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strawberrystepmom · 7 months

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cw children, cw families. gojo and f!reader were idiots in love and they are now married and have a baby. my effortlessly good painter gojo hc won out over being normal in my brain today so yeah. reader is referred to as mom/mama/mother and princess, satoru makes a joke about readers breasts. wc 1.1k

Your morning has started far quieter than they usually do.

The day is overcast, no sunshine through your floor to ceiling bedroom windows, but you don’t mind. It feels good to embrace the cloudy days that have come with the changing of seasons, no harsh light to shock you awake. That job will be for your identical menaces in the coming months, the gummy smile of your morning person nine month old and her unabashedly obsessed father Satoru always eager to be your twin alarm clocks with their giggling and playful babbling at each other.

There’s nothing they love more than giving you the gift of four identical blue eyes blinking at you while you come to your senses every morning. You can almost admit aloud that you’ve become a morning person since becoming a parent, the delightful giggles of your daughter giving you the motivation to conquer anything and everything you can.

For today though, you wake gently, softly rolling from your side to flat on your back but something feels off. There are no hushed giggles, no silly songs being recited with children’s show host precision.

Your bed is empty and quiet and you feel…sad. Perhaps in the past you would’ve found this to be a luxury - no freakishly long limbs of your husband starfished across the bed to keep you pinned to it, no baby to tug at the earrings you forgot to take out last night, but instead it just feels like a less welcome start to the day.

Lingering in bed doesn’t feel good so you roll again, dropping your legs over the edge and sliding your feet into your waiting slippers. Scuffing across the floor, you yawn and stop in your tracks hearing voices from inside Satoru’s closet.

Well, a voice and some baby giggles, anyway.

“Can you say mama?”

Leaning against the door frame of the walk in, you stifle a laugh listening to your husband babble at his little girl who babbles back excitedly. Peeking around the corner, you see him standing in front of the portrait of you that he painted on your 24th birthday, little babe held to his chest and leaning her head on his shoulder.

“That’s her, that’s right. Your perfect mom.”

He sighs and your heart squeezes watching the two of them sway side to side, your baby who is growing into an independent toddler every day reaching out as if she recognizes your face. You’re sure she does, actually; the painting is an impeccable likeness and it still frustrates you 6 years later that he managed to become so good at a craft you’ve spent your life working on in less than a month.

Someday you’ll tell her the entire story, your version of it anyway. For now you’re content to let her father tell his side considering it was one of the most grand and romantic gestures he had performed at the time in an effort to show you how serious he was about your relationship.

“Listen, little girl,” he starts, unknowing that he has captured both of your attention. “I know I’m going to have to tell you this again eventually but do not ever bring a man or woman or anyone else into this house that loves you less than I love your mother.”

She coos at the sound of his voice and he chuckles down at her, kissing the downy white hair atop her head.

“I mean it. If they won’t stay up for four nights straight to get a start on painting your nose from memory, leave ‘em behind.”

With this, you giggle and the attention of both of your menaces is captured. Your daughter squeals from over Satoru’s shoulder, holding one little hand out and making a grabbing motion and he copies her excited babbling with his own.

“My little tricksters snuck out of bed this morning!”

Grinning, you cradle your little girl against your chest and kiss her temple, inhaling the clean smell of her shampoo and skin. She’s been bathed and everything.

“You’re the best.”

You feel the need to remind Satoru at this moment and he grins, bending to give you a good morning kiss.

“Duh.”

Giggling, you let your wiggly daughter settle herself and the three of you stand in front of the painting. You recognize the younger woman permanently captured in it, the soft lovesick look in her eyes, and it amuses you to know he took extra time to capture you exactly like that. Hopelessly in love.

He could capture you using the same medium and you’d look identical to how you did back then - utterly stricken.

“Did you really stay up practicing for four nights?”

“Princess, I stayed up practicing for four weeks.”

You snort, looking up at him from the corner of your eye.

“There’s no need to embellish now, you’ve already won me over.”

He shrugs, pulling the two of you close to his chest. He leans over his little family, cheek resting against the top of your head.

“But what if I never want to stop winning you?”

You reach up and brush his hair off of his forehead affectionately. Every touch you give him is full of love and every glance carries tenderness.

There will come a time when your daughter will be old enough to gawk at the love the two of you have for one another. Maybe she’ll stick her tongue out and roll her eyes just as you remember her father doing more than once or perhaps she’ll simply smile and hide her face in the collar of her shirt, dreaming of a love like what’s in front of her someday.

“I mean, I could paint you again. You are coming up on the big three oh and I have to say that a few things have grown since back then if you know what I mean.”

He waggles his eyebrows suggestively and drops his voice suggestively low. You flick him on the forehead and laugh about it, your daughter joining in on your giggles as a nine month old is apt to do.

The thing you hope she’ll understand the most is that sometimes love isn’t just big paintings and grand gestures and sweet looks. It’s being grounded enough to give each other a hard time when things are good and a good time when things are hard.

You are fortunate enough to have the best of everything with her father.

“Let’s go make breakfast, Monet.”

You turn on your heel and your husband follows closely behind, small steps to match your own. He looks over his shoulder one final time to look at the painting of you on his closet wall and he smiles, soft and warm.

“Whatever you say, my muse.”

#gojo x reader #gojo satoru x reader #satoken #kendall writes #the way I have the actual story of the painting itself written too my word #cw children #cw families

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khattikeri · 3 months

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one of my favorite things about mdzs is that for how heavily its plot involves politics of classism and misogyny... even the characters most directly impacted by it can't and don't free themselves from it. literally the closest exception is mianmian.

meng yao being the "son of a whore" wasn't some sort of commie awakening for him that led him to wanting everyone to be socially equal. he played the political game, climbed the ladders, sucked up to and backstabbed and murdered people, including other prostitutes who actually had nothing to do with how he and his mother were treated at the brothel he grew up in.

he put in so much extra excessive effort for even a fraction of the same respect that members of gentry cultivation clans got. and he did deserve to be treated more humanely! but he feeds into the exact same system that created him, leading to his own undoing.

his efforts were for a fragile upward mobility that was never going to hold up. he never surpassed his origins nor did he empower others in similar stations, because the society he lives in is not one that would accept that.

the second he got caught and all those crimes exposed, he was scapegoated to hell and back, replacing wei wuxian as society's terrible one-sidedly evil boogeyman overnight.

speaking of not-quite male gentry, i think it's interesting that wei wuxian explicitly doesn't try to climb the ladders in BOTH lives, knowing full well that anything he does will be punished just for the sheer fact that he is wei wuxian.

wei wuxian is scolded for giving intelligent and correct answers in school. lan wangji does the same and is praised.

wei wuxian occasionally lounges around with fellow disciples and is punished. jiang cheng does the same and mostly escapes.

wei wuxian refuses to carry his sword around in public (after losing his golden core, which nobody knows) and is scorned as an arrogant upstart. nie huaisang has been doing the EXACT SAME THING for YEARS and nobody bats an eye.

unlike jin guangyao, wei wuxian knew subconsciously from the start that his acceptance was superficial and that he could be cast out any time. when he was 10 and recently taken in by the jiangs, he canonically would not eat or use "too much" food and water because he thought they'd find him a nuisance for "wasting their things" and kick him back out.

now away from just the classism, yu ziyuan is a proud and strong noblewoman in a society that belittles and derides women for everything they do. her strong cultivation doesn't matter. she's victim to the vicious rumors of her husband loving another woman who is strong like her but apparently had a more likeable personality.

it doesn't matter even if jiang fengmian didn't cheat or that wei wuxian is wei changze's son with cangse sanren; yu ziyuan can't bear with the humiliation of herself (and by extension her children) not being "good enough". she's ridiculed for "failing" in that one duty as a wife, mother, and woman.

she lashes out and takes out that anger on everyone present for years, giving her children lasting trauma and also being a key element in how the jiang family and yunmeng jiang sect are effectively wiped out at the hands of the wen clan.

madam jin doesn't even have a name outside of the fact that she's married to jin guangshan. i don't even remember reading anything that indicates if she's a strong or weak cultivator, or what, which in itself proves that to most people, it doesn't matter. she's "just" a woman.

of course she's angry at her husband's affairs and all the bastard children they bring in. but she also can't do anything about them, so she lashes out at the few people she can: servants. non-cultivators, probably. those very same bastard children.

shoutout to meng yao getting shoved down a flight of stairs at age fourteen, because if madam jin tried that move against her husband instead, it would make her lose even more face, which as a noblewoman she'd never do.

and that's not getting into how jiang yanli is consistently sidelined for being physically weak.

that's not getting into how mianmian was actually a good cultivator, but was mocked by everyone around her for trying to stand up for wei wuxian when everyone was turning on him. how everyone scoffed at luo qingyang's words as "just some lovesick woman" who "obviously wants to marry or bed him since he saved her".

luo qingyang is the only one of these characters who HASN'T died. she didn't play society's games like jin guangyao. she didn't dig her heels in confidence of her own abilities like wei wuxian.

she didn't bitterly lash out like yu ziyuan and madam jin. she didn't gently accept it like jiang yanli.

she just LEFT.

she married an ordinary merchant and cultivates separately from mainstream cultivation society, and therein found her own peace and happiness.

mxtx doesn't bother with particularly class conscious or feminist vocabulary to hand-hold readers into understanding these disparities, but that choice highlights them & the deeply entrenched politics of their society even more. i really love it.

#keri chats #mdzs #mo dao zu shi #long post #mdzs spoilers #im novel only but still tagging.#the untamed #cql #yeah yeah everyone's written meta addressing this aspect of the story BUT I THINK ABOUT IT ALL THE TIMEEEEE #maybe i just don't get to read a ton of books often; esp not ones that mirror my own culture. but it's just so. soooooo. augh #the fact that the setting itself enables so much of the tragedy in mdzs... which is true of all tragedies but STILL...#this isn't even getting into qin su and the power imbalance w her and jgy post-reveal... man.#man. so much going on here. man #THIS POST IS MESSY AND BARELY EDITED BUT IF U READ IT. ILU

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zu-is-here · 2 months

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✧ Studio Magazine ✧ [1]

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random-autie-fangirl · 3 months

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The holy quartet of video game narrators which are actually living beings (...and also kinda suck)

#slay the princess #undertale #the stanley parable #little misfortune #stp narrator #chara dreemurr #tsp narrator #mr voice #I love this trope #love when the one telling the story is stuck within it #love when the narrative itself is alive and malicious #and I love lemony snicket and pseudonymous bosch #...but there's something about the way it can be used in a video game #where the narrator/protagonist relationship can be more personal #also lemony is far nicer than anyone here (from what I can remember)#hey look! I did a thing #fucked up video game narrators>>>>>>

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thoodleoo · 2 years

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*twirling my hair around my finger* hes just soooooo burdened by his sense of duty and the insurmountable weight of being a mere man written into the role of a myth

#yes this is about aeneas yes im reading more aeneid #heres the thing about the aeneid that really gets me #like we're told from the very beginning of the story that this is a tale of how rome comes to be #a foundational story of homeric scale designed to inspire the people of rome #but then we meet aeneas and he's literally Just Some Guy #like he's a single father and he just lost his dad and he would really like to not be on this boat right now #also this is literally the same thing for turnus except instead of the sense of duty it's the divine rage of juno #like hes on the battlefield hes on his knees his Just Some Guy who didnt really ask for this #and heres aeneas heres the hero heres Rome Itself #but turnus looks into his eyes and for the shortest most desperate moment he sees himself #aeneidposting

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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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omrarchive · 2 months

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simon and wille's scent

#it's a whole story in itself #young royals #young royals s3 #young royals spoilers #yr #simon eriksson #simon #wilmon #omar rudberg #young royals season 3 #s3 spoilers #omr #mygifs #gifs

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kafkaguy · 3 months

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literally the craziest experience ever when you watch something and you feel it affect you deeply and you come out of it wanting to throw up and cry and turn your whole life around. and then you see what your friends think about it and they're like. "yeah it was sad" "yeah it was pretty good" "yeah i don't really know how i feel about it." ok well im eating my hair and ripping my clothes and howling at the moon so.

#just watched all of us strangers. WHAT. THE . HEELLLLLLLL #WHAT THE HELL. ANDREW SCOTT. ANDREW SCOTT SAVE ME. WTF GAY LITTLE PAUL MESCAL SAVE ME #BITTERSWEET GHOST STORIES AND LOVE HAUNTINGS AND THE PAST MANIFESTING ITSELF SAVE ME . GAY PEOPLE SAVE MEEE

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somerandomdudelmao · 6 months

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Besides the movie (if there is), was there anything else that made you create this amazing comic?

Actually..ahahfjgj aCTUally, the movie wasn't what inspired this comic at all.

Fanfics and comics, however....

#I mean #come on #those 3 minutes is cool #but not enough for me #but fanfics #they add so much depth and context #they made me love the future timeline #and I always draw stories about things I love so~#I think it kinda means that this comic was created because of the fandom #not because of the franchise itself #poetic #in a way

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singingcicadas · 1 month

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Megatron's Opposite Day

"I free slaves"

This is Soundwave binding Ratbat but seeing as Megatron did the same thing to Pentius by putting his spark into Trypticon and reformatted Rumble and Frenzy into cassettes against their will I think he approves a lot of this practice

Megatron on Optimus and humans, after his defeat in All Hail Megatron ⬇️

he really salty

"I implant ideology" aka brainwashing

Decepticon cause = Megatron. nuff said.

"I liberate cities" says the person who let Nyon burn to make a point

Cities are too small, think bigger

Holding New York hostage.

"Like Autobots, they believe in the sanctity of life" which he doesn't. Kudos for being honest.

Allowing troops to do free-rein massacre is a reward for conquest. Nothing like some easy murder for de-stressing.

The Simanzi massacre which halved the Cybertronian population is off-screen so it doesn't deserve its own pic

"The revolution"

"We only feel good when we stand with a blade in one hand and a throat in another" "Let's make the entire face of the planet into our new gladiator arena"

What nice, confidence-inspiring revolutionaries. I'm sure they'll rule the population with benevolence after they've killed all the Necessary People with Necessary Violence. Final interpretation of what constitutes as Necessary is reserved for the sole discretion of Megatron, ofc.

Good goals.

Sentinel might be an absolute asshole but at least he's got one thing right: they're literally a gang of thugs who gets high off murder.

"The people are my utmost concern"

'The people': ................

"Battling for freedom"

Freedom of what? Function? Autonomy?

Religion?

the ability to choose whether to fight? on which side to fight?

Idk why they used the word "pogrom" for this, it's way too specific

Anyways it doesn't matter, they won't be missed.

Good for Bumblebee for calling him out. Screenshotted this just to appreciate Megatron's bitchy face ⬇️

Other urban legends:

"Megatron loves Cybertron" let's just burrrrn it

He did fight to save Cybertron in Chaos Theory but also made it pretty clear why he did it. It's not out of the goodness of his heart or any sentimental reasons like that. It's an ego/dominance thing.

Plus his wording when he's trying to convince Optimus to let him go with the Lost Light: "I broke the planet. And that, Optimus, is why I owe it to you - to everyone - to find a replacement."

Replacement.

In other words: I made a mess and can't be bothered to clean it up, so I want to get away from it and find somewhere new to start clean.

I don't think Optimus appreciates the favour.

"Megatron tore down a corrupt government" which is true, just too bad that he's worse

He's also, um, a closeted Zeta admirer?

"Megatron advocates equality" ???

Megatron x dictatorship is literally his OTP. They were inseparable for four million years. A lot of people died trying.

"Megatron cares about the Decepticons" no he doesn't. Not his troops nor its cause.

Like for one thing he treats them with complete scorn

Admits that the most useful thing about keeping Starscream around is that he can bully underlings into line

Wants to use the humans' nuke to get rid of his troops and reformat them into peaceful drones after they outlive their use because they were "too ruthless" for his perfect peaceful society

Has zero scruples about fighting Deceptigod, just affronted that his own soldiers are being used against him

And basically just drops the Decepticons like a bag of vermin after he surrenders. He never once mentions them of his own accord, other than to insist he has nothing to do with them. Even his surrender speech is something Optimus makes him do as exchange b/c he wants to go on parole. He wasn't planning on making a public address otherwise, he was just going to leave them hanging.

Looking at the publication timeline, Megatron started out as an established Evil McEvilson-type villain similar to how he is in G1 and it's not until Chaos Theory in 2011 that JRo really gave him a sympathetic backstory that drew his characterization away from the bloodthirsty pugno ergo sum warlord into someone who once held ideals about societal reform and remains convinced of his own moral supremacy throughout the 4 mill years of death and war, adding worldbuilding such as Functionism/oppression/government corruption as justification for the beginning of the Decepticon movement. But because the start of the Decepticons was already written in Megatron Origins and every evil thing he'd done up till Chaos Theory can't be retracted and they had to keep Megatron as a villain until his story was no longer central to the Autobot-Decepticon war line, and JRo didn't try to downplay the atrocities he'd committed (some of the most sadistically disturbing things Megatron did were exclusively in MTMTE flashbacks), but rather tried to distance him from them and placed the focus on the juxtapositions to emphasize change, this as a whole just resulted in Evil McEvilson getting turned into Hyper McHypocrite.

#That being said I genuinely enjoyed Megatron's redemption arc in mtmte/ll. It's one of those stories that's very poignant and moving #on an emotional level #even though the plot itself doesn't hold up that much under close scrutiny.#moved this to the tags to make the post cleaner #I would've liked it more if LL used a few more panels to show Megatron Actually Making Friends #instead of shunting him into a parallel universe for idk how many issues in an already limited run #transformers #idw transformers #maccadam #megatron #trying to clear out more screenshots

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