waiting for final results to come in," the nurse explained, pushing you out of the elevator doors the moment they opened far enough. "It's been requested that you be moved into a room for security reasons."
"I don't understand. Am I in danger-," your query was cut off as you were pushed into your new hospital room where Shouto was awaiting your arrival, neatly tucked into his own hospital bed. You could tell from the overcrowded cluster of monitoring equipment that they had shoved his bed closer to the far wall to make room for your gurney to be positioned next to his.  
"Ah, there you are," Shouto smiled in relief as the nurse engaged the locks on your bed wheels. "Thank you so much for your assistance, Nurse Yamamoto."
The nurse blushed tomato red under Shouto's direct attention, doing her best to hide her burning cheeks behind her clipboard. 
"It- ah, it was nothing. Just um, ring the buzzer if you need anything and I'll be back to check on you in an hour?" She stammered nervously, the end of her sentence pitching up into a questioning tone.
"That sounds perfect. Thank you again," Shouto beamed, flashing his teeth in a wide grin that stunned the poor dear so severely she attempted to exit the room by pushing on a door that had to be pulled to open. You grimaced internally in sympathy for her, knowing full well that she would replay that fumbled exit over in her mind every night before she fell asleep.  
Once the nurse was safely down the hallway, the squeak of her rubber soled shoes far enough away that you knew she wouldn't overhear, you spun to Shouto with a disbelieving look carved deeply into your face. 
"Did you just charm a nurse into letting us be roomies?"
"Please. I didn't just charm a nurse," Shouto scoffed, crossing his arms defensively across his chest. "I also lied a little."
"I can't believe you're this big of a menace," you laugh, flopping back as far as the stiff hospital pillows would allow. "Your PR team must be incredible."
"They better be, for how much I pay them."
You hummed in acknowledgement, looking around his room with a critical eye, noting the immaculate condition of all of the decor and medical equipment, as well as the humongous TV mounted on the wall opposite you; a muted nature documentary flashing across the screen. A large bouquet of blue and yellow flowers were laid next to Shouto's bedside, as well as a carafe of some hot beverage; likely coffee based on the small mountain of tiny creamer tubs stacked up next to it.  
"So there's no actual security risk then?" You mumble quietly, fiddling with the edge of your thin knit blanket, doing your best to swallow down the worried lump in your throat. "No sign of Ms. Yokubou or anything?"
"Nothing yet, I'm afraid," Shouto admitted, his face pinching tight with guilt as he examined your anxiously twisting hands. "I'm sorry. I didn't mean to worry you unnecessarily."
"It's alright. I've just never been someone's potential target before. It's got me feeling sort of jumpy."
"Understandably," Shouto was quick to assure you. "I guess I'm so accustomed to this sort of thing I didn't really stop to think of how scary it might seem to someone less used to it."
Shouto averted his gaze to the TV for a few moments, flipping to the programming guide channel to allow you the illusion of privacy to collect yourself while you discreetly dabbed the tears pricking the corner of your eyes with the edge of your top sheet.  
"So, uh- what was your motivation for moving me in with you then?" You ask, trying to set the conversation back on track after your emotional derailment. "Did you already miss being stuck in a room with me that much?"
"Not quite," Shouto huffed in amusement. "I came to the realization that this was the first time that you and I were both off the clock in the same building. I thought it would be a shame to not make the most of this opportunity to legally fraternize."
"I'm…not sure I'm entirely following your line of thought here," you say, brow furrowed. "You want to what, exactly? Have a date in the hospital?"
"That was my intention, yes," Shouto admitted, rubbing at the back of his neck bashfully. "But hearing you say it out loud makes me realize how silly it sounds."
"No!" You say quickly, shooting up stalk straight in bed, startling you both with the ferocity of your cry. "It's not silly at all! It's kind of sweet, actually. That you can't wait to spend time with me."
"It's just- things are going to get really busy for the both of us now that we're tangled up in a criminal investigation. And I'm not sure when we'll eventually get the chance to be together again," 
"You're right. We should make the best of the time we have together," you nod, rolling onto your side to face Shouto more directly. "And I can say with full confidence that this is the nicest place you've ever taken me. There's a bathroom here and everything!"
"There is!" Shouto laughed excitedly, reaching over to pull the flowers at his bedside into his arms. "And I got these for you, too."
"Really? They're beautiful, thank you," You beam, tugging the collection of blue blossoms into your arms, running a finger softly across a fuzzy green leaf. You notice a card tucked in amongst the blooms and pull it with a quick tug; snorting in amusement at the cartoon stork carrying a blue-bundled baby printed on the front.
"Ughhhhh," Shouto groaned when you showed him the card, scrubbing a hand down his face in frustration. "I asked the gift shop for any bouquet without pink flowers or lillies and this is what they sent. Give it to me and I'll throw it away."
"No!" You cry, pressing the card against your chest away from Shouto's wiggling fingers. "It's mine now, you gave it to me. I'm going to scrapbook it."
"Please don't," he begged, leaning over the rail of his bed to make a closer swipe at the card.
"Or maybe I'll laminate it. Keep it in my wallet for good luck," you muse with a hum. "Would you sign it for me? That would really increase its sentimental value."  
"You want my autograph?" Shouto asked, arm paused mid-grab as he stared at you searchingly- for what, you weren't entirely sure.
"No. I want you to sign the card you gave me," you clarify, pulling the card away from your chest and sliding it into his hand. "That's just good manners."
Shouto pulled his hand back, eyes softer than they were just a moment ago as he opened up the side table drawer and pulled out a hospital issue pen.  
"You're right. I apologize for my oversight," he said, quickly scrawling on the inside of the card with a speed born from years of practice. You snatched the card back from him as soon as he held it out, excited to see the message he wrote.
'Congratulations, it's a boy!  
(The boy is me)
Love, Shouto'
"I'm definitely laminating this," you whisper to yourself, cheeks aching from the force of your smile as you tuck the card safely back into the bouquet and clutch it to your chest protectively.  
"So, what else do you have planned for our date?"
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Dinner was up next, not because you were necessarily very hungry with the swarm of nervous butterflies you had fluttering around in your stomach; but because a member of the kitchen staff had let themselves into your room to take your meal requests.  
"You know, I sort of thought by how much fancier the Hero rooms are that you guys would get better food too," you say, spooning another mouthful of the thin vegetable broth into your mouth.
"All the hospital food comes from the same kitchen. The meals for Heroes aren't any better in quality, but we are permitted to have as much as we want," Shouto explained, prying the lid off of a pudding cup and giving it a tentative sniff. You decide to follow his lead and shift your focus to your dessert, a parfait that was mostly yogurt with a bit of granola sprinkled on top.  
"This is actually turning out to be a pretty good date," you say when the TV starts showing a commercial for a local refrigerator repair service.  
"You think so?"
"I do," you assure him. "We've even hit two of the major date features you mentioned before. We're having dinner together and you got me flowers. The only thing missing is the music."
"I can fix that," Shouto says as he reaches for the TV remote and punches in the code for a music channel. A music video starts playing; starring a man with bright green skin wearing sunglasses on the beach, flanked by a line of women in bikinis.
"Girl, I think your Quirk must be Twerkin', because your booty really knows how to work it-," The man sang, slapping the right buttcheek of the dancer closest to him.
"So romantic," you sigh, holding a hand to your chest dramatically.
"I'm changing the channel," Shouto grimaced as the camera panned away from the singer and zoomed in on the background dancer's wobbling butts.
"You can't! 'Twerkin' Quirk' is officially our song now, Shouto!" You laugh in delight, soaking in his misery like sunbeams on the first warm day of Spring.
"Everytime I think something else couldn't possibly go wrong, it does," Shouto lamented, a pained look on his face as they began spraying the bikini dancers with champagne while they gyrated next to a sports car with spinning neon rims.  
"It sure does seem that way," you agree, fishing out the lone blueberry from the bottom of your parfait. "I'm probably going to have to reevaluate my opinion of this date now."
"Has it finally sunk low enough to earn the 'Worst Date Ever' award?" He sulked, flinging the remote down onto the end of his bed irritability.  
"It's definitely cinched the nomination for 'Most Memorable'," you tell him with a smirk, putting your dessert cup down so you could reach across the space between your beds to offer him your hand. The feel of his hand in yours was already a familiar thing; your fingers at home twined together. "But I don't think any date could be bad, so long as you're with me."
"I think you're giving me too much credit, but I'll take it," Shouto grunts softly, deflating down into his pillows to watch the finale of the music video.  
"I'll let you take as much credit as you want so long as you take me on another date."
"Agreed," Shouto replied instantly. "And I promise, it'll be better than this."
"I don't think you'll ever be able to top this," you laugh brightly, heart thumping happily as you bury your nose into your flowers and watch as the singer on screen smears oil across his chest while a confetti cannon fires behind him.  
"But I can't wait to see you try."
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honeytonedhottie · 4 months
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https://www.tumblr.com/honeytonedhottie/739988623053799424/hi-honey-do-you-have-any-tips-for-embodying-a?source=share
Hi!! this was my ask, so sorry for not elaborating LMAO, I want to be an actress by manifesting it ( while working for it ofc) and I was wondering if you had any tips for embodying someone successful like any confidence tips or scenarios to help me really feel like a successful actress!!! tysm Honey!!
ohhhh okay ofc anonie 🫶🏽 i'll give affirmations, tips on embodiment, and scenarios that u can script if u want.
AFFIRMATIONS ;
i wake up to SO many notifications from agencies asking to work with me
i wake up to SO many emails telling me news that i got the roles i auditioned for
isnt it wonderful that opportunities fall into my lap
im so incredibly talented and confident in my manifesting abilities
TIPS ;
if acting as if is a little difficult or unnatural for u to do i recommend using the concept of alter egos which i've explained before in this post. this is something that lots of successful actors and musicians and people in similar industries practice and i think it could totally help you 🫶🏽
SCENARIOS TO SCRIPT ;
finding ur emails flooded with agencies wanting to book you for commercials, auditions, and opportunities in general
watching yourself on television or watching edits of urself on tiktok that ur supporters make for u
receiving awards for movies and television shows that YOU'VE starred in
working with some of ur favorite actors in the industry
i know u can do it anonie, you're LIMITLESS ✨
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queen-mabs-revenge · 8 months
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lmao socialist brain on main as per ushe but i genuinely cannot see how s3 can be anything else but both aziraphale and crowley having some kind of revolutionary allegory arc?
like as of right now they've done the 'stop the height of destruction and roll things back to the status quo' bit in s1 and then all of s2 is an object lesson on why that's only a temporary thing and will always be a temporary thing as long as the ruling system as it is stays in place, bc complete and utter destruction is baked into the fucking thing.
it's almost like a metaphor for....no i shant say it.
i shall. it's capitalism lmao.
crowley rn having a 'ok fuck that. fuck them. let's just live off the grid babey!' mindset and aziraphale, as per my favorite gomens post of all time socdem through to the tips of his angelic wispy hair going off to reform the two party system...
basically i need them both to fail miserably at trying to effect their chosen tracks both bc they're trying alone but also bc neither actually could be successful, essentially be forced into becoming thee most unlikely and unhinged militant union leaders in the eternity of the universe by getting the rank-and-file populations of heaven, hell, and earth to unite together, go on some kind of metaphysical general strike, overturn the system of accumulating power and souls for the supernatural bosses, and build a system of everyone having real agency and operation of their own lives, destinies and wills.
and what if the trade unionists ✊✊✊ relearned through the struggle how to communicate, trust and rely on each other🤝🤗 and kissed at the dawn of a new system of existence they helped build 🌍✨ where they're finally truly safe to choose each other?💗💋💖
hahaha.......unless??? 😳🙈😳
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